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Cult Movies
  • 7 weeks ago
A group of actors are assembled in a small island to film a low-budget movie. Soon, they begin to fall prey to a mysterious killer who uses the lyrics of a weird song to determine his method of murder.
Transcript
00:00:00I
00:00:30I don't know.
00:01:00I'm gonna open my eyes
00:01:05I'm gonna open my eyes
00:01:09I can't boast someone just like you
00:01:14And no one else can make me do the thing
00:01:17I'm gonna call it who's I think I am at all
00:01:30Boys, I can't forget you
00:01:52It's more than a child.
00:02:22Hurt me, hurt me, hurt me, face to face, hurt me, hurt me, hurt me, put face to face, I don't care what you do.
00:02:40She burned enough garbage to fill 747. Supposed to be musicians, right? Not bellhops.
00:02:45Come on, huh? No problems? Just load up.
00:02:48Where's he on an island?
00:02:49When? She thinks this is weird, she gotta try a manhandle.
00:02:54Yeah.
00:02:55What?
00:02:56Cause face to face, face to face, you quiver, you quake, you shiver and you shake.
00:03:05You say hurt me, hurt me, hurt me, face to face, hurt me, hurt me, hurt me, cause face to face, I don't care what you do.
00:03:17Lonely as a child, you were wet, you were wild, you were selfish.
00:03:25And you cried out late at night, with your covers pulled up tight, you were helpless.
00:03:32I hope the cast isn't late.
00:03:35I'm sure the cast is already on the island.
00:03:37What?
00:03:38Damn movie people.
00:03:52Not people going back and forth to the island like a taxi service.
00:03:58Hey, Bert.
00:03:59How are you doing?
00:04:01You here as mayor or what?
00:04:03Came by to say hello.
00:04:07Gonna put you in a movie, Bert?
00:04:09Feel like talking?
00:04:11The only time you real estate snobs talk to me
00:04:13is when you want information about that island.
00:04:15You want information?
00:04:17I want money, 50 bucks.
00:04:19You got it.
00:04:21The old widow's giving the island and the school
00:04:23to her city church group for a retreat.
00:04:25In return, she's gonna get some damn big tax break.
00:04:27Not only the old widow, it's probably say you're right.
00:04:29Has she done it yet?
00:04:31Not till the end of the summer when they
00:04:33come out to look it over.
00:04:35That's a shame.
00:04:37It's a valuable piece of real estate.
00:04:39That's all you ever think about.
00:04:41Just building more and more of them damn junk homes.
00:04:45Remember, that's how I make my living.
00:04:47Just like you sell information.
00:04:53The only real value on that island is the school.
00:04:55It's a landmark.
00:04:57Landmark of memories.
00:04:58Good memories.
00:04:59Oh, they're out there.
00:05:01And they're gonna stay out there.
00:05:03Next time you're in town, Bert,
00:05:05stop by the office and I'll give you your money.
00:05:11You like the idea of the dancer on crutches, huh?
00:05:13Hope the boat ride isn't too long.
00:05:17Hope the boat ride isn't too long.
00:05:19Hold in the sky.
00:05:33The way the earth used to be.
00:05:43Do the world away, yes, and set us all free.
00:06:08Hey, do you know what time it is?
00:06:13Hey, where are you going?
00:06:13To look around and turn bored.
00:06:31Man, all that luggage and them two guys.
00:06:34She's got something going.
00:06:36She's a no-talent.
00:06:37I saw her audition.
00:06:39She's got talent.
00:06:42Picking husbands.
00:06:44You know, coming out on the boat,
00:06:45two guys were talking.
00:06:46She married some rich guy who got killed
00:06:48and left her a million bucks.
00:06:58I'm going to look in that faculty house.
00:07:00I'm going to try to find a place to change.
00:07:07Sure.
00:07:14What do you think?
00:07:17I think our careers are going in the toilet.
00:07:19What do you mean?
00:07:26Come on.
00:07:30Come on, what?
00:07:32She's paying us, isn't she?
00:07:33Yeah.
00:07:34So?
00:07:37So what?
00:07:39So shut up.
00:07:44If you want to keep sponging off that no-talent broad that you're a gig and quitting.
00:07:49Where's that leaving you?
00:07:53Nowhere.
00:07:53You can't go back to L.A.
00:07:59Where are you going to go?
00:08:00They're going to put you away.
00:08:04Nobody's going to put me away.
00:08:08Big man.
00:08:09Would you mind if I ask what you're doing in here?
00:08:27Didn't the caretaker say he was going to give us rooms when he got back?
00:08:31Well, I'm going to take mine now and plead stupidity.
00:08:33I'll bet you're good at that.
00:08:38Yeah.
00:08:43Where are you going?
00:08:46Where does it look like I'm going?
00:08:48The best rooms are usually upstairs.
00:08:56You don't waste any time.
00:08:58When's Noah and his Ark coming back?
00:09:14I said, when's Noah and his Ark coming back?
00:09:17The old man with the boat.
00:09:19You mean if he comes back?
00:09:22What are you talking about if?
00:09:25It's a world of is, pal.
00:09:26You know, if the sun comes up, if your woman loves you, if your heart keeps pumping.
00:09:31No, I said to you, what are you talking about if?
00:09:34It'll be back, man.
00:09:35Don't worry about it.
00:09:37You know why?
00:09:38Because it's always the things of no consequence that you can be sure of.
00:09:42Can you do me a favor?
00:09:43Just a little favor.
00:09:44Could you shut up?
00:09:46Just shut up.
00:09:47Because you're depressing.
00:09:48Oh, tell you what he thinks we're depressing.
00:09:52Well, we may be depressing, but he's stupid.
00:09:55Ero, the boat's here.
00:10:17Director guy doesn't like boats, does he?
00:10:40Hi.
00:10:42Hi.
00:10:44Oh.
00:10:44I'm just looking for a place to change.
00:10:48I'm BJ.
00:10:50I'm Donna Lincoln.
00:10:53Is this your first film, too?
00:10:54Well, as an actress, I've done a few commercials.
00:10:59Oh, this is everybody's first film.
00:11:02That's weird.
00:11:03Well, what's so weird about that?
00:11:05It's a chance.
00:11:07I'm going to change.
00:11:11Well, why don't you change upstairs?
00:11:14Why?
00:11:16That's where I changed.
00:11:18OK.
00:11:19What's the matter?
00:11:21What's the matter?
00:11:23What's the matter?
00:11:25What's the matter?
00:11:31What's the matter?
00:11:35What's the matter?
00:12:05Every night...
00:12:09We're all in the night...
00:12:14You're still in the night...
00:12:16Well, you've got a new day, to have a good day...
00:12:25I'm also in the night...
00:12:30Oh, my God.
00:13:00Oh, my God.
00:13:30Oh, my God.
00:13:32Oh, my God.
00:13:34Oh, my God.
00:13:38Scared you, huh?
00:13:45Are you crazy?
00:13:47It's only cardboard.
00:13:49It's just a joke.
00:13:51It's just a joke.
00:13:55Just a joke.
00:13:57Just a joke.
00:13:59Bro!
00:14:01My name's Steve Faith, and this is our director, Franklin Flamm.
00:14:09Right.
00:14:11Flamm?
00:14:13I'd like to make a few points before we start here.
00:14:17Please, no drugs or alcohol.
00:14:21Franklin Flamm.
00:14:23Boy, the name.
00:14:24Sounds like a case of pneumonia to me.
00:14:27And we have a caretaker named Bert.
00:14:29Now, seeing as there are no phones on this island, the only phone we have is the radio phone on Bert's boat.
00:14:35We need his cooperation.
00:14:37So, please, don't annoy Bert.
00:14:40Okay?
00:14:41Now, I'd like to tell you a little bit about the film that we're going to make.
00:14:46You know, when you look at books and magazines, movies, watch television these days, it always paints the picture of the world as being some kind of sewer and that we're all going to go up in some big holocaust.
00:14:57Amen, pal.
00:14:59Well, we're going to do something different.
00:15:03We're going to make a film that's very positive, has something to say to the youth, and makes a statement, shows them what is right with the world.
00:15:11What is?
00:15:13Would you mind holding it down?
00:15:15Down as far as it gets.
00:15:21Now, not everybody is an exploiter or a sex maniac or a thief or a murderer.
00:15:26People do help people, and that is the point that we're going to make with this film.
00:15:30This is an up-up film, right?
00:15:33That's right.
00:15:34And we have a real hero, played by Betty John.
00:15:38Betty Jean.
00:15:41Right.
00:15:42Basically, our storyline is about Betty Jean and her friends who put on a rock musical to help raise money for the school's musical scholarship program.
00:15:51These are up-up people, right?
00:15:54That's right.
00:15:55So, we're going to start Monday as soon as the crew gets here, and that'll give us a couple of days of rehearsal.
00:16:03I'd like to start working with Betty Jean.
00:16:05Do you need the two of us?
00:16:07Later.
00:16:08When do we eat?
00:16:09Later.
00:16:10Okay, I'm sure we're all going to do a wonderful job here, and that's it.
00:16:19Look, guys and gals, the only way to save our school scholarship fund is to put on a rock musical.
00:16:29We can all be performers, and we can use my uncle's barn. Are you with me, guys and gals?
00:16:43Are you with me, guys and gals?
00:16:51Hello.
00:16:53Hmm.
00:16:54Hmm.
00:16:55They call this a rehearsal, Hope?
00:16:56Okay, we don't have much time, so I want you to turn to the beach scene on page 76.
00:17:01Can I say something about the script?
00:17:02What about my script?
00:17:03It was good.
00:17:0476.
00:17:08Now, up until this point, the audience has seen your character as very shallow, and
00:17:12you're not looking for the director.
00:17:13It's not that much.
00:17:14It's not that much.
00:17:15Okay, we don't have much time, so I want you to turn to the beach scene on page 76.
00:17:18Can I say something about the script?
00:17:20What about my script?
00:17:23It was good.
00:17:2576.
00:17:31Now, up until this point, the audience has seen your character as very shallow, and
00:17:37and inane but in this next scene the beach scene with rick we see for the first time
00:17:47how much real depth and feeling she has
00:17:53make love to me rick i need you now right now i can't do this play without you
00:18:06i need you rick that's it too much emotion too much uh should i give it less less
00:18:21it's the scene it's overwritten just cut it to one line i need help
00:18:39i need help right can i go to the bathroom please
00:18:47go from one disaster to another
00:18:54so how's she doing bj oh great casting uh she has a definite quality it's it's it's different
00:19:06excuse me can i get something to eat you'll eat when the food's ready
00:19:14can i ask what we're having
00:19:18you'll find out when it's served thanks look fella i don't like nothing about your generation
00:19:27if i owned this island you wouldn't be here none of you what have we done that you don't like
00:19:31so far just showing up you tell the others they eat what i put on the table or they don't get
00:19:38nothing i'm not gonna mess with a bunch of food picky drug freaks
00:19:44you know any jokes
00:19:56don't mock me i may look old but i'm still strong enough to break some bones
00:20:01i believe you
00:20:11nice guy i hope he can cook it makes it pretty clear doesn't like our generation
00:20:17ha there ain't gonna be any more generations what are you a prophet where do you live a tree in
00:20:25disneyland they've got enough bombs on this earth to blow us out of orbit
00:20:33that's a fact
00:20:41they're gonna do it
00:20:43there's nothing we're gonna be able to say about it
00:20:46i think i've lost my appetite
00:20:49you're gonna pull up the world you're worried about your damn stomach
00:20:52get smart pal he's as much fun as the guy in the kitchen
00:20:56he's right what you said the world sucks where you going to shoot myself i want to be first at the
00:21:13pearly gates i hate long lines
00:21:15you're having fish i like fish
00:21:45you're having fish
00:22:01ow damn boiling water the hell is it
00:22:05it's cold
00:22:09yes
00:22:10what the
00:22:13what the
00:22:21hu
00:22:25oh
00:22:27Moil me, Mr. Fiend, moil me, moil me, moil me, moil me.
00:22:57You know, it was a damn stupid accident.
00:23:03Never should have happened.
00:23:04The thermostat was broke on the pool.
00:23:07That's why the gate was locked.
00:23:08When the gate's locked, there's a reason.
00:23:10I don't want anybody going around unlocking any gates.
00:23:13You understand?
00:23:14And don't start eating until I finish serving.
00:23:18What a horrible way to die.
00:23:24Do you have to keep talking about that while we're eating?
00:23:28I'm sorry, I can't help it.
00:23:30It isn't every day I find someone boiled to death.
00:23:33Okay, Len, let's knock it off, all right?
00:23:37Where's Taylor?
00:23:40Maybe he's not hungry.
00:23:43I'm sorry about your friend.
00:23:48I can see myself in this plate.
00:23:54I feel gross saying it, but I'm starved.
00:24:00Mmm, smells great.
00:24:03All right, eat.
00:24:07Boiled, Phil.
00:24:15Where are you going?
00:24:17Uh, you can have mine.
00:24:21Look, Steve.
00:24:22About the dead guy?
00:24:23Mm-hmm.
00:24:24Don't worry.
00:24:25I've written him out.
00:24:26We'll save a bundle.
00:24:28Franklin, we'll talk about this later, okay?
00:24:31Let's eat.
00:24:32Yeah, sure.
00:24:33What's for dinner?
00:24:35Boiled lobster.
00:24:36Boiled lobster.
00:24:48What's wrong with him?
00:24:49He don't look like the picky kind.
00:24:53Don't come back in an hour looking for snacks.
00:24:57Terrific.
00:25:06What's wrong with me?
00:25:07Who is with my dog?
00:25:08I didn't eat his dog.
00:25:09I think that's...
00:25:10I think he's on a bit of a nice drink.
00:25:12I'm so sorry about cleaning.
00:25:13I know I think I can mix it up, but it's never.
00:25:14I'm so sorry.
00:25:15I know he's going to take it away.
00:25:16I don't want to get out.
00:25:17I'm so sorry here.
00:25:18Maybe you can do it?
00:25:19It's never too late.
00:25:20It's never too late.
00:25:21It's never too late.
00:25:22I don't know.
00:25:23I think that's whatever you want.
00:25:24I'm so sorry.
00:25:25No, it's never too late at all.
00:25:26It's never too late.
00:25:27It's never too late.
00:25:28It's never too late.
00:25:29I'm so sorry.
00:25:30I don't know.
00:26:00Her name was face to face, I don't care what you do.
00:26:06Not pretend, just pretend that we're the latter.
00:26:11People in the pool.
00:26:14And we're so alone, all alone.
00:26:17Not a scream or a shout can be heard.
00:26:22I'm gonna give it to you.
00:26:24Where's one of those dopeheads playing that music?
00:26:27I don't know.
00:26:28I was wondering myself.
00:26:58Who is that?
00:26:59I'm going back to bed.
00:27:00Who is that?
00:27:01I'm going back to bed.
00:27:02I'm going back to bed.
00:27:03I'm going back to bed.
00:27:04I'm going back to bed.
00:27:06I'm going back to bed.
00:27:07I'm going back to bed.
00:27:11I'm going back to bed.
00:27:12I'm going back to bed.
00:27:13I'm going back to bed.
00:27:18I'm going back to bed.
00:27:19I'm going back to bed.
00:27:25I'm going back to bed.
00:27:26I'm back to bed.
00:27:28I'm back to bed.
00:27:32Stop me, stop me, stop me, face to face, stop me, stop me, stop me, stop me, stop me, stop me, stop me.
00:27:42Is that Taylor?
00:27:44If that doomsday junkhead blows this gig.
00:27:47Hey, don't hate him.
00:27:48He's just burnt out.
00:28:02Nail me, nail me, nail me, face to face, oil me, oil me, oil me, face to face, spear me, spear me, spear me.
00:28:17Go on, go to bed.
00:28:19What for?
00:28:21I don't want to toss and turn.
00:28:24What I needed for someone to rub my back for me.
00:28:32Some kind of pervert joke.
00:29:02I don't know whose joke this is, but if it happens again, I'll get y'all out of here.
00:29:16To hell with your damn movie.
00:29:32I don't know who to come.
00:29:58you're looking for this
00:30:06yes
00:30:10what is it
00:30:12I don't know
00:30:14I don't drink
00:30:16I couldn't sleep
00:30:25surprised
00:30:27drink all that and you'll fall on your face
00:30:31no
00:30:34surprised that I'm not
00:30:37what I appear to be
00:30:38nobody is
00:30:40what do you know about me
00:30:43you don't know
00:30:45nothing
00:30:45you know when that boy died today
00:30:48you know what I felt
00:30:49nothing
00:30:51not a thing
00:30:53all I was worried about
00:30:55was my investment
00:30:57I guess I'd feel the same way
00:30:59go to sleep
00:31:09I'm not a thing
00:31:11I'm not a thing
00:31:13I'm not a thing
00:31:14I'm not a thing
00:31:15I'm not a thing
00:31:15I'm not a thing
00:31:16I'm not a thing
00:31:17I'm not a thing
00:31:17I'm not a thing
00:31:18I'm not a thing
00:31:18I'm not a thing
00:31:19I'm not a thing
00:31:20I'm not a thing
00:31:20I'm not a thing
00:31:21I'm not a thing
00:31:21I'm not a thing
00:31:21I'm not a thing
00:31:22Well, let's go.
00:31:52What are you doing?
00:31:53Sunning myself.
00:31:55What for?
00:31:56There's no sun in Detroit.
00:31:58The government canceled it.
00:32:01Hey, have you read this thing?
00:32:03I'm one of the leads and I've only got four scenes.
00:32:07I've only got one.
00:32:09Oh.
00:32:10Hey, where are you going?
00:32:11To get some coffee.
00:32:13Get me some, too.
00:32:16I'll read your part.
00:32:18Tell you what I think.
00:32:22Do they have to leave the body on the beach?
00:32:36Maybe the old guy's gonna cook it up for dinner, huh?
00:32:39Phil's souffle.
00:32:40That's gross.
00:32:41Really gross.
00:32:43Dead is dead.
00:32:45I happen to believe in reincarnation.
00:32:48The soul that was in that body will come back.
00:32:51Yeah.
00:32:52So are the Beatles.
00:32:54You're not only gross, you're a mountain of ignorance.
00:32:57Go ahead.
00:32:58Hit me.
00:32:59Go ahead.
00:33:00The director will love it to see one of his leads bruised and bleeding.
00:33:04Get out of here.
00:33:06Elena Quinn.
00:33:08You're the one that closed off the pool, huh?
00:33:10Yeah.
00:33:12I'm sorry.
00:33:28Slobby kids.
00:33:34First bad memory this island's given me since the only thing I ever loved died.
00:33:38How long were you married, Bert?
00:33:40I'm talking about my dog.
00:33:42Come on.
00:33:44Don't you think we ought to take the body with us?
00:33:46Let the police take him. I don't want to stink up my boat.
00:33:50The police may understand this, but I tell you, the local press sure won't.
00:33:53Well, it was a damn stupid accident. Never should have happened.
00:33:57You ever kill anything?
00:33:58Yes.
00:33:59I was driving and I killed a baby.
00:34:03A baby deer.
00:34:04Seeing something die, it does something to you.
00:34:09Sure does.
00:34:12I have much less time than yesterday, so we're going to go right to the beach scene on page 76.
00:34:21You know, I've been thinking about it and going for depth and feeling is so wrong for this kind of a picture.
00:34:29So, what I'm really asking for, and nothing more, is simple honesty.
00:34:38Can you do that for me?
00:34:40Should I read both parts?
00:34:55No, I'll read Rick.
00:34:56I love you.
00:35:01Make love to me, Rick.
00:35:04No, I've got to go back.
00:35:06I need you now.
00:35:08Right now, Rick.
00:35:10I want you, Rick.
00:35:13What about your uncle? He's upstairs dying. Don't you care?
00:35:16I don't care about my uncles, Rick.
00:35:18Sorry.
00:35:19Keep going.
00:35:21Shouldn't I be moving around or something?
00:35:24No.
00:35:25No, just stay there.
00:35:28Of course I care about my dying uncle.
00:35:31Make love to me, Rick.
00:35:33I need you.
00:35:34Hold it.
00:35:35The problem is the scene.
00:35:39Overwritten.
00:35:40Just cut it to, uh, make love to me, Rick. I need help.
00:35:44Well, how will the audience know about my dying uncle?
00:35:47Don't worry. They'll know who's dying the moment they hear you.
00:35:51Can I take off my robe?
00:35:53I think I can get more of a, a beach feeling.
00:35:58More feeling?
00:36:00Sure.
00:36:09Oh, definitely much beach here.
00:36:21Can you hold it a second?
00:36:23I've got to go to the bathroom.
00:36:25I'll be a few minutes.
00:36:34Hey.
00:36:37What do you want?
00:36:39About last night?
00:36:41And Donna?
00:36:42Sorry.
00:36:43No, you're not.
00:36:44I don't think you've ever had a sorry day in your life.
00:36:48Because you're a user.
00:36:50That gives us something in common.
00:36:55Where's the tape player that was in Taylor's room?
00:36:57It's in your hand.
00:36:59I found this at the bottom of the pool.
00:37:09Damn stupid accident. Never should have happened.
00:37:22Mr. Phlegm.
00:37:24Huh?
00:37:25Can I ask you about the script?
00:37:27What about the script?
00:37:28What about the script?
00:37:33God almighty, what was that?
00:37:36That was the producer.
00:37:38Berk! Berk! Berk!
00:37:42Please Berk!
00:37:43What are you doing here?
00:37:59What are you doing here?
00:38:03You think they're going to go on with the picture, don't you?
00:38:06I don't know what's going on around here, but it ain't going to happen to me.
00:38:10I'm supposed to dance for this picture, not die for it.
00:38:13Oh, that fish face honky director man talking about making it up a picture.
00:38:19We ain't never begun and we've already got three people down stoned in and one missing.
00:38:23I'm going back to Buffalo.
00:38:26I thought you lived in Detroit.
00:38:28I moved.
00:38:30Well, how are you going to get off the island?
00:38:32I don't know. I'll swim if I...
00:38:36I don't know.
00:38:40I found an outboard motor down by the beach.
00:38:42There's some tools there, too. I saw them.
00:38:44Oh, that's real cool.
00:38:46You've got a motor and nothing to put it on?
00:38:53I don't believe in accidents.
00:38:55What is that supposed to mean?
00:38:57It's an I Ching principle.
00:38:59Whatever happens to us, we...
00:39:01We attract to ourselves.
00:39:03Well, why don't you go and attract us a nice big boat?
00:39:06What'd I say?
00:39:07Now go! Get out!
00:39:12Here we go!
00:39:13You, I got it!
00:39:13Here we go!
00:39:15Here we go!
00:39:16Here we go!
00:39:16All right!
00:39:18We're in.
00:39:19Here we go!
00:39:21Here we go!
00:39:22Here we go!
00:39:23Here we go!
00:39:24Let's go.
00:39:54Let's go.
00:40:24You have to keep playing that thing?
00:40:34What? Playing what?
00:40:37That.
00:40:39This?
00:40:40I was just kidding.
00:40:54Did you find Taylor?
00:40:59No.
00:41:03Where's Donna?
00:41:04She's in her room. She's leaving.
00:41:07How?
00:41:08She didn't say.
00:41:11I'll go get her.
00:41:12No, you stay here. Everybody stays here. It's safer.
00:41:15Safer than what?
00:41:21Something's happening.
00:41:23I'll tell you what's happening.
00:41:25The producer's dead. We're supposed to start shooting tomorrow.
00:41:32What was that?
00:41:33Must be the power generator.
00:41:35What does he mean it's safer here?
00:41:40The song. The lyrics are
00:41:42Boil me and set me on fire.
00:41:45What are you saying?
00:41:46It's obvious what he's saying.
00:41:49Someone is killing according to the lyrics.
00:41:51They were accidents.
00:41:53You don't believe in accidents.
00:41:55How do you know what I believe in?
00:41:57Because you never shut up.
00:42:05Who?
00:42:06Who'd want to kill me?
00:42:08If there is a who,
00:42:11I'd guess the obvious.
00:42:13Taylor.
00:42:15Why Taylor?
00:42:16It could be any one of us.
00:42:18Who?
00:42:20You.
00:42:21What about you?
00:42:23Why not?
00:42:25What about her?
00:42:26What about you?
00:42:29You may be next.
00:42:31Nobody's going to be next.
00:42:33The crew will be here tomorrow afternoon.
00:42:35We all go to our rooms,
00:42:36lock ourselves in,
00:42:37and wait.
00:42:38For what?
00:42:39To be murdered?
00:42:49I'm not staying in a dark room
00:42:51all night by myself.
00:42:54Where are you going?
00:43:18Kitchen to find a weapon.
00:43:19There aren't any.
00:43:20I already looked.
00:43:23Maybe there's something up in the school.
00:43:28Hey, where are you going?
00:43:37Hey, man, what are you doing?
00:43:41What are you, crazy?
00:43:42Hello, Gary.
00:43:45How are you, Wayne?
00:43:48There aren't even down an idiot.
00:43:58I don't know.
00:43:59Ah.
00:44:00Ah.
00:44:01Ah.
00:44:05Ah.
00:44:06Ah.
00:44:09Ah.
00:44:09Ah.
00:44:09You are crazy.
00:44:39You are crazy.
00:45:09You are crazy.
00:45:39You are crazy.
00:46:09You are crazy.
00:46:39You are crazy.
00:47:09You are crazy.
00:47:39You are crazy.
00:48:09Look, why don't we do something, some work.
00:48:15It'll help keep your mind off of what's happening.
00:48:19Why don't we improvise a scene?
00:48:20Like the love scene on the beach?
00:48:24That would be a good one to work on.
00:48:27All you want is a cheap distraction.
00:48:30Forget it.
00:48:31Just forget it.
00:48:34I'm still going to make this film, you know.
00:48:35Look, Mr. Flemm, I'm scared, so let's just forget the acting.
00:48:46Mr. Flemm?
00:49:07Mr. Flemm?
00:49:08Mr. Flemm?
00:49:10Oh, I'm scared.
00:49:22Oh.
00:49:30No.
00:49:31That's good.
00:49:40Do you have to wear that gown?
00:49:45It's cold in here.
00:50:10Stop it! Stop it!
00:50:16Stop it!
00:50:26It's OK. It's OK. It's OK.
00:50:31Come on. It's OK. Come on.
00:50:34Now what's happening?
00:50:39Find that music and turn it off.
00:50:42Why me?
00:50:43Find it, damn it!
00:50:49I know, I know, I know, I know.
00:50:55I know.
00:50:58Please stop me, stop me, stop me.
00:51:02Please stop me.
00:51:04Stop me, stop me.
00:51:06Face to face, stop me.
00:51:08Stop me, stop me.
00:51:11Face to face, stop me.
00:51:13Stay away.
00:51:15Stay away, I'll burn you.
00:51:17I'll burn you, I'll burn you, I'll burn you, I'll burn you.
00:51:22phlegm is dead
00:51:34take her to the classroom what for don't argue with me take her it'll be safer if we stay
00:51:44together i'll get donna no you take her and i'll get donna
00:51:49okay but take this it fires nails like a gun if you see taylor or jim don't hesitate
00:52:19you
00:52:21you
00:52:26you
00:52:28you
00:53:02Dona?
00:53:32Burn me! Burn me!
00:54:02They're too, huh?
00:54:09They're not gonna get me?
00:54:11I don't know what you're talking about. Who?
00:54:15B.J. and that guy Rick.
00:54:20Where are they?
00:54:22I don't know.
00:54:28Just tell me your opinion.
00:54:32Okay?
00:54:35Go ahead.
00:54:42What?
00:54:57What?
00:54:59Where are you going?
00:55:03What are you doing?
00:55:15Lock us in.
00:55:31It's just the wind.
00:55:33Who was it?
00:55:44Taylor.
00:55:47It was Jim, wasn't it?
00:56:03Where's Donna?
00:56:04Where's John?
00:56:05Forget John.
00:56:06Where's the nail gun?
00:56:07I dropped it in Donna's room.
00:56:10She's dead.
00:56:13Jim was in Donna's room.
00:56:15According to him, you're doing the killings.
00:56:18He's crazy.
00:56:19He showed it out.
00:56:20Maybe.
00:56:21What do you mean, maybe?
00:56:28I don't know.
00:56:35All right, look.
00:56:36Just don't say anything to her.
00:56:38Why?
00:56:39Is she so fragile?
00:56:40No.
00:56:45Donna's dead, isn't she?
00:56:47How did you know?
00:56:49I don't know.
00:56:51It's like I was there.
00:56:53Were you?
00:56:55Of course not.
00:56:56Look, you two cut it out.
00:56:58I'm going to get the nail gun.
00:57:00I'm going with you.
00:57:02No, the both of you stay here.
00:57:04No.
00:57:05Take her with you.
00:57:06I like being alone in a large, dark, empty classroom.
00:57:12Go on.
00:57:13Get the gun.
00:57:13I'll be fine with you.
00:57:15You sure?
00:57:17No.
00:57:18But do it anyway.
00:57:31And lock yourself in.
00:57:36I'll be fine with you.
00:58:06You all right?
00:58:25Yes.
00:58:26Look, we've got two nuts running around here.
00:58:28Taylor and Jim.
00:58:29I've got to get that gun.
00:58:31You only make it harder.
00:58:33Get back to the classroom.
00:58:36Go back to the classroom.
00:58:40Donna.
00:58:40Donna.
00:58:53Donna!
00:59:08Donna!
00:59:09Donna!
00:59:16Donna!
00:59:23Donna!
00:59:28Oh my God!
00:59:53Donna!
01:00:03Donna!
01:00:05Donna!
01:00:06Donna!
01:00:16Donna!
01:00:18Oh, my God.
01:00:48Oh, no, no, no.
01:01:18Let's go.
01:01:48Let's go.
01:02:18Let's go.
01:02:48Let's go.
01:02:49Let's go.
01:02:50You can kill each other, but you're not going to kill me.
01:03:11I'm going to get off this island now.
01:03:14Let's go.
01:03:15Let's go.
01:03:16Let's go.
01:03:17Let's go.
01:03:18Let's go.
01:03:19Let's go.
01:03:20Let's go.
01:03:21Let's go.
01:03:22Let's go.
01:03:23Let's go.
01:03:24Let's go.
01:03:25Let's go.
01:03:26Let's go.
01:03:27Let's go.
01:03:28Let's go.
01:03:29Let's go.
01:03:30Let's go.
01:03:31Let's go.
01:03:32Let's go.
01:03:33Let's go.
01:03:34Let's go.
01:03:35Let's go.
01:03:36Let's go.
01:03:37Let's go.
01:03:39Let's go.
01:03:40Let's go.
01:03:41Let's go.
01:03:42Let's go.
01:03:43Let's go.
01:03:44Let's go.
01:03:45Let's go.
01:03:46Let's go.
01:03:49Let's go.
01:04:03Let's go.
01:04:08Let's go.
01:04:16Mr. Beast choppy, choppy, choppy!
01:04:20Mr. Beast choppy, choppy.
01:04:28Choppy, Mr. Beast choppy!
01:09:46Hey, you're locked in.
01:10:19Hi, John.
01:11:14Money?
01:11:15Money?
01:11:16Money?
01:11:17Money?
01:11:18I'll give it to you.
01:11:19Money?
01:11:20Who's my uncle?
01:11:26No.
01:11:28Oh, my God.
01:11:58Oh, my God.
01:12:28Oh, my God.
01:12:58PJ?
01:13:00PJ?
01:13:02Jim!
01:13:16PJ?
01:13:18PJ?
01:13:20PJ?
01:13:22PJ?
01:13:24PJ?
01:13:26PJ?
01:13:28PJ?
01:13:34PJ?
01:13:36PJ?
01:13:38PJ?
01:13:39PJ?
01:13:42PJ?
01:13:46PJ?
01:13:48It's my time.
01:13:52Oh, my God.
01:14:22Oh, my God.
01:14:52This place is a horror house, Mayor. I've seen it bad, but this is the worst.
01:14:57What'd you find out?
01:15:05Found this tape in one of the runes. Listen to this.
01:15:08Testing. Testing. I boiled them. I burned them. I chopped them in two. I nailed them. I speared them. I stabbed them in two.
01:15:28Nothing. Nobody knows. No one will care. Because when I'm done, nobody's there.
01:15:40That's it.
01:15:47Was that this guy Jim's voice?
01:15:50Yes.
01:15:53Did you know this guy was a psycho?
01:15:55I knew he had a nervous breakdown.
01:15:59What else?
01:16:01Nothing. Except he was a performer. And he worked for me.
01:16:06This is bizarre. It's worse than bizarre. A man actually butchered eight people.
01:16:18Where's his producer?
01:16:21Coptic just took him off. He almost bled to death.
01:16:23You better take her along and get her formal statement.
01:16:27Right.
01:16:29Come on, lady. There's nothing more you want to do around here.
01:16:32Well, you're gone, Bert, and so are all the good memories.
01:16:56No church is going to want this place.
01:16:57No church is going to want this place.
01:17:27So, how did you sleep last night?
01:17:42Fine, as usual.
01:17:53What was that for?
01:17:54Sure.
01:17:56Just to say thanks for being here.
01:18:01Look, sorry about your movie.
01:18:10How about some coffee?
01:18:11Yeah, sure.
01:18:21You want a black, right?
01:18:24Do what I have to want to do the things I do.
01:18:27This probably means I think I did...
01:18:29Oh boy,
01:18:31Why can't I get you?
01:18:33Oh I want to try and get you.
01:18:35Well I don't think there's an easy thing to do than to
01:18:39take my time.
01:18:41Be in the view when...
01:18:43when I open your eyes...
01:18:45Hello.
01:18:59Arnie, look, I thought I told you I'd get a hold of you when I felt the time was right.
01:19:05Of course I've got it.
01:19:08It's right here.
01:19:09Arnie, look, these are the best death films you've ever seen.
01:19:18There is nothing like this on the market.
01:19:21Nothing.
01:19:26Bryant wants it on an exclusive basis.
01:19:28He's going to have to pay double.
01:19:30A million and a half.
01:19:32Give me a call back in ten minutes.
01:19:33I thought I told you never to come down here.
01:19:51How?
01:19:53How did you get Jim to confess?
01:19:56There was no confession.
01:19:59I wrote him an audition scene.
01:20:03Well, why didn't you kill me?
01:20:08Why?
01:20:11Well, I guess it doesn't matter.
01:20:14Because now I'll have to kill you.
01:20:21Don't move!
01:20:23BJ, you think I keep a loaded gun around here?
01:20:28Stay where you are.
01:20:31The gun's not loaded.
01:20:33Go ahead.
01:20:35Try it.
01:20:38Go ahead.
01:20:40Go ahead and pull the trigger.
01:20:48Pull it!
01:20:49Hurt me.
01:21:13Hurt me.
01:21:13Hurt me.
01:21:14Hurt me.
01:21:15Face to face.
01:21:17Hurt me.
01:21:18Hurt me.
01:21:18Hurt me.
01:21:18Hurt me.
01:21:19Hurt me.
01:21:19Hurt me.
01:21:19Hurt me.
01:21:20Hurt me.
01:21:20Face to face.
01:21:21I don't care what you do.
01:21:25Now pretend.
01:21:26Just pretend that we're the last.
01:21:30People in this world.
01:21:32And we're so alone.
01:21:33And we're so alone.
01:21:34And we're so alone.
01:21:35And we're so alone.
01:21:35Not a scream or a shout can be heard.
01:21:41I'm gonna give it to you fast.
01:21:43I'll give it to you tough.
01:21:45Cause face to face.
01:21:48Face to face.
01:21:49Face to face.
01:21:50You'll quiver.
01:21:51You'll quake.
01:21:52You'll shiver and you'll shake.
01:21:54You say hurt me.
01:21:56Hurt me.
01:21:57Hurt me.
01:21:58Face to face.
01:21:59Hurt me.
01:22:00Hurt me.
01:22:01Hurt me.
01:22:02Cause face to face.
01:22:04I don't care what you do.
01:22:07Lonely as a child.
01:22:08You were wet.
01:22:10You were wild.
01:22:11You were selfish.
01:22:15And you cried out late at night.
01:22:17With your covers pulled up tight.
01:22:19You were helpless.
01:22:23I'll give it to you now.
01:22:26I'll give it to you rough.
01:22:28Cause face to face.
01:22:33I'll give it to you now.
01:22:34I'll give it to you now.
01:22:35I'll give it to you now.
01:22:35Bye.
01:22:36Bye.
01:22:36Bye.
01:22:39Bye.
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