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Short filmTranscript
00:00I wasn't expecting that.
00:12Where were you? I'm sorry. They could have drowned.
00:14I'm sorry. I had a summer gig. I had to go get her by.
00:17I'm sure it doesn't happen again.
00:23Do you think that I should call Dorothy just to make sure she's okay?
00:27Are you still hung up on her?
00:32It's not like that. I'm just trying to be helpful.
00:34Don't you remember, Drake?
00:36She's the one who had me kicked out of the movie.
00:39She's the one who killed my baby.
00:42Not just my baby, but Nick's baby.
00:45I know I'm just your sister-in-law.
00:47Whatever happened between us is in the past.
00:49But I have no one now.
00:52No husband. No baby.
00:55What I have left is you.
00:59Haven't you seen through Dorothy yet?
01:02She's nothing but a slump sleeping her way to the top.
01:04You don't hear that.
01:07You know I'm right.
01:08Why else would John come onto the set and stand up for her?
01:11Not just John, but Christopher too.
01:13She's sleeping around with anyone she can find.
01:16She's a whore!
01:17Shut up!
01:27You want war?
01:29I'll give you war.
01:34Do it.
01:36And make sure Dorothy feels every bit of it.
01:39Let's see.
01:46Breaking news.
01:47Unknown actress seduces Hollywood heart drop.
01:50Rising star or opportunist.
01:52Actress Dorothy's shocking affair with Christopher.
01:55Christopher's new flame for a heartless gold digger.
01:58Dorothy! Liar!
02:00Hey bitch!
02:03This is getting out of hand.
02:06Maybe we should just reveal her real identity.
02:09Let everyone know she's not just some random actress.
02:15Christopher, no.
02:17Dorothy, once we tell them who you are,
02:19there's no reason for them to attack you.
02:21There's someone behind this.
02:22And whoever they are, I'll make them pay.
02:32Fuck off.
02:39This just can't be right.
02:44I die in the second scene!
02:47This must be Dorothy and John forcing S.Q. to cut me out.
02:50They won't get away with this.
02:57Trey, can you believe this?
02:59They've completely written me out of the script!
03:02Do you remember when Nick was lying in that hospital bed?
03:05You promised him you'd look after me!
03:08I've already lost my husband and my baby!
03:10I can't lose my career too!
03:12I'll get you your character back.
03:14I'll get you your character back!
03:32There's a tape of a documentary that apparently S.Q. has always wanted.
03:36So, we win this bid and we gift it to them.
03:39We should be able to get you your role now.
03:44Up next, a rare gem.
03:46The original film documentary chronicling the creative journey of none other than herself.
03:53Legendary screenwriter, Margaret Blaine.
03:5650,000.
03:58What's she doing here?
04:01I don't know.
04:03I'm not gonna let her win this.
04:0560,000!
04:1070,000.
04:13100,000!
04:14This is my grandmother's documentary.
04:19It's her legacy.
04:21She's the one who inspired me to become a screenwriter.
04:24I can't let her fall into the wrong hands.
04:28500,000!
04:39500,000!
04:41I'm trying to get you your role.
04:44Don't worry.
04:46I've got it covered.
04:48Ladies and gentlemen.
04:50We are down to the final bid.
04:52Standing at a whopping 500,000!
04:55500,000 going once.
04:59500,000 going twice.
05:01Sold!
05:03To the lady in the blue dress.
05:04I can't believe this.
05:14You have no right...
05:16...to take that film reel with you.
05:22You have no right to take that film reel with you.
05:27What's going on?
05:28Ahem.
05:33Ahem.
05:34Ladies and gentlemen.
05:35I've just been informed.
05:37Miss Dorothy is in fact not an invited guest.
05:41Therefore, as per our rules,
05:43this documentary reel will not be released to Miss Dorothy.
05:47This is ridiculous. I was invited.
05:50Well, in that case...
05:52May I see your invitation?
05:53I did have it, I swear.
05:54I'm sorry, Miss Dorothy.
05:55If you do not have the invitation at hand,
05:57the documentary reel has to go to the second highest bidder.
05:58This is the protocol.
06:00No, you don't understand.
06:01I'm sorry.
06:02I'm sorry.
06:03These are the rules.
06:04The documentary reel will go to the second highest bidder.
06:06This is the protocol.
06:07Oh, you don't understand.
06:09I'm sorry.
06:28I'm sorry.
06:29These are the rules.
06:30The documentary reel will go to the honourable couple.
06:53Stephanie, wait.
06:55Just sell it to me.
06:57Name your price, I'll pay you anything you want.
06:59It's really important to me, please.
07:01Why are you doing this?
07:03Are you just trying to get my attention by going after something that Stephanie wants?
07:07No, you don't understand.
07:09Just let me buy this.
07:12Whatever it takes.
07:14That's horrible.
07:16You think this is about money?
07:18Please.
07:19This isn't something you can just buy.
07:21I love it.
07:22I love it.
07:23I love it.
07:24I love it.
07:25Why do you always have to go against her like that?
07:26This reel is important to Stephanie.
07:28She can use this to help her career.
07:30Her career?
07:31Is this about your role being cut from her head?
07:32Is that why you're doing this?
07:33I'm the writer.
07:34I'm going to fix this.
07:35Can you write the story and bring your character back?
07:36Just...
07:37Just let me have to read the person.
07:38You're the writer.
07:39Are you telling me that you're SQ?
07:40I'm the writer.
07:41I'm going to fix this.
07:42Can you write the story and bring your character back?
07:45Just...
07:47Just let me have to read the person.
07:49You're the writer.
07:51Are you telling me that you're SQ?
07:57You!
07:58The writer SQ!
07:59Can you give us a break?
08:01Look.
08:02This reel is important to Stephanie.
08:04End it.
08:05Don't make this harder than it has to be.
08:08You've been with Dorothy for so long.
08:10And you don't even know her.
08:11Oh, and you do.
08:13A hell of a lot more than you.
08:14What do you think you are?
08:15Both of you, calm down.
08:30Scratched all over.
08:32It's ruined.
08:33Not even fit to be a gift anymore.
08:35I can fix this.
08:37Stephanie, I know someone who can restore it.
08:38Just sell it to me, please.
08:40Just name your price.
08:44Even if I had no use for it,
08:46I'd never give it to you.
09:05I want to be a writer like you, Grandma.
09:17I want to make movies like you do.
09:20This reel has more than pictures and sound on it.
09:25Really?
09:26An entire world I've captured.
09:28But it's just one way of seeing things.
09:32The magic is creating it to yourself.
09:35Someday you will.
09:37Dorothy.
09:38I need you to go apologize to Stephanie and give her her role back.
09:54Apologize?
09:55To her?
09:56She destroyed the reel.
09:57She wouldn't have done that if you hadn't pushed her.
10:04So go apologize or I'm pulling my funding.
10:08Look, Dorothy.
10:09Let's be real here.
10:12Without Stephanie, there is good and the best.
10:14Even the production company will call out if they hear that she's not involved anymore.
10:18Her name carries weight.
10:20Let's not pretend that your reputation is exactly stellar right now.
10:24Christopher's fans hate you.
10:26Stephanie's fans hate you.
10:27Even if you actually make this film,
10:30no one's going to support you.
10:31You will be buried.
10:35But if you apologize to Stephanie now,
10:39I can help you.
10:41I can control the press.
10:42Control the press.
10:43I can control the narrative.
10:44I can actually give you a chance.
10:48What's so funny?
10:53What's so funny?
10:55Pull your funding?
10:57Do it.
10:58You'll see it does nothing for the movie.
11:00Okay.
11:01So what if I tell the production head to pull his funding too?
11:05Didn't I tell you that I know Mr. Bennett?
11:07No.
11:09Go ahead.
11:10Quiet.
11:11You want me to call?
11:12Hold on.
11:14Fine.
11:18Hi, Mr. Bennett.
11:19It's Drake.
11:21Drake Mossbacher.
11:22Yeah, I'm pulling my funding from Liar's Game and I suggest that you do the same thing.
11:25I've seen it and it's a sinking ship.
11:26It's a sinking ship.
11:29You're pulling out?
11:30Great.
11:31I'll take full control of the investment.
11:33Not a problem.
11:34I've seen it.
11:35No way.
11:36Yeah!
11:37Yeah!
11:38Yeah!
11:39So you sat with him?
11:44That's why he's supporting you, isn't it?
11:49Is this how you see me?
11:50The type of woman who would use her body to get what she wants?
11:53What other explanation do you have?
11:56You know nothing about Dorothy.
12:01Apologize to Stephanie.
12:02Cut ties with Mr. Bennett and end this.
12:04Dorothy, come back to me.
12:05Whatever he's offering you, I'll match it.
12:07I'll double it.
12:09You must be out of your fucking mind.
12:11What about Dorothy?
12:15Apologize to Stephanie.
12:16Cut ties with Mr. Bennett and end this.
12:18Dorothy, come back to me.
12:19Whatever he's offering you, I'll match it.
12:21I'll double it.
12:22You must be out of your fucking mind.
12:25What makes you think I would ever go back to that living hell?
12:29Living hell?
12:30You heard me.
12:31Being married to you was a fucking nightmare.
12:35You made me believe you loved me.
12:37And then you had me waiting in vain for three years, Drake.
12:42You said you'd always protect me, but then when I needed you the most,
12:47you just turned your back on me.
12:49I chose your sister-in-law over your wife.
12:52I've had enough, Drake.
12:56You were my prison.
12:58So just go back to your precious Stephanie.
13:05Let's just go.
13:06Why are you hurt?
13:17Are you okay?
13:24What is, Steph?
13:25What are you doing?
13:26Well, you want me, don't you?
13:27Just kiss me.
13:28I'm all yours.
13:29Steph, you're Nick's wife.
13:31I've always told you you're like a sister.
13:33Sister?
13:35Funny.
13:37Don't you remember when you came to me the night Nick and I got married?
13:39Don't you remember what you said?
13:43Remember this?
13:44Yeah.
13:44Why not marry Stephanie?
13:47God.
13:48You were practically begging me not to marry Nick.
13:49No, I shouldn't have said that.
13:51I shouldn't have said that.
13:51What's that?
13:56Oh, it's nothing.
13:57Yeah, what is that?
13:58No, Drake, no.
13:59Please.
14:02You lied about this.
14:06You lied about this.
14:11You said that Dorothy pushed you into the water,
14:13but this shows you shoving her in.
14:16It's a glitch.
14:17A glitch.
14:19So, do you actually expect me to believe that?
14:22What's this?
14:24Buying pills off the black market?
14:28Tell them that you're pregnant.
14:30It's you.
14:31This time when you blamed Dorothy like some sort of scapegoat,
14:34and she was innocent the whole time.
14:36Don't tease me.
14:36You have to believe me.
14:38I didn't...
14:38Do you know what?
14:38I've always thought of you like a sister.
14:41I've always taken care of you.
14:42I even thought that I loved you once,
14:43but that was before you were Nick's wife.
14:47You changed.
14:51You changed.
14:54You're not the person I thought you were.
14:58I only looked after you because I thought it was my duty,
15:00as Nick's brother, to look after his widow.
15:02I guess there's no need to look after you anymore.
15:07What does that mean?
15:08You're supposed to throw me away?
15:11I'm supposed to throw you away?
15:13But this is my house.
15:16I'm going to back.
15:17I hope you'll be gone.
15:17But you can't just walk away from me like that.
15:21I've said everything that I need to say.
15:22Now I'm going to go find the person that I actually care about.
15:29Oh, Dorothy.
15:31This is all your fault.
15:36Let's take this bitch down.
15:38I was wrong.
16:01I misunderstood everything about you and about us.
16:06Can you please just hear me out?
16:12You think you can just come here and apologize?
16:15After everything?
16:17I didn't mean to hurt you.
16:20Look, I understand what I did,
16:21but it was just because it was definitely bad.
16:23Anyway, can you please just forgive me?
16:26I don't need your apology, Drake.
16:28You let me down.
16:30You abandoned me.
16:32I needed you the most.
16:34You used me, manipulated me,
16:38and now you beg for my forgiveness.
16:41Oh, God, please just don't show me out.
16:43I can fix this.
16:44I can fix it.
16:45I can do anything, Dorothy, please.
16:48No.
16:50You were never the person I thought you were.
16:53And I'm not either.
16:54I moved on.
16:58I don't need you.
17:03Not like I used to.
17:05Just take that.
17:07After everything.
17:08Yeah, that's it.
17:09I deserve better than this.
17:22I deserve better than this.
17:22I deserve better than this.
17:42Before you all celebrate this movie, there's something you should know.
17:54Dorothy is nothing but a homewrecker.
17:57What's going on?
17:58A glorified mistress who's been playing the part of a wonderful actress
18:02when all she's really done is ruin lives.
18:07Is it true, Dorothy? Are you involved with a married man?
18:10What's your response to Stephanie's claim?
18:12This is ridiculous.
18:17Let's talk about how she got here, shall we?
18:21She didn't get here off her talent.
18:23Oh, no. She got here by clinging to powerful men.
18:28No real experience, no skill, just a man's name and a man's money.
18:33Security! Get her out of here.
18:35Wait. If she has something to say, let's hear it.
18:39Dorothy, it's a trap.
18:41I'm not afraid of the truth.
18:43Let's see what she's got.
18:48What's going on?
18:49So tell us, Dorothy, how did you get here?
18:53Did you use your relationship with John Bennett to land the part?
18:57A homework, are you saying?
19:15Is there something wrong with me appearing with my own dad?
19:18Dorothy, you're the one who sent me this photo, right?
19:21How about you take another one?
19:23This time, of my lovely family of three.
19:25Dorothy, Dorothy, Dorothy.
19:27Are you really John Bennett's daughter?
19:29Yes. I bet you never asked my last name.
19:32It's Bennett, by the way.
19:33So, Dorothy is the producer's daughter.
19:39Dorothy, so did you use your father to get the part?
19:42Oh, so it's just nepotism, then.
19:50Well, even if she didn't fuck her way to the top, she still only got here through her connections.
19:54Whether you like it or not, my performance speaks for itself.
19:57And everyone here saw it.
19:59She was actually really good.
20:00Yeah, she handled the movie.
20:02Oh, are you saying that everyone here is wrong?
20:04You think you're so clever, don't you?
20:08Fine. You can act a little bit.
20:10But let's be real.
20:12You didn't land this role on your own.
20:13You just snapped your bony little fingers and let Daddy give you a role.
20:17How else would a nobody like you have landed yourself the lead otherwise?
20:21Dorothy isn't just a nobody.
20:26She wrote Larry's Game.
20:29She is SQ.
20:34Dorothy is SQ.
20:36How can that be possible?
20:38Life's Game is a masterpiece.
20:40There's no way you could have written it.
20:42You don't have to believe me.
20:43Just let the credit speak for itself.
20:48How can this be true?
20:52Oh, my God.
20:56Dorothy Van Eyck, you're the daughter of the producer
20:58and the famous writer SQ.
21:00Why did you keep your identity a secret so long?
21:01Why did you keep your identity a secret so long?
21:10Stephanie Marsbecker, Linda Marsbecker and Ellie Marsbecker
21:13I'm arresting you on the suspicion of defamation.
21:15No, no, no, no.
21:16I didn't do anything wrong.
21:17This was all Stephanie's idea.
21:18I didn't do anything.
21:18This was all she was actually telling the truth.
21:30Dorothy's SQ.
21:32She's genius.
21:33that's why she always had a book in her hand
21:37always writing something on her laptop
21:41always lost in her thoughts
21:42didn't even see her
21:46guess I was blind or alone
21:49I don't deserve that
22:03I've missed this place
22:13don't you remember?
22:16of course I do
22:17we saw so many films here
22:19we would just stay in our seats
22:22and talk
22:24for life and everything
22:26but you just made me feel like I could face
22:29or anything really
22:31god I used to be so nervous back then
22:37about everything
22:38about the future
22:40but you just made me feel like I could face
22:44or anything really
22:46no
22:47someone had to be there to make sure you didn't ever think everything
22:51I remember you used to
22:53unpick every little detail like it was a life or death situation
22:56you know Dorothy
23:01life's not been the same without you
23:06even when we parted ways
23:10I've
23:11I always knew that we would find each other again
23:14I don't care what we've been through
23:19I don't care what's happened
23:21all I know
23:22is that I need you now
23:25more than ever
23:28and the award
23:44for best adapted screenplay
23:46goes to
23:47Dorothy Bennett
23:48with Liar's Game
23:50wow
23:53best screenplay
23:55shall I start calling it your majesty
23:58I think that's the greatest idea
24:00why don't I start now
24:01you deserve this
24:04your majesty
24:06every bit of it
24:09now
24:09since you've won
24:12I think this calls for a reward
24:14oh yeah
24:16and what would that be
24:19me
24:22me
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