- 9 months ago
The contestants in this episode are Joan & Paul Cresser from Devon, Pamela Taylor & Peter Henry from Cleveland, Roy & Alli Westward from South Staffordshire, and Tony Alcock & Alison Riley from Liverpool. Bruce Forsyth hosts with usual assistance from Rosemary Ford and hears a variety of interesting stories from the contestants, such as one whose WW2 honeymoon went with a bang, and another who ended up locked out of their hotel room naked, while Brucie has fun pranking one lady whose ambition is to dance with him on TV. The games are a raucous bunch and consist of "Samoa Dance", "Brideshead Revisited" (involving hairdressing), "Between the Sheets" (involving making a hospital bed with celebrity patients in them) and "Lines from the Movies." The best games are the hairdressing one which are hilariously bad, and the hospital bed, which involves celebrities Gareth Chilcott of rugby and Kriss Akabusi of athletics, which gets very out of hand, with Gareth getting quite saucy with one contestant. The finale is a spoof on Brief Encounter, which incorporates a lot of Will Hay in it - for those who have never seen his films, do so! They are to watch. By the way, if you are wondering where Episode 4 of the 1994 series is, your guess is as good as mine. Challenge TV skipped it for reasons only known to themselves, so until I come across it I'm afraid that particular episode is missing. Sorry!
Category
😹
FunTranscript
00:00Life is the name of the game, and I want to play the game with you.
00:09Life can be terribly tame if you don't play the game with two.
00:16And I want to play the game with you.
00:30Thank you. Thank you very much indeed. You're very kind. Thank you very much. Good evening. Good evening, ladies, gentlemen and children. Welcome to the Generation Game. Nice to see you, to see you.
00:45Although I am a bit jaded. Oh no, I couldn't sleep last night because a question came into my head, and I couldn't find the answer.
00:53And all day in the studio, I've been asking people this question, and not one person could give me the answer. So I'm going to ask all you people here tonight.
01:01Now, where does your lap go when you stand up? Okay, stand up. Everybody stand up. Come on, stand up. Now then, where have your laps gone?
01:13Come on. Okay, now sit down. Sit down. That's it. Now they've all come back, haven't they? Isn't that amazing?
01:22Now, if any of you are watching at home, and you think you know the answer to where your lap goes when you stand up, then phone in now, and you could win the biggest cash prize in television history.
01:33A staggering 15 million pounds. The phone lines are open now, and we'll remain open for another three seconds.
01:41One, two, three. What bad luck. Nobody wins the 15 million pounds. What a terrible shame.
01:48But you've all won a consolation prize in the shape of, and what a lovely shape, the lovely Rosemary Ford.
01:54Good luck now, darling. Lovely to see you again. Lovely to see you again. I had a lampshade like that once. Anyway, don't keep moving, you're going to drive me mad tonight.
02:13Tell us a bit more about the preparations for your new stage show.
02:17Oh, right. Well, yes, I'm actually trying to include singing a duet in the show.
02:21Oh, a nice idea. What kind of songs will you be singing?
02:25Well, you know, the kind of song that was made very popular by a famous Hollywood singing duo.
02:30Oh, I think I know who you mean, yes. In fact, we all know who you mean, and they were very, very popular.
02:35Yes. They were long before my time, but I've heard so much about Jeanette Eddy and Nelson MacDonald.
02:43Who?
02:45Jeanette Eddy and Nelson MacDonald.
02:46You've made me feel about 150.
02:49I've got it wrong.
02:50I think you have.
02:52Oh, no, I've got it. I've got it. I remember. It was Jeanette MacNelson.
02:56Forget it. Forget it.
02:57Nelson Mandela?
03:00Nelson Mandela? Introduce the teams.
03:03Right.
03:03Our first teams from Devon, they're grandmother and grandson, Joan and Paul Kresser.
03:08Ah.
03:08And you are Joan Kresser.
03:20Kresser.
03:21And where are you from?
03:22I'm from Torquay.
03:23Oh, from Devon?
03:24Yes.
03:24Oh, so you're a Devon Violet.
03:26No, I'm a Devonshire Dumpling.
03:27Oh, Devonshire Dumpling. Well, that's nice to know. Now, you are a widow, and you have four sons.
03:33Yes.
03:34Yes.
03:34And there was 11 years between the last two, so I don't know what happened there.
03:38Hell, it's obvious. Nothing.
03:39Oh.
03:42Right, now, Mrs. Kresser, you had a wartime honeymoon.
03:45Oh, yes.
03:46Oh, good. Well, tell us about that.
03:47In the evening, we didn't go away, because we couldn't afford to go away.
03:50No, in those days.
03:51No, that's what...
03:52So, anyway, we've just got to get, you know, cracking, and...
03:57Well, enjoying our...
04:03Oh, enjoying your marriage life. That's better, dear.
04:05Well, we heard pandemonium.
04:07Yes.
04:07And I thought, my God, the Germans have landed.
04:10Oh.
04:10But it wasn't that at all. It was the local home guard, and they were having a mock invasion.
04:14No.
04:14Yes.
04:15So, did you get much sleep?
04:16No, not at all.
04:18Yeah.
04:19No, not at all.
04:19Do you think you're killing Mrs. Kresser?
04:23No one sleeps on honeymoon.
04:26Oh, she slept there, darling.
04:27It was that, darling.
04:28Yeah.
04:29Yes, fine.
04:30Right, over now to your grandson, Paul. Married to Joanna. What does she do?
04:33She works for the post office.
04:35I see. She gave you her stamp of approval right from the start.
04:38And have you and Joanna any children at all?
04:41No, we're still practising.
04:42Oh, really?
04:43Yes.
04:43Oh, so you're a musician.
04:46Still practising on the Joanna.
04:48Right.
04:51Where did you go on honeymoon?
04:54We went to Bali.
04:55Oh, Bali.
04:56Oh, a lovely place.
04:57It was...
04:57Beautiful place.
04:58It was lovely.
04:59Well, it's just that the hotel we were in, it was a lovely hotel, but there's a bit...
05:02There's quite a lot of power failures.
05:03Oh, power failures.
05:05Yes.
05:05Yes.
05:05I hope it wasn't you.
05:09And your wife, what is it? She's a post-in assistant.
05:12That's right.
05:12Well, she didn't take that sign with her, position closed.
05:17Oh, yes.
05:18Okay.
05:21Well, thanks a lot for being here.
05:22If you just pop over there, we've got some people to play against you.
05:25All right, then.
05:25Off you go, then.
05:26That's a lot for that.
05:31Who's the Knicks team?
05:32Right, they're from Cleveland.
05:33Their mother-in-law and son-in-law, Pamela Taylor and Peter Henry.
05:37Right.
05:37Right.
05:38Right.
05:38Right.
05:43Good.
05:46Now, you are Pam Taylor.
05:49Taylor, and where are you from?
05:51Mask in Cleveland.
05:51Mask in Cleveland.
05:53Oh, yeah, it doesn't show.
05:54You're married to Malcolm.
05:57Yes.
05:57Yes, and where did you meet him?
05:59Well, I was working in an electrical shop at the time.
06:02Oh, yes.
06:02He came in for a couple of batteries, and he's been ever ready since.
06:08But is he rechargeable, dear?
06:16Yeah, I could try.
06:17Well, you'd better try that.
06:18It's not too late to try.
06:20Right, any fantasy ambitions at all?
06:22I've always fancied to wear something floaty.
06:25Floaty.
06:26Floaty.
06:26Floaty.
06:27Really floaty.
06:28And what would you like to do?
06:29And walk down the circuit, and walk in the banister to the music of a pretty girl is like a melody.
06:35Oh, what a lovely fantasy what we heard about this.
06:38Your fantasy's going to come true.
06:41Could we just have a bit of floaty, just to drape round her?
06:44Just to drape the floaty round her.
06:46That's it, just round her there, and get your hand, so you can get your hand out, and hold
06:50my hand, right?
06:51Cue music!
06:51So leave her, and then she'll come back again.
07:03A pretty girl is just like a pretty tune.
07:10Right!
07:10I mean, who does she think she is?
07:24Come in here, floaty, floaty, yeah.
07:27Does she think I'm a mug or something?
07:29Anyway, over now to your son-in-law.
07:32Over now to your son-in-law!
07:34Should we let her out?
07:38Let her out, boys, let her out.
07:40That's it.
07:41Oh, she's still coming down.
07:42A pretty girl.
07:44Did you like that, then?
07:45I love that.
07:45You can keep that bit of chiffon.
07:47Would you like to keep that as a little mentor?
07:49I'll sign it later.
07:51That's a promise.
07:52It's a promise?
07:53That is yours.
07:54Yes.
07:54Out of my own personal...
07:56Right, now over to your son-in-law, Peter...
08:01Henry.
08:02Yeah, Peter.
08:03Henry.
08:04Oh, your mother couldn't make up her mind?
08:07Right, you're married to a man.
08:09Amanda.
08:09To a man, what?
08:10Amanda.
08:11Oh, Amanda!
08:12Sorry.
08:12New type is.
08:16Are you any irritating habits, at all?
08:18Well, when I'm eating, my jaw clicks.
08:20Oh, so does mine.
08:22So does mine.
08:25And with my size, my jaw, you know, when we have dinner, you know, we have to close all
08:29the windows, otherwise the neighbours complain about the noise.
08:32It sticks like a man.
08:34There's no cure for it, either, I think.
08:36Oh, you didn't tell us about your honeymoon.
08:37You skipped that, sorry.
08:38Yeah, well, we've had three days in the Lake District.
08:40Yeah.
08:40Run upstairs to the toilet.
08:42Lovely.
08:42Heard the sound of drums.
08:44What's this?
08:45Look down, somebody put cling film over the toilet.
08:52So the wedding was over, and you were still splatching down.
08:57Oh, I'll never forget that.
09:02What do you think with the doors closed?
09:04I thought you'd left me.
09:05Oh, I would never do that.
09:07Over you go.
09:07You can keep that, honestly.
09:08Off you go over there.
09:10Lovely, lovely.
09:10Nice people.
09:11Oh, good.
09:14Now then.
09:16Before we start our first game, I'd just like to remind you that our contestants have no
09:22idea what we have planned for them.
09:24They do not rehearse.
09:25This is your rehearsal.
09:27Let's imagine you're on a South Pacific island with some members of the West Samoan
09:32UK Association.
11:04Come with me and meet our friend in the middle here.
11:08This is Zen.
11:09Hi, Zen.
11:09You okay?
11:10Now just sit down, my darling.
11:12Squat down there with your legs crossed.
11:14That's it.
11:15Not too close to it.
11:15That's fine.
11:16Here we go with the West Samoan take two.
11:19Lloyd!
11:20Lloyd!
11:20Come on!
11:21Come on!
13:05Could we have the other couple on, please?
13:07Now, this is a bit different to a pretty girl's like a melody.
13:10Squat down, if you will.
13:11That's it.
13:12And keep your knees moving all the time.
13:14We're ready now for Western Samoan.
13:16Take three.
14:47Well done, all of you.
14:59Well done, all of you.
15:00And once more, let's thank the musicians and dancers from the Western Samoan UK Association.
15:07And now to judge this, we have the president of the association, who is also their percussionist.
15:21Please welcome Tali Tolliver-Tarcy.
15:24Here we are.
15:25Here we are.
15:29Here we are.
15:30Here we are.
15:31Here we are.
15:31Here we are.
15:32First of all, the people over here.
15:34I think they were doing really good.
15:37I mean, the two couples were marvellous.
15:39I think they were all doing marvellous.
15:41Yeah, the two couples were marvellous.
15:42Well, I mean, the first one, he was doing really good.
15:46He was doing really high, lifting up.
15:48Oh, yeah, with the knees.
15:49Yes, your knees were good.
15:50Yeah.
15:51But they, they, she did it well.
15:54But she made a little bit of a mistake.
15:55She was going the wrong way.
15:56She made a few, yeah, she did the wrong way.
15:57She did really.
15:58Yeah, with the Devon Dumpling, she's got no control over them, you see.
16:02Yes.
16:03Well, what about over this side?
16:04We've, no, we're right through the whole, the whole demonstration.
16:08You've got all the way through it.
16:09You've got all the way through it.
16:10Yes.
16:11That's what he's saying.
16:12Yeah, you've got all the way through it.
16:13Yeah, out of 20, I'll give this to 17.
16:1617 over this side?
16:17Yeah.
16:18And this side, yeah, 18.
16:19Just a little bit better this side, 18.
16:21All right.
16:22All right.
16:23Well, well done again.
16:24Thank you so much.
16:25Thank you, Carly.
16:26Wonderful, Carly.
16:27And thank you for bringing all your wonderful people with you.
16:30Thank you so much.
16:31Thank you so much.
16:32Ready?
16:33Are you all right?
16:34Paul.
16:35Miss Paul.
16:36Well, Paul and Joan have 17, Pamela and Peter have 18.
16:40Ah, see, only one in you.
16:42That's good.
16:43So go over there, sit down and relax just for a minute.
16:46Our second game is called Bride's Head Revisited.
16:50So please welcome from the internationally famous Daniel Galvin Hair Salon, Mr. Gerald Monaghan.
17:04Thank you for being with us.
17:05Now, how old were you when you started hairdressing?
17:1015.
17:11Only 15?
17:12Yeah.
17:13And tell me, what did all your pals think about you becoming a ladies hairdresser?
17:16Well, they were builders, shipbuilders.
17:18They loved it.
17:19They thought it was all great.
17:20They thought it was great.
17:21Yeah?
17:22And did you do their hair as well?
17:23Very, very seldom.
17:25Come round here.
17:26And let's talk about it.
17:27Yeah, everybody come over.
17:28Thank you, Rosie.
17:29And now, may we have our model, please?
17:32This is Nicola.
17:33There we are.
17:34All right, my darling?
17:35Yes.
17:36Jolly good.
17:37Have you just got up?
17:39Because you're going to create.
17:40You're going to do it now.
17:41Sorry about that.
17:42Right.
17:43Away you go in your own words.
17:44First thing we're going to do is separate the hair here and use a piece.
17:47Put this piece in like this, and like this.
17:50Two pins.
17:51I think we take the front section and comb it through.
17:54Okay?
17:55Through to the ends.
17:56Nice and smooth.
17:58See, the back is already down.
18:01Your backs will be down as well, you see?
18:03Okay.
18:04So you just do this bit.
18:05I'm going to just put a grip.
18:07A grip.
18:08Or a nail.
18:10Whatever's handy at the time, you know.
18:12You've all got your grips and your nails.
18:14And a second grip.
18:16Just hold this piece.
18:18Pin in there, that's it.
18:19That's it.
18:20And now we go to the side.
18:21I'll just come over this way.
18:22See?
18:23That's all right.
18:24Right.
18:25Did you see the way she tights her lip when he starts poking those things in her ear?
18:30Are you watching this carefully?
18:31No.
18:32That's it.
18:33Very carefully.
18:34Right.
18:35Good.
18:36And maybe use another couple of pins.
18:37There's one little bit hanging here, by the way.
18:38Do you want that like that?
18:39Yes, I've got this piece.
18:40Oh, but sorry.
18:41I didn't want to interrupt.
18:42Don't worry.
18:43Good.
18:44And then we twist this round.
18:45And twist that bit round, you see.
18:46And another pin here.
18:47For a very good reason, that.
18:49And the roses.
18:50Ah.
18:51This is the finishing the bridal touches, you see.
18:53Right.
18:54One rose here.
18:55There's nothing like a bridal touch.
18:56No.
18:57We need this little special touch here.
18:58Yep.
18:59Lovely, lovely.
19:00Make sure they're in securely.
19:01And this side here.
19:04And now we finish off with the...
19:06Tiara.
19:07She'll never get into the working men's club with a tiara.
19:10Yes.
19:11There we are.
19:12And lovely Nicola.
19:13There you are.
19:14Lovely.
19:15Lovely.
19:16Do you mind standing up, Nicola?
19:17Yes.
19:18And give it a shake.
19:20Yes.
19:21Lovely Nicola.
19:23And, Gerald, will you come back to do some marking?
19:24I'd love to.
19:26Thank you, my darling.
19:27Off you go.
19:28Lovely, lovely.
19:29Now, get to your places.
19:30Get to the side one, Paul.
19:31Come on over there.
19:32Get here.
19:33Good.
19:34Now, can we have our models on, please?
19:36There they are.
19:43From right to left, my right to left, it's Ella, Leslie, Lucinda and Hannah.
19:48So, there they are.
19:49You've got about a minute and a half to make a bride's hairdo starting from now.
19:55Now, where are you going?
19:56Try and remember the sequence in which, er...
20:00Don't be too rough, Paul.
20:01Thank you, brother.
20:02Of course, poor girl.
20:03There we are.
20:04That's it.
20:05Remember the sequence, if you can.
20:10There we are.
20:11And to cover up the, er, sort of little piece that we put in there.
20:15That's it.
20:16Right here.
20:17You can scream out, dear.
20:18You get more money if you do dialogue.
20:23Much more money.
20:24Just scream and shout.
20:38Keep going.
20:39Because we want finishing touches in a moment, no matter where you're up to.
20:4815 seconds.
20:49Whatever you're doing, stop.
20:50Stop whatever you're doing and put the roses in.
20:53Marvellous over there.
20:54Roses in and the tiara.
20:55Quickly, otherwise you'll lose points.
20:56Quickly, roses in and stick it in with a pin.
20:57That's it good.
20:58Hurry up.
20:59Hurry up.
21:00Hurry up.
21:01Hurry up.
21:02What are you doing?
21:03Stop.
21:04Stop.
21:05Right.
21:06What a mess.
21:07Right.
21:08Come back, Gerald, and try and salt this out.
21:11You've got the other side of the other side.
21:12Now then, have a look at this first from the back.
21:13Right.
21:14The blind's in.
21:15The blind's in.
21:16Yeah, it is, but you've got a terrible mess.
21:17Yeah, the flowers and the tiara.
21:18The flowers are in.
21:19Can I just turn it round so the people at home can have a little look?
21:33I don't think the people at home would have another look.
21:38Okay.
21:39Now the test.
21:40The acid test.
21:41Stand up, my child, and shake your head.
21:44Well, yes, well, even your zip is undone at the back of it.
21:51Your zip's undone at the back of it.
21:54Keep your hands to yourself.
21:55Sit down.
21:56So, how many marks, do you think?
21:58Four forever.
21:59Four forever.
22:00Four for standing there.
22:01Now, James, hanging on for dear life today.
22:05Yes, you let go.
22:06It goes, doesn't it?
22:07I'll see if we can get you round that way.
22:09There's the back of it.
22:11Now, the acid test once again.
22:13Stand up, if you will, my darling, and give a good shake.
22:17You're dropping flowers everywhere.
22:19That'd be nice going down the aisle, wouldn't it?
22:21No?
22:22So, what do you think?
22:23Five.
22:24Five.
22:25Five.
22:26So, thank you, my darling.
22:27Thank you, my darling.
22:28Okay, my darling.
22:29Oh.
22:30Daniel would employ you for this.
22:32Daniel, there we are.
22:33Daniel Galvin would employ you for that.
22:34What as?
22:35Well.
22:36Tea Lady, or what?
22:37No, it really is very good.
22:39I think it's wonderful.
22:40I'm not sure.
22:41Tea lady?
22:42No, it really is very good.
22:44I think it's...
22:45It's wonderful.
22:46Have a look at this, everybody.
22:47Oh, sorry, the other way, my darling.
22:48Sorry.
22:49There we are.
22:50How about that?
22:51Mmm.
22:52Isn't that good?
22:53That is excellent.
22:55Now, I wonder if it's...
22:56It looks pretty sturdy, but...
22:58And you were finished before all the others as well.
22:59Give it us a good shake.
23:01Oh.
23:02Oh, yeah.
23:03There we go.
23:04Excellent.
23:05Excellent.
23:06Oh.
23:07I'll try and find you a husband before the night's out.
23:11OK.
23:12There isn't an eight.
23:13An eight?
23:14Yeah.
23:15Well done, indeed.
23:16An eight.
23:17Well done, indeed.
23:18Lovely, lovely.
23:19And little Hannah at the end.
23:21So, what about Hannah?
23:22It looks like...
23:23This is the night after.
23:24The night after the honeymoon.
23:26But let's show everybody at home, if we can.
23:29Definitely a bit of a mess.
23:31The tiara's upside down.
23:33The roses are sort of...
23:34It looks as though they've taken root.
23:37So, what do you think?
23:38The acid test.
23:39The acid test, yes.
23:40Give it a good shake, dear.
23:41Good shake.
23:42Oh, at least it stayed in.
23:43Oh, wonderful.
23:44It surprised you, didn't it?
23:45Surprised you?
23:46Well...
23:47See him again.
23:48Five, it stayed up.
23:49Five, it stayed up.
23:50All right.
23:51Well...
23:52Thank you, Gerald.
23:54Thank you, Daniel, as well.
23:55And all your lovely lovers.
23:56Thank you for being with us.
23:57And thank you for giving us a game.
23:58OK.
23:59Come on.
24:00Now, what's on the board, Miss Ford?
24:09Paul and Joan have 26.
24:11Pamela and Peter have 31.
24:13Oh, well done, you two.
24:14That's beautiful.
24:15And we're sorry to lose you, but you will be getting a Generation Games telephone each.
24:23Thank you very much for being here.
24:25And we'll be seeing you in our grand final, which is coming up any day.
24:28All right.
24:29Off you go there.
24:30Off you go there.
24:31And thank you, Rosie.
24:32We'll be with us.
24:33Come on.
24:34Yeah.
24:35Welcome tonight, Rosie.
24:36Are?
24:37They're from South Staffordshire.
24:38Their father and daughter, Roy and Ali Westwood.
24:41Right.
24:51How are you?
24:52Fine, thank you.
24:53Thank you for being here.
24:54Stand right just there, that's right.
24:55And you're?
24:56Ali.
24:57Yeah.
24:58Wait a minute.
24:59Quick impression.
25:00Ali.
25:01Back, Ali.
25:02Right.
25:03Well, they've got us off to a start.
25:05And what do you do?
25:06What do you do, Ali?
25:07I'm a trainee solicitor.
25:08A trainee?
25:09Oh, solicitor.
25:10Oh, yeah.
25:11So it's alimony.
25:12Right.
25:13Right.
25:14Now, when you were a baby, you wouldn't go anywhere with your dummy, is that right?
25:19No.
25:20No.
25:21My parents used to take me out and they used to take my dummy off me.
25:23Yeah?
25:24Oh.
25:25Oh.
25:26Would you like to do that again?
25:27Okay?
25:28You used to take your dummy off?
25:29Oh.
25:30Oh, you've got your half.
25:31Right, fine.
25:32You should have told us how to rehearse.
25:33No, yeah.
25:34Right.
25:35And then I used to produce one from under my knicker leg.
25:36Oh, you used to hide them in your knickers?
25:38Oh.
25:39Oh, really?
25:40Well, have you got one with you tonight?
25:41Oh.
25:42Oh, really?
25:43No.
25:44Well, if you'd like to check.
25:45I mean, I won't check.
25:46You can check it, don't I?
25:47Anyway, thank you for telling us that.
25:48Intimate little detail.
25:49Oh, right.
25:50Well, back to your dad, Roy.
25:51Westwood.
25:52Home.
25:53Just a little joke.
25:54Evidently.
25:55Right.
25:56You're in the business development in the electrical industry.
25:57Right.
25:58You go to China a lot.
25:59Isn't that a long way to go for a takeaway?
26:00It certainly is.
26:01And I've had some very unusual food when I've been there.
26:02Oh, really?
26:03Oh, tell us.
26:04Unusual food.
26:05Fried scorpions.
26:06Yes, yes.
26:07Sea slugs.
26:08And balls.
26:09Unmentionables.
26:10Bulls unmentionables?
26:11Yes.
26:12I'm glad you didn't mention them.
26:13Whatever they are.
26:14No chips.
26:15Anyway.
26:16You must fly a lot, then, in your...
26:19Yes.
26:20Yes.
26:21Yes.
26:22Yes.
26:23Yes.
26:24Yes.
26:25Yes.
26:26Yes.
26:27Yes.
26:28Yes.
26:29Yes.
26:30Yes.
26:31Yes.
26:32Yes.
26:33Yes.
26:34Yes.
26:35Yes.
26:36And in flying, I've had some tremendous experiences with bad turbulence.
26:41Yeah.
26:42Well, what you eat, I'm not surprised.
26:45Huge.
26:48I feel ill.
26:49And you and Ali are compulsive chocolate eaters, is that right?
26:52Absolutely.
26:53Yes.
26:54I could eat a pound at one sitting.
26:55No.
26:56Yes.
26:57You mean you could get a pound of chocolates?
26:58Just in one go?
26:59At one sitting.
27:00A pair of you?
27:01Yes.
27:02Oh, I'll make a note of that.
27:03Oh.
27:04Oh.
27:05Chocobluck.
27:06I just thought of that.
27:08Oh, really?
27:09Well, all right.
27:10Where are you going?
27:11Sit yourself down.
27:12I'm going to have you.
27:13Thank you very much.
27:14Look at that.
27:15Thank you very much.
27:16I don't think that.
27:17Tell me who are our last team.
27:18Right.
27:19They're from Liverpool.
27:20They're father and daughter, Tony Alcock and Alison Riley.
27:30Right.
27:31You are Alison...
27:32Riley.
27:33Oh, Riley.
27:34Yes.
27:35Married to David.
27:36Tell us about the honeymoon.
27:37Well, the honeymoon.
27:38Yes.
27:39Was spent at the Shakespeare Hotel in Stratford.
27:40Oh, yes.
27:41In the Romeo and Juliet suite.
27:42The Romeo and Juliet suite.
27:43Oh, lovely.
27:44And did you call room service and order Poison for Two?
27:45No.
27:46Shakespearean honeymoon.
27:47I mean, it's lovely.
27:48Yeah, yeah.
27:49Did you get the complete works?
27:50Oh, yes.
27:51Shakespearean wedding night.
27:52I mean, as you like it.
27:53In the morning, must you do about nothing.
27:54So, what happened?
27:55Tell us what happened later on.
27:56Well, we arrived late.
27:57And we arrived late.
27:58Oh, yes.
27:59Oh, yes.
28:00In the Romeo and Juliet suite.
28:01In the Romeo and Juliet suite.
28:02Oh, yes.
28:03In the Romeo and Juliet suite.
28:04Oh, lovely.
28:05And did you call room service and order Poison for Two?
28:06No.
28:07No.
28:08No.
28:09No.
28:10No.
28:11No.
28:12No.
28:13No.
28:14No.
28:15No.
28:16No.
28:17No.
28:18No.
28:19No.
28:20We arrived late and there was a 75-year-old poor chap,
28:25who met us at the door.
28:26Your rooms are ready now.
28:28Well, he turned round to my husband and I and said,
28:31you're a bit late to get started, aren't you?
28:34Oh, that's lovely.
28:35That's lovely.
28:36So, what happened after that?
28:39Erm, what happened after that?
28:41Erm...
28:42I don't know what, wasn't he?
28:45No one are asking me.
28:46No, you're asking me.
28:47You know, did you have the drink and everything?
28:49Well, you know, well, look, I'll get you out of it.
28:52As Shakespeare said, all's well that ends well.
28:56Oh, sorry, I should remember now.
28:58In the room, yeah, in the room.
28:59In the room, of course you were in the room.
29:01Yes, that's right.
29:02Well, there was a bucket of champagne and ice.
29:05A bucket? Is that bigger than the bucket?
29:07Is it smaller than the bouquet?
29:10Yes, of course.
29:13Well, although the ice had melted, there was certainly plenty of fire.
29:19You naughty girl, Alison.
29:22Thanks for telling us all about it.
29:23Now, over now to your dad, Tony...
29:26Alcock.
29:31What cock?
29:34Alcock.
29:34Alcock, sorry, Alcock.
29:35Well, we got there anyway.
29:37Tony, Mr Halfcock.
29:40Are you related to the famous bowls champion?
29:43No, surely.
29:43Tony Alcock?
29:44No.
29:44How many elves have you got?
29:46One.
29:46Oh, just one.
29:47Well, you see, the other Tony Alcock.
29:49He, you're Alcock, and he's Alcock.
29:56It was just a thought, that's all.
29:59Because I admire him so much, yes.
30:01Right, but now, what's all this about getting locked out of your hotel room one night?
30:06Well, we'd been up to a sales conference up in the northeast.
30:08Yes.
30:09And we'd had quite a fair amount of drink, being a sales conference.
30:14Yes, yes.
30:14And being a very warm night, I was sleeping in the starkers.
30:18Oh, dear, yeah.
30:19And instead of walking straight through the door into the bathroom, I walked straight through
30:23the door into the, into the stairway.
30:26Is it right outside?
30:27Right outside into the, into the, into the hallway on the second floor.
30:31And the door locked up behind you?
30:33I heard the door click.
30:34Oh, no.
30:35At two o'clock in the morning, I looked around, and the only thing I saw was a big red fire
30:41extinguisher.
30:42Yeah.
30:42Which I pulled off the wall.
30:43Yeah.
30:44I know.
30:45Covered me vital parts.
30:46Yes, exactly.
30:48Oh, God.
30:49Oh, God.
30:49Slowly crept two, two flights of stairs down to the porter's reception.
30:54Exactly, yes.
30:55To see two cleaning ladies.
30:56Oh, God.
30:59And the hotel porter.
31:00Yes.
31:01Who immediately just looked, they were just red at the fire extinguisher.
31:05Oh, God.
31:05I can imagine.
31:06A coat was thrown over me and whisked back to me room with six spare keys.
31:09But you, you didn't tell them your name, did you?
31:11I did not.
31:11I did not.
31:15Oh, God.
31:16And his name's all right.
31:19Over there, over there you go.
31:22And thank you very much for being with us tonight.
31:24What lovely people are going on.
31:27Oh, my goodness.
31:29Oh.
31:30Now, then, our next game is called Between the Sheets.
31:35So.
31:38Well, that's what it's supposed to be.
31:39I only read it.
31:40Right.
31:40Please welcome, from Ealing Hospital, Nicky Smith, Hayley Derrett, and Jackie Hulse.
31:46Thank you very much.
31:52Hello, Jackie.
31:53There you are.
31:55This is Jackie Hulse.
31:56Philby Pulse.
31:58Jackie Hulse.
31:58Oh, it's racing.
31:59Oh, it is right.
32:00It always does, my dear.
32:01Well, after that story.
32:02Right.
32:03Now, all of you work in the same unit, don't you?
32:06Will you tell us a little bit about that?
32:07Yeah, it's cardiology units, which is more pulses.
32:09Very important, so changing the sheets, which is what we're going to do here, very important.
32:13It's done as gently as possible.
32:14That's right.
32:15So, that's what this is all about.
32:16So, it's a very important thing.
32:17So, come round here and bring everybody over, Rosie.
32:20Get nice and close so you can see and hear everything that Jackie says.
32:24Away you go, madame.
32:24Okay.
32:25What we're doing is changing the sheets as we would for a patient who's perhaps unconscious
32:28or had a spinal injury, a back injury.
32:31You see that Nicky and Hayley are doing as much as they possibly can together, teamwork.
32:35But the main aims are to keep him safe, comfortable and dignity.
32:39We don't want to see any pyjamas or anything like that.
32:42No, dignity at all times.
32:43So, you see, Nicky's just rolled him over and she's just holding him still there,
32:45keeping him straight while Hayley puts in the new sheet underneath.
32:50And you take your time to get the corners nice because the tighter the corners,
32:54the better the sheet will be and it's more comfortable for them to lie on.
32:57It's famous hospital corners, which we call them.
33:00They do serve a purpose, yeah.
33:01They do, to keep it nice and firm.
33:03And as you see, you know, we've got yellow and blue.
33:05In the hospital it's always white.
33:06We know they're always white.
33:07But, you know, for your purposes, and especially tonight,
33:10we want you to replace the blue sheets with the yellow sheets.
33:14That's what it's all about.
33:15And as you see, it turns him over, you see?
33:17No embarrassment, is there?
33:19Is he all right here, by the way?
33:20He's all right.
33:21Good.
33:23That's fine.
33:24Away you go.
33:24And then hospital corners there again.
33:26Now, this is where...
33:28Oh, I see there.
33:28This is the tablecloth trick.
33:30So the old sheet goes on at the top.
33:32The new sheet goes on.
33:33And then they're just very neatly pulled away beyond one.
33:35And then they're neatly pulled away there.
33:36Now, watch this part here, you see.
33:39No hesitation as they go down there.
33:41A little bit of a smile for both of them.
33:43So they didn't stop anywhere, did they?
33:46Look at John's choices either.
33:48They're on with the counterpane.
33:49They're on with the counterpane.
33:51Again, just as you see, they're moving up and down the bed together,
33:54doing things together.
33:54Yeah, working as a team, this is the thing,
33:57which is what we want you to do, work as a team.
34:01And as you see, here goes the last part.
34:04A flick and we'll finish.
34:05Just one flick, and it's all lovely.
34:07And up goes the thing.
34:09Oh, think on there.
34:11Isn't that lovely?
34:13Well, thank you, ladies.
34:15Thank you so much, Dean.
34:17And Jackie, will you come back to do some marketing?
34:19Johnny's going off you go, then, over there.
34:22And can we have the other beds in now, please?
34:25This one.
34:27Off you go there.
34:29There we are.
34:31And you stay that side of an hour.
34:33Now, then,
34:33who have we got in our first little cot?
34:36Well, the only rugby player
34:38to have seven cup winners' medals
34:40under his belt,
34:42apart from a total of 15 England caps,
34:46yes, it's Gareth Chilcott.
34:48Oh, thank you.
34:55You're very lucky.
34:57You're very lucky.
34:58So, Gareth, thank you for being with us.
35:01And now,
35:02from the world of athletics,
35:04a winner of ten gold medal...
35:06No, sorry.
35:07Ten medals.
35:08Five of them are gold.
35:09But, of course,
35:10it is Chris Akabusi.
35:12I don't think you're going to be back to the world, right?
35:21Oh, wow!
35:22Woo-hoo!
35:22You've got such a bit.
35:24OK, now they've come round the other side,
35:26one of you each side.
35:27You've got to change the blue sheets
35:29with the yellow sheets
35:31in about a minute and a half.
35:33You've got to change the blue sheets.
35:35Be careful.
35:36I love contact sports.
35:37He said he likes contact sports.
35:39Right?
35:41So, away you go.
35:41Your time starts now.
35:43I'm with the team.
35:44Woo!
35:45Woo!
35:45Woo!
35:46Woo!
35:46Woo!
35:47Woo!
35:47Be careful.
35:48Watch me now.
35:49Woo!
35:50Woo!
35:50Woo!
35:51Woo!
35:52Woo!
35:53Woo!
35:54Woo!
35:55Woo!
35:55Woo!
35:56Woo!
35:57Woo!
35:57Woo!
35:58Woo!
35:58Woo!
35:59Woo!
35:59Woo!
36:00Woo!
36:00Woo!
36:01Woo!
36:01Woo!
36:02Woo!
36:02Woo!
36:02Woo!
36:03Woo!
36:03Woo!
36:03What are you doing?
36:05What's going on?
36:06I hang on, I'm 18 stone.
36:08I'll be 17 by the end.
36:29Big Kelly's a world athlete.
36:33Oh, my God, please.
36:35Get him back in, then.
36:41Come on.
36:43What's going on in?
36:45Yes, sir.
36:51There.
36:53Sit in.
36:55No, no, no, no.
36:57Oh, no!
36:59Oh, no!
37:03Oh, no!
37:05Oh, no!
37:07Time, Jack!
37:09Well, I hope your plane is at home.
37:15But anyway, if Jackie hasn't left the building, will you send her back to do some marking?
37:21Will you get the other side?
37:23Well, we've got a hospital corner in sight, Bruce.
37:29No, nothing.
37:31But I think they did so...
37:32There's plenty other things in sight.
37:33Yes.
37:35They did so well, I don't think anybody would have coped with these patients.
37:39But what you're trying to say, there were such bad patients, nobody could have coped with them.
37:43Yeah.
37:44I'd just like to say 17 points each and well done.
37:4617 points each and well done.
37:47I think that's a great job.
37:48It's wonderful.
37:49And thank you everybody.
37:50Thank you everybody.
37:51Thank you everybody.
37:54And thank the Queen Hospital.
37:55And our thanks to Sarah for that.
37:57Thank you so much.
37:58And Chris, thank you.
37:59Thank you so much for giving it.
38:01OK.
38:04Thank you for giving it to me.
38:13What's on the board, Miss Paul.
38:15Oh.
38:16Well, Roy and Ali have 17.
38:18Alison and Tony also have 17.
38:20Oh, you have a pretty.
38:22What a silly question.
38:2417 points.
38:25It's called lines from the movies.
38:29I'm going to quote you some famous lines from well-known films.
38:33Ladies, you will write down the name of the film.
38:36And gentlemen, you will hold up or put on the item that you think is associated with that film.
38:44Is that all clear?
38:45So, right.
38:46Get to your lecterns and get to your tables.
38:48Gentlemen to the table.
38:49Get right round the back.
38:50Right round the back.
38:51Right.
38:52Quick round the back of the table.
38:53Round the back of the tables.
38:54Round the back of the tables.
38:55That's good.
38:56Here comes your first famous line.
38:59Frankly, my dear, I don't give a damn.
39:04Okay.
39:05Now, don't put Tommy Cooper.
39:08Don't put Tommy Cooper.
39:10Frankly, my dear, I don't give a damn.
39:12Okay, have you got an answer yet?
39:13Yes, we have, yes.
39:14Of course, the film was Gone with the Wind.
39:15And what have you got over there?
39:16Butch Cassidy.
39:17Yes, what about the...
39:18Well, he has got the bonnet on.
39:19Oh, he's got the bonnet on.
39:20Well done.
39:21So, you get one point for the bonnet.
39:22That's well done here.
39:23We've got the bonnet on and you look terrible.
39:25but wonderful point for us.
39:28And of course, we've got...
39:29Gone with the Wind.
39:30So, two points for us.
39:31Well done, indeed.
39:32So, you get one point for the bonnet.
39:33That's well done here.
39:34We've got the bonnet on and you look terrible.
39:37But wonderful point for us.
39:39And, of course, we've got Gone with the Wind.
39:40So, two points for us.
39:41Well done, indeed.
39:42You're on.
39:43The second famous line.
39:47I do wish I could chat longer, but I'm having an old friend for ten years.
39:54an old friend for dinner I do wish I could chat longer but I'm having an old
40:03friend for dinner
40:06he put something on put something on
40:11that's good I could tell by the laugh he's put something on of course the film
40:16was silence of the lambs what have you got over there what were you laughing
40:20at Rosie sound of music
40:28sacrilege and what did he put on the gun on we've got the mask on which is
40:34absolutely wonderful one point and we've got silence of the lambs
40:45famous line here's looking at you kid
40:49here's looking at you kid as well
40:53don't know why I was looking there in the first place
40:57here's a look at you kid
40:59has he put something on he's got here on there
41:01he's got something on fine okay of course famous line from a famous film
41:05Casablanca and what have you got over there
41:07and what have you got over there Colorado
41:11he was in Colorado
41:13forget it
41:15he's got the fez on he's got the fez on well done
41:21and we've got the fez on here well done
41:23and Casablanca we've got so much after you well done indeed
41:27thank you for you all over here
41:29thank you
41:35thank you
41:37what's on the board Miss Paul
41:41Roy and Ali have 23
41:4323
41:44Alison and Tony have 19
41:45oh bad luck you two
41:47the films didn't help you did they
41:49they didn't help you
41:51but you will be getting the generation game telephone for each of you
41:55thank you for being such an important part of the show
41:57off you go there we'll see you for a drink in a minute
41:59okay off you go there
42:01just let's remind ourselves of who you'll be playing in our grand final
42:06come over here
42:13and have we got a grand final for you
42:15oh yeah it's a play
42:17are you pleased?
42:18it's a play
42:19it's a wartime love story
42:21okay so the vital toss up
42:24so Pam
42:25head to tails
42:26tails
42:27there it is
42:28you're right
42:29look
42:30it's tails
42:31it's a lovely tail
42:32it is a lovely tail
42:34it is a lovely tail
42:35so do you want to go first or second?
42:36we'll go second
42:37you'll go second
42:38okay so you two
42:39pop over there
42:40ahem
42:41and get yourself ready
42:42put these two in an air raid shelter
42:44over there somewhere
42:45we've got one somewhere over there
42:46and we're ready now for brief
42:48encounter take one
42:50but
42:51any resemblance to Will Hay
42:53and oh Mr Porter
42:54is more than coincidental
42:56oh good morning ma'am
43:00good morning
43:01good morning
43:02now come in
43:03don't forget you're very posh dear
43:04very posh
43:05okay
43:06very very much like that
43:07you see
43:08and your first line is on the table mat
43:09okay
43:10away you go
43:11very posh
43:12excuse me but is this seat anyone's?
43:14yes
43:15it belongs to British Railways
43:17you've got a laugh
43:19you've got a laugh
43:20you've got a laugh
43:21cool there
43:22putty in our hands
43:23okay sit down my darling
43:25there we are
43:26oh yes mine
43:27right what can I get for you love?
43:28a cup of tea please
43:29yes
43:30very all right love
43:31we've got China Earl Grey
43:32Darjeeling
43:33India as I'm English
43:34breakfast choice
43:35leave me a
43:36stop building your part up
43:37just get her a cup of rosy rosy
43:40oh I can't wait to grab you by the buffers
43:45you leave my buffers alone
43:50please stop
43:51for goodness sake
43:53here tell me
43:54have you got your ticket?
43:55no
43:56no
43:57come over here
43:58will you just stand on there
43:59stand on that mark
44:00and knock on the ticket window
44:03the next train's gone
44:07keep knocking on the window
44:10yes
44:11er
44:12King's Cross
44:13of course he is
44:14there's a war on it
44:17right go on sit down
44:18now it's your turn
44:19then it's your turn to buy a ticket
44:20okay
44:21just keep knocking at the window
44:22keep knocking
44:25the next train's gone
44:29yes?
44:30Leatherhead
44:31fish face
44:35right now well
44:36there you are
44:37let yourself down
44:38oh it's the time of your cup of tea's here
44:39there we are
44:40very nice cup of tea
44:41here's that sandwich you ordered
44:42thanks
44:43but why is it wrapped in silver paper?
44:44well today is it's 25th anniversary
44:49oh look the er
44:50the 7.30 from Weatherfield
44:51he's coming through
44:53so hold on tight everyone
44:54it's coming
44:55it's here
44:56come on
45:01well you've done it
45:02haven't you?
45:03come on
45:04you've done it
45:05oh
45:06lovely
45:07yeah
45:08what's that?
45:09oh
45:10what's that?
45:11this tea earns on the boil
45:13and i will be later on tonight
45:15oh
45:16wait wait wait
45:17wait wait stop
45:18right now this is the romantic part
45:19now i know you're father and daughter
45:21but you're gonna make the best of this
45:22okay away you go
45:23OK, away you go.
45:24I hope you don't think I'm being forward,
45:26but the moment I saw you, my legs turned to jelly.
45:29No jelly, there's a war on.
45:32Your hands, your lips, your eyes.
45:36Oh.
45:37Your eyes are supposed to be on that kind of thing.
45:40OK.
45:41Stop it, you're driving me bananas.
45:43Oh, there's no bananas, there's a war on.
45:45Can I do my very linen impression now?
45:47No, you can't.
45:48Why not?
45:49Because it's not your line.
45:50Stop showing off in front of your bit of crampet.
45:54No, there's a war on.
45:56I'm bringing an air-aids firing under the tables.
45:59Everybody under the table.
46:01Under the table.
46:04Oh, they must have run out of bombs.
46:07It's a war on.
46:08All the animals are going on.
46:09Come out, come out.
46:11All of you come out and sit yourself down again.
46:13Oh, hey!
46:20Who told you lot to come out from under the tables?
46:26I haven't given the all clear yet, you ruddy hooligans.
46:29I'm going to go and ruin everything.
46:31I just went to 7.35 and it was coming in through from Ambridge.
46:35Hold on tight.
46:36Hold on tight.
46:36Come on, I tell you.
46:37Let's see.
46:38We'll meet again, I don't know when, I don't know when.
46:50But I will meet again some tiny day.
46:55Oh, lovely.
47:08You took it back.
47:09Didn't you take it back?
47:10Oh, dear.
47:11Well, now, may I say a big thank you to our good friend
47:14from the Evergreen series, Dad's Army, Mr. Bill Pertwee.
47:19Thank you for having a lovely look.
47:20And you're waiting.
47:22All right, my darlings.
47:23So if you'll just wait over here for two of you.
47:26Well done, by the way.
47:28Lovely accents.
47:29Absolutely.
47:29Encounter, take two.
47:33I think somebody's arrived.
47:34Yes.
47:35Jolly good.
47:37Don't forget, be very posh, very posh.
47:39Your first line's on there.
47:40Away you go.
47:41Excuse me, is this seat occupied?
47:45No, but friends in Poland are.
47:50Sorry, don't worry.
47:51It was a war joke.
47:53Yes.
47:54I say war because I had a battle with the writers over there.
47:56Well, you know, sit yourself down.
47:58Oh, yeah, here comes the...
47:59Doctor, what can I get for you, love?
48:01A cup of coffee, please.
48:02Oh, yes, love.
48:03Well, we've got instant, percolated, decaffeinated, fresh ground,
48:06filtered, espresso, cappuccino, Brazilian, Kenyan, Colombian...
48:08Yeah, all right, we're going to need all that coffee to keep this audience awake.
48:12See what, I'll keep you awake now.
48:15Meet me by the points.
48:17Why the points?
48:19Because points make surprises.
48:21What do you get your fingernails, capp?
48:26That's an old one, isn't it?
48:27Right, that way, have you got your ticket?
48:29No, you haven't got your ticket.
48:30Right, come over here and stand on that mark
48:32and knock on the ticket window.
48:34Knock on the ticket window.
48:36The next train's gone.
48:39Knock on the window.
48:41What?
48:41One way to Tipperary.
48:42It's a long way to now.
48:46It's a long way to Tipperary.
48:49To the sweetest girl I know.
48:52Goodbye.
48:56Go on, clear off you, don't you, a bit now?
48:57Have you got your ticket, madam?
48:59Who wants to come over here?
49:00Keep knocking on the window.
49:01Keep knocking on the window.
49:03The next train's gone.
49:07Keep knocking on the window, dear, for goodness sake.
49:12Yes?
49:16What is the best way to bury St. Edmund's?
49:20Get a shovel.
49:24It's gone.
49:25Right.
49:26There we are now.
49:27Sit yourself down.
49:28Right, now, oh, here's your coffee.
49:30That's it, here's your coffee.
49:31Here's the meal you ordered.
49:33It's toad in the hole.
49:36Toad in the hole?
49:38Right.
49:41Look out, oh, look out.
49:42The 6.30 train is coming through from Emmerdale.
49:45It's going to sit down and hold on to your seat.
49:47Hold on to your seat.
49:48Hold on to your seat.
49:52The last guy.
49:56It's all right.
49:58You're broken.
49:58You're broken.
49:59It's all right.
49:59Hold on.
50:04Listen, it's not the tea, Edmund.
50:06It's the audience.
50:07When you shut up.
50:08All this hittin'.
50:11What?
50:11What?
50:12What?
50:12What's the matter?
50:13Meet me by the siding.
50:15The siding?
50:16What for?
50:17We could play sleepers together.
50:18Right, now this is where you, the romantic part, this is where you play sleepers.
50:25I don't know.
50:26I don't know.
50:26I don't know.
50:27Hold hands.
50:28Okay.
50:29Away you go.
50:29A follow suit.
50:30Got away you go.
50:30If I told you I was falling in love with you, would you think I was a silly sausage?
50:35No sausages, there's a war wrong.
50:38I see.
50:39Do you fancy a weekend in Brighton?
50:41A weekend in Brighton?
50:42I should call call.
50:44That was a bit Yorkshire, wasn't it?
50:48I should call call.
50:51Anyway, there's no cocoa, there's a war wrong.
50:54I wish I could really good place for me to do my beer with linen passion.
50:56Will you stop nagging me, woman?
50:57Stop nagging me.
50:59And you stop showing off in front of your tart.
51:02No tart, there's a war wrong.
51:03And start beauty my lines.
51:06Why won't you let me do my beer with linen?
51:08All right, now don't get that set, Rosie.
51:10It's only a play, dear.
51:12You're a lovely bit of ubi, dear.
51:19What are you doing with that woman?
51:22You stupid woman.
51:24Can't you see I'm consoling her before she sings?
51:27But I am here because I have been requested to sing.
51:31You've been requested to sing?
51:33Who by the Germans?
51:37We'll meet again.
51:40Bring the train back on.
51:42Give her a hand around her half.
51:45Get her ready.
51:46Get her ready.
51:47Come on.
51:48Get her ready for luck.
51:49Come on.
51:50Oh, yeah.
51:51Come on.
51:52Come on.
51:55Thank you so much, and that's Carmen, my darling.
52:18What are you doing over there?
52:19I wondered where you got to.
52:21You were hiding for me.
52:25I was not hiding from you.
52:27No, but listen, it's so lovely to come and see us.
52:30It's lovely to be with you again.
52:31Thank you, on behalf of us all, for being such an important part of the show.
52:34It's a pleasure.
52:35OK.
52:36Thank you, Carmen.
52:38There we are.
52:39And of course, thanks to our supporting artists.
52:42Here they are.
52:44Very, very good.
52:47We have a couple back.
52:48Nice and quick, nice and quick.
52:49There we are, Ali and Roy.
52:51And to judge this, we have one of Britain's leading comedy actresses.
52:55With a string of successes on stage, screen and radio, the marvellous June Whitfield.
53:03Lovely, lovely to see you.
53:04I thought they were marvellous.
53:05Yes.
53:06I really did.
53:07I thought that Peter had a marvellous upper-classed accent, didn't he?
53:08He did, he did.
53:09I thought he was frightening, frightening.
53:10Yes.
53:11Now, Pam did occasionally slip into the vernacular.
53:12She did.
53:13She did.
53:14She did.
53:15She did.
53:16Up to here.
53:17Yes, yes.
53:18But I would just like to say how very distinguished Roy looked as a doctor.
53:24I'd trust myself with him any time, wouldn't you?
53:26The accents were very good.
53:27And Ali at the word, perfect accent, I thought that they were both marvellous.
53:44So, I would like to give Peter and Pam 17.
53:4817. Yes. And Ali and Roy, 18.
53:52Oh, well done. Well done. Very lucky. Very lucky.
53:57It's just a little bit of an accent back to it.
53:59Oh, yes, right.
54:02What are you up to at the moment? What am I up to?
54:05Well, just done a bit more Absolutely Fabulous to be shown next year.
54:09Yes, yes. And, of course, Roy Hudd, Huddlines.
54:12Absolutely miles. And then it's a fairy in the pantomime.
54:15Oh, where are you doing that? Wimbledon.
54:16Wimbledon. Oh, lovely. Wombleland.
54:19We'll have a marvellous time with that. I know you'll enjoy it.
54:22And being home will be lovely.
54:23Being home will be very nice for us, yeah.
54:25Our thanks once again to June.
54:27Thank you, my darling.
54:29All right. Thank you very much.
54:31Thank you. Thank you very much.
54:34Right, well, now we are sorry to lose you.
54:38It is the call call, I think, the couple call call that let you down.
54:41Oh, yeah, but you will be getting a Generation Game
54:43telephone answering machine, each of you,
54:45and also a pocket-coloured television, each.
54:48And thank you very much for being such a wonderful sport.
54:51You did enjoy yourself?
54:52Yes.
54:52Well, we'll see you for a drink in a moment.
54:54So if you'll just pop over there.
54:55And will you two put your awesome joe over there?
54:59And will you do the music?
55:00OK, open the doors, please.
55:07All right, now, lots of articles are going to pass before your eyes.
55:10OK, you have 40 seconds.
55:11Everything you remember, you'll take home with you tonight.
55:13Your 40 seconds will start now.
55:16On the conveyor belt tonight, we have a case of champagne,
55:19a radio cassette player, a matching photo frame and perfume bottle,
55:23an electric drill, a pair of jibber-jabbers,
55:26a road map, six champagne flutes,
55:30a remote-controlled racing car,
55:32a cocktail menu from Rick's Bar,
55:34a wash bag, a matching towel,
55:36a fondue set,
55:38a condo-layer,
55:40a set of storage jars,
55:42a designer waistcoat,
55:43a chicken egg boiler,
55:44a personal CD player,
55:46a marble bathroom set,
55:48a terracotta wall clock,
55:50a cordless phone,
55:52a tote shopping bag,
55:54and a glass glass.
55:58OK, so keep thinking.
56:00Keep thinking of all those articles on your way round here.
56:03All right, here you come.
56:05And sit yourselves down.
56:06Sit yourselves down there.
56:07Good.
56:08Now then,
56:08you're going to have the first 20 seconds to remember everything,
56:11and then when you hear a funny sound,
56:13you will take over with the last 20 seconds.
56:15OK, good luck again with this.
56:17Your 40 seconds starts now.
56:20Dozen bottles of champagne,
56:21champagne glasses,
56:23portable telephone,
56:24radio cassette player,
56:25CD player, radio cassette player,
56:28cuddly toy,
56:29a road map,
56:30a terracotta wall,
56:33radio control toy,
56:35all right,
56:36um,
56:37um,
56:38um,
56:38yeah,
56:40carry them on.
56:41Menu,
56:42jibber jabber toys,
56:43um,
56:44racing bag,
56:46champagne flutes,
56:48we've had that,
56:49personal stereo,
56:50CD,
56:50menu,
56:52CD player,
56:53dino waistcoat,
56:55marble bathroom set,
56:57marble bathroom set,
56:58call this hand.
57:00Oh,
57:01didn't they do well?
57:02Yes.
57:03Come on,
57:04off you come.
57:05Come along.
57:05Check this,
57:06check this.
57:06And...
57:06Lovely,
57:08lovely,
57:12lovely,
57:12lovely.
57:13Now,
57:13I'm so glad you got the road map,
57:17because the road map was the latest electronic route finder for your car.
57:21You will love that.
57:22And,
57:23of course,
57:23the menu,
57:24Rick's American Bar menu is,
57:26a fabulous holiday for four,
57:28to Casablanca.
57:30Thank you for being with us this week.
57:45Be there.
57:45Bye-bye.
57:47Bye-bye.
58:17Come on!