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Transcript
00:00Hi guys, my name is Gati.
00:04How are you?
00:05Do you have good taste in the skin?
00:09How much do you share?
00:11Some of you Psalm, that is good.
00:15Give me a good taste in the skin.
00:16And, the taste in the skin is not the same way.
00:19You have all the other work.
00:20You don't have a good taste in it.
00:23I wonder if I can taste a good taste.
00:25But I also did the pleasure of giving up my first life.
00:29And that's what I told my last life so much.
00:32My advice is that you should question.
00:34My town is very important.
00:36With my town.
00:37Our town is very important.
00:39You can't look very comfortable.
00:41What is your name?
00:45When you listen to the Thartti WEDS
00:47Then I would go ask if you're lucky now.
00:49You can look very comfortable.
00:51You won't get comfortable.
00:53You believe that?
00:55I don't think you're going to pay them to this competition.
00:59But I said, when I were acting in this competition, I tried to take a quick watch.
01:05That's why I was like when I could watch this relationship in this book.
01:10I was like no one in Tamil.
01:11I was like just watching the show, I was just watching the show.
01:16I was like, she was just watching the show, Kattay, I thought that.
01:19There are people who view more of Tamil things in Tamil.
01:22It's the only one in the opinion.
01:25If you think about it,
01:26I am a great actor.
01:28You are as always doing it,
01:29because I'm really happy with the Manga of Taito.
01:32If you can do it,
01:34then you can do it at the top of it.
01:38No matter how much I've been playing with that,
01:40they cannot try it and easily quickly.
01:42There are many artists.
01:45I was saying that you can get to the job,
01:47I'll talk to you later.
01:49I'll talk to you later.
01:52Maybe I'll talk to you later.
01:54I'll talk to you later.
01:55Why do I have a character?
01:56I don't want to talk to you later.
01:58No, I'm not sure.
01:59I'll talk to you later.
02:01I'll talk to you later.
02:02I'll talk to you later.
02:08But now you're going to go to...
02:09She's got a name. Your name is Kalawathi.
02:11That's how you say that, sir.
02:13You're going to talk to me later.
02:15Kalawathi.
02:17We were told in our area that the site has been stolen,
02:22and we asked them to talk about it.
02:24He said, I'll come back up with a double contact.
02:26He would have given the iPad on the couch.
02:32He said, I'm going to talk about it today,
02:36but we couldn't get those typing.
02:38He knew it.
02:39I've also known that many people had been hearing,
02:40and he won't do it.
02:42I was my fault.
02:43He's not doing it.
02:45I can't deny you.
02:47I'll tell you how to do this.
02:48Sir, my name is Vishwadip Garu.
02:51I've got a lot of information.
02:52Sir, you've got a lot of information about me.
02:54I am a liquid ganja.
02:57I'll tell you, next to you.
02:58What a liquid?
02:59Oh my god.
03:01I can't say anything about you.
03:03If you're talking about this point, you'll see you in the cinema.
03:06I'm a liquid ganja.
03:10Sir, sir, my friend, you don't have to worry about me.
03:13You don't have to tell me about it.
03:16But what kind of film did you play in the film?
03:19Krish.
03:20Krishgar direction?
03:22No, it's a character.
03:25It's a very interesting character.
03:27Okay.
03:28If you play in the film,
03:31it's a little bit more than the film.
03:34Then it's a solid film,
03:37and it's a little bit more than the arc.
03:39That's correct, sir.
03:40You don't play in the film.
03:42I think I'm still there.
03:44You don't want to play in the stage,
03:45I'm still here.
03:47I'm playing in the film.
03:48Oh no, I'm playing in the film.
03:50You're playing in the film.
03:52I'm playing in the film.
03:53But I am playing with Vankat Prabhbugaru,
03:55you're a Desi Raju.
03:56Vikram Prabhugaru.
03:57You're a Desi Raju Garu.
04:00I am very happy.
04:02You entered the first Telugu.
04:03Congratulations!
04:05Did you win the dubbing?
04:07Yes.
04:08Yes.
04:09That is the least effort I can put in.
04:11Yes.
04:12You can do a blood test.
04:15Did you do a test in the lab?
04:17Yes, I am lab technician also.
04:19Okay, so let's use the juice?
04:21I can use it.
04:22I can use it for you.
04:24I can use it for you.
04:25Why does it work for you?
04:27I have many patients that ask for your mother,
04:30they can help us with blood in the blood.
04:32I can use it for your juice, you can use it.
04:34They can use it for your DNA.
04:36You can use it for your part time, right?
04:40Dual shift.
04:41Dual shift?
04:42Yes.
04:42Okay.
04:43In the cinema, there is a dual shift and a triple shift.
04:47Here is a dual shift too.
04:49I worked at that shift too.
04:51Are you doing a lab?
04:53Are you doing a bus conductor?
04:56Yes, a bus conductor is also a bus conductor too.
05:00You are doing three shifts too.
05:03You are saying that.
05:06What is your working experience in Hollywood?
05:09Wonderful.
05:10I just feel that you all love cinema making and cinema.
05:15So, that is very nice to see.
05:17It is a very healthy place.
05:19Yes.
05:19You are in Gati, or in the city.
05:22You are in the city of Gati.
05:25You are in the cinema.
05:27You are enjoying the cinema.
05:29You are also in Tamil.
05:31You are also in Tamil.
05:33Yes.
05:34Yes.
05:35Yes, it is a big deal.
05:36Everyone is in the same place.
05:37Yes, if you enjoy it, they are also in the same place.
05:39Yes, you are in the same place.
05:40Yes.
05:41Yes.
05:41Yes.
05:42So…
05:42Come on.
05:44Don't touch me.
05:46Not bad for you, right?
05:48Yes, yes, yes.
05:49Yes, yes, yes.
05:53Okay.
05:54You've been a risk for such a villain character?
05:58What is it for Krishikar?
06:00Krishikar, I thought that if you're a villain, it's okay.
06:04I'll be sorry.
06:06Oh, I've done everything wrong.
06:08I haven't done it for a long time.
06:10First of all, congratulations to Maya Saab.
06:13You also have a lot of fun in our city.
06:16You have a lot of fun.
06:17Do you think you've got a 20-year-old girl in here?
06:23Do you speak?
06:24Yes.
06:26I am the king of Samaraj.
06:28Do you think he is?
06:29If he is the king of Samaraj, he is the king of Samaraj.
06:34You think he is a dream?
06:37I am the king of Samaraj.
06:40I am the king of Samaraj.
06:42If he is the king of Samaraj, he is the king of Samaraj.
06:45Okay.
06:45I am the king of Samaraj.
06:47If you are the king of Samaraj, you will be the king of Samaraj.
06:49Sir, you are the king of Samaraj.
06:52Yes.
06:52What is it?
06:53It is supposed to be 100 kilos, but we were carrying around 40.
06:5740?
06:58Yes.
06:58No, because we wanted to feel the weight.
07:03Because otherwise, we will just walk off easily.
07:05It is just a bunch of walk-off.
07:06Sir, generally, I am the king of Samaraj.
07:07I am the king of Samaraj.
07:09I am the king of Samaraj.
07:11Congratulations, sir.
07:12Not only me, I am the king of Samaraj.
07:14I am the king of Samaraj.
07:15Both of you.
07:16Wonderful.
07:16We are waiting to see and there is also a beautiful romance.
07:20So, you are the king of Samaraj.
07:23She was a big factor, of course.
07:24Yes.
07:25Because earlier, I should have done a movie with her.
07:29It was Gunasekaran, sir, who came home and told me a story for Rudrama Devi, for Gonagana Reddy.
07:36But at that time, I had back-to-back movies, so I couldn't do and just backlog because of one delay of one movie.
07:44So, I felt bad when sir came home and I said, sir, I cannot give immediately, maybe six, seven months.
07:50No, no, I just need one month.
07:52I was like, okay, sir, but not immediately.
07:54You just tell me only what you have to say, sir.
07:57No, no, you listen and he told me for three and a half hours the story.
08:00I felt so bad and it was three and a half hours, the longest guilt trip I have ever had in my life.
08:04And if I was just telling, sweetie, when first day of shoot, I was like, I think it's destined that I had to act with you.
08:13One, it was, would have been Rudrama Devi, now it's gati, so it's happened finally.
08:17Congratulations.
08:19On September 5th, we will see the death of Swimma.
08:21Sir, gati means 4 people.
08:24What is the truth?
08:26What is gati means?
08:27Gati means road loomer.
08:29Gati means gati.
08:31Gotten tent is in the world, so there is a lot of people in the world.
08:35Sanskrit word, Gatta.
08:36Kannada is in the world, and there is also gattu.
08:39So, all of these people come to the border.
08:42The people who are on the border and in the border, are not the people who are on the border.
08:47Yes.
08:47Yes.
08:49One minute note goes, we see a lot of people who are on the border and do not see a lot of people from one hand.
08:55So, I'm going to talk about this idea of specific idea.
09:00There are a lot of characters like Shilavati, Deshrajavati, Kundulu, Kastal, etc.
09:07There are a lot of shades in between.
09:13There are a lot of people who have seen this film.
09:16I went with a story to convince that story.
09:21I'm going to exaggerate that character.
09:23I'm going to do this film.
09:26I'm going to exaggerate that character.
09:31I'm going to exaggerate that character.
09:34Apart from the trekking, there are a lot of shades.
09:38Same with Vikram.
09:39I'm going to enjoy a lot of cinema.
09:41There are a lot of pain, pride, and power.
09:47I'm going to do it immediately.
09:52I'm going to do this film.
09:57It's a lot of soft film.
09:58Somewhere in this film, there are a lot of characters.
10:04I'm going to approach it.
10:06There are a lot of characters.
10:15All these are performers.
10:17I'm going to approach it only.
10:20I know that and what he can bring to this character.
10:23It's a mutual way to bring this film to the audience.
10:28Yes, that's a great thing.
10:30We are going to be on September 5th.
10:33We have been looking for different kinds of roles.
10:36We have registered a cop and a cop.
10:40So, we have a lot of sarcasm.
10:44We are going to see that kind of a…
10:46A little bit of that also.
10:49Okay.
10:50And, this is the first time you are sharing…
10:53Yes, I am.
10:54I am.
10:55Okay.
10:56I am.
10:57She is a sweet, sweetie.
11:00Yeah, of course.
11:01She is a sweet, sweetie.
11:02Okay.
11:03Now, I have a few questions.
11:05I have a few questions.
11:06I have a few questions.
11:07I have asked them to ask them.
11:10It was a great day.
11:11I am very interested in Padmashtri.
11:14Amazing.
11:16Just a special care.
11:19We met him at the same time as we have the origin locations.
11:21Again, the data is the origin location.
11:23I am not able to shoot everyone in this district.
11:25I couldn't just give them permission.
11:27I can't even make it.
11:28It's the same question.
11:29So, I know.
11:31Very much.
11:32I know it's just within the vastness,
11:35making sure that it's really true.
11:37We have a lot of designs in real life.
11:43We have a beautiful team.
11:45We have a lot of experience.
11:49Plus, we have a lot of costumes for a decade.
11:52We have a lot of D.O.P.
11:55D.O.P.
11:57Manoj Redicards.
11:59The same time, we have a lot of music directors.
12:01Tagargaru.
12:03We have a lot of experience.
12:11We have a lot of experience.
12:13If you look at them, we have a lot of experience.
12:15We are very experienced.
12:17I was a super experienced but I was very debutant.
12:19Correct.
12:21It's always the first time.
12:23We have a lot of experience.
12:25We have a lot of new locations.
12:29New locations.
12:30So, the emotions and the sequence and the situations are so different.
12:35So, I am very happy that you have all the time.
12:39Do you have to separate dialects, language, and diction?
12:45Do you have the character of the Jagabathibabhari?
12:47No, not.
12:48But you are the one who is the one.
12:51Do you have any questions?
12:53Do you have any questions?
12:55Do you have any questions?
12:57Do you have any questions?
12:58Do you have any questions?
12:59You have to answer, you have to answer, you have to answer.
13:03You don't have to answer.
13:05Do you have any questions?
13:07I am not worried about you.
13:08Why do you have any questions in the world?
13:09I am going to ask you to answer the question in the chat now.
13:12That's a dialogue!
13:14It's a dialogue.
13:15Sir, you said,
13:17I won't do anything at the league too.
13:20It's a dialogue to say only September.
13:25Sir, we'll ask for the dialogue to you too.
13:27Please watch and speak.
13:29I love this.
13:31I'm telling you an example.
13:33I also said that
13:35Vikram said that everyone will ask
13:37that you will definitely ask some questions.
13:39If you want to ask some questions,
13:41I'm going to ask you,
13:43and I'm going to ask you,
13:45Vikram,
13:47I'll ask you a question.
13:49Sir, I'll ask you a question.
13:51I'll ask you a question.
13:53She's going to ask you a question.
13:55She'll be your grandmother now.
13:57Sir, not in age.
13:59I understand.
14:01For respect, I never
14:03actually repeat what's there on my work.
14:05You work, sir.
14:07Yes, my grandfather's work.
14:09I made the promise then.
14:11I think I could respect you.
14:13Why do you work for me?
14:15Why do you work for me?
14:17Why do you work for me?
14:19No, it's a movie.
14:21If you work for me,
14:23Superb.
14:25I didn't know her screen name was Anushka.
14:29I got to know,
14:31I thought her pet name was Sweetie
14:33because of the kind of person she was.
14:35And then I found out from her only
14:37that her real name is Sweetie.
14:39I was like, oh, I thought people are calling you Sweetie
14:41because you're very sweet.
14:43I was like, did your parents wait
14:45for you to become five years and then find out you're sweet
14:47and then made you Sweetie?
14:49Because she's so sweet.
14:51Whatever good things you hear about her,
14:53it is all true.
14:55And she's one of the most caring people I've seen.
14:59And she's been proving herself for so many years.
15:03And she still approaches the scene like a new actor.
15:07So that is the kind of respect she gives for her work continuously for so many years.
15:13So it was just brilliant to work with an artist like that.
15:17Yeah.
15:18We are also waiting to see her.
15:20Because she's been in the cinema,
15:22she's been doing two years now.
15:23Mr. and Mrs. Shetty.
15:25So that's why we are waiting for her.
15:27We are looking at the big screen.
15:29Really eagerly waiting.
15:30Now,
15:31I have a few questions.
15:33Sweetie to Ghati.
15:35This is the name of the round.
15:36Sweetie means what makes you smile.
15:39In that round, Sweetie means what makes you smile.
15:41Krishikara, tell me.
15:42You generally, what makes you smile?
15:44Sweetie means you know.
15:46I'm going to ask you to ask you.
15:48I'm going to ask you.
15:49That's right.
15:50Sir, I'm going to show you.
15:52I'm going to continue to be recording.
15:54And I thought,
15:56I was going to ask you to ask you to ask you
16:00that's right.
16:01That's right.
16:02And even now,
16:03you're very sweet.
16:04If you have a beautiful message,
16:06you're going to talk about this.
16:08After that,
16:09you are a super star.
16:11A people of India have very strong.
16:13You're very beautiful.
16:15But you're also very beautiful.
16:18And you are now beautiful.
16:20And when you are beautiful,
16:23there is a horrible saying that.
16:25We made it a sweet.
16:27Okay, how do you think about it generally?
16:30Generally?
16:31Generally.
16:32What makes you smile?
16:35Tell me about it.
16:38I don't know.
16:39I'm going to sing this day.
16:41I'm going to sing this song.
16:46I'm going to sing comedy.
16:47Of course.
16:48In this short time, I'm going to sing the kind of commitment that you give.
16:55This is an original look.
16:57I'm not going to sing this song.
16:59I'm going to sing part-time.
17:01I'm going to sing a little bit.
17:03I'm going to sing a little bit.
17:05So, what makes you smile generally?
17:07How do you feel stressed?
17:09I watch friends a lot.
17:11Nice.
17:13Very nice.
17:14I don't have any time for generations.
17:17Whenever you watch, you feel like that.
17:19I never feel stressed too much.
17:21I don't feel like friends.
17:23I'm going to sing the show.
17:25I feel relaxed.
17:26I'm going to sing this show.
17:28If I tell you,
17:29I won't be right.
17:30You have a lot of touch.
17:31What show?
17:32What show is there?
17:33I'm not going to sing.
17:35I'm not going to sing all the show.
17:37I'm going to sing.
17:38I'm not going to sing.
17:39I'm not going to sing.
17:40It's my show.
17:41What makes you smile?
17:43Nothing.
17:44Just happiness, right?
17:45What gives you happiness?
17:47Family. My wife, my kids, my father, my mother.
17:52That's where my happiness lies.
17:54So that's what when you say sweet means, I think of them first.
17:58Then the eating sweet, which brings next happiness.
18:02Super, sir.
18:03What about you?
18:05What makes me?
18:06My.
18:07Life.
18:08You're so me.
18:10It's my goal.
18:11He has a result.
18:12It's my first time for me.
18:14Can you taste like a food in the wholesale opportunity?
18:19This is my life.
18:21It's your life.
18:22You're not going to complete this?
18:23That's what I'm saying.
18:24I don't want to complete this.
18:26It's our life.
18:29That's what I say.
18:31This is my life.
18:31This is the day.
18:33This is the day.
18:34This is the day.
18:35This is the day.
18:36This is the day.
18:37You don't have to say anything.
18:39You don't have to say anything.
18:41Tell us in the comments.
18:43You don't have to say anything.
18:45You're in the cinema.
18:47I'm talking about a pillar.
18:49You don't have to say anything about it.
18:51You don't have to say anything about it.
18:53So, what makes you smile?
18:55This is sweet.
18:57What makes you irritated
18:59and angry?
19:01A little bit.
19:03Come on.
19:05I'm talking about a cockmosh.
19:07You're like a cockmosh.
19:09It's all natural.
19:11That's correct.
19:13You're also correct.
19:15You're not a man.
19:17I don't want to give a life.
19:19Why did you fix it?
19:21Why did you say something?
19:23You don't want to say anything about it.
19:25You don't want to say anything about it.
19:27No, you don't want to say anything about it.
19:29I'm sorry.
19:31So, you're a cockmosh.
19:33It's gone.
19:35It's gone.
19:37It's gone.
19:39It's gone.
19:41I'm going to check it out in the lab.
19:45In the cinema, there's nothing in the lab.
19:49Oh!
19:51He destroyed your lab.
19:53I'm telling the full story.
19:55I'm not going to cry.
19:57So I'm going to cry.
19:59I'm going to cry.
20:01I'm going to cry.
20:03You're still there?
20:05I'm going to cry for 40 years.
20:09Don't go.
20:11So over the period of time,
20:13it's gone.
20:15I'm going to cry.
20:17You're not going to cry.
20:19You're not going to cry.
20:21You?
20:23You're not going to cry.
20:25You're not going to cry, but you're in real life.
20:27You're not going to cry.
20:29You're not going to cry.
20:31You're not going to cry.
20:33There's a dialogue in Ganeshra.
20:35There's a dialogue in Ganeshra.
20:37Sometimes, it's gone.
20:39It's gone.
20:41It's gone.
20:43It's gone.
20:45It's gone.
20:47It's gone.
20:49It's gone.
20:51It's gone.
20:53It's gone.
20:55It's gone.
20:57It's gone.
20:59There are a lot of things.
21:01What did you say?
21:02It's going to be viral.
21:03It's going to be viral.
21:04Okay.
21:05Come on.
21:06I'm not going to cry.
21:08Fake people are going to cry.
21:10Yeah.
21:11So who are the latest fake people?
21:13Mirkal Singh?
21:14Myself.
21:16I can't be myself.
21:17No.
21:18I can't be myself.
21:19No.
21:20No.
21:21No.
21:22Okay.
21:23I can't be myself.
21:24Why should we point somebody else?
21:26Let me put it on myself.
21:27No.
21:28No.
21:29No.
21:30No.
21:31No.
21:32Sir, do you also get?
21:34Yes.
21:35No.
21:36You're not sad.
21:37Usable travel, right?
21:38Yes.
21:39I am very rude.
21:40I think today's the speed at which the wrong news travels that irradiates me a lot, and
21:48we live in a medium where we like to hear the validation that a movie is good.
21:54But at the same time, there is also a certain kind of a paid media that is made to talk negative
22:02about the work that you do so you have to really know who's saying what so it's like kind of validation
22:10but at the same time you should also be happy with where you are so it's that balance no so that kind
22:16of irritates me that i have to constantly be aware of where i'm standing what i need to believe so
22:22it's it's it's it's that balance yeah sometimes irritates and avanni vinna tharabata kuda
22:26um yeah social media is like that yeah where you don't know who's coming with what somebody takes
22:33the phone fully irritated they'll go rant something right so that that today's social media that the
22:40fake news that travels no that's kind of hard to contain by the time you come out and say it'll be
22:46two years and then somebody will come ask you what that happened like you won't even know that there's
22:51news about you outside of that sir no we are muntin kanatri is apparently professional
22:56that is a lot of risk, sir.
22:58So, if you are a professional, they can judge or analyze and you can judge them.
23:02You also have a lot of insight.
23:03You are not here, sir.
23:05Do you know if you are asking the comments?
23:09But you are doing what you are trying to do, which is very great.
23:12You are very aware of this.
23:15Yes, I agree you agree.
23:17You are very aware of the emotions.
23:20Are you going to travel a lot of emotions,
23:22you will be able to travel a lot?
23:24What is the strength of this world?
23:26In this world, the core emotions are created.
23:31In the world, there is a rebellion, a revolt, an inner fire.
23:39So, in this world, everyone is a rebel, a revolt.
23:45That is a core emotion.
23:47That is a human emotion.
23:49That is a human emotion.
23:52They are a happy couple.
23:54But how do they become victims?
23:56They become criminals.
23:58They become criminals.
24:00They become criminals.
24:02They become criminals.
24:04That is a good emotion.
24:06What do you think of action sequences?
24:09There are action sequences.
24:11It is a full-on commercial action.
24:15Ramkishan Master.
24:17There is a lot of set pieces.
24:20There is one action sequence which you will see on railway station.
24:24With J.B. sir and Vikram and Anushka.
24:30It is a brilliant action sequence.
24:32I am very proud.
24:34It is the same.
24:36With J.B. sir and Vikram and Anushka.
24:38It is an action sequence.
24:39It is an action sequence.
24:41It is an action sequence in the cave.
24:44It is a very natural and natural energy.
24:47It is a very raw, rooted energy.
24:51It is an emotional sequence.
24:53It is an emotional sequence.
24:55In the film, the character of Krishugari, the character of the arc, characterizations are very strong as they add to this film.
25:05Especially when we have a scale of a film, the producers.
25:10UV creations and first frame.
25:13How are they as producers?
25:16First frame is a good idea.
25:19When I was in the U.V., Krish, I was the first time.
25:25I was a thorough gentleman.
25:28The whole team is a positive team.
25:31Including the department of assistant directors, direction department, camera, etc.
25:37So, we worked on a go-to-cinema.
25:41We worked on a go-to-cinema, we worked on a go-to-cinema.
25:44We worked on a go-to-cinema, and we worked on a go-to-cinema.
25:53We worked on a go-to-cinema.
25:56Who is most likely to forget their lines?
25:59Who is most likely to forget their lines?
26:02I'm a VTV Ganeshkaran.
26:05He's an MP Bojjaygar.
26:08He says,
26:09Ok, Krish, we worked on a go-to-cinema.
26:11Then, we worked on a dialogue, and we worked on a dialogue.
26:15Many times,
26:17if we were to finish this dialogue,
26:19it would be even more fun.
26:21That would be even more fun.
26:23That would be great.
26:24Do you want to finish this dialogue?
26:26It's a very natural.
26:28This is a dialogue.
26:30That's why we worked on a go-to-cinema.
26:31We worked on a go-to-cinema.
26:33We worked on a go-to-cinema.
26:34We worked on a go-to-cinema.
26:35He went on a go-to-cinema.
26:36And he said,
26:37Why?
26:38Because we worked on a go-to-cinema.
26:39He had chocolate with cheese and biscuits.
26:40He used to have chocolate with cheese and biscuits.
26:41He used to have chocolate with cheese.
26:44It's very funny, my moho.
26:47He'd sometimes forget,
26:49but he keeps telling me,
26:51You say,
26:52Krish,
26:53I don't think I can do anything. It will be nice.
26:56Okay, sir. I like him a lot.
26:58I am a Tamilian cinema producer.
27:01Okay.
27:02Sir, I am a fan of VTV Ganeshka.
27:05Super.
27:06So, who is most likely to be a workaholic even on break?
27:12Suntang, you are too.
27:14Who are you?
27:15He didn't say anything.
27:16I didn't say anything.
27:18Who are you talking about in the team?
27:20In the team, right?
27:21Sir, who are you talking about?
27:23I guess Krishnan.
27:24For me, Krishnan.
27:25I can't say anything.
27:26I can't say anything.
27:27I can't say anything.
27:29I think the whole direction.
27:31Okay.
27:32I think the whole direction.
27:34No, no, no.
27:35I got a great team.
27:40He leads our entire team.
27:42Okay.
27:43From him to…
27:44I got a great team.
27:45You are as good as your team, actually.
27:47I am happy that I found the best team.
27:49Super.
27:50Super, sir.
27:51The team is most likely to ask for extra takes.
27:53Even if the shot is good.
27:54The shot is good.
27:55The shot was good enough.
27:56We go, cut.
27:57Cut.
27:58Cut.
27:59I had to say I have no idea.
28:00This is one of the two years.
28:02You say, Krishnan.
28:03Krishnan, it's okay.
28:04Krishnan, it's okay.
28:05Krishnan, it's okay.
28:06I like the shot. Let me do one more thing.
28:14It was very perfect. Everybody...
28:17It's not a big deal. It's a big deal.
28:19It's a big deal. It's a big deal.
28:21I'm a big deal.
28:24Now, you're going to talk about this dialogue.
28:26This is the Guru Petko, Tharawas Martle.
28:28I'm very proud of the dialogue.
28:29My doctor says, I'm going to talk about it.
28:31You're going to talk about it.
28:34You're going to talk about it in a serious scene.
28:37Seriously?
28:38You're going to talk about it.
28:40In a serious scene.
28:42You're going to talk about it.
28:43You're going to talk about it.
28:45I'm going to talk about it.
28:46But, you know...
28:48Even if you're a new character, she will immediately become the character.
28:52It's a sweetie.
28:52There were scenes where we were about to cry.
28:58Then she looked at me, I looked at her and she started laughing.
29:01I'm like, why are you laughing now?
29:02It's the last thing you need to do.
29:04She's like, yeah, yeah, yeah.
29:06She laughed like that and then she stopped and she said, ready.
29:09I'm like, I'm still laughing, right?
29:11You started, you stopped.
29:12But, yeah, she's like that, yeah.
29:14This is the truth.
29:15You're going to talk about it.
29:17You're going to talk about it.
29:20You're going to talk about it.
29:24You're going to talk about it.
29:26You're going to talk about it.
29:27You're going to talk about it.
29:28Then they decided they're really continuing to do it.
29:30And they're very genuine.
29:32And then they said, what's the idea?
29:34And they said, okay, I'm going to talk about it.
29:36I'm going to talk about it.
29:37And they started laughing.
29:38They said, I'm going to talk about it.
29:40I'm going to talk about it.
29:42So, it's sweet.
29:43Okay, who's most likely to bring local food for the whole set?
29:46I'm going to talk about it.
29:46But I'm going to talk about it.
29:48I'm going to talk about it.
29:49I'm going to talk about it.
29:50I'm going to talk about it.
29:52I'm going to talk about it on Instagram.
29:53I'll explain to you, sir.
29:54I'm going to talk about it.
29:56Yeah.
29:57So, you actually do that.
30:00I love serving food.
30:02Even if I have a family, I don't like it.
30:04I'm going to talk about it.
30:06I think it's them.
30:08Like, all of us actually.
30:10Grandfather started, okay?
30:11Then dad was.
30:12His family also.
30:13His family also knows for it.
30:15He's a church.
30:16I'm a church.
30:18He's a church.
30:20He's a church.
30:21He's a church.
30:22He's a church.
30:23Even if you can, he's a church.
30:25He's a church.
30:26I'm a church.
30:27That's right.
30:28So, I've always taught you a church.
30:30And I taught you an vikram prabhu.
30:31I taught him, I taught him,
30:32I taught him a dhvijayama.
30:35I taught him a dhvijayama.
30:38It's very famous.
30:39I taught him, even if tiffins aren't in the Chaniyam.
30:42And there's a coffee.
30:43It's a filter coffee.
30:44It's an amazing food. It's extraordinary food.
30:47I am the one, sir. I have all these things.
30:49Please, anytime.
30:50I am the one who is in London.
30:53Please, please.
30:54You are very happy to see me.
30:56You have all these things.
30:59You have all these things in the past September.
31:01I am the one who is in London.
31:03I am the one who is in London.
31:05I am the one who is in London.
31:07Okay, now, this question is to everyone.
31:10One woman in your life who is strong, fierce, like Silavathi.
31:15Somebody who is...
31:16My wife, Preeti.
31:18Preeti, really.
31:19Do you have any other names?
31:21No, no, no.
31:22Do you have any questions?
31:23Yes, I am.
31:24She is a strong woman for Silavathi.
31:27She is a strong woman.
31:28She is deeply vulnerable.
31:30At the same time, she is still alive.
31:34So, there are such characteristics.
31:38I am the one who is still alive.
31:41She is still alive.
31:42Now, they are still alive.
31:43Now, you have the same.
31:44Now, you are still missing.
31:45So, that is so much more.
31:48The earth maintains.
31:49Yeah.
31:50She also likes that.
31:51When we are looking for her,
31:52the only woman who has a father is also.
31:55At the same time,
31:56the only woman who is strong is the one who is the one.
31:59I was thinking about my mother.
32:01Then, I saw my sister.
32:02Now, my wife, Preeti.
32:04So, great.
32:05Saitanya, how are you?
32:07That's it.
32:09That's it.
32:11After I was in Australia,
32:13nobody supported me to get into films
32:15but she was the one who was always there.
32:17Yeah, great.
32:19She herself did double masters
32:21but in her family
32:23she had to be at home.
32:25But still she
32:27because of business
32:29she is doing it.
32:31Very inspirational and very, very strong woman.
32:33She has a double masters in college.
32:35She has a 10 masters in her career.
32:37She has a 10 masters in her career.
32:39See, I lost confidence
32:41at a point of time in my life
32:43but she was the only one who pushed me.
32:45Yeah, so sweet.
32:47Great. Super, super.
32:49Mikandi?
32:51I always say I have three women
32:53in my life.
32:55That's my mother, my wife and my sister.
32:57They are extremely strong women
32:59and anything and everything I share
33:01with all three of them.
33:03So, I take a lot
33:05from them.
33:07There are times when
33:09I am strong but then there are times
33:11when I myself get very confused.
33:13So, the three people I always
33:15confide to are them.
33:17And they each have their own characteristics
33:19which I look up to.
33:21Great. Super.
33:23So, behind every successful man
33:24there is a woman
33:25there is not a woman.
33:26Don't stop.
33:27Don't stop.
33:28Don't stop.
33:29Don't stop.
33:30Don't stop.
33:31Don't stop.
33:33On record or off record?
33:35Don't stop.
33:37Sir, those people are doing
33:38like off record.
33:39Don't stop.
33:41Don't stop.
33:42Don't stop.
33:43Don't stop.
33:44Come on, sir.
33:45Tell us.
33:46Challenge?
33:47Yes.
33:48Come on.
33:49Wow!
33:51I don't know what to do.
33:53I don't know.
33:55I don't know.
33:57I don't know.
33:59Now, let's say on-record.
34:01I don't know.
34:03I don't know.
34:05On-record?
34:07Sir, what's your answer?
34:09Sir, you can't say, sir.
34:11I don't know.
34:13One strong woman.
34:15I don't know.
34:17I don't know what to do.
34:19I don't know what to do.
34:21I don't know what to do.
34:23Do you have Wi-Fi?
34:25If you have a happy feel,
34:27you can't say anything.
34:29If you have a happy feel, you can't say anything.
34:31I don't.
34:35On this note, I would like to add something.
34:37The whole essence of Gatti
34:39is that every woman is strong.
34:41If required,
34:43every woman can be that fierce.
34:45The actual girl.
34:47As we all know,
34:49very strong woman.
34:51Very strong.
34:53That's easy.
34:55Even now,
34:57God has to do it.
34:59He has to do it.
35:01He has to do it.
35:03He has to do it.
35:05He has to do it.
35:07He has to do it.
35:09That's not liegen.
35:11He has to take a long time.
35:13He has to do it.
35:15He has to change many women's characters.
35:17on big screen, so many women who are like, like,
35:21like, even like, even like, fiersessess,
35:25they took a break from the trial and did this.
35:28I am going to go to the office of DariShin.
35:32I want to say that everyone is a lady dinosaur.
35:37You are a lady dinosaur.
35:41My assistant, my associate, my father, my father,
35:45As a dinosaur, she was like a volcano. She was like a volcano. She really erupted and gave us a great performance.
36:06She was like a volcano. She was like a volcano. She was like a volcano. She was like a volcano. She was like a volcano. She was like a volcano.
36:24I agree completely. All women are definitely stronger than men. Especially emotional.
36:34Sheelavathi, as a woman-centric girl, there are a lot of layers that are made by Sweetie.
36:41That's why we have seen Dveshraas, we have seen the character, but because of the female-centric girl, there are a lot of layers that are added.
36:51Okay. So, now we have a trend of hashtags.
36:57What does Sweetie mean to Sheelavathi?
37:02Hashtag queen.
37:04I agree. The queen. Hashtag the queen.
37:07Hashtag the queen. Ameshka Garu, we love you. We love you so much.
37:12We love you so much.
37:14Why?
37:16Hashtag.
37:18Generally. Hashtag.
37:20Good, bad, ugly.
37:23The cinema is also perfect.
37:26Hashtag, good, bad, ugly.
37:29We love you so much.
37:31We love you so much.
37:33We love you so much.
37:35That's greatness.
37:36Good, bad, ugly.
37:37That's greatness.
37:38Right.
37:39When I was asked to take a interview, after I was asked to talk to my interview, we started to talk to many people who are open.
37:48That means I am a big part of society.
37:51Wow.
37:52I am a very good friend.
37:54We will have the services open to open.
37:57Exactly.
37:58We know the burden of our people in the region.
38:03We don't have to stick to our own.
38:05If you are in the street, you can't sit in the house.
38:08But, people are also in the house.
38:10If you're sitting in the house, you're sitting in the house.
38:12But, I mean, you're happy to sit here with us.
38:15We're not alone.
38:16I'm going to spend a house in the house and I'm going to put the house in the house.
38:20That's a great house!
38:21You said that your friends are like,
38:23Yes, that's right.
38:24They're like,
38:25I'm like,
38:26You're like,
38:27Meeko,
38:28Hashtag.
38:29Chaitanya.
38:30You're like,
38:31Meeko.
38:32I want to give you a hashtag.
38:33Yes.
38:36You don't have to give me the opportunity.
38:38Hashtag handsome.
38:39You're like,
38:40I am a handsome guy.
38:42You are like,
38:43Good, bad, ugly.
38:46I'm like,
38:47I'm a rebel guy.
38:48Wow.
38:51Hashtag.
38:52Hashtag,
38:53Hashtag
38:54The Bad Guy.
38:56Hashtag The Bad Guy.
38:57No good, ugly.
38:58I'm The Bad Guy.
38:59You're like,
39:00You're like,
39:01You're like,
39:02You're like,
39:03You're like,
39:04You're like,
39:05You're like,
39:06Yes.
39:07So,
39:08You're like,
39:09You're like,
39:10You're like,
39:11You're like,
39:12Vikramgar,
39:13Meeko.
39:14I think,
39:16It's very...
39:17I say...
39:18It's introspective.
39:19Yeah, the mountain.
39:21Hashtag?
39:22A mountain actually.
39:23The mountain.
39:24There is a very strong...
39:27Stithapragata.
39:29Yeah, a very good philosopher.
39:31Everyone is a philosopher.
39:33But he is a mountain with strength.
39:35He has a height.
39:37He has a height.
39:39That Korte has seen him basically.
39:41He is connected to this house.
39:43He is also in the cinema.
39:45Desirazu, like a mountain.
39:48Shilavathi, like a mountain shadow.
39:51There is a Shilavathi plant.
39:54So, in general, Desirazu,
39:56that's the name of Desirazu.
39:58That's the name of Kondandi.
40:00In Tamil, there is a Malaimadiri.
40:02That's the name of Shilavathi.
40:04That's the name of Shilavathi.
40:07In the cinema.
40:08But in general,
40:10Shilavathi is like a flowing river.
40:14But she can become a mountain also.
40:17It's a strong mountain.
40:20It's a strong mountain.
40:21It's a strong mountain.
40:22It's a strong mountain.
40:23It's a strong mountain.
40:24So, there will be many hashtags.
40:25There will be many hashtags.
40:26But now, I will say...
40:27Hashtag mountain.
40:29Hashtag mountain.
40:30You are okay?
40:31I am okay, yes.
40:32Agreed.
40:33Thank you for thinking for me.
40:34You are okay.
40:35You are okay.
40:36You are okay.
40:37You are okay.
40:38You are okay.
40:39I am okay.
40:40You are okay.
40:41Yes, I am.
40:42Yes, I am.
40:43Right here.
40:44Writer, director, captain of the ship.
40:45Writer, director, captain of the ship.
40:46Hashtag.
40:47You are okay.
40:48You are okay.
40:49You are okay.
40:50You are too good.
40:51You are okay.
40:52I am okay.
40:53You are okay.
40:54You are okay.
40:55You are okay.
40:56For me,
40:57hashtag mentor.
40:58Hashtag mentor.
40:59Ok.
41:00In this role, I couldn't even think of myself ever.
41:04I didn't even think of myself, but this is going to be an iconic role for me in my career.
41:09That's what I wanted to do.
41:11So, I went up.
41:12It's like, that's what I told you.
41:14Favorite school is my favorite teacher.
41:16I enjoyed the discussions with him.
41:19Okay.
41:20For me, the beautiful hashtag I want in my life,
41:24maybe one of my past, any day, day one, two day end is,
41:28the storyteller.
41:30I want to cover it.
41:31Nice tag, isn't it?
41:32In this world, always.
41:34In this world, I will be in that world.
41:37I enjoy it thoroughly.
41:39I love it.
41:41I love it.
41:42I love it.
41:44I love it.
41:46I really enjoy that process to tell the stories.
41:50In this world, my son loves my stories.
41:53I like to tell stories.
41:56I'm the storyteller.
41:57So, hashtag the storyteller.
41:59Hashtag the good, bad ugly.
42:01Hashtag the mountain.
42:03Hashtag the bad guy.
42:04Hashtag the queen.
42:06Hashtag the gati.
42:08Hashtag the gati.
42:10Hashtag the gati.
42:11Hashtag the gati.
42:12Gati is the guide, sir.
42:14You can go and see the gati.
42:15Where is he?
42:16Where is he?
42:18You are going.
42:19You are going.
42:20You are going to go.
42:21He's an Anushka-gari Chilli Patron.
42:23Chilli.
42:24Chilli.
42:24Chilli.
42:25Chilli.
42:25Chilli.
42:26Chilli.
42:26Chilli.
42:27Chilli.
42:27Chilli.
42:28Chilli.
42:28He's not able to interview, you know.
42:29So we can go to the interview.
42:31Ok, thank you so much.
42:32Wishing you super success.
42:34We have seen this movie on the show in Kattamber Aidotarik.
42:36We have seen this movie a lot of different hits.
42:39We've seen this movie on the show in Krishkar.
42:42Like Vedam, Gammyam, Krishnam Vandey, Jagadgurum, Gautamiputra Siyathakarni.
42:46There is such a super hit movie.
42:48So, another one super hit loading September 5th in theatres.
42:53Where? Gati. In city.
42:55You can see Gati in the city.
42:57We started the cinema.
42:59Okay, we started.
43:00If we had a program in Sumagari, now we finished the movie apart.
43:05Now we can release.
43:08I sent a WhatsApp message to him.
43:09I asked him to add this line about.
43:11Great, great, great.
43:13Yeah, Pan-India is it?
43:15Yeah, Pan-India is it?
43:16He was in India.
43:19So, I was in the Pan-India.
43:22Sir, you are a tough competition.
43:24Will you continue to be a host?
43:27You are a manish.
43:28You are a manish.
43:29You are a manish.
43:30You are a manish.
43:31You are a manish.
43:32I am a manish.
43:34Yes sir.
43:35That's the customised program, sir.
43:37You can celebrate it.
43:39So, this program is missing.
43:41We have a customised program.
43:43Celebrated.
43:45I loved the first show with Nagar.
43:47I am a manish.
43:49I am a manish.
43:50He is a manish.
43:51He is a manish.
43:52He is a manish.
43:53He is a manish.
43:54He is a manish.
43:55He is a manish.
43:56Okay, sir.
43:57Thank you so much.
43:58Thank you, sir.
44:00That's o'ra.
44:01That's o'ra, oh.
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