- 3 months ago
Ek Jhooti Kahani Episode 7 - 2nd September 2025 - HUM TV
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00:00You will forget the secrets of these secrets.
00:05Either we will meet the streets, nor do we lose.
00:10What will your friends fight from your family?
00:13No, no, no, no, no, no.
00:17You never thought that we should open the door and see it.
00:23Man is a mistake.
00:27No one will do wrong.
00:31Jinn's婦, their婦.
00:338 September, Peer & Mangal, at 8 p.m.
00:45I'm a little nervous.
00:46I'm nervous.
00:47I'm nervous.
00:48It's good.
00:49Natural acting.
00:53I don't want to go to my house anymore.
00:55How are we going now?
00:56It's like that.
00:57I'm nervous.
00:58I'm nervous.
00:59I'm nervous.
01:00I'm nervous.
01:01I'm nervous.
01:02I'm nervous.
01:03I'm nervous.
01:04I'm nervous.
01:05I'm nervous.
01:06I'm nervous.
01:07I'm nervous.
01:08I'm nervous.
01:09I'm nervous.
01:10I'm nervous.
01:11I'm nervous.
01:12I'm nervous.
01:13I'm nervous.
01:14I'm nervous.
01:15I'm nervous.
01:16I'm nervous.
01:17I'm nervous.
01:18I'm nervous.
01:19You're nervous.
01:20Sweetie! Sweetie!
01:22Hey!
01:23Sherry, she's a baby.
01:25Why are the kids so fast?
01:27No, no.
01:29I'm here from the night.
01:31I'm sleeping right now.
01:33I'm going to go outside.
01:35I'll get the first time.
01:37I don't want to keep her hands on her.
01:39I want to keep her hands on her?
01:41Yes.
01:42I'll take her now.
01:43Okay.
01:45We'll take her money from her.
01:54I don't know who I am.
02:00So, she'll come?
02:02What do I know?
02:03I'm her assistant.
02:05Why are you talking about the girl?
02:07I don't know.
02:09I'm thinking about the plans.
02:10You're talking about your children.
02:12We're talking about the kids.
02:14She's not.
02:15Okay.
02:16You're going to be.
02:17I'm not.
02:18You're a little girl.
02:19She's a little girl.
02:20She's a little girl.
02:21You're a little girl.
02:22You're not.
02:23I don't want to be a dream.
02:25Now, you're going to be a plan.
02:33It's really fun.
02:35Come on...
02:39Come on...
02:40What's going on?
02:40Let me see if we can come here.
02:42Come here.
03:05Let's go! Where are you?
03:08The man is in the indoor.
03:10Let's go!
03:12Let's go!
03:14Let's go!
03:15Let's go!
03:17Let's go!
03:23Because of you,
03:25I have left my work and left acting
03:28so that I can live here
03:30but all of the girls are gone.
03:32The man is in the middle of the street
03:35and he says,
03:36I have to keep something from him.
03:38What do you want to do?
03:39What do you want to do?
03:40I'm going to be a sweet one day.
03:42I'm going to be a sweet one day.
03:44She's got a sweet one day.
03:46She's got a sweet one day.
03:48If you're out, you'll want to go get out.
03:51You're saying that you're asleep.
03:53Why?
03:54I'm going to be a sweet one day.
03:56She'll go get out.
03:58If you're going to go get out,
04:00I'll give you a sweet one day.
04:02I'll give you a sweet one day.
04:03If you don't have a sweet one day,
04:05then I'll give you a sweet one day.
04:07Please?
04:08Okay.
04:09I'll give you a sweet one day.
04:19Shali Bhaiya!
04:21Shali Bhaiya!
04:23Shali Bhaiya!
04:25Shali Bhaiya's coming!
04:27So I'll give this one little night.
04:28I'll give it to you.
04:29I'll give you all my tears.
04:31Shali Bhaiya.
04:32Shali Bhaiya!
04:34She's on my business.
04:36And you don't need them.
04:37Don't pay me!
04:38Come on!
04:39What?
04:41My sweetness!
04:42What's my sense of honor?
04:43Shali Bhaiya!
04:44What?
04:45Shali Bhaiya hascome.
04:46Shali Bhaiya has to come.
04:47Shali Bhaiya has come.
04:48Now if she gets €10,000,
04:50then maybe she gets to government.
04:51Then I'll come out and tell you how much money will you get out of here.
04:59What's going on? What's going on?
05:01Come on, brother, tell me.
05:05I was thinking, but...
05:09Now, the money is over.
05:12Look.
05:14What?
05:16My money is over.
05:18I'll give my money.
05:20I'll give my money.
05:22I'll give my money.
05:24I'll give my money.
05:26No, not as a sweet girl.
05:28My money is over.
05:30It's a big deal.
05:32You're in a bad place.
05:34I'll give my money.
05:36I'll give my money.
05:38You'll have to leave.
05:40You'll have to leave.
05:42I'll go.
05:44You're very much for it.
05:46Nobody wants to get away with them.
05:48I should have killed him.
05:49Come on, come on, Shao.
05:51How much more?
05:53It will be.
05:54No, no, no, come on.
05:55I will kill him.
05:57Come on, come on.
05:59She's gone.
06:01She's gone.
06:03Come on.
06:05She's gone.
06:07She's gone.
06:09She's gone.
06:11She's gone.
06:13She said that she will be back in the evening.
06:17We're ready to be ready.
06:19Absolutely.
06:20Have you seen that movie Home Alone?
06:24Yes.
06:25This movie is inspired by life.
06:28What do you mean?
06:30If you come, you'll be inside the door.
06:33And then you'll go back again.
06:36She won't go to your prayers.
06:39I mean, you'll know that it's not easy to come to this house.
06:46Yes.
06:47If it's so easy to get married,
06:49Mrs. Khan and Mr. Habib Saab,
06:51why don't you get married now?
06:57That's it.
06:59No question.
07:00I couldn't think that you can do so well.
07:04You won't win.
07:05Yes, you won't win.
07:07But tell me,
07:09when you went to acting school,
07:11what happened there?
07:12It's a reality show
07:13that will never come on TV.
07:14But people are very shocked.
07:16There are hidden cameras everywhere.
07:18And all are extemporary acting.
07:20This is a strange thing.
07:21So,
07:22whatever happens in your life,
07:24they act with it?
07:26Yes, of course.
07:27And in my situation,
07:28I have to become five sisters
07:29who don't get married to my brother.
07:31Okay.
07:32So this is a story.
07:33When I went there,
07:34they got caught up with me.
07:36And I was scared.
07:37Hey, son.
07:38They will be dead, right?
07:39Yes.
07:40But now I have to go home.
07:41I have to say that
07:42they will be acting.
07:43So why are you scared
07:44to run away?
07:45I thought that I will run away.
07:46I will not run away.
07:49I will take care of you.
07:51my name is a story.
07:52I will not run away from my kids.
07:54Theoul is...
07:57That's a film.
07:58You're not a film,
07:59that you have to go home.
08:00Do you know
08:02what?
08:02What was that?
08:03It looked like a film.
08:04There was a film that could be taken away from the camera.
08:06So, that's the film.
08:08So, listen to me.
08:11You're listening to me without any other one.
08:14But I do remember that.
08:16I remember one thing.
08:18We are the people of artists.
08:22They are the people of the artist.
08:24And artists are very proud of us.
08:28I am very proud of you.
08:30I can't see anyone in front of me.
08:34I'm talking about artists who are very big risk.
08:41I thought that you all the people of the people of the people of the world.
08:45You are the people of the people of the world.
08:47But you are very special.
08:51And special people always are strange and strange.
09:01And, Bushra, I have a complete respect.
09:06Just one month to eat protein shake.
09:11We will eat it.
09:13That's all right, you go and say to your producer,
09:17that if you're blind or you're a dinosaur,
09:20then you'll be in the house or you'll be in the house,
09:24or you'll be in the house!
09:26Oh my God! Oh my God! Oh my God!
09:43Oh my God!
09:57That's also a message.
10:08It's online, you've just seen it.
10:11Hi.
10:13You're okay?
10:14Is there a problem?
10:16Yes, you're okay.
10:17How did you get it?
10:19You didn't know it, I didn't know it.
10:21But you're not aware of it.
10:23You're not aware of it.
10:25Yes, my abba is very liberal.
10:28He gave me a problem.
10:30He gave me a problem.
10:34You're aware of it,
10:36you know that I had a briefing,
10:38that it could be possible.
10:41Yes.
10:42But I didn't know that it would be possible.
10:46Sorry, I have to say that.
10:48Sorry, I have to say that.
10:51Sorry, I have to say that.
10:53Sorry, I have to say that.
10:55Sorry, I have to say that.
10:58You've got to say that.
10:59You have to say that.
11:00You've been trying to say that.
11:01You're going to say that.
11:02You're going to say that.
11:03You're going to say that.
11:04I think that's a real reality.
11:05I can tell you how many times you can see it.
11:09What did you say?
11:12I didn't mean it. I'll talk about it.
11:18So now the second entry is possible?
11:23Problem solved.
11:26The whole situation is very natural and very comic.
11:28I myself thought that if you leave it in the middle,
11:32then how will the sequence become the next sequence?
11:39I was the first chance to become the first person.
11:41If you were to become a group, you would have gone through it.
11:44But it was also good.
11:46The story of the twist came out.
11:53So how will the entry be?
11:55Will you be alone or will I pick up?
11:57I will pick up.
12:02Do you have a situation or will you leave me on the spot?
12:06Have you checked me?
12:07Do you have to pick up?
12:08Do you have to pick up the spot?
12:09Do you have to pick up the spot?
12:12Done.
12:13Okay, listen, you gave me some pictures in the get-up?
12:20Or someone else has captured you?
12:25Sorry, I didn't have to.
12:30Okay, then tomorrow morning it's a good night.
12:34Yes, that jewelry is kept in Meeraf's room.
12:37It's a gold.
12:40Okay, did you like it?
12:45What did you like?
12:47It was a scene for me, right?
12:49Okay, let's talk tomorrow morning.
12:51Have a good day.
13:09This is a mystery.
13:11We can take this to work for a night.
13:13This is a mystery.
13:14This is a mystery.
13:15This is a mystery.
13:17This is a mystery.
13:19This is a mystery.
13:20And the girl can take part one night.
13:22And now it will be a mess of her.
13:24I'll call her.
13:25It's really good to me.
13:27It's really good to me.
13:55You don't have to sleep, people.
13:59You are going to sleep.
14:01Cease fire, yaar.
14:03What do you know about people?
14:06What?
14:17The enemy has forgotten his jewelry.
14:25Wow
14:27This is so much fun
14:30It's a sign of a sign
14:33I'll keep my eyes
14:35When we were in the mirror
14:38We were in the mirror
14:38We were in the mirror
14:40That this would be a good thing
14:42That we could give you a good thing
14:44And what?
14:45Samoso is so good
14:47Samoso is so good
14:47Samoso is so good
14:49Samoso is so good
14:50But we don't give them
14:52But we don't give them
14:54Now, look at our brother-in-law.
14:56We are the furniture ones.
14:57Actually, we should have married before.
15:00And we should have to get married.
15:02It was possible to get married.
15:05But it was possible to get married.
15:07But it was possible to get married.
15:09After three years, I was young.
15:11Why? Why? Why?
15:13I'm a big guy.
15:15Hey, now, girl, let's get married.
15:17We are the brother-in-law who was afraid of us.
15:22I'm going to get married, I'm going to get married tomorrow.
15:27But then I'm going to get married.
15:32But today's time is over.
15:35Today's time will come.
15:38And if it will come, then...
15:47What happened?
15:52I'm going to get married.
15:55I'm going to get married.
15:58I'm going to get married.
15:59I'm going to get married.
16:01What happened?
16:03I'm going to get married.
16:05I'm going to get married.
16:07So, you were Habib?
16:10You were my marbles.
16:13I mean, at the end of the night,
16:15you were playing a bunch of people here.
16:19I'm going to get married.
16:21I'm going to get married.
16:23I'm going to get married.
16:25I'm going to get married.
16:27What's happening?
16:29We've come to see.
16:31We were playing with these two little marbles.
16:33And then, it fell.
16:35I was going to get married.
16:37I was going to get married.
16:39I was going to get married.
16:41I'm going to get married.
16:43It fell.
16:44It fell.
16:45It fell.
16:48It fell.
16:49It fell?
16:50Why?
16:51I was calling you.
16:53I can't tell my parents.
16:54Don't tell my parents.
16:55I'll tell my parents.
16:56It fell.
16:57It fell.
17:02It fell.
17:03It fell.
17:05It fell.
17:06It fell.
17:07Oh my God, come here!
17:09We'll save it!
17:11This trap was for us.
17:15The storm fell.
17:18That's why I'm telling you that I'll see the car.
17:22We should have to save you here and save us.
17:28I'm thinking.
17:30Don't think.
17:31Don't do it tomorrow.
17:37Don't do it tomorrow.
17:39We should have left you here.
17:40I'll meet you tomorrow, remember?
17:42Yes, I'll meet you tomorrow.
17:43Do you have any other options?
17:45No, but I've just said that he's gone and gone to the grave and and the owner of y'all.
17:49Now, he's gone and he's gone and she's still eating.
17:51Yeah, I've been eating.
17:52I've been eating you today.
17:53I've been eating you today.
17:54You have some pain.
17:55I asked him so that he won't get away from the grave.
17:59And then when you left your house, he was in your house too.
18:02Yeah, he was in the house.
18:04And he's in the house too.
18:06We will be able to get another route, right?
18:08That's right.
18:10We will be able to get another route.
18:12But, man, there is still a lot of trouble.
18:15Boss, what's your problem?
18:18Do you have to ask or do you have to take a job of bodyguard?
18:20I'll give it here.
18:22If you have to ask, you have to keep a look at the visitor.
18:25I mean, you have to be on the visitor.
18:27Yes.
18:29But, boss, you said that he will go to this day.
18:32Now you are saying that you keep a look at the visitor.
18:35If you tell us that he can go from the other route,
18:37then go to the other route.
18:39And if he doesn't, then he will go to the main road.
18:41I'll tell you first that he will go to the main road.
18:43There are two routes there.
18:45So, look at the gym, I'll come too.
18:51Baba Ji!
18:52I'm going to the location.
18:54I'll remember this one.
18:55Don't go away.
18:56Don't go away.
18:57Don't go away.
18:58Don't go away.
18:59Don't go away.
19:01Baba Ji!
19:02It's okay.
19:03It's okay.
19:04It's okay to go away.
19:06Baba, we'll finish the drama.
19:07We'll come back here.
19:08We'll come back here.
19:09Do we have to go to that?
19:10Do you see any money?
19:11Oh!
19:12You know what?
19:13Oh, that's the money!
19:14Where are the money!
19:16Hey, I'll come back to the money prepared.
19:18When you come back to the new career,
19:19you won't have enough chance.
19:20Thank you, you'll be here.
19:21There's too much support from me.
19:22Yeah, that's such a weird story.
19:24You're just like people who are working on it.
19:27It's not like a story.
19:29In the show business, there's a lot of success.
19:31Yes, it's a lot of success.
19:32But people are not so afraid
19:34that they will give you something to show you and they will give you something.
19:37That's not what I mean.
19:39You can see.
19:40I'll help you.
19:42And without the script of the show, I'll hit the show.
19:44Yes, yes, Inshallah.
19:45So, the producer is waiting for you to listen.
19:47I'm going to share it with Sherry.
19:49She told me that she told me
19:51that she's sitting in the gym and sitting in the room
19:52and sitting in the room and sitting in the room.
19:54I love you, Papa.
19:56I do.
19:57Okay, I'm going to go to the other side.
19:59You don't have to think about it.
20:01Go, my dear.
20:02It's God's love.
20:03Go.
20:13Get this.
20:16Come and sing in the early days.
20:18We'll also sing in the early days.
20:20Oh, my dear.
20:21I've also got to go to the gym.
20:24I don't have to sing.
20:25But if you have to go to the gym,
20:27you're going to do all the work that you do.
20:30You're giving me all the work that you're giving me.
20:32So, what do you want to do with me?
20:33You've got to put your hands on the first day.
20:36You're going to leave me.
20:39Oh, Habib Sahib.
20:40You're laughing.
20:41So, what do you want to do?
20:43What do you want to do with me?
20:44What do you want to do with me?
20:45What do you want to do with me?
20:47What do you want to do with me?
20:48What do you want to do with me?
20:49What do you want to do with me?
20:50What do you want to do with me?
20:51What do you want to do with me?
20:53I'll go to my house and talk to my house.
20:57I'll talk to my little world,
20:59but you're going to leave me alone.
21:01Sorry, Habib Sahib.
21:03You can see that God gave me a lot of money.
21:07It's so bad.
21:11Now, you're going to leave me alone.
21:13You want to leave me alone.
21:16You're going to leave me alone.
21:19Yes, I will leave you alone.
21:21I'll leave you alone.
21:25You'll also leave me alone.
21:28If you leave me alone,
21:29if you leave your job,
21:31you'll leave me alone.
21:37You're going to leave me alone.
21:42Okay.
21:43I'll leave you alone.
21:45I'll leave you alone.
21:47If I have never left and left, I will also be able to do it.
21:54And if I have never left the burden, I will not be able to do it.
22:04Okay, Baba, I will also be able to do the burden. Don't cry.
22:17I will always keep my hands on my hands.
22:24You will also be able to do this, that I will not put my hands on my hands.
22:32Okay, I will not put it on my hands.
22:37Now, let's rest and rest.
22:40And let's take a break.
22:42Yes.
22:47Where are you ready?
23:01Look, our brother has stood in front of us, Baba.
23:07And now, if we are sitting like this,
23:10then they will be able to get out of all the cars and get out of here.
23:18Why?
23:19Everything is missing.
23:21We are also capable of.
23:23If we have married, we will also do this.
23:25And then we will have marbles, cockroaches.
23:28We will not come to work.
23:29The story is okay.
23:31So, you are going to the showroom?
23:33Yes.
23:34Yes.
23:38There is no driver.
23:39Who is your driver?
23:40So, my hands are broken.
23:42No, no.
23:43You can do a little car in the city.
23:47I was thinking that I will leave you from Farid.
23:51Yes, this will be better.
23:52And then, who do is a medical car?
23:55I feel like brother went to the bushop,
23:57and you are going to travel alone.
23:58And now, you are no doubt.
24:00To him, I am able to do it.
24:01So, it's worth it.
24:06Has anyone asked Safiya?
24:07No, I am sorry.
24:09No.
24:10No.
24:13I am sorry.
24:17Yes, but, you are sorry,
24:18no.
24:20If you want to be friends, you have to be with us, so you have to be with us today.
24:45That's why you have a shame today.
24:47What happened to this?
24:48You can tell me about Irfan's style.
24:51Can you tell me all the things you can say to me?
24:56What do you mean?
24:57Everything is in front of you.
24:59There is no question.
25:01Hmm.
25:03Okay, I'm saying.
25:06I just...
25:08...Irfan doesn't want us to do this.
25:11When we watched the old film,
25:13the girl was gone.
25:15At that time, there was such a bad situation.
25:18I didn't have the idea of that today
25:20that my brother had such a big impact.
25:24I was very shocked too.
25:26One day, I had to take care of myself,
25:28and I had to take care of myself,
25:30and I had to take care of myself,
25:32and I had to take care of myself.
25:35What do you mean?
25:37Tell me, who is the girl?
25:41I can tell her about her.
25:43I know.
25:45I know.
25:46I'll take care of myself.
25:47But now,
25:48you have to see the whole business.
25:50I'll take care of myself.
25:51I'll take care of myself,
25:52and I'll take care of myself.
26:01What's this time from the morning?
26:03I'll take care of myself.
26:04I don't know.
26:05I'll take care of myself.
26:10Look at them.
26:12If you are broken,
26:13you'll be a bad one.
26:15You're the only sister.
26:16I'll take care of myself.
26:17I'll take care of myself.
26:24Problem solved.
26:25Bushra where is he?
26:34Where is he?
26:36Bushra?
26:38Is he home?
26:39I have, or Shari,
26:42I saw his eyes and saw him
26:44in a dark red car.
26:47Shari, dear,
26:50if there is no one,
26:55then we will not take care of him.
26:58I am surprised that
27:00when he has a relationship with Shari,
27:02he will be able to take care of him.
27:07Look, Shari,
27:08this is the treatment of Shari.
27:12So,
27:14if he is the treatment of Shari,
27:18he is in the inside.
27:20We will call him.
27:22We will call him.
27:23We will call him.
27:24We will call him.
27:25No.
27:26No.
27:27Bushra,
27:28Bushra,
27:29Bushra,
27:30look who has come here.
27:32Come here, Shari has come here.
27:39Assalamualaikum.
27:41Waalikumsalam.
27:42You are also sitting here.
27:43Uncle,
27:44please call him Bushra.
27:45I have to talk about Shari.
27:47Shari,
27:48when Bushra comes here,
27:49can you talk about Bushra?
27:50Yes.
27:51Yes.
27:52Bushra and Bushra have to talk about Bushra.
27:54We will call him.
27:55Come on.
27:56Come on.
27:57Come on.
27:58Come on.
28:00But,
28:01Bushra is sleeping.
28:02He is sleeping.
28:03He is sleeping.
28:04No problem.
28:05No problem.
28:06I am sitting here.
28:07No problem.
28:08No problem.
28:10Okay.
28:11When you talk about Bushra,
28:13I will talk about Bushra.
28:15I will talk about Bushra.
28:16Yes.
28:17Okay.
28:18Yes.
28:19Yes.
28:20Yes.
28:21Yes.
28:22Yes.
28:23Yes.
28:24Yes.
28:25Yes.
28:26Yes.
28:27Yes.
28:28Yes.
28:29Yes.
28:30Yes.
28:32I am sorry.
28:34It's not easy.
28:38What do you have to do with Busha?
28:42Come on.
28:43There will be things that will be in bed.
28:47Come on.
28:54If we just go to the place, we'll go to the location.
28:56I'm sorry.
28:57I didn't understand the story of yesterday because it was a joke.
29:01Let's leave that story. They both are very small.
29:04They've been living with big daughters.
29:07I've worked a lot on stage.
29:09But this is the first time.
29:12But they're all very trained.
29:15But today, you've got a joke from your acting.
29:19Okay, let's just brief you exactly what you have to do.
29:25Two people.
29:27You're right.
29:30You're right.
29:34This is a stable place.
29:35Here.
29:43What is this?
29:44What is this?
29:45You're right.
29:52You have to become a good girl,
29:54who was in the old films,
29:56who would handle every problem in the home.
29:58The old-fashioned kid,
29:59the old-fashioned kid,
30:01the old-fashioned kid,
30:02the old-fashioned kid,
30:03the old-fashioned kid,
30:04and the old-fashioned kid.
30:06He gave me the non-serious Mia.
30:08Okay, okay, okay.
30:09I understood what I wanted to do.
30:12I had a novel in school.
30:14There were two girls of Akhbari Asghari.
30:16I wanted to do it and make sure everyone had to do it.
30:19I wanted to do it.
30:20I understood it?
30:21It wasn't it.
30:24But when I was reading that novel,
30:26I liked that
30:27that the family of the house,
30:29the wife, the wife, the husband,
30:31the wife were so obsessed.
30:34Why did they look like a young adult?
30:35that when a young girl comes to a young age,
30:37she will take care of them and it will be done all the time.
30:39She won't be able to do the work with anyone else.
30:41The story is totally fine.
30:43But in many years, the story has reached the same way
30:45that no one can't handle the problems of the family's house.
30:51Excuse me, sir.
30:52Yes, thank you.
30:53Welcome, sir.
30:58Fareed, what do I do?
31:00I'm not going to die.
31:01No, no, no, no.
31:05I'm fired.
31:21Oh.
31:22Good.
31:29Good.
31:31Good.
31:32Good.
31:32Good.
31:35It's been a long time, but it hasn't been up for a long time.
31:54Yes, it's very hard. It won't be up for a long time.
31:59If it comes to the camera, let's see.
32:03If it comes to the camera, let's see.
32:20If it comes to the camera, let's see.
32:24I don't have a sweet look at you.
32:47It's a school, it's a school too.
32:50Hmm...
32:51That's how you think of it.
32:53It's a weird thing.
32:54It's a weird mouth.
32:55It's a weird thing.
32:57Hmm...
32:58There are children in our house.
32:59It's a weird thing.
33:00Just as they grow up, they start to grow up.
33:03And they start to grow up in my age.
33:06Hmm...
33:07It's a weird thing.
33:09It's a weird thing.
33:10In fact, when in childhood,
33:12there was a team in our house
33:15to fight against them.
33:18The video was viral.
33:20Hmm...
33:21So it's a polio?
33:23No, it's a polio.
33:25It's a polio.
33:27It's a very good thing.
33:28It's a big effect.
33:29Okay...
33:31So it's a polio.
33:33Or it's a bad thing?
33:35Or it's a bad thing?
33:37I'm going to take it away.
33:39I'm not going to listen to you.
33:41Are...
33:42Are...
33:44The kids are good.
33:45You can see that.
33:46You're not sure.
33:48You can see anything wrong.
33:50But...
33:51No, you're not good.
33:52How google is this place?
33:53Are you?
33:54Are you crazy?
33:55What's that?
33:56It's what a bad thing was.
33:58You used to hear that bad thing.
34:01How do you call your alpha male?
34:03Oh my...
34:04Oh my uncle...
34:05I have a bad thing.
34:06I'm gonna be as bad.
34:07But how bad thing is that bad thing?
34:08What do you mean?
34:09Every alpha male, who calls her daughter Sali's daughter, Sali's daughter.
34:15Sali's daughter's daughter.
34:16Oh, that's right.
34:17I've heard that.
34:18We've heard that too.
34:19When you do this, I'll do it with you.
34:21I'll do it with her daughter's daughter's daughter.
34:24What's this?
34:26This is a big deal.
34:29Your hands are full.
34:31What are you saying?
34:33You don't have anything to do with alpha male.
34:35I'll do it again.
34:37I'll do it again.
34:39I'll do it again.
34:40I'm going to do it again.
34:42I'll do it again.
34:43You can't do it again.
34:44That's a good job.
34:45Come on.
35:02Your daughter is your sister.
35:04Pukhara.
35:05Why do you name all of these old fashions?
35:09Don't do it.
35:11Don't do it.
35:13I'm confused with all of them.
35:16Today, I have seen Bushra in the car.
35:19I went to his house.
35:21From the other side.
35:22Hey, boss.
35:23He took everything away.
35:25He had to go to the other side in the morning.
35:27If he saw Bushra,
35:29he had to go back to the car.
35:31He had to go to the car.
35:33Wait, wait.
35:35When I went there,
35:37Bushra was sleeping.
35:39But Fakhra?
35:40Both of them were there.
35:41Yes, both of them were there.
35:43But Fakhra was also teaching me.
35:45Fakhra said to me,
35:47because he is my son,
35:49he will also teach me.
35:51It's a strange thing.
35:53What's this strange thing?
35:55Who gets to meet his wife?
35:58Really?
35:59Yes.
36:00People are like this.
36:02Hmm.
36:03But Fakhra,
36:04Fakhra,
36:05Fakhra,
36:06his hands are very full.
36:07He killed him.
36:08He killed him too.
36:09What?
36:10What?
36:11Why are you taking the money?
36:12My son,
36:13I killed him.
36:14What?
36:15You're doing your job.
36:16You're doing your job.
36:17And standing here,
36:19it's only Sherry.
36:20Because Sherry is an alpha male.
36:23Come on.
36:25No,
36:26I'm sorry.
36:27You're doing your job.
36:30We're doing coffee.
36:31We're going to come to the bathroom.
36:32Nassarah was on my job so I could see my house at home.
36:34Okay.
36:35I'm done.
36:36You know, Nasrā Bichāri made a showroom for me so that I can see the situation at home.
36:40Okay, I'm done.
36:42Tell me, Nasrā has become another girl in your dramas, right?
36:45Yes, another girl.
36:47Oh, wow.
36:49Another girl.
36:51Okay.
36:53Look, how did I hear the words of the drama?
36:56Yes.
36:58I also think that I'm a good friend.
37:00I'm not like a married couple.
37:06I'm not like a married couple.
37:09Let's go.
37:10Let's go here.
37:11They're both in the house.
37:13They're sitting here.
37:15The police are standing outside.
37:17Look, what are you talking about?
37:22We're like Moses Sherry.
37:24Moses Sherry is like this.
37:26They're sitting here.
37:28Let's go.
37:29Come here.
37:31Good Welly Come on.
37:36Head Starts with The Red Fountain.
37:38Tha go.
37:41Then pelo15Softecis.com
37:43He Woo hablado.
37:44It's your wild and white friend party life.
37:46It was fun.
37:47Today, if you wore a mantle he would wear the mantle.
37:49Something that pieds,
37:50it was fun on the trail.
37:55To your friends,
37:57the limits of little shifts.