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Short filmTranscript
00:00Oh
00:30Jinn's婦, their婦.
00:33From 8 September, Peer & Mangal, at 8 p.m.
00:37I thought it was, it will go through.
00:43I'm a little nervous.
00:46I'm nervous.
00:47It's good.
00:48Natural acting.
00:50I don't want to go to my house anymore.
00:54How are you going now?
00:56It's just like that.
00:57I mean, those girls did better acting with you,
01:00and took you out of the house.
01:03For me, we left our house for everyone.
01:07Our girl, we don't need to have a good girl.
01:11My little girl will come in the night.
01:19Sweetie.
01:20Sweetie.
01:21Oh, Sherry, she's a baby.
01:25Why are the kids so quickly?
01:27No.
01:28No.
01:29I'm here.
01:30I'm sleeping.
01:31I'm sleeping.
01:32I'm going to go outside.
01:34I'll get the first time.
01:35That's fine.
01:36That's fine.
01:37I want to keep her hands on her.
01:38I want to keep her hands on her?
01:39Yes.
01:40I want to keep her hands on her?
01:41Yes.
01:42I'll take her hands on her.
01:43Okay.
01:44I'll take her hands on her.
01:45I'm not a girl.
01:46I'm not a girl.
01:47She'll take her hands on her.
01:48I'm a girl.
01:49I'm an assistant.
01:50Why do you work with her?
01:51He's asked.
01:52I don't have to ask her.
01:53I'm thinking about the plans.
01:54No, I'm not who I am.
02:00So, she will come?
02:02What do I know? I'm her assistant.
02:05Why are you still there? I've asked her.
02:07I don't even know. I'm thinking about the plan.
02:10You're talking about your children and questions.
02:13We're children.
02:14Okay, you're right. I'm not.
02:18You're from me.
02:19I'm from you.
02:21Your wisdom will be more than you.
02:22And you'll be shocked when you become a child.
02:24I'm not.
02:25Now, shut up and have a plan for me.
02:33It's amazing.
02:39Why are you?
02:41Be careful.
02:51Let's go!
02:52The main door is the hero.
02:53Let's turn around on someone.
02:54Get back to me.
02:55Okay, come.
02:58Let's go!
03:01Let's go!
03:04Let's go!
03:06Let's go! Where are you?
03:08The main door has come from here.
03:10Let's go!
03:13Let's go!
03:14Let's go!
03:16Let's go!
03:23Because of you, I left my work and acted,
03:27so that I can live here with courage.
03:29But all the girls are gone.
03:31This man is because of this man.
03:33She's sitting outside.
03:34She says that I have to meet the street.
03:36What do you do?
03:38What do you do?
03:39I'm going to make the street like this.
03:41I'm going to make the street like this.
03:43She's got to get the street.
03:45She's got to know this.
03:48If you're out, you'll want to get out.
03:50You're saying that...
03:52I'm going to make the street like this.
03:53Why?
03:53I'll show you how to get out.
03:56I'll get out.
03:58So, if you're out,
04:00you'll get out of my house with me.
04:03If you haven't got out,
04:05then you'll call me one girl.
04:07Please.
04:08Okay.
04:09You'll get out of your house with me.
04:18Shaliyah!
04:21Shaliyah!
04:23Shaliyah!
04:25Shaliyah!
04:38Sweetie, let's see, Shari is coming. Let's go.
04:43Shari is coming, Shari is coming, Shari is coming.
04:48If you give 10,000 rupees, then you'll get out of 1 rupees.
04:52You won't let me tell you.
04:58What's going on? What's going on?
05:01Shari is coming, tell me.
05:03I was thinking, but...
05:08Now, you're finished.
05:11Let's go.
05:13What?
05:15Shari is coming, Shari is coming.
05:18Shari is coming.
05:21When you're coming, it's not gonna be the same thing.
05:24No!
05:25Sweetie, don't say anything like that.
05:27You have to be the same.
05:29You're in the same room, in the same room.
05:32No, you're coming!
05:34Shari is coming, Shari is coming.
05:36I'm gonna give him a little bit.
05:40Shari, shari, go.
05:43The gosses are very hard.
05:45She's going to kill her.
05:47She's going to kill her.
05:50Go, go.
05:52She will kill her.
05:54No, no, no, no.
05:55Go, go, go, go.
05:58Go, go.
06:00Go, go.
06:01Go.
06:06Oh my god, come on!
06:08Come on, come on!
06:10What's going on?
06:12Oh my god!
06:14Samia, you said that she will be back in the night.
06:18We are ready to go.
06:20Absolutely.
06:22Have you seen Home Alone movie?
06:24Yes.
06:26This movie is a real inspiration.
06:30What do you mean?
06:32This movie will be inside the house.
06:34And then she will be back.
06:36She won't go to her own plans.
06:40This is what you know,
06:44that this house is not easy.
06:46Yes.
06:48If it's so easy to get married,
06:50Mrs. Khan and Habib Sahib have been married now.
06:58This is what it is.
07:00I couldn't think that you can do so good acting.
07:04You won't win, right?
07:06Yes, you won't win.
07:08But tell me,
07:10you went to acting school there.
07:12It's a reality show,
07:14which will never come on TV.
07:16But people are very shocked.
07:18Instead of hidden cameras everywhere.
07:20And everyone is acting in extempore.
07:22This is a strange thing.
07:24They are acting in the same way.
07:26Yes, absolutely.
07:27And in my situation,
07:28I have to become five sisters.
07:30I don't want to marry my sister.
07:32Oh, that's the story.
07:33Yes.
07:34So when I went there,
07:35they had a cockroach and a chicken.
07:37And I was scared.
07:38You're going to be dead, right?
07:39Yes.
07:40But now I'm at home.
07:41You told me that they are acting.
07:43Why are you scared?
07:45Then I thought that I will run away.
07:47I will run away.
07:50I will run away from you.
07:55The film,
07:56that was a film,
07:58which was the film you were running away from?
08:01What was the name of it?
08:02What was the name of it?
08:03It was a film,
08:04when a scene of the film was stolen,
08:06it didn't tell us.
08:08Let's shut up.
08:09You've heard a story about it,
08:13without the repair.
08:14It was a story about it.
08:15I understood it.
08:16But I remember one thing.
08:18We are artists.
08:21We are artists.
08:22We are artists.
08:23We are artists.
08:25They are very proud of us.
08:27I am very proud of you.
08:29I am very proud of you.
08:30No one can see you.
08:32I am talking about artists.
08:35We are artists.
08:37We are big risks.
08:39I thought that you all have to be a good person.
08:42But you are very proud of us.
08:43You are a bad person.
08:44You are a good person.
08:45You are a good person.
08:47but you are very special
08:50and the special people's story is always strange and strange
08:57and
09:01you are full of respect
09:05only one month of protein shape
09:10we will have to take it
09:12just fine
09:14You go and say to your producer,
09:17that you should be a dinosaur or a dinosaur,
09:20or that I will be in the house or that I will be in the house,
09:24or that I will be in the house.
09:26Oh my God!
09:27Oh my God!
09:28Oh my God!
09:44Oh my God!
09:56She is also making a message.
10:07It's online.
10:08I've seen it.
10:11Hi.
10:12Are you okay?
10:14Is there a problem?
10:16Oh my God!
10:17How do you know?
10:19I don't know.
10:20I don't know.
10:22Are you aware of it?
10:24Yes.
10:26No.
10:27My abba is very liberal.
10:28He gave me an adjustment.
10:30He gave me an adjustment.
10:34Do you know that I have learned
10:37that I had a briefing,
10:38that it could be possible?
10:40Yes.
10:41Yes.
10:42But I didn't know that it will be possible.
10:46Sorry.
10:47I don't know.
10:48Sorry.
10:49I don't know.
10:50I don't know.
10:51Sorry.
10:52I don't know.
10:53Sorry.
10:54Sorry.
10:55Sorry.
10:56Sorry.
10:57I've also been running this way.
11:01It's more real.
11:03I don't know.
11:04I don't know.
11:05I don't know.
11:06I don't know.
11:07I don't know.
11:08What did you say?
11:09What did you say?
11:11I don't know.
11:12I'm talking about the show.
11:14So now the second entry is possible.
11:23Problem solved.
11:25The whole situation is natural and comic.
11:27I don't know.
11:28I was thinking about it.
11:29I was thinking about it.
11:30I was thinking about it.
11:31You leave this in the middle of the season.
11:32So how can the sequence become the next sequence?
11:34How can you become the next sequence?
11:39I was the first chance of becoming the next sequence.
11:41You've become a group.
11:42You've become a group.
11:43But it was also good.
11:45The story is the twist.
11:52So now how will you be entering?
11:55Will you be dead or I will pick you?
11:57Don't.
12:01Yes.
12:02You made a situation there.
12:04I'm telling you to brief me
12:05and where you picked me,
12:06where you picked me.
12:08What you picked me?
12:09Where you picked me?
12:11Done.
12:16Listen.
12:17Did you have any picture of me?
12:19Or was there any other way?
12:21I'm sorry, I'm sorry.
12:26Okay.
12:28Then, tomorrow morning, it's a meeting.
12:33Yes, it's a jewelry that I have in the room.
12:37It's a gold.
12:39Okay.
12:41Did you like it?
12:43If it was a good time, then what?
12:46It was a scene for a while.
12:49Okay, let's talk tomorrow.
12:51Have a good day.
13:21Let's talk tomorrow.
13:23Let's talk tomorrow.
13:25Let's talk tomorrow.
13:27Let's talk tomorrow.
13:29Let's talk tomorrow.
13:31Let's talk tomorrow.
13:33Let's talk tomorrow.
13:37Let's talk tomorrow.
13:39Let's talk tomorrow.
13:41Let's talk tomorrow.
13:43What do you think?
13:45You are not sleeping.
13:47You are sleeping.
13:49See this fire, yaar.
13:51What do you think you bring to them?
13:53What?
13:55What?
13:57What?
13:59What?
14:01What?
14:03What?
14:05What?
14:07What?
14:09What?
14:11What?
14:13What?
14:15What?
14:17The enemy has forgotten his jewelry.
14:21What?
14:25Wow!
14:27It is so great.
14:31It's a burial.
14:33I keep keeping it.
14:35When we were in the room,
14:39We had a doubt that this could be a fool of our brother-in-law.
14:44And what?
14:45Samoso doesn't do so much as we can afford this?
14:48We can afford the Samoso.
14:51But we don't give our daughters.
14:54Look at our brother-in-law.
14:56We have furniture.
14:58Actually, Samoso should be married before.
15:00And we should get the Zewer.
15:02It could be me too.
15:05But the Zewer could be me too.
15:09I was three years old.
15:12Why? Why?
15:14I'm a big girl.
15:15Hey, now, let's stop the boys.
15:18We're talking about the people who were afraid of us.
15:22We're being married, we'll be going to a honeymoon tomorrow.
15:27But then, we'll be happy.
15:31But today we're going to have a chance.
15:35Today we're going to come again.
15:37And if it will come, it will come.
15:47What happened?
15:55I'm going to die.
15:57I'm going to die.
15:59I'm going to die.
16:01What happened?
16:02I'm going to die.
16:04I'm going to die.
16:05I'm going to die.
16:07So, you were Habib.
16:10You were my marbles.
16:13So, that's the night before you,
16:15we were playing a bunch here.
16:19I'm going to die.
16:20I'm going to die.
16:21I'm going to die.
16:27What's happening?
16:28We've come to see.
16:30We were playing with these two little marbles.
16:33And then, we fell down.
16:36Why would I play?
16:37I was running.
16:38I was running.
16:39I was running.
16:40I was running.
16:41I was running.
16:42I was running.
16:43I was running.
16:47I was running.
16:50Why?
16:52I called the ambulance.
16:53I was running.
16:54I told you later.
16:58What did you do,
17:01I didない,
17:04let me die.
17:06I got injuries.
17:10Haychan,
17:15This was trap for Maria.
17:16Acheri Safiya took over.
17:18So, I said for me,
17:19I have seen our car.
17:21We should live here
17:22er and defend us.
17:24Oh, I'm thinking about it.
17:28Don't think about it.
17:30Let's do it tomorrow.
17:49Until now, she left the house from the house.
17:51We met yesterday.
17:53We met.
17:54Is this a surprise?
17:55Boss, I was just saying that yesterday she didn't go from the house.
17:58And when you left the house, she was in the house.
18:01Yes, she was in the house.
18:03She was in the house and she was in the house.
18:04Then there will be another way to go, right?
18:06Hmm.
18:07That's right.
18:09She'll have to go from the house.
18:11But guys, there is still some trouble now.
18:14Boss, what are you going to ask?
18:17Do you have to ask or take a job of bodyguard?
18:19I'll give it here.
18:20You have to keep the house in the house.
18:23I mean, you have to keep the house in the house.
18:26Yes.
18:28But boss, you said that she's going to this day.
18:31Now you're saying that she keeps the house in the house.
18:33You know that she can go from the other side.
18:36Then go to the other side.
18:38And if she doesn't go, she'll go to the main road.
18:40I'll tell you that the main road is going to the main road.
18:42There are two sides there.
18:44Look at the gym, I'll come too.
18:46No, I'll go to the main road.
18:47Now I'm going to the main road.
18:50Abbaji!
18:51I'm going to the location.
18:52You remember to remember and not to race.
18:55I'm not going to ride in you.
18:57I have to go to the main road.
19:11How much money do you give to newcomers to the newcomers to a chance?
19:19Would you like to thank you for the chance?
19:21Yes, you are so tired. You are just like you.
19:25It's not like you.
19:28In fact, in the showbiz, there's a lot of success.
19:30Yes, it's a lot of success.
19:32But people don't have to give them anything to give them.
19:37That's not my purpose.
19:39You'll see, I'll be working.
19:41And I'll hit the show without the script.
19:43Yes, yes.
19:44Inchallallah.
19:45The producer is waiting for you and listen.
19:47You have to give up with Sherry because she told me
19:50that she's sitting in the gym and sitting in the room
19:52and sitting in the room and sitting in the room.
19:54I love you, Papa.
19:55I do.
19:57I'll go with you.
19:59You don't have to think about it.
20:00Go, baby.
20:01Go to God.
20:09Go, baby.
20:10Go, baby.
20:11Go, baby.
20:12Come, go.
20:13Come, come, go.
20:14Come, come.
20:15Come, come.
20:16Come, come, come.
20:17You'll have to give it to girls too.
20:18Come, come.
20:19Come, come.
20:20I've had to do this.
20:21Oh, my God.
20:22I've also got to go to bed.
20:23If we can't do it.
20:24But if you come out today,
20:26you'll be doing all you have to do it.
20:28I was giving my hands.
20:30So, what do you do?
20:32I'm going to put my hands on my hands.
20:34I've never put my hands on my hands.
20:36I'm leaving.
20:38You're laughing.
20:40What should I do?
20:42I'm alone.
20:44I'm alone.
20:48I thought that I was coming.
20:50I'll just talk to my family.
20:52I'll just talk to my family.
20:54I'll talk to my little world.
20:56I'll talk to my little world.
20:58But you're leaving me.
21:00Sorry, Mr. Habib.
21:02You can see.
21:04God gave me my hands on me.
21:06It's so bad.
21:10You're leaving me.
21:12You're leaving me.
21:14You're leaving me.
21:16You're leaving me.
21:18I'm leaving you.
21:20I'm leaving you.
21:22You're leaving me.
21:24I'll keep going.
21:26You're leaving me.
21:28I'm leaving you.
21:30You're leaving me.
21:32You're leaving me.
21:34I was leaving.
21:36You're leaving me.
21:38I'm leaving you.
21:40I was leaving you.
21:42I will admit that the work that you have to keep,
21:47has never been left and left,
21:50I will also be able to do the work.
21:53And if he never gets back to the work of the work,
22:03Okay, Baba, I will also get back to the work.
22:06Don't cry.
22:12I will also give him the help of his hands.
22:29You will not be able to keep his hands on his hands.
22:35Okay, I will not put in this too.
22:37Now let's stop and stop and stop.
22:39And the flowers are up and down.
22:58Where are you ready?
23:02Look, the brother-in-law has stood in front of us, the brother.
23:06And now if we are sitting like this,
23:09then they will take us out of every day and get out of here.
23:18Why?
23:19Everything is missing.
23:21We are also part of.
23:23If you want to marry, we will also do this.
23:25And then the ship, marbles, cockroaches will not come.
23:28The story is okay.
23:31So you are going to showroom?
23:33Yes.
23:36There is no driver.
23:39So my hands are broken.
23:41No, no.
23:43You can have a little driver in the city.
23:45I was thinking that I will leave you from Farid.
23:50Yes, it will be better.
23:54I feel like my brother is going to take it in the morning.
23:57You are without thinking.
24:00I am enough for that.
24:02I am enough for that.
24:05Did someone ask Safiya?
24:07Keep in touch.
24:08No.
24:09No.
24:11No.
24:12No.
24:14No.
24:15ॐ ॐ ॐ ॐ ॐ ॐ ॐ
24:45ॐ ॐ ॐ ॐ ॐ ॐ ॐ
25:15ॐ ॐ ॐ ॐ ॐ ॐ ॐ
25:45ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ ॐ
25:47But now, I have to see the whole business of my business.
25:51I'll take a look at this girl's hair.
26:00What do you do here in 5 o'clock in the morning?
26:10Look at that.
26:12If you're getting hurt, you'll be able to get hurt.
26:14You're my sister, I'm only a friend.
26:23Problem solved.
26:32Where's Bushra?
26:34Where's Bushra?
26:36Bushra?
26:38Is she at home?
26:39I've seen her eyes on her eyes, she's been looking for a girl.
26:47She's a girl, if she's a girl, if she can get her in a car, she's not going to have a girl.
26:54She's a girl, she's a girl.
26:57She's a girl, she's a girl.
27:00She's a girl, she's a girl.
27:03She's a girl.
27:05I'm not sure.
27:07I'm not sure.
27:09It's an illness that has been a realtor.
27:11If you have a illness that has been a realtor,
27:15it's an illness that has to be done.
27:17It's an illness?
27:19I'm not sure.
27:21I'm not sure.
27:23I'm not sure.
27:25I'm sure.
27:27Look at this.
27:29Look at this.
27:31Who's coming?
27:33I'm not sure.
27:39Assalamualaikum.
27:41Assalamualaikum.
27:43You sit here.
27:44Uncle, let's call the Bushra.
27:45I have to talk about that.
27:47When he comes to Bushra,
27:49do you talk to him?
27:51Yes, yes.
27:53We talk to him both.
27:55Let's go.
27:59But...
28:01He's sleeping.
28:03He's sleeping.
28:05No problem.
28:07I'm sitting here.
28:09No problem.
28:11When you talk to him,
28:13I'll take him to Bushra.
28:15Yes.
28:16Okay.
28:17No problem.
28:18No problem.
28:19No problem.
28:20No problem.
28:21No problem.
28:22I don't know.
28:23No problem.
28:24No problem.
28:25Yeah, no problem.
28:26What do you think?
28:27Oh, my God.
28:28No problem.
28:29Oh, my God.
28:30Yes.
28:31It's not easy to make a sherry.
28:36What do you have to talk about with Busha?
28:40Come on.
28:43There will be things that will happen.
28:46Come on.
28:53If we go to the location, let's go.
28:55I'm sorry.
28:57I didn't understand the story of yesterday.
29:00Let's leave that story.
29:02They both are very small.
29:04They've been living with big girls.
29:06I've worked a lot on stage.
29:08But this is the first time.
29:11But they're all very trained.
29:14Today, you've got to give them your acting.
29:18Okay.
29:19You've got to brief me exactly what you have to do.
29:25Two people.
29:27You.
29:30This is a stable place.
29:34Here.
29:42What?
29:43What?
29:44What?
29:45What?
29:46What?
29:47What?
29:48What?
29:49What?
29:50What?
29:51What?
29:52What?
29:53What?
29:54What?
29:55What?
29:56What?
29:57What?
29:58What?
29:59What?
30:00The old man, the lawyer, the lawyer, the lawyer, the lawyer and the non-serious lawyer.
30:08Okay, okay, okay. I understood. I knew what I was going to do.
30:12I had a novel in school.
30:14There were two daughters of Akbar and Asghari.
30:16I had to do this and all the lawyers had to do it.
30:19I had to do it. I understood.
30:21That's exactly it.
30:24But when I was studying that novel,
30:26I thought that the whole family, the boss, the husband and the husband,
30:31why were they so lazy?
30:33Why were they waiting for a young girl to come and get them all together?
30:38That's what they can't do with any other person.
30:41The story is right.
30:42But the story has reached so many years,
30:45that no one can't get any problems in the house.
30:50Excuse me, sir.
30:51Yes, thank you.
31:25It's been a long time, but it hasn't been a long time.
31:54Yes, his sleep is very heavy, so he won't be able to get up with him.
31:59If he comes to the camera, please come to the camera.
32:24I don't know how sweet it is.
32:47It's a school, it's a school.
32:50It's a school, it's a school, it's a school.
32:54It's a school, it's a school.
32:57We have kids like this, just a school.
33:00Like they grow up with, they start to get mad.
33:03And they end up with their age, they get mad.
33:06It's a school too. It's a school.
33:10In fact, when the team of police were playing,
33:15we were fighting against them.
33:18The video was viral.
33:20So...
33:21So it was polio?
33:23No, it was polio.
33:25So it was very good for it.
33:27It had a lot of effect.
33:29Okay.
33:31So it was polio, or was it going to drink polio?
33:35Or both of them?
33:37I'm going to take it away.
33:39I'm not listening to Abba Chai.
33:42Oh, my children.
33:45Okay, I'm not sure.
33:47I can't do it.
33:50But...
33:51I'm not sure.
33:53What are you doing?
33:56What was that?
33:58You heard that bad thing?
34:01How do you say you're alpha male?
34:03Oh, my uncle.
34:05I'm alpha male.
34:07But who's that bad thing?
34:08Which every alpha male
34:10is the respect of her daughter's son.
34:14Sali, Adi Gharvali.
34:16Oh, that's right.
34:18We've heard it too.
34:19When you do this, I'll do it again.
34:22I'll do it again.
34:23Adi Gharvali.
34:25What's that bad thing?
34:26You're a big burden.
34:29You're full of your hands.
34:31What?
34:32I'm going to hold up my hand.
34:33If you're not going to have alpha male,
34:35I'll do it again.
34:37The other thing is,
34:39don't do it again.
34:40Do it again.
34:42I'm going to go.
34:42I'm going to go.
34:43And you're going to go.
34:44I'm going to go.
34:46Hey!
34:48Hey!
34:50Hey!
34:52Hey!
34:54Hey!
34:56Hey!
34:58Hey!
35:02This is the name of Bushra.
35:06Why do you name all of your old fashion?
35:08Don't do it.
35:10It's good.
35:12I'm just kidding.
35:14I'm confused with all of them.
35:16Today I have seen Bushra in the car with someone.
35:19Yesterday I went to his house, from the other side.
35:22Hey boss!
35:23Everything was thrown away, right?
35:25In the other side I was going to go to the other side.
35:27If he saw Bushra with Bushra,
35:29he would have to take a note of the car.
35:31What would he have to find out at home?
35:33Wait, wait!
35:35When I went there, Bushra was sleeping.
35:38And Fakhra...
35:39They were both in the house?
35:40Yes, they were both in the house.
35:42And Fakhra was also in the house.
35:45Fakhra said to me,
35:47because he is my son,
35:49he will also be in the house.
35:51It's a strange thing.
35:52It's a strange thing.
35:53It's a strange thing.
35:54It's okay.
35:55Who is your sister who meets her husband?
35:57Really?
35:58Yes.
35:59It's just like that.
36:01Hmm.
36:03But Fakhra's hand is very big.
36:07You can kill me.
36:09What are you doing?
36:10What are you doing?
36:11My son killed me.
36:12What are you doing?
36:13What are you doing?
36:14You're doing your job.
36:15And standing here,
36:18it's only Sherry.
36:20Because Sherry is an alpha male.
36:22Come on.
36:23Come on.
36:25We're going to finish the coffee.
36:26Nassar has been a showroom for me,
36:27so that I can see her at home.
36:28Okay.
36:29I'm done.
36:30Can you tell me?
36:31Nassar has become a second daughter.
36:32Yes.
36:33A second daughter.
36:34Yes.
36:35We're going to finish the coffee.
36:36Nassar has been a showroom for me so that I can see her at home.
36:40Okay.
36:41I'm done.
36:42Tell me.
36:43Nassar has become a second daughter in your drama.
36:45Yes.
36:46A second daughter.
36:47Oh.
36:48A second daughter.
36:50Okay.
36:51Okay.
36:52Let's see.
36:53How did I tell the story of the drama?
36:55Yes.
36:56I have a feeling like this.
36:59I don't know.
37:00You don't have a couple like a married couple.
37:09Let's go here.
37:10They are all here.
37:12They are all here.
37:13They are all here.
37:14They are all here.
37:15They are all here.
37:16They are all here.
37:17Look.
37:20Look.
37:21What are we talking about?
37:22We are all here.
37:23We are all here.
37:24We are all here.
37:25They are all here.
37:26They are all here.
37:27They are all here.
37:28Let's go.
37:29Let's go.
37:30Come here.
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