- il y a 4 mois
Cast a Dark Shadow (1955) is a classic British film noir directed by Lewis Gilbert. The story follows Edward Bare, a man whose charm hides deeper motives as he navigates relationships that draw him into complex and suspenseful situations. Featuring standout performances by Dirk Bogarde, Margaret Lockwood, and Kay Walsh, the film is praised for its moody atmosphere, clever dialogue, and striking black-and-white cinematography. This suspenseful drama remains a notable entry in post-war British cinema and a fine example of classic noir storytelling
Cast a Dark Shadow, Cast a Dark Shadow 1955, Cast a Dark Shadow movie, Cast a Dark Shadow full movie, Cast a Dark Shadow film, Cast a Dark Shadow trailer, Dirk Bogarde Cast a Dark Shadow, Margaret Lockwood Cast a Dark Shadow, Kay Walsh Cast a Dark Shadow, Lewis Gilbert director, British noir film, classic noir 1950s, suspense drama 1955, post war British cinema, black and white noir, film noir classic, psychological drama 1955, British thriller drama, Cast a Dark Shadow cast, Cast a Dark Shadow scenes, classic British movie, 1950s drama film, old suspense movie
Cast a Dark Shadow, Cast a Dark Shadow 1955, Cast a Dark Shadow movie, Cast a Dark Shadow full movie, Cast a Dark Shadow film, Cast a Dark Shadow trailer, Dirk Bogarde Cast a Dark Shadow, Margaret Lockwood Cast a Dark Shadow, Kay Walsh Cast a Dark Shadow, Lewis Gilbert director, British noir film, classic noir 1950s, suspense drama 1955, post war British cinema, black and white noir, film noir classic, psychological drama 1955, British thriller drama, Cast a Dark Shadow cast, Cast a Dark Shadow scenes, classic British movie, 1950s drama film, old suspense movie
Catégorie
🦄
Art et designTranscription
00:29:18Sous-titrage Société Radio-Canada
00:29:48Let's go out and talk
00:29:51Well, what is it?
00:30:01Well, it's like this, Mrs. Jeffries
00:30:03I've got enough money to live on
00:30:04More than enough
00:30:05But I'm bored
00:30:07And I'm lonely
00:30:08Well, I could give you some advice
00:30:10But you might not like it
00:30:11If the truth hurts, I can take you
00:30:13Look around, trundle up the aisle again
00:30:15Get married
00:30:15You're a fine one to give advice, Mrs. Jeffries
00:30:18Why don't you take a leave out of your own book?
00:30:21Well, to be perfectly honest
00:30:22There have been several occasions
00:30:23When I very nearly have
00:30:24And then I found it was the money bags
00:30:26They were after
00:30:26And not the old bag herself
00:30:27No
00:30:32I wouldn't then stay in matrimony again
00:30:34Not unless I could find someone
00:30:36To put down pound for pound
00:30:38Of course, I had thought of
00:30:40Letting my place
00:30:41And going abroad
00:30:42Oh, that's a good idea
00:30:43Let it furnish, then
00:30:44You can do what you like
00:30:45No, it's easier said than done, though
00:30:46You see, I wouldn't like a
00:30:48Well, a stranger
00:30:49Clawing over my late wife's belongings
00:30:51Not unless I like the look of her, of course
00:30:54Do you like the look of me?
00:30:58Yes
00:30:59You might make a very good tenant
00:31:01Of course, I'd have to look the property over first
00:31:05See if I liked it
00:31:06Oh, of course
00:31:07Get to know the place
00:31:09That could be arranged
00:31:11I never commit myself, Mr. Bear
00:31:14Not until both parties have signed on the dotted line
00:31:17Find someone new
00:31:21Make her your own
00:31:24But whatever you do
00:31:27Leave me alone
00:31:30Yes, whatever you do
00:31:33Leave me alone
00:31:38Here we are
00:32:04Welcome to Stonely
00:32:06Ah, you've done quite well for yourself, Mr. Bear
00:32:08Yeah, I mustn't grumble
00:32:09Still
00:32:10You can do with a lick of paint
00:32:11Well, it keeps the rain out
00:32:13Oh, Lord, Mr. Bear
00:32:20I didn't expect you back till tomorrow
00:32:21Don't fuss, Amy
00:32:22Don't fuss
00:32:23This is the Emmy I told you about
00:32:24Ah, hello, Emmy
00:32:25It's big
00:32:26How many bedrooms you got?
00:32:27Er, six
00:32:28And then a couple of attics where she roosts
00:32:30I brought this lady to see the house
00:32:31Can we have a cup of tea?
00:32:32Oh, yes, yes, sir
00:32:33Well, then go on
00:32:34Go on
00:32:34Show the lady where to put her coat
00:32:35Yes, this way, lady
00:32:38See you later
00:32:39What are you doing?
00:32:46I came to see Emmy, Edward
00:32:47I wanted to talk to her
00:32:49Emmy?
00:32:52Well, I'm away
00:32:52What about, Philip?
00:32:55It takes a long time to clear up an estate, Edward
00:32:57There are still outstanding problems
00:33:00I think the answers to some of them are to be found in this house
00:33:03And what's Emmy got to do with it?
00:33:06Well, Emmy's a very simple soul
00:33:07She's easily imposed upon
00:33:09But someday she's going to say something
00:33:11Something that will lead to the truth
00:33:14The truth?
00:33:20What are you trying to prove, Philip?
00:33:22Yes, you're flushed with success now
00:33:23You're full of competence
00:33:25But remember, Edward
00:33:27I'm watching you all the time
00:33:29The jury said it was accidental death
00:33:32Oh, you seem to know what I'm talking about
00:33:34Oh
00:33:35Ah
00:33:37This is my lawyer, Mr Mortimer
00:33:40Mrs Jefferies
00:33:41How do you do?
00:33:42Oh, how do you do, Mrs Jefferies?
00:33:43Mrs Jefferies and I were guests in the same hotel
00:33:45I just brought her up here
00:33:46To have a look around the house
00:33:47Oh, you've decided to let her then?
00:33:50Well, I may, dear
00:33:50Well, Phil, you'll be wanting to get back to the office, won't you?
00:33:53So we won't hold you any longer
00:33:54I forgot to tell you, sir
00:33:58Mr Mortimer's here
00:33:59Yes, sir
00:34:00I'm just going, Emmy
00:34:01Oh, thank you, sir
00:34:03Oh, by the way, Emmy
00:34:04I hear you opened a bank account
00:34:05And that you're drawing cheques
00:34:07Oh, yes, sir
00:34:08Mr Bear showed me how to do it
00:34:10What do you expect her to do with her money?
00:34:12Keep it in a stocking under her bed?
00:34:13But Mrs Bear meant that money for your rainy day, Emmy
00:34:16When Emmy needs an umbrella
00:34:17She's got me
00:34:19Very nice, too
00:34:20I wish I had a brolly to keep the wet off me
00:34:22All right, Emmy
00:34:23Mr Mortimer's read his little sermon
00:34:25Go on, toddle
00:34:26Quite the old-fashioned kid, isn't she?
00:34:33Oh, comfy
00:34:36If you do decide to take this house, Mrs Jefferies
00:34:39Make Edward get rid of that gas fire
00:34:40Why?
00:34:42I haven't been here since the day of the funeral, Edward
00:34:44Every time I look at that matter
00:34:46I seem to see Mrs Bear lying there
00:34:47What, here?
00:34:49It mustn't get morbid, Philip
00:34:51I'm the one who's got to live here with these ghosts
00:34:53What was she doing here?
00:34:56She had an accident
00:34:57With a gas fire
00:34:59I thought you said it was flu
00:35:01I said nothing of the sort
00:35:02I said she had flu just before
00:35:03Oh, was that it?
00:35:05So we're sitting in the morgue, really
00:35:07Oh, excuse my joke
00:35:10Je me sens toujours le plus fou.
00:35:13Je me sens que je n'ai pas dit quelque chose à vous, Mrs Jeffreys.
00:35:19Oh, non.
00:35:20Je me suis allé dans le saloon bar une nuit, je me suis en train de faire une autre.
00:35:23Le business doit aller, vous savez.
00:35:25Je suis heureux que je n'ai pas pu vous guer sur le cas, Mrs Jeffreys.
00:35:28Je ne veux pas dire quelque chose à vous faire des plans.
00:35:31Philippe est un bon pour faire la vérité dans le open.
00:35:34Il me dit que je suis le plus grand fortune hunter.
00:35:37Est-ce qu'il s'est passé ?
00:35:39Je pense que c'est à l'heure que vous connaissez Mrs Jeffreys.
00:35:43Je m'ai rencontré une riche femme plus jeune.
00:35:47Et nous avons réussi à confondre tous les sceptiques par être très heureux.
00:35:52Et content.
00:35:53C'est très bien, Philippe.
00:35:55J'ai toujours confiance à mes affaires.
00:36:00Vous êtes très bien.
00:36:02Oui, je suis toujours pour toi, Edouard.
00:36:04Je ne sais pas, c'est ce que je paye.
00:36:07Oh, bonjour, Mrs Jeffreys.
00:36:08Bye-bye.
00:36:09Je suis dans le téléphone, si vous voulez me.
00:36:11Je ne sais pas.
00:36:12Oh, je ne sais pas.
00:36:17Oh, Phil.
00:36:18By the way, I've got some news for you.
00:36:21You're not my lawyer any longer.
00:36:23No.
00:36:24Mais je ne sais pas.
00:36:26Aux filles-en.
00:36:27Oh, Phil.
00:36:28He's got to work for every bob he's got.
00:36:29I expect he finds it demoralising.
00:36:30Oh, allow me.
00:36:31Tea lady.
00:36:32Oh, good.
00:36:33Emme, where's the little girl's room?
00:36:35Bed pad.
00:36:36Alors, me.
00:36:38Tee, lady.
00:36:39Oh, good.
00:36:40Annie, where's the little girl's room?
00:36:42Bed, Pat.
00:36:44Left along the first landing, second door.
00:36:46Thanks.
00:36:48Simple, isn't she?
00:36:53Well, Emmy,
00:36:54you know, that lady being here today
00:36:56has brought a lot back to me.
00:36:58I expect it has, sir.
00:37:00Were you surprised when you saw her?
00:37:03Well, sitting in Madam's chair,
00:37:04I was...
00:37:06Mrs. Jeffries
00:37:08is a widow, Emmy.
00:37:11Oh.
00:37:12Such a sad life she's had with her husband, too.
00:37:15She thinks every man's a monster.
00:37:17She ought to see you and the mistress, sir.
00:37:19Oh, but that was the perfect union, Emmy.
00:37:22I wish Mrs. Jeffries could know about that.
00:37:25It might help her.
00:37:28Well,
00:37:29I think I'll go and pick her a rose.
00:37:32A rose?
00:37:32Ah, that's nice, sir.
00:37:34Yeah.
00:37:34You keep the place very well, Emmy.
00:37:43Even the room's not in use.
00:37:44Oh, thank you, Mum.
00:37:45Tell me, um,
00:37:47why is one of the doors locked?
00:37:49Oh, that was their room, Mum.
00:37:51Mr. Bear locked it up,
00:37:52and it's never been used since.
00:37:53Oh, I see.
00:37:55This place is too big for one man.
00:37:57I expect it was different when Mrs. Bear was alive,
00:37:58more lively.
00:37:59Oh, yes.
00:38:00He did everything for her.
00:38:02No woman ever had a better husband,
00:38:05and she was always the first to say so.
00:38:07Didn't matter how much he spent.
00:38:09Well, lucky to have the money to spend.
00:38:11All the money all came from the shop.
00:38:14Oh?
00:38:14Tell me about the shop, Emmy.
00:38:15Well, it had been in the family, you see,
00:38:18and it grew and grew,
00:38:20and then Mr. Bear sold it for her after they got married.
00:38:24Good, he was such a lot of money.
00:38:26Oh, they did have an evening.
00:38:28He was so cheerful.
00:38:29Oh, I had a glass of pot.
00:38:33How much do they have to be cheerful about, Emmy?
00:38:36Thousands and thousands of pounds.
00:38:38Quite a little gold mine, they called it.
00:38:40Well, Emmy,
00:38:41I can see you've been having your tongue run away with you.
00:38:43And I bet you forgot to tell Mrs. Geoffrey where I've been.
00:38:45Dear.
00:38:46You'll lose your head one of these days.
00:38:47You really will.
00:38:48Go on, Emmy, toddle.
00:38:49Toddle.
00:38:50She's been saying some very nice things about you, Mr. Bear.
00:38:53Oh, well, she's very loyal.
00:38:55I picked you a rose.
00:38:58Oh.
00:38:59Thanks.
00:39:03Will you be, Mother?
00:39:04All right.
00:39:07Now then, sugar?
00:39:09No, thanks. I'm on a diet.
00:39:11Oh, really?
00:39:17Why don't you stay at the ball down in the town for a bit?
00:39:21Milk?
00:39:22Oh, thanks.
00:39:24After all your time's your own, isn't it?
00:39:26That's true.
00:39:26And then if you, uh, like the place, you could, uh, move up here.
00:39:32On what terms, Mr. Bear?
00:39:34Any terms you like.
00:39:38Pound for pound, Mr. Bear?
00:39:41Pound for pound, Mrs. Geoffrey.
00:39:43Oh, I've, uh, got something to put in this tea.
00:39:52Oh.
00:39:53What's the matter?
00:39:54Oh, I felt suddenly cold.
00:39:55Somebody walking over me grave, perhaps.
00:39:57You needn't worry about that, Mrs. Geoffrey's.
00:40:00They won't be burying you for a long time yet.
00:40:04Not if you're a good girl.
00:40:05What about a toast, Charlie?
00:40:19Come on, Charlie, boy.
00:40:21Come on, Charlie.
00:40:22You're the best man.
00:40:23Silence for Charlie, man.
00:40:25Uh, ladies and gentlemen, I didn't come here to talk.
00:40:28As Anthony said to Cleopatra when he went into her tent.
00:40:31Oh, my God.
00:40:33All right, all right, I'll cut it short.
00:40:35All of us here today are friends of Teddy Bear.
00:40:39And we all shared in his sorrow when the late Mrs. Bear so suddenly and so sadly passed on.
00:40:45And so it's a real pleasure to see him here amongst us.
00:40:48A happy man once more.
00:40:49A by-side that charming lady has introduced her to our company and whom we welcome as his wife.
00:40:56So, friends, it's a real pleasure to give you Mr. and Mrs. Edward Bear.
00:41:01Long may they thrive and prosper.
00:41:03Mr. and Mrs. Bear.
00:41:07Very nice, Charlie.
00:41:09It's really a champagne.
00:41:11Who paid for it, Eddie?
00:41:12Not you, I suppose.
00:41:14Well, no, I think I'm right in saying that the bride or the bride's parents paid for the wedding.
00:41:18Pound for pound, Mr. Bear.
00:41:22Pound for pound.
00:41:23I believe you've met your match, Teddy.
00:41:26This stuff always makes me sick.
00:41:28Can I have a beer?
00:41:29Come on here, I'll get you one.
00:41:35Certainly now out to land them, Teddy.
00:41:37What bait do you use?
00:41:39Charm, Charlie.
00:41:40Just charm.
00:41:41Your charm and my money.
00:41:44Don't forget it was me that financed that little trip of yours to the sea, sir.
00:41:47Don't worry, I'll get your money back.
00:41:49I mean to.
00:41:50You've landed your fish now, Teddy.
00:41:52But don't forget it was your Uncle Charlie that supplied the chips.
00:41:55Well, I'm glad to see you made friends with the vacuum.
00:42:07Didn't blow up after all, eh?
00:42:08No, ma'am.
00:42:09By the way, Emmy, isn't it about time I paid you some wages?
00:42:12I've been here a month now.
00:42:13Oh, no, I've got my money in the bank.
00:42:15Madam left me 200 pounds.
00:42:17But that's nothing to do with me or Mr. Bear.
00:42:18That's separate.
00:42:19Oh, no, Mr. Bear explained.
00:42:21Madam left me my wages in a lump sum.
00:42:23Oh, Emmy, there's one born every minute.
00:42:27Never mind, I'll see you, not the loser.
00:42:28Come on, I want you to open up this door.
00:42:30Oh, Mr. Bear, go raving mad.
00:42:33It's only opened up once a week for me to dust.
00:42:35From now on, Emmy, it isn't only what Mr. Bear wants.
00:42:37Come on, open up.
00:42:38What the say?
00:42:39Well, anyone would think it was Bluebeard's chamber.
00:42:44Blimey, it is.
00:42:44It hasn't been you since Madam passed on.
00:42:48Mr. Bear liked it kept locked up.
00:42:49All the same, it's silly to keep it shut up.
00:42:52Mr. Bear won't like it, Mum.
00:42:54That's Madam the day she married Mr. Bear.
00:42:57Oh, she had a kind face.
00:43:00Tell me, Emmy, how did she come to marry Mr. Bear?
00:43:02Oh, well, you see, Mr. Bear was a clerk in Mr. Man's estate agency.
00:43:07He'd come up here when Madam thought of selling the business.
00:43:10Took to him at once, Madam did.
00:43:12Oh, he can certainly turn on the charm when he wants to.
00:43:14What's in here?
00:43:18Oh, well, we'll have to get rid of this lot.
00:43:20No sense in giving the mots a feast.
00:43:22What are you doing in here?
00:43:24Get out.
00:43:25Get out, both of you.
00:43:26This is Monty's room.
00:43:28I told you never to unlock this door, didn't I?
00:43:29I told you.
00:43:30Stop it, Ed.
00:43:31It wasn't Emmy's fault, it was mine.
00:43:33Anyway, why shouldn't the room be unlocked?
00:43:35Get out.
00:43:35Get out, I said.
00:43:37This is Monty's room.
00:43:38I don't want anyone in here.
00:43:38Well, then carry on.
00:43:40All right, Ed, I'm sorry.
00:43:42I didn't know it meant that much to you.
00:43:43Go on, get out.
00:43:52Never let me see you in that room again.
00:43:56I told you.
00:43:58You know, if he'd had any more wives, I'd have had to sleep in the bathroom.
00:44:00Well, I didn't expect to see you.
00:44:19I was passing, I thought I'd wait for you.
00:44:21What have they done to you today?
00:44:22Oh, the usual.
00:44:22I was going blonde, and then I thought it might make me look common.
00:44:26Here, shove over, I want to drive.
00:44:37I'm sorry I blew up this morning in Monty's room, but I've been sleeping well lately.
00:44:41I get this sort of shut-in feeling.
00:44:44Makes me irritable.
00:44:45What you getting at, Ed?
00:44:46Well, I don't want to disturb you again, so I think I'll move into Monty's room.
00:44:50Stay there for a night or two.
00:44:51Now, listen, Ed.
00:44:52I don't know what your arrangements were with Monty, but I didn't marry you for companionship.
00:44:57Okay, Mrs. Bear.
00:44:59What's your present?
00:45:01Ooh, crystallized fruits.
00:45:02Lovely.
00:45:03I seem to remember you saying you liked them.
00:45:04I know.
00:45:05Got all the tricks, haven't you, Ed?
00:45:07Still they're nice tricks.
00:45:08I can't be cross with you for long.
00:45:09Well, I'm glad you came round.
00:45:14Don't like the salts.
00:45:33You know, it is a lovely view, Ed.
00:45:35Mrs. Bear, I'm going to pick you a little nose, Gary.
00:45:37Keep you happy.
00:45:37Oh, thank you kindly, sir.
00:45:39Come on, come and give us a hand.
00:45:47Is it safe?
00:45:48Of course it's safe.
00:45:58Charlie Man's on to a good thing, Frieda.
00:46:00Who for?
00:46:00Charlie Man?
00:46:01Oh, funny.
00:46:03No, a piece of land behind the cathedral.
00:46:05A chap letting it go for $3,000, but I can get it for two.
00:46:07You're worth twice that amount in three years.
00:46:10Why?
00:46:11Going to build a cinema on it.
00:46:13Who said?
00:46:14Charlie's got a cousin in the surveyor's department.
00:46:16Well, you know, your own business best, Ed, but I'd say your money was safer in the bank.
00:46:23We could do it in your name, if you like.
00:46:25Thought you'd like to hold the counters.
00:46:27What sort of a fool do you take me for, Ed?
00:46:29A very wise woman, Mrs. Bear, who knows when she's on to a good thing.
00:46:31You're right there.
00:46:32I back my horses when they're past the post.
00:46:34This one's better.
00:46:35It's back home in the stable now.
00:46:36Not till that cinema's built it isn't.
00:46:38And if you're so sure, why don't you write out your own check?
00:46:42Anyway, I've asked Charlie Man to come up and see you tonight.
00:46:45Oh, you're not going to make a fool of me.
00:46:47Well, then you'd better put him off.
00:46:48I'm not going to put him off, Mrs. Bear.
00:46:53And I'm not going to play, Ed.
00:46:56You'll do as I say, Mrs. Bear.
00:46:58You hit me, Ed, and I'll hit you back, tit for tat, pound for pound, remember?
00:47:02I'm not making a present of 2,000 quid to you or Charlie Man or anybody else.
00:47:06My money's my own.
00:47:08It stays that way.
00:47:08Get that into your head once and for all.
00:47:11Oh, Ed.
00:47:14If you could only see your face.
00:47:18Can we help?
00:47:33That's very kind of you.
00:47:34Ed, see what you can do.
00:47:36All right.
00:47:38My engine's installed and I can't get it started again.
00:47:41That's all right.
00:47:42My name's Bear, as my wife.
00:47:44We lived just there.
00:47:45I'm Charlotte Young.
00:47:46Feel such analysis.
00:47:48I don't know at all.
00:47:50I like tiggling about with cars.
00:47:52You open the car.
00:47:53I'll take you up the house while he's fixing it.
00:47:54Oh, thank you.
00:48:03And they're making you quite comfortable at the Crown, Miss Young?
00:48:05Yes, very so far.
00:48:06Beds clean?
00:48:07Quite, thank you.
00:48:08Hot water hot?
00:48:09I think so.
00:48:09It looks a good house, the Crown.
00:48:11You can always tell, you know, by the brass outside and the curtains.
00:48:18Oh, it sounds as if Ed's got your car going.
00:48:24Car's perfect.
00:48:25Carberry got choked up, that's all.
00:48:26Oh, is that it?
00:48:27It's always something small.
00:48:29Don't go, don't go.
00:48:29Sit down.
00:48:30Have a drink.
00:48:33Uh, Sherry?
00:48:34Oh, thank you.
00:48:35Miss Young's looking for a house around here, Ed.
00:48:37I told her you used to be in the estate business.
00:48:39Oh, yes.
00:48:40Yes, that's right.
00:48:41I'd say she dropped into the right place.
00:48:43Got some addresses.
00:48:44At Manor Mead.
00:48:46Oh, Manor Mead.
00:48:48That's a very posh district.
00:48:50Um, what sort of price are you thinking of?
00:48:53Twelve thousand, something like that.
00:48:55Oh.
00:48:58Of course, they're, um, they're converting a lot of these big houses into flats.
00:49:01Oh, I don't want it for flats.
00:49:02Oh, you're going to live in it?
00:49:03Yes, I'm going to start a school, an equestrian school.
00:49:06Eh?
00:49:07Horses.
00:49:07Oh.
00:49:08I know a bit about horses.
00:49:09Yes.
00:49:10Quite the little jockey, aren't we, Ed?
00:49:12I ran a riding school for some years, but I wasn't my own boss.
00:49:15Then, when my father died, I found myself, well, independent.
00:49:19Very nice.
00:49:19So I gave him my notice and went round the world.
00:49:21Very nice.
00:49:22That's what I'd like to do.
00:49:23Now, I hope you don't think I'm taking a liberty, Miss Young, but, uh, what agent did you go to?
00:49:27Ruslan, Portland.
00:49:28Oh, they're dead from the neck up, aren't they?
00:49:29That's right.
00:49:29Very old-fashioned.
00:49:30You ought to see my friend Charlie Mann, Miss Young.
00:49:32Oh, should I?
00:49:33Hmm.
00:49:33Why don't you let Ed take you in to see Charlie, Miss Young?
00:49:35Oh, I couldn't bother, Miss Young.
00:49:36Oh, there's no bother.
00:49:37My time's on my own.
00:49:37I'm retired.
00:49:38Oh, mate, he's Powell Young.
00:49:39Be doing him a kindness, really.
00:49:41Are you sure?
00:49:42Miss Young's staying at the Crown, Ed.
00:49:44All right.
00:49:44Ten-thirty tomorrow morning.
00:49:45Take you up to Charlie Mann to pick up the lists.
00:49:47Oh, thank you very much.
00:49:48And for the drink, too.
00:49:50Sorry I have to go so soon.
00:49:51I brought your car around to the side.
00:49:52It's easier for you.
00:49:53You must come again now you know your way.
00:49:56Off to you, Miss Young.
00:50:03Oh, my bag.
00:50:04Oh, Miss Young's bag, Ed.
00:50:05All right.
00:50:15There you are.
00:50:15There's your bag, Miss Young.
00:50:16Oh, thank you.
00:50:17All right.
00:50:17Well, goodbye, Mrs. King.
00:50:18Goodbye.
00:50:18Not for long, I hope.
00:50:38Nice woman.
00:50:39Hmm.
00:50:40Pretty she came too late.
00:50:41What?
00:50:42You heard.
00:50:42You're going to see Charlotte this afternoon, Mrs. Bear, about her piece of land?
00:50:50I wouldn't entertain it.
00:50:51Look, you're afraid of that, Mrs. King.
00:50:52Listen, Ed.
00:50:53A clever bird doesn't foul its own nest.
00:50:55I don't mind helping you pluck the one that's just fallen into your lap,
00:50:57but my feathers are in tight, and if anybody pulls them, I yell.
00:51:01You wouldn't have liked this one, Molly.
00:51:08She's crude.
00:51:09She's crude.
00:51:23It's a lovely house, but it's hopelessly wrong for me.
00:51:26Yes, it's too big for you, Charlotte.
00:51:29What's the matter with you today, Edward?
00:51:30Something wrong?
00:51:32Well, I'm afraid we've looked at our last house together.
00:51:34Oh, Edward, why?
00:51:36It's Mrs. Bear.
00:51:36She's beginning to get jealous of you, Charlotte.
00:51:40Well, I haven't noticed any change in her manner.
00:51:42No, no, you wouldn't.
00:51:44But she's a very neurotic woman altogether.
00:51:46She, um...
00:51:48She keeps on threatening to commit suicide.
00:51:53I have to be very careful.
00:51:54But she seems such a practical person.
00:51:56Oh, I know you'd think so, but she talks about it so many times
00:51:58that sometimes I wish she would jump out her window.
00:52:00Oh, Edward.
00:52:01I didn't mean that, of course, but...
00:52:03I've got to talk to someone.
00:52:05I mean, you can see my position.
00:52:07My first wife dies in a fearful accident,
00:52:09and my second commits suicide.
00:52:13Lovely.
00:52:14What a dreadful situation for both of you.
00:52:17Yes, I know.
00:52:18I can't leave her on her own now that I know what's in her mind.
00:52:21I'm the only one there to keep an eye on her.
00:52:24I'm sorry she feels this way about me.
00:52:26Oh, it needn't worry you, Charlotte.
00:52:28Well, I was just going to ask her if she'd put me up for a few days.
00:52:31Stay with us, you mean?
00:52:37Yes, the hotel can't keep my room next week,
00:52:39but, boy, it doesn't matter now.
00:52:40They're up, safe and sound.
00:52:59Thank you, Edward.
00:53:06You've been most kind.
00:53:07It's all right.
00:53:11Charlotte.
00:53:15You know, I've been thinking.
00:53:16I don't see why you shouldn't come to service.
00:53:18I mean, after all, the house is big enough.
00:53:20Be a good thing for Mrs. Bear, really.
00:53:21Let her see there's nothing in her little fancies.
00:53:23Oh, do you really think so?
00:53:24Well, would I ask her?
00:53:26No, Edward, I'd rather not.
00:53:27Now, look here, Charlotte.
00:53:28I'm still bossing my own home.
00:53:36Emmy!
00:53:39Is this bear back from the dressmakers yet?
00:53:41No, sir.
00:53:42She did say you were picking her up, sir.
00:53:44I never said any such thing.
00:53:46All right, Emmy.
00:53:47You see what I mean?
00:53:48Every time I take you out, she thinks of a new story.
00:53:53Charlotte, every time you come into this room,
00:54:01you go to the fireplace, and you look straight at the fire.
00:54:05Oh, I'm sure I don't.
00:54:07Every blessed time.
00:54:08Look at you now.
00:54:10Why?
00:54:11Because someone's told you about money.
00:54:13Well, I won't pretend I haven't heard gossip up at the hotel.
00:54:18Very dangerous, gossip.
00:54:20What exactly have you been hearing?
00:54:24They say you taught her to drink.
00:54:27Why?
00:54:29So she could turn on the gas, collapse before she could light it.
00:54:32Very clever crime, that.
00:54:34Have to have brains to think that one out.
00:54:36The way you said, Edward, you would.
00:54:38No one could ever prove that you did it.
00:54:41You know, if it wasn't disgusting, it would be laughable.
00:54:43I'm surprised at you, Charlotte.
00:54:45Listening to things like that.
00:54:46Well, people know I come here.
00:54:50We've been seen together.
00:54:53Edward.
00:54:54They even asked me about the gas fire,
00:54:57and whether it's still here.
00:55:00Frieda got rid of that.
00:55:02I suppose it fascinates them.
00:55:03The fire, the room, and everything.
00:55:05Why exactly are they interested?
00:55:08Well, I imagine it's the idea of your going on living here in this room where your first wife died.
00:55:14And my second pours the tea.
00:55:17They don't understand me, Charlotte.
00:55:21But you do.
00:55:25Money's dead, I know.
00:55:26But I've got a lot of very happy memories of her.
00:55:32This is Money's chair.
00:55:34That one wanted to chuck it out, but...
00:55:36I said no.
00:55:39I come down in the dark sometimes, watch it.
00:55:44Imagine her sitting there, talking to me.
00:55:47Has she crossed with you, Edward?
00:55:48No, no.
00:55:49She thinks I ought to have waited a bit longer.
00:55:53Mourned her a bit.
00:55:54But Money understood me.
00:56:00She knew I was born to have colour in my life.
00:56:06This is, uh...
00:56:08My magic carpet.
00:56:10Picture postcards?
00:56:11Mm.
00:56:12Been all round the world on these postcards, Money and I.
00:56:17Wasn't her wish that I'd get stuck with an album.
00:56:19You'd do anything to get on that magic carpet, wouldn't you, Edward?
00:56:24What are you, Charlotte?
00:56:26It's a wonderful thing.
00:56:28Fly away and leave everything behind.
00:56:32There's room for a passenger on this carpet.
00:56:35I'd thought of that.
00:56:41Ed!
00:56:43Ed!
00:56:43Where have you been?
00:56:48There have I been standing for hours on the corner in the heat and the dust.
00:56:51My feet are killing me.
00:56:54Ah, well, I don't have to ask what you've been doing, and I know who you've been with.
00:56:57Morning, Miss Young.
00:56:57Found your stable yet?
00:56:58We did see a place, but Edward said it was too expensive.
00:57:01Well, I'm glad he's being careful with somebody's money.
00:57:04Charlotte was saying she's getting fed up staying at a hotel and being on her own all the time.
00:57:08Oh?
00:57:09Yes, I wish I could find rooms with the family.
00:57:11Just until I get settled on a house, you know.
00:57:13It's a good idea, Fredy, wouldn't you?
00:57:14Here, Ed, take this fish to any of you.
00:57:15Now, tell us the just...
00:57:16Out.
00:57:18You were saying, Miss Young, that if I could find rooms in a house with some nice people, I'd pay very well.
00:57:23I'm sure you would.
00:57:24There must be some houses in the town with very nice people in them.
00:57:27Oh, I'd be very little trouble.
00:57:28You see, I've been so lonely since I went out of harness.
00:57:31Well, Miss Young, you'd better decide on one of your fancy houses and get your harness on again.
00:57:35Your friend's just going, Ed.
00:57:36Oh, not staying to lunch?
00:57:37There's plenty of halibut.
00:57:39She tells me in future Charlie Mann's going to show her the properties himself.
00:57:42Oh, well, I know where to find you, Charlotte, if I feel like morning coffee.
00:57:44Hey, lunch early at the Crown, Miss Young.
00:57:46I know you won't want to miss yours, your bag.
00:57:48This way, Miss Young.
00:57:53Look, Mrs. Bear, I would...
00:57:54It's been nice knowing you, Miss Young, but even the best of friends, Miss Bart.
00:57:56Good morning.
00:58:00Emmy?
00:58:02Emmy!
00:58:03How did Mr. Bear tell you to cook that fish?
00:58:05He said grill it.
00:58:06Right.
00:58:06Now then, young Ed.
00:58:10All right, don't blame me.
00:58:11I didn't ask her to fancy me.
00:58:12Well, if she does, she wants her brains examined.
00:58:15Drop her, Ed.
00:58:16You've been talked about enough in this town.
00:58:17I don't want to drop her until she's bought that piece of land by the cathedral.
00:58:21Well, what's in it for you if she does, Ed?
00:58:23Charlie will look after me.
00:58:26Well, I'll tell you what we do.
00:58:28We split the spending money.
00:58:30You put down your check, I'll put mine beside it.
00:58:32I wouldn't mind putting down my check in the least.
00:58:35As long as it wasn't presented.
00:58:41Do you mind explaining that, Remark-Ed?
00:58:42I couldn't write a check for ten pounds, let alone a thousand.
00:58:49What do you mean?
00:58:50You slipped up, Mrs. Bear.
00:58:52You should have checked up at Somerset House like I did.
00:58:54Your Albert did everything nice and simple.
00:58:57I shan't cut up so well when I go.
00:58:58Come on out with it.
00:58:59What did money leave you?
00:59:00Not a sausage.
00:59:02It all went to that sister Dora in Kingston, Jamaica.
00:59:05All I got was this house and that shack on the beach.
00:59:07Remember?
00:59:08Lovely on a warm day.
00:59:10Of course, money gave me a check occasionally, but...
00:59:13I spent my stocking catching you.
00:59:17Well, Mrs. Bear, I must say, you certainly can take it.
00:59:29Well, it's either laugh or cry, Ed.
00:59:30I was never one for tears.
00:59:32I know why you've been making up to Charlotte Young.
00:59:34She's a plumper bird than I am.
00:59:36But I'm not having it, Ed.
00:59:38You may not be much of a catch, but...
00:59:42So help me, I love you.
00:59:43We didn't expect that, did we?
00:59:48You're not seeing that woman again.
00:59:49Oh, don't be silly, Fred.
00:59:49I'm bound to see her again in a place this summer.
00:59:51Well, there's the bungalow.
00:59:51We can go there.
00:59:52Give her a chance to vamoose out of the place.
00:59:54And leave Emmy?
00:59:54Well, take Emmy with us.
00:59:55You have the car around here by five.
00:59:57I'll get her to pack.
00:59:57I can't be ready by five.
00:59:59No arguments, Ed.
01:00:00We're doing as I say, and we're staying away until she's gone.
01:00:02And don't go phoning her, Ed.
01:00:03Make it a clean break.
01:00:05Emmy?
01:00:06Emmy?
01:00:13This one's dead easy, Monty.
01:00:20Oh, Emmy, for goodness sake, stop snivelling.
01:00:23I will not be crossed.
01:00:24You're coming, and that's all there is to it.
01:00:26Rita!
01:00:28Rita!
01:00:29Oh, shut up, Emmy.
01:00:31What?
01:00:32Just going out to get a paper.
01:00:33All right, well, don't be long.
01:00:36Now, buck up, Emmy.
01:00:37You ought to be pleased going away for a nice holiday like this.
01:00:39I can't sleep in a strange bed.
01:00:42Well, how do you know if you've never been in one?
01:00:44I don't like the sea.
01:00:45Well, you don't have to drink it.
01:00:47It's not safe to leave the house, burglars.
01:00:50Now, look, Mr. Bear will ring the police and tell them we're going away.
01:00:52They'll put a policeman outside.
01:00:54Now, nobody can get past a policeman.
01:00:55Now, look, Mr. Bear will ring the police and tell them we're going away.
01:01:25Hello?
01:01:39Hello, Woodhills 7-2.
01:01:40Yes, that's right.
01:01:41Mr. Edward Bear, there.
01:01:42Who?
01:01:43Speak up, please.
01:01:44I can't hear you very well.
01:01:45Mr. Edward Bear, it's Mr. Mortimer's office.
01:01:47Oh, he's not here.
01:01:48He just went out for a minute.
01:01:49Oh, well, will we turn the phone as soon as he comes in, please?
01:01:51All right.
01:01:52Goodbye.
01:01:53Now, then, Emmy, let's get a move on.
01:01:55When Madam took me to Canterbury, I was sick all over the car.
01:01:59Well, you're older and wiser now, and your stomach's a lot stronger.
01:02:02It's all such a rush.
01:02:03I've made up my mind, Emmy, so it's no use you going on nattering.
01:02:10Car's at the door.
01:02:12What's the matter with Emmy?
01:02:13Oh, she's got some silly idea.
01:02:14She doesn't want to come.
01:02:15Well, poor girl, she doesn't want to come.
01:02:16Let us stay.
01:02:17She's coming.
01:02:18You are pig-headed, Freda.
01:02:19I always knew that about you.
01:02:20Now, ready, Emmy?
01:02:21You haven't given Mr. Beery's message.
01:02:24Oh, no, I forgot.
01:02:25Mr. Mortimer phoned.
01:02:26He wants to see you.
01:02:27What about?
01:02:28Oh, I don't know.
01:02:28Some mumbling clerk with a cold got through.
01:02:30I said you'd ring him back later.
01:02:31Oh, forget it.
01:02:32No, no, no, no.
01:02:32You'd better do it.
01:02:33It might be important.
01:02:34Now, Emmy, stop looking like a wet week.
01:02:36Pick up your bag and come on.
01:02:40Birds will freak their poor little hearts out.
01:02:42What else, 6-8?
01:02:51Mr. Mortimer there.
01:02:54Mr. Bear.
01:02:58Well, will you tell him it's very convenient, but I'll be there?
01:03:01Yes, without fail.
01:03:03Right.
01:03:05Oh, she's a stubborn...
01:03:06Here, what are you taking your coat off for?
01:03:08We're not going.
01:03:09What?
01:03:09I've got to see Philip Mortimer.
01:03:10When?
01:03:11Tonight, 9 o'clock.
01:03:12Well, what does he want all of a sudden?
01:03:13I don't know.
01:03:13He said it was urgent.
01:03:14He said he'd had a letter from Mrs. McIntosh.
01:03:16That's Monny's sister, Dora.
01:03:18I shall have to wait and see.
01:03:19You'd better get Emmy out of the car.
01:03:20Get Emmy out of the car?
01:03:22If you knew what I went through getting her into it.
01:03:24Well, she can't sit out there till after 9 o'clock.
01:03:26That's a cert.
01:03:26Well, I'm sitting anywhere till after 9 o'clock.
01:03:28We're off.
01:03:29Well, without me.
01:03:30You catch the 10-5.
01:03:31I'll meet you at the station.
01:03:32Look, I'll tell you what.
01:03:32I'll phone Philip and put him off.
01:03:34No, Ed.
01:03:35Better wait here and get it cleared up, whatever it is.
01:03:37I don't want you running backwards and forwards
01:03:39holding Miss Young's hand.
01:03:40That's why we're going away, to stop all that.
01:03:42All right, I won't argue, Mrs. Bear.
01:03:46I'll see you tonight.
01:03:47Right.
01:03:48What about the shrouds?
01:03:48Oh, leave them.
01:03:49They suit the place.
01:03:51Mind how you go, Mrs. Bear.
01:03:53Gently does it.
01:03:56Mind how you go, Mrs. Bear.
01:03:58Gently does it.
01:03:59The rest's easy.
01:04:18It's a pushover money.
01:04:29It's a pushover money.
01:04:59Mrs. Bear.
01:05:10Mrs. Bear?
01:05:10Mrs. Bear?
01:05:29You left your bag in the car again.
01:05:50Where's Mrs. Bear?
01:05:53She's all right now.
01:05:54Come in here first.
01:05:58Where is she?
01:05:59Well, we had a terrible row just after you left this morning.
01:06:02Well, what happened?
01:06:02You sounded desperate on the telephone.
01:06:04She's hysterical.
01:06:04Blind hysterical.
01:06:06It's good to have a friend to call on, Charlotte.
01:06:08I've got such a ride on my mind.
01:06:11Do sit down.
01:06:11I've got to unload to someone.
01:06:26I've been feeling apprehensive all day.
01:06:29How, Edward?
01:06:31I've had a sort of premonition.
01:06:33Of what?
01:06:38Someone's going to die.
01:06:40Where's Mrs. Bear?
01:06:42Oh, she's all right.
01:06:43I'm the one you've got to worry about.
01:06:45Do sit down.
01:06:48See, I've got to talk to someone.
01:06:50Or bust.
01:06:51Someone who won't talk about it afterwards.
01:06:54Surely you can trust me, Edward.
01:06:56Well, uh, where shall I begin?
01:07:01It's always best to start at the beginning.
01:07:06Yes, well, it was the first time I ever came to this house.
01:07:10It wasn't on before I moved in for good, though.
01:07:13Still, I gave her value for money.
01:07:14I made her laugh.
01:07:16Taught her to appreciate fine old brandy.
01:07:20Gave her something to live for.
01:07:21Me and the drink.
01:07:23Still, it, uh, caught up with her in the end.
01:07:28Monty hadn't got drunk
01:07:29and misled me, I...
01:07:31When did she mislead you?
01:07:35It was that last day.
01:07:36She kept talking about her will and Dora.
01:07:38I thought she was going to bring her sister back into the picture,
01:07:40but instead she was going to cut her out altogether.
01:07:43If Monty had made herself clear,
01:07:45she'd be alive today.
01:07:48Edward,
01:07:50do you know what you're saying?
01:07:51Of course I know what I'm saying.
01:07:56I'm saying that I killed your sister.
01:07:58Dora.
01:08:00This window.
01:08:01See this catch?
01:08:02Monty had a phobia about burglars.
01:08:03Had this comic lock fitted.
01:08:04She taught me how to use it and I to teach Frieda.
01:08:06But you clicked that latch up
01:08:07and went straight through the first time.
01:08:08Where do I powder my nose, you said?
01:08:10Second on the right, I said.
01:08:10And you turned to the left where it is.
01:08:12You cheapened yourself by pretending to fall in love with me.
01:08:14Well, I know who I appeal to and who I don't.
01:08:16Frieda because she's my class
01:08:17and Monty because she was old and lonely.
01:08:20What did you come here for?
01:08:21What good do you think it would do?
01:08:23I wasn't satisfied with the result of the inquest.
01:08:27I've come here to put you
01:08:28where you can't harm anyone else.
01:08:30Who do you think would believe you?
01:08:32Anybody would laugh in your face.
01:08:33You're not worth bothering about.
01:08:34Get back to Jamaica, wherever you came from.
01:08:36What are you listening for?
01:08:37Mrs. Bear.
01:08:42Where is Mrs. Bear?
01:08:43Have you killed her too?
01:08:45Find her.
01:08:46Mrs. Bear!
01:08:47Search the house.
01:08:48Dig up the cellars.
01:08:51She's gone.
01:08:52She's left.
01:08:52You'll never see her again.
01:08:54Where is she?
01:08:56What have you done with her?
01:08:59Get out of my way
01:09:00or I'll call the police.
01:09:02Tell the police.
01:09:03Tell them there's a killer on top of Sunset.
01:09:06Tell them to come and get me.
01:09:07I'll have a drink while I'm waiting.
01:09:12Go on, what are you waiting for?
01:09:15It's not like you, Edward.
01:09:16Just calmly telling me to go.
01:09:18There's something else at the back of that black mind of yours
01:09:20and I'm going to stay here till I find out what it is.
01:09:23Get out of this house!
01:09:25No.
01:09:28Get out of this house.
01:09:29No.
01:09:30All the time I'm here, I'm safe.
01:09:33You can't afford another dead body in your drawing room, Edward.
01:09:35All right, Dora.
01:09:36You're asking for the fireworks and here they come.
01:09:38You come one step nearer and I'll scream this place down.
01:09:40Yes, but only once.
01:09:41You should study human nature.
01:09:41A chap hears a scream, listens, doesn't hear another,
01:09:43and he walks on again.
01:09:44Take care, Edward.
01:09:45I'm much tougher than I look.
01:09:47If you're tougher than you look,
01:09:48why are you so frightened of me?
01:09:50It's all right.
01:09:50I was only going to finish my drink.
01:09:54That's why your sister sat for the last time.
01:09:56Go on, I'll give you one more chance.
01:09:57Clear her out while it's still your word against mine.
01:09:59You can't frighten me, Edward.
01:10:01The game's up.
01:10:02I phoned Philip Mortimer.
01:10:03I could have saved you the trouble.
01:10:04He's always in Canterbury on a Friday.
01:10:06I expect you left a message.
01:10:08It'll be a sweet thought when he finds your body
01:10:09where I intend to dump it.
01:10:10It's not normal to have as much confidence as you have.
01:10:13I wonder what you'd be like without it.
01:10:14Go on, get out.
01:10:15Run!
01:10:15I'm not going to run because you want me to.
01:10:18And I'm not going to die because you want me to.
01:10:19Get out!
01:10:28I've been to Romford, Edward.
01:10:30And Acton.
01:10:32I met your schoolmaster, the one you hated so.
01:10:35I talked to him and now I know
01:10:37what an unbalanced mess you really are.
01:10:40Romford?
01:10:41Shut up.
01:10:43At Acton.
01:10:44I talked to the small boy
01:10:46who lived next door to you.
01:10:48The one you tried to kill
01:10:50and very nearly did.
01:10:51I didn't try to kill him.
01:10:53That boy's grown up now
01:10:55and I know what really happened.
01:10:56What a pity this didn't come out at the inquest.
01:10:59Shut up.
01:10:59I won't listen.
01:11:00Oh, yes, you will.
01:11:01I'm going to show you to yourself
01:11:02as you really are.
01:11:04Drag out your rottenness
01:11:05and make you look at it.
01:11:06Shut up, shut up, shut up!
01:11:07Look at you.
01:11:08Even if you escape the law,
01:11:10which is unlikely,
01:11:10you can never escape.
01:11:11Never escape myself.
01:11:12I know it all.
01:11:16There's not a doctor I can't beat at his own game.
01:11:19I've had this whole psych routine
01:11:20for years and years and years
01:11:22and there's not one official mark against me,
01:11:24Dora,
01:11:24which is one reason why I can kill you now.
01:11:26Well, hit me, Edward, hit me!
01:11:28Never mind the fingerprints on the poker,
01:11:30the blood on the carpet
01:11:31or how you're going to carry me out
01:11:32without being seen.
01:11:33This isn't how you mean to do it, Edward.
01:11:36You're bluffing again,
01:11:37trying to make me run.
01:11:39Well, I'm not going to run.
01:11:40I'm staying here where I am.
01:11:42Get out, get out, get out!
01:11:48I've come across the world
01:11:49to see you like this, Edward.
01:11:51And now I know you won't go free.
01:11:53All right, Evie.
01:12:08All right.
01:12:08Now, you go on up to bed.
01:12:09You'll be better in the morning.
01:12:11I'm ever so sorry.
01:12:12No, it was my fault, Evie.
01:12:13Now, go on.
01:12:14I'll come up and see you in a minute.
01:12:15Well, her stomach isn't any stronger.
01:12:20We stopped to have tea
01:12:21to see if it had to go off
01:12:22and instead she nearly passed out.
01:12:27You again, Miss Young?
01:12:29Funny sort of time
01:12:30to be visiting my house
01:12:31while I'm away.
01:12:32I'm not Charlotte Young.
01:12:34My name's Dora Mackintosh.
01:12:37Your husband, Edward,
01:12:38killed my sister.
01:12:39Well, I've had some pretty funny
01:12:41welcomes in me time
01:12:41but this just about takes the cake.
01:12:43It's true, it's true.
01:12:44He's a murderer.
01:12:45Well, he looks very well on it.
01:12:47Come off it, Miss Young.
01:12:48I know Ed's a bad boy
01:12:49but he isn't as bad as all that.
01:12:50I must phone the police.
01:12:51Not from here, you don't.
01:12:52Oh, please let me use the telephone.
01:12:54I can't leave you with him.
01:12:55It's not safe.
01:12:55That's for me to decide.
01:12:57Now, will you kindly get out of my house?
01:13:05Go back, Miss Young.
01:13:12Now then, young Ed,
01:13:13I want an explanation.
01:13:14What's the game, Ed?
01:13:42I've won.
01:13:45Oh, I shall always laugh
01:13:46when I think of it.
01:13:48I couldn't get her to go.
01:13:49I tried every way
01:13:50and then she went like a lamb
01:13:52for you.
01:13:52I don't know what you're talking about.
01:13:54She'll go over Sunrise Hill
01:13:55just like a bird
01:13:56down, down, down
01:13:57into the valley.
01:13:58Ed, you don't know what you're saying.
01:13:59My God, you never touched her car.
01:14:01I touched her car, all right.
01:14:02Hydraulic brakes, snip.
01:14:03I cut the tube,
01:14:04the oil will run out.
01:14:04She's in a hurry.
01:14:05She couldn't stop it.
01:14:06Miss Young, Miss Young.
01:14:06I hate you to know what you've done.
01:14:13I know what I've done.
01:14:18I've got my money.
01:14:21Any questions, Mrs. Bear?
01:14:23I don't mind you knowing everything.
01:14:25After all,
01:14:25a wife can't be compelled
01:14:26to give evidence
01:14:27against her husband, can she?
01:14:28I don't want to know anymore.
01:14:29But I've got to make sure
01:14:30you don't stick, haven't I?
01:14:32I don't want you
01:14:32hanging around my neck
01:14:33now that I've got Monny's money.
01:14:36Listen,
01:14:37I killed Monny
01:14:38and I killed her sister.
01:14:39I'm a ruthless,
01:14:40cold-blooded killer
01:14:41and I did it for gain.
01:14:43What's the matter, Philip?
01:14:54Been an accident?
01:14:55Something that was thought
01:14:56to be an accident, Edward,
01:14:57but it was murder.
01:14:59I'm going to phone the police.
01:15:01Frida, you tell...
01:15:06How long have they been here, Frida?
01:15:08Long enough.
01:15:09Mr. Mortimer stopped me in the drive.
01:15:11I'm dreaming.
01:15:13You'll wake up in prison, Edward.
01:15:14Broadmoor, if you're lucky.
01:15:16Broadmoor?
01:15:18Monny.
01:15:19Monny.
01:15:21Monny, tell me what to do.
01:15:22I didn't mean it, Monny.
01:15:23I didn't mean it.
01:15:24Tell me what to do.
01:15:25Pull yourself together, Ed.
01:15:27Mr. Mortimer, get him a drink.
01:15:30Ed.
01:15:31Ed.
01:15:41Brain's still working, Frida.
01:15:42Thanks.
01:15:49Thanks.
01:15:58Thanks.
01:15:59C'est parti !
01:16:29C'est parti !
01:16:59C'est parti !
01:17:28C'est parti !
01:17:58C'est parti !
01:18:00C'est parti !
01:18:02C'est parti !
01:18:04C'est parti !
01:18:14C'est parti !
01:18:16C'est parti !
01:18:18C'est parti !
01:18:28Emmy !
01:18:30Emmy !
01:18:32Emmy !
01:18:34Emmy !
01:18:36Emmy !
01:18:38C'est parti !
01:18:40C'est parti !
01:18:42Emmy !
01:18:44C'est parti !
01:18:46C'est parti !
01:18:48C'est parti !
01:18:50C'est parti !
01:18:52C'est parti !
01:18:54C'est parti !
01:18:56C'est parti !
01:18:58C'est parti !
01:19:00C'est parti !
01:19:02C'est parti !
01:19:04C'est parti !
01:19:06C'est parti !
01:19:08C'est parti !
01:19:10C'est parti !
01:19:12C'est parti !
01:19:14!
Écris le tout premier commentaire