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  • 2 weeks ago

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00:00So, is it really my acting so bad?
00:21No, Zoya. There is no such thing.
00:28There is a little bit of loss, but it will slowly become full.
00:34Isn't it, Sandeep?
00:37You are my friend.
00:40The rest of the people are talking to my heart.
00:44Tell me, Sandeep.
00:48Tell me.
00:50I will listen.
00:53Maybe I will understand.
00:56No, Zoya, there is no such thing.
00:58I will tell you.
01:05I know, Zoya.
01:08Did you play cricket in my childhood?
01:10It was okay.
01:12It was a shock when playing cricket.
01:14It was a shock.
01:15It was a shock.
01:16It was a shock.
01:18I don't think that in the past 20 years,
01:22there was no contest match in Hindustan.
01:24I don't remember the scorecard.
01:26Which batsman was out.
01:28Who had won the wicket.
01:30Which batsman has made a run.
01:32Anything.
01:33I can ask myself.
01:34I still play here.
01:35I still play.
01:36I still play.
01:37But I want to play cricket for Hindustan.
01:43Did you play until college and college level?
01:47I still play.
01:48But then I got to understand that
01:50I don't have to be able to play cricket for Hindustan.
01:55You know, in life,
01:57Like that.
01:58Junoon and talent are two different things.
02:00You have to never be confused.
02:05Cause your junoon and talent can never compensate.
02:11Today, I'm a fan of cricket.
02:13If there's any match, I'll see,
02:15I'll listen to the commentary,
02:16and I'll also remember that.
02:18But now, I want to watch.
02:21And what's on television?
02:23I mean, if everyone wants to do acting,
02:25I'll see it again.
02:27It's a passion to watch yourself.
02:29It's a good job.
02:33I understand.
02:37I'm probably not sure
02:39but I'm not sure
02:41but I'll go to the audition tomorrow.
02:43Why?
02:45Urmi, I'm not acting acting.
02:47And as well,
02:49it's better that I'll go to the audition tomorrow.
02:51Why?
02:53Urmi, I'm not acting acting.
02:55It's better that I'll go to the audition tomorrow.
02:57Why?
02:59Can you see tomorrow?
03:01Zoya can be rejected.
03:03It's not.
03:05No, Urmi.
03:07If I'm rejected tomorrow,
03:09then I'll be very bad.
03:11How many days?
03:15Two days, three days, a week.
03:19But if you think that in life,
03:21if you remember this situation,
03:23then you'll always be happy to see
03:25what happens.
03:27Yes, Zoya.
03:29Let's go without thinking.
03:31What will happen more?
03:33You'll be rejected.
03:35Those people will not take you.
03:37Oh, the question of life and death
03:39isn't it?
03:41Oh, the question of life and death
03:43isn't it?
03:45Oh, the question of life and death
03:47isn't it?
03:49Listen.
03:50Whether you pass or fail,
03:51you'll have to beat me
03:52on my side of the Mughal,
03:53you'll have to beat me.
03:54Listen.
03:55Before that, go home.
03:56One time,
03:57listen to that dialogue.
03:58Chatan!
03:59I love you.
04:01Sorry.
04:02I love you.
04:32My father,
04:34I love you.
04:35I love you.
04:53I love you.
04:56It's so beautiful.
04:58Listen to this,
04:59And look, one thing to keep in mind.
05:04If you are a little nervous,
05:06this is all not necessary to go back.
05:10I want to pray for you.
05:12Look, the first number will come.
05:14Let's go.
05:29All the best, Jaya.
05:32Try to test it, okay?
05:34Remember, straight from heart.
05:36All the best.
05:37Don't be scared, huh?
05:39The shop is fine.
05:40Okay?
05:41Look, our happiness is with you.
05:44With your name,
05:46Colonel Ganj's name is Roshan.
05:48Of course.
05:49Of course, of course.
05:50Let's play a band for everyone.
05:52No tension.
05:53You are the best.
05:54Are you?
05:56Yes.
05:59Look,
06:01I know
06:03that
06:04if you all
06:06If it doesn't happen,
06:12I can't give this audition.
06:15No, sister.
06:16Don't say that.
06:17You are the sister of the criminal Ganj.
06:19You are the sister of the criminal Ganj.
06:21You are the sister of the criminal Ganj.
06:22You are the sister of the criminal Ganj.
06:24Hurry up.
06:29Abbo...
06:30...
06:34So,
06:36let's go.
06:38We are late.
06:39All the best.
07:09Sir, I'm waiting for you.
07:11Come here, come here.
07:12Lovely.
07:13Very nice.
07:14Come here, come here.
07:15Just one chance.
07:16Come here, man.
07:17I can't go inside.
07:18Come here.
07:19Just two minutes.
07:20Just two minutes.
07:21Just two minutes.
07:22I want to tell you something new.
07:24One chance, man.
07:26I'll tell you.
07:27Come here, my father.
07:29Let's go here.
07:30What's happening, brother?
07:32Rahul, what are you doing here?
07:34Come inside.
07:37Yes.
07:38Hey, Sandi, brother.
07:39You guys.
07:40Why?
07:41Go, Rahul, brother.
07:44Zoya, go.
07:46If you're going, I'll feel good.
07:48Please, go.
07:50Go, go.
07:51You too.
07:52Time is money.
07:53Go, go, go.
07:55Go, go.
07:59Zoya, just one minute.
08:01I'll call you sir.
08:03Okay?
08:04You too.
08:06Thank you, Sandi, brother.
08:07Thank you sir.
08:08Thank you sir.
08:37Here.
08:38This is a great day.
08:39Here's a great day.
08:40The same thing around me.
08:41Now that I'm taking a light.
08:43Here's the deal.
08:44Really?
08:45Look who's not going high.
08:46How well?
08:47You might not start off.
08:48There's a light.
08:49I'll look.
08:50I'll take you to the light on my balcony.
08:51Do you want it?
08:52There's a light bulb.
08:53There's a bulb.
08:54I'll take you to the light.
08:55I'll take you.
08:56Hi, I'm Anurag, sir, ready?
09:26Ready for the audition?
09:28Ready.
09:30Spot, cheer it up.
09:33All the best.
09:38Namaste, sir.
09:40Rahul Gupta.
09:42Ready?
09:44Cut down.
09:46Camera.
09:47Action.
09:49Cut it.
09:55Cut it.
09:56Cut it.
09:57Cut it.
09:58Cut it.
09:59Madam, relax.
10:00Okay?
10:01One more.
10:03One more.
10:04One more.
10:05One more.
10:06Camera.
10:07Action.
10:08Cut it.
10:09Madam, mood.
10:10I want mood.
10:12Relax.
10:13Don't be tense.
10:14Okay?
10:15Take it.
10:16Getulk.
10:17Hey.
10:18Go ahead.
10:19Wait.
10:20Hold.
10:21Hold.
10:22Fill.
10:23Don't be tense.
10:24Okay?
10:25When officers Fish face it, she will be like, do you stop the camera?
10:26OK?
10:31Relax.
10:32Concentrate on your dialogue.
10:33Nebbala Kamharani maya, no.
10:34Father?
10:35Close.
10:36Sound the camera.
10:37кап shine.
10:38Action.
10:39Chatin...
10:41Chatin...
10:43Tum...tum...
10:45K...Kia...Kia...
10:47Chogy...
10:49Me...Mere...
10:51Mere...
10:53Mere...
10:55Tuck it!
10:57It won't be me...
10:59Prani, who has come first camera
11:01to come with him has just happened
11:03The way our heroes are here
11:05the way our heroes are here
11:07Don't be nervous, okay?
11:09One more
11:11Cut down
11:13Action!
11:17Chatin...
11:19Tum...
11:21Mere del ki...
11:23Ki...
11:25Ki...
11:27Baath
11:29Cut it!
11:31Chatin...
11:33Mere del ki...Ki...
11:35Muche nahi hogga sir
11:37Mene kaha na vega se baat kermau meri...
11:39Sir, sir, sir, suni...
11:41Ek chan sower dekkar dekhi...
11:43Kala, baal sir, dekha, dekha, dekha...
11:45Kala, baal sir, dekha...
11:47Kala, baal sir, dekha, dekha...
11:49Kala, baal sir, dekha, dekha...
11:51Kala, baal sir, dekha...
11:53Ok, one more...
11:55Action!
11:57Kala, mere baat kermau meri?
11:59Yes sir, no...
12:03Okay sir, okay...
12:05Ok, I cannot waste time...
12:07Sir...
12:09Sir...
12:11There is a camera's fear
12:13If it veio to mind, then this is not that.
12:15It's cá»§a camera's fear
12:17Ok, who's fear?
12:19Muche valkhi acting não hén aati...
12:21Mega se baat kermau meri...
12:23What a waste of time!
12:25Hello, Meghaji. I'm talking about lovey. Ajay Mahataji.
12:30You can't hear anything about me.
12:32Listen to me, listen to my story.
12:34Kamaal, come to the shooting room, please.
12:48Sivar.
12:50Come on.
12:55Come on.
12:57Come on.
12:59Come on.
13:01Come on.
13:04Come on.
13:07Come on.
13:09Come on.
13:10I...
13:11What would I say to the girl?
13:16What happened to the girl?
13:18See, what happened to the girl.
13:20It's so much hope for me.
13:22I had a lot of hope from them.
13:27Tell me what you will think about me.
13:31No problem, man.
13:32If we can understand three people,
13:34we will also understand.
13:35Don't worry about it.
13:37The cars are finished
13:39and our horse has come.
13:41And my child, how did your audition come?
13:44I'll take a look for everyone, right?
13:52What's going on?
13:54What's going on?
13:56Selected.
13:57Selected?
13:58Ask him if Zohar has selected them.
14:01He gave this audition,
14:03if it was Amir Khan,
14:04he would take Zohar from his head.
14:06Wow.
14:07Five pages of the script.
14:09How many?
14:11Five.
14:12Five.
14:13And now Zohar has one take.
14:15One take in the entire unit.
14:17This is a dialogue delivery.
14:19This is a dialogue delivery.
14:21that Tajol and Rani Mukherjee
14:23are the same.
14:24It's a natural role.
14:25It's a natural role.
14:26It's a natural role.
14:27It's a natural role.
14:28It's like Shavana Azmi Ji
14:29and Shmita Padil Ji.
14:30But in the story,
14:32it's a twist.
14:35Because after that,
14:36we know that Zohar has become
14:38a heart of Zohar's acting talent.
14:41What do you mean?
14:42The producers were not allowed to sign Zohar
14:44to Zohar.
14:45I got the phone so much.
14:46I got the phone.
14:47I got to cry.
14:48I got to cry.
14:49I got to cry.
14:50I got to cry.
14:51I got to cry.
14:52I need to cry.
14:53I need to cry.
14:54I need my work.
14:55I need my work.
14:56I need my work.
14:57I need to throw my roles.
14:58And the producers wanted to take two roles.
15:00And that's why ...
15:01What's happened?
15:02Your promulry is strange.
15:05He took one by the man.
15:06And the producers have said that
15:08take a role for me.
15:09Who is the role of King Ka Viri?
15:11He's the man who is the guy.
15:13For whom he is.
15:14I am a big hero,
15:17who gave Zohar a sacrifice.
15:21I am not going to understand.
15:23I am struggling so many years.
15:25I am not getting such a small chance.
15:27And Zohar,
15:29so big chance, so big role,
15:31so many dollars,
15:33I am not going to say it.
15:35I am trying to understand it.
15:37But this was so hard to understand me.
15:41I was telling
15:43that I am going to learn more about this role.
15:48I don't have money, right?
15:50And so,
15:52I want to study.
15:54First of all,
15:56I want to be able to pass with high numbers.
16:03Because this is my father's happiness.
16:09He has lost everything.
16:11Jugle,
16:12I remember that time,
16:13I remember the film of the film of the movie.
16:14I am not going to call it the movie.
16:15I am going to call it the movie.
16:16And I am going to call it everything.
16:18And I am going to call it all.
16:20Today,
16:21in this world,
16:22nobody is suffering.
16:24There is no more money.
16:54This is Karnal Ganj's tradition.
17:24Today, I am not happy about Zoya.
17:29But yesterday, I am sure you will be happy in Zoya.
17:36The rest of you understand is what you understand.
17:41Zeynath, let me call you and say,
17:45If you have been working, then you will come back.
17:49I am not going to go here.
17:52I am not going to go here.
17:55Zoya, Zoya.
17:58Zoya.
18:01Zoya.
18:03Zoya.
18:06Zoya.
18:09Zoya.
18:12Zoya.
18:14Zoya.
18:16Zoya.
18:19Zoya.
18:20Zoya.
18:21Zoya.
18:22Zoya.
18:23Zoya.
18:24Zoya.
18:25Zoya.
18:26Zoya.
18:27Zoya.
18:28Zoya.
18:29Zoya.
18:32Zoya.
18:36Zoya.
18:37You are my brother.
18:39You are my brother.
18:40You are the king, bhai-zhyan.
18:42Z precio.
18:43Zoya.
18:44Look, I think one thing I think is that in my life there was a big difference.
18:51But that is the success.
18:55I thought that you were better in Hindustan.
18:59Now, if you don't believe that, there is still a little trouble in your life.
19:06But there was no difference in your efforts.
19:10And I'm acting, see, in my opinion, what should I do?
19:16What?
19:18Acting?
19:20No.
19:22I'm trying.
19:25I'm trying.
19:27I'm trying.
19:28I'm trying.
19:30And look, Zoya.
19:34One day, Rahul Gupta,
19:35he will tell Colonel Ganj,
19:38how much he was in it.
19:43Rahul, Bajan.
19:47Zilja, now go home.
19:50What will you do?
19:52Bajan!
20:05I'm going to make a house.
20:07I'm going to make a house.
20:08Yes, yes, yes, yes.
20:09I'm going to make a house.
20:10I'm going to make a house.
20:11After all, I'm going to make a house.
20:14Hey, Bajan, where are you?
20:16Oh, you're good.
20:17Let's go.
20:18But where?
20:19Let's go.
20:20Let's go.
20:21Let's go.
20:22What's your name?
20:24Wait.
20:25Wait.
20:26Wait.
20:28Hey, you're not going to be a hero.
20:30We're going to get a get-up setup.
20:32Let's go.
20:33Let's go.
20:34I'll get a house.
20:35And what?
20:36Aashik's death is coming from the room.
20:38Why?
20:39A death?
20:41Don't get a death.
20:42Don't get a death.
20:43Don't get a death.
20:44What's that?
20:45Then, what's the death?
20:47What's the death?
20:48Tell me.
20:49I'll tell you.
20:50I'll tell you.
20:51I'll tell you.
21:02Hello, buddy.
21:03How are we doing this?
21:04Copy, I'll tell you where I moved from.
21:05Then, what do you do?
21:06You areved.
21:12F pH are ...
21:14hmm?
21:15What is the death that is making him?
21:19The death that is really just changed.
21:20Let's go.
21:21How are you getting a death?
21:22You're going to always make him a bad price,
21:23just gonna hire me.
21:24You're good.
21:25Rahul, what is this?
21:30I told you that you are doing something else.
21:33This is my hand.
21:34I don't think I'm going to make a joke.
21:36How bad I am.
21:37Who said that?
21:38In fact, in this get-up, you are very good.
21:41You look like a joke of a joke of a joke of a joke.
21:44Oh, look.
21:45Look.
21:46The story is very good.
21:48He got a joke for a joke.
21:49He got a joke.
21:50He got a joke.
21:51He got a joke.
21:52He got a joke.
21:53Look.
21:54Don't do the car.
21:55Don't do the car in the car.
21:56Don't do that.
21:57Don't do the photo.
21:58Don't do that.
21:59Don't do the photo.
22:00I'll buy a photo.
22:01Look, I don't want to do the Carlyyer.
22:03I'm a hero.
22:05Who's the villain?
22:07Look.
22:08The pretty cool guy.
22:09Don't do the guy make a joke?
22:12Don't be the guy.
22:13The government plays the guy.
22:15God, he will go out.
22:16Don't try to do the job.
22:18You have to start with Rahul.
22:20We will get a little-none role.
22:22and when people appreciate your talent,
22:25you will become a hero.
22:52Hey, hey, hey, hey!
22:53This is not mine.
22:54Sorry.
22:55I'm sorry.
22:58I'll never give you your attitude.
23:02Hey, Jugle!
23:03Get out of my face.
23:04Juppersen!
23:06Kalia is coming!
23:10Now, Gotin,
23:12see the pose of your body.
23:13Where are you from?
23:16Put your hands up.
23:22Don't stay here for work.
23:23Don't stay there.
23:24Come here,
23:25go here.
23:26Why are you here?
23:27And sit down the hand.
23:28Here, wait, wait!
23:30Stop, stop, stop, stop!
23:31This is how it is!
23:32Let me stop!
23:41I am not just holding on.
23:45Oh, boy, stop and stop.
23:47I am not holding on.
23:49Where you took it?
23:54Give it to me.
24:02How much time is it?
24:0410 rupees
24:06Look, this is a new film and a new CD.
24:08You understand?
24:10Hello.
24:12What are you doing?
24:14If you want to see it,
24:16then you have a note of 10.
24:18You don't want to see it.
24:20Keep it.
24:22Keep it.
24:24Put it.
24:26Where is your dream?
24:30Where is your dream?
24:32He has been given to you.
24:34The power of the eyes has grown.
24:36Oh, my God.
24:38Oh, my God.
24:40If it doesn't happen,
24:42then it will be like a tree.
24:44Oh, my God.
24:46What?
24:48What?
24:50What?
24:52What?
24:54One minute.
24:56One minute.
24:58Oh, Ramath.
25:00Oh, family photo.
25:02Family photo.
25:04Oh, Ramath.
25:06Oh, Ramath.
25:08Oh, what?
25:10Daddy.
25:12Daddy.
25:14Daddy.
25:16Daddy.
25:18Daddy.
25:20Daddy.
25:22Daddy.
25:24That was a very funny one.
25:26Daddy.
25:28Daddy.
25:30Daddy.
25:32Daddy.
25:34Daddy.
25:36Daddy.
25:38Daddy.
25:40Daddy, you are the result.
25:42Daddy.
25:46Daddy.
25:48Daddy.
25:49This is a bad man.
25:51But you have a photo.
25:53Who will give your father's money?
25:55That's it, Daddy-ji.
25:57I used to do a lot of money.
25:59If you put your hand on your hand,
26:03I'll break your tongue.
26:05I'll break your tongue.
26:07That's not fair, Daddy-ji.
26:09Stop!
26:11Uncle-ji, will you get this photo?
26:13I'll take your father's photo.
26:15Don't pay me!
26:17It was a kid.
26:19I don't know what time he had to be born.
26:21I'll take a look.
26:23Come on, come on, come on.
26:25He's being rude?
26:27He's saying that he's going to be lying and going.
26:29But he's not an actual thing.
26:31Hey, Xuqa, Xuqa.
26:33Who is you getting angry?
26:35What's happened?
26:37He's lying.
26:39He's lying.
26:41He's lying.
26:43He's lying.
26:45I have a great time to give up.
26:47I have a great time to take care of my family.
26:49Why do you have to die?
26:51Listen.
26:53Listen.
26:55Listen, Mr. Kha.
26:57Your son is in your house.
26:59So you are angry.
27:01Look, I can see.
27:03You've been so long.
27:05You've been so long to see her.
27:07You can't handle anything.
27:09You can't handle anything.
27:11You can't leave all your hearts.
27:13I'm sorry, I'm sorry.
27:43It's a dream of a dream, she's a dream.
27:46Nothing will happen.
27:48Look at me.
27:51There's such a dream.
27:54There's no home.
27:58She's forgotten her mom.
28:01This time she's gonna come home, she'll be a good one.
28:06She's been a long time.
28:09She couldn't throw a sock.
28:12and
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