- hace 5 meses
Reparto: Mario Moreno "Cantinflas", Ángel Garasa, Janet Alcoriza, Consuelo Frank, Pituka de Foronda
Director: Miguel M. Delgado
Cantinflas y sus compañeros de correrías conocen a Reina, estrella cinematográfica que, acompañada de unos amigos, visita un cabaret de los bajos fondos. Cantinflas flirtea con ella y recupera un collar robado a la actriz. En agradecimiento Reina les invita a los estudios donde trabaja. Un golpe hace que el joven pierda el sentido. Soñará que es D’Artagnan y sus amigos los Tres Mosqueteros.
Director: Miguel M. Delgado
Cantinflas y sus compañeros de correrías conocen a Reina, estrella cinematográfica que, acompañada de unos amigos, visita un cabaret de los bajos fondos. Cantinflas flirtea con ella y recupera un collar robado a la actriz. En agradecimiento Reina les invita a los estudios donde trabaja. Un golpe hace que el joven pierda el sentido. Soñará que es D’Artagnan y sus amigos los Tres Mosqueteros.
Categoría
🎥
CortometrajesTranscripción
00:00:00Thanks for watching the video.
00:00:30Thanks for watching the video.
00:01:00Thanks for watching the video.
00:01:30Thanks for watching the video.
00:02:00Thanks for watching the video.
00:02:30Thanks for watching the video.
00:02:32So it changes because soon he must have gone to the mountains.
00:02:34To the mountains? Was he a hunter?
00:02:36What is the lack of ignorance.
00:02:38Pawn it at the pawnshop.
00:02:39At that time the pawnshop did not yet exist.
00:02:42This is a Mexican invention by Pedro Romero de Terreros.
00:02:45Gosh, this guy knows everything.
00:02:47All Mexicans know that.
00:02:49Well, what did he do with the diamond?
00:02:50He sold it to go to war.
00:02:52To go or not to go?
00:02:53I said he sold it to go to war.
00:02:55They were so strange back then, weren't they?
00:02:58Very rare.
00:02:58But nice, that's what I say, like walking with a sword and then...
00:03:02Because they were very chivalrous before, that one would fight, that to his own, I hope that no one would reach, it was like dishonor.
00:03:07It was realizing, for example, right now, that...
00:03:09That's good, that was very ugly.
00:03:11Yes, well, what beautiful times those were.
00:03:13And you already saw how cool the queen is.
00:03:21Come on, you guys, pack up your goats and follow me.
00:03:24Are they going to move them to another apartment?
00:03:25They are going to release them.
00:03:26Well, if we've only been here for three days, then they'll let us go right away.
00:03:29Yes, I'll miss you and follow me.
00:03:30No, don't yell at me, because we have more rights than you due to seniority.
00:03:34Ah, TV outside.
00:03:34Right of seniority?
00:03:35If you have anything to say, tell it to the commissioner.
00:03:38So much for that!
00:03:48Let them come in.
00:04:00Here they are, Commissioner.
00:04:02These have your name, if you please.
00:04:04Silence.
00:04:04Well, more respect like this, that's already a lot.
00:04:07It had to be you.
00:04:08I'm already tired of seeing it.
00:04:09Well, don't look at me, boss, anyway.
00:04:12Silence.
00:04:12Not a week goes by without them bringing him here.
00:04:15Well, I'll tell you, why don't you take me to another one?
00:04:16They always bring me those demarcations, the most woeful of all.
00:04:19Silence!
00:04:20And with all due respect, I have him locked up.
00:04:22What are we left without?
00:04:23Here he says they're going to release me and you tell me to lock me up.
00:04:25In short, this is a mess, there is no organization, there is nothing, there are no guarantees.
00:04:28For the detainee, well, when you agree, call me.
00:04:31Stop.
00:04:32And pay attention to what I'm going to tell you.
00:04:34Their three days have already passed and I'm going to release them.
00:04:37But let this be the last time they bring him here, because I'm sending him to the islands.
00:04:41No, sir.
00:04:41Yes sir.
00:04:42I say they won't bring me any more.
00:04:44I don't come either, because the food here is very bad.
00:04:46Look, you're asking for something bad, right?
00:04:48Well, what a service, what guarantees for one.
00:04:52Correct yourself, man, correct yourself.
00:04:53Don't be so quarrelsome.
00:04:55I'm not a fighter, it's just that I've also been caught...
00:04:58As if to say here, just look, the other time, you are not here to know,
00:05:01Nor me to tell them, because then they say it's gossip, right?
00:05:04But yes, if an individual, look, there is a policeman who simply doesn't give a damn.
00:05:08You, as an authority, as a boss, must pay attention, right?
00:05:10There was a couple there, two boys, a woman, well, a man, she was nice, right?
00:05:14And he, both happy, radiant, right?
00:05:16I was in the dark, because innocent, who would know, right?
00:05:19And the policeman arrives there, in a way like this, contemptuous, despotic, right?
00:05:22As if to say, what is that?
00:05:23And I'm left watching, right?
00:05:24That's how I was, just hanging on.
00:05:26And I say to him, what did you bring?
00:05:27They say, no, black people, how black people?
00:05:28Just here, abused.
00:05:30And he still tells me, charro, charro, charro, why?
00:05:32Why is that?
00:05:33That misinterpretation, those bad things, things of individuals.
00:05:35That authority that respects authority, but that is conscious, that is administrative, right?
00:05:39And not a poor helpless man, as the two poor men were.
00:05:41And I still go out like this, I turn around and walk straight away so as not to arouse suspicion.
00:05:45And when you turn around like that, man, it's not like someone is such a fool to play, because suddenly they are things.
00:05:49Do you think there is a right?
00:05:50Do you think there is a right?
00:05:50What happened?
00:05:51I didn't know, because I had already left.
00:05:53Yes, you are already seeing it.
00:05:54His crimes are not serious, but they can lead him to commit worse and possibly irremediable acts.
00:06:00Correct yourself, man, choose the right path and you will enjoy the respect and esteem of your fellow men.
00:06:07And what about the others?
00:06:09How? What others?
00:06:10Those who are not similar.
00:06:11No, all human beings are your fellow human beings.
00:06:13And you too?
00:06:14Me too.
00:06:15Aren't you one of the others?
00:06:17What others?
00:06:18That's one of ours!
00:06:19When do we have a little tequila?
00:06:21Whenever you want, brother.
00:06:22I mean, well, a little composure.
00:06:25And returning to what I was saying, it is up to you to abandon the path of evil.
00:06:28and follow the bright path of the wind.
00:06:31And now go away, okay?
00:06:32Go away.
00:06:33That's all I had to tell you.
00:06:35And that I never see them again as criminals.
00:06:37Don't worry, boss.
00:06:38Thank you so much.
00:06:39Guys, I gave it to him at recess.
00:06:41Oil lamp!
00:06:41Oil lamp!
00:06:41Oil lamp!
00:06:44You see?
00:06:45This is how you should talk to them.
00:06:47They already feel as innocent as children.
00:06:50They go to recess.
00:06:51Thank you!
00:06:52Thank you!
00:06:53Thank you!
00:06:54Thank you!
00:06:54One moment.
00:07:24Where are they going?
00:07:25Here we go, inside.
00:07:26And what are they going to do in there?
00:07:27Um, let's see, because you know that an uncle of ours, of this individual, right?
00:07:31It is, it is, partner.
00:07:32You know, nephew, because when my uncle plays, he hasn't been home for like two days,
00:07:35I'm telling you about Cesar there, because he really likes to have fun and relax, right?
00:07:39And he tells me, come on, I tell him, they're not going to let you in, you better wait for me here, like I told you, and I'll be right back.
00:07:43And what did you say? I already believed it.
00:07:45But why, young man?
00:07:46Because?
00:07:47Let's go!
00:07:48Wait a minute, sir, but if my uncle is in there, how can I leave him?
00:07:51They know, you've seen the kind of people there are here, as I've told you, it's a very bad example, right?
00:07:55Because these innocent boys, man, who walk around, as I tell you, pay attention to those things.
00:07:58I'll be right back, guys.
00:07:59Look, with you and your friends and boom!
00:08:02Boom!
00:08:03Boom!
00:08:25What a time!
00:08:26Did anyone get hurt?
00:08:28No, but he got us all dirty.
00:08:30Look at the clothes here, do you think this costs anything or what?
00:08:33Yes sometimes, this does not stay like this.
00:08:36Please pay if this name.
00:08:37Hey, sir.
00:08:38Yes, but...
00:08:39If they have caused you any harm, I am here to repair it.
00:08:41Yes, yes, I...
00:08:43Son.
00:08:44Me, me no, if neither me nor my wife went to this one.
00:08:47Thank goodness.
00:08:48Go on, Antonio.
00:08:49Go on, Antonio.
00:08:50The queen.
00:08:51The very same.
00:08:52How cool.
00:08:53Repepiocha.
00:08:54That's when, follow me.
00:08:55This is the worst one I know.
00:08:56Magnificent.
00:08:57Magnificent!
00:08:58Magnificent!
00:08:59Magnificent!
00:09:00Magnificent!
00:09:01Magnificent!
00:09:02Magnificent!
00:09:03This is the worst one I know.
00:09:05This is the worst one I know.
00:09:07Magnificent!
00:09:08Magnificent!
00:09:30Clear it, young man.
00:09:31Don't wait there, Antonio.
00:09:33We'll be right back. You're not going to sleep.
00:09:35Come on, yes, boys.
00:09:55What? Could I get you some beers?
00:09:57Yes, anything.
00:09:59What we are doing is foolish.
00:10:00To Máxima on the eve of filming.
00:10:02Don't be alarmed.
00:10:03I have a million invested in the company and I'm calm.
00:10:07And what's a million to the cotton king?
00:10:09Go elsewhere to satisfy my queen's whims.
00:10:12Whims?
00:10:13Rather, say inclinations.
00:10:15Clear.
00:10:16Yours, for example, is to always forget your true role.
00:10:20Rude.
00:10:20Having to hear this from a little-known actor.
00:10:23Thank you.
00:10:24But admit that if you came from Hollywood it wasn't exactly because you were a good actress.
00:10:27July!
00:10:27Come on, come on, don't be dramatic, we're not filming.
00:10:31I must confess that I am delighted with this atmosphere.
00:10:33Yes, let's hope he doesn't have to regret it.
00:10:37Just look at that guy.
00:10:39It has already fallen.
00:10:41Just look.
00:10:42Waiter.
00:10:53Waiter, what would you like?
00:11:18I have nothing, and you?
00:11:19Sit down, Ricardo.
00:11:20Ricardo, the gentleman is probably coming to invite me to dance, isn't he?
00:11:23Chilindros.
00:11:24If you don't like it, young man, then no, I'm going to steal it, it's just one step away.
00:11:28I'll come back for you later.
00:11:30Come, my quarrel.
00:11:34Is that the ass?
00:11:35Let her have fun, a treat.
00:11:37Very novelistic.
00:11:38Atadism.
00:11:53Thank you!
00:11:54Thank you!
00:11:55Thank you!
00:11:56Thank you!
00:11:57Thank you!
00:11:58Thank you!
00:11:59Thank you!
00:12:00Thank you!
00:12:01Thank you!
00:12:02Thank you!
00:12:03Thank you!
00:12:04Thank you!
00:12:05Thank you!
00:12:06Thank you!
00:12:07Thank you!
00:12:08Thank you!
00:12:09Thank you!
00:12:10Thank you!
00:12:11Thank you!
00:12:12Thank you!
00:12:13Thank you!
00:12:14Thank you!
00:12:15Thank you!
00:12:16Thank you!
00:12:17Thank you!
00:12:18Thank you!
00:12:19Thank you!
00:12:20Thank you!
00:12:21Thank you!
00:12:22Thank you!
00:12:23Thank you!
00:12:24Thank you!
00:12:25Thank you!
00:12:26Thank you!
00:12:27Thank you!
00:12:28Thank you!
00:12:29Thank you!
00:12:30Thank you!
00:12:31Thank you!
00:12:32Thank you!
00:12:33Thank you!
00:12:34Thank you!
00:12:35Thank you!
00:12:36Thank you!
00:12:37Thank you!
00:12:38Thank you!
00:12:39Thank you!
00:12:40Thank you!
00:12:41Thank you!
00:12:42Thank you!
00:12:43Thank you!
00:12:44Thank you!
00:12:45Thank you!
00:12:46Thank you!
00:12:47Thank you!
00:12:48Thank you!
00:12:49Thank you!
00:12:50Thank you!
00:12:51Thank you!
00:12:52Thank you!
00:12:53You turn off the power and I'll take care of the rest, that's fine.
00:13:04Did you hear what they were saying?
00:13:05No, but I smell something fishy, they pointed at the queen.
00:13:09Don't lose sight of them.
00:13:10I'll take care of that.
00:13:23My necklace! It was stolen!
00:13:39Wait a minute, I'll find it. Open up!
00:13:42What happened?
00:13:43My necklace!
00:13:44I warned you. Don't move.
00:13:47Who was it?
00:13:47The cacarizo. I think I broke his back. Here's the thing.
00:13:53But how is this possible?
00:13:55Who has it? You're among honest people.
00:13:57Let's go.
00:13:58No, man, I'll pay for the others. We're happy.
00:14:00He stole a necklace from the lady.
00:14:01Did I steal from him?
00:14:02You, come with me.
00:14:03Well, come with me. I don't have a guitar.
00:14:05Come on, come on.
00:14:06But why, sir? It wasn't me.
00:14:07Which cacarizo?
00:14:09Sure, I got it off with the help of these.
00:14:11Have you seen?
00:14:12And who are you?
00:14:12They are my friends.
00:14:13That is, his accomplices.
00:14:15Accomplices?
00:14:15Come on, just a moment, sir.
00:14:17Officer, he wasn't the one who robbed me.
00:14:19But it's quite clear that his accomplices turned off the light so he could do the job in the meantime.
00:14:23What? Is that clear?
00:14:24What do you know, sir?
00:14:25Why is this guy getting involved?
00:14:26From the moment there is a witness for the defense, then the gentleman continues.
00:14:30As?
00:14:31It's already falling.
00:14:31Sir, moment, clarification.
00:14:33Sir, now let me see, according to the breaking and entering of the home and honor of an honest man, right?
00:14:37No, don't go there, sir.
00:14:39I know the trick.
00:14:40You know him, then.
00:14:41What does he teach it to?
00:14:43Wait for me, you.
00:14:44Wait for me, let them take this guy to me.
00:14:45No, wait for me.
00:14:46You have just committed an injustice and I will not allow it.
00:14:50But if not, it may be clearer.
00:14:52Of course, that wretch was the one who returned the necklace to me.
00:14:54Reina is right.
00:14:56Come on.
00:14:58Don't resist, it will only get worse for you.
00:14:59Well, the one who resists is you.
00:15:01That?
00:15:01Mr. Officer, Mr. Officer, there has been a mistake here.
00:15:04These gentlemen are not guilty.
00:15:06Take my card, I'll answer for them.
00:15:08And who is responsible for you?
00:15:09As?
00:15:09You've seen how friendly we are, haven't you, old man?
00:15:11Yeah.
00:15:11Sure, sure.
00:15:13Now, what does it say?
00:15:14That being the case, they are released.
00:15:16Come on.
00:15:18To fly.
00:15:19I'm so sorry about what happened.
00:15:20I beg your pardon for any inconvenience we may have caused you.
00:15:23No, be careful, because we are already used to it.
00:15:25Take it.
00:15:26So that they forget this setback and as a reward for their honesty.
00:15:28Money, never.
00:15:29As?
00:15:30I say never.
00:15:31If we do this just like that for free, isn't it?
00:15:33Sure.
00:15:34The gentleman did not want to offend them.
00:15:36And yet I would like to do something for you.
00:15:38Give me a card.
00:15:40Take it.
00:15:40Take it.
00:15:41Come see me tomorrow at this address.
00:15:42Iran?
00:15:43To this address?
00:15:47Come on.
00:15:48Well, see you tomorrow.
00:15:49Go see.
00:16:19Locker room number two
00:16:21We wanted to see the queen, young
00:16:23To the queue, to the queue, to the queue, to the queue
00:16:26Get in line like everyone else
00:16:29We came to see the queen
00:16:30You too
00:16:31Get in line or I'll cut it, let's go
00:16:33To the tail or the short, the tail, because what a coal mine is it
00:16:37You do not argue and obey
00:16:38What a queue, man.
00:16:39Come on, let's go.
00:16:40To the tail
00:16:4034
00:16:45The one that follows
00:16:4636
00:16:48The one that follows
00:16:4938
00:16:51The one that follows
00:16:5536
00:16:57The one that follows
00:17:0041
00:17:03There they speak to you, young man
00:17:04It's up to you
00:17:06Oh, he likes sweets.
00:17:08The one that follows
00:17:0944
00:17:13Rocha
00:17:18We don't have the people ready yet
00:17:20A few are missing
00:17:21But look, here comes the rest
00:17:23Let's see, the women on this side
00:17:31This way, in a hurry
00:17:32The men on this side
00:17:33Where is the queen of Basté?
00:17:51Who is this?
00:17:52An extra, Mr. Director
00:17:53Then throw him out of here.
00:17:55The others
00:17:56To thirst
00:17:56Come on, to the thirst
00:17:57Quick, quick
00:17:58Come on
00:17:59You come with me
00:18:05Stay still here
00:18:07And do what I command you.
00:18:08But who are you?
00:18:09I am the assistant
00:18:09Whose assistant?
00:18:11Assistant to the director
00:18:12Which director?
00:18:13From the film's director
00:18:14Which movie?
00:18:15The one we are filming
00:18:16Well, movies are made here.
00:18:18Nobody fools me.
00:18:19Here you are to obey me
00:18:21And if not, I'll fine you.
00:18:22Will this judge be a qualifying judge?
00:18:24It's already a lot
00:18:26I'll give you a fine
00:18:28First stand here
00:18:29That you are not well
00:18:29And let the other one grab it
00:18:30I'm not leaving now.
00:18:32Careful!
00:18:37Stop her!
00:18:38Who was that barbarian?
00:18:40Here is the friend
00:18:41And what were you doing here?
00:18:42Nothing, just
00:18:43Because they grab her
00:18:44And it goes like this
00:18:44Hey! Watch out!
00:18:45Stop her!
00:18:46Stop him, man!
00:18:48Have you seen?
00:18:49Redelicated, nothing more
00:18:50I throw one at him...
00:18:51Quiet, no
00:18:52No!
00:18:54That's enough now.
00:18:54Secure this column well
00:18:57As for you
00:18:59Listen
00:19:00Who dressed you?
00:19:02All by myself
00:19:03Alone
00:19:03Isn't it okay?
00:19:04No, also, look
00:19:05What clothes do they give you?
00:19:06Just look
00:19:07How does one get all forced here?
00:19:08And it makes Choco good
00:19:09It is in itself
00:19:10What do I say?
00:19:11Putting a cut here
00:19:12Because the fabric, look
00:19:13We compare
00:19:14The trench coat with this
00:19:15The UCB
00:19:16I say, right?
00:19:20This is how you take care of the extras
00:19:22A courtier without boots
00:19:24Give him some immediately
00:19:26Yes sir
00:19:26Yes sir
00:19:27William
00:19:28Give this guy some boots.
00:19:30This doesn't stay like this
00:19:31You're going to pay me for it.
00:19:32That's enough, man.
00:19:33You already took me on as a commission.
00:19:34That?
00:19:36Well now
00:19:36Come on, put this on
00:19:38Where?
00:19:39On the feet
00:19:40I mean, where?
00:19:41Feel
00:19:41There's a chair.
00:19:44Well, bring him as a bea.
00:19:45Attention
00:19:46For the individual
00:19:47What comes here?
00:19:48Already
00:19:48The side
00:19:49Without Chinese descent
00:19:50Just like that
00:19:51Oh, they are made of leather.
00:19:52From Prussia
00:19:53Let's see you.
00:19:55Come back like this
00:19:57No, towards the table
00:19:59Come back like this
00:19:59There
00:20:00That, let's see.
00:20:01Those Cardinal's guards
00:20:02I don't see them
00:20:02Come here
00:20:03You two sit down.
00:20:04The other standing
00:20:05What are you doing there?
00:20:06At the counter
00:20:07Go away
00:20:07Behind the counter
00:20:08Open up a little bit
00:20:10You up
00:20:10Sit down
00:20:11You
00:20:11That is
00:20:12You too
00:20:13At that angle
00:20:13From the table
00:20:14Sit there
00:20:14No, no, you
00:20:15The one on the right
00:20:16Let's see, Mimi
00:20:17One step further
00:20:19Further?
00:20:22Further!
00:20:23I see that I'm going to have
00:20:24That I go
00:20:25Oh, God
00:20:29You know what young man?
00:20:36It happened like this, right?
00:20:37No, no, no
00:20:38Don't explain it to me.
00:20:39What happened
00:20:40Do me a favor
00:20:40No, go away.
00:20:41Go wherever you want
00:20:42Go wherever
00:20:43Don't let him see it
00:20:44Go away
00:20:44Listen young man
00:20:45I want to be from Atarñán
00:20:46As?
00:20:47I want to be from Atarñán
00:20:48From Atarñán?
00:20:51Yeah
00:20:51Yeah
00:20:52What is it that they give the horse here?
00:20:54Or buy one?
00:20:56No, we will give it to you.
00:20:57Hey?
00:20:58Look, take the script
00:20:59Yeah
00:20:59Study it completely
00:21:00When you know it by heart
00:21:01You come here
00:21:02Since this is
00:21:03Hey, it's that scene with the horse.
00:21:05When the other
00:21:06The Potos
00:21:07The Potos grabs
00:21:08What D'Artañán says
00:21:09No, how nice
00:21:09Why don't we just do it right away?
00:21:11Yes, yes, yes, we're going to do it all.
00:21:12Everything, everything you want
00:21:13But go away
00:21:14Hey?
00:21:15Go away
00:21:15Will you take my horse?
00:21:16Yes, yes
00:21:17Go away, go away
00:21:19This, when the...
00:21:23Well, then we do it
00:21:24Yes, yes, whatever you want
00:21:25They must be treated like this.
00:21:35Softly
00:21:36Exactly
00:21:37Good morning, Ricardo
00:21:55Good morning, queen
00:21:56Are you the one who brought that crazy guy here?
00:21:59Which crazy one?
00:22:00My goodness
00:22:00Do you know what?
00:22:01What happened?
00:22:02But you again
00:22:03Well, it is not understood here either, look.
00:22:05Grab
00:22:06We have see
00:22:07And then here it comes in as a gerund
00:22:09Well, I think this letter is typed.
00:22:12I am imposed like this
00:22:13Flat and here
00:22:15Because look at you
00:22:15There is as a preposition
00:22:17This is not it
00:22:17Then grab the question mark
00:22:19What's that?
00:22:19Because?
00:22:20Where from?
00:22:20No
00:22:20This, you know
00:22:22Once
00:22:22Listen to you.
00:22:23Here is the young man who wants to play the role of D'Artagnan
00:22:26Leave it
00:22:27Don't rush
00:22:28Here the maid is going to read the play to you
00:22:30And you hear her
00:22:31Does this seem okay to you?
00:22:32As you wish, my little queen
00:22:33Come on
00:22:34Come with him, Constancia
00:22:35Come on
00:22:36When I come
00:22:37This one, that dinner is D'Artagnan's
00:22:39Since clean and given
00:22:40When I enter with the horse
00:22:41I just scratch
00:22:42AND...
00:22:43Hey?
00:22:43Yes, my son, yes
00:22:44Envelopes
00:22:44He is a poor wretch
00:22:47But with a very good heart
00:22:49And that a little more ends with decoration and everything
00:22:51Well, to your post.
00:22:52Eat?
00:22:59Thank you
00:22:59Between
00:23:05Lie down on the couch
00:23:15Are you comfortable?
00:23:22Yeah
00:23:22Lie down too
00:23:24No, no, I'm going to read.
00:23:25Lie down first
00:23:26Then we read
00:23:27No, no, remember what the lady said.
00:23:28Take
00:23:30A Turkish cigar
00:23:31They are the ones the lady smokes.
00:23:33Now pay attention
00:23:37Not always?
00:23:39No, no, I'll be formal, listen.
00:23:41In a small town in Gascony
00:23:43One April morning in the year 1625
00:23:46The hero of our story
00:23:48An 18-year-old boy
00:23:50Named after D'Artagnan
00:23:51He was preparing to leave his parents' home.
00:23:53His father
00:23:54Old Gascon of noble traditions
00:23:56He applied himself to giving his only son
00:23:58The latest tips
00:24:00My son
00:24:09Before leaving the home where you were born
00:24:12I want to tell you that if you ever have the honor of going to court
00:24:15Honor to which you are also entitled by your ancient nobility
00:24:19Uphold your name of gentleman worthily
00:24:22Yes daddy
00:24:22Don't interrupt me
00:24:24As you say
00:24:24I don't know what we were talking about anymore.
00:24:27If you want, we can leave it for another day.
00:24:28I'm running late
00:24:29No
00:24:30Suffer as it continues
00:24:31It suits you
00:24:32You are young and you must be brave for two reasons
00:24:35The first
00:24:36Because you are my son
00:24:37And the second
00:24:38Because you are Mexican
00:24:40Yes daddy
00:24:41I am Mexican in any field
00:24:42But his son
00:24:44Don't interrupt me
00:24:45You only talk too
00:24:47It is my duty
00:24:48And yours is to hear
00:24:49When you arrive in Paris
00:24:51You will go to see Mr. de Treville
00:24:53Trevville?
00:24:54De Treville
00:24:54Captain of the King's Musketeers
00:24:56And this letter will serve as an introduction to you.
00:24:58Don't miss it
00:24:59Should I lose her?
00:25:01Don't worry
00:25:02Here is my sword
00:25:03Make good use of it
00:25:05He has won
00:25:06One hundred battles
00:25:08It belonged to your grandfather
00:25:10It's already rusty, daddy.
00:25:13Well, it must be good for something.
00:25:14Come closer
00:25:19My son
00:25:25I only have these fifteen escudos to give you.
00:25:28My horse
00:25:29And the advice you just heard
00:25:31It's little, you know.
00:25:33It's not much
00:25:35But if you make good use of everything
00:25:36It may not go badly for you
00:25:38And now
00:25:38My son
00:25:40On your knees
00:25:41Receive my blessing
00:25:43Son
00:25:58Before you go
00:26:00Take this one taken
00:26:01A gypsy gave it to me
00:26:02And it has the miraculous virtue
00:26:04To heal all wounds
00:26:05That are not from the heart
00:26:07Why did you bother, mommy?
00:26:09Well, I never get sick.
00:26:10You see how I am
00:26:11Oh, God
00:26:13If it is
00:26:13It's valerian with my tecajuana
00:26:16Maybe it's a calm balm
00:26:17Mommy, take it
00:26:18It's of no use to me
00:26:19Come on, my son.
00:26:20Come on
00:26:20Take this horse
00:26:31He was born in this house
00:26:33And he has seen you grow
00:26:34Never sell it.
00:26:36Let him die
00:26:37Quietly
00:26:38Goodbye, daddy
00:26:40God, Mommy
00:26:43Don't cry, mom
00:26:47Well yes
00:26:47Oh, my mom, how is she?
00:26:49Very distressed
00:26:50Then, then
00:26:50You're worse than the sword, little one.
00:27:12Well
00:27:13Well, my mom
00:27:14Just look
00:27:15What a line you're carrying, son.
00:27:17AND
00:27:17I didn't arrive
00:27:19I didn't arrive
00:27:20I don't arrive, you don't do it
00:27:21I'll carry you in a moment
00:27:22Oh, God
00:27:26We're already off to a difficult start
00:27:27Shit
00:27:30Goodbye, daddy
00:27:34Three, daddy
00:27:38Three, daddy
00:27:40Three, daddy
00:27:41Three, daddy
00:27:42Subscribe to the channel!
00:28:12Subscribe to the channel!
00:28:42Subscribe to the channel!
00:29:12Subscribe to the channel!
00:29:42Subscribe to the channel!
00:29:44Subscribe to the channel!
00:29:46Subscribe to the channel!
00:29:48Subscribe to the channel!
00:29:50Subscribe to the channel!
00:29:52Subscribe to the channel!
00:30:02Subscribe to the channel!
00:30:04Subscribe to the channel!
00:30:06Subscribe to the channel!
00:30:08Subscribe to the channel!
00:30:10Subscribe to the channel!
00:30:12Subscribe to the channel!
00:30:14Subscribe to the channel!
00:30:16Subscribe to the channel!
00:30:18Subscribe to the channel!
00:30:20Subscribe to the channel!
00:30:22Subscribe to the channel!
00:30:24Subscribe to the channel!
00:30:26Subscribe to the channel!
00:31:24That man is a beast.
00:31:26Good prey for the cardinal who is recruiting guards.
00:31:29Sir, it is not good for you to stay here.
00:31:31Your mission above all.
00:31:33You speak the truth.
00:31:34Let me know when it arrives.
00:31:41Sir, nothing happened to you.
00:31:43No.
00:31:44And that devil, how is he doing?
00:31:45Keep getting better.
00:31:46He's already completely passed out.
00:31:47Oh yeah?
00:31:48But before losing consciousness, he said...
00:31:51Gosh, sir, I dare not.
00:31:53Dare.
00:31:54He said, that guy is a real jerk and I sound like a real macho to him.
00:31:58Did he say that?
00:31:59He must be some prince traveling incognito.
00:32:02Didn't he mention any names?
00:32:04Yeah.
00:32:05He took a letter out of his pocket and shouted,
00:32:07We'll see what Mr. de Treville thinks of this insult to his protégé.
00:32:11Mr. de Treville will be a spy.
00:32:16I need that letter.
00:32:17Did you hear me?
00:32:18Yes, my excellency.
00:32:20Your Excellency, it's here.
00:32:21My lady?
00:32:22Yes, here is your carriage.
00:32:23There is no time to lose.
00:32:24You guys take the lead.
00:32:25It is necessary that this madman does not see her.
00:32:30Sir, sir, here is the letter.
00:32:32Thank you, sir.
00:32:39Cowards!
00:32:40Now stop coming!
00:32:42A bunch of jerks!
00:32:43They left.
00:32:44Miss, you are very weak.
00:32:45I am weak.
00:32:46Me weak?
00:32:47You need to take care of yourselves.
00:32:48Weak me.
00:32:49If they had hit me the way they hit me.
00:32:51Lord, Lord, don't cry.
00:32:52Put!
00:32:53Cry!
00:32:54Oh, sir, I am weak!
00:32:55But the waiter's tip is strong.
00:32:56Sir, come.
00:32:57But calm down.
00:32:58Why did they leave me?
00:32:59Why did they leave them?
00:33:00They've fled, sir!
00:33:01The cowards fled!
00:33:02No, no, no!
00:33:03The arrivals, sir!
00:33:04For God's sake!
00:33:05Just look at what a son of a bitch is capable of!
00:33:06For God's sake, sir!
00:33:07You say that His Excellency orders me.
00:33:08To return immediately to England and warn him if the Duke leaves London.
00:33:11Good.
00:33:12And what will you do?
00:33:13Return to Paris?
00:33:14Without punishing that insolent young man?
00:33:16And what did you say? Did he punish him yet?
00:33:18But now I hope that you don't back down in front of the little job.
00:33:21Stop.
00:33:22Keep in mind that with the slightest delay everything can be lost.
00:33:25You are right.
00:33:27Look.
00:33:28It cracked again.
00:33:29But it doesn't matter to him.
00:33:31I recognize.
00:33:32Soon, my horse.
00:33:33Sir, and the expense?
00:33:34You write down the expense for me.
00:33:38But what...
00:33:39Uhhh, yes!
00:33:40Oh my God!
00:33:41Oh my God!
00:33:43My letter.
00:33:44They already blew my letter.
00:33:46They gave me a chicharrón.
00:33:47Yeah.
00:33:48And now my daddy.
00:33:50What is my daddy going to say?
00:33:51The letter.
00:33:52They're going to give me the letter because he tells you...
00:33:54Go away, Guido!
00:33:55They have suffered.
00:33:56They ran away from me.
00:33:58Oh my God!
00:33:59What love!
00:34:00Do you know anything?
00:34:01Where is my letter?
00:34:02My letter!
00:34:03My letter!
00:34:04My letter!
00:34:05Sir, I believe the letter you are looking for was stirred up by the one who fled.
00:34:07The one who ran away?
00:34:08Soon!
00:34:09My swift steed!
00:34:11There it is, sir.
00:34:17Debueno suayfeito!
00:34:18Yeah!
00:34:19No!
00:34:20Oh my God!
00:34:22Thank you!
00:34:52Thank you!
00:34:54Thank you!
00:34:56Thank you!
00:34:58Thank you!
00:35:00Thank you!
00:35:02Thank you!
00:35:04Thank you!
00:35:06Mister...
00:35:07Mr. de Treville.
00:35:09Wait in the anteroom.
00:35:16Mister.
00:35:17I'm looking for Mr. de Treville.
00:35:18His Excellency has granted you an audience.
00:35:20What do you say? What did he say?
00:35:21If you are waited, you will be waited.
00:35:24My father is close to Mr. de Treville.
00:35:28Your name, sir?
00:35:29From Rotañano.
00:35:31And you say that His Excellency knows your father.
00:35:33Not your father, my daddy.
00:35:35Yes, that's what I meant.
00:35:36You know, you two were close since you were little, right?
00:35:38And many years ago maybe they didn't expect it, but I think they did.
00:35:41Because they got along very strongly.
00:35:43Lignaos await.
00:35:51The Lord of Treville awaits the Knight of Rotañano.
00:36:03Azones, boss!
00:36:05Wait a moment.
00:36:07Atos! Portos! Arabis!
00:36:18Do you know what the king told me last night?
00:36:19No, sir. We don't know.
00:36:23That in the future you will recruit your musketeers in some girls' school.
00:36:26Mister.
00:36:27And he was right.
00:36:29How do three of His Majesty's musketeers fight six of the cardinal's guards and only kill five?
00:36:35Sir, it was that the sixth fled and in truth we were only two,
00:36:39since they treacherously wounded our friend Atos.
00:36:41Atos is hurt.
00:36:42Yes, sir. And what's worse, badly wounded.
00:36:46That must be the case so he didn't come.
00:36:49You called me, sir?
00:36:54Ah, my faithful Atos, my faithful musketeers.
00:36:57Your attitude proves to me that the cardinal was lying.
00:36:59I take back what I said.
00:37:01Know that the king has prohibited duels.
00:37:03But if you ever forget,
00:37:06know that you should not sheathe your sword
00:37:08without the enemy's blood having wet it to the hilt.
00:37:12Olé!
00:37:13That's all. You may leave.
00:37:22Forgive the interruption, but my soldiers are like big children.
00:37:25and I must treat them like my children.
00:37:27Yes, young man.
00:37:27So you are the son of my old friend and countryman from Artañán?
00:37:33And tell me, how is he?
00:37:35Well, you know, relatively speaking, right?
00:37:36Well, it's okay, he feels like this, kind of tired, like him.
00:37:40I rather know him, right?
00:37:42And suddenly I see him so thoughtful, so half-sick.
00:37:45They are also things that complain of pain,
00:37:47that a pain that I brought and that other pain.
00:37:49They are pure pain.
00:37:49Well, it's a matter of age.
00:37:50He's already very old.
00:37:52Gosh, but we are the same age.
00:37:54Well, it doesn't seem like it, look.
00:37:55You seem to have twice as much.
00:37:56I'm more into my daddy.
00:37:59Young man, what do I think now?
00:38:01I suppose you will bring some letter of introduction.
00:38:04Well, you are wrong, because I am not bringing anything.
00:38:06Well, I had it, right?
00:38:07But it turns out that when I already had it,
00:38:09that one, well...
00:38:11And they stole it from me.
00:38:12Did it get stolen from you?
00:38:13Who?
00:38:13The bad man.
00:38:15Do you know, when I arrived, when everything was already there,
00:38:17that's when the joke started, right?
00:38:18I correctly, because one is correct, right?
00:38:20And then I get off the horse
00:38:22and when I downloaded it, then...
00:38:23The man began to laugh because he was yellow.
00:38:26A yellow man?
00:38:27Would it be a Chinese?
00:38:28No, my horse.
00:38:29The one I was wearing was yellow.
00:38:30Which horse?
00:38:31It's the one my dad gave me.
00:38:32A yellow horse.
00:38:33I would like to see it.
00:38:34Me too, but I already sold it.
00:38:35What a pity.
00:38:36I continued.
00:38:36Well, I got off my horse, didn't I?
00:38:38I unsheathed the sharp.
00:38:39And then I started, as I saw some movement,
00:38:41that I didn't like,
00:38:42because one is abused, right?
00:38:43In itself, since already...
00:38:44I said, well, very well.
00:38:45Then they were already torn off.
00:38:50I didn't throw myself on the ground because they hit me.
00:38:51Well, there were six.
00:38:52And what did you do?
00:38:53Well there they said, he is dead,
00:38:55we already transculled it.
00:38:56My letter was stolen.
00:38:58It was stolen from you.
00:39:08And do you remember what that man was like?
00:39:11Sure.
00:39:12He was skinny, you know, like thin, right?
00:39:14But his face was kind of weird, like...
00:39:17Do you know, the eyes were green?
00:39:18The color is like this, medium olive, almost brownish.
00:39:21Blacks, blacks.
00:39:22And on top of that, when one of them stared at him like that,
00:39:25It seems that one saw it, one said,
00:39:26He saw me, well, he was watching.
00:39:28Ah, but I had...
00:39:29Little beak.
00:39:31From the sign I suspect who it is.
00:39:33And he spoke to a little girl who calls himself my lady.
00:39:35My lady is him, there is no doubt.
00:39:38The black shadow of the cardinal.
00:39:40Young man, I want to do something for you.
00:39:43Today I am going to recommend my cousin the captain to be
00:39:45and you will become part of the royal guard.
00:39:49Later, according to your merits,
00:39:52you will join the king's musketeers.
00:39:54The window.
00:40:07The window.
00:40:12The window.
00:40:17Son, the bad bear.
00:40:19The letter.
00:40:20See you, old man.
00:40:26Oh!
00:40:28We crashed, young man.
00:40:28And now you're shocking me, it's you.
00:40:30Well, sorry, I didn't see it.
00:40:32It seems you come from far away.
00:40:33Yes, I come from the hovel, look,
00:40:35and everything, go through the whole...
00:40:36Oh!
00:40:37I'm in a hurry, I don't have time to chat,
00:40:38that man is going to leave me,
00:40:40know that you will find me without running.
00:40:42Well, me too,
00:40:43Well, what did you say, this one already ran.
00:40:45That is, to me wherever you want, in whatever way you want,
00:40:46and for now, because if not, I was content to presume that he hears.
00:40:50Oh, where do we meet?
00:40:51In the solar of the cármenes at twelve.
00:40:53What time?
00:40:53At twelve o'clock.
00:40:54At twelve o'clock sharp.
00:40:55Yes sir.
00:40:56If not, well, see you at twelve.
00:40:59Sharp.
00:41:00No, I'm late there.
00:41:01By God!
00:41:08Where did this raging madman come from?
00:41:10So that?
00:41:10Let me go, I'm in a hurry.
00:41:12And what are your eyes for?
00:41:13And why do they put you there to get in the way,
00:41:15just blocking traffic?
00:41:18Let me go.
00:41:19So big and so cumbersome.
00:41:21Wait!
00:41:22Again?
00:41:23Did I tell you I don't have time?
00:41:25At one o'clock, behind Luxembourg.
00:41:27At one, well, and if I don't go, I'll send someone else.
00:41:31You dropped your bandana, young man.
00:41:36And who told us it was mine?
00:41:38A woman's handkerchief.
00:41:40And with the Guatrací shield.
00:41:42I feel sorry for the husband.
00:41:44For a future ecclesiastical it is not bad.
00:41:48Reckless.
00:41:48That will cost you dearly.
00:41:49If not, I'll buy it.
00:41:50Enough!
00:41:51You have compromised the honor of a lady
00:41:52and you must die.
00:41:54At two, come here.
00:41:55And I will show you a divine place
00:41:56to have the best life.
00:41:57Now I really woke up in a bad mood, young man.
00:42:00At two?
00:42:15The bad bear left me.
00:42:16Here it comes.
00:42:38Hello good.
00:42:45I arrived a little late because, um,
00:42:47passing through it, one like a river that is there,
00:42:50everything was flooded with water,
00:42:51I wanted to jump, then I fell behind again
00:42:53and soon,
00:42:55and when I got onto the sidewalk, this,
00:42:56and be very far from this.
00:42:59What happened?
00:43:00It is with this gentleman that I am going to fight.
00:43:02And me too, at one.
00:43:03And I at two.
00:43:04It can't be.
00:43:05Because?
00:43:05Because at one he'll be dead.
00:43:07And at two it will be cold.
00:43:10Well, I'm going to get my trench coat.
00:43:11Excuse me.
00:43:12One moment.
00:43:13I suppose you're not thinking of leaving.
00:43:14without settling this matter.
00:43:15What business, young man?
00:43:16I came to greet you, to see how you are.
00:43:18They don't thank you.
00:43:21One moment.
00:43:22The guard!
00:43:23Look.
00:43:24Well, I...
00:43:25How have you changed, man?
00:43:26You mock!
00:43:29Go ahead, man!
00:43:30Draw your sword for Satan
00:43:32if you don't want me to kill you like a dog.
00:43:34On guard!
00:43:35If I am on guard.
00:43:36But how do you think I'm going to fight there?
00:43:38How are you walking there with one arm just here?
00:43:40You're cool, man.
00:43:41Don't be silly.
00:43:42You suit him and he goes home,
00:43:44he drinks his glass of hot milk,
00:43:46in potion.
00:43:46Give yourself a rub here on your arm, good.
00:43:49Then you go back to the case again.
00:43:50When you are well,
00:43:51that you feel well now.
00:43:52Then he goes to you to call stolen,
00:43:54that hit him clearly, he saw it that way.
00:43:55We must not abuse it either.
00:43:57If it's because of this, don't give it to me.
00:43:59Forget my wound as I forget it.
00:44:03Ready?
00:44:05Memento.
00:44:08This.
00:44:10Oh!
00:44:12Look, look, it's coming out from here and then...
00:44:14May I ask you a little question?
00:44:15Hurry up!
00:44:20No, no, no, no.
00:44:21No three-minute round day.
00:44:23This is non-stop
00:44:24and until one of the two falls.
00:44:26Okay, man, don't get angry.
00:44:27On guard!
00:44:28Well, wait a minute.
00:44:32Stop, stop!
00:44:59It's not fair like that.
00:45:01Or when you throw it down
00:45:03or down at once or...
00:45:04No, that's ridiculous, man.
00:45:06Things must be done.
00:45:07Plain and simple, when you grab,
00:45:08because it is forbidden that...
00:45:10What case?
00:45:11So...
00:45:11Enough excuses, by God.
00:45:13Be on your guard, if you don't want to be skewered like a chicken.
00:45:16About.
00:45:20Yes, look.
00:45:21Again.
00:45:22No, no, no.
00:45:22You are plain.
00:45:23And you don't get involved, I'm watching you.
00:45:25He's very big, but...
00:45:26To each his own...
00:45:27Wow, I'm a God!
00:45:28On guard.
00:45:28Well, don't get mad, man.
00:45:30No no.
00:45:30No, disgusting, squills.
00:45:37A human.
00:45:37On guard.
00:45:50Captain.
00:45:51Captain.
00:45:55The Cardinal's guards.
00:45:57Mainá, gentlemen!
00:45:58Too late.
00:46:00So you obey the edicts?
00:46:03Your swords!
00:46:05You are under arrest!
00:46:06None of that, Captain.
00:46:08If you want our swords,
00:46:10You will have to take them away from us with yours in your hand.
00:46:12Rebellion?
00:46:13Take him like a gerar!
00:46:14We're ready!
00:46:15You wanted it!
00:46:18And you, young man,
00:46:19you can go.
00:46:20The thing is with those musketeers.
00:46:22Save your skin!
00:46:23Should I go away and leave them alone against all of you,
00:46:26bunch of montoneros?
00:46:27Never!
00:46:28Now there are four of us on guard, monkeys.
00:46:31Ah!
00:46:31Thank you.
00:47:01Thank you.
00:47:31Thank you.
00:48:01Thank you.
00:48:05Thank you.
00:48:11Victory!
00:48:13Don't run for breaks.
00:48:20There are no starters left.
00:48:25Well, brave man, here is my hand.
00:48:27And mine, let me hug you.
00:48:29Squeeze very tightly.
00:48:31Your name?
00:48:32D'Artagnan.
00:48:33Chevalier d'Artagnan, please accept our friendship.
00:48:35You are the best sword in the kingdom and the fiercest knight.
00:48:38Not so much what happened, because there was luck.
00:48:40This is something to celebrate.
00:48:41Comrades, from this moment on the cardinal will not rest until he takes revenge on us.
00:48:45The future will be one of relentless struggle, but united, the four of us will be invincible.
00:48:51Brothers, one for all and all for one.
00:48:54What's up?
00:48:54This will be our motto.
00:48:56That's how it should be, sir.
00:48:57Not that we're fighting.
00:48:58Why, man?
00:48:59If you like me, I'll be friends and buddies.
00:49:01Now, as he says, he is right.
00:49:03One for all and all for one, and let them leave whenever they want.
00:49:06Yes, yes, the thing.
00:49:11We are for one, one for all.
00:49:14Looking for bad manners, the four of them have one heart.
00:49:17Arm in arm and on the street, we try to be silenced.
00:49:21Well, we are four brothers, brothers of courage.
00:49:23I am a musketeer, brave, tough and fierce.
00:49:27Who is looking for someone to get fired up with, whatever they want.
00:49:34One of us who are four, four of us who are one, of the four none.
00:49:50The chiboní, rough and rough.
00:49:52The chiboní, rude and mouse.
00:49:54All for one, ready to fight.
00:50:00We are the musketeers.
00:50:02We are the musketeers.
00:50:04What will they give, what will they give, what will they give, what will they give, what will they give.
00:50:08One of us who are four, four of us who are one, of the four none.
00:50:18That the chiboní, rude and mouse.
00:50:22All for one, ready to fight.
00:50:28We are the musketeers.
00:50:31What will they give, what will they give, what will they give, what will they give.
00:50:37Let's see, who's serving here, innkeeper?
00:50:43Wine for everything.
00:50:44And the best.
00:50:45Yes sir.
00:50:46We want to drink to the eternal rest of the cardinal's guards and to the health of Artañán.
00:50:51Long live Artañán!
00:50:52Viva!
00:50:54That each of you grabbed this.
00:50:58Yes, you are a great swordsman.
00:51:00You guys are very nice.
00:51:02Gentlemen, to the legitimate hero of this day.
00:51:05For the future musketeer.
00:51:06By D'Artañán.
00:51:07For the cardinal and that they throw the cat at me.
00:51:19And you say that this apprentice musketeer is the same one who dared to challenge you?
00:51:22Yes, Your Eminence.
00:51:24The same one who this morning put eight of your guards out of action
00:51:27and that he comes recommended to Mr. de Treville.
00:51:31That guy is dangerous.
00:51:33You already know that I like to eliminate dangers.
00:51:36It seems that he is brave.
00:51:38But the brave ones who are not with me should not be with anyone.
00:51:41Eminence?
00:51:42A messenger wishes to speak with Your Eminence.
00:51:45Let him in!
00:51:52Get up!
00:51:53Come closer!
00:51:55Good!
00:51:56You may leave!
00:51:57Good!
00:52:07Good!
00:52:08You may leave!
00:52:09You may leave.
00:52:16Rochford.
00:52:17Do you know where to find Bernayu?
00:52:19He's waiting for me outside.
00:52:21It remains the most fearsome sword of France.
00:52:23He has never missed a shot.
00:52:25Wherever he sets his eye, he sinks the asshole.
00:52:33Bring him in.
00:52:36And my lady?
00:52:37He embarked for England yesterday.
00:52:39I need to know about the Duke of Buckingham's arrival in Paris before anyone else.
00:52:45Ah, proud queen!
00:52:47I will humiliate you.
00:52:55Come closer.
00:52:56Did you understand?
00:53:08Yes, Your Eminence.
00:53:09You can now pray a funeral service for him.
00:53:13To the Cardinal's health and may he interpret my silence.
00:53:17The look on the cardinal's face when he finds out about the mess we made with his henchmen.
00:53:33Bernayu, the cardinal's executioner.
00:53:36The most fearsome sword.
00:53:37Not one fails.
00:53:40Very tasty.
00:53:41What is very rooster the young man?
00:53:55I don't know, you're flaky, man.
00:53:57Cents.
00:53:59Pennies!
00:53:59Leave me alone.
00:54:02Don't move it because it will break.
00:54:05It makes me not measure up.
00:54:07Four.
00:54:10Four.
00:54:30Four.
00:54:31Thank you!
00:55:01Thank you!
00:55:31Thank you!
00:56:01Thank you!
00:56:31Thank you!
00:56:40Thank you!
00:56:42Thank you!
00:56:47He said to leave him alone and we must respect his wish!
00:56:59He will fix that.
00:57:01I don't know how, but he'll fix it.
00:57:29I don't know how, but he'll fix it.
00:57:59Girl, girl.
00:58:29Girl, girl.
00:59:00Well there was the other one, and the anger he gave me, he gave me pure foul, man.
00:59:04Pure down and down, I'm sneaking around, and suddenly I grab it.
00:59:07For now, and well, how should it be, man?
00:59:10That's really brave.
00:59:12My father told me.
00:59:13You have two reasons to be brave, son.
00:59:16First, why?
00:59:17Because you are my son.
00:59:19I think so, right?
00:59:20And second, why?
00:59:21Why are you Mexican?
00:59:22Which son is where?
00:59:23Oh, gosh, ha!
00:59:25Hey?
00:59:26Health.
00:59:27Health.
00:59:27Health.
00:59:36Health.
00:59:39Yeah, ha, ha, ha, ha.
00:59:40Now they have arrived, by the way, oh how beautiful is beautiful
00:59:47We are foot musketeers and bullfighters, we bring the devil himself by the tail
01:00:02We are comfortable with royal orders, swordsmen and cardinals
01:00:08We bring firebrands, a dagger and a musket, for anyone who wants to play tricks on us.
01:00:25That's why we gladly drink tequila, just to play our lives with pleasure.
01:00:31And for those who don't like sweets, there goes their charramusca.
01:00:45And you are not the same, that six by six thirty-six
01:00:51We like to go over all the old wives' tales, the details of one
01:00:58To leave the widows crying at the same time
01:01:03We go through life and make stabs, and for the troublemakers we are ready
01:01:14Instead of champagne we drink tequila
01:01:22To see we take with the brave ones
01:01:29And although they boast of being very mean
01:01:34When it comes to crying they are pure
01:01:36Collones
01:01:38Yohuuuuy
01:01:44Yohuuuy
01:01:45Yohuuuy
01:01:46Yohuuuy
01:01:47Yohuuuy
01:01:48Yohuuuy
01:01:49Yohuuuy
01:01:50Yohuuuy
01:01:51Yohuuuy
01:01:55Yohuuuy
01:01:59You say Buckingham is in Paris?
01:02:01Since yesterday
01:02:02And you don't suspect that the queen's letter is false?
01:02:07The Duke is blinded by love
01:02:08And the blind see nothing
01:02:11Don't tell me
01:02:12Yes of course
01:02:14The important thing now is to surprise the duke's interview with the queen
01:02:17Everything is planned
01:02:19The queen will not take a single step without us having immediate notice.
01:02:22Roy Ford
01:02:24This time I need to surprise the queen's secret
01:02:27It is necessary that I know the day and time when you will meet with the Duke.
01:02:31I already took my measurements
01:02:32I'll answer for that.
01:02:33The queen's seamstress who is suspicious
01:02:35It is closely monitored
01:02:37Good
01:02:37And what have you heard about this D'Artagnan?
01:02:39He is the devil himself.
01:02:40It left Bernayus paralyzed for the rest of his days.
01:02:43I never thought that with a sword you could break so many bones.
01:02:46From the signs you can see that his hand is heavy.
01:02:50Roy Ford
01:02:51I need that man
01:02:52Bring it here to me
01:02:53That's all
Sé la primera persona en añadir un comentario