- 2 months ago
From Roger Moore with Love (2024) is a heartfelt documentary tribute to legendary actor Sir Roger Moore. Best known for his unforgettable role as James Bond, Moore also built a remarkable career in film and television while dedicating much of his life to humanitarian work. Through personal stories, rare footage, and interviews, the film celebrates his charm, legacy, and the impact he left on cinema and beyond.
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CreativityTranscript
00:00:00New Orleans, October 1972.
00:00:18I've arrived in America to begin playing the biggest role of my life.
00:00:25This is me, newly bonded in Live and Let Die.
00:00:31Suave and skilled, even though I say it myself, outmaneuvering the baddies at breakneck speed.
00:00:39It's my first time in a powerboat, and learning to corner one of these powerful beasts at 60 miles an hour takes nerves of steel.
00:00:48I wouldn't say I'm out of my depth, but the water is tickling my nipples.
00:00:52They say when death is imminent, your entire life flashes in front of your eyes.
00:00:59The only thing flashing before my eyes was a large, corrugated shed.
00:01:05I knew I was going to hit it, and there wasn't a damn thing I could do about it.
00:01:10I would end up in a heap on the floor, clutching my mouth, my knee throbbing, my shoulder numb.
00:01:22Here I was about to start playing James Bond with no teeth, but that's just a little taste of what's to come.
00:01:33It's not where the story starts.
00:01:38So, where do we begin?
00:01:43Over to my son Geoffrey, who's rooting round my old house.
00:01:47I mean, this is basically Roger's, our shrine of the old man.
00:01:53These are Roger's ashes.
00:01:59No, no, no.
00:02:02Hang on, I'm out.
00:02:06Oh, I think this is it.
00:02:11I think my eyesight is really gone because I can't focus anymore.
00:02:17Get that camera away from me.
00:02:20This must be about 40 tapes.
00:02:22Oh, hello.
00:02:26Hello, sweetie.
00:02:28Do myself.
00:02:29Haha, that's me.
00:02:32Oh, cars.
00:02:33Quickly, quickly, quickly.
00:02:34Daddy, get out of the Ferrari.
00:02:36Big Ferrari.
00:02:42All that you're saying is bored about not being able to eat anymore.
00:02:45I'm sorry, though.
00:02:46It keeps flashing up.
00:02:47There's not enough light.
00:02:48That's all.
00:02:49Oh, it's coming to the light, don't you?
00:02:50Oh, it's coming to the light, don't you?
00:02:51It's coming...
00:02:52It's coming to the light.
00:02:53It's coming to the cabine, don't you?
00:02:54That's all.
00:02:55It's coming to the cabine, don't you?
00:02:56Okay.
00:02:57There's not getting there.
00:02:58It's coming to the cabine…
00:02:59I lived a pretty glamorous life, somehow becoming one of the world's most famous and desirable stars.
00:03:17When people asked me about the biggest character I played, I always answered,
00:03:22of course, it's the world's most loved spy.
00:03:25Ah, James.
00:03:26But my greatest creation?
00:03:28Ladies and gentlemen, Roger Moore.
00:03:30Mr. Roger Moore.
00:03:30Roger Moore.
00:03:31Well, the truth is, my greatest creation was somebody called Roger Moore.
00:03:37This is me.
00:03:45Well, the truth is, my greatest creation was somebody called Roger Moore.
00:03:51Roger Moore.
00:03:53Roger Moore.
00:03:54Well, the first time I met Roger, I came home from school, standing in the hallway of our
00:04:10apartment flat in Great Portland Street, which also doubled as my father's agency because
00:04:17he had the Will Collins Agency, was this incredibly handsome young man.
00:04:23And I almost went weak at the knees.
00:04:26He walked towards me and said, oh, you must be Joan.
00:04:30My name's Roger Moore.
00:04:32I think I was swinging my satchel.
00:04:34I said, oh, yes.
00:04:35Hi.
00:04:36How are you?
00:04:36My manager called me on the phone and said, Gloria, they want to see you for a Bond movie.
00:04:41I said, oh, you're kidding.
00:04:43And Roger walks in.
00:04:44I said, oh, my God.
00:04:46And I said, Gloria, be calm.
00:04:48He was so handsome.
00:04:50He just has it.
00:04:51When he looks at you, you feel like he's just looking at you and no one else.
00:04:55As a woman, you just go, wow.
00:04:57I was 11 years of age and we went to Battersea Park, mom and my dad.
00:05:03Roger was there signing autographs.
00:05:06And I queued up.
00:05:08That's how I met Roger Moore.
00:05:10The only man's autograph I ever got.
00:05:12When they asked me about this interview,
00:05:16I thought, well, you know, to talk about people I know,
00:05:20I'm not so crazy about doing that generally.
00:05:23But in the case of Roger, you know, Roger was so good natured.
00:05:29He was so generous as an actor on the set with his time and hospitality.
00:05:37I thought this was an opportunity to, you know, say thanks.
00:05:41It was my birthday.
00:05:42It was like eight o'clock in the morning and I go to call.
00:05:45Happy birthday to you.
00:05:47Happy birthday to you.
00:05:48Happy birthday, dear David.
00:05:50Happy birthday to you.
00:05:51I said, thank you for calling me.
00:05:53I'm lying in bed naked.
00:05:55He went, so am I.
00:05:57I said, it's a shame we're not together.
00:05:59He said, I know.
00:06:01I'm flirting with James Bond.
00:06:04You can show how you shoot.
00:06:07You shut your eyes.
00:06:08You close your eyes.
00:06:11That's the way you shoot.
00:06:12Okay.
00:06:13If you don't want to play Bond.
00:06:14If you want to play Bond, you just shoot and bang like that.
00:06:16He shoots all the time.
00:06:17Yes.
00:06:18Immediately.
00:06:18Immediately.
00:06:19Can he do it from the back?
00:06:20He can do it by turning.
00:06:21What like that?
00:06:22Mm-hmm.
00:06:22Of course.
00:06:24What else can he do?
00:06:24Make love.
00:06:26I feel like you may think I was born wearing black tie and cradling a martini.
00:06:32But nothing could be further from the truth.
00:06:34I was born in October 1927 in Stockwell, then a working-class area of South London.
00:06:47There I am.
00:06:50Look at those cheeks, ripe for squeezing.
00:06:53Billy, his mother, was a kind, nice woman.
00:06:57She was extraordinarily beautiful, you know.
00:07:00You could see where Roger came from, and she was a lovely-looking woman, yeah.
00:07:06George was a bluff old policeman, playing his banjo around the place, you know.
00:07:11They weren't rich, they were working-class.
00:07:16My grandmother worked in a tea room, and my grandfather was, you know, on the beat.
00:07:22One would suspect if you're from that strata, you would be talking like this.
00:07:31I thought all those people talk like that.
00:07:33And you're terribly hello, you know what I mean?
00:07:37I don't want to say you're pretentious.
00:07:38No, no, no, that wouldn't be wrong.
00:07:39No, no, but my father was a very posh policeman.
00:07:41Oh, is he?
00:07:45From an early age, I perfected the art of pretending to listen.
00:07:4950% of the actor's craft.
00:07:52At school, I sailed through my exams, orals and all.
00:07:56Was I a little chubby? Maybe.
00:08:00But when they called me tall, fat, and ugly, that was a little harsh.
00:08:06By 17, I was shy and gangly, and didn't know what I was going to do
00:08:11with my life.
00:08:14But a simple twist of fate on a dark and stormy night would bring me my big break,
00:08:19in the shape of my first real mentor, film director Brian Desmond Hurst.
00:08:26Roger's father was investigating a robbery at Brian Desmond Hurst's house in Belgravia.
00:08:32He was just going through the interactions that happened as a policeman visiting a victim,
00:08:38and then somehow into that, and Roger never explained exactly how,
00:08:41he was introduced to Brian Desmond Hurst.
00:08:45He was a flamboyant, gay, Oscar Wilde-ian man.
00:08:49Brian, at the time, was in his first kind of flush of success as a filmmaker,
00:08:53but he was also someone who loved young men.
00:08:58Caesar and Cleopatra was an epic film with a huge budget.
00:09:03As director, Brian could do what he liked.
00:09:06And what he liked was Roger Moore in a toga.
00:09:10Can you see me in this cast of thousands?
00:09:13No, neither can I.
00:09:18So that's my origin story.
00:09:20A star-struck father and a Roman miniskirt.
00:09:23I don't know what Brian thought was beneath it, but I owe everything to his imagination.
00:09:30Anyway, let's just say that by the time I became famous, I'd learned to embellish things a little.
00:09:36And either I had a long spear or a short toga, but I was noticed, you know, by the director who said,
00:09:44you know, do you want to be an actor?
00:09:47Why not?
00:09:48Clearly, Brian Desmond Hurst saw something inside me.
00:09:52I know what you're thinking, and it wasn't that.
00:09:57He became a mentor to me.
00:09:59Okay, it was a little My Fair Lady, but through Brian, I learned how to dress,
00:10:04how to hold a room, and how to tell a tale.
00:10:08He spoke with my father and even offered to pay my fees for drama school.
00:10:14I was going to RADA.
00:10:16I went to the Royal Academy of Dramatic Art, where they taught me, I suppose, to speak posh.
00:10:23RADA concentrated a lot on elocution.
00:10:27You had to have received English pronunciation, upper-class accent.
00:10:36You know, I loved RADA for two reasons.
00:10:40First, I developed the voice, which would eventually become my trademark.
00:10:44And second, almost all of my classmates were female.
00:10:51I may not have learned much about acting, but I did begin to unravel the mysteries of the fairer sex.
00:10:58One of them would become my first wife, Dawn Van Steen.
00:11:03By God, for the next eight years, that woman had me in a spin.
00:11:07There's a box full of treasures here.
00:11:14Not a secret in this box.
00:11:16My name is Sean Van Steen.
00:11:21My mother married Roger Moore, and he became my stepfather.
00:11:26Here's some love letters.
00:11:31Darling Dorney, precious heart, I'd love to hold you and kiss you and feel your baby body in my arms.
00:11:43You snooker little angel puss.
00:11:45Oh, God, yellow pussy.
00:11:47How I should like to spank your wonderful, pimply, goose-flesh bottom.
00:11:55Well, darling, precious, good night, and God bless you.
00:11:58Your own ever-loving, ever-faithful husband, Roger.
00:12:03P.S. I'd love to bite your bottom.
00:12:06Yes, thank you, Sean.
00:12:10No one wants to hear this.
00:12:12What can I say?
00:12:14I was smitten and she was bitten.
00:12:17My mother was vivacious and mesmerizing.
00:12:21He was besotted with her.
00:12:24She was six years older than him.
00:12:27She liked her young studs, what can I say?
00:12:30The picture of her ice skating in Monte Carlo, that was her passion.
00:12:38She loved it.
00:12:39He learned to skate just to be next to her.
00:12:44Roger was dishwashing anything he could find to make a few pence.
00:12:51Dawn was busy ice skating around the world, so he was my mother and my father.
00:12:56This wasn't quite what Radha had trained me for.
00:13:03He used to take me to Clapham Common, help me sail my little toy yacht that he bought me.
00:13:11You're 18 years old.
00:13:13You think back to when you were 18.
00:13:17You didn't want to be lumbered with a kid.
00:13:20You're so sweet, gentle, kind.
00:13:24He was my hero.
00:13:26Dawn was constantly away, and when we did see each other, she harangued me about my dreams of becoming an actor.
00:13:39She once told me, you'll never be an actor.
00:13:41Your face is too weak, your jaw is too big, and your mouth's too small.
00:13:47How kind.
00:13:49Intense love and intense bitchiness.
00:13:54She was a real bitch to him.
00:13:56She was a real bitch.
00:13:59So it's 1952.
00:14:01There I was, living in a one-room flat, looking after a nine-year-old, washing dishes, modeling knitting
00:14:07patterns for a living, and getting occasional jobs as a film extra.
00:14:10Little did I know that in four years I'd be starring opposite Lana Turner in a Hollywood movie.
00:14:18You might well be asking, how did that happen?
00:14:21I could thank Brian for teaching me the value of old world charm, and Dawn for bringing out my inner poet, but for the most part, it was thanks to wife number two.
00:14:32I'm going to be a real bitch.
00:14:35One of the things that I'm going to be talking to you.
00:14:36Sing her Dorothy Squires.
00:14:39Or Dot to her friends.
00:14:43Dorothy Squires, oh, she was something else.
00:14:47Oh, I remember Dorothy Squires very well.
00:14:49She was a big chap during Roger's life.
00:14:53She was a wild lady.
00:14:57Terrifying, actually.
00:14:59People, when they come in and see you, they want to see glamour.
00:15:02They say, well, they want an escape.
00:15:06She was a huge star.
00:15:08She'd been a star since the 40s, worldwide hits.
00:15:12She bought this wonderful house in Bexley,
00:15:14which had 22 rooms, four acres of land and a swimming pool.
00:15:18It was like Hollywood.
00:15:19And she'd have these parties and everybody'd turn up.
00:15:23And there'd be Shirley Bassey there, there'd be Diana Dawes,
00:15:27Cliff Fisher was there.
00:15:28I was sat next to one guy.
00:15:29He said, who's this?
00:15:29He said, it was Phil Spector.
00:15:31I mean, you don't expect to be sitting next to Phil Spector in Kent, do you?
00:15:35When Dot had a party, everybody went.
00:15:37That's where she went, Roger, of course.
00:15:39The telephone, when I picked up the telephone,
00:15:41and he said, I'm at the station.
00:15:42I said, who are you?
00:15:43Roger Moore.
00:15:45Well, I said, what do you look like?
00:15:46So he said, I'm short, fat and bald.
00:15:48So I went back and I said, somebody go down to the station
00:15:50and get a short, fat, bald guy, you know.
00:15:53I said, how do you do it?
00:15:54Would you have a drink?
00:15:55So he said, I have an ulcer.
00:15:57So, oh, I said, I am sorry.
00:15:59Oh, he said, don't be sorry.
00:16:00It's quite fashionable.
00:16:01And I thought, oh, what a boy.
00:16:03He's quite fashionable.
00:16:05I thought, who writes his script, you know?
00:16:07She said, well, the last train must be gone by now, Dorothy.
00:16:11So we'd have to bloody stay there, weren't we?
00:16:12And he picked her up, carried her up this Gone With The Wind spare case,
00:16:16and that was it.
00:16:17That's how it started.
00:16:18He carried me upstairs.
00:16:22And I thought, what the hell?
00:16:25And I watched him go down the lawn the following morning.
00:16:28I thought, what the hell have I done?
00:16:30And I've never slept with anybody in my house like that before.
00:16:34Dot was a good 12 years older than me, and she was in another league.
00:16:39I was now mingling with top musicians, actors, and agents.
00:16:43And Dot had big plans for me.
00:16:46She was the one that pushed him.
00:16:48He took advantage of it.
00:16:50Dorothy's my auntie.
00:16:51I remember she said to me once, why wouldn't you do this if you loved him?
00:16:58She took him to America because she had lots of connections.
00:17:01She said to Roger, you know, they like handsome guys.
00:17:04You're struggling here.
00:17:05Your photo sessions were like knitting patterns.
00:17:08You've got to go to America.
00:17:10In the summer of 1953, Dawn and I were divorced.
00:17:14Dot became wife number two, and we were headed for Hollywood.
00:17:18I think she moulded him.
00:17:21He's 23, and he's got this charismatic woman who's a huge star.
00:17:25She wanted to get his teeth done.
00:17:27She's going to listen to her, isn't he?
00:17:29I was young and living in the moment.
00:17:32It wasn't until years later that I came to appreciate just how much Dot did for me.
00:17:38She had that secret ingredient, and somehow, a little rubbed off.
00:17:42The great things I learned from Dorothy was to become my own person.
00:17:50I used to be very, very nervous, rather timid.
00:17:53From the time I met Dorothy, I then started developing a persona.
00:17:57And Roger Moore was about to become somebody.
00:18:11MGM offered me a seven-year contract.
00:18:15The character I'd created seemed to be having the desired effect.
00:18:18I was to play opposite Lana Turner.
00:18:23I didn't ask to keep the tights.
00:18:26Look out for your hearts, girls.
00:18:29This Roger Moore is going places in pictures.
00:18:32He's quite a fellow.
00:18:35Two years ago, I'd been eating beans on toast every night.
00:18:39Now, I was sampling some of the finer dishes.
00:18:42And I don't mean the food.
00:18:44He said, Lana Turner, you know.
00:18:47And then I went, yeah, yeah.
00:18:49And he said, Lana Turner teaching Roger from London to kiss, you know.
00:18:54This is kind of elevated sense of, you know, winning the lottery
00:18:58and really knowing you're winning the lottery.
00:19:00Your number is 546, you won.
00:19:03Kiss her.
00:19:07Hollywood life was wonderful.
00:19:09We met Elvis, a big fan of Dots.
00:19:12I was rubbing shoulders with the stars.
00:19:16Many of them became lifelong friends.
00:19:21Here, captured by my own trusty camera many years later,
00:19:25is a very memorable visit from a Hollywood legend.
00:19:28Gorgeous.
00:19:29My old pal, Kirk Douglas.
00:19:31Specialmente fra la rosa primavera.
00:19:36Come a bit of all the money going on in there.
00:19:42Was that it?
00:19:44Jeffrey.
00:19:44Oh, great.
00:19:46Now he comes.
00:19:46Could I have a retake, please?
00:19:48I sang my goddamn heart.
00:19:50We have a retake.
00:19:51We have a retake, right.
00:19:52Other dear friends I made around this time were David Niven, Gregory Peck, and old blue eyes himself, Frank Sinatra.
00:20:04They met in the late 50s in Los Angeles and became close friends.
00:20:09Hey, Rog, you're a generous and caring person and a hell of a classy guy.
00:20:16Frank, he wanted all the men to sit around and drink with him.
00:20:20I remember Dad trying to keep up with Frank.
00:20:24Come on, Roger.
00:20:25It's not time to go back now.
00:20:27And he was like, you know, it was extraordinary.
00:20:29So Dad and all the men used to walk around with their whiskeys and sort of put them in the plant pots
00:20:35because they just could not keep up with Frank.
00:20:38Salud.
00:20:41So I was fortunate to have played a bit part in the golden age of movies.
00:20:45But back in the late 50s, I didn't realize how short-lived my dream would be.
00:20:53First, my marriage began to fall apart.
00:20:57Dot already had fame.
00:20:58What she wanted most was to be a mother.
00:21:02She was a bit worried about not having children, and Roger didn't want to have children.
00:21:06I wanted a baby.
00:21:09I had my fallopian tubes blown in England, but it wasn't a success, so I had them done in Beverly Hills.
00:21:15She told me afterwards that she'd had three miscarriages.
00:21:18My heart broke for Dot.
00:21:23We'd arrived in America with such high hopes, but within a few years, both our dreams began to fall apart.
00:21:31Dot couldn't get pregnant.
00:21:33And Diane, the movie that was supposed to catapult me to stardom, flopped.
00:21:40Quote,
00:21:40By mutual consent, MGM and Roger Moore have terminated their contract.
00:21:46There was nothing mutual about it.
00:21:48And the stigma from that kind of failure left me with only one option.
00:21:54Television.
00:21:55I now had a ridiculous plumed helmet to go with the tights, and 36 inches of flashing steel.
00:22:06The dialogue was medieval.
00:22:09Stop it!
00:22:10He's making for the dungeons.
00:22:11Thank you, Bruno.
00:22:11Now I know the way.
00:22:12And my audience may all have been 12-year-olds, but I was the undisputed king of the playground.
00:22:19Here I was in yet another popular period piece for television.
00:22:31But for me, TV just didn't have the cachet, or the cash, of cinema.
00:22:39However, working in television did have certain advantages.
00:22:45Now the rumour was that he liked the ladies.
00:22:49And the rumour was true, of course.
00:22:57Dorothy Provine was my co-star.
00:22:59What can I say?
00:23:01We had an on-screen chemistry that continued off it.
00:23:05Now where's that $100 you borrowed from me?
00:23:10Now don't worry about that.
00:23:12I have a gold mine here, I think.
00:23:15Dorothy found out that he was having an affair
00:23:18because he was talking in his sleep.
00:23:20She woke up in the night.
00:23:22She said, you, Barty, having an affair with Dorothy Provine?
00:23:25What are you talking about, Dorothy?
00:23:26I'm not.
00:23:27She said, yes, you were.
00:23:28You were calling her name out in his sleep.
00:23:30She said, well, your name's Dorothy.
00:23:32He said, yeah, well, you call me Dot.
00:23:34Got him.
00:23:36We were driving between the sound stages on the lot.
00:23:39He said, if we see Dorothy Provine, he said, because I've fallen out with her,
00:23:43because I've packed up with her and that, she's doing this business now.
00:23:46Every time I see her and then she sticks her nose in the air and goes all haughty and walks by and that.
00:23:51And sure enough, as she saw us, the nose went in the air and around the corner she walked.
00:23:55And Roger and I continued on our way, just giggling and laughing.
00:24:02May 1961.
00:24:05Dot was away touring Australia and I flew to Italy.
00:24:09The good news?
00:24:10I was in a film at last.
00:24:13The bad news?
00:24:14I was back in a toga.
00:24:17But the gods had brought me to Rome for a reason.
00:24:20A rather gorgeous Italian reason.
00:24:23Louisa Mattioli.
00:24:26Well, my mother said, they were watching something on television in Italy.
00:24:32And my mother's mother turned around to my mother and said, that's the sort of man that you should marry.
00:24:40And it was dad in, I think, something like Ivanhoe was one of those things that had been dubbed into Italian.
00:24:45Louisa had accomplished a lot in her career, you know, from racing car driver and then she was one of the first Miss Italys and one of the first TV presenters in Italy as an actress and a singer.
00:24:58She had a name for herself and she had a beautiful voice.
00:25:02Her mother was an opera singer.
00:25:04She was somebody that was a real go-getter.
00:25:06This producer of the film that she was going to be in had said to her, there's an American actor coming, Roger Moore.
00:25:15Can you go and meet him at the airport?
00:25:18And, you know, just, you know, make him feel at home, whatever, bring him into Rome.
00:25:23So that's how they met.
00:25:26He didn't speak a word of Italian, she didn't speak a word of English.
00:25:28It was on a film called The Rape of the Sabine Women.
00:25:41Don't laugh, these movies were all the rage in the 60s.
00:25:46The low cost of labour in Italy meant you could afford huge crowd scenes like this one.
00:25:52With all these Italians, it was down to me to keep the British end up.
00:25:56He was wearing some, you know, one of those centurion outfits and she had the Greek goddess sort of hairstyle.
00:26:16My father asked my mother out for dinner one night and he kept sort of pointing at his finger,
00:26:28he didn't have the ring on because he was filming, like, he was going like this.
00:26:31And she thought he meant, will you marry me?
00:26:35And she was like, are you crazy?
00:26:36You know, I'm already engaged.
00:26:38And she was engaged to quite a well-known gynaecologist.
00:26:43But I think they must have had this spark and they fell in love.
00:26:48She had charisma.
00:26:50I could see why the old man was besotted with her.
00:26:55She was absolutely beautiful.
00:26:57And you could understand why, you know, Roger had fallen madly in love with her.
00:27:02What can I say?
00:27:06We spoke the international language of love.
00:27:10There was, however, the small matter of, uh, my wife.
00:27:15He told me that he'd met this lovely actress.
00:27:20And so we looked at each other and said, oh my God, this is going to cause a lot of trouble.
00:27:27Roger had moved in with Louisa.
00:27:33So Dorothy went round there and threw bricks through every window in the house, see?
00:27:39Roger came out apparently and grabbed her and said, you know, they called the police.
00:27:43And he's got a hold of her and he said, Dorothy, your hand is bleeding.
00:27:46She said, it's my fucking heart that's bleeding.
00:27:50It was very dramatic, Dorothy, you see.
00:27:51June 1962.
00:27:58I admit, in my personal life, I was no saint.
00:28:04Professionally, on the other hand...
00:28:06Mr. Moore, why do you think you were chosen to play the saint?
00:28:10Because Sean Connery was available.
00:28:15The saint was what I'd been waiting for.
00:28:17He would be the Roger Moore I'd spent many years and two marriages perfecting.
00:28:25Come, darling.
00:28:27I want you to meet the most fantastic man.
00:28:29I've told you about him.
00:28:30John, this is Simon Templer.
00:28:34No swords, no sandals, no armor.
00:28:38Not even a toga.
00:28:40Instead, it was a cool car, a stiff drink, and some sharp suits.
00:28:45Monsieur Simon Templer.
00:28:46He was the foundation for the rest of my career.
00:28:51Simon Templer, or if you like, Simon Template.
00:28:56Simon Templer is a thief, the modern Robin Hood.
00:29:01We never show how I live, where do I get my money from.
00:29:06And so he is a man with a past, which always makes a leading man more interesting.
00:29:10I was 11 years of age, and I used to draw the saint on our textbooks, or you'd write, you know, you'd draw the saint on the back of your hand, or something very magical about it.
00:29:23It was a massive breakthrough for Roger the saint.
00:29:27He created his own look, his own life, his own image.
00:29:31The image of the saint for me was all wrapped up in the cool of black and white film.
00:29:36But by the end of the 60s, we looked even better in color.
00:29:42Oh, look, there's Stephen Berkhoff playing a mustachioed henchman, all in lovely duck egg blue.
00:29:50What made him look famous is that he's had the most ridiculous haircut I've ever seen.
00:29:55His hair went all the way up, like that, with a quiff.
00:29:59I thought, that's a bit punsy, even then.
00:30:04I wanted to have hair like Roger Moore.
00:30:08I used to try and get my hair to look like Roger's.
00:30:12Good looks, humor, and kindness.
00:30:19We were starting with a scene that was quite wordy.
00:30:22The director calls right, action.
00:30:25Mr Williams, I heard about Owen Thomas.
00:30:27And I do a part of the scene.
00:30:31I saw the lights of the search party from the house.
00:30:33Suddenly he starts screaming.
00:30:35Cut, cut, no, I'll have to do it again.
00:30:37What is that?
00:30:39And I'm sort of like this, you know.
00:30:41And I'm standing waiting for the cue.
00:30:44And I feel a hand on my hand.
00:30:48And holding it, and I look up, and there's Roger looking at me.
00:30:51And he said, don't let him worry you.
00:30:54He does this all the time.
00:30:55And then he walked, just very nicely, very quietly, down to the director.
00:31:00Had a few words.
00:31:02I never had any trouble again throughout the entire episode.
00:31:07Thanks for rescuing me in there, Mr.
00:31:09Templer, Simon Templer.
00:31:11It was a pleasure.
00:31:12That put him on the map.
00:31:14That put him in all our hearts.
00:31:15Once Roger found Roger in life, Roger became Roger and embellished Roger, which is a great talent unto itself.
00:31:25You know, I think to some degree, actor or not, we all invent ourselves.
00:31:32You know, we decide somewhere, probably very young, who we'd like to be, who we imagine ourselves as.
00:31:42You know, becoming a hero of our own story.
00:31:46The saint was sold to over 60 countries around the world.
00:31:54Reeked more than 350 million pounds in profit.
00:31:57Roger Moore's there to make the presentation.
00:32:00And made me a household name from Bogota to Bogna Regis.
00:32:05I used to drive my grandmother crazy because she would take me to the park and there would be, like, the swings and the slides and everything like that.
00:32:16And she said that I was the most embarrassing grandchild because I'd go, I'd get on the top of a slide and go,
00:32:22My daddy's famous.
00:32:25My daddy's the saint.
00:32:28I'd say that Roger Moore never had it so good.
00:32:31What is the attraction behind playing in these long-running series?
00:32:36Money.
00:32:40The saint had made me both rich and famous.
00:32:43I had two wonderful children, a beautiful home, and a woman who, shall we say, put the lead in my pencil.
00:32:50But for nine years, Dot's refusal to sign on the dotted line and give me a divorce cast a pretty dark shadow over my success.
00:33:01I always felt that she put him where he was.
00:33:05He wasn't anything before her and he was after her.
00:33:08She never got over him, ever.
00:33:10Never got over him.
00:33:11Look, this is when he loved me, actually.
00:33:14Became an obsession, I suppose.
00:33:17Sadly, Dot's efforts to hold on to me became increasingly desperate.
00:33:21And that's, this is the jacket.
00:33:23It was really bad.
00:33:25She did everything she could.
00:33:27She was determined.
00:33:29She said, you're not going to get away from me.
00:33:31No way.
00:33:32I remember one time I was staying with my grandparents and my mother got a phone call.
00:33:37She thinks it was Dorothy or somebody with Dorothy saying that I'd been kidnapped.
00:33:41She got into the litigation.
00:33:45Roger Moore and the Luisa were at some gala on TV and Kenneth Moore was the emcee.
00:33:53Now, Roger and Luisa Moore.
00:33:56And he introduced them as Mr. and Mrs. Moore.
00:33:59You said that was Mrs. Moore.
00:34:02It's not my Mrs. Moore.
00:34:02That's Luisa Mattioli.
00:34:04It's not Mrs. Moore.
00:34:05So she sued him.
00:34:07She sued everybody.
00:34:0920 court cases.
00:34:11That's how she lost a lot of money.
00:34:18The 11th of April, 1969.
00:34:25Finally, after nine long years,
00:34:29Dot agreed to a divorce.
00:34:35Luisa and I were married at Caxton Hall.
00:34:39It was meant to be a small ceremony,
00:34:40but 600 people came to watch.
00:34:50She hardly spoke English,
00:34:52but she was so beautiful and funny.
00:34:55We did lots of family pictures and group pictures.
00:35:01One of her favourite remarks when we were all sitting there is,
00:35:05Oh, try to look pretty.
00:35:09Luisa was enchanting.
00:35:11She would ring me sometimes and she'd go,
00:35:15Hello, I want to speak in my letter.
00:35:18And I'd say,
00:35:19Oh, hello, Luisa.
00:35:20And she'd say,
00:35:21Oh, you noise of me?
00:35:22And I'd say,
00:35:23Because nobody else speaks English like you, Luisa.
00:35:26Are you noise of me?
00:35:29It was a restaurant called The White Elephant,
00:35:32where everybody congregated.
00:35:34And this beautiful girl comes in with the hot pants.
00:35:39Little velvet hot pants.
00:35:40You know,
00:35:42Even as a woman,
00:35:43It was really extraordinary.
00:35:45And Luisa goes to Roger
00:35:48and slaps him across the face.
00:35:51He said,
00:35:52What's that for?
00:35:54And she said,
00:35:54She said,
00:35:55Just that in a case.
00:35:59It's a true story.
00:36:03We formed a club.
00:36:05It was Roger's idea.
00:36:07Michael Caine and his wife, Shakira.
00:36:11Leslie Bruckers,
00:36:12the brilliant songwriter,
00:36:14and his wife, Evie.
00:36:15Brian and me.
00:36:17And Roger and Luisa.
00:36:18We would just get together.
00:36:20And we called ourselves
00:36:22The See You Next Tuesday Club.
00:36:24Roger loved it.
00:36:26And we loved it.
00:36:29Now that there are so many years
00:36:31you are Simon Templer,
00:36:33do you still like this man?
00:36:34He's kept me in good clothes,
00:36:38good food,
00:36:39good company.
00:36:41Of course I like him.
00:36:43Simon Templer
00:36:44has given me confidence and class.
00:36:47My South London upbringing
00:36:48was by now a distant memory.
00:36:51Oh, you're starless.
00:36:52You're so bright.
00:36:53Your carriage awaits.
00:36:55So playing an English lord
00:36:57in The Persuaders
00:36:58It's got a hat.
00:37:00wasn't too big a stretch.
00:37:02Let me carry your train for you, sir.
00:37:04Daniel, you really do
00:37:06bring a fresh meaning
00:37:07to the word peasant.
00:37:08Your dukeship, ain't it?
00:37:10I shared top billing
00:37:12with Hollywood legend
00:37:13Tony Curtis,
00:37:14who played Danny Wilde,
00:37:16a Brooklyn kid made good.
00:37:19Roger was perfect.
00:37:20See, Roger had this attitude
00:37:21of an English lord,
00:37:23Lord Sinclair, you know?
00:37:27He already was the Lord Sinclair,
00:37:29could have been in movies.
00:37:30Handsome Englishman.
00:37:31Thank you very much.
00:37:34The show was built around
00:37:35beautiful women,
00:37:36fast cars,
00:37:37and glamorous locations.
00:37:40I got a call from Roger.
00:37:42Joni, I want you to come
00:37:44to the South of France
00:37:45to do The Persuaders
00:37:46with me and Tony Curtis.
00:37:48I said, oh, wow,
00:37:49that sounds great.
00:37:51He said, well,
00:37:51we'll put you up in a hotel.
00:37:53I thought, well, this is nice.
00:37:55It's a hard life
00:37:56being an actor, isn't it?
00:37:58Why didn't you switch
00:37:59that thing off?
00:38:00I think I'll switch
00:38:01that thing off.
00:38:02I was a photographer.
00:38:04I was very bohemian,
00:38:07somewhat avant-garde.
00:38:08You may kiss me.
00:38:09Kissing Roger was fine.
00:38:16Kissing Tony was like
00:38:17kissing an ashtray.
00:38:18Bye.
00:38:19Mmm.
00:38:20Is this an excuse me
00:38:21or can we all join in?
00:38:23Oh, sorry.
00:38:25Mmm, I like it.
00:38:26I like it.
00:38:27It was The Persuaders
00:38:28that added the final piece
00:38:29of the jigsaw
00:38:30to my repertoire,
00:38:32something that would become
00:38:32my trademark.
00:38:34Well, you must forgive him.
00:38:35His early life
00:38:36was influenced rather heavily
00:38:37by Rudolf Valentino.
00:38:39A soup song
00:38:39of tongue-in-cheek humour.
00:38:41There's no need to kneel.
00:38:42I'm a very democratic lord.
00:38:45With Lord Brett Sinclair,
00:38:47I had become
00:38:48an upper-class gentleman.
00:38:50Literally.
00:38:50I'd gone from
00:38:51a one-room flat
00:38:52in South London
00:38:53to a mansion
00:38:54in Buckinghamshire.
00:38:59Maybe growing up
00:39:00and having to provide
00:39:02for a family
00:39:02was the making
00:39:03of Roger Moore.
00:39:05All these TV roles,
00:39:07Ivanhoe,
00:39:08The Saint,
00:39:09The Persuaders,
00:39:10had me playing the hero,
00:39:11saving damsels in distress.
00:39:15From them,
00:39:16I had put together
00:39:17the voice,
00:39:19the charm,
00:39:20a modicum
00:39:21of comic timing,
00:39:22and the ability
00:39:24to look half-decent
00:39:25in a suit.
00:39:27And out of one.
00:39:28All I needed
00:39:32to make my life complete
00:39:34was to get back
00:39:35on the big screen.
00:39:36And then,
00:39:45one day,
00:39:48the call I'd been waiting for
00:39:49finally came.
00:39:53Three last digits
00:39:55with 007,
00:39:56007.
00:39:57And he answered
00:39:58your phone with 007,
00:39:59because that's what you do.
00:40:00And the voice said,
00:40:01that you are, Roger.
00:40:02He must have played down,
00:40:03oh, great,
00:40:04that's wonderful.
00:40:04Louisa!
00:40:06We had a drink,
00:40:07he said,
00:40:07I've got some great news.
00:40:09I've got some great news.
00:40:13Chin-chin.
00:40:16Everybody was thrilled,
00:40:17and we toasted
00:40:18the new 007.
00:40:20And I said,
00:40:21can I be a Bond girl?
00:40:22Roger Moore is an amazing man
00:40:29because he seems to be
00:40:30a very humble human guy
00:40:32who lets it all
00:40:32sort of hang out.
00:40:34You're talking about
00:40:35all of us.
00:40:35No, I'm not.
00:40:37He now,
00:40:38as you all know,
00:40:39is the new James Bond
00:40:40and is going to be,
00:40:42if not already,
00:40:44an enormous
00:40:45major motion picture star.
00:40:47Following my speedboat crash,
00:40:57I was carted off
00:40:57to the clinic
00:40:58where the doctor
00:40:59gave me the good news
00:41:00that my leg wasn't broken
00:41:02and my wife Louisa
00:41:04gave me the most
00:41:05un-James Bond-like news
00:41:07that I'd made a mess
00:41:08of my underwear.
00:41:13The speedboat incident
00:41:14did nothing to calm
00:41:15the nerves,
00:41:17not mine
00:41:17and certainly not
00:41:19that of my bosses,
00:41:20Harry Saltzman
00:41:20and Cubby Broccoli.
00:41:22I do remember
00:41:23when they brought me
00:41:24out to New Orleans.
00:41:25I don't know
00:41:25that he was nervous,
00:41:27but they were nervous
00:41:28about him.
00:41:32The studio bosses
00:41:33wanted a big American name,
00:41:36Paul Newman
00:41:36or Steve McQueen,
00:41:38but Cubby and Harry
00:41:39fought for yours truly,
00:41:41and I was forever grateful.
00:41:44Everyone was nervous
00:41:45about anyone replacing
00:41:47the Bond who was Sean.
00:41:50Connery just took the world
00:41:52by storm.
00:41:53Bond.
00:41:55A martini shaken,
00:41:56not stirred.
00:41:59And Roger had to pick up
00:42:00that mantle.
00:42:01Very demanding
00:42:02because Connery
00:42:04had made such
00:42:05an indelible impression.
00:42:07Sean had established
00:42:08the role
00:42:09and was a diamond
00:42:12in the rough
00:42:12and Roger
00:42:14was a well-honed diamond.
00:42:16He had this charm
00:42:17about him,
00:42:18he had a casualness
00:42:19that seemed to go
00:42:19at the times.
00:42:21Such a big touch.
00:42:24She had magnetism,
00:42:25honey.
00:42:25When I met him,
00:42:27the first thing
00:42:27he was trying to do
00:42:28was make sure
00:42:28he could shoot
00:42:29this silver magnum thing
00:42:31without going like that
00:42:32every time.
00:42:33Every time he had
00:42:34looked like that,
00:42:34so he definitely
00:42:35had a problem
00:42:35and he was not
00:42:36looking Bond-like
00:42:37to go,
00:42:37every time.
00:42:38And then came
00:42:39the line
00:42:40that would determine
00:42:41whether I would
00:42:41succeed or fail.
00:42:44I'd practiced it
00:42:45over and over,
00:42:47but no matter
00:42:48how many times
00:42:49I said it,
00:42:50in my head
00:42:50I always heard
00:42:51the same thing.
00:42:53I was terrified
00:42:54I would open my mouth
00:42:55and out would come.
00:42:57My name is Bond,
00:42:58James Bond,
00:42:59and I mustn't do that.
00:43:02The first proper scene
00:43:03I remember doing
00:43:04with him,
00:43:05you know,
00:43:05the first time
00:43:05he said I'm Bond,
00:43:06James Bond.
00:43:07I was terrified.
00:43:09It was scary.
00:43:12Oh.
00:43:14All right.
00:43:16What's my name?
00:43:18My name's Bond.
00:43:19James Bond.
00:43:20My name's Bond.
00:43:24James Bond.
00:43:26Yeah,
00:43:26that's a big,
00:43:27big name to say.
00:43:32The weather turns
00:43:34suddenly,
00:43:34colder today,
00:43:36colder today,
00:43:36but the chill
00:43:37in the air
00:43:38warmed under
00:43:39the sunny smile
00:43:40of Gloria Hendry,
00:43:42whose entry
00:43:46into the French
00:43:47quarter in Courtyard
00:43:48was straight
00:43:49out of a Bond movie.
00:43:51Would you believe that?
00:43:53The overall effect
00:43:54is wow.
00:43:56that's a compliment.
00:44:03So here we are
00:44:04on the set.
00:44:05This guy said to me,
00:44:07stay out of the sun
00:44:08because, my God,
00:44:10it was burning up
00:44:11and I'm on top of him.
00:44:13So the night before,
00:44:14I had a lot of garlic.
00:44:19James.
00:44:20He said,
00:44:25you're lucky
00:44:25my wife is Italian.
00:44:35This was one of the first
00:44:36major films
00:44:37that had an interracial
00:44:39relationship.
00:44:40It was quite a remarkable
00:44:42thing for the time.
00:44:43I couldn't believe
00:44:46my luck.
00:44:47Glorious Gloria
00:44:48and sensational Seymour.
00:44:53He was just
00:44:54incredibly helpful
00:44:55to me
00:44:56as a young actress.
00:44:58I remember
00:44:58when we did
00:44:59the love scene
00:45:00and the famous
00:45:02deflowering love scene.
00:45:03I just need
00:45:05a little bit
00:45:07of information,
00:45:07that's all.
00:45:08The eyebrow
00:45:08was the hugest issue.
00:45:10Every time
00:45:11his eyebrow
00:45:11went up,
00:45:12they were,
00:45:13cut,
00:45:14Roger,
00:45:14the eyebrow.
00:45:16I've lost it.
00:45:18They thought
00:45:19that he could
00:45:20choose it or not
00:45:21do it,
00:45:21but he couldn't.
00:45:22That's just
00:45:23how he'd be.
00:45:24That was his thing.
00:45:27Ah, yes,
00:45:28my eyebrow.
00:45:30Some say
00:45:31I built a career
00:45:32on it.
00:45:33The very
00:45:34singular ability
00:45:35to manipulate
00:45:37his left eyebrow.
00:45:38The eyebrow
00:45:39would go
00:45:40That was,
00:45:43how can he do
00:45:43just the one eyebrow?
00:45:45That furry
00:45:46little fella
00:45:47seduced the world.
00:45:49And so did I.
00:45:57We wrapped filming
00:45:58on Live and Let Die
00:46:00and all I could do
00:46:01was wait
00:46:01and hope.
00:46:03Wait to see
00:46:04what the critics
00:46:05would make
00:46:05of my Bond
00:46:06and hope,
00:46:08well,
00:46:08hope the buggers
00:46:09liked it.
00:46:10What about
00:46:11the Bond
00:46:12reviews now?
00:46:14Are you ready
00:46:15for that?
00:46:15I tell you,
00:46:16well, I think
00:46:16the good critics
00:46:16in America
00:46:17are the ones
00:46:17who liked it.
00:46:18It's just that
00:46:18you have to go
00:46:19through the envy barrier.
00:46:20They will try
00:46:21to destroy you
00:46:22because they also
00:46:22feel that they made you.
00:46:23Well, you see,
00:46:24they don't decide
00:46:24who becomes a star.
00:46:26The people decide
00:46:27who becomes a star.
00:46:28Oh, that's very good.
00:46:30It's a good thing
00:46:31it's the people
00:46:31who decide
00:46:32because the critics
00:46:33were not impressed.
00:46:34it's live
00:46:37and let die.
00:46:39Roger Moore
00:46:39is James Bond
00:46:40007.
00:46:42Our box office,
00:46:43on the other hand,
00:46:44was in rude health.
00:46:46It's live
00:46:47and let die.
00:46:48We were off
00:46:48to the races.
00:46:49Ladies and gentlemen,
00:46:50Roger Moore.
00:46:50The success
00:46:53of Live and Let Die
00:46:54meant I was
00:46:55very much in demand
00:46:56on the chat show circuit.
00:46:59Roger Moore.
00:47:00This was where
00:47:01the Roger Moore
00:47:02character
00:47:03I'd built so carefully
00:47:04could really shine.
00:47:07You seem perfect.
00:47:11Are you proposing
00:47:12or something?
00:47:13No,
00:47:13you don't like that.
00:47:15You just seem perfect.
00:47:18He had it all,
00:47:19I would say.
00:47:19He seemed to
00:47:21really,
00:47:22really enjoy it.
00:47:23To make movies
00:47:24and be famous.
00:47:26He said,
00:47:27I was one lucky bastard.
00:47:29This,
00:47:30of course,
00:47:30consequently
00:47:31causes a great number
00:47:32of women
00:47:33to be attracted
00:47:34to you
00:47:35all over the place,
00:47:36which as everyone knows
00:47:37can become extremely...
00:47:37Oh,
00:47:37over which place?
00:47:38The entire globe.
00:47:40Which means that
00:47:41this can become tiresome
00:47:42and present problems
00:47:43to you
00:47:44as these ladies
00:47:45lay waiting for you
00:47:46outside your hotel room door
00:47:47and other places
00:47:48too numerous to mention.
00:47:49Is this a monologue?
00:47:52I don't like it.
00:47:53The combination
00:47:54of his looks
00:47:55and his personality
00:47:56and his pleasantness
00:47:58and his humor
00:47:58and the fact
00:48:01that he liked me.
00:48:03I'm trying to get
00:48:04to the question
00:48:05and I can't think...
00:48:05He's not reading it either.
00:48:06How do you handle
00:48:07all these women?
00:48:09My wife looks after her for me.
00:48:10She's Italian.
00:48:13Your wife's Italian?
00:48:14Yeah.
00:48:14Then you have no problem
00:48:15at all.
00:48:15I have no problem
00:48:16whatsoever.
00:48:17It was hardly worth
00:48:18that long question,
00:48:19was it?
00:48:20He was very amusing,
00:48:22pleasing as a personality.
00:48:24He was just
00:48:25the perfect talk show guest.
00:48:28It was a laugh.
00:48:29I mean,
00:48:29there's a thing
00:48:30I remember Michael Caine
00:48:31said about him.
00:48:32He hadn't been
00:48:33so good looking.
00:48:34They'd have let him
00:48:34be a comedian.
00:48:35Is there anyone
00:48:37in England
00:48:38that's got that kind
00:48:39of zany,
00:48:40nutty, marvellous
00:48:41kind of humor?
00:48:42No, no.
00:48:42Not since I left.
00:48:48Naughty sense of humor.
00:48:50Really naughty.
00:48:51He'd start telling a story
00:48:53and everybody would go,
00:48:54oh, Roger, stop it,
00:48:55for God's sake.
00:48:56I always wanted
00:48:57to be a comic.
00:48:58Well, the reason
00:48:58I wanted to be a comic
00:48:59was that when I did drama,
00:49:01everybody laughed,
00:49:02so I thought,
00:49:02well, I'm a comedian.
00:49:03When I kill,
00:49:06I kill for queen and country.
00:49:08When I kill,
00:49:08I kill for queen and country.
00:49:11When I kill,
00:49:12I kill for queen and country.
00:49:14Though I admit,
00:49:15killing you
00:49:15would be a pleasure.
00:49:18All right,
00:49:19enough larking about.
00:49:21Back to the day job.
00:49:24The man with the golden gun
00:49:25began filming in Thailand.
00:49:28There was a lot riding on it.
00:49:30Despite the box office success
00:49:31of live and let die,
00:49:33plenty of fans
00:49:34were still pining for Sean.
00:49:36They said I was too light.
00:49:39I've always been a lover,
00:49:40not a fighter.
00:49:41Director Guy Hamilton,
00:49:43however,
00:49:43wanted me ruthless.
00:49:48Wow, you're hurting my arm.
00:49:49I'll break it
00:49:50unless you tell me
00:49:51where those bullets go.
00:49:52It didn't sit easily with me.
00:49:54I wanted my bond
00:49:55to be a bit of a romantic.
00:49:56Naturally,
00:49:57I suggested bedding Maud Adams
00:50:01to extract the information.
00:50:03The guy was insistent
00:50:04I toughen up.
00:50:07You see what you can do
00:50:08when you're trying?
00:50:10Where did you get
00:50:11the reputation
00:50:12for being
00:50:12such a male chauvinist pig?
00:50:15Somebody had that impression
00:50:20of you.
00:50:21Through playing Bond.
00:50:22I suppose that would be it.
00:50:24I said where?
00:50:25Playing Bond.
00:50:26Yes,
00:50:26you get accused
00:50:28of male chauvinism.
00:50:29And I could see why.
00:50:31This trailer
00:50:31is practically
00:50:33an advert
00:50:33for male chauvinism.
00:50:35James Bond,
00:50:36on the job.
00:50:37The girls are willing.
00:50:38In December 1974,
00:50:41the man with the golden gun
00:50:42hit the cinemas.
00:50:44And the reviews
00:50:45weren't exactly glowing.
00:50:47The New York Times
00:50:48called me
00:50:48a past garden ornament.
00:50:51The box office
00:50:52wasn't quite
00:50:53what we expected either.
00:50:56Terrifyingly,
00:50:57for my bank balance,
00:50:59I may have to go back
00:51:00to working in TV.
00:51:04The man with the golden gun
00:51:06isn't really
00:51:06a financial success.
00:51:07So,
00:51:07suddenly it all
00:51:09started to look messy.
00:51:10Can we talk about
00:51:11the knocks?
00:51:12People all said,
00:51:12oh, well,
00:51:13Roger Moore
00:51:13is not my idea
00:51:14of 007.
00:51:15I mean,
00:51:16it's all a great failure.
00:51:16I mean,
00:51:17do you mind
00:51:18that kind of hammering?
00:51:20It is always nice
00:51:21to get a good notice.
00:51:23You don't like
00:51:24a good notice?
00:51:24Well,
00:51:25of course you do,
00:51:25but you don't take
00:51:26any notice
00:51:26if they're bad.
00:51:27And so,
00:51:28by the same token,
00:51:29I shouldn't take
00:51:29any notice
00:51:29of the good ones.
00:51:31Not that there are
00:51:32many,
00:51:32but still.
00:51:34March 1976.
00:51:37Pinewood Studios.
00:51:40The spy who loved me
00:51:41goes into production.
00:51:45After my last bond
00:51:46and the harsh reviews,
00:51:48I found my own way
00:51:49to deal with questions
00:51:50about my acting ability.
00:51:53Have you ever forgiven
00:51:54the critic who called you
00:51:55a lump of English roast beef?
00:52:01Yeah.
00:52:01Can you find it
00:52:02in your heart?
00:52:02Oh, sure I can.
00:52:04I know where I'd like
00:52:04to stick the mustard, too.
00:52:08You're very self-deprecating
00:52:09about your acting.
00:52:10Is that defensive?
00:52:11Yes, it's defensive.
00:52:12I always try to say it
00:52:13before anybody else does.
00:52:15But if you didn't say it,
00:52:16perhaps nobody else would.
00:52:18I never thought of that.
00:52:20Maybe I started
00:52:20the wrong way.
00:52:22He was so self-deprecating
00:52:24that people joined in.
00:52:26But actually,
00:52:27you know,
00:52:28he was a very fine actor.
00:52:29Why do you always
00:52:34put yourself down?
00:52:35Well, I've stopped doing that.
00:52:36You have?
00:52:36No, I now say I'm marvellous.
00:52:39You do?
00:52:40That's all right.
00:52:41What caused
00:52:41the change of heart?
00:52:42The critics started believing.
00:52:45Yeah, he was modest.
00:52:46He was maybe even shy.
00:52:49You know, he was so handsome
00:52:51that you forgot
00:52:52what a good actor he was.
00:52:54He was never
00:52:55enormously confident
00:52:57that he could give
00:52:59the impression
00:52:59of being confident.
00:53:01The audience
00:53:02doesn't have to know
00:53:04what you're doing.
00:53:08They just have to know
00:53:09that you know
00:53:10what you're doing.
00:53:12He was an actor
00:53:14and a movie star.
00:53:17And I think often
00:53:18movie stars,
00:53:19people don't give them
00:53:20the credit
00:53:21for the acting chops
00:53:23because they're so magnetic
00:53:25on screen
00:53:26that they think,
00:53:27well,
00:53:28that's just who they are.
00:53:30Why did you want me to go?
00:53:31I thought that I had to go down.
00:53:34All right, one more.
00:53:35Straight away.
00:53:35Let's go.
00:53:36I'd wrestled with the question
00:53:38of how to become James Bond
00:53:40with limited success.
00:53:41In the end,
00:53:43the answer was so simple.
00:53:47Stop trying to turn
00:53:49Roger Moore
00:53:50into James Bond.
00:53:51Turn James Bond
00:53:56into Roger Moore.
00:53:59Hope you enjoyed the show.
00:54:01Good night.
00:54:03He knew how to play Roger Moore
00:54:06and that's a gift.
00:54:07That's a real, real gift.
00:54:09If there's anything
00:54:10you would like,
00:54:12anything at all.
00:54:14Well, I had lunch,
00:54:15but I seem to have missed dessert.
00:54:18He said I had my stride.
00:54:20I always remember that.
00:54:21I had my stride with that.
00:54:23It's just great entertainment.
00:54:25It was shocking
00:54:26just how much fun
00:54:28Jaws and I had
00:54:29in this
00:54:29electrifying scene.
00:54:34This Why I Love Me
00:54:35couldn't be more different
00:54:36to Live and Let Die,
00:54:38Man, The Golden Gun.
00:54:38We're now in quite a different world
00:54:42in a way,
00:54:42a world when you have
00:54:43an underwater base
00:54:44and a world where you can have
00:54:46a sports car
00:54:47that turns into a submarine.
00:54:51As you can see,
00:54:53it is noisy
00:54:54and it is cold.
00:54:57Ready, action.
00:54:59The whole crew
00:54:59couldn't wait to get to work
00:55:01in the morning.
00:55:02He was so entertaining.
00:55:04We almost used to have to allow
00:55:05half an hour a day
00:55:07for the jokes
00:55:07and the fun
00:55:08that was to go on.
00:55:10People have been willing
00:55:11to have a joke
00:55:11and then it is fun,
00:55:13as you said before,
00:55:14an experience.
00:55:16It's raining on this set.
00:55:17You see,
00:55:18this is what I mean
00:55:19by being able
00:55:19to take a joke.
00:55:21I will go down
00:55:22and kill them in a second.
00:55:23Thank you very much, fellas.
00:55:24And I love him
00:55:27in his naval outfit.
00:55:28He looks incredible.
00:55:34Your time's running up,
00:55:36Stromberg.
00:55:36The worst thing
00:55:37that happened to me
00:55:37on The Spy Who Loved Me
00:55:39was the sequence,
00:55:40if you remember,
00:55:41where I,
00:55:41my final confrontation
00:55:42with Kurt JĂĽrgen,
00:55:44Stromberg.
00:55:47Well, unfortunately,
00:55:48the chair blew up
00:55:49before I got out of it
00:55:50and that did quite a lot
00:55:53have damaged my rear end.
00:55:54And he leapt in the air
00:55:56with his backside on fire
00:55:58and ran round the set.
00:56:01Anyway,
00:56:02Roger had to have
00:56:04Vaseline dressings
00:56:05for two weeks
00:56:06and afterwards said,
00:56:09I have got two holes
00:56:10where most people have won.
00:56:14It's the biggest.
00:56:16Despite the damage
00:56:16to my perfect posterior,
00:56:19the marketing team
00:56:20remained confident
00:56:21of my sex appeal.
00:56:23we get that extra push,
00:56:26especially where
00:56:26the women are concerned
00:56:27because they're less interested
00:56:28in the action aspects
00:56:30of the film.
00:56:31When you talk to them,
00:56:32they're more interested
00:56:33in Roger
00:56:33and sublimating themselves
00:56:35into the role
00:56:37of whatever woman
00:56:40he's making love to.
00:56:41How about that trim, John?
00:56:43Editor and second unit director
00:56:45John Glenn
00:56:46was hard at work
00:56:47in the edit suite,
00:56:48cutting the opening sequence.
00:56:49It promised to be something
00:56:52rather special.
00:56:54Tell you what would help it
00:56:55if you were just
00:56:56a touch longer.
00:56:57Yeah, I told you.
00:56:59I directed the pre-title sequence
00:57:02and I found myself
00:57:04in Mount Asgard
00:57:06on the Canadian Arctic.
00:57:11Three weeks it took us
00:57:13to get this shot,
00:57:14this one shot.
00:57:16It was Roger's favourite
00:57:17action scene.
00:57:19He just loved it.
00:57:20And he's falling and falling
00:57:29and falling in this
00:57:29and there's silence.
00:57:35I remember watching that.
00:57:37You know,
00:57:38it's one of the most famous bits
00:57:39in cinema, isn't it?
00:57:42Power sheet opens.
00:57:42When that union check came up,
00:57:51oh boy.
00:57:52Everyone goes bananas.
00:57:54The movie had only been going
00:57:56for like five or ten minutes.
00:57:57Standing ovation.
00:57:59The reaction was incredible.
00:58:03A day I never thought I'd see.
00:58:06But the reviews came in
00:58:08and would you believe it?
00:58:09They were positive.
00:58:10It is a fantastically
00:58:14entertaining movie.
00:58:16You've got a performance
00:58:17in Roger's that
00:58:18he knows he's there
00:58:19to give you a great time.
00:58:21If Spy Who Loved Me
00:58:22hadn't worked,
00:58:24it would have been
00:58:26very, very difficult,
00:58:27I think, for the franchise.
00:58:29There was Roger
00:58:30coming down the mountain.
00:58:31Of course he saved the franchise.
00:58:33But James, I need you.
00:58:35So does England.
00:58:38In reality,
00:58:39I had little in common
00:58:40with 007,
00:58:42except perhaps a taste
00:58:43for the high life.
00:58:44Exotic locations,
00:58:46fancy cars,
00:58:47and a nice pair of gadgets.
00:58:51These time-shifting devices.
00:58:53The portable VCR machine
00:58:55and home movie camera.
00:58:59Gadgets.
00:59:00He loved his gadgets.
00:59:01Especially the home video camera
00:59:03and the huge five-kilo box
00:59:06you'd have to carry around
00:59:06with the battery pack.
00:59:08Recording life,
00:59:10such a novelty,
00:59:11you know,
00:59:11certainly from his childhood
00:59:12where none of that existed.
00:59:17Okay, more tapes.
00:59:22All right, what's your name?
00:59:24Christian Moore.
00:59:25Christian Moore, what a horror you are.
00:59:27And there is Jeffrey.
00:59:29There's roughly about 40 tapes.
00:59:31He liked to record,
00:59:32you know,
00:59:33what was going on,
00:59:34and here we are,
00:59:34look how beautiful it is,
00:59:35and Roger narrating.
00:59:37Right, now,
00:59:37are we going to have impersonations?
00:59:38You could see more of the funny humorous side of him.
01:00:01I trust I'm a photo for a reason
01:00:03because I get very upset in my heart.
01:00:04Thank you very much.
01:00:09Mocking about great memories.
01:00:11There's a lot of
01:00:12South of France home footage.
01:00:15Jeffrey dug all this up, right?
01:00:16Yes.
01:00:16No, I haven't seen it.
01:00:18The card is not going to work.
01:00:20Someone look at it, please.
01:00:24Please, look at the card.
01:00:27Stephanie Powers.
01:00:29Do you want to get a close-up on that?
01:00:31I'm moving in for a close-up.
01:00:33Do you want to get a close-up on that?
01:00:33Oh, Stephanie.
01:00:35Oh, and spit on it.
01:00:37And just spit on that one.
01:00:40They had so much fun.
01:00:43I mean, fun, silly fun, laughter,
01:00:46and it was a magical time of the year.
01:00:49It's like a dream.
01:00:52Hi, Dali.
01:00:53Okay, Valentino Portofino.
01:01:02Olivia Newton-John.
01:01:04Yeah, that's probably here.
01:01:06We're really shy.
01:01:09It kind of hit me that we were surrounded by fame.
01:01:12But for us, it was just, they were just, they're friends.
01:01:15It wasn't, oh, he's famous, he's the, you know what I mean?
01:01:20Ah, there's my favourite Bond girl, Maud Adams.
01:01:24And how's this for a shot straight out of the Bond playbook?
01:01:31Eat your heart out, cubby brothily.
01:01:33Go, Bond.
01:01:34All his friends would come round, and growing up, seeing his friends on TV,
01:01:43I thought that's what people did.
01:01:45They were in this little box, and they'd come round.
01:01:48Chopper's arriving.
01:01:49And the chopper's arriving by now.
01:01:53Oh, is this Roger with his camera?
01:01:56The noise, oh, God.
01:02:05I mean, to land on a tennis court is really brave.
01:02:12Who the hell is...
01:02:15Oh, oh, oh, oh.
01:02:17This is Elton.
01:02:27This is Elton arriving.
01:02:29Extraordinary.
01:02:33There's Joan.
01:02:35There's the lovely.
01:02:36Is this the sound?
01:02:38Is it?
01:02:38The sound?
01:02:39Of course it does.
01:02:41Roger never changed from the time I met him.
01:02:44He was always charming, funny, full of joie de vivre, telling jokes.
01:02:50Now, it's quite amazing.
01:02:52The flora that you find on the hills of St. Paul.
01:02:55I've got my costume.
01:02:56I've got my gorilla costume.
01:02:57Oh, you're welcome.
01:02:59It's just lovely to remember that day.
01:03:01You look extraordinary.
01:03:03It's strong, I love it.
01:03:05I love Pappuccino's sake.
01:03:06Walking back in time.
01:03:11Enough of that.
01:03:14Life turned out pretty well.
01:03:42I had nice houses dotted around some lovely parts of the world.
01:03:46I had fancy cars and luxury yachts and good friends who happened to be famous.
01:03:50But, um, well, no, there is no but.
01:03:53I just had a really good life.
01:03:54Cracking shots.
01:03:58Little of crumpets.
01:04:00Terrible.
01:04:01How much?
01:04:03How much?
01:04:03It was a very surreal childhood.
01:04:07I knew he was somebody important.
01:04:10A lot of people that I would recognize from film coming in.
01:04:13And at the age I was, I didn't like attention.
01:04:16I became very shy.
01:04:19Well, it's a very nice static picture, you know, this.
01:04:22Oh, this is not a, this is, this is a moving picture.
01:04:24You know, I see pictures of myself always hiding behind my mother or my father.
01:04:29When I first realized how famous he was, because he came and picked me up at the school, all
01:04:38these kids were coming out, you know, around the car and stuff.
01:04:41And that's when I realized, you know, that they knew who he was.
01:04:44And, um, I didn't want anyone to know, because I thought that was, you know, son of James Bond and I looked like a donor.
01:04:52I thought it would be better to blend in.
01:04:59For me, fame was a choice.
01:05:01But there came a time when I felt my children deserved a more normal upbringing.
01:05:07So, reluctantly, we left England.
01:05:10And there were some tax benefits as well.
01:05:14To the left here, Peter Sellers' house, that one up there, do you see it?
01:05:21It's a cool house.
01:05:22He was one of the first guys here, Niven and obviously Brodge.
01:05:26And then Burton, I mean, that was the Rat Pack here.
01:05:30And Julie Andrews' house, it's where the train is, is basically above those trees.
01:05:36I mean, it's all very nonchalant when you talk about these people.
01:05:39But, you know, these are family, family friends, and they're all in the make-believe world, you know.
01:05:44They're getting paid to make-believe, so they didn't take themselves very seriously.
01:05:50What is the great attraction, do you think, for celebrities?
01:05:52Do they come here to get away from it all?
01:05:55Well, we come up here because there are no such things as microphones and television cameras.
01:05:59A lot of stars like Switzerland and like to live in Switzerland because the locals, they don't bother them.
01:06:08He loved it on the mountain.
01:06:09He was happy.
01:06:11Despite my fabulous skiing exploits on screen, I couldn't actually ski.
01:06:16In my 50s, I decided to learn.
01:06:21Thanks to my wonderful instructors, I found swooping down the piece to be fairly easy.
01:06:27It was stopping I had a problem with.
01:06:30We're meant to stop here.
01:06:34And what happened?
01:06:35Roger panics.
01:06:37What happened?
01:06:38He went, went, went.
01:06:40The worst thing was that the metal edges of the skis on the concrete were sparkling, sparkling.
01:06:46You wouldn't imagine that, like in a film.
01:06:49We flew through the terrace, kick a table, kick a table, kick another.
01:06:54And we ended up here like an ostrich with a head plant on the table.
01:06:59And then Roger stands up.
01:07:03Madam, a pleasure to make your acquaintance.
01:07:07Well, that was wonderful, VJ.
01:07:10For six more years and a further four films, I played the part on and off screen.
01:07:17Roger Moore, 007 for the fifth time and fit as a fiddle.
01:07:20How do you do it, dare I ask?
01:07:21I play the fiddle.
01:07:23The trailer for my final Bond film introduced Christopher Walken as my enemy.
01:07:29This man has a secret ambition.
01:07:31I propose to end the domination of Silicon Valley.
01:07:36In real life, we became great chums.
01:07:39One hundred million dollars.
01:07:40I was a big Bond fan, so the idea of being a villain was very attractive.
01:07:48Max Sauron is a genetically altered human being.
01:07:51He drives a blimp, you know.
01:08:00You know, who do you know who drives it?
01:08:05And he drives it himself, you know, switches.
01:08:09Pick you up in my blimp.
01:08:10Action, Chris!
01:08:16Physically, they're hard work.
01:08:17You're in every scene, and the schedule is usually about six months, and that means every
01:08:23day from the crack of dawn.
01:08:24So they're long hours.
01:08:27It was a long shoot.
01:08:29We were about to break for Christmas.
01:08:32And he said to me on set one day, he said, what are you doing for the holidays?
01:08:37And I said, well, I guess I'm just going to sit in my apartment.
01:08:42And he said, well, no, you come to my house in Switzerland.
01:08:44So I did.
01:08:53He was very much the Roger that you saw on film.
01:08:59You know, he was funny.
01:09:00He was charming.
01:09:01He was handsome.
01:09:03He dressed well.
01:09:04Yeah, very much the same guy.
01:09:13He had a nice life.
01:09:16Alas, old age catches up with all of us in the end.
01:09:22I think it was the moment one of my leading ladies told me I reminded her of her father,
01:09:27that I decided it was time to hang up the Waltherby PK.
01:09:32He was getting too old.
01:09:34Simple.
01:09:36You know, I mean, he looked pretty good, but he was sort of knocking 60.
01:09:40And I think he was right to quit when he did.
01:09:47I wanted to find a way to put my fame to good use.
01:09:52Audrey Hepburn, who was a UNICEF ambassador and a neighbor of mine in Switzerland,
01:09:57suggested I, too, become an ambassador.
01:09:59Upside, a chance to do something good.
01:10:05Downside, not a martini in sight.
01:10:09I was exceedingly grateful to Audrey for having steered me in the right direction.
01:10:14In 1991, my life, in a strange way, began to mirror that of my most famous character.
01:10:22I was sent to far-flung locations and war zones, but this time, I had a license to help people.
01:10:29I'm so violently opposed to the use of weapons and mines that I didn't like that image of me going around the world holding the Walther PPK.
01:10:42And it's, it appears rather heroic, and it's not.
01:10:52I had changed and how I lived my life had changed.
01:10:55By 1993, the children had flown the nest.
01:11:00Louisa and I had been together for 30 years.
01:11:03But that relationship was also changing.
01:11:07She was quite tough, Louisa.
01:11:11And she used to get very angry with him.
01:11:15A lot. A lot.
01:11:17She did turn a little bit unkindly towards him.
01:11:23And she'd humiliate him at the table.
01:11:25I don't know why she did that.
01:11:27I mean, it's tough because, you know, a lot of women would throw themselves over him.
01:11:30So, it's a tough, tough role.
01:11:33You know, she really had to put up with a lot.
01:11:36When they were living in Stade, I went to stay with them.
01:11:40I said, where's the bedroom?
01:11:43And Louisa said, this is my room.
01:11:45And it was a big, lovely bedroom.
01:11:48And Roger said, come and see mine.
01:11:51And so, under the stairs, there was this little kind of cubby hole.
01:11:55And he said, this is where I sleep.
01:11:57And I didn't want to ask the obvious question.
01:12:01How's the marriage going?
01:12:05You know, I think it was when he got slightly older.
01:12:08You know, they sort of drifted apart.
01:12:10And that made my mother very, very upset, very angry.
01:12:15She could tell that something wasn't right.
01:12:17And I think by that point, he'd, you know, already met, um, Christina.
01:12:26Christina was a friend of Louisa's.
01:12:29She was calm and empathetic.
01:12:31And as the distance between Louisa and me grew,
01:12:35Christina and I became closer.
01:12:37She was such a different person to my wife.
01:12:45They just had spent 30 years together.
01:12:48And I think, uh, it was time for him to move on with his life and, and be happy.
01:12:53My mother knew about it when she opened the newspapers and there it was, the new woman in Roger Moore's life.
01:13:02Phone call from my old man saying, kid, listen, it's just made news that, you know, I'm leaving.
01:13:06I mean, okay, you better go see your mother.
01:13:12Paparazzi would only come around when there was, like, a scandal.
01:13:14They were outside the flat.
01:13:17And I go to open the door, I open the door and there's like,
01:13:19It's out there before you know it.
01:13:23Oh, I found out from, um, co-workers.
01:13:29It was in the papers when someone threw it down.
01:13:33Some people may have disapproved of Christina, or Kiki, as I called her.
01:13:37But she was a big support to me and came on many of my UNICEF trips.
01:13:44Sir Roger Moore, or services to charity?
01:13:48Arise, Sir Roger.
01:13:51Being nice had meant a lot to me.
01:13:53All the more so because it wasn't for services to entertainment, but for my charitable work.
01:14:00Luckily, I didn't have to wear tights.
01:14:03There we are.
01:14:09In my later years, I found peace.
01:14:12I was very happy with Kiki.
01:14:15Of course, like many in old age, I had some health issues.
01:14:19Spending the last few weeks in hospital with him, I had asked him if he was frightened and he said no, that he enjoyed every minute of his life.
01:14:28I don't think he found regret in anything.
01:14:32The doctor said, I'm really sorry, but I don't think he's gotten on to live.
01:14:35We went into the room and he said, right.
01:14:41I don't want bad news.
01:14:42I just want the good news.
01:14:43So we just put on a brave face and pretended that everything was going to be all right, you know, and it wasn't.
01:14:50I just sat and talked to him for a while.
01:14:59Held his hand and stuff.
01:15:07It slowly sunk in, you know.
01:15:11And I struggled because we always had a phone call.
01:15:13We always spoke every day at 11 o'clock.
01:15:15It took a while for me not to press the button.
01:15:21It's 11 o'clock, shit, the good call Roger.
01:15:23He's no longer here.
01:15:30How will Roger Moore be remembered?
01:15:32Well, I made over 60 movies in my career, but most people only ever wanted to talk about seven.
01:15:38When someone else became Bond, I enjoyed a new kind of fame as Roger Moore, National Treasurer.
01:15:47It is a huge honor to be entrusted by his family to hold this very special sale today.
01:15:5532,000.
01:15:5735,000.
01:15:5838,000.
01:16:0040,000 pounds.
01:16:01Why anybody would want this stuff is beyond me.
01:16:05But, oh well, I'm glad they do.
01:16:08Going once at 50,000.
01:16:10At least some of this money will go to charity.
01:16:13You're brilliant, better.
01:16:14There, 55,000.
01:16:1660,000.
01:16:1760,000.
01:16:18Sold.
01:16:1960,000.
01:16:20There we are.
01:16:22It's my dad.
01:16:23It's our father.
01:16:24I don't think he really fathomed who he was until after death.
01:16:29And we're all looking for Roger tonight.
01:16:32He's here in spirit.
01:16:33Allow me to raise a glass and an eyebrow one last time.
01:16:40A toast to those who shared the journey with me.
01:16:44He never forgot me.
01:16:46I never forgot him.
01:16:47To those who made me what I was.
01:16:53Before she died, the phone goes and it was Roger on the phone.
01:16:57He said, take Dorothy's hand, squeeze it, and say, Roger's thinking of her.
01:17:02She smiled and she died.
01:17:05And to my dear friends with whom I laughed and loved.
01:17:10Oh, there, right down the cake.
01:17:11Oh, there it goes.
01:17:13I miss him.
01:17:14I suppose that's what this is about.
01:17:18A chance to tell him, you know, I never saw him again.
01:17:26Everyone will miss Roger, but the memories of what he brought us far outweighs that.
01:17:31Roger was timeless.
01:17:32All that is left is to send my love to Dawn, Dot, Louisa, and Kiki.
01:17:42Of course he was married four times.
01:17:45He was Roger Moore.
01:17:47You know, he had to let other people have a turn to be married to him.
01:17:52But, you know, who wouldn't?
01:17:53Who wouldn't?
01:17:54I'd have liked to have slept with Roger Moore.
01:17:56My mum would have liked to have slept with Roger Moore.
01:17:58We'd all like to have slept with Roger Moore.
01:17:59Yeah, Roger Moore.
01:18:02What a guy.
01:18:04A man becomes what he dreams.
01:18:07He dreamt well.
01:18:11Did I save the world?
01:18:13Not really.
01:18:14But I put a smile on people's faces.
01:18:17Did my bit?
01:18:18Then bug it off.
01:18:20Always leave them wanting more.
01:18:22Roger Moore.
01:18:29I'm sorry.
01:18:30I'm sorry.
01:18:31I'm sorry.
01:18:31I'm sorry.
01:18:32I'm sorry.
01:18:32I'm sorry.
01:18:32I'm sorry.
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01:18:33I'm sorry.
01:18:34I'm sorry.
01:18:34I'm sorry.
01:18:34I'm sorry.
01:18:35I'm sorry.
01:18:35I'm sorry.
01:18:35I'm sorry.
01:18:36I'm sorry.
01:18:36I'm sorry.
01:18:36I'm sorry.
01:18:37I'm sorry.
01:18:37I'm sorry.
01:18:37I'm sorry.
01:18:38I'm sorry.
01:18:38I'm sorry.
01:18:39I'm sorry.
01:18:39I'm sorry.
01:18:40I'm sorry.
01:18:40I'm sorry.
01:18:41I'm sorry.
01:18:41I'm sorry.
01:18:42I'm sorry.
01:18:42I'm sorry.
01:18:43I'm sorry.
01:18:43I'm sorry.
01:18:44I'm sorry.
01:18:44I'm sorry.
01:18:45I'm sorry.
01:18:46I'm sorry.
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