🔎✨ Sherlock Holmes – The Case of the Shy Ballerina (Episode 6, 1954) ✨🔎
📺 Another captivating case from The Adventures of Sherlock Holmes (1954 TV Series) featuring:
🕵️♂️ Ronald Howard as Sherlock Holmes
👨⚕️ Howard Marion-Crawford as Dr. Watson
👮 Archie Duncan as Inspector Lestrade
⚡ Episode Summary:
Dr. Watson unexpectedly finds himself mixed up in international intrigue when he comes into possession of a secret Russian document. The trail leads Holmes and Watson to a shy ballerina, whose life is suddenly in danger. With foreign agents on the move and time running out, Holmes must use his brilliant deductions to protect the innocent and expose the culprits.
💡 Why Watch This Episode?
✔️ A thrilling story blending espionage, mystery, and suspense
✔️ Features one of the series’ most memorable guest characters
✔️ A perfect mix of drama, deduction, and vintage 1954 TV charm
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👉 Explore the complete playlist of The Adventures of Sherlock Holmes (1954) and enjoy all 39 classic mysteries!
https://www.youtube.com/playlist?list=PLYSxyPafGbnTKAJ16ovG0sQTB5iqXP1ra
👉 Don’t forget to Like 👍, Comment 💬 & Subscribe 🔔 for more timeless detective adventures and vintage TV classics.
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📌 Hashtags & Tags for SEO:
#SherlockHolmes 🕵️♂️ #ShyBallerina #TheAdventuresOfSherlockHolmes #1954TVSeries #ClassicTV 📺 #RonaldHoward #DrWatson #InspectorLestrade #VintageMystery #DetectiveDrama #GoldenAgeTelevision
________________________________________
📺 Another captivating case from The Adventures of Sherlock Holmes (1954 TV Series) featuring:
🕵️♂️ Ronald Howard as Sherlock Holmes
👨⚕️ Howard Marion-Crawford as Dr. Watson
👮 Archie Duncan as Inspector Lestrade
⚡ Episode Summary:
Dr. Watson unexpectedly finds himself mixed up in international intrigue when he comes into possession of a secret Russian document. The trail leads Holmes and Watson to a shy ballerina, whose life is suddenly in danger. With foreign agents on the move and time running out, Holmes must use his brilliant deductions to protect the innocent and expose the culprits.
💡 Why Watch This Episode?
✔️ A thrilling story blending espionage, mystery, and suspense
✔️ Features one of the series’ most memorable guest characters
✔️ A perfect mix of drama, deduction, and vintage 1954 TV charm
─────────────────────────────
👉 Explore the complete playlist of The Adventures of Sherlock Holmes (1954) and enjoy all 39 classic mysteries!
https://www.youtube.com/playlist?list=PLYSxyPafGbnTKAJ16ovG0sQTB5iqXP1ra
👉 Don’t forget to Like 👍, Comment 💬 & Subscribe 🔔 for more timeless detective adventures and vintage TV classics.
─────────────────────────────
📌 Hashtags & Tags for SEO:
#SherlockHolmes 🕵️♂️ #ShyBallerina #TheAdventuresOfSherlockHolmes #1954TVSeries #ClassicTV 📺 #RonaldHoward #DrWatson #InspectorLestrade #VintageMystery #DetectiveDrama #GoldenAgeTelevision
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Category
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Short filmTranscript
00:00The End
00:30It was a peaceful evening.
00:51I never suspected Inspector Lestrade would shortly be accusing me of the murder of a man I had yet to meet.
01:00Do you like Vorjak?
01:05Yes, he was playing some time.
01:10I have been.
01:14Oh.
01:17Would you care to go out?
01:19Why?
01:20Oh, I know it's a walk somewhere. I feel restless.
01:24Why don't you read, Holmes?
01:27What, about the tigers of India?
01:30Well, it's jolly instinct, especially about the female of the species.
01:34Female of the species usually is.
01:37It says here that they often attack when you think they're going to run and run when you think they're going to attack.
01:44Fascinating.
01:45Here.
01:46Oh, no.
01:47Now, come, come. The exercise will do you good.
01:49Allow yourself to vegetate and grow static.
01:51Obviously a man of your former violent habits.
01:54Tiger hunting in India.
01:55Horse marches Watson.
01:56Come on.
01:57All right, then. All right, sir. All right.
02:00Well, only a short one, mind.
02:02Because this is no time to go promenading blast.
02:07Bring my hat, will you?
02:08There you are, boy.
02:10What's wrong?
02:11Well, look.
02:12Look, this isn't my coat.
02:13It's a lighty, but it just isn't.
02:15Too small?
02:16Well, yes.
02:17Well, you'll probably pick someone else's up at the...
02:19But...
02:20No, I...
02:24Oh, look.
02:25It's a letter, honey.
02:26I think it's got an address.
02:27Well, it doesn't make any sense.
02:29Let's see.
02:30Twelve heroes with broken feet.
02:33Unsigned.
02:34Well, it sounds silly to me.
02:36Written by a woman and dashed off in a hurry, too.
02:39It is a bold hand, Watson.
02:41A woman of strength and character.
02:43Capable of violence, I'd say.
02:45Like your, uh, tiger's red.
02:55Which of you two gentlemen is, Doctor Watson?
02:57I am, sir.
02:58Thank goodness I've found you, Doctor.
03:00The cloakroom attendant of the club told me this must be your coat and our...
03:04Ah, yes, I see you have it, Doctor.
03:06As a matter of fact, we've only just, uh, discovered the mistake.
03:08In fact, we were on our way back to the...
03:10I say, would you mind, Adams?
03:11Yes, of course.
03:12Ah.
03:20There we are.
03:21Oh.
03:22So sorry.
03:23There we are.
03:25Thank you, Doctor.
03:27Good night, gentlemen.
03:28I'm sorry about the mistake.
03:29Good night.
03:30Good night.
03:31Good night.
03:39I say, Holmes.
03:40Yes.
03:41I know.
03:42He took your hat.
03:43Oh, no.
03:44Now, really, that's gone too far.
03:45There's a limit to these things.
03:46Really, these people.
03:47Well, don't worry about it, Holmes.
03:48The cloakroom attendant of the club will know his name and address.
03:50Well, it doesn't matter about that.
03:51It's...
03:52I...
03:53It doesn't like wearing another chap's hat, you know.
03:55It's a personal thing I have.
03:56Like...
03:57Like a toothbrush.
03:58It's another title, I see.
03:59The, uh...
04:00Family crest.
04:01It's Russia, too.
04:02Samovar.
04:03A nice pair of icons.
04:04You know, it has been to rain when we came in here.
04:05I hope that chap's had the decency not to get my hat absolutely soaked.
04:08Hmm, Watson.
04:09Well, I see he composes, too.
04:10Well, someone does.
04:11Holmes, what do you think you're doing?
04:12You just can't start barging into a chap's house and start playing his piano?
04:34into a chap's house and start playing his piano?
04:37The violin is really my instrument, Watson,
04:39but I have a certain facility with the piano,
04:41even if I do say so.
04:43Do you know what this piece is called?
04:45No, I don't. I couldn't care less.
04:47We should stop playing that thing.
04:49The spider's web. A ballet, apparently.
04:52And at this point, the spider attacks the fly.
04:55You gentlemen wish to see my husband? I'm Mrs. Cheltenham.
05:05How do you do? I'm Dr. Watson. This is my friend Mr. Holmes.
05:09Oh, Mr. Sherlock Holmes.
05:12Madam, I've come here to return your husband's hat.
05:15He left it in our flat this evening.
05:17I thank you. I'm afraid my husband isn't home, Dr. Watson.
05:21Well, I wonder if you'd be good enough to ask him
05:23if at his earliest convenience he could return mine.
05:26My husband has other hats. Perhaps you...
05:29Oh, no, no. Thank you very much indeed.
05:31I'm very partial to my own.
05:34Well, I'm sorry to have disturbed you, Mrs. Cheltenham.
05:43Mr. Holmes?
05:45Yes, madam?
05:47May I ask, did my husband go to your flat
05:49to consult you professionally?
05:51No, no. He merely came to return Dr. Watson's coat,
05:55which he had also taken by mistake.
05:57Then, Mr. Holmes, I would like to consult you professionally.
06:01My services are always available to anyone who has genuine need of them.
06:05My husband is in trouble.
06:07He gave us that impression.
06:09He's being blackmailed.
06:11By whom?
06:13Six months ago, we returned to London from St. Petersburg,
06:19where my husband was military attache.
06:21During his stay in St. Petersburg,
06:23he met a ballerina named Olga Yaklanoff.
06:25Yaklanoff?
06:27Oh, yes. The premier danseurs with the St. Petersburg Imperial Ballet.
06:31Yes. The troupe is playing in London now.
06:33They've been here all week.
06:35When my husband met Yaklanoff in Russia, they became friendly.
06:39Oh, it was nothing more than friendship.
06:41You see, my husband is an amateur composer,
06:43and their friendship was based on mutual love of music.
06:45I see.
06:47During their friendship,
06:49my husband disclosed some military secrets unthinkingly to Yaklanoff.
06:53She demanded 5,000 pounds,
06:55but then he was transferred to London.
06:57Now she's renewed her demands.
06:59Ah, your husband has told you of this?
07:01Only of the original demand in St. Petersburg,
07:03but I know that she's renewed it here in London.
07:05Do you expect him back this evening?
07:07I don't know.
07:09His whole routine has been
07:13upset.
07:17Mr. Holmes, you must help.
07:19Madam, I detest blackmail
07:21in any form.
07:23You'll hear from me tomorrow.
07:27Oh, by the way,
07:29what was the dancer's name?
07:31Yaklanoff.
07:33Oh, yes. I wonder, would you mind
07:35writing it down for me?
07:43Thank you, madam.
07:45Oh, madam.
07:47About my hat, I wonder...
07:49Yes, Dr. Watson?
07:51Oh, well...
07:53No, it doesn't matter.
07:55Oh, well...
07:57No, it doesn't matter.
07:59Oh, well...
08:01No, it doesn't matter.
08:03No, it doesn't matter.
08:21Did you knock on the door?
08:23It was a knock.
08:25I am inside, Watson.
08:27Not outside.
08:29Well, it must have been somebody else.
08:31Inside, too.
08:37Ah, Inspector.
08:39Rather late for Scotland Yard to be up and about, isn't it?
08:41Oh, I'm sorry to get you out of bed at this time of night, Mr. Holmes.
08:45It's not a very pleasant business.
08:47I've come about either.
08:48Oh, look.
08:49I say, my hat.
08:50Dr. Watson.
08:51Holmes, look at this chance done to it.
08:53It's absolutely soaked.
08:55Dr. Watson, do you wish to make a statement?
08:58You're not obliged to, but I must warn you that anything you say will be taken down and may be used as evidence.
09:04I won't half give this chap a piece of my mind when I catch up with him.
09:08I really will...
09:09What?
09:10What did you...
09:11Who'll use what to get...
09:12Holmes, what's he talking about?
09:14Dr. Watson, I must question you in connection with the murder of the Honorable Harry Shelton.
09:20Murder?
09:21I'll murder him when I catch up with him.
09:24I...
09:25What?
09:26What?
09:27Mr. Shelton was found murdered in St. James's Park.
09:30And your hat, Dr. Watson, was found beside the body.
09:33Oh, an embarrassing predicament, eh, Watson?
09:38Can you explain it?
09:40Well, what do you mean, can I explain it?
09:43Well, you know perfectly well how Shelton's on my head.
09:45Well, tell the man.
09:46Tell him.
09:47Mr. Strayed, how was Shelton murdered?
09:50Stabbed, Mr. Holmes.
09:52In the back.
09:54And we haven't been able to find a weapon yet.
09:57Any other suspects?
09:58I mean, eh, if not for my old friend, eh, Watson here?
10:01Well, no.
10:03Unless footpads did it.
10:06I'm sorry, Dr. Watson, that's evidence, you know.
10:10Holmes, will you kindly tell the Strayed how my hat got mixed up in this affair?
10:16Patience, Watson.
10:17Patience.
10:18Now, go get yourself dressed.
10:19We're going to St. James's Park.
10:21If you don't mind waiting a moment for Strayed.
10:24Oh, er...
10:25Officer, you might keep an eye on Dr. Watson while he dresses.
10:29You never know, he may try and get out through the window.
10:33Well, I...
10:34I've never...
10:35And this is a fine example of British justice, of mellicons and pinches your hat and you accuse me of murdering him to get it back.
10:46Hmph!
10:47I've never heard of such a thing in my life.
10:49I think of all the cups of tea you've had free with us, it makes me absolutely...
10:54Well, er, the body was lying about here, Mr. Holmes.
11:03I see.
11:04You removed it immediately.
11:05Well, almost immediately.
11:07The kind of body's lying about St. James's Park, you know.
11:11Anyhow, it was raining.
11:12Yes, of course.
11:13And the poor fellow may have taken cold, almost considerate of you, Lestrade.
11:17It doesn't matter what evidence you may have destroyed.
11:20Well, from what you tell me on the way up here, things are beginning to take shape.
11:25You found anything in his overcoat?
11:27No, nothing.
11:28Only that note you were talking about.
11:30You know, the one with the twelve heroes with the broken feet?
11:33Oh, that doesn't mean anything, I'm sure.
11:35No, I suppose not, Lestrade.
11:37And you were saying that things were going to shape up, eh?
11:40Oh, yes.
11:41Well, you see, Chelten met this woman in St. Petersburg.
11:45She comes to London with the ballet, and she wants to renew the friendship.
11:49He doesn't.
11:50So she lures him in here and stabs him.
11:54Very excitable, these Russian women.
11:56Take things like that seriously, you know.
11:58So all you have to do is place her here in the park, eh, Lestrade?
12:02Exactly.
12:03You have all the evidence you need that she was here.
12:06I have?
12:07The note, Lestrade.
12:09It tells Chelten to meet her here tonight.
12:11Well, I don't see it.
12:14Twelve heroes with broken feet.
12:19What have twelve heroes with broken feet to do with her meeting him here tonight?
12:24The numeral twelve, Lestrade, obviously refers to twelve o'clock midnight.
12:29Well, what about the heroes with the broken feet?
12:32A slight confusion on the lady's part.
12:34Probably the influence of Cockney's stagehands.
12:37She added an H where there shouldn't have been one.
12:39What?
12:40Then spell it as she spelled it, but without the H.
12:44E-R-O-S.
12:49Precisely, and here he is.
12:52Cupid, the Greek god Eros with his broken feet.
12:56Oh, I see.
12:57Oh, then we have our murderess.
13:02It would appear so, wouldn't it?
13:05And now the case is solved, perhaps I can go home and soak my feet.
13:11No, no.
13:12I know nothing.
13:13Nothing.
13:14Please leave me alone.
13:15Please, you will go.
13:16Madam, I assure you.
13:17Where is Sergei?
13:18Oh, Sergei, come quick, quick.
13:19Help me.
13:20They want to hang your poor little Petrushka.
13:21Where is Sergei?
13:22Madam, we...
13:23Go away, you're a bad man.
13:24Disappear.
13:25Please disappear.
13:26What is that?
13:27What is it?
13:28The spider's web.
13:29Shelton wrote it.
13:30Mademoiselle, perhaps you'll be good enough to write as I dictate.
13:48Twelve heroes.
13:5112. Heroes with broken feet.
13:58No, I do not do it, I swear.
14:01He was dead already when I got to meet him.
14:05You wish to make a statement, madam?
14:08You are not obliged to do so, but I warn you that anything you say will be taken down and may be used in evidence.
14:14He's got that expression on the brain, don't I?
14:17I do nothing except dance. I do not kill. I am done, sir.
14:22You do not believe me. Look, I'll show you.
14:26Madam, please. Please, madam, I am for you.
14:30Sergei, they say I kill Harry Chelten and me, Yekhanov.
14:34Tell them I cannot kill you in a fly.
14:37Who are you?
14:39Well, I...
14:40How do you harm mademoiselle Yekhanov like this?
14:43I am Inspector Lestrade of Scotland Yard, and madam Yekhanov...
14:47And I, and I am Sergei Smirnoff, the director of the St. Petersburg Imperial Ballet.
14:52The Tsar himself shall hear of this outrage.
14:56Then, Mr. Smirnoff, perhaps you would be good enough to explain the exact relationship between madam Yekhanov and Mr. Chelten.
15:04Madam appears to be, to say the least of it, incoherent.
15:10So you had an acquaintance with Shelton in London?
15:17Yes, Sergei. I saw him again.
15:20I meet Harry in St. Petersburg.
15:22He does not wish to be soldier boy, he tells me.
15:24He wished to make beautiful music, like Tchaikovsky.
15:27He play his music for me, I say.
15:29Harry, you must be better soldier boy than you are music maker.
15:32You must be. It is not possible to be worse.
15:35Such music, like noises in the air.
15:39He was ridiculous, yes?
15:41Why was he looking at you like that, madam?
15:43He has written ballet since he left St. Petersburg.
15:45The spider's web, he called it.
15:47He wished me to dance the spider.
15:49No.
15:50Me, Yekhanov, a spider. It is crazy.
15:52And tonight you arrange to meet him in St. James's Park after the evening performance?
15:56Yes, to tell him it is finished. No more will I listen to his music.
16:00And did you meet him in the park?
16:02Yes, but I was a little late. It was very dark. I see Harry on the ground. Dead.
16:12I see. You saw no weapon?
16:14No, no weapon. I am frightened. I run away.
16:18Not bad, Mr. Smirnoff. It has certain merit.
16:31Merit?
16:33Oh! Look, it must be down to noises like that.
16:36Yes, listen.
16:38At the beginning, even, it is all wrong. Look, it should go like this. In three-fourth time.
16:53One, two, three. One, two, three.
16:59Very pretty, Mr. Smirnoff. But we happen to have a murder on our hands.
17:05Oh, madam, does this dagger belong to you?
17:09Yes, I kill myself with it.
17:12Oh, no. Really, madam, there is no need to go that far.
17:15I believe, Watson, the lady means she kills herself with it in the ballet.
17:20Yes, in the ballet.
17:22There are some interesting traces of blood on that, Lestrade.
17:26Oh, no. It is not true.
17:29I am afraid, madam, I will have to ask you to accompany me to Scotland Yard.
17:34for further questioning.
17:37You will go, Olga. It is only bluff.
17:40Yes, Sergei. I... I will dress.
17:47I will take after Zav.
17:49Himself.
17:50Personally.
17:51You will see.
17:53There may even be war.
17:55War!
18:01War!
18:02Foreigners.
18:04Women.
18:05Nobody could be logical about them.
18:06Not even Sherlock Holmes.
18:08Holmes, can't you think, sitting down?
18:09This is the third time I've read this page already.
18:11Yeah, Klanov's handwriting. That's what baffles me.
18:12The hand of a strong woman.
18:13And yet you saw her, Watson.
18:14No will of her own.
18:15Absolutely no will.
18:16It's illogical.
18:17Well, the inspector seemed to think the same thing.
18:18But he's built up a pretty logical case against her with your help.
18:19Hmm.
18:20Perhaps too logical.
18:21Attack when you expect them to run, and run when you expect them to attack.
18:25You know, Chelten wrote pretty bad music. That could be a motive for murder.
18:27Thought about it meself when I saw it.
18:28I don't know why I've read this page already.
18:29Yeah, Klanov's handwriting. That's what baffles me.
18:30The hand of a strong woman.
18:31And yet you saw her, Watson.
18:32No will of her own.
18:33Absolutely no will.
18:34It's illogical.
18:35Well, the inspector seemed to think the same thing.
18:38But he's built up a pretty logical case against her with your help.
18:42Hmm.
18:43Perhaps too logical.
18:44Attack when you expect them to run, and run when you expect them to attack.
18:48You know, Chelten wrote pretty bad music. That could be a motive for murder.
18:54Thought about it meself on occasion.
18:55But this handwriting, Watson.
18:57If only I could get to the bottom of it.
19:01I say, Holmes, do you think they could let me have my hat back before the trial?
19:05I didn't think my drag on for days.
19:08Lestrade keeps on saying it's evidence.
19:10Nope.
19:11There's only one thing to do.
19:13Have Lestrade confront Sergei Smirnov with Mrs. Chelten.
19:16Why?
19:17Because it's perfectly obvious why and by whom Chelten was killed.
19:21The only thing I can't get to the bottom of is this mysterious business of the handwriting.
19:27Do you know who murdered Chelten then?
19:30Yes, of course I do.
19:31Don't you?
19:43Glenn, you never met Sergei Smirnov before, Mrs. Chelten.
19:46Either in St. Petersburg or London.
19:49No, Mr. Holmes.
19:51Brought Mr. Smirnov for long as you asked me to, Mr. Holmes.
19:54Oh, good.
19:56Mr. Brazier.
19:57I beg your pardon?
19:58I am furious.
20:01Right in the midst of rehearsal, I am right away.
20:04Well, I am sure the good inspector apologised most profusely, Mr. Smirnov.
20:08I don't believe you've met Mrs. Chelten.
20:10Hmm?
20:11Chelten.
20:12Who?
20:13Mrs. Chelten.
20:14Ah!
20:15Murder!
20:16Then perhaps, Mr. Smirnov, you'd be good enough to play the introductory music to the Spider's Web Ballet for Mrs. Chelten, as you did for us last night.
20:35Eh?
20:36Didn't it strike you as curious, Lestrade, that Mr. Smirnov should know Chelten's ballet music, which wasn't composed until after Chelten left St. Petersburg?
20:46Well, I...
20:47Uh...
20:48Yaclanoff didn't show it to him.
20:50She did everything she could to hide their meetings.
20:53That left only one place where he could have learnt that music.
20:58Here.
20:59In this house.
21:01At that piano.
21:03In Chelten's absence, naturally.
21:06I don't follow you, Holmes.
21:09The budding affair of the heartless trade was not as Mrs. Chelten would have us believe.
21:14Between her husband and Mademoiselle Yaclanoff.
21:17But between herself and Mr. Smirnov.
21:23Between Smirnov and Mrs. Chelten?
21:26Ridiculous.
21:27Then how did you learn Chelten's ballet?
21:31I...
21:35Do you wish to make a statement, sir?
21:37You're not obliged to do so, but I warn you that anything you say will be taken down and maybe...
21:41Are these the shoes you meant, Holmes?
21:43I believe so, Watson.
21:46Mrs. Chelten, did you by any chance go out last night after Dr. Watson and I departed?
21:52No, I didn't.
21:54I mean, no, I didn't.
21:57Yet these are the shoes you were wearing.
22:00If you didn't go out, how do you account for the mud on the soles and the blades of grass?
22:06It didn't start to rain until after we left.
22:13Mr. Holmes, I don't think it's necessary that I explain anything.
22:17You...
22:19Do you mean she did it or...
22:21Or he did it or both?
22:23Who are you accusing of murder, Holmes?
22:25Mrs. Chelten, alone.
22:27Ah.
22:28Oh.
22:29So you killed...
22:30For love of me?
22:31And accomplished the double task of placing the guilt on Mademoiselle Yakfanov.
22:34You undoubtedly found her note in your husband's pocket.
22:36Ah!
22:37To kill for love.
22:38I can understand.
22:39But...
22:40But to blame poor little Olga.
22:43That I will never forgive.
22:45Who would replace her in the ballet?
22:46You seem to forget, Mr. Holmes, that the dagger was found in Mademoiselle Yakfanov's room.
22:50Ah.
22:51I'm sorry.
22:52I'm sorry.
22:53I'm sorry.
22:54I'm sorry.
22:55I'm sorry.
22:56I'm sorry.
22:57I'm sorry.
22:58I'm sorry.
22:59I'm sorry.
23:00I'm sorry.
23:01I'm sorry.
23:02I'm sorry.
23:03I'm sorry.
23:04I'm sorry.
23:05You?
23:06Ah, yes.
23:07The dagger.
23:08When did Mrs. Chelten have the dagger, Mr. Smirnov?
23:11Three days ago.
23:12I forget to leave it here after the ballet.
23:16The next day, Hélène returned it to me, with a few drops of her own blood on it.
23:23Holmes, are you sure this time?
23:27I was almost sure from the beginning, Lestrade.
23:29I just couldn't explain the handwriting and the temperament.
23:32And there really wasn't a logical explanation.
23:34I mean the strong-minded woman with the weak handwriting.
23:37And the weak-minded woman with the strong handwriting.
23:40The inconsistency of the female Watson.
23:42Yet she was clever in engaging me to make sure that Mademoiselle Yakfanov would be suspected.
23:47Mrs. Chelten, I must ask you to come with me to Scotland Yard.
23:52Do you wish to make a statement?
23:54Ahem.
23:55You're not obliged to, but I warn you that anything you say will be taken down and may be used in evidence.
24:02I must go and free poor little Olga from prison.
24:17She has suffered so.
24:19She will dance so much better now.
24:21Oh!
24:22You mean that Holmes, that you knew Mrs. Chelten had committed the murder, but the one thing that confused you was her handwriting?
24:37Her handwriting and character, Watson.
24:39The evidence was logical, but the personalities were not.
24:43Well, they were logical enough in their way.
24:45Holmes was just feminine.
24:46Yes.
24:47That's it, Watson.
24:48They were just feminine.
24:50I must devote more time to that, Watson.
24:53I must devote more time to that.
25:20That's it, Watson!
25:21Or is it possible?
25:22Yes.
25:23But yes.
25:24That's it.
25:25It isn't possible, but the one thing you said.
25:26Well, if you could take away the murder, of all of us.
25:29How can I do that in your head?
25:30And let it be a problem, and let it be a moment.
25:32We can't take away the murder.
25:35Bill Loves, Goose, Goose, Goose.
25:37THE END
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