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Transcript
00:00:00See, that's what Angelo always said, that she was all he had left.
00:00:04But that wasn't exactly true, because even though I never made a big deal out of it, he also had me.
00:00:10See, I pretty much loved Angelo like you would your own father.
00:00:14What?
00:00:15I'm a loser.
00:00:18So it was hard for me, too, having to stay invisible as her world fell apart
00:00:22after she'd given in to their husband and sent their little son off to some distant boarding school.
00:00:30I see you in the fire.
00:00:33Robert!
00:00:34Robert!
00:00:35It wasn't my idea!
00:00:37I didn't mean to send you away, man!
00:00:38I love you!
00:00:39Jennifer, Jesus, go!
00:00:40What are you doing?
00:00:41Get back in the car!
00:00:43Look here.
00:00:44He's driving her crazy.
00:00:47A willow in the wind.
00:00:50Get back in the car!
00:00:51I just want to see you guys!
00:00:52Jennifer, Jennifer, for God's sake, I've sent the son of a...
00:00:56Get back, just get back in!
00:00:58Bloody hell!
00:01:01I feel her sadness.
00:01:04I mean, sending away her only child.
00:01:10I...
00:01:10I don't understand.
00:01:15Then, I do.
00:01:19Jennifer, for God's sake, what exactly is the trauma here?
00:01:22Our little soldier is going off to military school.
00:01:24It'll make him a man.
00:01:25He's seven!
00:01:26And you're acting about the same age.
00:01:31Have you ever considered, um, lightening your hair?
00:01:33What?
00:01:34Lightening your hair.
00:01:36Well, I thought maybe to, you know, brighten your mood.
00:01:38Well, you know, this could be corrected, Angela.
00:01:43Seriously, it'd be my pleasure.
00:01:45You can't.
00:01:46You know that.
00:01:47I understand.
00:01:48That's right.
00:01:50Keep the distance.
00:01:52The distance.
00:01:53The distance.
00:01:53You know, we send our son off to military school, where he'd be surrounded by nothing.
00:02:13You fire up the garden.
00:02:14The place is a mess.
00:02:15Half the furniture is a storage.
00:02:16And we can't even afford to get it out.
00:02:17All because you invested in some other mining stock or something or other.
00:02:21We don't even have a home.
00:02:23Brilliant.
00:02:24Um, where's my FedEx package?
00:02:25I'll do you miss places.
00:02:26It's there.
00:02:27Ah.
00:02:28How can you be so blasé?
00:02:30Don't you miss Raleigh?
00:02:31You know, you really have to get a grip on this.
00:02:35A grip on what?
00:02:36Seriously.
00:02:37What more could you want?
00:02:39You keep asking me that.
00:02:41Okay.
00:02:41Okay, fine.
00:02:42So go out and get a job.
00:02:43Well, I had a job, remember?
00:02:44But you said a mother's place was in the home.
00:02:47Besides, who would hire me now?
00:02:49Everything we funnel, the root to that family there is, he manages to lose.
00:03:08We're squandered.
00:03:12Look at her now.
00:03:13She's skinny.
00:03:16Probably nerves.
00:03:21You know, when I'm gone, you're going to have to take over.
00:03:27Be sure and fatten her up.
00:03:33I'm afraid you're not going anywhere, okay?
00:03:35Everybody's going somewhere.
00:03:53There's no need for the cannon.
00:03:5622 should be all we need.
00:03:59Let the old man finish his meal.
00:04:01The nail wind is blowing this way, ladies.
00:04:20I'm so messed up.
00:04:22I just sent my baby boy off the military academy.
00:04:24I'm so wired.
00:04:28Am I having a heart attack?
00:04:29Is that what's going on?
00:04:30No, no, no.
00:04:31Men get heart attacks, but we don't.
00:04:32We don't.
00:04:33Men do.
00:04:33We don't.
00:04:34We breathe.
00:04:35Low out.
00:04:36That's it.
00:04:37Oh, God.
00:04:38All right, you know what?
00:04:40What?
00:04:40I'm going to put you to the rescue.
00:04:42I want you to take one of these.
00:04:43Now, you know what, sweetie?
00:04:44Take two.
00:04:45And leave all your troubles behind.
00:04:46Trust me.
00:04:47What are these?
00:04:47Your husband gives them to his patients.
00:04:49Well, for me, he triples the dosage.
00:04:50Jennifer, I said take two pills.
00:04:53How many did you take?
00:04:55I don't know.
00:04:55It's just what you told me.
00:04:58Bon voyage, darling.
00:05:00Oh, my God.
00:05:02Oh, my God.
00:05:02Oh, my God.
00:05:11Excuse me.
00:05:17Officer, is there a problem here?
00:05:20There's no parking zone now.
00:05:22We're talking minutiae.
00:05:23What is Angelo seeing a guy like that?
00:05:25I could run circles around that pain in the ass.
00:05:28Yeah, does Malatesta know about...
00:05:30Does Malatesta what?
00:05:32Know about this?
00:05:33There's a lot the old man don't know.
00:05:35And as for you, don't sweat the small shit.
00:05:37You hear what I'm saying?
00:05:39This freaking song.
00:05:42It makes my heart weep every time I hear it.
00:05:45Yeah.
00:05:46I got a twinge, too.
00:05:48A twinge?
00:05:49What kind of person just gets a friggin' twinge
00:05:53when you hear a song like this?
00:05:55So, what do you get?
00:06:00Let me get this straight.
00:06:01Are you saying that this little distance here
00:06:03is not negotiable?
00:06:04The law's the law.
00:06:06Okay.
00:06:06Well, how about if I just pull it forward?
00:06:08And how about I just call for some backup?
00:06:10How about you not?
00:06:11You weren't so cute.
00:06:14You watch it.
00:06:15My shine.
00:06:27Cheap
00:06:28aftershave.
00:06:37Must be...
00:06:37Bruno.
00:06:42Any last words?
00:06:46Try the clamps.
00:06:49They're...
00:06:50fabulous.
00:06:51They're...
00:06:52John's...
00:06:53us.
00:06:57Go!
00:06:57Go!
00:07:00Go!
00:07:00Go!
00:07:00Go!
00:07:01Go!
00:07:04Let's go!
00:07:05Go!
00:07:06Go!
00:07:12Go!
00:07:13Go!
00:07:14Go!
00:07:14Go!
00:07:16Go!
00:07:17It's okay!
00:07:17Go!
00:07:17Go!
00:07:18Come!
00:07:18Go!
00:07:19Go!
00:07:19Go!
00:07:20Go!
00:07:21Hey, it's a good thing I didn't see you earlier, otherwise I would have had to give you a ticket.
00:07:41Sorry for the inconvenience.
00:07:48Hello?
00:07:49I'm on my way.
00:07:55I'll be right there.
00:07:57My son has a temperature of 103.
00:08:00Oh, he'll be all right.
00:08:02You want some company?
00:08:04I gotta go.
00:08:06Later, lucky ones.
00:08:08Good afternoon, ladies, and welcome.
00:08:11We have a very special treat for you this afternoon, all due to the very hard work of our own Jennifer Barrett.
00:08:19Please join me in welcoming a celebrated author, Marcello De La Rosa.
00:08:25It seems there are no men.
00:08:37Pity.
00:08:38If you will indulge me, I would prefer to let my work speak for itself.
00:08:44I've taken the liberty of bringing Our Way, the book I published last year.
00:08:52Then, if you must, ask your questions.
00:08:57Please be gentle.
00:08:57He stood on the cliffs of Apollonia di Mare, the cliffs of East Sicilia.
00:09:08All about him's words sounds as holy as God's silence.
00:09:14The cry of the sailor.
00:09:16He was home with ghosts of ships that came before.
00:09:23Come, you Romans and you Greeks, you dark-eyed Spanish moors.
00:09:28I've waited too long to come home, I thought, for time is a thief, and he never gets caught.
00:09:42Never, Jennifer.
00:09:43Yes, no, no, no.
00:09:51Oh, my God.
00:10:21Oh, my God.
00:10:51Oh, my God.
00:11:21What's up to time for another one of your scenes?
00:11:23My scenes?
00:11:24It's not what it looks like.
00:11:26You have no clue what it looks like.
00:11:29You're doing her in the pool and I get this to missionary?
00:11:32Gent, don't you gen-gen me.
00:11:35you were supposed to be my friend
00:11:37and now you're nothing but a porn star
00:11:40now I know why you wanted me to lighten my hair
00:11:43that's all, get out of here
00:11:45Jennifer
00:11:48you had to take your share of responsibility for this
00:11:51my share?
00:11:53oh man
00:12:05so bring back my heart
00:12:14send back my soul
00:12:23and if you do
00:12:27I'll go on without you
00:12:35and you are not going to disrespect me
00:12:43Jesus
00:12:50ma'am please
00:12:58if you don't mind
00:13:02hello
00:13:07you're hurt
00:13:10yes ma'am
00:13:11you're bleeding rather profusely
00:13:14well that's what happens when you get shot
00:13:15shot?
00:13:16yes ma'am
00:13:17you've been shot?
00:13:18definitely
00:13:18but it's not as bad as it looks really
00:13:21well
00:13:21you're at the right house
00:13:23it's the wrong neighborhood
00:13:24you want Queens
00:13:24maybe Brooklyn
00:13:25no way
00:13:26I'm at the right house
00:13:30Jennifer
00:13:31ma'am
00:13:32I know you, don't I?
00:13:38yes ma'am
00:13:38you do
00:13:39I'm sorry
00:13:42I can't remember your name
00:13:43Frankie
00:13:44Frankie Delano
00:13:45oh right
00:13:46Frankie
00:13:46you used to deliver groceries for Angela
00:13:49when I was a girl
00:13:50yes ma'am
00:13:50I knew her when you were a kid
00:13:51ma'am
00:13:52the news I heard you presumed
00:13:55come again?
00:13:57I presume you heard the news
00:14:00what news?
00:14:02get a television
00:14:03sources close to the investigation
00:14:06tell MobileAid's news team
00:14:07that it had the trademark signs of a mob hit
00:14:10that nice old man
00:14:11we've got to get you to a hospital
00:14:15it's uh
00:14:16not necessary
00:14:18uh
00:14:20the police?
00:14:22oh definitely
00:14:23not necessary
00:14:23well so what did we do?
00:14:25well you were shot
00:14:27that's what you said
00:14:28right?
00:14:29um
00:14:29ma'am
00:14:30do you happen to have a
00:14:31DVD player?
00:14:33DVD?
00:14:34yes ma'am
00:14:35a DVD player
00:14:37it's been shot
00:14:40shot?
00:14:41yeah
00:14:41DVD's been shot
00:14:43a lot of that going around tonight
00:14:46there's another one in the master bedroom I think
00:14:50Papa
00:14:51I'm a little drunk and goofy from the loss of blood
00:15:03so if I happen to say something out of line
00:15:05I'd like to apologize ahead of time
00:15:07you could put towels over there
00:15:10yes
00:15:10great breasts absolutely great
00:15:14I like
00:15:14champagne glasses
00:15:16apology accepted
00:15:17sorry
00:15:18could you
00:15:20please play this
00:15:22uh
00:15:24you're not going to do what I think you're going to do are you?
00:15:27it's okay
00:15:28it's no big deal
00:15:29done it before
00:15:30okay
00:15:32ow
00:15:36ow
00:15:36shh
00:15:39oh smarts
00:15:43it's okay
00:15:47it's two more
00:15:51my dear
00:15:56Jennifer
00:15:57did he just say dear Jennifer?
00:16:04could you pass me
00:16:06the whiskey please?
00:16:07thank you
00:16:14if you're watching this
00:16:17I am dead
00:16:20how does he know who I am?
00:16:22why is he telling me this?
00:16:23I'm telling you this
00:16:25because
00:16:25you are not
00:16:27who you think
00:16:28you are
00:16:28oh well right now
00:16:29that's a relief
00:16:30there was a war
00:16:31in New York
00:16:33he had a lot of enemies at the time
00:16:34they were trying to take him out
00:16:36there was Sammy Carbone
00:16:38who wanted to kill him
00:16:39and the same with Lucho Malatesta
00:16:42but as much as they both wanted to get Angelo
00:16:44they wanted to kill each other even more
00:16:46so Malatesta gave Sammy a new set of golf clubs
00:16:53it was his way of making sure
00:16:56it was his way of making sure the hitman would know just where to find Sammy
00:16:59and since this hitman was a traitor who worked for us
00:17:04it looked like Angelo was behind Sammy's death
00:17:07and when the hitman got taken out by Bruno Senior
00:17:13who was there left to tell what really happened
00:17:16with our guy laying dead there
00:17:18with a smoking gun in his hand
00:17:19wow
00:17:21what a hit
00:17:22but what kind of hitman
00:17:24of any substance
00:17:26has his kid
00:17:27Bruno Junior
00:17:28waiting in the car
00:17:29when he does
00:17:30the thing
00:17:31in the hospital
00:17:32Sammy Carbone's
00:17:35first visitor
00:17:36was of course
00:17:38Lucho
00:17:39Lucho Malatesta
00:17:42who's blaming it
00:17:43all
00:17:43on me
00:17:44I come to tell you that the guy who shot you
00:17:47was one of Angelo's men
00:17:50Lucho
00:17:52my son
00:17:54little Johnny
00:17:56I ain't gonna be around to watch him
00:17:59grow into man
00:18:01if Angelo
00:18:03ever has a child
00:18:06find it
00:18:08kill it
00:18:11my wife
00:18:13was pregnant
00:18:16so we fled to Sicily
00:18:19to the village of Castellamare
00:18:23what more could I want
00:18:25my beloved wife
00:18:28with a child
00:18:30on the way
00:18:31the opera house
00:18:34that I was renovating
00:18:36to hear
00:18:37the music
00:18:38that
00:18:38my wife
00:18:39Maria loved
00:18:41my wife
00:18:46my wife
00:18:50died in childbirth
00:18:52I do not have the words
00:19:06for my grief
00:19:08to this very day
00:19:10this is just the saddest
00:19:14his young wife
00:19:16dies
00:19:17giving childbirth
00:19:18this is just stuff
00:19:19oh god
00:19:20they had a daughter
00:19:23a daughter
00:19:24and when he came to America
00:19:26he brought himself and his daughter
00:19:27but he had enemies over here
00:19:29and if they'd ever found him
00:19:30they would have killed the baby
00:19:32oh that's awful
00:19:33so he found this
00:19:35childless couple
00:19:36that didn't have much money
00:19:37and he gave
00:19:38the husband a job
00:19:39and he bought them
00:19:40a big
00:19:41estate
00:19:42in Glen Cove
00:19:45well that's where I lived
00:19:46and even though
00:19:51she had
00:19:52dark hair
00:19:54and they had
00:19:56blonde hair
00:19:56he still let them
00:19:59adopt her
00:20:00gave her away
00:20:01is it getting warm in here
00:20:05so
00:20:06you took care of all their expenses
00:20:08under one condition
00:20:11well
00:20:12but the girl
00:20:14never know
00:20:15who her father was
00:20:18because
00:20:20if she were to know
00:20:22she'd go looking for him
00:20:24and
00:20:24his enemies
00:20:25would get to her
00:20:27so her parents
00:20:28never told her
00:20:29but now
00:20:30it's time she knows
00:20:34oh Jesus
00:20:35now it's time
00:20:36for you to know
00:20:38don't go there
00:20:39I
00:20:42don't go there
00:20:43no
00:20:44I'm your brother Jennifer
00:20:47you
00:20:49are an alligator
00:20:52and we
00:20:53do not
00:20:55bow down
00:20:57night Jennifer
00:21:02or
00:21:04I
00:21:13don't
00:21:16have
00:21:17hangoy
00:21:17I
00:21:17know
00:21:17I
00:21:18love
00:21:18and
00:21:19and
00:21:20I
00:21:20do not
00:21:20I
00:21:21don't
00:21:21but
00:21:21I
00:21:22have
00:21:22I
00:21:22don't
00:21:22and
00:21:23
00:21:24if I
00:21:24don't
00:21:25see
00:21:26it
00:21:26I
00:21:27gotta
00:21:28and
00:21:28I
00:21:29love
00:21:31Who is it?
00:21:36I've got a gun.
00:21:40It's only me, ma'am.
00:21:42Only you?
00:21:45Good morning.
00:21:47Let me get this.
00:21:48Please don't close the door.
00:21:49I never have any door closed.
00:21:52Clostrophobic.
00:21:53My phobia is none of your business.
00:21:58I'm calling the police.
00:22:00Please, please, please, please.
00:22:01Please, you don't need to do that.
00:22:03Are you going to hurt me?
00:22:07No.
00:22:10Look, I got it.
00:22:12Italian eggs, alimento l'anise, a little poletta, a little biscotti, a little ricotta, and a lot of espresso.
00:22:18I don't eat that stuff.
00:22:19I know.
00:22:20You have a black coffee, dry toast, no butter, jam once a week.
00:22:25How do you know that?
00:22:26At least it's going to get cold.
00:22:27Are you all right?
00:22:32Yes, thank you for asking.
00:22:33Very good.
00:22:34Please.
00:22:45Big house.
00:22:46Is that your way of asking me why there's no one here?
00:22:52No.
00:22:54Well, my son's off at military school, if you can believe it.
00:22:57At seven?
00:22:58My husband's idea.
00:23:01Well, my husband's away.
00:23:03It's my idea.
00:23:08You really like cooking?
00:23:09No.
00:23:10I love cooking.
00:23:12You ought to try the poletta.
00:23:13It's great for gaining weight.
00:23:15Your father always wants you to eat more.
00:23:17My father?
00:23:18You know Angela.
00:23:20That's it.
00:23:22Enough already, Frankie, with a father, whatever your name is.
00:23:25He is not my father.
00:23:26Do you understand?
00:23:28I have a real life father.
00:23:31Who lives five miles from here.
00:23:33Wait.
00:23:35Stop.
00:23:36Could you just wait a minute?
00:23:38Stop.
00:23:39I'm going to stop it.
00:23:40I'm going to slow down for a minute.
00:23:41I just want to talk to you for a second.
00:23:44Ma'am.
00:23:44Ma'am.
00:23:48Look, if you need someone to drive you...
00:23:50Last night did not happen.
00:23:51All right?
00:23:52So when I come back, you will be long gone.
00:23:55Thank you for breakfast.
00:23:56It was lovely meeting you.
00:24:02Where are you going?
00:24:05Where are you going?
00:24:08Therapy!
00:24:09Come on, you don't need therapy.
00:24:11Oh, yeah.
00:24:11Oh.
00:24:14Shopping.
00:24:15Are you okay?
00:24:43May I help you?
00:24:44And your name would be?
00:24:46Allison.
00:24:47Enchanting.
00:24:47Allison.
00:24:48May I see everything you have in a sod in a size 7?
00:24:51Everything?
00:24:52I want to melt this mother to the ground.
00:24:59Cassidy, we have a no limit on our hands.
00:25:01I'm going to need backup.
00:25:12Oh, thank you.
00:25:15I'll take them all.
00:25:26I'll take them all.
00:25:39Oh, my God!
00:25:50It's all over.
00:25:52It's all over.
00:25:57Oh, God!
00:25:59Oh, God!
00:26:00I hit!
00:26:01That's what that was, right?
00:26:02I hit?
00:26:03Yes, ma'am, it was.
00:26:04God, who wouldn't want to tell me?
00:26:05Well, I say Luton Mount Testo will be at the top of my list.
00:26:08Lists?
00:26:09What, what, what, people are lying and wanting to kill me?
00:26:12What am I, a Thanksgiving turkey and people are placing orders?
00:26:15Let me drive this car, man.
00:26:16No, I will drive my own car. I will drive my own car.
00:26:18I know it's a car, but I'd like to take control of it right now.
00:26:20I think I'm in a little better mood than you are.
00:26:22Perfectly.
00:26:23I understand. I know you are. You're probably a very good driver,
00:26:25but I think right now I'm the one who should be driving the car.
00:26:39Maybe it's my fault, ma'am.
00:26:41Maybe they followed me and I led them to you.
00:26:43Oh, great. Just great.
00:26:45Until I met you, I was perfectly capable of shopping for shoes
00:26:47without someone trying to kill me!
00:26:51Oh!
00:26:52What?
00:26:53What is that cologne you're wearing?
00:26:56Is it brute?
00:26:57Oh, don't tell me it's brute.
00:26:59You know, ma'am, can we, uh, be just quiet for a couple of seconds, please?
00:27:03Well, I am on edge, you know.
00:27:04Yeah, well, I understand, but I'm really getting a terrible headache, really.
00:27:07Oh, well, pardon me, all over the place.
00:27:09Five seconds ago, I almost didn't even have a head!
00:27:13And what's with this?
00:27:14This!
00:27:15Don't shrug, speak!
00:27:16Look, ma'am, what you're doing is you're having this panic attack syndrome,
00:27:20and that often happens after a hit, really.
00:27:23You know all about those things, don't you?
00:27:25You're a hitman, right? Is that what you are?
00:27:27No, ma'am, actually, see, a hitman takes a life.
00:27:29I'm a bodyguard, and a bodyguard protects it.
00:27:32So you were my father's bodyguard, and he got waxed.
00:27:35And so now you're my bodyguard?
00:27:37Oh, well, that just fills me with confidence!
00:27:39I'm like in a majorly freaking microus.
00:27:41Why?
00:27:42Do you have any idea how powerful my father is?
00:27:45He is a very successful New York businessman
00:27:47who will make your life a living hell!
00:27:49It's getting there.
00:27:51Look, ma'am, please, I'm sorry.
00:27:53You don't have to do that.
00:27:54It's a...
00:27:55I want to see my father now.
00:27:56Your father was Angela.
00:27:57Take me to my father's house now!
00:28:08Mother?
00:28:09In here, dear.
00:28:12My God, did you hear what happened at the mall?
00:28:14It was a shootout. Just think of it.
00:28:16I have, really.
00:28:18I need to talk to you and Daddy immediately.
00:28:21I think I just heard your father return from his racquetball lesson.
00:28:27When did Daddy start playing racquetball?
00:28:29Your father's having an affair at the club with the racquetball instructor.
00:28:42How old is she?
00:28:44Well, the she is a he.
00:28:46Jen-Jen?
00:28:48Is that you?
00:28:53Daddy?
00:28:54Jen-Jen!
00:28:56Hello, loved one.
00:29:02My, my.
00:29:04Someone is looking fabulous.
00:29:07Daddy, uh, don't take this in a bad way, but have you switched...
00:29:12affiliations?
00:29:14Oh!
00:29:17This doesn't change anything between us.
00:29:19After all, I'm still your father.
00:29:21I'm feeling better than ever, thank you.
00:29:23He's gotten me into great shape, don't you think?
00:29:29Hmm?
00:29:40There's something completely irrational about all men.
00:29:43No kidding.
00:29:48So what'd they say?
00:29:50Exactly what I expected, thank you.
00:29:52They said that they are indeed my parents and that you, Mr. Mafia pants, are full of it.
00:29:56So there.
00:29:58The emotional extortion doesn't go past here.
00:30:00And furthermore, my turn is...
00:30:01Excuse me.
00:30:02Tell me something, ma'am.
00:30:05Is there a place where people go to learn how to behave like this, talking all the time in a manner designed to, like, induce a migraine in Iraq?
00:30:14I will not be talked to like this.
00:30:16Don't you understand this is not the real you?
00:30:18This is to me!
00:30:19Really?
00:30:21Do you know what is you?
00:30:23Don't kill my parents.
00:30:27They're not your parents.
00:30:29Please promise me you won't wax them.
00:30:34For the record, it's not wax.
00:30:36It's...
00:30:38whack.
00:30:39How you doing, Whitney?
00:30:40Very well, Frankie.
00:30:41And you?
00:30:42Been better.
00:30:43Yeah.
00:30:44I hear.
00:30:45Look good, Whitney.
00:30:46You taking care of yourself?
00:30:47I always didn't notice the details, Frankie.
00:30:48Wait.
00:30:49You two weren't lovers.
00:30:52Whitney.
00:30:53It's time.
00:30:54Come on.
00:30:55Come on.
00:30:56It's left.
00:30:57I'm right.
00:30:58I've eaten right.
00:30:59I'm wrong.
00:31:00I've eaten right by me, like, and it had been a long time, I'm good.
00:31:05No, no, no, no, no, no, no.
00:31:07It's my head.
00:31:08My head is soft and I'm ready for my-
00:31:09I'm ready for the good, you're gotta you, you're right.
00:31:12What are you doing?
00:31:13I'm ready for a happy day.
00:31:14Simply put, when Angelo brought you to us,
00:31:41you were the most beautiful baby girl.
00:31:46You took my finger and sat right on my lap.
00:31:49You kept saying the only word you knew.
00:31:52Pretty, pretty over and over.
00:31:57And of course we took you.
00:32:00We would have taken you without the money,
00:32:02although the money has been endlessly spectacular.
00:32:06I've really given you nothing, Jen-Jen.
00:32:10Nothing except my old, ridiculous heart.
00:32:29Mom, the food's better than what we have at home.
00:32:33Well, I guess it's better than my cooking, right?
00:32:36I never really was too much of a cook.
00:32:39No, no, that's good.
00:32:43It's great, really, it is, yeah.
00:32:46But you know, sweetheart, what I really need to talk to you about is genetics.
00:32:50You know, the way things get passed down through families.
00:32:54Like, uh, it seems your grandfather...
00:32:57Well, at least I still think he's your grandfather.
00:33:01Uh, no.
00:33:03I guess what I'm trying to say, darling, is...
00:33:07How are things in the showers?
00:33:10Okay, the Frankie cooking show brought to you by...
00:33:14Beretta.
00:33:16Are you free?
00:33:19Hello.
00:33:22Nothing, nothing, darling.
00:33:24It's just some thunder.
00:33:25Mom, I gotta go, okay?
00:33:27Okay.
00:33:28Okay.
00:33:29Bye, darling.
00:33:30Love you.
00:33:35So, how's your boy?
00:33:37He couldn't be happier.
00:33:39I couldn't be lonelier.
00:33:40You wrecked my kitchen.
00:33:42Oh, I'm sorry about the bullet, really.
00:33:44No, I mean this.
00:33:45Oh, this.
00:33:46This is what happens when you cook a lot.
00:33:48Really?
00:33:50You know, I'm sure your kid would ever miss you.
00:33:52No.
00:33:54He really doesn't.
00:33:55I mean, why should he?
00:33:56He's got a father who cheats like a dog.
00:33:58And, uh...
00:34:00A mother who's never had a clue what to do with her life, so...
00:34:05So, tell me the truth.
00:34:07Somebody else did all this, right?
00:34:08You're just faking it.
00:34:11No.
00:34:12No, no, no.
00:34:13I love cooking.
00:34:14I'll tell you what.
00:34:15Just promise me you'll eat it before it gets cold.
00:34:17Okay?
00:34:19Sure.
00:34:21So, Frankie, what's your nickname?
00:34:23Mm-hmm.
00:34:25You know...
00:34:27Your nickname.
00:34:28All you mob guys have one, right?
00:34:29Like, Louie the Lump.
00:34:31Charlie Fat Lips.
00:34:33Frankie the Food Freak.
00:34:35It's just Frankie, man.
00:34:37What's Frankie short for?
00:34:38I don't know.
00:34:39What's that got to do with anything?
00:34:40I just wanna know.
00:34:42Is it Francis?
00:34:44You know, you've got much more important things to think about than that, man.
00:34:47It is Francis, isn't it?
00:34:48You've got a girl's name.
00:34:49What?
00:34:50It just explains everything.
00:34:52See, so you've probably been overcompensating your whole life.
00:34:55You know, some anxiety transference syndrome to, well, you know, the macho, non-verbal Cecilia mixed in with the Brute to cover the Francis that lives inside some inner self or something or other.
00:35:06That'll be your new nickname.
00:35:08St. Francis the Brute.
00:35:09Don't take this the wrong way, ma'am, but I think you're starting to give me a small hole inside of my brain.
00:35:15I will make you a deal.
00:35:16If you promise to stop calling me man, I'll stop calling you Francis.
00:35:20And you swear to God that you made all this?
00:35:24Yes.
00:35:25I didn't even know I had any of this stuff.
00:35:27You've got a lot more than you think you have.
00:35:39Now what?
00:35:40Look, your father's dead because I didn't do my job and it's not going to happen again.
00:35:45No way.
00:35:46And I see you got a guest house out there.
00:35:48If you don't mind, I'd like to move in.
00:35:51Because I don't trust anybody.
00:35:53There is danger everywhere.
00:35:54Everywhere I look.
00:35:57The night has a thousand eyes.
00:36:00Excuse me.
00:36:03You stole that line.
00:36:05I know from Bobby V.
00:36:06Remember when you tell those little white lies?
00:36:08The night has a thousand eyes.
00:36:09Yes, I do.
00:36:13That was playing when Peter Hackbert was trying to get under my blouse.
00:36:19I'm sorry. I shouldn't have said that.
00:36:22No.
00:36:24What?
00:36:26Actually, it wasn't your blouse. It was a bulky knit green sweater.
00:36:30And what was playing was Bon Jovi's biggest hit to date.
00:36:33You give love a bad name.
00:36:35Don't bed me.
00:36:37Jesus!
00:36:40I'm going to bed.
00:36:41Um...
00:36:43Okay.
00:36:47Well, you can stay in the guest house, I guess.
00:36:52It's been a ridiculous day.
00:36:54I'm gonna stay.
00:36:55I'm gonna stay.
00:36:56I don't know.
00:37:26I know this sack of shit.
00:37:48This sack of shit is my husband!
00:37:51You want me to take care of this problem once and for all?
00:37:53Seriously?
00:37:54No, seriously.
00:37:55Why don't you go back to bed and let me through my job.
00:37:58Do you have a shovel downstairs?
00:37:59A shovel?
00:37:59Yeah, so I can dig a hole in it.
00:38:03What the hell is going on?
00:38:07Who the hell are you?
00:38:08Who the hell is this?
00:38:09Do you have a boyfriend already?
00:38:11Is this Frankie?
00:38:12He's my bodyguard.
00:38:14Look, look, look.
00:38:14Who are you?
00:38:15What is that smell?
00:38:16It's fruit.
00:38:18Well, it's overwhelming.
00:38:19Ma'am, you don't have to tell him anything.
00:38:20Hey, you cannot talk to me in my house like that.
00:38:24It's her house.
00:38:30Reconsider.
00:38:32Darling, darling, I, um, I have to talk to you.
00:38:36Does he have to be here?
00:38:38He's just doing his job.
00:38:39What job?
00:38:40I am your husband.
00:38:42Do you mind, please?
00:38:44Sorry, Kipster.
00:38:46Look, um, about yesterday, that was simply an aberration fermented by the consumption of too much single malt scotch on an empty stomach.
00:38:57An aberration of marital ethics for which I am truly, truly grievous.
00:39:03Was it the only time?
00:39:06Oh, absolutely.
00:39:10August 14th, the airport hotel.
00:39:12Oh, okay.
00:39:13Okay, yeah, the, um, the Swedish flight attendant.
00:39:16But that was the only other time.
00:39:18I...
00:39:18December 5th, Four Seasons.
00:39:21Oh, right.
00:39:22Yeah, um, um, the real estate lady.
00:39:25But she was a nooner, my only nooner, I swear to God.
00:39:28Jesus Christ, the sky is falling.
00:39:34All right, all right, it's been going on for years.
00:39:37Get out.
00:39:42You should go.
00:39:45Then fine.
00:39:46Great.
00:39:48Terrific.
00:39:52I'll see you in court.
00:39:55Well, there he goes.
00:40:05The past.
00:40:06The future.
00:40:08Manless.
00:40:09Nah, there'll be other men.
00:40:12I don't want other men.
00:40:17I believe in two things.
00:40:19The kindness of the saints and there's somebody for everybody.
00:40:22Do you have a someone, Frankie?
00:40:30Sort of.
00:40:31That's nice.
00:40:34Everyone should have a someone.
00:40:35Mm-hmm.
00:40:36Why is everybody looking like they hate me?
00:40:59I think you're Angela's mistress.
00:41:01Oh, Jesus!
00:41:02I feel like a lord in a Catholic church.
00:41:05We all do.
00:41:11What's he saying?
00:41:14We'll see that we're not worthy.
00:41:16Now he's talking about Christ.
00:41:18And his blood.
00:41:19And the wounds.
00:41:20More blood.
00:41:21No, the guilt.
00:41:24It's more blood.
00:41:26More wounds.
00:41:27More blood.
00:41:28Now he's back to the wounds.
00:41:36That guy over there is Bruno Manzella.
00:41:38Where?
00:41:38The guy over there with the head like an aircraft carrier.
00:41:42Is Palatesta fellow?
00:41:43Where is he?
00:41:44Right in front of him.
00:41:45The guy that looks like he should be in a box.
00:41:48Jesus, and whoever's in that age well.
00:41:50Angelo Alighieri was a man of great passion.
00:42:04How Verdi, Rossini, would fill his heart.
00:42:09He was a man of great sadness.
00:42:12He lost his wife, his Maria, too soon.
00:42:16He never had children or grandchildren whose laughter would lighten the burden of old age.
00:42:25This was his sadness, his emptiness, to die alone.
00:42:32And so, and the Lord, we remember you again.
00:42:37All in all.
00:42:39Amen.
00:42:40I'll remember you, Angelo.
00:42:49Remembering in Italian means vendetta.
00:42:51You keep the distance.
00:43:10Always the distance.
00:43:12Yes.
00:43:21You keep the distance.
00:43:50Amen.
00:43:50You goombas never clap, do you?
00:44:14Frankie?
00:44:15Frankie, what's that noise?
00:44:18Just take it out the trash, ma'am.
00:44:22Frankie, did you say something?
00:44:25Nothing, ma'am. I didn't say anything.
00:44:28Shut your face.
00:44:31Now, Tester, you're using amateurs.
00:44:34Frankie?
00:44:39Frankie?
00:44:46Frankie?
00:44:48Yeah?
00:44:49May I come in?
00:44:51All right.
00:44:54Frankie, it's not exactly warm out here, you know?
00:45:03You okay?
00:45:04Peach.
00:45:06Oh, God.
00:45:08Oh!
00:45:10I feel like I'm in the brute center of the universe.
00:45:12I'm sorry, but...
00:45:13Frankie, I am so frightened.
00:45:16I'm here, ma'am.
00:45:17Yeah, of course.
00:45:18You know what's kind of terrific about being frightened like this?
00:45:23No.
00:45:24Well, at least now I'm frightened about something specific, like being whacked, as opposed to the non-specific variety, which is what I usually feel, like that kind of dread, the free-floating whatnot and all.
00:45:33Mm-hmm.
00:45:34Mm-hmm.
00:45:35I remember this little girl being afraid, very afraid.
00:45:40Little boogeymen under the bed and devils in the closet.
00:45:45Isn't it amazing how her innermost fears turned into this Freudian...
00:45:49Did you say something?
00:45:55No.
00:45:56No.
00:45:57Amazing Freudian nuances of memory and consciousness.
00:46:02Hmm.
00:46:03When I was growing up, they sent me to an analyst.
00:46:05Everybody was going to an analyst at the time.
00:46:07He said...
00:46:08Dr. Gilmour was his name.
00:46:10He said, it's not so much that...
00:46:11Well, never mind what he said.
00:46:13I lied to him all the time because, you know, I didn't want him telling my parents what was going on.
00:46:28Ma'am.
00:46:30Frankie?
00:46:31We got squirrels.
00:46:34Squirrels, Frankie?
00:46:35Yes, ma'am.
00:46:36Big squirrels.
00:46:37They...
00:46:38They tend to overeat, preparing for a difficult winter, and sometimes they bloat, and often they get it caught in the walls.
00:46:44Uh-huh.
00:46:45They tend to, uh, get out of the walls, they have to deflate, and thus this is causing the, uh, passage of windage.
00:46:54Oh.
00:46:55Oh.
00:46:56Oh.
00:46:57Poor things.
00:46:59Yeah.
00:47:00Tough luck.
00:47:01Tough luck.
00:47:02Frankie?
00:47:03Mm-hmm?
00:47:04Tell me the part again.
00:47:05The part of dreaming about the saints.
00:47:07Well, there's a dream that Sicilians that have never been to Sicily have.
00:47:22It's around the coast, on a cliff, above the water.
00:47:31And they hear this music.
00:47:33The sound of rock are coming from somewhere, but they don't know her.
00:47:37And they believe it's the saints who are singing, arias of longing for what they've never known.
00:47:46And your father, he always told your mother the greatest love stories were in the opera.
00:47:54He loved her very much.
00:47:56He loved her.
00:47:58He loved her.
00:47:59But he knew the laufen.
00:48:00He loved him.
00:48:01I loved him.
00:48:02But then he knew he'd be like, and he told me.
00:48:03I don't know.
00:48:33I'll be right back.
00:48:49Great, we made it.
00:48:51Two dozen, right?
00:48:52That's perfect.
00:48:53Perfect.
00:48:54All right, do me a favor and hang out here until the thing is over.
00:48:58You'll hear some applause.
00:48:59You'll come up to the door and I'll signal you to come on in.
00:49:02I'm not surprised.
00:49:06Do you know what you're saying?
00:49:14Not really, no, I know.
00:49:15He's dead.
00:49:16He's dead, yes.
00:49:17Completely dead.
00:49:19What does he say?
00:49:20Well, he wants his order to avenge him.
00:49:22He's saying, avenge me, my little one.
00:49:25Oh, God, I can't stand it.
00:49:29What else?
00:49:30Give the man who gave me life, peace and death.
00:49:34La vendetta e tutto.
00:49:37La vendetta e...
00:49:39Tutto.
00:49:40Tutto.
00:49:41Tutto.
00:49:44Interesting.
00:49:45Maturo.
00:49:57Maturo.
00:50:01Wow.
00:50:02can you believe it he threw me a rose a white rose yeah it's nice but always thought the red
00:50:15ones were the special ones oh no you don't understand why it is special it's pure not
00:50:19like red ones everybody has red roses
00:50:32so how'd you like the opera oh more than i can imagine yeah well angel will love it
00:50:38my father was he asked when he was young
00:50:43yeah very and your mother she'd be able to walk across the room and everything would just stop
00:50:51and i remember the one time at this wedding she made me dance with her were you embarrassed
00:50:56of course i was embarrassed i was just a kid but you know she was pregnant with you
00:51:01well actually that means you were the first person i ever danced with yes i like that
00:51:08frank you tell me something why haven't you ever been married i'm just waiting you say you've
00:51:16never been in love love's like this temporary form of insanity and you've never been insane
00:51:22you're reading that
00:51:38he's marcello he turns everything into such a passion i can't put it down
00:51:43have you ever read him i don't think i'd like the guy why not he looks a little too smooth
00:51:48what's wrong with smooth i don't know what's wrong with it it's just i know guys like that
00:51:55never strutting around like roosters taking credit for the sunrise sometimes i just think smooth
00:51:59is not too appealing that's it so you don't think it's possible for man to be called beautiful
00:52:03no no i believe there's a possible exception for every rule in the book but personally i've never
00:52:08stood on a chair in a loud voice yelling hey guy you're really kind of gorgeous want to go to
00:52:15palm springs this weekend or whatever no but see women women are totally different about this women
00:52:19have been known on occasion to go absolutely crazy over a guy i know believe me you know
00:52:26you know the first time i saw it is when sammy carboni's kid came back to queens he was living
00:52:31over in italy and angelo wanted to know what he was like so he had me follow him and one day
00:52:37i see all these little girls going absolutely cuckoo nuts over some kid it's like this kid was a
00:52:43golden boy that the sun was shining on all the time he's the kind of kid that like every 13 year
00:52:48old kid wanted to be like i know so i was just watching this
00:52:52why were you watching well it was uh carboni johnny carboni the son of sammy carboni
00:53:08uh yeah right right the guy that lucha mal attested murdered and
00:53:11tried to blame angelo i think he's coming over here what should i say
00:53:16how do i look i mean if you were walking over here looking at me what would you think
00:53:24you wouldn't want to know i do i would frankie i'm serious he's getting closer what would you
00:53:30want me to look like
00:53:31what are you doing just trust me on this one
00:53:44what do you think
00:54:06what do i think
00:54:10are you together
00:54:15yes i i i no i mean i mean no he's security consultant you mean the bodyguard
00:54:25i'm not good at pretending we've been watching each other so forgive me if i cause offense
00:54:32burying my heart and telling the truth you'll see my soul i stand naked before you
00:54:36maybe you ought to go back to his table and get dressed so he doesn't catch a cold
00:54:41no he's just joking
00:54:46you are jennifer barrett yes yes i am i wanted to thank you for arranging my reading at your
00:54:51club but you seemed how shall i say distracted i i'm such a great admirer of yours i've read
00:54:58all of your books over and over and over and and miss barrett over
00:55:02jennifer what jennifer jennifer jennifer may i call you
00:55:07thank you
00:55:11thank you
00:55:12i apologize for this therapy
00:55:18oh my god can you believe it
00:55:25frankie did angelo
00:55:38did my father really want to protect me protect you your father used to drive by here on summer
00:55:49nights and watch you go swimming in the moonlight and he'd see you up in the balcony you know
00:55:54combing your hair talking on the phone to this guy and that and coming home from school and
00:56:00kicking up those leaves and the dying light of fall and i saw these singers too and i'm definitely
00:56:06talking too much and i was just living my life and you were there the whole time yes ma'am
00:56:15spying on me spying no i wouldn't say that at all i was watching and for your information i knew
00:56:25when to turn away did you have anything to do with bobby jordan
00:56:28bobby jordan bobby jordan bobby jordan
00:56:37no
00:56:38i can't recall it bobby jordan
00:56:42i went with him in high school
00:56:44he was cheating on me the whole time i was so crazy about him i swear i would have married him
00:56:50and then he just got strange one day
00:56:53no no no frankie no frankie
00:56:56he stopped talking to me
00:56:58young guys can go through this neurotic phase
00:57:01well it's not just guys
00:57:03could i have some around a set
00:57:04sure
00:57:05what about polly peters
00:57:09do you remember her
00:57:11no i never heard of her
00:57:13polly peters
00:57:16well she was this mean nasty witch who started spreading all these awful stories about me
00:57:20sleeping around
00:57:21she was destroying my reputation
00:57:24and we know the most fragile thing in the world is a woman's reputation
00:57:27well it all stopped
00:57:28right after this terrible thing happened to her car
00:57:32it's like she just sort of upped and moved to another school
00:57:44hmm
00:57:46you know something francis
00:57:48we're becoming friends did you realize that
00:57:52no i didn't know that
00:57:55well
00:57:55like it or not we are
00:57:57do you realize that you never call me jennifer
00:58:01you may you know
00:58:04that being my name and all
00:58:07good night francis
00:58:12good night jennifer
00:58:19oh my god the door's closed
00:58:36okay okay okay okay okay
00:58:38huh what are you gonna do
00:58:39just stay here
00:58:40go somewhere go go go
00:58:42no i'm serious go somewhere help me all right
00:58:44stay back stay back
00:58:46no no no no
00:58:47yes
00:58:48no yes
00:58:49no yes
00:58:50no
00:58:52no
00:58:54no
00:58:56no
00:58:58no
00:59:00no
00:59:02no
00:59:04i know this guy used to work from nala tested before the strewns moved to chicago
00:59:17we better move the strewns because i've got neighbors all over the place
00:59:20god
00:59:21aggravated
00:59:22aggravated
00:59:23aggravated yes
00:59:24yes
00:59:26answer it
00:59:27no
00:59:27yes
00:59:28no
00:59:29don't hit me
00:59:31hold this
00:59:32oh raleigh honey i miss you so
00:59:37mom
00:59:37yes baby
00:59:39Make sure you call me tomorrow.
00:59:41You know I will.
00:59:43I love you, too.
00:59:46All right, bye, baby.
00:59:53I can't effing believe it.
00:59:56My son actually calls me five minutes after one of Melatestes' goons tries to wax me.
01:00:02Where do they succeed next time?
01:00:03Where does that leave Raleigh?
01:00:04I'll tell you where that leaves Raleigh.
01:00:06It leaves him without a mother.
01:00:08Oh, God.
01:00:11My son is not going to be an orphan.
01:00:25I made a decision, Frankie.
01:00:27Yeah, what's that?
01:00:28I have to whack Melatesta.
01:00:32You're going to whack Melatesta?
01:00:35Frankie, my will and the wind days are over.
01:00:38You know, you're getting in your way over your head on this one, really.
01:00:42And Alighetti does not bow down.
01:00:50I'm sorry I ever told you that.
01:00:51What do you think of?
01:01:00Relax.
01:01:00Calm.
01:01:01I'm sorry.
01:01:01I'm sorry.
01:01:02I'm sorry.
01:01:02I'm sorry.
01:01:04It's so good, but I can't deny you.
01:01:08It's so good, just sitting beside you.
01:01:14Nice moon.
01:01:21It's beautiful.
01:01:25Just beautiful.
01:01:27It's perfect whenever I kiss you.
01:01:32It's so good whenever I kiss you.
01:01:44So, you think you get this vengeance thing all figured out?
01:01:48You know how it's done?
01:01:49Done?
01:01:51Oh, you want to say?
01:01:52Uh, no.
01:01:54Well, it's not as easy as it looks.
01:01:58There's all kinds of courage, you know?
01:02:02I know.
01:02:04A woman's courage should never be underestimated.
01:02:07Ever be underestimated.
01:02:10Ever?
01:02:11Let's go over it again.
01:02:13Go over when?
01:02:15Plan.
01:02:17We go to the Valhalla Inn.
01:02:20You wait in the parking lot.
01:02:22I walk in, my wife Testa takes a good look at me.
01:02:24He thinks he could have any woman because he's a little tweaked, you know, even at his age.
01:02:31I bat my eyes.
01:02:33And then I whack him.
01:02:35And you think you can do this?
01:02:37Do I think I can do this?
01:02:40Okay.
01:02:41Show me.
01:02:43What?
01:02:44Your walk.
01:02:45Why?
01:02:46Because you go in that place and your walk doesn't match your attitude and your attitude doesn't match your walk.
01:02:50You're going to be in a bag and the bag's going to be in the river.
01:02:52Really?
01:02:53Really?
01:02:55Watch this.
01:03:00That is nothing short of terrible.
01:03:02Are you telling me how to walk now?
01:03:04Well, somebody's got it.
01:03:05You think you can do it?
01:03:06Maybe.
01:03:07Maybe.
01:03:08I ain't going to put me under the spot.
01:03:09Okay.
01:03:11What am I doing?
01:03:12Forget about it.
01:03:13Come on, Jennifer.
01:03:14This is your job.
01:03:15Come on.
01:03:16You said you could do it and like me a little bit.
01:03:17Come on.
01:03:18You can do it.
01:03:19One.
01:03:20Two.
01:03:21One.
01:03:22That's it.
01:03:23One.
01:03:24Two.
01:03:25One.
01:03:26That's it.
01:03:27What are you, ankle damage?
01:03:28You're really starting to irritate me right now.
01:03:30Just follow me.
01:03:31Just follow me.
01:03:32I can figure this out.
01:03:33Ready?
01:03:34Let's go.
01:03:35One.
01:03:36Two.
01:03:37Cross over like an antelope.
01:03:38Back.
01:03:39Back.
01:03:40Back.
01:03:41Back.
01:03:42Back.
01:03:43Back.
01:03:44Back.
01:03:45Back.
01:03:46Back.
01:03:47Back.
01:03:48Back.
01:03:49Back.
01:03:50Back.
01:03:51Back.
01:03:52Back.
01:03:53Back.
01:03:54Back.
01:03:55Back.
01:03:56Back.
01:03:57Back.
01:03:58Back.
01:03:59Back.
01:04:00Back.
01:04:01Back.
01:04:02Back.
01:04:03Back.
01:04:04Back.
01:04:05Back.
01:04:06Back.
01:04:07Back.
01:04:08Back.
01:04:09Back.
01:04:10Back.
01:04:11Back.
01:04:12Back.
01:04:13Back.
01:04:14Back.
01:04:15Back.
01:04:16Back.
01:04:17Back.
01:04:18Back.
01:04:19Back.
01:04:20Back.
01:04:21Back.
01:04:22Uh, Jennifer!
01:04:36Marie, Marie.
01:04:45The boss says you need a rope.
01:04:52Hey, Mambo. Mambo Italiano.
01:04:55Hey, Mambo. Mambo Italiano.
01:04:58Go, go, go.
01:05:00If you mix up the giliano,
01:05:02go, go, go, go, go, go.
01:05:04Hey, Mambo.
01:05:06Don't wanna die.
01:05:08I don't wanna die.
01:05:10I don't wanna die.
01:05:12I don't wanna die.
01:05:14Oh, yeah.
01:05:16Oh, yeah.
01:05:18There's, uh, someone at my table
01:05:24that would, uh, really like to meet you.
01:05:26Maybe that someone should have had the manners
01:05:28to come over here and introduce himself.
01:05:30Don't be a fuckin' idiot.
01:05:31Simple.
01:05:33Direct. I like that in a man.
01:05:35Uh, so, uh, I know you.
01:05:46She's Angelos.
01:05:47Was.
01:05:49So now you've come over to the A-Team.
01:05:52You don't exactly look bereft with grief and, uh, whatnot.
01:05:57He was old.
01:05:58What am I?
01:06:00Springtime?
01:06:01Maybe you're different.
01:06:03Where the hell do you think you're going?
01:06:14You're fantastic.
01:06:17What's the matter with him?
01:06:23What's going on?
01:06:24Goddamn ticker.
01:06:25Ticker?
01:06:26Billy, call the ambulance.
01:06:27Get some help.
01:06:28Call the doctor.
01:06:29Don't help so much.
01:06:31Take care.
01:06:33Take care.
01:06:35Good angel.
01:06:37My good luck piece.
01:06:39Maybe shouldn't talk.
01:06:40Rest.
01:06:41Bruno, shut up.
01:06:42She comes with me.
01:06:43My good luck piece.
01:06:45Maybe you shouldn't talk. Rest.
01:06:46Bruno, shut up.
01:06:49She comes with me.
01:07:03She died.
01:07:05I don't need to shit.
01:07:07I'm fine.
01:07:08She's fine.
01:07:11You'll see.
01:07:12I'll see.
01:07:14Give me a priest.
01:07:16So you gotta stop so we can get ourselves a priest.
01:07:18What do you need a priest for?
01:07:19You. Sit there and fix your hair.
01:07:21All right? Relax. You'll be fine.
01:07:23Your big night's coming.
01:07:26Hail Mary for the Graceless.
01:07:28Oh.
01:07:29Is anyone there? Anyone?
01:07:31Could you please get these goons on my back?
01:07:33Please, please. Amen.
01:07:36Amen.
01:07:36This is for less rights, I presume.
01:07:45Hey, Father, relax.
01:07:46It's Lucio's little fantasy.
01:07:48He likes pretending that he's married to all his bimbos.
01:07:50Jennifer.
01:07:51Jennifer.
01:07:54Jennifer.
01:07:54My heart ain't no fight doing wise, but what the hell?
01:08:01I want to go out special.
01:08:04Like married to you.
01:08:05But I am married.
01:08:08Don't go getting technical.
01:08:09But I'm married!
01:08:11No, no, no.
01:08:11The church cannot allow...
01:08:13So, Father, you're gonna pull some strings, right?
01:08:15The church cannot allow such a love so pure to go...
01:08:19I'm an old man with a couple of months to live.
01:08:22He was a young brother and a mate, so...
01:08:24What the hell?
01:08:25Love, like all the things are fine and true.
01:08:27It takes time to blossom and bloom.
01:08:30Blow me with blossoming and a blooming.
01:08:32Do it.
01:08:33Your man and wife, kiss the bride.
01:08:36You heard.
01:08:37Everything's all right.
01:08:50I got the doctor in one room and a broad in the other, all right?
01:08:53Be careful with it.
01:09:04And what the hell is this?
01:09:05It's your wedding, Trousseau.
01:09:07Put it on.
01:09:14Move!
01:09:21Dog, all he does is bark.
01:09:23Dog can bark at all night long.
01:09:31Where's my bride?
01:09:33Shut up!
01:09:41All you do is sit on it and bark.
01:09:43You're useless.
01:09:43Yeah, too bad, huh?
01:09:49Do me a favor. Why does retard reshuffle?
01:09:51Should we go check on the old man for me?
01:09:53What do you call me retard for?
01:09:55What do I do to you? Ice plate cards, that's all.
01:09:58Spell ecclesiastical.
01:10:00Exclesi... I'm retarded.
01:10:04Exclesiastical? What is that?
01:10:06Exclesiastical.
01:10:08Exclesiastical.
01:10:10Where are you, my beloved?
01:10:15There's only me out here now.
01:10:24Oh, look at you.
01:10:28Like an angel you are.
01:10:31Oh, look at me like some dried up, pruned creature.
01:10:36Oh, mi amore.
01:10:45Oh.
01:10:48But tonight I'm coming back from the dead like some mighty oak rising out of some dead jungle.
01:10:54But angel face.
01:10:57We must go slow.
01:10:59Very slow.
01:11:01You know?
01:11:02Like...
01:11:04Molten lava.
01:11:07Oh.
01:11:09There's a few more tunes to be played on this flute.
01:11:14But you must be careful of the ticker.
01:11:16Oh, my God.
01:11:17Make sure you have to go.
01:11:18No, you should have to take care.
01:11:19Bye, my God.
01:11:21Oh, my God!
01:11:22Oh, my God.
01:11:23Uh oh!
01:11:25Ah, oh, my God.
01:11:26Ah, ah.
01:11:27Ah, my God!
01:11:29Hmm.
01:11:30Ah!
01:11:35Thanks a lot for that match.
01:11:37Let's get here.
01:11:38Let's play Chester.
01:11:39Let's play Chester.
01:11:40Now we're playing a different game.
01:11:42I, I know how to play Chester Bich.
01:11:43I know how to play Chase the Bits.
01:11:45Really? Is your mother in this game?
01:11:47I got the Fort Hunter now.
01:11:48What are you gonna do, huh?
01:11:52Hey! The floor! Get off your ass!
01:11:55Let's go! Let's go!
01:12:06Oh, shit!
01:12:10Shit!
01:12:13Stupid!
01:12:16My!
01:12:17It's payback time.
01:12:23Jennifer!
01:12:24Franky?
01:12:25Come on!
01:12:36I did it.
01:12:37Did what?
01:12:38I did it.
01:12:39What'd you do?
01:12:40I whacked Malatesta.
01:12:41You did? No, you didn't.
01:12:42Oh, come on. You didn't.
01:12:43I did too. He looked pretty dead.
01:12:44Really? How?
01:12:45You wanna know how?
01:12:46Look, I wasn't there. I'm asking how.
01:12:48I married him to death.
01:12:53That'll do it.
01:12:55Yeah.
01:12:56Yeah.
01:12:57Cheers.
01:12:59If I don't have any more enemies, does that...
01:13:12Does that mean that you won't be around?
01:13:15Surely I must still be in...
01:13:17Great danger?
01:13:18Yeah.
01:13:19Yeah.
01:13:20Yeah, there's still a few bad guys hanging around.
01:13:28I think it's Raleigh.
01:13:29I get it.
01:13:30Do you miss me?
01:13:31Hello?
01:13:32Oh!
01:13:33Oh!
01:13:34Oh!
01:13:35Martello, I forgot.
01:13:36Um, no, it's not too late.
01:13:37It's not.
01:13:38Um...
01:13:39Yes, tomorrow would be all right.
01:13:40Mm-hmm.
01:13:41Mm-hmm.
01:13:42Mm-hmm.
01:13:43Mm-hmm.
01:13:44I see.
01:13:45Do you see you?
01:13:46Yeah, I see you.
01:13:47No, but I see you.
01:13:48You don't mind.
01:13:49You can just get all that weird.
01:13:51Yeah, I see you, and I see you.
01:13:52All right.
01:13:53Oh.
01:13:54Oh, Martello, I forgot.
01:13:55Um, no, it's not too late.
01:13:56Um, no, it's not too late.
01:13:57It's not.
01:13:58Uh...
01:13:59Um, yes, tomorrow would be all right.
01:14:01Mm-hmm.
01:14:02Um, yes, tomorrow would be all right.
01:14:05Mm-hmm.
01:14:06What are you doing, Bruno?
01:14:20Want to know what the old man's last words were?
01:14:23Try the clams.
01:14:25They're fabulous.
01:14:28You got any last words?
01:14:31You ever read this book?
01:14:32If I read that book, not only does that insult my intelligence, it insults my ignorance.
01:14:39Why would a man like me, who happens to like himself, be caught dead reading a bit of boy toy fluff like that?
01:14:46Because it's a killer.
01:14:51You have a lot of anger in you, Bruno.
01:15:02You've been working.
01:15:22A little home improvement.
01:15:25You got stuff here.
01:15:29You got to you, didn't you?
01:15:30You okay?
01:15:54It's just drinks.
01:15:57It's none of my business.
01:15:59I wasn't asking that.
01:16:00No.
01:16:01But I know you.
01:16:04You know me.
01:16:07Marcello asked me to go to Sicily with him.
01:16:11So I guess you're...
01:16:14Going.
01:16:16Of course.
01:16:18It's no big deal or anything.
01:16:22What are you afraid of?
01:16:24Telling me something I want to hear, telling me something that I'm more than just some obligation.
01:16:32Maybe I mean something to you.
01:16:33I mean something to you.
01:16:33I don't know.
01:16:39I know you might be saying something to you.
01:16:41I can't answer that.
01:16:42I can't answer the time.
01:16:43I'm getting older than you.
01:16:43I know what you ask.
01:16:49And a little bit.
01:16:49You know what?
01:16:50You mind me if you've worked.
01:16:51I'm that bad.
01:16:53I know i'm going to let it go.
01:16:54I can't eat.
01:16:54cet по-
01:16:55Oh, Like...
01:16:57I ran away and never returned.
01:17:21From then on, I became a kind of legend,
01:17:24surrounded by a mystery fed on itself.
01:17:27Some people thought I ran drugs,
01:17:30and others suspected I became a killer.
01:17:33None of that came close to explaining what happened.
01:17:36See, I'm talking about a kind of pain
01:17:39that eats away and never leaves.
01:17:42I want you to know it.
01:17:45I want you to feel it.
01:17:48Watch out for the one who feels pain.
01:17:54It wants you to know it.
01:17:59Chuck.
01:18:24I want you to know it.
01:18:29I love you.
01:18:30I'm a brother.
01:18:33I love you too.
01:18:35I love you too.
01:18:37This is my mother.
01:19:07We're in the opera house.
01:19:13Happy?
01:19:16Marcello, I have to tell you something.
01:19:25I'm not who I say I am.
01:19:28My name is not really Jennifer Barrett.
01:19:31I'm an Alighieri.
01:19:33My father was a man named Angelo Alighieri, and he was...
01:19:38I know.
01:19:42You know.
01:19:45And do you want to know who I am?
01:19:48I know who you are, Marcello.
01:19:50You have no fucking idea who I am.
01:19:54What?
01:19:56Your father, he killed my father.
01:19:59Marcello, what are you...
01:20:00Call me Gianni.
01:20:02Sammy's son.
01:20:03Sammy who?
01:20:04Sammy Carbone.
01:20:06Angelo murdered him standing there unarmed, with only a golf club in his hands.
01:20:11Such a cow.
01:20:12No.
01:20:13You're making a mistake.
01:20:14Enough.
01:20:15What your father did, it lives in me like it was yesterday.
01:20:19That pain, eating away.
01:20:21Gianni, or Marcello, whatever you...
01:20:23Marcello, what a freaking stupid name.
01:20:25I like that name.
01:20:27Those stupid books.
01:20:29I couldn't believe my luck.
01:20:31But then Bruno said, you needed your little fantasies.
01:20:35Bruno.
01:20:37You killed my father and not Malatesta?
01:20:40Jennifer, please, understand.
01:20:43La vendetta è tutto.
01:20:45Vendetta?
01:20:46Oh, enough with all that!
01:20:48I had a great teacher, right now I miss him.
01:21:00Oh, of course, Frankie.
01:21:02Such a pain he was.
01:21:04It hurt me to see you so happy with him.
01:21:07Jennifer, please understand.
01:21:09I must do this.
01:21:11My ancestors demand of me.
01:21:16Brute?
01:21:17Brute?
01:21:27Frankie!
01:21:47how bad is it all right
01:21:52this is the theater angelo was right he said i'd be back someday
01:21:59you know when i was a boy with angelo i'd watch you
01:22:07i would on summer nights i'd watch you and i'd memorize your face in the moonlight
01:22:13i fell in love with you then and i guess i'm falling still
01:22:21frankie i love you so don't you do anything dumb like die on me right after you made an
01:22:27admission like that because you should have made it a long time ago
01:22:31fair enough
01:22:43so
01:22:51so
01:23:00you know angelo used to say there's never perfect people
01:23:20only perfect moments and of course he was right because i'm living one of them
01:23:24doing something i love in a place that i love with a new family that i love
01:23:29go and get frankie for me will you thank you ronnie
01:23:33needless to say jennifer has found her roots
01:23:48is becoming more like an authentic italian mother every day and i'm enjoying being around it all
01:23:53and why not isn't living better than watching
01:23:56so angelo if you're listening i have to apologize
01:24:03i just couldn't keep the distance anymore
01:24:06i just couldn't keep the distance away from the gods
01:24:12so
01:24:12you
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