- 5 months ago
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TVTranscript
00:00.
00:30Now you're here
00:44And now I know
00:46Just where I'm going
00:47No more doubts or fears
00:50I'm on my way
00:53Nice to see you
00:55To see you
00:56Nice
01:00Thank you very much
01:08And welcome to the show
01:09And believe me
01:10You're welcome to it
01:11Again
01:11Yes, I thought I'd say that
01:15At least
01:15Oh, we have had a day
01:19Yes, but you know
01:20I've had to do it all myself
01:21As usual
01:22All myself
01:23If it wasn't for my little book
01:25Are you there?
01:26If it wasn't for my little book
01:27Believe me
01:28It wouldn't be a show
01:28Now then
01:29Who do I arrange for?
01:31I've got all the list
01:31Of my show business friends
01:33In here
01:33I mean, if you could have
01:34Filled up my first page
01:35That went better first house
01:37Um
01:37You see, they don't know
01:41Do they?
01:43Yes, now I managed to get
01:45The Lionel Blair dancers
01:46Without Lionel
01:47That takes a bit of doing
01:49We just push himself forward
01:51I thought it was his suits
01:52But he pushes himself forward
01:54Yes, and then I've got
01:58Talita Morrison
01:59Nice to see her back again
02:00Might have been nice
02:01To see her front again
02:02Malcolm Muggeridge
02:04Couldn't make it
02:04I'm glad to say
02:05Julie Rogers
02:07Oh, she's always
02:08Such a darling to work with
02:09And my mate
02:10My mate will definitely
02:11Turn up
02:11He's such a great lad
02:13So there we are
02:14We've got a show
02:14Oh, boy, I'm lucky
02:22I'll say I'm lucky
02:24This is my lucky day
02:27I'm all in clover
02:33I'm glad all over
02:36I want to shout hooray
02:39I found a horseshoe
02:43Just couldn't go wrong
02:45Then all at once
02:47Salita Morrison
02:48Happened along
02:49Oh, boy, I'm lucky
02:57I'll say I'm lucky
03:00This is my lucky day
03:03I found a horseshoe
03:33You just couldn't go wrong
03:35Then all at once
03:37Julie Rogers
03:39Happened along
03:40Oh, boy, we're lucky
03:45I'll say we're lucky
03:48This is our lucky day
03:51Let it go
03:53Let it tarry
03:54That must be a rhyme with Harry
03:57It's our lucky day
04:09Thank you very much.
04:39It is nice to see you, but if you only keep still for a moment, then maybe we'll all see you.
04:43You can't keep still yet, can't you? You've got a long, thin audience.
04:46Have I?
04:47No.
04:48People out there don't even know we started yet.
04:50Don't they?
04:51I don't tell them.
04:52Oh, no, it doesn't matter, Harry, it doesn't...
04:53Hello!
04:54Harry!
04:55Hiya!
04:56Hiya!
04:57Hiya!
04:58Hiya!
04:59Hiya!
05:00Hiya!
05:01Hiya!
05:02Hiya!
05:03Hiya!
05:04Hiya!
05:05Hiya!
05:06Hiya!
05:07Hiya!
05:08Hey!
05:09Hiya!
05:10Hiya!
05:11What are we doing a lap of honor, for goodness sake?
05:13Oh!
05:14We're back.
05:15Oh!
05:16You've put me back ten years.
05:17Well...
05:18I'm out of condition.
05:19Harry, really, you are getting me an estate, for goodness sake.
05:22I'm sorry, I'll have to wait till I get my breath back.
05:25You don't mind when I take it, will you?
05:27I might have noticed that, and you're up to all your old tricks again, aren't you?
05:30And by the way, no raspberries.
05:32Oh, I'm good breath for a raspberries.
05:35I don't know.
05:36I'll break a little current.
05:37Pssst!
05:38Pssst!
05:39Not now!
05:40Not now!
05:41Not now!
05:42Not now!
05:43I've been orchestrated.
05:44It's all this kind of thing, eh?
05:45I've been orchestrated.
05:46I've been orchestrated.
05:47Pssst!
05:48Pssst!
05:49Because that's the trouble, working with it.
05:51Get out of there!
05:52I thought, I've got them again.
05:53Stop it!
05:54You have.
05:55They're all over the place.
05:56They're all over the place.
05:58No, but really, it's the trouble.
05:59All this raspberry blowing, you know, it catches on.
06:01All through the rehearsals, all this week, everybody's been going round going...
06:06Still haven't got it.
06:07Pssst!
06:08Pssst!
06:09Pssst!
06:10Pssst!
06:11Pssst!
06:12Pssst!
06:13You're right!
06:14I know how to do it!
06:15I know how to do it!
06:16Don't start dancing with me!
06:17Why not?
06:18Because I like to leave!
06:19Oh!
06:20Pssst!
06:21Pssst!
06:22Pssst!
06:23Pssst!
06:24Pssst!
06:25Pssst!
06:26Pssst!
06:27That is...
06:28That's another hazard, with working with Harry Seacomph.
06:30It's another local hazard as well, I'll tell you that.
06:33Oh, but it happens so many times at the Plainium, I'd be introducing Harry, and he'd be pinching me
06:37behind the curtains.
06:38Have you got curtains down there then?
06:40No!
06:41Look Harry, look Harry, stop it!
06:44Oh, it is going to be a long night.
06:47Look!
06:48Why don't you go along...
06:50It only happens when I dance with you.
06:52Why don't you go to that end and entertain that lot.
06:56I'll try to entertain this lot, and I'll see you in about an hour's time.
06:59I've got to shampoo my crepe hair.
07:00Why don't you?
07:01Pssst!
07:02Pssst!
07:03Pssst!
07:04Oh, sorry, but thank goodness Julie Rogers is in the show, you know, because...
07:15Julie, let's do something nice, darling, you know, because...
07:18The day of the world, every day will be the best day of the world...
07:26What was that?
07:27Every day...
07:28You saved that, didn't you, dear?
07:29What are you going on at?
07:31It's a long-delorean, folks!
07:33It's going to be a long, thin show, I've got to see.
07:36Mind you, I'd rather chase you than Harry Seacombe, I'll tell you that.
07:39I'll tell you what, Harry.
07:40You won't catch me.
07:41You'll never get away from me.
07:43I could be a bird and fly off in the blue.
07:53Then I'd become a super jet and take off after you.
07:56Then I'd become a rabbit and run across the plain.
08:00Then I'd become a hunting dog and chase you once again.
08:03Oh, you will never get away.
08:04You'll never get away.
08:05You'll never get away.
08:06You'll never get away.
08:07You'll never get away.
08:08You'll never get away.
08:09You'll never get away.
08:10You'll never get away.
08:11You'll never get away.
08:12Then I become a picture on someone else's wall
08:23Then I become a picture frame and hold you after all
08:26Then I become a rose in some secluded spot
08:30Then I become a submarine and kiss you when you're hot
08:33Oh, you will never get away, you never get away, you never get away
08:37You never get away, you never get away, you never get away
08:39You never get away, you never get away, you never get away
08:41Then I become a running brook, running from your charm
08:52Then I become a little dam and hold you in my arms
08:56Then I become a ball and gaily bounce away
09:00Then I become a little boy and play with you all day
09:03Oh, you will never get away, you never get away, you never get away
09:07You never get away, you never get away, you never get away, you never get away
09:10You never get away, you never get away, you never get away
09:19What else can I be? I'll be a Christmas tree
09:22I'll give you such a trimming dear, you'll light up just for me
09:25Oh, you will never get away. Never get away. you'll never get away.
09:46I did not pull you, you did pull me down, I did not, you tickled me, I did not, you tickled me, and you pushed me as well, I did not push you, oh yes you, and the music was all wrong, what was that, it was much too slow, if you don't do this thing at the right time, you might as well not do it, and we can't finish like this, you know, with two Jimmy Clitheros or something, let's do it again, let's do it again, much faster Bob, must be much faster, that's it,
10:16Oh you will never get away, you'll never get away, you'll never get away from me
10:32Thank you, bye bye, I thought she'd never go
10:48When you do a series of shows like this for a company like ABC television, it does entail quite a lot of money, and they decide to insure you, you know, they do, so for this you have to have a physical, you know, and not only a physical, but you know, up here as well
11:06Oh there are a lot in our business that are like that, there's one here so nice isn't there, certified, really believe I put the stamp on, oh yeah really, yeah but I mean the physical, no worries at all with the physical, but the psychiatrist, have you ever been to a place like this, a psychiatrist, now why don't they call it the funny farm
11:36Oh
12:07Pardon?
12:14You got a twitch or something?
12:17No, no, I haven't got a twitch.
12:19You went like that?
12:21Well, of course I went like that. I went like that because you went like that.
12:24It's a natural reaction. If a fella does like that to you, you automatically do it back to him.
12:30To what, that?
12:31That.
12:32You didn't get here too soon, mate, I'll tell you.
12:38I tell you, I haven't got a twitch.
12:40What's wrong with you then?
12:42There's nothing wrong with me at all. I came here for a check-up.
12:45That's what they all say.
12:47They'll soon fix you, mate.
12:50I came here for a check-up for my job.
12:52I believe you.
12:56Doesn't show on you, whatever it is.
12:59I tell you, there's nothing wrong with me at all.
13:02Don't you like people then?
13:03Of course I like people!
13:05Why do you shout at strangers?
13:06I do not shout!
13:10I'm not shouting.
13:12Try to wake him up, won't you?
13:15You don't like him, do you?
13:17Why don't you like him? What's he done to you?
13:19Like him? I don't even know him.
13:23That's General de Gaulle.
13:24General de Gaulle.
13:25General de Gaulle.
13:26General de Gaulle.
13:27General de Gaulle.
13:28Yes.
13:29Of course, yes.
13:30I didn't recognise him without his uniform on his hat.
13:31He's asleep in bed, isn't he?
13:32You don't wear your hat in bed, do you?
13:34Do you wear your hat in bed?
13:35Do you wear your hat in bed?
13:36No, no, I don't wear a hat in bed.
13:37No, no.
13:38Well, you've got a hat though, haven't you?
13:39Yes, I've got a hat.
13:40I've got a hat.
13:42You're not General de Gaulle, are you?
13:44Do I look like General de Gaulle?
13:45General de Gaulle?
13:46General de Gaulle.
13:47Do you wear your hat in bed?
13:48No, no, I don't wear a hat in bed.
13:49No, no.
13:50Well, you've got a hat though, haven't you?
13:51Yes, I've got a hat.
13:52I've got a hat.
13:53You're not General de Gaulle, are you?
13:59Do I look like General de Gaulle?
14:01Well, if he's General de Gaulle, then General de Gaulle doesn't look like General de Gaulle,
14:04does he?
14:05I mean, that's the whole...
14:06It doesn't prove a thing.
14:07No.
14:08I mean, um...
14:10General de Gaulle, no.
14:11He could be Lady Kediva for all I care.
14:14What did you say, Lady Kediva?
14:22It was a first name that came into my head, that's all.
14:25Yeah?
14:27Do you always think about women without any clothes on?
14:32No, I think...
14:33You get a little shooting paint at the back of your hand here.
14:34I get it, yes.
14:35No, I don't think of Lady Kediva with women without any clothes, I'm going to say.
14:38I think about Lady Kediva once in a blue moon.
14:41The moon affects you, does it?
14:50How did I get into this conversation?
14:53Look, look, he could be Harold Wilson, to use another name.
14:59Why are you so fascinated by Harold Wilson without any clothes on?
15:02I don't think about Harold Wilson without any clothes on!
15:16What a terrible thought!
15:20Where would he put his pipe?
15:21No, look, I think about Harold Wilson in connection with politics, for goodness sake.
15:28Ah, so politics worrying, do they?
15:30No wonder you've got a twitch.
15:32Look, I don't worry about anything.
15:36Oh, you're one of those, are you?
15:39I don't worry about anything.
15:40Let other people do the worrying, that's your trouble, isn't it?
15:42That's the trouble of not opinion, eh?
15:44What about all those Chinamen, then?
15:46What Chinamen?
15:47All those Chinamen behind the Green Wall of China!
15:49Look at them!
15:50They're bleeding out the campers, mate!
15:52Stop bleeding, you yellow swines!
15:54Stop it as much!
15:55Look at them, one of these days, they'll be over the top of the wall and at us!
15:57Over the top and at us!
15:58And what are you doing about it?
15:59What are you doing about it, eh?
16:00What? What?
16:01There's millions of them over there!
16:02What can I do about it?
16:04Bobby!
16:11You were shouting to him.
16:14You don't like me, do you?
16:16Oh, I must say I'm going off you a bit.
16:19If I knew you better, I'd probably go off you a lot.
16:22You can't wait till I get off this train, can you?
16:32Get off this train!
16:33All right, I will!
16:34Do you want to do it?
16:35William, get off you, Trendor!
16:36Get off!
16:37Get off!
16:38Get off!
16:39God!
16:40Blimey!
16:42Down to the marrow!
16:48People like you drive me up the wall!
16:50Well, while you're at this, he would almost shine a minute, don't you?
16:54What can I do about trains?
16:55I happen to drive a car everywhere I go!
16:58All right.
16:59You drive a car everywhere you go.
17:00Right?
17:04I'm driving a car.
17:05Down to the road.
17:06Ten miles an hour.
17:07You're behind me.
17:08You want to overtake her in a hurry.
17:09Right?
17:10What do you do?
17:11What do you do?
17:23Oh.
17:26Daddy.
17:27You hear...
17:29BEEP BEEP!
17:59Gail, do you think you're doing that early?
18:02Don't attack my attention, are you?
18:06You wouldn't let me pass.
18:08Do you own this bit of road then?
18:10Do you own this bit of road then?
18:11I'm going to smash right into this bit of road then.
18:13Why wouldn't you let me pass?
18:14You knew I wanted to pass.
18:15Why won't you let me pass?
18:16How can I let you pass as a fellow to sleep in the middle of the road?
18:21Oh, get him out of the way!
18:23Go on, get out!
18:24You're opening up all the traffic, for goodness sake.
18:26You're opening up all the traffic.
18:27Get out!
18:28Watch it, ducky.
18:34Now I know why he's lying in the middle of the road.
18:37What are you talking about?
18:39Well, look, you're in the middle of the road.
18:41We're trying to get our cars past and you're backing up the whole...
18:44The whole traffic's in...
18:52I got carried away.
18:54Roger's ready for you now, Doctor.
18:56Thank you, Nath.
18:57I'll take this one first.
18:58Thank you, Nath.
18:59I'll take this one first.
19:00You, Nath.
19:01Thank you, Nath.
19:02I'll take this one first.
19:03I was very, very close to your front, but you definitely...
19:05I bought you, Nath.
19:06Thank you, Nath.
19:07Thank you, Nath.
19:08I will take this one first.
19:09Please, take this one first.
19:10Take this one first.
19:11I'll take this one first.
19:13That's all.
19:14You can get to see your car.
19:45The sound of rain upon a window pane, a starry song that April sings.
20:05This year's fantasy, our passing fantasy, sighing sides, holding hands, these my heart understands.
20:27I'm old-fashioned, but I don't mind it.
20:36That's how it's got to be, as long as you agree to stay old-fashioned with me.
20:51That's how it's got to be, as long as you agree to stay.
20:59That's how it's got to be, as long as you agree to stay old-fashioned with me.
21:09That's how it's got to be, as long as you agree to stay old-fashioned with me.
21:19That's how it's got to be, as long as you agree to stay old-fashioned with me.
21:29That's how it's got to be, as long as you agree to stay old-fashioned with me.
21:39That's how it's got to be, as long as you agree to stay old-fashioned with me.
21:49That's how it's got to be, as long as you agree to stay old-fashioned with me.
21:59That's how it's got to be, as long as you agree to stay old-fashioned with me.
22:05That's how it's got to be, as long as you agree to stay old-fashioned with me.
22:21That's how it's got to be, as long as you agree to stay old-fashioned with me.
22:27That's how it's got to be
22:45As long as you agree
22:57To stay old-fashioned with me
23:27Tell me, uh, tell me, Pa
23:55All right, all right, we've arrived
24:00Trust me to get the keen one
24:02We're just trying to do a win an Oscar up there or something
24:05Sorry about that, Harry
24:07Sorry about that, back to the plot
24:08One, two, three
24:18Hold on!
24:20Who do you think we are, Pinky and Porky?
24:25You're jerky
24:27I told you, we're the Thunderbirds
24:29You're a Thunderbird
24:30Thunderbird?
24:31Yes
24:32You've been that fly around and every kiss in circles
24:34That you don't mean
24:35No!
24:36Not that kind of a bird
24:38Very energetic
24:39Harry, really?
24:41Let's get back to the dialogue
24:42At the dialogue
24:43Oh, you do feel tired when you're a puppet
24:47All right, Scott
24:48This is an emergency
24:49The job for the International Rescue Service
24:51Yes, Father
24:52Let's go over to the table
24:53Yes, Father
24:54Yes, Father
25:01Come on, we'll try, though
25:03I'll try on the leg string, though
25:04I'll try on the leg string, though
25:11Tell you Christ
25:12Try to rub it in the back
25:13Pull the leg string
25:18Pull the leg string
25:22No, Mark, it's all me
25:23No, Mark, it's all me
25:44Tell me
25:45Pull the leg string
25:48Push out!
25:50Push out!
25:52Yes, you push out!
25:53I think we need the international rescue staff in the island of May.
26:23This is a disaster, Arius, scum! Hand me that ruler!
26:40Yes, father.
26:45Where's the disaster area, father?
26:54My left ear or something.
26:58You did it on purpose!
27:00It wasn't me there, it was the fellow working me, really.
27:04What was it?
27:05Oh, it is!
27:06The fellow working me can't stand the fellow working you.
27:11Personally, I like you.
27:14And I like you too, Arius.
27:17I think you're marvellous.
27:18I really do.
27:19I think you're great.
27:20But the fellow working me...
27:23The fellow working me...
27:25I say, would you mind pulling that?
27:37Of course.
27:38Pull that!
27:41And all that...
27:44And that...
27:45And that...
27:46And that...
27:47And that...
27:48And that...
27:49And that...
27:50Mr. Tracy, stop!
27:52Stop this at once!
28:00Take it easy, boys!
28:02Oh!
28:03And here, I wonder who's working here!
28:06Well...
28:07What a lovely veneer!
28:09Come to Daddy, darling!
28:10I saw her first!
28:11You might have seen her first, I'm gonna get there first!
28:13Full of head, Fred!
28:15Oh, no!
28:17No, not me arms, me feet, you fool!
28:20Well done, Fred!
28:21Come to Daddy, darling!
28:22Come along, darling!
28:23Give me something off of me!
28:24Jack!
28:25Oh, I've had enough of him!
28:26Come here!
28:29Get off now for me!
28:30Used to see it!
28:32Ha-ha!
28:34You unspeakable cat!
28:35Ha-ha!
28:36How about, uh, dinner after the show?
28:38Do you feel me?
28:39I'd love to!
28:40Uh, no strings?
28:41No strings!
28:42Ho-ho-ho-ho!
28:43How did you speak?
28:46Harry, I will not go out with you!
28:49Oh, yes, you will, won't you, darling?
28:53We'll have steak and chips in bed, won't we, dear?
28:55Come here!
28:56You know you want to go out with me?
28:57Come here!
28:58We'll have a break, come here!
28:59Oh, yes, you will.
29:00Come here!
29:01Come here!
29:02Come here!
29:03Come here!
29:05Come here!
29:06Come here!
29:07Come here!
29:08Come here!
29:09Come on, come here!
29:10Come here!
29:11Come here!
29:12Come here!
29:13This is the moment, come on, we put it up long enough, now, no more waiting, no hesitating, now, now, come on, let's get some, let's start.
29:36It's there for you and me, for every she and she, just want to do what's right, constantly, I went and took a look, in my old history book, it's there in black or white, for odyssey,
30:05now, now, now, now, now, now, everyone should love his brother, people all should love each other, just don't take it little mister,
30:23no one wants to crack your sins, now is the time, now is the time, now is the moment, now is the moment, come on, we put it up long enough,
30:47now, no more waiting, no hesitating, now, now, come on, let's get some of that stuff, it's there for you and me, for every she and she, just want to do what's right, constantly,
31:01I went and took a look, in my old history book, it's there in black or white, for odyssey, now, now, now, now, now, now, now, now, now, now, now, now, the message of this song ain't subtle,
31:17no discussion, no discussion, no revival, we want more than just a promise, say goodbye to Uncle Thomas, call me naive, still I believe, we're greedy, we're equal now, now, now, now, now, now, now, now, now,
31:45one should love his brother, people should love each other, people all should love each other, since they say we all got rhythm, come on, let's share our rhythm with them, now is the time, now is the time,
32:05Time, the time is now.
32:35I don't want any remarks, I've had enough all day, but I'd like you to bear in mind that
33:00underneath this pretty ladies dress, there's some pretty ladies underwear, and I've never
33:05been so embarrassed, well not lately, you know, but I'll tell you something, I never thought
33:12I'd enjoy putting all this on, but I did, really, all this, the whole lot, I'm getting a bit
33:24worried, but I enjoy putting it on, you know, I wouldn't have thought that was possible
33:30with the day I've had today, really, but it all started, I can't do that either, but look,
33:37this is what happens, you see, in the shows and up, we're doing a sort of a student prince
33:41finale, you see, and I was going to be the prince, with the uniform and all the medals, you see,
33:45but it meant that I had to do all this opera singing bit, you see, and I'm not much good
33:48at that sort of thing, mind you, I'm better at that line, this sort of thing, as you've
33:53found out already, but somebody said, look, look, why not let Harry be the prince, he's
33:58got a much better voice than you, I forget who said it, I think it was Harry, and they
34:04said, look, you can be the prince's aide de camp, I said, look, I said, I don't mind
34:11being the prince's aide, I said, but the camp, it's definitely, I will keep doing that,
34:17erm, well, you can't, you see, anyway, I didn't realise before, it must be awkward, awkward
34:29for you, anyway, I said, but look, Neil, don't Neil, don't Neil, please, I said, look, this
34:38is my show, I said, I should have an important part, well, the only other important part,
34:41in the finale, was Felicity, the serving maid, so I said to Lionel, I said, don't you get
34:51excited, I'm going to be Felicity, he was hurt, he was hurt, let's show business, you know,
34:59you've got to get in, step on people, you know, I'm always stepping on him, anyway, then
35:03I went to see the wardrobe mistress, lovely girl, nice girl, and I said to her, I said,
35:06I think I'd like something in a full skirt, low cut, with puff sleeves, she said, oh,
35:11well, will I do, she's a bit like that, you know, if you give her a chance, she's a bit,
35:16oh, she is, she's a nice girl, she's a lovely girl, and I wouldn't say that her morals are
35:20loose, but they definitely need tightening up a bit, she's a nice girl, so she said, well,
35:26look, try all this, well, I had to look all through these dresses, and isn't it always the
35:29same, nothing my size, nothing, you know, they've never got anything to fit to, you have the
35:34same trouble, Lil, they don't think about SOSs, do they, WXs, I know, we'll get a rota up,
35:43dear, and we'll sign a petition and everything, won't we, love, all right, I'll see you after,
35:48I don't know who she is, anyway, you see, in the middle of rehearsals today, I had to go
35:57into town to drill a lane, to do a costumers, you see, to get a dress, so the assistant came out,
36:04he said, and what can I do for sir, so I said, I'd like a dress, I said, no matter that, I said,
36:10I've got to wear a dress in a show I'm doing tonight, he said, yeah, I said, that's what they all say,
36:15I said, look, I said, I've got no time to hum and ah with you, I said, in fact, I haven't even
36:23got time to hum, I said, you don't even, you don't understand, I said, you haven't, I said,
36:30I've got a, in four hours time, I've got to be a woman, he said, well, we've all got our problems,
36:35so he said, look, he said, I'll go and get you something, he said, well, what kind of a dress
36:43did you want, well, I rather like the one he was wearing, but I thought it might be a bit too
36:50sophisticated for a serving mate with the black pearls and the swinging back, you know,
36:54so I said, I said, you know, give me something a bit old-fashioned, I explained the kind of thing
37:01I wanted, he said, all right, he said, all right, he said, strip, I said, well, you could put some
37:05music on, but it went right over his head, no sense of humour, well, not many of them have,
37:10anyway, off he went, you see, and I took my suit off, put it over the chair, and he came back a little
37:17while later, and he gave me a long look up and down, a bit longer than I thought was this,
37:21he said, yes, he said, I think you must be 36, 36, 36, I said, I'm not, I said, I'm younger,
37:29I'm younger, I'm younger, so he said, now, look, he said, you've got to have all these,
37:34all these frillies and girdles and stockings and under, I've never seen this, oh, it's ridiculous,
37:40you know, he said, you've got to have all these foundations on, he said, just in case your dress
37:44gets raised inadvertently, I said, listen here, mate, he said, anybody raises this dress
37:51inadvertently or not, they're going to better punch right up the ooter, so he said, but you've
37:56got to have something underneath, he said, you can play hard to get me, he said, you must
37:59have something, you must have something underneath, I said, all I want underneath this is a sign
38:05saying I'm a fella, so he said, well, I'll leave you to it, and he did leave me, you know,
38:11it took me half an hour to get all this stuff on, well, you know, I don't know, well, I
38:15mean, the married men will bear me out here, I mean, we all, lads, we all know how to get
38:19it off, don't we, but getting it on, oh, no, well, the wotsits, you see, up here, the wotsits,
38:29they wear up here, when I put my stockings on, I was like, there, oh, but anyway, I finally
38:34got it all on, it didn't look too, it felt quite comfortable, you know, and he, well, I
38:38thought, well, that's it, so I came out the cubicle, you see, for my suit, my suit had gone,
38:42gone, so I said, where's my suit, he said, and what can I do for madam, I said, I
38:49don't want all this madam, I said, I'm still sir, I said, where's my suit, he said, was
38:53that your suit, he said, oh, I thought it was one of ours, I said, I've just hired it
38:56out, I said, but who have you hired my suit, he said, Danny LaRue, the female, I said, well,
39:03what would Danny LaRue, what would my suit, he said, well, he said, he was going to a fancy
39:07dress party, he said, actually, he said, it was a come as you were party, so I said, look,
39:16how am I going to get from here back to Tennington wearing this dress, he said, well, he said,
39:20we've all got our problems, waste of time, anyway, I've got out of there, I thought, well,
39:24how am I going to get back, so there I am, can you imagine me, now look, can you imagine
39:28me standing in the middle of Piccadilly, in the middle of rush hour, wearing this dress
39:32time to get a taxi, can you imagine that, you kinky lot, but there I was, you know, and I
39:40was waving for a taxi and all these men started waving back, about ten men came up to me and
39:46they made offers of help, which I thought was nice in this day and age, you know, mind you,
39:52four men came up and made other offers, one of them so good I nearly took it, anyway,
39:56I finally got back here, you know, and I couldn't wait to get it all off, you know, you know the
40:05feeling, don't you, Lil, I couldn't wait to get it all off, but tonight, you see, tonight
40:10I enjoy putting it on, see, because nobody knows that this is my dress, he does, but nobody
40:21else knows, you see, so they keep hanging it up in the girls changing room, so every time
40:28I've had a few minutes that I've been in there and changing, oh, I've found out where all the
40:31what's it's really going, so anyway, I've got time now to slip it off and slip it on again,
40:38because Harry's going to sing to you, see, well, it'll pass the time, so here he is, Harry Seagull.
41:01Here is a song, a Saturday to you, the old, it's gonna be wrong, he's in this room, as you,
41:28I cannot what the world may say, without your love there is no day, oh, this is my song,
41:35I cannot what the world may say, without your love there is no day, oh, this is my song,
41:53Oh, this is my song, here is a song, a Saturday to you, Why is my heart so light, why is my heart so light, why is the stars so bright, why is my heart so bright?
41:55my song, here is a song, a serenade to you, why is my heart so light, why are the stars
42:22so bright, why is the sky so blue, since the year I met you, alone I sing you alive, with
42:41you in my heart supreme, to hear you say I love you, this is my hope, my dream, come on, this
43:03is my song, here is a song, a serenade to you, oh, cannot be wrong, if in this world,
43:30if in this world, as you, I cannot what the world may say, without your love there is no day,
43:57love, this is my song, here is a song, a serenade to you, oh, cannot be wrong, if in this world,
44:04I cannot be wrong, here is a song, a serenade to you, oh, cannot be wrong, if in this world,
44:11I cannot be wrong, if in this world, if in this world, I cannot be wrong, if in this world,
46:25The Prince.
46:26The Prince, our great leader, will be here soon.
46:27Let's have some wine.
46:28Bring down the floor.
46:30Yes, come on sir.
46:31Come on.
46:32All right, all right.
46:33Hold on!
46:34got one pair I wonder what sort of the Odeon
46:58it's out the back fill up the glasses I wish to propose a toast how can I fill them up when
47:07they're up there now get them down eh get the glasses down the mugs down good old lad
47:17there's no beer in here that's not the toast it's all on the floor
47:47keep your hands still keep your hands still
47:53to the fatherland did you see that
48:02there's still no beer in here I wonder where it all went
48:10keep the glasses too yes dear prince yes dear prince
48:14oh not that dear prince anything but that princey watch it then yes I'll keep them filled keep them filled yes
48:30well you say keep it filled up when I said keep it filled up I meant keep them filled up well let me keep them filled up and we keep them filled up well then keep them filled up this is getting more like a pantomime every line
48:48every line
48:50and now another toast
48:52another one
48:53this time in song
48:54oh in song yes
48:55to the ladies
48:56ah lovely
48:57all right hold on
48:58don't forget you sing it this time all right then you sing it no more chucking beer all over my place all right you sing it
49:04you sing it don't forget don't forget don't forget to sing lovey
49:10sing it right thank you keep them filled
49:14thank you
49:16let's fill up our glasses i'll bring to the ladies the ladies so bad
49:22boom boom boom boom boom boom boom boom
49:24with a cheer
49:25cheer
49:26and a cheerio cheer
49:30we love them so madly and kiss them so gladly and our gifts all right
49:35boom boom boom boom
49:37with a cheer
49:39how long
49:40oh no
49:42Lovely!
49:44Lovely!
49:46Don't you know any quiet bits?
49:51There's a lovely quiet bit coming up now.
49:53Well, I hope so. I really do.
49:55You sure it's... you sure it's soft and romantic?
49:58Oh, a lovely soft and romantic bit of all, really, is.
50:00Why don't he save you, serving wench?
50:02I'm more like a serving drencher than a serving wench.
50:05But he really is soft and romantic.
50:07Of course.
50:08Really?
50:09Give me a glass of film.
50:10You wouldn't fool me, would you?
50:11Look, it's lovely and soft, isn't it?
50:13And romantic.
50:14You're not getting me at it.
50:15No, of course not.
50:16You're up to your bit, the bit you do on your own.
50:18On my own, I think.
50:19Soft and romantic.
50:21Cheerio, cheers.
50:24Oh, for those nights of love and romantic.
50:29Softly beholden the while we are dancing.
50:34Seemly alone through the moonlight we're straying.
50:40Seemly a kiss while the music is playing.
50:46That's so lovely.
50:47And they're all listening now.
50:49It's beautiful, beautiful.
50:50Carry on.
50:51With a cheer!
50:53Hold it!
50:54I know it's not your fault.
50:55I'll see you after.
51:00Yeah.
51:01Hold it!
51:02Hold it!
51:09I know it's not your fault.
51:10I'll see you after.
51:11I'll see you after.
51:12Yeah, come on.
51:19Right!
51:20Me.
51:22I see you after.
51:23I'll see you after.
51:25I'll see you after.
51:26I'll see you after.
51:27No, not no, not no.
51:28I'll see you after.
51:29You should have again!
51:30You should have to wait and see you after.
51:31No, not no.
51:32And we're going to see you after.
51:33If you're a star suffering, you're going to see a star.
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