- 4 months ago
Ride into adventure with The Desert Trail (1935) â a thrilling John Wayne Western movie filled with crime, action, and frontier justice. Directed by Lewis D. Collins and produced by Lone Star Productions, this early John Wayne classic blends suspense with the rugged charm of 1930s Hollywood Westerns.
đ Plot:
John Scott (John Wayne) wins prize money at a rodeo, but when the event official is robbed and murdered, John and his sidekick Kansas Charlie (Eddy Chandler) are wrongly accused. On the run, they must clear their names while facing outlaws, betrayal, and life on the dangerous desert trail.
⨠Why Watch?
Early 1930s John Wayne Western full of action and drama
A mix of crime, chase, and cowboy storytelling
Restored public domain movie free to enjoy
Perfect for fans of classic American cinema, vintage Westerns, and John Wayne collectors
âď¸ Disclaimer:
This film, The Desert Trail (1935) starring John Wayne, is in the public domain. It is uploaded here for educational and entertainment purposes only.
đ Plot:
John Scott (John Wayne) wins prize money at a rodeo, but when the event official is robbed and murdered, John and his sidekick Kansas Charlie (Eddy Chandler) are wrongly accused. On the run, they must clear their names while facing outlaws, betrayal, and life on the dangerous desert trail.
⨠Why Watch?
Early 1930s John Wayne Western full of action and drama
A mix of crime, chase, and cowboy storytelling
Restored public domain movie free to enjoy
Perfect for fans of classic American cinema, vintage Westerns, and John Wayne collectors
âď¸ Disclaimer:
This film, The Desert Trail (1935) starring John Wayne, is in the public domain. It is uploaded here for educational and entertainment purposes only.
Category
đĽ
Short filmTranscript
00:00The
00:30The End
01:00How many?
01:14Three.
01:21Just a minute.
01:24You're terrible.
01:26If you try any of those phony tricks in rattlesnake gulf,
01:28they'll run you out quicker than they did in the last place.
01:30I didn't get us run out of that last place.
01:33It was your fault.
01:35Now, if you hadn't got mixed up with that dance hall girl,
01:37we'd have still been there.
01:38I got mixed up with her.
01:40You forget, my boy, that it was you with the young lady
01:43when the vigilantes asked us to leave town.
01:46And we ought to stay away from her.
01:48You're chasing after every good-looking dame you see
01:50I'm going to get you any place.
01:51By the time we cut it out and tried to make something of ourselves.
01:55Well, that's the first sensible thing you ever said.
01:58Now, the thing for you to do is to ignore them.
02:01But how can I?
02:02Ever since I've been able to tip my hat,
02:05women have had a weakness for them.
02:07Well, don't tip your hat.
02:09Don't even talk to them.
02:12Say, that's an idea.
02:14It's talk that always gets you into trouble with a woman.
02:17They always think you mean more than you say.
02:21Why?
02:21All you got to do is say good morning.
02:23And they think you want to get hitched.
02:25From now on, I'm deaf and dumb to all of you.
02:30Now you're talking.
02:31That's a great idea.
02:32You'll save me a lot of trouble if you really mean it.
02:35Absolutely.
02:41Oh, you're asking for a little bit, don't you?
02:43Yep, a passenger and some mail.
02:47Oh, boy, take a look at that.
02:52I've got to do something about that.
02:54I thought you said you were deaf and dumb to all of them.
02:56That's the trouble with you, Kansas.
02:58You haven't any willpower.
02:59What do you mean, no willpower?
03:01When I say a thing, I mean it.
03:02But you just said that you were deaf and dumb
03:04as far as women were concerned.
03:06That's right.
03:07And it still holds good.
03:08Good.
03:11Will you allow me?
03:13Definitely.
03:17I'm John Scott, heading for the Rodeo at Rattlesnake Gulls.
03:29Oh, how do you do?
03:30I am Juanita Rivero.
03:32My phone is there.
03:34Oh, well, that's great.
03:35Maybe I'll be able to see a lot of you while I'm there.
03:37Are you a Rodeo star?
03:46Well, not exactly.
03:48Although, uh, I did pick up some money at the Cheyenne and Pendleton shows this year.
03:56Is your friend here?
03:58Is he a Rodeo star?
03:59Him?
04:00A Rodeo star?
04:01I should say not.
04:03That's Kansas Charlie.
04:05He's my, uh, he's my ward.
04:09He's a poor deaf and dumb guy.
04:11I just carry him along to take care of my saddle.
04:17Oh, very too bad.
04:19How did it happen?
04:20Why, uh, he was scalped by Indians when he was a baby.
04:25Never regained his power in speech.
04:27Wait till he takes his hat off.
04:30He's bald as a goat.
04:34See, the poor fellow's trying to talk.
04:36But that's the best he can do.
04:38Well, women or no women, I'm not going to sit here and let you insult me like that.
04:42I am not bald-headed.
04:45It's only a high forehead.
04:47See?
04:48Well, well.
04:50It's a positive miracle.
04:52They always told me that a sudden shock would restore his speech.
04:55But I didn't think he'd turn out to be half-witted.
04:59Now, that's the first forehead I ever saw that ran clear to the back of the neck.
05:02Why, you...
05:04There's a lady present.
05:07You see, miss?
05:08He's practically a nitwit.
05:10Nitwit?
05:11Say, I got more brains than this fellow ever have.
05:14Now, what you need is a man to protect you.
05:17Somebody that's going to get ahead in the world.
05:20Ah, you got too much class for these small-town fellows.
05:22You need a man that's been around.
05:25Oh, thanks, Kansas, for the build-up.
05:28I think you're putting it a little strong.
05:31I'd rather the young lady found out a few of the things for herself.
05:34I wasn't talking about you.
05:37I was referring to myself.
05:40Modest, isn't he?
05:41Regular shrinking violence.
05:42Ben, if you are all these things, you must be very rich.
05:49Oh, yes, yes.
05:50Early rolling and wealth.
05:52Most of the time.
05:54Of course, I don't carry it with me while I'm traveling.
05:57There's plenty of money waiting for me at the Rattlesnake Feltz Casino.
06:01Now, if you want to play a sure thing, Juanita, stay away from this guy and make a bet on me.
06:05He'll wear diamonds.
06:07Oh, that would be very nice.
06:09I should say it would.
06:10Oh, this is my house.
06:18This is where I get off.
06:29I will see both of you while you are here.
06:32I'll say you will.
06:40Look.
06:42This is where I get off.
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11:4450 you'd better take it or you'll have to go without a thing it's still nine
11:51hundred dollars Kansas count nine hundred dollars out of that money in the
11:55safe and we'll get out of here
11:58don't come out until you hear our horses leave
12:09get away from that hole get behind the car and shut out those receipts come on
12:34give me that money
12:44I saw it like a new rock day off
12:53You keep your mouth up let me do the talking
13:08You take a look at the gambling casino, and I'll have the boys get mounted
13:34Come on boys
14:04What are you getting all flicked up for I got a date with Juanita
14:11Too bad you ain't gonna be able to keep it
14:13Yeah, who says I ain't
14:15I do
14:16Yeah, do you think she'd have anything to do with a sheep herder like you?
14:22With a man of the world like me to be had?
14:24Just the same you aren't gonna keep that date
14:26Hey, who's gonna stop me?
14:27I am
14:28Why, you old fool
14:30It ain't over at the casino, Sheriff
14:36All right, boys, let's go down at the shack
14:39As I said before, it's too bad you can't keep that date tonight
14:45Why, you
14:45But I'll give her a little chubby for you, Kansas
15:00Because I've got another one
15:12Not the one
15:13I wish I could Cue
15:14As I said before, it's too bad you can't go to get a date
15:18Instead of me keeping the kid
15:19Well, here's one of them already tied up for us.
15:49Well, here's one of them.
16:19Well, I can make mine too easy at the gambling table without going in for murder.
16:24Well, that's what you say.
16:32Maybe we can try him this afternoon and hang him right away and save the county the expense of feeding him.
16:41Well, Sheriff, you can do one thing for me, will you?
16:43What's that?
16:44Take my bankroll and my watch and give them to Juanita.
16:47Well, I don't reckon we can do that all right.
17:01Put him on the horse, boys.
17:02Just a minute, Sheriff.
17:21Drop those guns.
17:22Now, throw down that roll and watch.
17:35Now, just start out and keep going.
17:38I'm getting out of here for Poker City tonight.
17:59Getting scared?
18:00You don't think I'd tell the Sheriff that she was the one that done the shooting?
18:04We're pals.
18:05We've got to stick together, kid, huh?
18:07Back to you, they're going right along with you when you go to Poker City tonight.
18:10Well, listen, Pete.
18:11I'm only going over there to lay low for a while at my sister's place.
18:13Yeah?
18:14Well, I'm going right along.
18:14Don't you think I know that some of the richest shipments of gold go out on that Poker City stage?
18:19I'm not interested in that.
18:21Well, you're going to be.
18:22You want me to keep my mouth shut?
18:26Allow me to at my shack tonight.
18:28You've got to say goodbye to my lady friend.
18:36Oh.
18:37Oh.
18:37Oh.
18:37Oh.
18:38Oh.
18:38Oh.
18:38Oh.
18:38Oh.
18:39Oh.
18:39Oh.
18:39Oh.
18:39Oh.
18:40Oh.
18:40Oh.
18:41Oh.
18:41Oh.
18:41Oh.
18:42Oh.
18:42Oh.
18:43Oh.
18:43Oh.
18:43Oh.
18:44Oh.
18:44Oh.
18:49You know, Pete, I think you are the sweetest man in all the world.
18:53Yeah?
18:53Mm-hmm.
18:54Oh.
18:54Oh.
18:55Oh.
18:55Oh.
18:56Oh.
18:56Oh.
18:58Oh.
18:59Oh.
19:00Oh.
19:01Oh.
19:02Oh.
19:03Oh.
19:03Oh.
19:03Oh.
19:03Oh.
19:04Oh.
19:05Oh.
19:05Oh.
19:05Oh.
19:05Oh.
19:06Oh.
19:08Oh.
19:10Oh.
19:11Oh.
19:11Oh.
19:12Oh.
19:12Oh.
19:13Oh.
19:13Oh.
19:13Oh.
19:14He will not let you find you here.
19:19Get in the closet.
19:20Pronto.
19:21Pronto.
19:22Pronto.
19:36Oh, seĂąor, como estas usted?
19:38Hello, Anita.
19:41Say, whose horse is that out there?
19:43Oh.
19:44It is mine.
19:46A friend just gave him to me.
19:47Oh.
19:49Well, I've got something better than that for you, baby.
19:52Just feast your eyes on this.
19:53Oh, it is beautiful.
19:56It's wonderful.
19:58But I cannot take it.
20:00No?
20:00No.
20:01All right, I'll keep it then.
20:03John, why haven't you come around to see me?
20:17I need you so much, and I'm so lonesome for you.
20:21Oh, now listen, baby.
20:23You just get yourself all dolled up, and we'll go out and buy you a real present.
20:28You know, if you cook me a little, then I can take the wash, too.
20:33John, you know I think you're the sweetest boy in all the world.
20:46Ah, fine pal, you are.
20:57As soon as my hands are tied, you try to steal my girl.
20:59What's the matter, Kansas?
21:00Isn't the rope next I fit?
21:02You're a brave guy as long as my hands are tied.
21:05Oh, yeah?
21:07Say, what do you mean by breaking in on a lady's privacy like this?
21:12Privacy?
21:13Yes.
21:14Untie his hands when he doesn't.
21:16I'll teach him a few lessons in manners.
21:19Why, you...
21:22Wait.
21:35Your watch.
21:40Hey, and how about my bankroll?
21:41Oh, I almost forgot about it.
21:49It's a good thing you gave that back to me.
21:51I'm not too cold.
21:54Oh, my footpans, are you hurt?
21:56Hurt?
21:56I should say not.
21:59Maybe I'd better count it, too.
22:02Maybe I'd better take charge back, roll.
22:06You boys are not to be trusted with so much money.
22:10And you.
22:11Neither of you have any doubt about who's best man here.
22:15Ask Juanita.
22:17Come on, get in that closet.
22:19Get moving.
22:19Now you have the money.
22:33You will take Juanita with you to Poker City, no?
22:37No.
22:37He's right.
22:38Is that what he said?
22:39He's heading for Poker City.
22:41Oh, you will live Juanita.
22:43Oh, you sure made a mess of things.
22:45What do you mean, the mess I made of things?
22:48I was doing all right till you came along.
22:50Oh, is that so?
22:52She was only consoling herself with you.
22:55You notice how she had it straight for me as soon as she found out I was alive?
22:59That's what you think.
23:00And if it hadn't been for you, we wouldn't have lost the money.
23:02Oh, yeah, and if you hadn't have come here, he wouldn't have got the money.
23:05I'd ought to smack you in the jaw for that.
23:07Well, I'd like to see you try it.
23:10Thanks.
23:10I wouldn't want to speed you away from them.
23:21Adios.
23:26Yes, we will not.
23:33Oh, you beat it, Steve.
23:35You ruined my clothes.
23:37Get out, both of you.
23:38I don't want to see you anymore.
23:39Get out.
23:40Come on, Mita.
23:41No, what the fuck is eating with Steve?
23:42I hate you all.
23:44Get out.
23:56It's the sheriff.
23:57Let's get out of here.
24:09I don't want to see you anymore.
24:14I don't want to see you anymore.
24:15I don't want to see you anymore.
24:15I don't want to see you anymore.
24:16I don't want to see you anymore.
24:17I don't want to see you anymore.
24:18I don't want to see you anymore.
24:19I don't want to see you anymore.
24:20I don't want to see you anymore.
24:21I don't want to see you anymore.
24:22I don't want to see you anymore.
24:23I don't want to see you anymore.
24:24I don't want to see you anymore.
24:25I don't want to see you anymore.
24:26I don't want to see you anymore.
24:57Wait a minute, boys.
25:14Looks like they've given us a slip.
25:17Now, no use trailing them any further.
25:20Let's go back to Juanita's and question her.
25:22Come on.
25:23Oh, I sure got us out of that scrape, didn't I, boy?
25:28I'll say you did.
25:30And now that they got us out of it, I think we'd better split up.
25:33I'm going to Poker City and get that guy Pete and my bankroll.
25:36There's no use you heading for Poker City.
25:38I'd take care of Pete myself without traveling from the state.
25:41Well, you sat, they'll get you for sure.
25:44Who, me?
25:58Not the Reverend Smith, my boy.
26:00They will never question a doctor of divinity.
26:03Well, so long, Moses, and I hope you get out of the wilderness.
26:08Let's go.
26:38Oh, it's a nice, enterprising little city you have here, Sheriff.
26:43Yes, it is.
26:45I don't believe I got your name.
26:47Oh, pardon me, Sheriff.
26:49I'm the Reverend Harry Smith from Rattlesmith Filch.
26:52Oh, I'm pleased to meet you, Parson Smith.
26:55Glad I'm staying here long?
26:57Well, yes, sir.
26:58That is, if the climate agrees with me.
27:01You see, Sheriff, I had a little recent throat trouble.
27:05I have to be real careful of my health.
27:08Yes.
27:08I reckon a change of climate is healthy.
27:11Now and then, what do you plan to do here, Parson?
27:14Well, I kind of thought that maybe I'd, uh, well, well, one of my old congregation.
27:22You remember me, don't you, Jim?
27:23I'm the Reverend Smith.
27:25Yes.
27:27How are you, Parson?
27:28Oh, I'm always glad to see one of my old friends.
27:31My boy?
27:31Well, it looks like we're going to have a new Parson, boys.
27:35Yeah.
27:46Hey, what's the name?
27:48Eh?
27:48Oh, yeah.
27:50Ann, I want you to meet our preacher from Rattlesmith Filch.
27:54How do you do?
27:55I'm pleased to meet you, Dr. Smith.
27:58I'm so glad to know that Jim associated with good companions during his stay in Rattlesnake
28:02Gulch.
28:03Oh, oh, yes, yes.
28:04Jim was a regular member of my congregation.
28:07As a matter of fact, he was one of my greatest contributors.
28:09Oh, it's so nice to know that.
28:11He's all the family I have.
28:13Oh, keep an eye on him, Miss Ann.
28:15Uh, the fact is, uh, I was hoping to get some of the boys together for a little prayer meeting
28:18tonight, and I would like to have Jim attend some of the, uh, sessions.
28:23How about it, Jim?
28:24Uh, thanks, Parson.
28:27Hello, and Banner tried to help the state this morning.
28:44That's the fourth time this month.
28:46We've got to do something about it.
28:47What does he look like?
28:48I didn't get a very good look at him.
28:50There's too many strangers around these parts.
28:53It's time we started investigating some of them.
28:55There's one of them now.
29:05Hey, you!
29:06Me?
29:06Yes, you.
29:10What's your name?
29:11Jones Jones.
29:14There's getting to be too many Joneses and Smiths around here to suit me.
29:19You better come on over to my office.
29:21I won't ask you a few questions.
29:22Oh, now, wait a minute, Sheriff.
29:24You can't put me in jail yet.
29:25I just got in town.
29:27Now, don't try to be funny.
29:28Is this the fellow that held up the stage?
29:35Well, I can't rightly identify him.
29:38You see, I didn't get a very good look at him.
29:41Sure, Sheriff, you got the wrong man left.
29:46There's a fellow that knows me.
29:47Hey, son.
29:49Marilyn.
29:51You remember John Jones, don't you, Jim?
29:56Yes.
29:56Oh, sure.
29:57Jim's an old friend of mine from Rattlesnake Galtz.
29:59I just came over to pay him a visit.
30:01How are you, Jim?
30:03Well, be seeing you, Sheriff.
30:10Sure is good to see you again, Jim.
30:12You kind of took me my surprise.
30:13I didn't expect to see you here.
30:16Oh, I got to be going.
30:17I'll see you later, Scott.
30:18And I won't be home until late.
30:20That's all right, Jim.
30:22Mr. Smith will see me home.
30:23All right.
30:28Thanks a lot, miss, but the name is Jones.
30:30I said Smith.
30:32And if you'll pardon me, I'm going to lock up Mr. Jones.
30:38I'm waiting for Mr. Smith.
30:40Well, in that case, I guess we'll both wait for him.
30:43Well, you needn't trouble.
30:44Oh, it's no trouble.
30:45I haven't anything else to do.
30:47Couldn't you find some other place to do it?
30:49Well, I could, but you wouldn't be there.
30:53Is there anything you want?
30:54Sure.
30:59What's in those bottles?
31:00Nerve tonic.
31:01But you don't need any.
31:03No, but my horse does.
31:04He's all run down.
31:06I think I'll take one.
31:08Is there anything else?
31:24Oh, let me see now.
31:28Well, well, well.
31:30Just what I've been looking for.
31:31Do you think they'll fit?
31:34Well, I'm sure I don't know.
31:36Well, I guess there's only one way to find out.
31:41I hope that's all.
31:44Well, come to think about it,
31:45I think I'll take another bottle of that nerve tonic.
31:51My horse is pretty well run down.
31:52Shall we dance?
32:12I'm so glad to see you, Parson Smith.
32:23Well, I'm right on time.
32:24Well, you couldn't have come any too soon to suit me.
32:26Well, if I thought I meant that much to you,
32:28I could have been here long before this.
32:30Well, well, well.
32:32So this is the Parson Smith.
32:35Jones is my name, Doctor.
32:36How do you do?
32:39Haven't I seen you someplace before?
32:43Was it a party?
32:45A farewell party.
32:47You were going away.
32:49But come now, Doctor.
32:50What can we do for you?
32:52I have it.
32:57How about a necktie?
32:58It does look very becoming with that outfit.
33:01Will you stop this nonsense
33:02so we can pick these things up and close this door?
33:05Oh, are we ready to go?
33:07And just where do you think you're going, Mr. Jones?
33:10Oh, you can come along, Mr. Smith.
33:13That is, if the young lady doesn't mind.
33:15I wish I had your nerve, Mr. Jones.
33:19That's easy.
33:24Why, you...
33:25Don't say it.
33:27Wait a minute.
33:28If it's going to cause all this trouble,
33:30you both can take me home.
33:33I'm telling you,
33:34I don't like the looks of things.
33:35It was bad enough when Andrews' charlie showed up,
33:37and now John Scott's here.
33:39They must know something.
33:40We've got to quit this racket.
33:42So they followed us.
33:43You forget they're still wanted for the Monsworth.
33:46And if I should tell them that you've done it...
33:48Oh, you wouldn't do that, Pete.
33:50No, not as long as we're still partners.
33:51When does that next gold shipping go out?
33:56Saturday.
33:57Meet you here Saturday.
33:58Don't tell me you're back for more nerve times.
34:10Don't tell me you're back for more nerve times.
34:24You were in here five times yesterday and three times the day before,
34:27and you've just about cleaned me out.
34:30Perhaps you better try soothing syrup for a change.
34:32Well, no thanks.
34:33I think I'll leave that to Parson Smith.
34:35As a matter of fact, I came in here looking for him.
34:42Good morning, Dr. Smith.
34:43I was just looking for you.
34:45Yeah?
34:46Looks like it.
34:47No, this is on the level.
34:47I've got to talk to you.
34:49Will you pardon us, Ann?
34:50Second.
34:59Now, listen.
34:59I just saw Jim riding out on the desert trail with a man that looked like Pete.
35:04I figure if we take a ride out that way, we might get our dough back.
35:09Hey, is this the straight goods?
35:11Absolutely.
35:12All right, let's go then.
35:24Now, let's get this straight.
35:26I'll cover the stage from here.
35:28You go in and clean up the passengers.
35:30Then you climb up and get the strongbox.
35:32Right?
35:47I wonder what all the shooting's about.
35:48I don't know.
35:48We better find out.
35:49Get moving.
36:04Somebody coming.
36:04Come in.
36:04You take after them.
36:25I'll start the coach.
36:37Don't slip up here.
36:38I'll meet you in town.
36:39Come in.
36:58Come in.
36:58Bye-bye.
36:58I'll meet you in the morning.
37:00Come in.
37:01Bye-bye.
37:02Bye.
37:02Bye-bye.
37:03Bye-bye.
37:04Bye-bye.
37:05Bye-bye.
37:06Bye-bye.
37:06Bye-bye.
37:07Well, young man, you sure saved our lives.
37:16Did they get anything?
37:18Yes, my watch and money.
37:20Well, that's too bad.
37:21I'll drive you on into town.
37:37Well, Jim, I didn't think you'd get mixed up on a thing like this.
38:04Pete made me do it, and he made me take the stuff.
38:08Oh, Pete, eh?
38:10So this is his stuff.
38:11Please don't tell Ann.
38:13No, I won't tell her.
38:15You helped me out of a little jam with the sheriff when I landed here.
38:18Besides, Pete's the man I'm after.
38:21Maybe this will kind of even things up.
38:26You tell Pete we'll just call that interest.
38:29And if you want my advice, you'll stay away from Pete,
38:32or you'll find yourself dangling on the wrong end of a rope someday.
38:36Thanks, Kansas, for letting me go.
38:38Ah, don't thank me.
38:40Thank your sister.
38:54That's the driver.
38:55What happened, Franker?
39:01Take care of the driver.
39:05Sheriff, we certainly owe that young man the motor thanks.
39:09He drove off the bandage.
39:11I'm sorry.
39:13I was wrong about you, Jones.
39:14Oh, that's all right, sir.
39:15Well, folks, we certainly took care of that situation.
39:22Wait a minute, Sheriff.
39:24These men are wanted for murder over Gretelsnake Gulch.
39:28They killed Farnsworth, held up the stage,
39:31and now trying to pass themselves off as heroes.
39:34I don't believe it.
39:35Sheriff, my watch and change.
39:42You're under arrest.
39:44I wasn't so wrong after all.
39:47Lock them up, boys.
39:52What do you think of that, huh?
39:53Will it come off the box?
39:55I'll notify the Sheriff to Rattlesnake Gulch.
39:57Yeah, I would if I were you, Sheriff.
39:58Sheriff.
39:58Sheriff.
40:05Now, look at that jam you got us into.
40:23I got us into?
40:26Where'd you get that watch?
40:27I took it off of Jim.
40:29He and Pete pulled that hold up.
40:31I turned him loose.
40:33Oh, big-hearted Charlie.
40:34You turned him loose and landed us right in jail.
40:37I landed us in jail?
40:40Say, smart guy, why did you bring that stage into town?
40:43But I didn't steal the stage.
40:46It's just a little matter of property rights that you wouldn't understand.
40:49Oh, I wouldn't understand.
40:53Do you mean to insinuate that I'm dumb?
40:58No.
41:00Dumber.
41:01Why, you...
41:03What's the matter, sis?
41:21The Sheriff arrested John in Kansas today for stage robbery and murder, and they're talking about hanging them.
41:27I don't believe they had anything to do with it.
41:29I'm sure they didn't, but how are we going to prove it?
41:34You're mighty fond of one of them, aren't you?
41:40Oh, don't you worry, sis.
41:41You go on home and get some sleep.
41:43I'll close the store for you.
41:44All right, Jim.
41:45I'll be home later.
41:56All right.
41:57I'll close the door.
42:17I'll close the door.
42:49Look!
43:07She sure is a swell girl.
43:09I knew she wouldn't let me down.
43:10Get up and give me those saw blades.
43:12We've got plenty to do before morning.
43:13Oh, good morning, Miss Ann.
43:19Good morning, Tara.
43:21Uh, I wonder if it'd be all right
43:23if I came over a little later
43:25to talk to John in Kansas?
43:26Oh, that'll be all right.
43:28We were just taking him over some breakfast.
43:30Thanks.
43:30I have to go to the store,
43:31but I'll be right back.
43:46There's a couple of horses
43:47at the other end of the street.
43:49Now, take it easy,
43:50and they'll never suspect it.
43:51What they're going?
44:01What they're going?
44:01Come on.
44:31Come on.
44:32Come on.
44:33Come on.
44:34Come on.
44:35Come on.
44:36Come on.
44:37Come on.
44:38Come on.
44:39Come on.
44:40Come on.
44:41Come on.
44:42What happened?
44:43John and Chance broke jail.
44:44The whole town's shooting at him.
44:45Now's our chance to pick up the bank, make a final of all and get out of here.
44:50That's me.
44:51I'm through.
44:52I'm going to tell the sheriff.
44:53You killed Barnsworth?
44:54Yes.
44:55And that I held up the stage.
44:56Wait.
44:57You killed Barnsworth?
44:58Yes.
44:59And that I held up the stage.
45:01Wait, you fool.
45:03Jim.
45:04He just shot Jim.
45:17Easy, sis.
45:18They all think we did it.
45:19We've got to get out of here.
45:20The girl's out of the way.
45:21Let's rush them.
45:22Come on, Sam.
45:23Come on.
45:24The girl.
45:25All right.
45:26Come on.
45:27Let's go.
45:28What are you growing up?
45:29Oh, poor boy.
45:30Come on.
45:31Oh, poor boy.
45:32get out.
45:33You get out of here.
45:34Come on.
45:35Here.
45:36The girl's out of the way, let's rush them.
45:39Oh.
45:41Oh.
45:42Oh, boy.
45:43Oh.
45:44Oh, boy.
45:45Ah, man, and by that one...
45:47Oh, boy.
45:48Oh, boy.
45:49He was hiding.
45:50careful boys you may be in the back room
46:20there's Pete we've got to get him and make him talk it's our only chance
46:43sure it sure it's held up the bank it took the road to the river
47:13I'm
47:15I'm
47:17I'm
47:19I'm
47:21I'm
47:23I'm
47:25I'm
47:27I'm
47:29I'm
47:31I'm
47:33I'm
47:35I'm
47:37I'm
47:39I'm
47:41I'm
47:43I'm
47:45I'm
47:47I'm
47:49I'm
47:51I'm
47:53I'm
47:55I'm
47:57I don't know.
48:27You drive fire from the front while I get around back.
48:57I don't know.
49:27I'll hold him off.
49:34You see if you can bring Pete to and make him talk.
49:38I don't know.
49:47I don't know.
49:56I don't know.
49:57I don't know.
50:01I don't know.
50:02I don't know.
50:03I don't know.
50:04I don't know.
50:05I don't know.
50:06What happened, sis?
50:07Did John and Kansas get to the river shack all right?
50:09They got away.
50:10The sheriff and Posse are after them.
50:12You've got to stop them.
50:13John and Kansas are innocent.
50:17I shot Farnsworth.
50:21Pete framed it all.
50:22He made me help him hold up the stage.
50:25When he wanted me to rob the bank, I told him I was through.
50:32I was going for the sheriff when he shot me.
50:33Jake, come with me.
50:39You said he got out of jail?
50:40Which way did he go?
50:41What do you want to hit him so hard for?
50:45Well, if I do bring him to him, he won't be able to talk.
50:46Shut up and get busy.
50:47You said he got out of jail?
50:48You said he got out of jail?
50:49You said he got out of jail?
50:50Yeah.
50:51Which way did he go?
50:52What do you want to hit him so hard for?
51:09Well, if I do bring him to him, he won't be able to talk.
51:14Then get busy.
51:44Let him go.
51:45Why isn't he losing your 39th Immerse her at the same time?
51:53Why aren't you get busy?
51:56I don't have to!
51:57If you've ever got results, I didn't go.
52:03I don't have to do something that we can.
52:11Sheriff, Jim just told me that he and Pete are on the stage.
52:32Pete framed the whole thing.
52:34John and Kansas are innocent.
52:35That's right, Sheriff.
52:36I heard the confession.
52:37But Pete who robbed the bank, too.
52:39Stop firing, boys.
52:39Tommy, you come at us.
52:45They've quit firing.
52:51Probably getting ready to rush us.
52:56Well, we're all out of ammunition.
52:58That means we'll have to give ourselves up.
53:01Oh, I don't even make this guy talk.
53:09It's Ann with the sheriff.
53:30Let him in.
53:30All right, Sheriff.
53:38We give up.
53:39I'm sorry, boys.
53:41I made a mistake.
53:43Jim has confessed.
53:46All right, men.
53:46Bring him out.
53:51Well, I've got to be getting back to Anita, so I'll have to rush this.
53:53Do you, Ann, take this man, John, to be your lawful wedded husband?
54:04I do.
54:06And do you, John?
54:07Get out of here.
54:08I want this thing to be legal.
54:10I want to go.
54:18I want to go.
54:27Okay.
54:28Oh, sorry.
54:28I want to go.
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