- 5 months ago
- #weddingdance
- #mujramagic
- #danceculture
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🌟 Welcome to an unforgettable fiesta of colors, rhythms, and heart-stopping moves! 💃✨ Get ready to immerse yourself in the spectacular art of a Wedding Mujra Dance! In this dazzling video, witness talented dancers performing breathtaking traditional mujra routines, showcasing the vibrant spirit of celebration. From graceful twirls to mesmerizing expressions, each performance tells a story of love and joy!
Join us as we explore the rich cultural significance behind mujra dance, its essence in weddings, and why it's an irreplaceable part of festivities. 🎉 Don't forget to like, subscribe for more incredible dance performances, and share your favorite moments with us! ❤️ #WeddingDance #MujraMagic #DanceCulture
PLEASE FOLLOW AND SUPPORT MY CHANNEL....!
IF YOU ANT ME TO ADD MORE VEDIOS AND MOVIES..
THANKS..
PLEASE FOLLOW AND SUPPORT MY CHANNEL....!
🌟 Welcome to an unforgettable fiesta of colors, rhythms, and heart-stopping moves! 💃✨ Get ready to immerse yourself in the spectacular art of a Wedding Mujra Dance! In this dazzling video, witness talented dancers performing breathtaking traditional mujra routines, showcasing the vibrant spirit of celebration. From graceful twirls to mesmerizing expressions, each performance tells a story of love and joy!
Join us as we explore the rich cultural significance behind mujra dance, its essence in weddings, and why it's an irreplaceable part of festivities. 🎉 Don't forget to like, subscribe for more incredible dance performances, and share your favorite moments with us! ❤️ #WeddingDance #MujraMagic #DanceCulture
PLEASE FOLLOW AND SUPPORT MY CHANNEL....!
Category
🎥
Short filmTranscript
00:00:00You
00:00:30You
00:01:00Oh
00:01:28Happy thank you cutting
00:01:30Very nice
00:01:31Happy?
00:01:32We'll go again everybody
00:01:33Let's reset for the beginning
00:01:34That looks beautiful
00:01:36The angle really shifts how we see how the bodies are fitting together
00:01:40So sometimes we just have to shift the choreography or the connection points a little bit
00:01:47To work for the camera
00:01:49Because the camera has one eye
00:01:50So we just play to that
00:01:52It was amazing, it looked great
00:02:00Thank you
00:02:01You look like so buzzed out when you...
00:02:06Thank you
00:02:07You look like so buzzed out when you...
00:02:09I love it, I love being touched with such a soft brush and I'm like...
00:02:12It's choking me
00:02:13Yes
00:02:14It's choking me
00:02:15Yes
00:02:16Like being kissed by a knee walk
00:02:18Yes
00:02:19Like being kissed by a knee walk
00:02:20Yes
00:02:21Okay, so if you would like to just introduce yourself...
00:02:25Hello, I'm Claire Warden, I'm an intimacy coordinator
00:02:40I'm here in Sydney, I've just arrived
00:02:44I'm going to be working on a new film called Tightrope, written and directed by Kieran Darcy Smith
00:02:51We have three scenes that we're going to be working on of sex and nudity
00:02:57Things develop, what does that mean?
00:03:01Reaches for him
00:03:04Scout has manipulated things
00:03:10That's... that's not great language
00:03:13So Billy is inside her, okay
00:03:16Not knowing Kieran, I have a little trepidation about how receptive he's going to be to the work
00:03:25Sometimes it's really easy and you get there and they're like, oh yeah, yeah, open to everything
00:03:31And sometimes, you know, you have to kind of negotiate a little more
00:03:45I think a lot of people are a little resistant to intimacy coordination
00:03:48Because this is a new way of looking at something that's been done for years and years and years
00:03:54It occurred to me that there's never been a person there solely to coordinate and choreograph sex scenes
00:04:02And there was many times in my career I felt uncomfortable
00:04:06I'm like, I'm an old Hollywood broad, I know what I'm doing, you don't have to tell me how to make out on camera
00:04:12I didn't realize how unprotected we were
00:04:15We're having sex up against the bookshelf, as you do
00:04:19And we're in the middle of it and suddenly this voice just goes, Kiera, wank him off!
00:04:24Okay, no problem!
00:04:27I had a bottle of whiskey
00:04:29Because you forget, like when you're shooting, I was like, okay, I'm gonna get hammered for the sex scene
00:04:33Yeah
00:04:34It's stressful and scary
00:04:35It was just very vulnerable
00:04:41If we don't set up a structure and guidelines, then we're setting our actors up for permanent damage
00:04:49That's why we created intimacy coordination
00:04:53Sarah?
00:05:11Hi, I'm Sarah Roberts and I'm gonna be playing scout
00:05:17Okay
00:05:19Sorry, I should have warmed my voice up first
00:05:24Feel free to do any warm ups that you want
00:05:26I didn't think I needed to, but all the coffee just kind of got stuck there, the coffee and the chickpeas
00:05:30This is gonna be fun
00:05:35I'm a cheeky bugger
00:05:40I'm Albert Mwangi, I'm born and raised in Kenya
00:05:46In Nairobi, Kenya
00:05:48A place called Ngong
00:05:50My name's Tom Davis
00:05:52Something about myself
00:05:54Something interesting, I grew up in a small country town called Narandra in New South Wales
00:06:00Way out in the sticks, really country upbringing
00:06:04Have I ever shot a sex scene before?
00:06:07No
00:06:09Ever
00:06:10No
00:06:11No
00:06:12Am I allowed to swear I'm shitting my pants?
00:06:15I've never worked with an intimacy coordinator throughout my whole career
00:06:20Which is really surprising to me because I have shot intimate scenes before
00:06:25Yeah, I mean there is a little bit of nerves there
00:06:29But good nerves, I think good nerves, nerves that I can use
00:06:33I feel like I know conceptually what to expect
00:06:36But on the day it's gonna be very different
00:06:40You know, there's expectations and then there's a real thing
00:06:42And it's like wow
00:06:44It's gonna be uncomfortable
00:06:45I'm having to internally calm myself down
00:06:48Because I feel a little bit like
00:06:51What have I signed up to do?
00:06:54I told my mum and she's like you go and do it and I'll do the worrying
00:06:58And I was like sweet
00:07:01My name is Kieran Darcy-Smith
00:07:17I'm the director of Tightrope
00:07:19There are three separate intimate moments in the film
00:07:23And we're in the process of setting up to shoot those
00:07:27And bringing Claire in and seeing how her process unfolds
00:07:30The very first sex scene that I ever directed was my first movie
00:07:36My wife and I co-wrote the movie and she starred in it alongside Joel Edgerton
00:07:41And there's one intimate scene in the film
00:07:46Not too much heavy stuff goes on but it's
00:07:51Nevertheless it's my best friend and my wife in bed together
00:07:55Okay
00:07:56Do I hear okay? Okay what?
00:07:57No
00:07:58Okay what?
00:07:59We'll talk about it
00:08:00And it was just so quiet that you couldn't hear a pin drop
00:08:05Joel disappeared under the sheets and my wife laid back
00:08:08And I just kept it rolling and kept it rolling and kept it rolling
00:08:12And then I finally said cut
00:08:15And everybody just burst into laughter
00:08:17And I remember walking into the room and Joel was sitting there on the bed like that
00:08:21It's not what it looks like, it's not what it looks like
00:08:23You had to be there but it was a very funny moment
00:08:33Kieran
00:08:34Hello
00:08:35I am Claire
00:08:37How are you Claire?
00:08:38It is lovely to meet you
00:08:39Wonderful things
00:08:40Yeah lovely to meet you
00:08:41Welcome
00:08:42Yeah thank you
00:08:43Take a seat
00:08:44Thank you I will
00:08:45Welcome to Australia
00:08:46It's lovely to be here
00:08:47First of all I always like to check have you worked with an IC?
00:08:50Yeah once
00:08:51Yeah
00:08:52And how was that and what were your goals on that?
00:08:54Yeah it was interesting
00:08:56It was a new experience for me
00:08:58Yeah
00:08:59I might have chosen to do it slightly differently
00:09:01Had I not had a coordinator there
00:09:04I didn't know how much she would challenge what she was bringing to the process
00:09:07The way I offer the work that I do
00:09:10I bring a focus and a kind of expertise on the physical storytelling of simulated sex
00:09:15And the other part is it's about helping the crew understand the protocols that help to uphold our actors' consent
00:09:23What matters to me is me to understand your vision of this
00:09:28Yeah
00:09:29And then together we help
00:09:30Then how do we pull it off
00:09:31Yeah
00:09:32Let's chat a little bit then about the story and about these scenes
00:09:36The title tightrope came to me before anything else
00:09:39Mm
00:09:40I knew I wanted to explore risk taking within an existing relationship
00:09:46That's sort of grown stale for want of a better word
00:09:49I don't know I was maybe a two or three
00:09:52I am playing a character called Luke
00:09:54Who is a gentle, very gentle soul, gentle giant
00:10:00He's married to Scout
00:10:02And they're best friends and lovers
00:10:04Let's see
00:10:05They have been wanting to make a baby for a long time
00:10:08But it's not working
00:10:11So they decide to go away to a mansion that her boss owns
00:10:17To try and reinvigorate their sex life
00:10:19Yeah, I wouldn't want you to lose your job
00:10:21I have had trouble trying to conceive
00:10:26So I know what that's like
00:10:28Losing babies, grieving like that
00:10:31And then just wanting to throw caution to the wind
00:10:34And have a great time away with your long-term lover
00:10:39That's something that I'd really like to bring to the table
00:10:42With Scout and Luke's relationship
00:10:45Say the word gorgeous
00:10:48You know, early on, they're in the kitchen, they're drinking
00:10:51And Luke's sort of teasing or hassling her a little bit about her French-speaking skills
00:10:55And you know, it's just a cute little piece of dialogue that leads into an intimate moment
00:11:00Mon mari est superbe
00:11:03And then being really technical
00:11:05Are they still trying for children?
00:11:07And if so, do they not use birth control or condoms or anything?
00:11:10So we go straight into, like, penetrative sex without any
00:11:13Yeah
00:11:14Without showing condoms or anything
00:11:16Great
00:11:17Wildest dreams
00:11:18So this next one we have is the morning after, right?
00:11:20Yeah
00:11:21It's post-sex
00:11:22Dude's lying around together and he's running his hands up and down her body
00:11:25And Scouts come up with a wacky idea to introduce a third party into this mix
00:11:30Set to this
00:11:31Set to this
00:11:32Are you imagining that...
00:11:33Because at the end, what's our last one?
00:11:35Um...
00:11:36Her hands search out some fun
00:11:38Yeah
00:11:39So is that kind of the point where we think hand goes to penis
00:11:43And do we think, like, we'll kind of fade or cut out of that
00:11:46But it continues into, like, stimulation, masturbation
00:11:50She'll move down there and we'll just stay on his face
00:11:52And, you know, like...
00:11:54And he's almost, like, smiling to himself thinking, yeah, that's one way of talking me into it
00:11:58You know?
00:11:59Okay
00:12:00So I'm imagining we're not going to get too much resistance from the cast, you know, with regard to those scenes
00:12:05But, you know, with the third scene
00:12:07Yes, let's talk about that
00:12:08Yeah, we're, um...
00:12:10You know, it's kind of a work in progress
00:12:12And you've probably never really done any
00:12:13The key points of the story, and tell me if I miss any
00:12:16Hired man comes into the house with them
00:12:20Scout is excited and quickly wants to engage with this man sexually
00:12:26We see Luke being reserved, but he eases his way into this scenario, whatever is actually happening
00:12:35Scout is getting carried away
00:12:37Billy dies
00:12:38Everyone freaks out
00:12:39Yeah
00:12:40Billy!
00:12:41Billy!
00:12:42The way it's been written up works
00:12:44And, um, you know, we've just got now...
00:12:46We've got to figure out what we can, you know, get our actors to agree to
00:12:51Mm-hmm
00:12:52I have a clear idea of, you know, what the story is, what our context is
00:12:57Maybe a good idea for me to have a conversation with the actors
00:13:00And then we'll come back together
00:13:01Sounds great to me
00:13:02Yeah
00:13:03I knew at the age of 12 that there was nothing else I could do in the world but be an actor
00:13:20And I did and I trained in London
00:13:23But even at 21 people were like, I don't know what to do with you, you're six foot tall
00:13:30So I was never picked for the roles that are marked by that kind of objectification
00:13:37But I could see it happening
00:13:40Someone sent me an article and said something like, have you heard about this thing called intimacy direction?
00:13:47It was just one of those moments where I was like, I would be really good at that
00:13:54That was six months before the Me Too movement
00:13:58We were hearing stories again and again of sex scenes and nude scenes that were uncomfortable
00:14:04Right up to traumatizing for people
00:14:06I'm on a film set completely naked
00:14:09I don't know what I'm meant to do and I don't know what's expected of me
00:14:12It wasn't that no one was speaking up about the bad way that this work was being done
00:14:18People in power weren't listening
00:14:20I did a scene where I was being strip searched completely naked for it
00:14:25And I had a huge panic attack which ended up in the show
00:14:29Because I had never felt so kind of dehumanized
00:14:36Then there was a global explosion of the Me Too movement
00:14:40And the world and the industry had to listen
00:14:46Kevin, can you be silent? No!
00:14:48Silent! Silent! Silent! Silent!
00:15:00So we made modifications to the male pouch
00:15:04Great!
00:15:05So it's flush with that scene
00:15:07Yeah, as flush to the padding as possible is good
00:15:11So the actor would put their penis and testicles into this pouch
00:15:15And then this sticks directly to the actor's body
00:15:19And you've had an idea of like having options of thickness?
00:15:25Yeah, I think it's, I think that's helpful because, you know, if you're having a scene of oral sex
00:15:29Some actors want a little more down there, someone's head's gonna be right there
00:15:33Part of what the barrier is for, especially for the garments for penises
00:15:38Is just to, like, reduce a little bit of that sensation
00:15:41So if it's tight to the body, it can contain a swelling or an erection a little better
00:15:47Costumers all have our intimacy kits on our trucks
00:15:53You know, nipple covers and the other strapless thongs that we've used that don't really work
00:15:59Before this, some actors would opt out of wearing anything that we provide
00:16:05And you're just like, it's not always for you, it's also for your partner in the scene
00:16:13Oftentimes, costumers and hair and makeup are the people that actors confide in
00:16:19Taylor and I were on a job
00:16:21I was covering the number one lead actress
00:16:24She had to have all these sex scenes
00:16:26There was no intimacy coordinator
00:16:28And she would come to me crying about how she didn't want to do it
00:16:32And then it got even worse
00:16:34She asked the props department at 8 in the morning for wine
00:16:38She could get drunk to do this scene
00:16:42The scene partner just didn't want to use a pad in between the two of them
00:16:46While she was sitting on top of him
00:16:47Yeah
00:16:48And we had the director saying things like, that looks sexy
00:16:51Like, put your leg up
00:16:53And was just like, directing the scene in such a way that, like, how could she not feel uncomfortable
00:16:59It's really nice to have intimacy coordinators who are there to make sure things like that don't happen
00:17:07I just hope it becomes an industry standard
00:17:10Kieran, we're just saying it'd be good for Sarah to put some underwear on
00:17:18Because when we do whatever action there is, there's the unbuttoning we'll see underneath
00:17:24And obviously, um, you'd like to have a bra on during...
00:17:25Yeah
00:17:26Yeah
00:17:27Yeah
00:17:28When we do the scene, and, um, Albert is down there, am I going to have a full brief or am I in a G-string?
00:17:30No
00:17:31We've got everything, so we can give you a...
00:17:32Ah, phew
00:17:33We can give you a...
00:17:34Yeah
00:17:35Yeah
00:17:36Yeah
00:17:37Yeah
00:17:38Yeah
00:17:39Yeah
00:17:40Yeah
00:17:41Yeah
00:17:42Yeah
00:17:43When we do the scene, and, um, Albert is down there, am I going to have a full brief or am I in a G-string?
00:17:50No
00:17:51We've got everything, so we can give you whatever you feel most comfortable with
00:17:55Great
00:17:56Yeah
00:17:57This one might be nice
00:17:58You will be able to see nipple there, I'm not sure if I'm comfortable with that
00:18:01Okay, well let's try this one
00:18:02We can also put a pasty on underneath
00:18:04Great
00:18:05Okay, well I can try both
00:18:06So we can not see that
00:18:07In terms of dresses, in the sort of the pink colours, we have...
00:18:13This is a silk with buttons down the front that ties
00:18:17Mm-hmm
00:18:18We have another plain coloured one with buttons, but the buttons only go to the waist, but then it's elastic so it will fall, be able to be pulled down
00:18:27It's a nice colour
00:18:28It's a nice colour
00:18:29Yeah
00:18:30I like that, and I wouldn't mind having a look at...
00:18:32I felt like the first two scenes that we were asked to do from Tightrope, uh...
00:18:40Not obviously, but...
00:18:42I was going to say, obviously I'm comfortable doing them, but that's not obvious actually
00:18:47I...
00:18:48Still read them and...
00:18:50Like felt really nervous, and...
00:18:54Didn't want to shoot them
00:18:56But I thought, no, I can be collaborative about it
00:18:59But when I read that third scene, with the threesome, I immediately didn't feel comfortable filming that
00:19:12There have been so many times in my career where I haven't had the courage to speak up
00:19:17But I've experienced quite a lot recently where I've realised that it...
00:19:22It is time for me to take ownership back of, uh...
00:19:27My career, my body, the jobs that I take on
00:19:32So I'm really excited to work with Claire
00:19:36Hiya
00:19:37Hi
00:19:38Thank you, hello
00:19:39Thank you for coming and joining me
00:19:41Let me just kind of break down a little bit of what I'm here for
00:19:44So first and foremost, I am an advocate for you, the actor
00:19:48Amazing
00:19:49Which means that I'm here to make sure that you have the space, the time and the information
00:19:53Mm-hmm
00:19:54To make really informed decisions about your consent levels in this film
00:19:57Mm-hmm
00:19:58Which is okay, which is good
00:19:59So let's try
00:20:00Once we decide on what your levels are
00:20:03Then I'll drop a rider for you, which is a separate agreement for each scene
00:20:08That names what you have said is your consent levels
00:20:11Mm-hmm
00:20:12In terms of our third scene, we're still figuring it out
00:20:15Yeah
00:20:16What I'd love to do is just get thoughts from you about what works and what doesn't for you
00:20:19Sure
00:20:20It jumps to sex very quickly
00:20:22Mm-hmm
00:20:23Which I don't think gave Scout much substance
00:20:26The amount of nudity for myself in the scene freaked me out
00:20:30Right
00:20:31Okay
00:20:32The idea of being with two other actors in the scene freaked me out
00:20:37It made me feel objectified
00:20:39Right
00:20:40And I really respect Kieran as a director and a writer
00:20:43Yeah
00:20:44And I would love to work with him again in the future
00:20:46But I'm really trying to stay in line with my boundaries at the moment
00:20:52Yeah, and thank you for being so brave
00:20:54Yeah, thanks
00:20:55And doing it and I hold that very respectfully
00:20:58Mm-hmm
00:20:59That could be good too
00:21:01Like smart but not over the top
00:21:04Yeah
00:21:05And I like the plaid because it's a little bit funky and he could be
00:21:08Let's talk about scene three
00:21:09Would you be open to a storyline of Billy and Luke engaging in kissing, touching, perhaps looking like it was moving to some kind of sex act or simulated sex?
00:21:21Yeah, absolutely I have no problem with that
00:21:22Yeah
00:21:23Great
00:21:24Oh, I haven't seen one of those
00:21:26No, I designed these with some wardrobe folks
00:21:28Goes in there
00:21:29Goes in there
00:21:30And it's got a little drawstring and a little silicone
00:21:32Yeah
00:21:33Because I've got lots of cock socks but that's kind of good
00:21:35Thank you
00:21:36In terms of nudity, do you have a clear boundary and understanding of nudity levels for you?
00:21:42I don't want full buttocks showing, but partial is fine
00:21:46So when you say partial
00:21:47Yeah
00:21:48Like from the side
00:21:50Like side buttock
00:21:52Side buttock
00:21:53Side buttock and if say the shirt is like halfway down the butt and it just shows like the bottom
00:21:59So we see like the round of the bottom of one buttock
00:22:01Yeah, that's fine
00:22:02Say for example the shirt was like all the way up hip so we got the full side buttock
00:22:08Hmm
00:22:09In, out, no, yes, not sure
00:22:13Not sure
00:22:14No for now
00:22:15No, great
00:22:16Totally good
00:22:17If that changes I'll let you, I'll let
00:22:18That's fine, let's
00:22:19It doesn't need to change
00:22:20Yeah
00:22:21If it's, if it's a no for now then it's a no
00:22:22Great, great
00:22:23That'd be great
00:22:24Great, great
00:22:25It's okay
00:22:26I don't want to talk to you on top
00:22:27I think the pants, where are the pants sitting?
00:22:32Sorry, do you mind if I
00:22:34No, no, no
00:22:35I want to kind of check in on your level of nudity
00:22:37I'm fully comfortable getting my kit off
00:22:40I don't know if I should say that
00:22:42Yeah
00:22:43Great
00:22:44I think for this particular project I don't want to have any nudity
00:22:49Great
00:22:50And nudity being so that's no nipples or breasts, no buttocks and I don't think we're ever going to want to see pubis anyway but no pubis
00:22:58Definitely no pubis
00:22:59Yeah, okay
00:23:00I grew up on a little island called Guernsey in the Channel Islands
00:23:15It feels like when I go home there's a shift into a more grounded place
00:23:21I was a drama kid, I was loud, I had a lot of thoughts and feelings
00:23:29I was not a typical girly girl, which I thank my parents for allowing
00:23:36Salmon, thank you very much
00:23:50I could always remember when you were about 12 or 13, we watched, I can't even remember what the film was
00:23:58And there was a sort of rape scene in it
00:24:02And I can remember you looking in huge indignation and saying, that's not making love, that's just using that woman
00:24:11Really? I don't remember that
00:24:12Do you remember that?
00:24:13No, I don't remember that either
00:24:14And I thought, ooh, we've done something right
00:24:18And I think more and more intimate scenes are being used more as part of the plot
00:24:25More than just an enticement to come and watch a saucy film
00:24:30That sounds very old-fashioned but you know what I mean
00:24:32No, sure, it's been 40 minutes and we haven't seen any boobs yet
00:24:35Yeah, yeah, yeah, bad film
00:24:37Yeah
00:24:38Yeah, quite
00:24:39But then on the other hand, there are films where you have to portray that abuse
00:24:45And you have to portray what really goes on
00:24:48Right
00:24:49And that is harrowing
00:24:50I think what is reassuring is that the people who are playing those are being looked after now
00:24:55And that's why I'm enormously proud of what you're doing
00:24:59Not just because your career is succeeding
00:25:02But because you're actually doing something which is really worth doing for its own sake
00:25:07So you're wonderful, my love
00:25:09Thanks
00:25:10It's nice to hear that
00:25:21I do remember I was young, maybe eight
00:25:23We'd heard a noise outside and there was a fight
00:25:27Like one guy was being held on the ground and the other was punching him in the face
00:25:32And there was just something that happened in my body that was like alive
00:25:38And it wasn't fear
00:25:42It was a fascination in the capacity for these people to be doing that
00:25:50I think violence and sex live in very close proximity in our body
00:25:57When words fail and that kind of animalistic drive happens
00:26:04And I wanted to find a way to explore it
00:26:16You met with the actors yesterday
00:26:18I did
00:26:19What happened?
00:26:20So with Sarah specifically it seems that like there's a couple of things going on there
00:26:25She doesn't want to do nudes, she doesn't want to do buttocks, she doesn't want to expose breasts or nipples
00:26:30Across the board, like all three scenes?
00:26:33Across the board, all three scenes, yeah
00:26:35She is open to like a kind of sternum and cleavage, right?
00:26:42So skirting around that
00:26:44What about touch, like him touching her underclothes?
00:26:48Hit breasts? No, buttocks no, pelvis no
00:26:52She seems to be a little overwhelmed with the idea of simulating sex with both of them
00:26:58In terms of Albert, he is very open to, you know, story-wise whatever comes up engaging with
00:27:06With Scout, but also he's fine kissing with Billy, he's fine touching with Billy
00:27:14If we wanted to like look at simulated oral sex, Billy to Luke
00:27:20He's like, maybe he's open to receiving that if that's where we go
00:27:25And Tom, he's happy with Billy and Scout engaging sex, Billy and Luke
00:27:30Simulating sex he's open to, kissing, touching
00:27:34Okay, well look, okay, here's where we're at
00:27:37It seems like the boys are willing to mix it up and play some games
00:27:41And we can simulate some stuff there and they're okay
00:27:44Say it was a dice game, like if the dice lands on a two
00:27:47And it means that Luke's got to kiss Billy
00:27:49Yeah
00:27:50And Scout's going...
00:27:51And then Billy's got to remove his trousers
00:27:54Yeah
00:27:55And then he removes his trousers and her eyes are like goggle-eyed at what is revealed
00:28:00Yeah
00:28:01The idea is he's like super built
00:28:03But is that not funny?
00:28:04Generally the situation of someone standing there with their trousers around their ankles
00:28:08Is inherently funny
00:28:10What they do after that initial reaction is going to I think make the difference between
00:28:14Like charming, sophisticated comedy
00:28:17Yeah, and schoolboy
00:28:18And like...
00:28:19Dips
00:28:20Yeah, alright, well I'm going to go away and write
00:28:22Great, great
00:28:24Reach out if you have any specific questions or anything
00:28:26Feel free to reach out
00:28:28I'm here to help and provide
00:28:38Hello, how are ya?
00:28:40I just wanted to go through some of the details for our agents
00:28:45I've seen three
00:28:46We're still working on that
00:28:48So we may not have the full details for that till tomorrow afternoon
00:28:51So there's no nudity for Sarah
00:28:54And I'm suggesting the language of player agrees to simulate receiving oral sex
00:28:58And simulate penetrative sex with the actor playing Luke
00:29:02Albert agrees to nudity of the bottom half of side buttocks
00:29:09So Tom agrees to rear nudity and you can state for the avoidance of doubt
00:29:15No of you shall include genitals
00:29:17So I'll shoot you an email and then I'll update that tomorrow once we've done our rehearsal with all the information for scene three
00:29:25So Mrs. Fletcher was actually the first show I ever intimacy coordinated
00:29:32And there was a lot of sex and intimacy in it
00:29:33It was the first time pretty much everyone had worked with an intimacy coordinator
00:29:39This was the finale
00:29:40It's all been building up for this
00:29:42And they end up in a threesome
00:29:44It was about kind of them treating her and putting her first
00:29:51This was Owen's first sex scene
00:29:52I mean he was wonderful but very nervous
00:29:53Catherine had done a lot
00:29:54This was Owen's first sex scene
00:29:55I mean he was wonderful but very nervous
00:29:56Catherine had done a lot
00:29:57This was Owen's first sex scene
00:29:58It was the first time pretty much everyone had worked with an intimacy coordinator
00:29:59This was the finale
00:30:00This was the finale
00:30:01It's all been building up for this
00:30:04And they end up in a threesome
00:30:05It was about kind of them treating her and putting her first
00:30:10This was Owen's first sex scene
00:30:14This was Owen's first sex scene
00:30:15And he was wonderful but very nervous
00:30:18Catherine had done a lot before
00:30:21And so a lot of it was just interesting shapes we can make with three people
00:30:29That they're all involved at the same time
00:30:33That didn't necessarily revolve around the penis habit
00:30:38They're in full modesty garments
00:30:41And even like this part right we had to cover Catherine's modesty garment
00:30:47But we really wanted to have a lot of exposure
00:30:50So we're bringing everybody else's hands in
00:30:53Most of that was just to cover the garment
00:31:01That was really beautiful
00:31:11Every actor I work with has some kind of story
00:31:15From uncomfortable to downright assault
00:31:18Actors are trained to say yes to anything
00:31:23It's a pervasive dangerous message throughout the whole industry
00:31:28That saying no is the bad thing
00:31:30Because it means you're being difficult
00:31:32The scene of the butter
00:31:41Is an idea that I had with Marlon in the morning before shooting it
00:31:46But I've been in a way horrible to Maria
00:31:53Because I didn't tell her what was going on
00:32:00They wanted her reaction as a girl
00:32:04Not as an actress
00:32:07I wanted Maria to feel not to act
00:32:11This idea that it has to be real
00:32:20Otherwise it won't look real
00:32:22And that's just not true
00:32:25We don't do that with stunts
00:32:30All of our experience, real or imagined
00:32:32Stays in the viscera of our bodies
00:32:35And it's something that actors deal with all the time
00:32:38The amazing thing about being an actor
00:32:43Is that your body doesn't understand
00:32:45Yes
00:32:46It's make believe
00:32:47It seeps into the marrow of your bones
00:32:50Every molecule is actually believing that this is happening
00:32:58I remember lying on the floor in my underwear
00:33:00And I couldn't get up
00:33:02I just felt completely humiliated and devastated
00:33:07And I went home
00:33:09And I threw a rock through a glass door
00:33:15It's a survival situation that you're not prepared for
00:33:18And not just for me
00:33:19But for the people behind the camera
00:33:20Behind the scenes, extras
00:33:23People couldn't eat and they couldn't sleep
00:33:25And finally at the end of the last day
00:33:27The crew came to the director and said
00:33:28You know, we can't do this anymore
00:33:29This is enough
00:33:30Don't shoot this anymore
00:33:31Because I have such a deep respect for actors
00:33:39It just seems right that someone is there to protect them
00:33:43As they do
00:33:44What I think is one of the most difficult jobs
00:33:46That there is
00:33:47Well welcome guys
00:34:05You guys have all discussed your levels of consent with Claire
00:34:10Which she's relayed to me
00:34:12So I think the best way around this
00:34:14With scene 3
00:34:15Which is at the moment it doesn't exist
00:34:17We're going to start again
00:34:18Based on this sort of dice idea
00:34:20All three of you roll the dice
00:34:22And whoever gets the lowest number loses
00:34:24And then they have to do whatever has been agreed upon
00:34:27And then we're going to hear a clunk
00:34:30And you guys are going to turn and look over at the coffee table
00:34:33And Billy's forehead is on the coffee table
00:34:36And he's carked it
00:34:37And basically he's just died on the spot
00:34:39So whatever the actions are that we determine
00:34:41We've got to sign off on them here and now
00:34:43And the biggest one I guess
00:34:46Is the idea of simulated sex
00:34:48In bathrobes
00:34:50In the lounge room
00:34:52With Billy watching
00:34:53And whether or not there's a way that we can do that
00:34:56With Claire
00:34:57That you're comfortable
00:34:59And you're comfortable with
00:35:00I mean obviously I'm just hearing it now
00:35:02So I've noticed it takes me a little bit to process
00:35:07Like even after we had that chat the other day
00:35:09I went home after I spoke about my levels of consent
00:35:13And then I actually had a nightmare
00:35:15Oh my god
00:35:16And I was like
00:35:17Probably not
00:35:18I probably do need to continue to reinstate my boundaries
00:35:22And what I feel comfortable with
00:35:23When I did say yes to doing this project
00:35:26I didn't have a third scene to read
00:35:29So I wasn't aware that I would have to do
00:35:31A third scene with another
00:35:34Simulating sex again
00:35:36So for me it makes me feel like I'm just
00:35:39Having sex in every single scene
00:35:41For the sake of having sex
00:35:43That's just not something I want to put my name to
00:35:46Yeah
00:35:47I hear you
00:35:48Yeah
00:35:49I totally get where you're coming from
00:35:50And I guess it's a question of
00:35:52Is there another simulated intimate act
00:35:55That we can get you two engaged in
00:35:59While Billy dies over in the corner
00:36:02What if they're to masturbate in front of each other
00:36:04And like try and find that connection
00:36:06Yeah
00:36:07Look you're right on the money
00:36:08That's exactly what it should be
00:36:09And it doesn't have to be sex
00:36:10Yeah
00:36:11And the main thing is
00:36:13Is that I get the elements that I need to tell the whole story
00:36:18In terms of our fertility journey I guess
00:36:22That's a lot of stress and strain on Scout's body
00:36:27And also on our relationship
00:36:29Scout would probably feel quite powerless
00:36:32So it might be nice to feel like
00:36:35She's almost got a power over Luke
00:36:38If that makes sense
00:36:39So you know one of them could be
00:36:41Like taking him outside his comfort zone
00:36:43Is Billy's got to go down on Luke
00:36:45Yes, exactly
00:36:47Yeah
00:36:49That gives me something to anchor into
00:36:51Yeah
00:36:52I'm such a geeky actor
00:36:53No, it's good
00:36:54It's good
00:36:55It's so specific
00:36:56I think that really works for the story
00:36:58If these guys are into it
00:37:00We'll put that as a pending possible
00:37:04Yeah, alright
00:37:05Well look, I can work with that
00:37:06And I'll sit down and write this tomorrow
00:37:08I think it works
00:37:09I think it's going to be really fun
00:37:11Should we take a break?
00:37:13Yeah, do you want to have a five minute break?
00:37:15And then we'll come in
00:37:16And we'll start working on scene one
00:37:18Yeah
00:37:19Yeah, alright cool
00:37:20Great
00:37:21Let's do it
00:37:22Thanks guys
00:37:23That was great
00:37:24Let's transition the room then
00:37:25Thank you
00:37:26I'll go get my phone
00:37:27Okay
00:37:28Thank you
00:37:29No, it's good
00:37:30It's great
00:37:31You're really
00:37:32I don't know
00:37:33Open, transparent
00:37:34I am, yeah
00:37:35It's great
00:37:36So much better than you having this
00:37:37Tucked away
00:37:38Yeah
00:37:39Anxiety underneath
00:37:40Get it out
00:37:41Yeah
00:37:42It's good
00:37:43Thank you
00:37:57When we get to any of the simulated sex rehearsal
00:38:01We're going to close the room down
00:38:03We're going to step out the crew
00:38:04Apart from our camera folks
00:38:07Are you okay for this mini crew to be in here?
00:38:10Yeah
00:38:11Yeah
00:38:12I guess we have to establish what type of sex it is
00:38:15Yeah
00:38:16And I'm going to be real specific
00:38:17Yeah
00:38:18Great
00:38:19With the description of what physically in the story is happening
00:38:22Okay
00:38:23And then how you tell that with the parts of your bodies that are involved
00:38:26Okay, and so we'll walk through that
00:38:27And we'll walk through that today
00:38:28We'll do that today
00:38:36So, scene one
00:38:37Let's just do this as a flat out read
00:38:39With Tom reading the big print
00:38:41Just to hear how it flows
00:38:43How about my gorgeous husband
00:38:44Is magnificent
00:38:45How about my gorgeous husband
00:38:46Is magnificent
00:38:47How about my gorgeous husband
00:38:49Is magnificent kisser
00:38:50Okay, well
00:38:53I don't think I know the word for gorgeous
00:38:55champagne glass in one hand which Luke refills from a half drunk bottle of
00:38:59expensive French bubbly how about my husband my gorgeous husband my gorgeous
00:39:06husband is a magnificent kisser how about my gorgeous husband is a magnificent kisser
00:39:14okay well I don't think I know the word for gorgeous but um okay here we go
00:39:24I think some is and Magnific Magnific mm-hmm is my life Lucas placed his glass on the
00:39:42bench beside her and he's continuing to kiss her on the neck and the face and
00:39:46simultaneously begins undoing the front buttons of her beautiful dress will you
00:39:52please change the subject yeah how about I love you I love you I love you now say it in French
00:40:12then I kiss kiss unbutton and you could be saying shi tim shi tim as his kiss now reaches her most
00:40:21sensitive area and she responds audibly her eyes closing her one hand on the top of Luke's head
00:40:27and she leans back to enjoy herself Luke's tongue is stimulating Scouts clitoris and it's usually like
00:40:36cheekbone here that anchors to inner thigh right and it is close and it is vulnerable like this is
00:40:43one of those whoo it's a lot right but and the idea is that you're thinking about your forehead just
00:40:52being raised a little bit I don't think we're gonna see a lot of movement but if you think about yes no
00:40:58maybe is all the movement I think we'll need so Albert you're gonna kneel down so pop in and find
00:41:08that anchor point that feel good for you yeah this is lovely Albert because the back of your head is
00:41:14masking a lot yeah it's telling us the story can I put my leg on your shoulder yes is that does that
00:41:22look weird no that looks great that sells it well for us may I put my hand on your other thing yeah
00:41:28okay great yes and together they move into love making against the bench gentle and tender at first
00:41:36things organically work themselves up and their love making builds in energy and intensity we have
00:41:42two options which is that either you are both coming together and moving away in a rhythm to to get
00:41:50the the insertion the pull out the insertion or one of you is leading and the other one is just kind
00:41:56of receiving right this is a tender moment which is more kind of grinding and scooping than like
00:42:02thrusting it yeah absolutely so we don't need a lot of movement it's more like the it's more the
00:42:12connection yeah of a scooping grinding which will also generally in our sex out also allow some
00:42:22stimulation of the clitoris as well which can help bring the woman to orgasm just to kind of start
00:42:27that communication Albert if you can just give a little what yeah I think the movement you're gonna
00:42:32be doing is a kind of more of a scooping with the pelvis like that oh yeah yeah see and then you can
00:42:39respond to that so that so that together you're like come in and out right so that that you're
00:42:44getting maximum impact when it comes in so it'll take you a couple to find a rhythm which is natural
00:42:50it is yeah so if you give just a couple scoops there and then Sarah can can find that yeah
00:42:58this is so I'm not going in am I no so do the opposite wait go oh there you go oh there you
00:43:08can see and now we have this idea of coming together right and then bending the angle where you know where
00:43:14we're shooting from and Sarah will be a little higher right we all we're getting is we're covering
00:43:19because this gap between you is telling us the story of yeah the length of the penis wow
00:43:24they freeze what on earth listening hard now don't Jesus it's a doorbell ding dong
00:43:32yeah yeah and basic shit it's gonna yeah no better one totally totally happy it totally sells it's
00:43:51great it's gonna be great we shoot tomorrow and whenever I go to work I'm always a little nervous
00:44:07there's a kind of anticipation knowing that anything can happen
00:44:14it's challenging not to have a scene three yet if the act has not been given the information
00:44:22before they've signed on to a project that's where I feel creatives have to make more accommodations
00:44:27there's so much to think about especially for women when doing intimate scenes especially for
00:44:36actresses that are at the first part of their careers and still building their name building their
00:44:42reputation I think we really fleshed out a lot in rehearsal today with Claire and I feel a lot
00:45:05safer with Albert we created a lot of trust but I'm I'm always nervous so I'm still pretty nervous about
00:45:14tomorrow I mean there's a plethora of emotions that come up and are triggered when you delve into the
00:45:23the world of desire maybe it's like a deep-seated societal thing and I'm kind of just realizing this
00:45:34now I'm working it out now but I don't feel like my sexuality belongs to me so it's hard for me to portray it
00:45:44on screen so I've been doing a bit of research looking into sex scenes and it kind of leads me to
00:45:54porn sites they've taken famous sex scenes out of context once you create a piece of film it's there
00:46:04forever so I really want to make sure that the scenes that we shoot in tightrope are justified and
00:46:11hopefully I don't psych myself out with my nerves
00:46:41look it has been an interesting week it's been challenging on a few levels as a as a writer you
00:46:52know having to deal with I guess changes it's taken a while to sort of craft a third scene because we
00:47:00had some vision something a little more risque a little different to what we've ended up with you
00:47:06know I was up until I don't know what time last night finishing it off and we're shooting it tomorrow
00:47:09one of the biggest challenges of both the filmmaker and the university coordinator is to ensure that
00:47:18you know the the bigger picture is not being compromised you can still tell the story I hope
00:47:24it works I mean I won't know until we sort of get it up on the street and shoot it but it feels good on
00:47:30the page
00:47:35huh ding ding ding ding ding ding dong ding ding ding ding dong
00:47:43good morning everybody welcome to tightrope day one I'm Ruby I'm the first AD we're starting off with some pretty intimate scenes
00:47:48please don't step on the set until you're told that it's okay to do so I'm a performance will be in various states fun times
00:48:06dress during the close set nice and quiet through the house please running lines okay in your own time guys
00:48:15i don't know probably when i started i was maybe a i don't know like two or three
00:48:34so yeah it's the first night and really they're just living it up
00:48:48second part stand up it's gotten to the point now where they're into the liquor cabinet and it leads
00:48:55into a little bit of frisky lovemaking you know they've been struggling to have kids and every moment
00:49:01of intimacy that they've had in the last several months has been sort of loaded up and the whole
00:49:07idea of this weekend for scout in particular is just just just let all that go and have some fun
00:49:11and try and rekindle that flame let's keep can we just keep it quiet here please we're still working
00:49:22you can give the signal when you're ready but i'm thinking maybe like like five breaths breaths okay
00:49:28like i reckon about five or six of those will give us enough to play with let's start like just gentle
00:49:42like undulations from the stomach and then maybe on beat three they can come up up into the shoulders
00:49:49and the chest okay like right there that's the spot you know like that kind of stuff
00:49:56and it really wasn't okay everybody that's the rehearsal complete thank you so much the set is open
00:50:01i want to go up a little bit higher can we keep the chat down please everybody
00:50:14this is about to turn into a closed set so if you're not required here
00:50:18please please step off or don't look at a monitor oh
00:50:24nervous like natural nervous i think once they get one out 100 yeah we got this turn over
00:50:36and set and action how about my gorgeous husband is a magnificent kisser
00:50:47i don't know how to say the word gorgeous
00:50:52oh okay let me try
00:50:57mon mari est superbe
00:51:02son bis est magnifique
00:51:04magnifique okay
00:51:07mon mari est superbe son bis est magnifique
00:51:10magnifique no no no no magnifique i like magnifique
00:51:13oh good
00:51:14mm-hmm
00:51:16can we change the subject how about
00:51:22i love you
00:51:25i love you
00:51:27i love you
00:51:30now
00:51:30how about in french
00:51:50I love you.
00:51:52I love you.
00:51:54I love you.
00:51:56I love you.
00:51:58I love you.
00:52:02I love Mademoiselle.
00:52:20I love you.
00:52:28Cut there, thank you. Cutting.
00:52:30So we've got a couple of
00:52:32technical things that Claire's
00:52:34going to tweak. Everything else was
00:52:36just perfect. Oh, okay, good.
00:52:38Just loved it, yeah. Very great. How was the rhythm?
00:52:40Great. Oh, was it? Yeah.
00:52:42It looks absolutely great. Okay. Yeah, yeah.
00:52:44So just for the simulated
00:52:46oral sex part, right,
00:52:48because we are catching
00:52:50the top here, right? Oh, right.
00:52:52So we're actually just going to need you, like,
00:52:54legs here to be a little lower.
00:52:56Right. Keep it at their level, yeah.
00:52:58Yeah. I agree.
00:53:00I agree. Rather than, like,
00:53:02looking down. Yeah. Yeah, that's...
00:53:04See, that's really...
00:53:06Looking down is objectifying. Being at that level
00:53:08is her experience.
00:53:10Yeah. First positions.
00:53:12Nice and quiet. Turn over, please.
00:53:14Nice and quiet.
00:53:16You did think of it. And action.
00:53:18Oh.
00:53:20Oh.
00:53:22Oh.
00:53:24Oh.
00:53:26Oh.
00:53:28Oh.
00:53:30Yeah.
00:53:32Oh, my God.
00:53:34Oh, my God.
00:53:36Oh, my God.
00:53:38Oh.
00:53:40Oh.
00:53:54Oh, my God.
00:53:58Oh, my God.
00:54:00Oh, my God.
00:54:03Oh, my God.
00:54:04Oh!
00:54:06Oh.
00:54:08Oh, my God.
00:54:17Oh.
00:54:30Oh, my God.
00:54:31Oh, my God.
00:54:32Oh, my God.
00:54:33What?
00:54:34Shh.
00:54:35Shh.
00:54:36Stay here.
00:54:37Stay here.
00:54:38I'm here.
00:54:39I'm here.
00:54:40I'm here.
00:54:41I'm here.
00:54:42I'm here.
00:54:56Don't touch anything.
00:54:57No, I don't.
00:54:58I don't.
00:54:59What do you mean?
00:55:00Scout, stay out.
00:55:01Where are you going?
00:55:07And cut that fucking print.
00:55:10The penetrative sex looked really real.
00:55:13Right?
00:55:14Yeah.
00:55:15That's because they're brilliant actors.
00:55:17We got the rhythm!
00:55:19Well done, my darling.
00:55:22Thank you so much.
00:55:23Of course.
00:55:24Of course.
00:55:25Hey, we'll do it all over again tomorrow.
00:55:26I know.
00:55:27Oh, my God.
00:55:37I tend to have a variety of breath fresheners.
00:55:46Altoids are always useful because they're very strong.
00:55:49And I also have like individually wrapped kind of like holo lifesaver ones.
00:55:54I have body tape.
00:55:56I have a pair of scissors.
00:55:58Alcohol wipes.
00:55:59Hand sanitizer.
00:56:01Packet of tissues.
00:56:03And then in this back pocket, I'll put the colour tones of the body tapes we're using
00:56:08on the actors.
00:56:09So I have it right here if we just need to do a quick reattachment.
00:56:12Cool.
00:56:13So we'll have the room for a line read and a block of sorts after that.
00:56:19So clear eye if you don't need to be here, please.
00:56:24Hello.
00:56:25Hello.
00:56:26How do you feel about my toes touching your toes?
00:56:28I am perfectly fine.
00:56:29Okay.
00:56:30How about you?
00:56:31Are you ticklish?
00:56:32Yeah, but not on the top of my foot.
00:56:34Oh, here's the bottom.
00:56:35Just the bottom.
00:56:38Scene two, it's kind of post breakfast.
00:56:41They've probably already made out this morning and, you know, they're feeling good.
00:56:45And then they start poking around in the drawers and Scout finds this business card for an escort
00:56:50agency, which piques her interest.
00:56:52What are you so scared of?
00:56:53Man, I didn't.
00:56:54I was not.
00:56:55The scene is about her trying her hardest to talk Luke into that.
00:56:59Seriously.
00:57:00Look at this guy.
00:57:01And at the same time, Luke finds, you know, like an eight ball of Coke.
00:57:05And they're like, wow.
00:57:06Okay.
00:57:07This is going to be a good weekend.
00:57:09Yeah.
00:57:10Absolutely.
00:57:11I'm not getting penetrated.
00:57:12All right.
00:57:13The idea of getting a third party in, and for her it's just harmless fun.
00:57:17You know, why not take a risk?
00:57:19And that's what the scene's about.
00:57:21I'm just doing a quick, like, cleavage check.
00:57:24And just so you know, we've always got our eyes making sure that what we're seeing is, you
00:57:28know, is covering everything that we need to cover.
00:57:30It's all good.
00:57:31Nice try, Duncan.
00:57:32Nice try.
00:57:33Oh, there it is.
00:57:34Or, just confirm in Leanne, that was...
00:57:35Do you want, do you want the script?
00:57:36Yeah.
00:57:37Have you got sides?
00:57:38Yeah.
00:57:40Sorry.
00:57:41Okay, guys.
00:57:42Into ones.
00:57:43Let's shoot.
00:57:44Great.
00:57:45And first positions.
00:57:46Quiet on set.
00:57:47Turn over.
00:57:48Okay.
00:57:49B mark.
00:57:50Mark.
00:57:51Set.
00:57:52And action.
00:57:53Diamonds Male Escort Agency.
00:57:56Prompt discrete call-out service for women and couples.
00:58:00Oh, hello.
00:58:01Hello.
00:58:02Hello.
00:58:03Hi.
00:58:04Hi.
00:58:05Hi.
00:58:06Hi.
00:58:07Hi.
00:58:08Hi.
00:58:09Hi.
00:58:10Hi.
00:58:11Hello.
00:58:12Hello.
00:58:13What?
00:58:14Oh, my God.
00:58:15Is that real?
00:58:16Yes.
00:58:17Cut there.
00:58:19Okay.
00:58:20Cutting.
00:58:21We've got our next first positions.
00:58:22Thanks, guys.
00:58:23Anybody need strip, breath freshener, mint?
00:58:25Yes.
00:58:26Yes.
00:58:27Yeah, I'll take one.
00:58:28Yeah.
00:58:29You can have one too.
00:58:30There we go.
00:58:31Let me get you a separate one, Kieran.
00:58:33Got it?
00:58:34I know.
00:58:35Nice.
00:58:36Do you want a mint?
00:58:37Just stick it on your tongue and then let it dissolve.
00:58:40It's very, it's strong.
00:58:41Sarah, pull fours here.
00:58:42Pull fours here.
00:58:44Alrighty.
00:58:45That's glorious, Justine.
00:58:46All right.
00:58:47Set.
00:58:48And action.
00:58:49That's really good for us.
00:58:50Look.
00:58:51Fulfill your wildest romantic dreams and fantasies.
00:58:53Yeah.
00:58:54Perhaps a night of menage a trois.
00:58:56Oh, my God.
00:58:58With your hot-blooded diamond male escort of your choice
00:59:03to create that extra excitement that you and your partner have been craving.
00:59:07Oh, my God.
00:59:08Oh, my God.
00:59:09Hey, don't be such a squimp.
00:59:11Seriously?
00:59:12Yes.
00:59:13Okay.
00:59:14Look.
00:59:15What if we do it the opposite way and I get to choose a girl instead?
00:59:19You'd like that.
00:59:20Yes.
00:59:21For you, my petite flair.
00:59:23Oh, that was very good.
00:59:24I think.
00:59:26It's interesting and fun and full working with Kieran.
00:59:31He comes across as a very kind of blokey-bro-y dude with his cap and his skateboard and his
00:59:36guitar.
00:59:37Loosen up.
00:59:38Get Frankie with me.
00:59:39I think this would be great for us.
00:59:41Yeah.
00:59:42And you're the one who said you wanted to be more adventurous.
00:59:44Oh, my God.
00:59:45I just didn't contemplate having an actual threesome with a dude.
00:59:49It's been really lovely to see him starting to understand what this work is and that it can
00:59:55be of support and help to him.
00:59:58Like, that doesn't happen with all directors.
01:00:01So that's been a really pleasant surprise.
01:00:04Okay, cut there.
01:00:05Cutting.
01:00:06That was fan-fucking-tastic.
01:00:08That was really good.
01:00:13Glassy.
01:00:14I love that colour.
01:00:18There's just no chance of cheating in these lounges that way.
01:00:21I'm really excited to learn all of, like, the illusion stuff.
01:00:26It's a lot of, like, smoke and mirrors, right?
01:00:28It's incredible.
01:00:29I know we had talked before and you had both independently said that you were open to open
01:00:35lip kissing.
01:00:36I want to make sure we have a discussion about tongues.
01:00:38I'm open to it.
01:00:39But, yeah?
01:00:40Yeah.
01:00:41I mean, I just think it's just coming down to, like, do we need it?
01:00:43Yeah.
01:00:44I think, if anything, it might be the lightest touch.
01:00:46The slightest touch.
01:00:47Yeah.
01:00:48Like a little electricity that comes when you just touch the tip of someone's tongue.
01:00:52Yeah.
01:00:53The first thing is looking into the kitchen that way.
01:00:58Great.
01:00:59You can pull this to your comfort.
01:01:01That'll keep it there, right?
01:01:02And then once it's done, we'll just put a little bit of tape across here just to kind
01:01:07of hold it in place, right?
01:01:09Yeah.
01:01:10We'll see if you want any on the side.
01:01:12Normally, you don't.
01:01:13And what I suggest is take the cup out of your underwear.
01:01:15You can pop it in the pocket of your robe.
01:01:18And then just underwear come down and put this in.
01:01:21I'm going to turn my face away.
01:01:23You let me know if there's any, if anything doesn't make sense.
01:01:27All right?
01:01:28And then I'll come back in and help you with the tape.
01:01:30Okay.
01:01:31No problem.
01:01:32Put this down here in the corner.
01:01:33No worries.
01:01:34All right.
01:01:35Just coming off.
01:01:36I feel like this looks weird.
01:01:41It does look different than probably anything you've worn.
01:01:46All righty.
01:01:47Does that feel, like, comfortable and on?
01:01:49Yeah, so it's on.
01:01:50Can I turn around and come bring in with the tape?
01:01:51Okay.
01:01:52Okay, great.
01:01:53Oh, sorry.
01:01:54Okay, I'll take my fingers away.
01:01:55Yeah.
01:01:56Okay, I'll take my fingers away.
01:01:57Yeah.
01:01:58Okay.
01:01:59Okay, great.
01:02:00Oh, sorry.
01:02:01Okay.
01:02:02Okay, I'll take my fingers away.
01:02:03Yeah.
01:02:04Great.
01:02:05And then just give that a, and the other side.
01:02:06Perfect.
01:02:07Give that a good rub.
01:02:08Warm it up.
01:02:09Keep it up.
01:02:10Yeah, great.
01:02:11How's that feel?
01:02:12Feel secure?
01:02:13That's fine.
01:02:14Once we commit to this, there's no saying no.
01:02:15Scene three, we're going to start with Billy explaining the rules of this dice game.
01:02:24He's been in this situation before and come across couples that are sort of tentative.
01:02:29They don't quite know what to do.
01:02:31So he knows he needs to loosen these two cats up and we're going to just work through a sequence
01:02:35of dares, you know, I guess, for want of a better word, that each of these guys rolls.
01:02:40And we each roll the dice and whoever gets the lowest number, they have to take up the
01:02:46deal with the person to their right.
01:02:47We briefly touched on this, but the part where Billy drops his trousers.
01:02:51Mm-hmm.
01:02:52In the script, we have his underwear still on, but...
01:02:54We'll take that off.
01:02:55We want to take that off.
01:02:56So we're going to see bare buttocks.
01:02:57Yeah.
01:02:58He's going to do trousers and underwear.
01:02:59Yeah, yeah.
01:03:00Yay!
01:03:01I got cast on set.
01:03:02Good to see you.
01:03:03Let's come in and grab a little seat.
01:03:04Great acting movie.
01:03:05Perfect, yeah?
01:03:06Yeah.
01:03:07So I got the script probably around 12 midday yesterday.
01:03:12So it's interesting because you can do prep on a character and try to get to know them,
01:03:20but it's really hard without script.
01:03:23Just to confirm for you, we are going to go no underwear on the trail to drop.
01:03:30There is a scene of oral sex, and I guess in a way there was a lot of self-development
01:03:37that I had to do in order to get myself into the position where I'm comfortable to do this.
01:03:45It brings out insecurities that you didn't even know you had.
01:03:49Thanks, everybody.
01:03:50No more movement through here.
01:03:51This is a closed set.
01:03:52Let's have a look at the action.
01:03:55Our principle here is that we use Tom's body to mask your crotch area.
01:04:01If you keep that pretty flat like that and your thumb up like this, then this can be a point for you,
01:04:07and you're just going to just pop yourself on the forehead every time, right?
01:04:10Oh!
01:04:11The story is of a pretty regular-sized penis, so I would say just a little bob there.
01:04:16Yeah.
01:04:17Yeah, you see?
01:04:18Magic!
01:04:19That works for that.
01:04:20All right.
01:04:21Good.
01:04:22One little thing for you because we get just the tip of your ear, so if you can actually...
01:04:26Just the tip.
01:04:27If you can just, like, tense your jaw and just open your mouth a little bit.
01:04:30Oh!
01:04:31It just gives us the right jaw angle.
01:04:32Of course.
01:04:33Right?
01:04:34How could I forget?
01:04:35Yeah.
01:04:36And, yeah, you can just keep it open and just bob up and down.
01:04:39Tap your eyebrow.
01:04:41And then there might just be a little more movement in the neck, like a swan.
01:04:46Yeah.
01:04:47Does that make sense?
01:04:48Yeah.
01:04:49No, that's good.
01:04:50You're in such a vulnerable position that it's so easy to get in your own head.
01:04:55With a kiss, you, like, feel it out and just...
01:04:58You know, when they call action, I'm Billy.
01:05:01Billy is comfortable in his own skin.
01:05:04Yeah, let's do it.
01:05:05So you just get yourself to a point where you're like, right, you know, you can do this.
01:05:10Let's do it.
01:05:11Let's do it.
01:05:12Great.
01:05:13Okay, guys, this will be a take.
01:05:14Settling in, everybody, nice and quiet.
01:05:17And turnover.
01:05:18Speeding.
01:05:19Top slide.
01:05:21And set.
01:05:23And action.
01:05:25I'm guessing you've probably never really done anything like this before.
01:05:28No.
01:05:29Which is good.
01:05:30That's great.
01:05:31Something new.
01:05:32I mean, obviously, it's not my first rodeo.
01:05:33But, hey, if I were you, I'd just be thinking, well, there's no one else here.
01:05:37You're in the privacy of your own home and you can just relax and, you know, enjoy.
01:05:42Dance like nobody's watching.
01:05:47I think that we should, you know, break the ice a bit.
01:05:53Why don't we play a game?
01:05:54Something silly and harmless, you know, get the ball rolling.
01:05:58Okay.
01:05:59Okay.
01:06:00Yeah.
01:06:01Let's get the ball rolling.
01:06:02Great.
01:06:03All right.
01:06:04So what happens is we all agree on a dare.
01:06:07There's no surprises.
01:06:08Everyone knows what's going on.
01:06:09That's it.
01:06:10Ready?
01:06:11Yeah.
01:06:12Ready?
01:06:13Let's do it.
01:06:14Let's do it.
01:06:15All right.
01:06:16So this dare, let's take it nice and easy.
01:06:17The person with the lowest number has to kiss the person on their eye.
01:06:22Yeah.
01:06:23Yeah.
01:06:24Yeah.
01:06:25Yeah.
01:06:26Yeah.
01:06:27Sure.
01:06:28All right.
01:06:29Let's go.
01:06:30Yeah, let's go.
01:06:33Hey!
01:06:34Boomshaka-laka!
01:06:35Get up there, baby.
01:06:37Yep.
01:06:42Okay.
01:06:47Okay.
01:06:48You got this.
01:06:52Oh,
01:07:19Oh!
01:07:21I got it too.
01:07:25Oh!
01:07:27Oh!
01:07:29Oh!
01:07:31Oh!
01:07:33Oh!
01:07:35Oh!
01:07:37Oh!
01:07:39Oh!
01:07:41Oh!
01:07:43Oh!
01:07:45Oh!
01:07:47And then pull undies up.
01:07:51Then pull undies up and sit down again there.
01:07:55Okay, and cut there.
01:07:59Yeah, it's really good.
01:08:01Really nice. Loving it.
01:08:03Am I okay to let them reset the cocaine while you're in there?
01:08:05Yep. Thank you.
01:08:07Okay, moving on to the next shot.
01:08:13Oh, great.
01:08:15Uh, turn over please.
01:08:17Hang on, should Tom be shirtless?
01:08:19That's a lot.
01:08:21That's a lot to ask.
01:08:23Okay, yeah.
01:08:25Okay, turn over please.
01:08:27Speedy.
01:08:29Could I undo some buttons?
01:08:31Yeah, maybe Tom, just loosen up.
01:08:33Loosen, yeah, three or four buttons.
01:08:37Tom, could you just go into your position in the action just to make sure?
01:08:41Yep, that's great.
01:08:43Great, lovely.
01:08:44Okay, thank you.
01:08:45Let me know Justine.
01:08:46I'm standing by.
01:08:47And action.
01:08:49what you said,
01:08:51if it's too big and muddy around.
01:08:53Are you looking behind it?
01:08:55Here's your spot.
01:08:56Have a nice little two bucks here.
01:08:57And, you can do the same time as you look.
01:08:59Not for this to make sure...
01:09:00Not for you, but are you watching Most of them.
01:09:01Not for you, I'm watching you.
01:09:02Like throwing some grand effectivement into some things with?"
01:09:03And you can wind it up whenever you like, Albert.
01:09:31Well, fuck.
01:09:33Shit.
01:09:34Yeah.
01:09:35Okay.
01:09:36And cut there.
01:09:39Table.
01:09:403D.
01:09:41Take one.
01:09:42That was really good.
01:09:44Nice work, you two.
01:09:46Hey, has somebody picked up the blood rig?
01:09:51Yep.
01:09:56We're standing by to shoot so quick as you can, please.
01:10:00And this will be...
01:10:01This is a martini.
01:10:02This is a martini.
01:10:03And quiet through the house.
01:10:05Turn over.
01:10:06Spinning.
01:10:07What the hell?
01:10:08Billy.
01:10:09I think you just blacked out.
01:10:10Billy.
01:10:11Shit.
01:10:12Shit.
01:10:13Billy.
01:10:14Holy fuck.
01:10:15Holy fuck.
01:10:16Holy fuck.
01:10:17Holy fuck.
01:10:18I don't think move him.
01:10:19Shit.
01:10:20Oh my god.
01:10:21Fuck.
01:10:22Oh my god.
01:10:23Oh my god.
01:10:24Oh my god.
01:10:25Oh my god.
01:10:26Billy.
01:10:27Billy.
01:10:28Billy.
01:10:29Oh.
01:10:30Don't move.
01:10:31Don't move.
01:10:32Don't move.
01:10:33Don't move.
01:10:34Fuck.
01:10:35Fuck.
01:10:36Fuck.
01:10:37Fuck.
01:10:38Fuck.
01:10:39Fuck.
01:10:40Fuck.
01:10:41Fuck.
01:10:42Cut there.
01:10:44Cut it.
01:10:45Thank you guys.
01:10:46That's a wrap everybody.
01:10:47All a bit crazy and chaotic at the end as it always gets.
01:10:51I think the scenes are really beautiful.
01:10:57Definitely learned a lot.
01:10:59I've really enjoyed it.
01:11:01No complaints.
01:11:03I love this gig.
01:11:07I love it when you write something and then you see it realised.
01:11:11It's kind of magic.
01:11:13Thank you all for your work.
01:11:14Beautiful work.
01:11:15Beautiful work.
01:11:16Beautiful work.
01:11:17Thank you for your trust.
01:11:18Thank you for taking care of each other so well.
01:11:20Yeah.
01:11:21Thanks.
01:11:22I'm personally very proud of the work that we created.
01:11:24I think it looked very authentic.
01:11:27Once we kind of established what the technique and the choreography was, they very quickly
01:11:32found it and made it their own.
01:11:34That's when it really works.
01:11:37You're so welcome.
01:11:38You're so welcome.
01:11:39See you on the next one, eh?
01:11:41Yes.
01:11:42I gave Claire a hug and said thank you so much for everything you taught me and I actually
01:11:45started crying.
01:11:46You know, she came into my life at a time when I really needed her personally and professionally.
01:11:53It was great.
01:11:54She said you just go forth now and conquer.
01:11:57It's so good to see you.
01:11:58It's so good to see you.
01:11:59What up bruh?
01:12:00How's it going man?
01:12:01Good, good.
01:12:02Are you excited?
01:12:03I was so nervous to watch all three of these scenes because I remember how nervous I was
01:12:27before filming them, but actually watching it, I looked quite relaxed.
01:12:34I love you.
01:12:36And I love this moment.
01:12:38I love you.
01:12:39It just felt so authentic.
01:12:42I was looking to my girlfriend and she was like, were you turned on?
01:12:47And I'm like, no, no.
01:12:50That was one of my biggest worries.
01:12:52I don't want to get a boner and have to yell cut.
01:12:57We're so conscious that we're just playing characters who are in love and that's it.
01:13:03Thank goodness I had that chastity belt on with all the padding and 500 pairs of knickers
01:13:09on.
01:13:11I literally just ripped off the guards I've had up and I took back my right to feel sexy,
01:13:20to feel safe, to own my own body and to do whatever I want with it.
01:13:31Claire's just demystified so much because I was always like, how the hell do they do this?
01:13:38I'd be willing to take one for the team.
01:13:41This intimacy that we created had a purpose.
01:13:44It wasn't just to be salacious or to show skin.
01:13:49It was to further the story.
01:13:51I came into this not knowing where my boundaries were.
01:13:58Finding out I'm comfortable with a lot more things than I thought I would be.
01:14:08Billy!
01:14:09Billy?
01:14:10Billy!
01:14:11Billy!
01:14:12Billy!
01:14:13Billy!
01:14:14Billy!
01:14:15Billy!
01:14:16Billy!
01:14:17I feel like younger Sarah and future Sarah would be really proud of this work.
01:14:22I looked after myself and the story still reads.
01:14:27Billy!
01:14:28Billy!
01:14:29Billy!
01:14:30Billy!
01:14:31Billy!
01:14:32Billy!
01:14:33Billy!
01:14:34Billy!
01:14:35Billy!
01:14:36Billy!
01:14:37Billy!
01:14:38I'm grateful that I can be there to protect the incredibly courageous actors who are the
01:14:43ones telling these stories.
01:14:46But I can't be everywhere and stop everything as much as I wish I could.
01:14:53We still have to fight and advocate for what the role truly is and to be allowed to do it.
01:14:58But that doesn't matter anymore because it's here to stay.
01:15:03It's not going to stop the movement.
01:15:05It's not going to stop it but it's not going to compromise.
01:15:15don't compromise.
01:15:17Dmitry and shepherds
01:15:20DMAX
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