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  • 4 weeks ago
Transcript
00:00:00Excuse me, it's okay.
00:00:02It's okay. It's okay, it's okay.
00:00:05It's okay.
00:00:07Let me help her back.
00:00:30It's okay, it's okay.
00:00:33Maruzella, Maruzella.
00:00:42Vedi, questo è Napoli.
00:00:44Napoli è pieno divertimento.
00:00:46Ci sono posti per divertirti e posti che ci sono brutti.
00:01:00Alla prossima.
00:01:06I'm looking for the concert.
00:01:07And then you drive right by it.
00:01:09There it is.
00:01:13Very funny.
00:01:23I think it's gonna be good.
00:01:25It must be.
00:01:30The traffic of Napoli.
00:01:32One of the three women.
00:01:34This was called The First Post.
00:01:43Shit.
00:01:45Whoa.
00:01:46Camp on my wallet.
00:01:51Are you in a C-case?
00:01:52No, I need something else in case.
00:01:54I need some C-case.
00:01:55Somewhere.
00:01:56Maybe it's in my car.
00:01:58Look at her!
00:02:20Can you just give her a minute?
00:02:22Wait a minute, wait a minute.
00:02:25Okay, okay, okay.
00:02:26Okay, okay, okay.
00:02:33Where did you have it lost?
00:02:37The train station, I think?
00:02:38The exchange group?
00:02:42Oh, Jamie, I'm sorry.
00:02:47That bastard at the train station started when you dropped all this stuff.
00:02:53This is 170, not 70.
00:02:56Where do we need to go?
00:02:57We need 70.
00:03:10Here we go.
00:03:20Is this it?
00:03:22It's nice.
00:03:26Yes, I have a credit card.
00:03:27Numbers on file on my computer.
00:03:28Yes, I have them here.
00:03:29Okay.
00:03:30It's nice.
00:03:31Yes, I have a credit card.
00:03:32Numbers on file on my computer.
00:03:33Yes, I have them here.
00:03:34It's nice.
00:03:35Yes, I have them here.
00:03:36Okay.
00:03:37It's nice.
00:03:38It's nice.
00:03:39It's nice.
00:03:40It's nice.
00:03:42It's nice.
00:03:43Yes, I have a credit card.
00:03:44Yes, I have a credit card.
00:03:45worthy of my computer.
00:03:47Maybe I've charged with 0 to 1 to 3 to 5.
00:03:48It's nice.
00:03:49And it's nice.
00:03:50It's nice.
00:03:51And it's nice.
00:03:52Don't forget it.
00:03:53You don't need them missing out right now.
00:03:547-6-4-5
00:03:578-7-8-7
00:04:009-1-5-7
00:04:035-7
00:04:05Yeah.
00:04:08Expires 12.15.
00:04:11No, she'll definitely need another card sent out immediately.
00:04:14We're here for two weeks.
00:04:16No, I'm working here.
00:04:20Yes, I'll hold.
00:04:21You love how they ask, as if I have a choice.
00:04:27Do you know what I'm going to try to do while I'm here?
00:04:30Besides, I know an Italian.
00:04:32I don't know why you think that's so ridiculous.
00:04:34I don't at all.
00:04:36I admire you.
00:04:37I just think it's too late for me.
00:04:40That's not true.
00:04:41You can't teach an old dog new tricks.
00:04:45And besides, what's the point?
00:04:47The whole bloody world speaks English.
00:04:49Why?
00:04:51Are you going to finally transcribe the tapes?
00:04:55Yes.
00:04:57All right.
00:04:59Okay.
00:05:02Well, if you can see it through to the end, I think that's wonderful.
00:05:07What does that mean?
00:05:09Nothing.
00:05:11Nothing?
00:05:11I think it's a fantastic idea, Jen.
00:05:15I always have.
00:05:16You know that.
00:05:21You shouldn't sound very supportive.
00:05:25You have my support.
00:05:27I'm sorry if that came out wrong.
00:05:29I just know how emotional listening to them can be.
00:05:34Has been for you.
00:05:36I think enough time has passed.
00:05:38Well, that's great.
00:05:39Why do you think he killed himself?
00:06:04David Foster Wallace.
00:06:15I don't know.
00:06:17You can't get a sense by his writing?
00:06:20You have to read it when I'm done, don't I?
00:06:21Do you think he recognized a blank infinity just stretching out?
00:06:34He got to this point maybe where it was just day after day after day.
00:06:38I really don't know, do you know?
00:06:40Just so tedious.
00:06:44And of course he felt guilty.
00:06:46Most people think life is too short and there he was, all the talent in the world, and it wasn't that...
00:06:50Jane, can I...
00:06:50Can we not talk about this?
00:06:54Just...
00:06:54Just a bit more, then.
00:07:08Love you.
00:07:15Love you too.
00:07:35Do you feel alright?
00:07:37Do you feel okay?
00:07:38Yeah.
00:07:41You sure?
00:07:41Do you feel okay?
00:08:08I don't know.
00:08:38I don't know.
00:09:08Are you sure you won't come with?
00:09:18You'll be so busy.
00:09:22I get boring all alone.
00:09:24I think someone should be here in case the card is delivered.
00:09:28True.
00:09:28Then I think I might go out, see what the world has to offer.
00:09:37If you do, leave me a message, okay?
00:09:42So I can worry about you.
00:09:44Okay.
00:09:49I left you some money here.
00:09:54I'll see you later.
00:09:55Have a good day.
00:09:56I'll see you later.
00:10:26What kind of stories?
00:10:30Stories that you've prepared for, I can ask them a list of stories that Dad told me about.
00:10:34Go ahead and ask from your father's list.
00:10:36God rest his soul.
00:10:37Let's start with the war.
00:10:38We went into an air raid shelter.
00:10:42My mother, your great-grandmother, she was shaking.
00:10:46Sirens wailed and then there was the sound of a bomb.
00:10:50And the man next to us, he said,
00:10:52I was in a shelter last night with my wife and my little boy and half of it got blown away.
00:10:59There was blood in his hair.
00:11:02He was all alone.
00:11:03That nearly finished my mother, you know.
00:11:05Here we were in this tiny town in England, miles from Germany, from Russia, from Italy, from any front lines.
00:11:15And this man, he had blood in his hair.
00:11:19And this man, he had blood in his hair.
00:11:49We were riding our bikes to school when the Germans started firing at us.
00:12:01We jumped into a hedge.
00:12:04We were terrified, but afterwards we couldn't stop laughing.
00:12:08It feels nice if I'm the only one who remembers that.
00:12:13It's as vivid to me as if it happened yesterday.
00:12:18Oh, hi, Leonard.
00:12:20It's Jane.
00:12:21I decided to take an impromptu trip to Iskia.
00:12:25Or, um, Iskia, as they pronounce it.
00:12:28See, I'm learning a little bit.
00:12:30Um, anyway, I'll be home later.
00:12:32I hope you'll have a good day.
00:12:35Bye.
00:12:36Those friends are all dead now.
00:12:39There's no one left.
00:12:41That's one of my regrets, you know.
00:12:44Sometimes I think I should have had more children, not just your father.
00:12:50You're all alone now that your parents are gone.
00:12:54No brothers, no sisters.
00:12:55I'm upsetting you.
00:13:01Let's talk about something else.
00:13:04You want to ask me more boring questions about the war?
00:13:08All right, then.
00:13:10Uh, scusi.
00:13:12Scusi.
00:13:13Um, the castle?
00:13:15Castle?
00:13:16Parlato inglese?
00:13:18No, no, no.
00:13:19No?
00:13:19No.
00:13:20Um, castello oregonese?
00:13:23Ah, andare.
00:13:25Andare?
00:13:26Andare?
00:13:26Si.
00:13:26Ah, grazie.
00:13:29They'd been shot through the neck.
00:13:32The bullet went in one side and came out the other.
00:13:36And there were all these bomb holes filled with water,
00:13:39and he couldn't tell which was the German side
00:13:41and which was the Allied side.
00:13:43When he came home after something like that,
00:13:47you couldn't really complain to him about anything,
00:13:50now could you?
00:13:50I'm actually going there now, to the castle.
00:13:52Do you speak English now?
00:13:54Yeah.
00:13:55Why, do you think I was Italian?
00:13:56Yeah.
00:13:57Yes!
00:13:57That's great.
00:13:58That's cool.
00:13:59Hey, hey, hey.
00:14:01Where are you from?
00:14:03London.
00:14:04No, in America.
00:14:05Come on.
00:14:05Maine.
00:14:06No, shit.
00:14:07I'm from Massachusetts.
00:14:08That's crazy.
00:14:09That's weird.
00:14:10Right?
00:14:11Yeah.
00:14:12Vacation?
00:14:13Oh.
00:14:13Are you?
00:14:14What?
00:14:15Are you here on vacation?
00:14:16Oh.
00:14:16Sorry.
00:14:20I thought you were saying you were on vacation.
00:14:22Me?
00:14:23No.
00:14:25So come on.
00:14:27My husband is working in Naples.
00:14:30What does he do?
00:14:32He is playing in a concert at the end of the night.
00:14:35Cool.
00:14:36What does he play?
00:14:37Viola.
00:14:39Mm-mm-mm.
00:14:40The viola.
00:14:41Any good?
00:14:44Yes.
00:14:45Very.
00:14:49How do you keep your violin from getting stolen?
00:14:53You put it in a viola case.
00:14:55Right?
00:14:57That's not funny.
00:14:59What's the difference between a viola and a coffin?
00:15:02A coffin has a dead person on the inside.
00:15:05Because viola players are dead?
00:15:07No?
00:15:07Why is a viola solo like premature ejaculation?
00:15:11Because even though you know it's coming,
00:15:15there's nothing you can do about it.
00:15:18I can't help it.
00:15:19I've got this weird autistic mind for jokes,
00:15:21and I went to this music-slash-nerd summer camp
00:15:23when I was, like, 10, and I played the triangle.
00:15:25Right.
00:15:26And I'm an only child, so, you know, understand.
00:15:31You look too young to be married.
00:15:32You newlywed?
00:15:34No.
00:15:36No.
00:15:36You're making me feel like a stalker.
00:15:49Fuck.
00:15:49You're making me feel like a stalker, fuck.
00:15:51Oh, hey, have you got 50 cents?
00:16:06If you can catch it.
00:16:11Grazie.
00:16:11What brought you out of here today?
00:16:36Barry?
00:16:36Ha!
00:16:37Barry.
00:16:38I like it.
00:16:41They have this device down in the basement.
00:16:43It's like a torture cage.
00:16:44They lock you in there until you turn to bones.
00:16:48But can you imagine dying by just sitting there?
00:16:51That would suck.
00:16:58In, like, the 1300s,
00:17:00thousands of families lived in this castle.
00:17:03It doesn't smell pretty bad.
00:17:04All those people crammed under this rock.
00:17:10Wow.
00:17:12I know.
00:17:13I've been coming here every day,
00:17:15and it still gets me.
00:17:17If only we could kill off all the tourists.
00:17:20You're a tourist.
00:17:22No, I'm not.
00:17:23I came out here a few months ago
00:17:26with this volunteer organization
00:17:28dedicated to studying
00:17:30the relic populations of dolphins and whales
00:17:32in the Gulf of Naples.
00:17:35I can't tell if you're joking.
00:17:36I'm dead fucking serious.
00:17:40No, I just didn't want to go to college,
00:17:41and they paid for me to come over.
00:17:43Four connecting flights, a 72-hour plane ride,
00:17:45but, you know, it was worth it.
00:17:47My first time out of the U.S.
00:17:49How old are you?
00:17:49I'm 19.
00:17:50It's my birthday today.
00:17:52Is it really?
00:17:53Uh-huh.
00:17:54Happy birthday.
00:17:55Thank you very much.
00:17:56Yeah, so I left the program
00:17:57after, like, a month.
00:17:59Fuck the relic dolphins!
00:18:02I'll just say it on the other end
00:18:03because I have this awesome living situation.
00:18:05I'll tell you the short version.
00:18:07Basically, I used to have ancestors in Ischia,
00:18:09so when I come over,
00:18:10I Facebook this second cousin twice removed.
00:18:12The second cousin twice removed,
00:18:13in case you didn't know,
00:18:14is when one person's great-grandparent
00:18:16is another person's great-great-great-grandparent.
00:18:18I'd love to hear the long version.
00:18:20Sorry.
00:18:20Anyway, so this relative gave me the name
00:18:23of this great-uncle who lives on the island,
00:18:25so I show up.
00:18:27He answers the door,
00:18:28and he's, like, the oldest fucker I've ever seen,
00:18:30easily pushing 100.
00:18:32100?
00:18:33Yeah, if not older.
00:18:34He's, like, deaf and blind
00:18:36and about four feet tall.
00:18:37He mumbles a couple of things to me
00:18:38in some crazy dialect,
00:18:40ushers me inside,
00:18:41pours me a glass of wine
00:18:42and leads me to this basement apartment.
00:18:44And, uh, yeah, I never left.
00:18:46I don't know.
00:19:06Let me know.
00:19:07I love you, I love you.
00:19:37Love teaches me to feed on flames and tears.
00:19:42To turn withered hope green through desire.
00:19:48To re-enslave my heart each time love frees his noble face from that heavy disdain.
00:19:56Who is that?
00:19:58Vittoria Colonna.
00:20:01Ah, the woman who lived here.
00:20:03You read that in your guidebook this morning, didn't you Jane?
00:20:08Sneaky.
00:20:10Yeah, I've decided to learn Italian by committing to memory all the sonnets she wrote to Michelangelo in English and Italian.
00:20:17Who thought Michelangelo was gay?
00:20:19Ah, according to history and the muscular thighs of his sculptures, yes, but that didn't stop her from loving him.
00:20:28Let's hear it then. In Italian.
00:20:31Let's hear the poem.
00:20:35Come on.
00:20:36Okay.
00:20:37I'm impressed.
00:20:39I'm impressed.
00:20:41Are you hungry?
00:20:42I'm hungry.
00:20:43I'm hungry.
00:20:44I'm hungry.
00:20:45Why, you gonna take me out?
00:20:46Yeah.
00:20:47Why, you gonna take me out?
00:20:48Yeah.
00:20:49Why, you gonna take me out?
00:20:50Yeah.
00:20:51Alright then.
00:20:52Okay.
00:20:53Okay.
00:20:54Okay.
00:20:55Okay.
00:20:56Two pastas with the...
00:20:57house...
00:20:58I'm hungry.
00:20:59I'm hungry.
00:21:00I'm hungry.
00:21:01I'm hungry.
00:21:02Okay.
00:21:03I'm hungry.
00:21:04Sweet, red, red, red.
00:21:05Yeah.
00:21:06Oh, I'm hungry.
00:21:07I'm sure you're hungry.
00:21:08I'm hungry.
00:21:09I'm hungry.
00:21:10You wanna take me out?
00:21:11Okay?
00:21:12Oh, you gonna take me out?
00:21:13I'm hungry.
00:21:14All right then.
00:21:15All right, then.
00:21:20Okay.
00:21:22Two pastas with the house sauce, please?
00:21:27Red.
00:21:28Red, please.
00:21:30Uh-huh.
00:21:32Grazie.
00:21:33So you're really not going to tell me what you do?
00:21:40I write freelance articles about parties and fashion trends in town and country UK.
00:21:44There's something else.
00:21:54I'm writing a book about my grandmother's experiences in rural England, living through two world wars.
00:22:00I recorded her for hours and hours.
00:22:03But now, I don't know.
00:22:07What don't you know?
00:22:10You want to listen?
00:22:13A little?
00:22:15Yeah.
00:22:16Yeah?
00:22:17Yeah, I know it.
00:22:18I love to listen.
00:22:34All tangled up.
00:22:35Oh, God.
00:22:36Okay.
00:22:42Awful as it was, it made you stronger.
00:22:45These days, people whine about all sorts of things.
00:22:48And I'm not one of those old people who think my time had the only joy and the only problems.
00:22:53We all have our own private wars, every era, but it was nothing like it.
00:22:59It really brought people together, the war.
00:23:02We helped each other during that time.
00:23:05We had to laugh.
00:23:06We had to smile.
00:23:07Well, if not for ourselves, then for the people we'd lost.
00:23:11I'll shut that thing off.
00:23:12Would you get it out of my face?
00:23:14That is like, it's like a window in time.
00:23:21The sort of thing you wish you always did before someone died, you know?
00:23:26My husband thinks I'm never going to finish it.
00:23:28I shouldn't care what anyone thinks.
00:23:31We met while I was recording her.
00:23:34Bonding over Granny, huh?
00:23:37Make it sound perverse.
00:23:39That's what it was, right?
00:23:41Buongiorno.
00:23:42Buongiorno.
00:23:43Signori.
00:23:45I got pregnant, so we got married.
00:24:00I lost the baby.
00:24:05I'm sorry.
00:24:14I'm sorry.
00:24:15It was your regret.
00:24:17Yes, thank you.
00:24:18You can take it away.
00:24:20Yes, thank you.
00:24:29I didn't go back after that to the States.
00:24:37Did you ever hear that story about the Red Strain?
00:24:41I think I might have.
00:24:42Tell me.
00:24:43It's like this Asian proverb says that anyone you're destined to meet, like your soulmate,
00:24:56or your family, or, you know, someone you bump into on the street, we're all connected by this red string.
00:25:06It can be tangled or stretched, but it can never be broken.
00:25:13There's this moment in the tape, I'm sitting waiting in the airport bar for my flight, and I'm talking into the recorder, rambling on about how I'm about to embark on this amazing adventure, and how I'm going to show World War II from a totally different perspective.
00:25:38But...
00:25:39I don't know if it's that interesting.
00:25:48That's the whole point, isn't it?
00:25:53Keeping it interesting for yourself.
00:25:55No.
00:25:56Maybe.
00:25:57Maybe.
00:25:58Maybe I just want to write about nothing.
00:26:02Everything is nothing.
00:26:04All the best.
00:26:07Compliano.
00:26:08Grazie.
00:26:09Grazie.
00:26:10Make a wish.
00:26:14Oh, yeah.
00:26:15Make it great.
00:26:17Okay.
00:26:18Bravo.
00:26:19Bravo.
00:26:20Hey.
00:26:21What do you mean?
00:26:22I'm ready.
00:26:23What?
00:26:24Grab my hand.
00:26:25Wait.
00:26:26Go.
00:26:27Go.
00:26:28Go.
00:26:29Go.
00:26:30Go.
00:26:31Go.
00:26:32Go.
00:26:33Go.
00:26:34Go.
00:26:35Go.
00:26:36Go.
00:26:37Oh, no.
00:26:38What?
00:26:39What?
00:26:40What?
00:26:41What do you mean?
00:26:43Oh, my God.
00:26:44Oh, no.
00:26:45Oh, no.
00:26:46What?
00:26:47What do you mean?
00:26:50Stronzo.
00:26:51Hey.
00:26:52Hey.
00:26:53Hey.
00:26:54Hey.
00:26:55It's the carabinerie.
00:26:56It's the police.
00:26:57No.
00:26:58Hey.
00:26:59Yeah.
00:27:00Yeah.
00:27:01Yeah.
00:27:02Yeah.
00:27:03Hey.
00:27:04We can't go back.
00:27:05We can't go back.
00:27:06We can't go back.
00:27:07We can't go back.
00:27:08Look.
00:27:09We can't go back.
00:27:10We can't go back.
00:27:11We can't go back.
00:27:12We can't go back.
00:27:13Oh, God.
00:27:14I mean, he's going to go back.
00:27:16Oh, God.
00:27:18Here.
00:27:19Here.
00:27:20Here.
00:27:21Here.
00:27:22Here.
00:27:23Here.
00:27:24Here.
00:27:25Here.
00:27:26Here.
00:27:27Here.
00:27:28It made you feel better if I said I said the one thing up.
00:27:30Yes.
00:27:31It's true.
00:27:32Yes.
00:27:33It's true.
00:27:34I made the check when I went to the bathroom.
00:27:37You're horrible.
00:27:42You're horrible.
00:27:44You're really horrible.
00:27:45Come on, let's go.
00:27:46Come on.
00:27:48Quick.
00:27:49Let's go.
00:27:51Why are we still running?
00:27:53I don't know why we're still running.
00:27:54Oh, my gosh.
00:28:12It went up my nose.
00:28:15We come back?
00:28:23Maybe.
00:28:24Maybe it's not a no.
00:28:29And since I don't have a phone,
00:28:31you're going to have to give me your number
00:28:33for cheap thrills and future crimes committed.
00:28:37No.
00:28:40Fair enough.
00:28:50I've got to go catch a fairy.
00:28:54Hey.
00:28:58Why do violists keep their viola cases on their dashboards?
00:29:09Why?
00:29:11So they can park in handicapped spots.
00:29:27Happy birthday.
00:29:29Happy birthday.
00:29:35Here.
00:29:36Oh, my gosh.
00:29:45Oh, my gosh.
00:29:48Oh, my gosh.
00:29:50Oh, my gosh.
00:29:50Oh, my gosh.
00:29:52Oh, my gosh.
00:30:53There's stuff to get through.
00:30:55Got through.
00:30:57Nice.
00:30:59There are the great big events, the things you think you'll always remember and you do, but there are other smaller, picking a blackberry that's been in the sun or brushing the fingertip of someone you didn't know you loved until you touched them.
00:31:18Nellie was this little collie who wouldn't go on a leash, so she had to sit on a bicycle seat. They stay with me too.
00:31:28Jane.
00:31:30Tony.
00:31:32Got some pastries.
00:31:34You're still asleep?
00:31:36Jane.
00:31:37Tony.
00:31:38Got some pastries.
00:31:40You're still asleep?
00:31:42Jane.
00:31:44Jane.
00:31:45Jane.
00:31:46Jane.
00:31:47You're still asleep?
00:31:48Jane.
00:31:49Jane.
00:31:50You're still asleep?
00:31:51Jane.
00:31:52Jane.
00:31:53Jane.
00:31:54Jane.
00:31:55Jane.
00:31:56Jane.
00:31:57Jane.
00:31:58Jane.
00:31:59Jane.
00:32:00Jane.
00:32:01Jane.
00:32:03Another.
00:32:04있습니다 of town.
00:32:05Jane.
00:32:06A Queen.
00:32:07armaxx.
00:32:08Nuevo Fragen,它,它s ofора,669G,
00:32:09pox.
00:32:10But I never want to go out here.
00:32:11You know how.
00:32:12You know how?
00:32:13Theans.
00:32:14Now Jesus died.
00:32:1542.
00:32:16value,
00:32:17smallόlaxx.
00:32:18themes.
00:32:19My friends had lots of American boyfriends, and they used to bring us nylon stockings and chocolates and every sort of thing.
00:32:28We used to go to London.
00:32:29And we saw Glenn Miller one time.
00:32:33We used to go all over the place.
00:32:36They were wonderful times.
00:32:39I never had an American boyfriend.
00:32:42I liked some of them.
00:32:44They were nice boys, but I didn't want to leave my mom and dad.
00:32:52I wish I had sometimes.
00:32:54You know, when you were 19, the world just felt so open
00:32:57and carefree and full of possibility,
00:33:02you reminded me of that.
00:33:04At that time.
00:33:06You were 19 when we met?
00:33:07Yeah.
00:33:08I wouldn't have described you as carefree back then.
00:33:11Not at all.
00:33:12Well, I felt nostalgia.
00:33:14Or something for youth.
00:33:16You're not old, Jane.
00:33:18We ran out on the bill.
00:33:21You just ran out?
00:33:22What do you mean you ran out on the bill?
00:33:24Perhaps I'm not explaining it well.
00:33:25It was fun.
00:33:29It was just fun.
00:33:41How was work?
00:33:43The conductor's actually a descendant of Walter Lake,
00:33:47which is fascinating.
00:33:48The three of us should plan a dinner before we leave.
00:33:51I'd like that.
00:33:51Jane?
00:33:59Oh, my God.
00:34:00This is Caleb.
00:34:03Hi.
00:34:04No, no, we were just talking about you.
00:34:05We were?
00:34:06That's so weird.
00:34:07Sit, please.
00:34:08Sit down.
00:34:09Join us.
00:34:10What?
00:34:10Oh.
00:34:12I don't know the chances of that.
00:34:14I know, right?
00:34:15I'm off to you when I get back pretty soon.
00:34:21That's okay.
00:34:22I already ate, so I'll just grab a coffee.
00:34:25Can I have the check, please?
00:34:37In a cafe, play for play?
00:34:43Oh, no, thank you.
00:34:44Okay.
00:34:47Jane, you don't smoke.
00:34:51Yes, I do.
00:34:52Sometimes, at parties.
00:34:56You know that.
00:34:58Well, I don't do it a lot.
00:35:01Okay.
00:35:02Grazie.
00:35:04Grazie.
00:35:04Grazie.
00:35:08Italian food's so overrated.
00:35:11I love it.
00:35:13There's no variety.
00:35:14English food, on the other hand.
00:35:16Say what you like about it.
00:35:18There's nothing like a good steak and kidney pie.
00:35:20I went to this party the other day in this villa owned by this old, drunk ex-pat.
00:35:27They had, like, a private chef and everything.
00:35:30And they were serving this, like, loaf of meat covered in sauce with all these other loaves.
00:35:36And this girl came over to me and said it was cat.
00:35:38No.
00:35:39No joke.
00:35:40Like, a roasted mommy cat and her kittens.
00:35:44That is disgusting.
00:35:46True story.
00:35:47Why don't you tell Leonard one of your viola jokes?
00:35:58Come on.
00:35:59I'm selling my ant.
00:36:02Come on.
00:36:03Let's hear one.
00:36:04I have one.
00:36:12What is the definition of perfect pitch?
00:36:17What?
00:36:20When you throw a viola into the dumpster without hitting the rim.
00:36:24You didn't just make that up.
00:36:27I did.
00:36:27It's too good.
00:36:28I did.
00:36:29Well, I'm impressed and I'm stealing it.
00:36:32You can pretty much make that joke about any instrument.
00:36:38Do you play anything, Caleb?
00:36:40This and that, you know.
00:36:44Shall we?
00:36:46What, time to go?
00:36:47Already?
00:36:48Yeah, I've got to get back to work.
00:37:00So what's next on your agenda, Caleb?
00:37:03Um, I'm thinking Tibet.
00:37:06Oh, Tibet, really?
00:37:07Yeah, there's this thing called the Shantan Festival at the end of the summer.
00:37:10Yeah, I've heard about that.
00:37:11That's where the Buddhist monks unroll all the tapestries on the hill, right?
00:37:16The monks, the monks, the monks.
00:37:17It's so pretty.
00:37:20How do you support yourself?
00:37:21You know, a bit of this, a bit of that.
00:37:28All right, then.
00:37:30I'll walk you.
00:37:32Does anybody have a pen?
00:37:33You got a pen?
00:37:34Yeah, I have a pen.
00:37:41I have a piece of paper.
00:37:50You guys should definitely come over to the island.
00:37:53I'll take you somewhere fun, you know.
00:37:55Don't knock on the front door.
00:37:56Come around the side.
00:37:57I need Regina.
00:38:00This, we, uh...
00:38:02There you go.
00:38:06And thanks again for yesterday.
00:38:07Oh, no problem.
00:38:08Hey.
00:38:13Ciao.
00:38:21How stoned are you?
00:38:23Come on, man.
00:38:24We should tell him a pop.
00:38:24It's not a big deal.
00:38:27So, you're saying you smoke back at her?
00:38:31Occasionally.
00:38:32Hey, can we do something fun tonight?
00:38:35Sure.
00:38:38I'm fine from here.
00:38:41Okay.
00:38:41See you after work.
00:38:42Yep.
00:38:43I'll be waiting.
00:38:43I'll be waiting.
00:39:02I'll be waiting.
00:39:03Hey.
00:39:15God, you scared me.
00:39:17Are you following me?
00:39:19Maybe.
00:39:20Is that weird?
00:39:22Yeah.
00:39:23I couldn't sleep last night.
00:39:37You told me you were staying near the port, so I got the first ferry this morning.
00:39:41I came looking for you.
00:39:44And I can't believe I found you.
00:39:46I'm trying to.
00:40:02I'm going.
00:40:03I want to speak.
00:40:10I can't believe I found you.
00:40:15What are we doing?
00:40:30I think we're making it out.
00:40:34So sexy and beautiful.
00:40:45I can't do this.
00:41:09What?
00:41:10I can't do this.
00:41:11Why?
00:41:15Do you do this a lot?
00:41:24What?
00:41:25Do you do this a lot?
00:41:27What?
00:41:28Do you seduce women?
00:41:29Is this what you do?
00:41:31You need to be less serious.
00:41:36Don't follow me.
00:41:42I can't do that.
00:41:45You have to be more careful.
00:41:47I can't do that.
00:41:50I can't do that.
00:41:52I can't do that.
00:43:26I do deserve that.
00:43:28You know, it doesn't work for your husband.
00:43:31Jane, I'm sorry, just give me a minute.
00:43:34I have a hell of a rest of my day.
00:43:35I've got so much stuff to do.
00:43:36Sorry, darling.
00:43:37Hey, do you still want to do something fun tonight?
00:43:38Yeah, absolutely.
00:43:39I've got some dinner.
00:43:40I thought we'd just stay in here.
00:43:41The two of us.
00:43:42I've got to work this thing out for tomorrow.
00:43:43Okay.
00:43:44I'm sorry.
00:43:45I'm sorry.
00:43:46I'm sorry.
00:43:47I'm sorry.
00:43:48I'm sorry.
00:43:49I'm sorry.
00:43:50I'm sorry.
00:43:51I'm sorry.
00:43:52I'm sorry.
00:43:53I'm sorry.
00:43:54I'm sorry.
00:43:55I'm sorry.
00:43:56I'm sorry.
00:43:58I'm sorry.
00:44:45Leonard, can we talk?
00:45:15Say cheese.
00:45:29You should kind of be in the middle.
00:45:35Hold on a second.
00:45:51That's what our living room is missing.
00:46:07What did you do?
00:46:09Put my hand over my mouth.
00:46:11You did?
00:46:12What did you do?
00:46:13Just waved.
00:46:15Can you hear me?
00:46:17I can't believe it.
00:46:19I can't believe it.
00:46:21Can you hear me?
00:46:23Can you hear me?
00:46:25I can't believe it.
00:46:27Oh, my God.
00:46:57Let me see you, let me see you, let me see you.
00:47:27Let me see you, let me see you.
00:47:57Let me see you.
00:48:26Let me see you, let me see you.
00:48:56Let me see you, let me see you.
00:48:58Oh, hi.
00:49:00Did I wake you?
00:49:02No.
00:49:04I think I need to be less serious.
00:49:08Yeah, will you put my pants on?
00:49:14Okay.
00:49:16Okay.
00:49:18Okay.
00:49:20Okay.
00:49:22Okay.
00:49:24Okay.
00:49:26Okay.
00:49:30Okay.
00:49:32Okay.
00:49:34Okay.
00:49:36Okay.
00:49:38Okay.
00:49:40Okay.
00:49:42Okay.
00:49:44Okay.
00:49:46Okay.
00:49:48Okay.
00:49:50Okay.
00:49:52Okay.
00:49:54Okay.
00:49:56Okay.
00:49:58Okay.
00:50:00Okay.
00:50:02Okay.
00:50:04Okay.
00:50:06Okay.
00:50:08Okay.
00:50:18Okay.
00:50:20Okay.
00:50:22Okay.
00:50:24Okay.
00:52:26Leonard thought you were lying about those cats.
00:52:51You said that?
00:52:56Were you?
00:52:58They were delicious.
00:52:59You made me feel nervous.
00:53:19You make me feel calm.
00:53:24You want a drink?
00:53:33You want a drink?
00:53:49Is that him?
00:54:11Yeah, I just shuffled around all night.
00:54:17Must be lonely.
00:54:18Good day.
00:54:28Good day.
00:56:09I didn't sleep at all last night.
00:56:13Where have you been?
00:56:15Just walking.
00:56:17All night.
00:56:18I've been thinking.
00:56:19You left your phone here.
00:56:20I had to plug it in.
00:56:21We need to talk, Leonard.
00:56:22I have to go to work.
00:56:24Can you be late?
00:56:25No.
00:56:26I can't be late.
00:56:27Leonard.
00:56:28Jay, whatever you have to say to me, I want to hear it.
00:56:29I've committed myself.
00:56:30People are depending on me.
00:56:31I have to go to work.
00:56:32Okay.
00:56:33Okay.
00:56:34I have to go to work.
00:56:35Okay.
00:56:36Okay.
00:56:37Okay.
00:56:38Can you go to work?
00:56:39Suitable, I know.
00:56:40Jake, whatever you have to say to me, I want to hear it.
00:56:43But I've committed myself.
00:56:45People are depending on me.
00:56:47I have to go to work.
00:56:48Okay.
00:57:08If it wasn't the war, it would have been something else.
00:57:31There's always something else, isn't there?
00:57:34That's the thing. That's the thing about struggle.
00:57:38I'm going to make some tea. Do you want some?
00:57:51I'm alright.
00:57:59If you go out like that again, just tell me. No worry.
00:58:04Okay.
00:58:08I can't seem to figure out what's going on in your head.
00:58:11Do you think everything we've been through actually does us any good? In the long run?
00:58:18Or do we just make out struggle to be something meaningful because that's all most of us have?
00:58:30I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:31I'll tell you, next time we come to Italy, to get a proper kitchen.
00:58:32I'll tell you.
00:58:33I'll tell you.
00:58:34I'll tell you.
00:58:35I'll tell you.
00:58:36I'll tell you.
00:58:37I'll tell you.
00:58:38I'll tell you.
00:58:39I'll tell you.
00:58:40I'll tell you.
00:58:41I'll tell you.
00:58:42I'll tell you.
00:58:43I'll tell you.
00:58:44I'll tell you.
00:58:49I'll tell you.
00:58:50I'll tell you.
00:58:51I tell you, next time we come to Italy, to get a proper kitchen.
00:59:04I don't know what you want me to say, Jane.
00:59:21One little thing had changed in my grandmother's life, I might not be here.
00:59:39Sometimes I worry I'm not honoring her.
00:59:43With the book?
00:59:48No, with my life.
00:59:52This is it, you know.
00:59:57It ends with me.
01:00:03In the harvest time we all went to the field where they were cutting the corn.
01:00:10Everyone was chasing rabbits and then we had our tea in the harvest fields.
01:00:15The horses.
01:00:20The horses.
01:00:21Yeah.
01:00:27The horses back then, they were kept beautifully.
01:00:30Dad used to dress them all up.
01:00:33Brass things and little horseshoes.
01:00:37He put braids on them.
01:00:40They used to be gorgeous.
01:00:41What are your plans for tomorrow?
01:00:45There was one.
01:00:47Duke.
01:00:49He was a Clydesdale I used to ride down to the marshes.
01:00:52Every night when he finished working.
01:00:54They were lovely days, really.
01:00:55They were lovely days, really.
01:01:00They're gone.
01:01:01For me.
01:01:02Jane.
01:01:03But not for you.
01:01:04Jane.
01:01:05You know it's different for you.
01:01:06In some ways it's easier.
01:01:08You haven't got the war.
01:01:17People don't die as much as they did back then.
01:01:20In some ways it's more disjointed.
01:01:21People don't die as much as they did back then.
01:01:24But in some ways, it's more disjointed.
01:01:30You've got to make your own life.
01:01:33One that you love, and you can't be afraid of the...
01:01:36of the time.
01:01:40Time is shiftable.
01:01:42There are moments in my life that I would trade 60 years to have back again.
01:01:54That's the truth.
01:01:57You'll know the truth when you find it.
01:01:59It'll come to you like something you've known before,
01:02:02rather than something you're learning for the first time.
01:02:09Oh, sorry.
01:02:12Fuck!
01:02:13What is it?
01:02:19You alright?
01:02:22You okay?
01:02:23Yeah, I stung my toe.
01:02:26It's bleeding.
01:02:28It's fine.
01:02:29It's fine.
01:02:30It's fine.
01:02:31It's fine.
01:02:33You losing it?
01:02:35Yes.
01:02:36Fuck.
01:02:42I met these backpackers last night, Frank and Elsa.
01:02:49She's French.
01:02:50He's German.
01:02:52They're going to Tibet.
01:02:54And I'm going with them.
01:02:58I want you to come with me.
01:03:00Talking throughout,
01:03:06I dig into one bite.
01:03:12Thank you and Iarez.
01:03:13You guys are here to go.
01:03:14There is Annie Bod Alejandro.
01:03:15I want you.
01:03:16You want me to smell.
01:03:17He's a touristyде that I was Hallah.
01:03:18He's doingяниiting,
01:03:19oh Lord.
01:03:21And whenever I cut off with your path,
01:03:24I'll say to me,
01:03:24no one przedstaw.
01:03:25When I put my legs up,
01:03:27I can give you a littlePS.
01:03:58Hi.
01:04:05Hi.
01:04:07How are you?
01:04:10Long day.
01:04:14God, when are they not?
01:04:17I don't think I'm chomped at doing another stick like this.
01:04:24How's the writing going?
01:04:27I'm feeling inspired.
01:04:28It's fantastic.
01:04:34I think I've figured out the key to finishing the project.
01:04:40Are you listening?
01:04:45You found the key to finishing this project?
01:04:48Well, the water here tastes so funny.
01:05:02Have you ever cheated on me?
01:05:05Oh, Jane.
01:05:06Have you?
01:05:06Can we not?
01:05:09Have you?
01:05:15Absolutely not.
01:05:17Why did you take such a long time to answer that?
01:05:20Because I'm sick.
01:05:21Of what, Leonard?
01:05:24Of it being so hard?
01:05:27Yes.
01:05:27Tedious?
01:05:34I hate talking about sex with you.
01:05:37Is that what we're talking about?
01:05:39People talk about sex, Leonard.
01:05:41And we don't?
01:05:43There's just huge, vacant lots that we don't discuss.
01:05:49Like what?
01:05:50Is there anything you want to ask me?
01:05:53Why?
01:05:53Is there anything you want to tell me?
01:05:55I just want to connect.
01:05:56So you don't feel that we're connected?
01:06:01Do you?
01:06:04I love you.
01:06:13I get it, Leonard.
01:06:15I get it.
01:06:17It's always been this big, serious, grave thing for us.
01:06:20Sex has consequences.
01:06:21Life and death.
01:06:22Mostly death.
01:06:23Jane, please.
01:06:24Let me guess.
01:06:25You don't want to talk about it?
01:06:26No, that's not what I'm saying.
01:06:28You're just...
01:06:28Do you want to have children, Leonard?
01:06:30Of course I did.
01:06:31Not did.
01:06:32Do you want to have children?
01:06:35So did you.
01:06:37But...
01:06:39Say it.
01:06:42Jane.
01:06:42Say it.
01:06:45I can't have children, Leonard.
01:06:48I never will.
01:06:50And if we keep trying, they keep dying.
01:06:53Again and again.
01:06:55Please.
01:06:55And again.
01:06:58How does that make you feel?
01:07:04It's not your father.
01:07:05How does it make you feel, Leonard?
01:07:08How does it make you feel?
01:07:10You will never be a father.
01:07:13We can adopt.
01:07:14That's not what you want.
01:07:15That's not what you want, is it?
01:07:18Is that what you want?
01:07:20Hmm?
01:07:22Because I think about it all the time.
01:07:27The one thing you always wanted, I will never be able to give you.
01:07:30What are you trying to do, Jane?
01:07:43I just want to know that there's a reason for it all.
01:07:46You're not curious about me, Leonard.
01:07:59Not really.
01:08:01What do you want me to know?
01:08:02You shouldn't have to ask.
01:08:03I feel as if you want me to be someone I'm not.
01:08:09Someone that I've never been.
01:08:14I'm leaving you.
01:08:15I've been seeing someone else.
01:08:24See him.
01:08:26Caleb.
01:08:28That kid?
01:08:29Yes.
01:08:31That kid?
01:08:31That child?
01:08:32That kid you've known for two days?
01:08:34It's been longer than that.
01:08:34Please tell me you're joking.
01:08:37Time is shiftable.
01:08:39I don't get it.
01:08:39Leonard.
01:08:41I don't get it.
01:08:42He's asked me to travel with him.
01:08:44Are you sleeping with him?
01:08:48What do you think?
01:08:55I kept waiting for you to see it.
01:08:57To smell it.
01:08:58To sense it.
01:08:59So what?
01:09:00I failed your test?
01:09:02You don't see me!
01:09:12I'm sorry.
01:09:24For what?
01:09:27I'm sorry.
01:09:28For what?
01:09:28I shouldn't have done that.
01:09:29No.
01:09:30I'm losing my temper.
01:09:31I shouldn't have done that.
01:09:32You had every right to lose your temper!
01:09:34No, no, no, no.
01:09:34If you think that this is what's going to make you feel better,
01:09:37then you should go.
01:09:38You should go with him.
01:09:39Jane, you've been through a terrible, terrible thing, Jane.
01:09:44No, that is not what this is about.
01:09:46Of course it is.
01:09:46You don't love me anymore, Leonard.
01:09:49You don't love me!
01:09:50That's rubbish.
01:09:52This is your ticket.
01:09:55The day after my performance,
01:09:57meet me at the train station.
01:10:01Our training's at 4.30.
01:10:03We'll go home together.
01:10:05I want you to do what you need to do.
01:10:13And then come back to me.
01:10:17No questions asked.
01:10:19No guilt.
01:10:22This is good.
01:10:23I want you to do what you need to do.
01:10:28I want you to do what you need to do.
01:10:28I want you to do what you need to do.
01:10:29I want you to do what you need to do.
01:10:30I want you to do what you need to do.
01:10:31I want you to do what you need to do.
01:10:32I want you to do what you need to do.
01:10:33I want you to do what you need to do.
01:10:34I want you to do what you need to do.
01:10:35I want you to do what you need to do.
01:10:36I want you to do what you need to do.
01:10:37I want you to do what you need to do.
01:10:38I want you to do what you need to do.
01:10:39I want you to do what you need to do.
01:10:40I want you to do what you need to do.
01:10:41I want you to do what you need to do.
01:11:44Hi.
01:11:46Hi.
01:11:48You want some?
01:12:02Oh, thanks.
01:12:44Frank and Elsa, coming over in a couple of hours.
01:12:48Frank bought a car so we're going to, we're going to head out in a couple of weeks or so, you know.
01:12:56We're thinking of driving through Romania and then Ukraine and down through Russia and through Kazakhstan and then straight to Tibet.
01:14:08Bye.
01:14:10Bye.
01:14:12Bye.
01:14:14Bye.
01:14:28Jace!
01:14:58You've got to come over to this side.
01:15:00The train's going to be here in a minute.
01:15:28The end of December.
01:15:31I'm riding you now just to see if you're there.
01:15:37New York is cold, but I like where I'm living.
01:15:43There's music on Clinton Street all through the evening.
01:15:51I hear that you're building your house deep in the desert.
01:16:03Are you living for nothing now?
01:16:07Hope you're keeping some kind of record.
01:16:13Yes.
01:16:33I wouldn't want to live to be 100.
01:16:36Why not?
01:16:37I'm not telling you why not.
01:16:39Did you ever go clear?
01:16:43Now shut that thing off.
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