Monamour (1992) Tinto Brass Monamour (1992) Full Movie | Tinto Brass Classic | Italian Romance Drama HDItalian Darma - video Dailymotion

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Step into the world of Monamour (1992) – a classic Italian erotic romance film by Tinto Brass, celebrated for its bold storytelling, stunning visuals, and unforgettable performances. This cult favorite masterpiece continues to captivate worldwide audiences with its exploration of love, passion, desire, and betrayal.  Directed by legendary filmmaker Tinto Brass, Monamour (1992) combines Italian cinema’s elegance with Brass’s signature storytelling style, making it one of the most talked-about films in Italian erotic drama history.  📽️ In this video, you’ll discover: ✔️ Monamour (1992) full movie overview ✔️ Cast, story, and behind-the-scenes trivia ✔️ Why Monamour is considered a cult classic Tinto Brass film ✔️ Audience reviews and lasting impact of the movie  🔥 Whether you’re a Tinto Brass fan, a classic Italian cinema lover, or just exploring cult erotic movies, this film is a must-watch.  👉 Don’t forget to like, share, and subscribe for more rare Italian films, reviews, and cinematic gems.  🔎 Keywords to Rank High in Google/Dailymotion/YouTube: Monamour 1992 full movie, Monamour Tinto Brass movie, Italian romance drama, Tinto Brass 1992 films, Monamour movie explained, Tinto Brass Monamour review, Italian erotic drama movies, Monamour full film English subtitles.  📌 50 Hashtags (Copy-Paste Ready):  #Monamour1992 #TintoBrass #ItalianMovies #ClassicCinema #CultMovies #RomanticDrama #ItalianRomance #EroticCinema #FilmHistory #CinematicGems #MovieReview #CultClassic #RareMovies #CinemaLovers #ItalianFilm #EroticDrama #RomanticFilm #MonamourMovie #MonamourTintoBrass #FilmBuffs #LegendaryCinema #OldMovies #90sMovies #MovieCollector #ClassicDrama #RomanticClassics #Cinephile #CultCinema #EroticFilm #ItalianClassics #90sCinema #FilmCulture #RareCinema #CinemaAddict #MovieHistory #RomanticDramaMovies #ItalianCinemaLovers #MovieWorld #ClassicMovieReview #MonamourFullMovie #RareItalianMovies #PassionOnScreen #RomanticCultMovie #ClassicFilmBuff #DramaCinema #ItalianMovieReview #EroticCultFilm #90sFilmCulture #ClassicRomanticDrama #TintoBrassMonamour

Transcript

00:00:00How beautiful do you have to be?

00:00:22Besides, in the dark, who can tell?

00:00:27I can see quite well in the dark.

00:00:30Good. There's something I want you to see.

00:00:34Hey, what kind of a girl do you think I am?

00:00:36The kind that takes a ride with a stranger out to the middle of nowhere.

00:00:40Somebody has to be nice to strangers.

00:00:42But that doesn't make me some kind of animal that you can maul.

00:00:46Okay, lady, fine. I'll just drop you where I found you.

00:00:49Oh, now wait a minute. Don't lose your head.

00:00:54I just want to explain something to you.

00:01:00I'm a woman.

00:01:02Not something.

00:01:07You can't attack me and treat me like I'm not a person.

00:01:13Like I don't have any feelings.

00:01:15Take it easy.

00:01:23Warm me up.

00:01:27Slowly.

00:01:30Be nice.

00:01:32Be nice to me.

00:01:36Nice.

00:01:37Nice.

00:01:39Nice.

00:02:01All they want was something more.

00:02:04I don't know.

00:02:34I don't know.

00:03:04I don't know.

00:03:34Oh, my God.

00:03:41Oh, my God.

00:03:45Don't move.

00:03:46There's no telling how busted up you are.

00:03:50I don't feel anything.

00:03:51It's probably because you're in shock.

00:03:54Now stay put.

00:03:55I'll try to flag down a car and get some help.

00:04:18Oh, man.

00:04:22What are you doing?

00:04:22I thought I told you to stay put.

00:04:24I know what you told me, but I'm telling you, I'm okay.

00:04:29Here, you can take this back. I'm not cold.

00:04:34Come on, take it.

00:04:38I think you're the one that's in shock.

00:04:41When you snap out of it, maybe you can give me a ride into town.

00:04:43Well, I guess it's about time we were properly introduced.

00:05:06Hi, I'm Roger Spellman.

00:05:11And you?

00:05:15I'm...

00:05:15What's your name?

00:05:17Oh, my God.

00:05:25You can't remember.

00:05:27I can remember. Of course I can remember.

00:05:29Well?

00:05:29Oh, just give me a minute. I've almost got it.

00:05:37It's a concussion. That's what you've got.

00:05:40I'm okay.

00:05:41Look, as hard as my car hits you back there, I'm surprised you weren't killed.

00:05:44God, was I relieved.

00:05:48But you can't just walk away from an accident like that and pretend like nothing happened.

00:05:52You've got to see a doctor.

00:05:54No.

00:05:55Nobody's looking at me.

00:05:57You've been hurt.

00:05:59Despite all this guilt you might be harboring, I am not your responsibility.

00:06:05So forget it.

00:06:08Probably wasn't your fault anyway.

00:06:10Who the hell cares whose fault it was?

00:06:13What matters is you need help.

00:06:15I don't need anybody's help.

00:06:17I think you do.

00:06:19For God's sakes, if you're going to keep harping on me like this, you can just pull over and drop me off right here.

00:06:24Probably just some short memory lapse.

00:06:38It'll come back.

00:06:42What about your handbag?

00:06:45What?

00:06:45Well, there's bound to be a driver's license, credit card, something to tell you who you are.

00:06:50Of course.

00:06:54Any luck?

00:07:05Uh, nothing.

00:07:07Nothing?

00:07:09Not one single piece of identification.

00:07:12It's got to be a first, a woman's handbag, and no credit cards.

00:07:16I mean, shouldn't there be something?

00:07:17You'd think so.

00:07:18I mean, what were you doing out on that road anyway?

00:07:22Is there anything you can remember prior to the accident?

00:07:29Nothing.

00:07:30It's like staring straight into fog.

00:07:36Is it possible you were in some kind of trouble?

00:07:39I mean, maybe you were robbed.

00:07:41That would explain the lack of money and credit cards.

00:07:46Were you driving?

00:07:48Did you pick up any hitchhikers by chance?

00:07:51Angela.

00:07:52Angela.

00:07:54What?

00:07:56That's it.

00:07:57That's my name.

00:07:57Angela.

00:07:59Angela what?

00:08:01I don't know.

00:08:04Well, at least it's something.

00:08:07Maybe it'll all come back.

00:08:08Uh, anywhere along here is fine.

00:08:21Angela, are you sure you're going to be okay?

00:08:23We're not starting that again, are we?

00:08:26Relax, Roger.

00:08:27I'll be okay.

00:08:29You can just drop me off right here.

00:08:31And then you can go off to whatever, and I can go off to...

00:08:35whatever.

00:08:38I'll be okay.

00:08:54Goodbye.

00:08:56Angela, wait.

00:09:05After running you over,

00:09:06the least I can do is buy you a cup of coffee.

00:09:25I never thought about it,

00:09:27how lonely and terrifying it must be to lose your memory.

00:09:30to have your past and identity completely taken from you.

00:09:35Maybe I'm better off not remembering.

00:09:39How do you figure?

00:09:43Maybe my life wasn't all that desirable.

00:09:48Skeletons in the closet and all that.

00:09:49How bad could it be?

00:09:50How bad could it be?

00:09:56What are you looking at?

00:09:58No wedding ring.

00:10:01I must not be married.

00:10:03Unless someone also stole that.

00:10:07Oh.

00:10:08I just realized something.

00:10:13When a girl has no past,

00:10:14it's nearly impossible to have a conversation with her.

00:10:18Everything's a dead end.

00:10:19So we'll change the topic.

00:10:23Let's talk about you.

00:10:25Ouch.

00:10:26That's even worse.

00:10:28Are you married?

00:10:29No.

00:10:30Girlfriend?

00:10:31No.

00:10:32Why?

00:10:34Let's just say I prefer a high turnover.

00:10:36Don't you ever want anything more than that?

00:10:39I don't know.

00:10:40Could be I've never actually fallen in love.

00:10:42Maybe that's the problem.

00:10:44What if you did?

00:10:46What?

00:10:47Fall in love.

00:10:49I don't think it would change anything.

00:10:51I suppose I'm just too set in my ways.

00:10:54Then I guess you're sort of a dead end too.

00:11:00So.

00:11:02Where do you go from here?

00:11:04Home.

00:11:05To my job.

00:11:07To the mundane.

00:11:11Well.

00:11:13I suppose we've postponed this as long as we can.

00:11:18What are you going to do?

00:11:21I'm not sure.

00:11:23Maybe somebody around here knows who I am.

00:11:28Start from there, I guess.

00:11:32Where are you going to stay tonight?

00:11:37Look.

00:11:42This will help.

00:11:45Look Angela, I still think you should get yourself checked.

00:11:47As hard as my car hit you...

00:11:49Broken bones, no bruises.

00:11:51I'm fine.

00:11:52I wouldn't call losing your memory fine.

00:11:55I already said no.

00:12:01If you need to get a hold of me, you can reach me there.

00:12:03Goodbye.

00:12:07Well.

00:12:09Bye.

00:12:15Goodbye.

00:12:23Goodbye.

00:12:31I don't know.

00:13:01Get in.

00:13:12Look, Angela, you have no idea where you're going or what you're doing.

00:13:16I can't just leave you here.

00:13:18You can come back with me and I'll put you up for a few days, give you a chance to find yourself.

00:13:23So to speak.

00:13:26You can trust me.

00:13:31As much as I hate to spoil the party, it is 2.30 and I do have to work in the morning.

00:13:48Where do I sleep?

00:13:50You can take this room.

00:13:57I don't have any pajamas, but if you'd like something to wear to bed...

00:14:00I don't need anything.

00:14:05Good night.

00:14:06Good night.

00:14:36I don't know.

00:15:06I don't know.

00:15:36I don't know.

00:16:06I don't know.

00:16:36I don't know.

00:16:46Roger!

00:16:48Roger, you up?

00:16:50Dragging your tail.

00:17:02Late night.

00:17:04Oh, yeah.

00:17:06Hey, was she good?

00:17:08It's a good thing you're driving today.

00:17:10I don't think I got more than 30 seconds worth of sleep last night.

00:17:14Son of a bitch.

00:17:16I'll be out of here in a minute.

00:17:17I just have to check on my house guest first.

00:17:22Then I was right.

00:17:26That's it.

00:17:27Just give her some coffee and send her on her way.

00:17:30Good morning.

00:17:32Did you sleep well?

00:17:34Yes.

00:17:35Well, look, take it easy today.

00:17:38Just relax.

00:17:40I'll call you later from work.

00:17:42I'll call you later from work.

00:17:50I'll call you later.

00:17:52I'll call you later.

00:17:54I'm sorry.

00:17:56I'm sorry.

00:17:58I'm sorry.

00:18:00I'm sorry.

00:18:02I'm sorry.

00:18:04Oh, my God.

00:18:34yes how's the prognosis this morning what Roger Spellman's clinic for lost souls how's the

00:19:00patient doing lost you have to have a positive attitude with any luck you'll remember you're

00:19:06the sole heiress to a billion dollar empire wouldn't that be wonderful in the meantime if

00:19:12you could use a 20 I left one by the coffee pot I thought that would be more tactful than leaving

00:19:18it beside your bed when will you be home after five dear don't forget to have my martini properly

00:19:26chilled so how are things on the home front everything's fine Carl she hasn't managed to

00:19:32burn the house down yet so who is this girl that my friend is a damn good question god you know you

00:19:41love to be so mysterious hey are we on for tomorrow night I'd forgotten what visual delights am I in

00:19:49store for two Preston Sturgis films Lady Eve and Sullivan's Travels Sullivan's Travels I've

00:19:56seen that one little people in a giant you work at being stupid I'll have to consider Angela well

00:20:03yeah bring her along I mean I'd love to meet her and I'm sure Helen would I'll see if she's up to

00:20:08it but I doubt if her film appreciation goes back much further than Star Wars well hey if she digs

00:20:17cannonball run you two were meant for each other

00:20:19mmm this looks good yeah I'm sorry I wasn't more help I don't think cooking is one of my talents

00:20:30nor mine you are looking at my one culinary accomplishment

00:20:38what's wrong

00:21:04everything's fine don't you like it mmm it's good what's the matter with me I almost forgot the most

00:21:18most important detail

00:21:25to your past and your future may they both be better than imagined

00:21:55by the way if you are a billionaire I'm not above taking handouts

00:21:59yeah Angela it doesn't taste right it tastes fine to me would you like something else to drink

00:22:15no

00:22:18are you going to eat your food or just play with it

00:22:24I guess I'm not hungry

00:22:26look Angela I've humored you long enough I have to insist that you see a doctor

00:22:32you can't insist on anything

00:22:35I can understand you're being scared but you've probably suffered a concussion and you

00:22:39you should be checked by a professional

00:22:41the next time you mention doctor will be the last time you see me

00:22:45you can't threaten me it won't work I'm serious so am I

00:22:52I appreciate letting me stay here but I can take care of myself

00:23:12you don't need to nurse me back to health

00:23:19I can't believe how lightly you take this

00:23:22you've lost your entire past your identity

00:23:27you act as if you've stubbed your toe

00:23:30of course I'm upset

00:23:37but there could be other possible reasons for my memory loss

00:23:42other than a bump on the hip

00:23:45yes

00:23:49what if I've purposely forgotten

00:23:53what if I can't remember because I don't want to remember

00:23:57why would you do that

00:24:00I don't know

00:24:06all right Angela you win

00:24:09I'll quit playing amateur psychologist to let you fend for yourself

00:24:14I'll quit that

00:24:15but if I can

00:24:16yeah

00:24:17no

00:24:18no

00:24:19no

00:24:20no

00:24:21no

00:24:22no

00:24:23no

00:24:24no

00:24:25no

00:24:26no

00:24:27no

00:24:28no

00:24:29no

00:24:30no

00:24:31no

00:24:32no

00:24:33no

00:24:34no

00:24:35no

00:24:36no

00:24:37no

00:24:38no

00:24:39no

00:24:40no

00:24:41I don't know.

00:25:11I don't know.

00:25:41Angela?

00:25:52Angela?

00:25:59Oh, God.

00:26:13What's that?

00:26:16How are you feeling?

00:26:17Oh, terrible.

00:26:18It's so bright.

00:26:20It's just my luck to get stuck with a night owl.

00:26:24There's coffee if you want it.

00:26:26After work, I'll take you shopping.

00:26:29Look into expanding your wardrobe.

00:26:30I promised Helen and Carl I'd go to the movies with them tonight.

00:26:36I promised Helen and Carl I'd go to the movies with them tonight.

00:26:52I'd like you to come along.

00:26:54Who's Helen and Carl?

00:26:55Just some friends.

00:26:56Real film fanatics, but only the black and white kind.

00:27:00And are they married?

00:27:02Married?

00:27:03Just friends, huh?

00:27:04I suppose so.

00:27:05Why are you wearing those?

00:27:12I told you, it's too bright.

00:27:15Um, about last night, with our close living arrangements, I just thought we should keep a perspective on things.

00:27:30Right.

00:27:31I remember you don't like to get too serious.

00:27:40There's nothing wrong with my short-term memory.

00:27:43You know I tell ya, they do not make them like that anymore.

00:27:58Yeah, but is that good or bad?

00:28:01How did you like the movie, Angela?

00:28:05I liked it.

00:28:06That's it?

00:28:07You liked it?

00:28:08What did you want?

00:28:09An essay?

00:28:10No, just something more specific.

00:28:12What exactly did you like?

00:28:13The closing credits.

00:28:15Next week, they're gonna show two Lubitsch films.

00:28:21I think you'd enjoy them.

00:28:22Lubitsch Touch, you ever hear of it?

00:28:24No, and with any luck, she won't hear about it tonight.

00:28:27Oh, and I suppose you have something much more intellectually stimulating to talk about.

00:28:31I do.

00:28:32Roger, tell us how you and Angela met.

00:28:34Nothing much to it.

00:28:36I ran over with my car and later on we started talking.

00:28:39No, really, how?

00:28:40We met in an elevator.

00:28:43Yes, and?

00:28:44And we started talking.

00:28:45Uh-huh.

00:28:46What about?

00:28:47In the elevator or afterwards?

00:28:48Both.

00:28:49I actually come to think of it we didn't do much talking afterwards.

00:28:53You idiot.

00:28:54Start with the elevator.

00:28:56And we just started talking.

00:28:57I heard this part.

00:28:58About the usual, you know, movies, music, theoretical particle physics.

00:29:03Was Marilyn murdered?

00:29:04Is Elvis still alive?

00:29:05I think I'll try and break Angela instead.

00:29:07So what kind of work do you do?

00:29:09Oh, this and that.

00:29:12Really?

00:29:13Terribly interesting.

00:29:15I can see what you two have in common.

00:29:17Neither one of you likes to talk about yourselves.

00:29:19Of course, with Roger it's obvious why.

00:29:22He's just trying to conceal the fact that he's an impossible bore.

00:29:25Is it too late to talk about the Levitz touch?

00:29:28So what happened after the elevator?

00:29:30What are you after?

00:29:31The movie rides?

00:29:32Listen, how am I supposed to grow as a person if I don't ask questions?

00:29:36I'm only interested in finding out how a nice kid like Angela managed to tame such a cruel beast.

00:29:47I don't think Callum likes me.

00:29:49Nonsense.

00:29:51Of course she likes you.

00:29:53It's me she constantly puts down.

00:29:55Yeah, but that's all in fun.

00:29:56Actually, I think the poor girl's jealous of you.

00:29:59She can't imagine how you met a guy one day and you're living with him the next.

00:30:04Especially a guy she thought was, uh, unconquerable.

00:30:08That raises an interesting question.

00:30:10Ouch.

00:30:11Shit.

00:30:12What's wrong?

00:30:14It takes a genius.

00:30:17Let me kiss it and make it feel better.

00:30:26Jesus.

00:30:27Save a little for me.

00:30:30Angela?

00:30:31Angela?

00:30:32Angela?

00:30:36Angela?

00:30:39Angela, what's the matter?

00:30:40Let me in.

00:30:42Roger.

00:30:43Just leave me alone.

00:30:44I'll be okay.

00:30:48Oh my god.

00:30:49Oh my god.

00:30:53What?

00:30:54Did I have to bring down this door?

00:30:55Angela, you have five seconds to open this door.

00:31:05Wait!

00:31:07Oh, just give me a second and I'll be out!

00:31:09Yes.

00:31:10Yes.

00:31:11Yes.

00:31:22Do you mind telling me what that was all about?

00:31:26I just felt nausea, that's all.

00:31:29I'm okay now.

00:31:32Are you sure?

00:31:33Yes?

00:31:34Why wouldn't you let me in?

00:31:37I didn't want you to see me like that.

00:31:43What a pretty sight.

00:31:46You think that matters to me?

00:31:47I might have.

00:31:49I might have.

00:31:55Look, Roger, I'm sorry if I scared you.

00:32:02But I'm okay now.

00:32:03I think I'm gonna go to bed if you don't mind.

00:32:05I'm completely exhausted.

00:32:09I think I'm gonna go to bed if you don't mind.

00:32:11I'm completely exhausted.

00:32:12I completely exhaustive.

00:32:42I completely exhaustive.

00:33:12I completely exhaustive.

00:33:39Honey, I'm home.

00:33:42Angela?

00:33:44Angela?

00:33:57My god, you look terrible.

00:34:00I'm okay.

00:34:04Who the hell you are?

00:34:06You're whiter than a ghost.

00:34:08I'll be alright.

00:34:14You keep saying that, but I don't see any evidence to support it.

00:34:22Have you been in bed all day?

00:34:24I just cut a bug or something.

00:34:26I'll be fine in the morning.

00:34:32Angela, something's bothering you.

00:34:36You've been upset since last night when we went out with Helen and Carl.

00:34:40What's wrong?

00:34:44Nothing's wrong.

00:34:46You're just being your usual gloomy self, is that it?

00:34:54Roger, you don't understand.

00:34:56I'd like to.

00:34:58I don't think so.

00:35:00I don't think so.

00:35:02Alright.

00:35:04Look, I know I don't have all the answers.

00:35:10But maybe I can help.

00:35:12It's more complicated than that.

00:35:20I don't even know where to begin to explain.

00:35:24You don't have to.

00:35:28Not all at once.

00:35:30Just start somewhere.

00:35:32I don't understand.

00:35:34The thoughts I have about you.

00:35:38Angela, it's perfectly natural for you to have your fantasies.

00:35:44You mean sexual fantasies?

00:35:48Oh my god.

00:35:50Maybe in some strange way they are.

00:35:52Well if they're strange then that's all the better.

00:35:56Somehow I don't think you'd find these all that tiddling.

00:36:02Well how do you know it?

00:36:04Always open to new experiences?

00:36:06Are you sure?

00:36:08What did you have in mind?

00:36:12Difficult to explain.

00:36:16I'd better show you.

00:36:18What the hell is it?

00:36:20Go on!

00:36:22What?

00:36:24Get out!

00:36:26Get out!

00:36:28Get out!

00:36:30Get out!

00:36:32Who can figure you Angela?

00:36:34I sure as hell can't.

00:36:36I'm gonna go to the office.

00:36:38I've got some more to do.

00:36:40I'm gonna go to the office.

00:36:42I've got some more to do.

00:36:44Roger.

00:36:46Roger.

00:36:48Roger.

00:36:50Roger.

00:36:52I'm gonna go to the office.

00:36:54I'm gonna go to the office.

00:36:56I'm gonna go to the office.

00:36:58I've got some more to do.

00:37:00I'm gonna go to the office.

00:37:02I've got some more to do.

00:37:12Roger.

00:37:18You here buddy?

00:37:30...

00:37:33Roger!

00:37:53Angela!

00:37:54Hi!

00:37:56Um, Roger here?

00:37:58Roger?

00:38:00No.

00:38:02You went back to the office.

00:38:06Is he crazy?

00:38:08Working late while he's got a girl like you waiting for him.

00:38:12You okay?

00:38:14Well, you're not sick.

00:38:16I'm fine.

00:38:18Someone sent you flowers.

00:38:20They must be for you.

00:38:28Unless Roger's got another girl living here, too.

00:38:34They're beautiful.

00:38:38Okay, well, tell Roger I stopped by.

00:38:42Well, you don't have to go just because Roger isn't here.

00:38:46Make yourself a drink.

00:38:52Make me one.

00:38:58Why not?

00:39:16You're not afraid of me, are you, Carl?

00:39:20Afraid of you?

00:39:22Of course not. Don't be stupid.

00:39:26You just must not like me.

00:39:28Of course I like you.

00:39:30I mean, I don't really know you, but...

00:39:34I like what I see.

00:39:36Yes, I noticed that.

00:39:38The other night.

00:39:42What's that supposed to mean?

00:39:44I saw how you were looking at me, Carl.

00:39:54Okay, so I...

00:39:56I was looking.

00:39:58And wanting.

00:40:04It's okay, Carl.

00:40:06I like you, too.

00:40:14Do you and Roger have a fight?

00:40:18That's what this is about, isn't it?

00:40:20It just has nothing to do with Roger.

00:40:24You know, I think he might have a differing opinion.

00:40:26You know Roger.

00:40:28Has he ever put his brand on any girl?

00:40:30No, but I mean, for Christ's sake, you two are living together.

00:40:34Well, that doesn't mean we can't see other interesting people.

00:40:36I think we better just forget this conversation.

00:40:38I want you, Carl.

00:40:42God, this is crazy.

00:40:44Because I want you?

00:40:46Look, Angela.

00:40:48I think that you and Roger had an argument,

00:40:50and now what you really want is just someone to talk to.

00:40:54Okay.

00:40:56We'll talk.

00:40:58I gotta go.

00:41:00Um, call me.

00:41:02We'll have lunch.

00:41:04Don't go, Carl.

00:41:06Look at me.

00:41:08I need you.

00:41:10Don't go, Carl.

00:41:12Look at me.

00:41:14Look at me.

00:41:19I need you.

00:41:27Come to me.

00:41:32Touch me.

00:41:35Love me.

00:41:44Like this.

00:42:02Look at cheesecake.

00:42:04What's this about?

00:42:06Or we get some ratings when I see something I don't know.

00:42:09This is how I like my life.

00:42:11I don't know.

00:42:13Roger.

00:42:43So what'd you tell Roger?

00:42:53Don't worry about it.

00:42:55Don't worry about it?

00:42:58Roger's my best friend.

00:42:59If he finds out about us...

00:43:01He won't find out.

00:43:04So what'd you tell him?

00:43:06Nothing.

00:43:08Roger's a sound sleeper.

00:43:09And even if he does wake up, he'll just think that I've gone back to my room.

00:43:14That I'm giving him his space.

00:43:16You know, I don't understand your relationship with Roger.

00:43:19Let's not talk about Roger, okay?

00:43:26What are we doing?

00:43:29Looking for someone to join our party.

00:43:34I thought it was just going to be the two of us.

00:43:37Believe me, you really don't want me all to yourself.

00:43:39Turn here.

00:43:48Stop.

00:43:50Back up.

00:43:59You want him?

00:44:01You're confusing sex with food.

00:44:05Wait here.

00:44:09You got some food?

00:44:16Yeah, what do you think?

00:44:17What?

00:44:20What the hell for?

00:44:22I thought it was just...

00:44:24...

00:44:25...

00:44:27I told you to wait for me in the car.

00:44:57Don't worry, you'll get used to it.

00:45:25Terrific.

00:46:07Okay, I want to.

00:46:09You're my guest, not my housekeeper.

00:46:17Um, I didn't know how you took your eggs.

00:46:21I took a chance on the side of the side up.

00:46:23That's fine.

00:46:27What's the matter?

00:46:37Last night must have really agreed with you.

00:46:39I do feel that better.

00:46:41Must have been one of those 24 hour bags.

00:46:45You're not joining me?

00:46:49No.

00:46:51Well, um, maybe I'll have some juice and toast.

00:46:57Uh, I was thinking, Roger.

00:47:01Maybe I should start looking into getting a place of my own.

00:47:06Is that what you want?

00:47:08I don't know.

00:47:09I mean, I feel like I've imposed on you long enough.

00:47:12I mean, I'm sure you weren't planning on having a permanent house guest.

00:47:16If you think that's best.

00:47:18Well, who knows how long it'll be before I'm back to 100%.

00:47:23You can't take care of me forever.

00:47:27Um, what do you do?

00:47:29You'll need a job or some needs of support.

00:47:32So I'll get a job.

00:47:34With no form of identification?

00:47:36Won't be easy.

00:47:38Besides, your moving out won't stop me from worrying about you.

00:47:41Well, we could still see each other.

00:47:44If you'd like.

00:47:46For the moment, why don't we just leave things the way they are.

00:48:04Oh my god.

00:48:06I don't know what's wrong with me.

00:48:08It came up.

00:48:10I just don't.

00:48:11I don't have any endurance.

00:48:13You sure don't.

00:48:14One lap and you're ready for the stretcher.

00:48:18Your girlfriend?

00:48:20Huh?

00:48:21I've heard of Hickey before, but what do you call that?

00:48:23Oh, this.

00:48:25Over-enthusiastic girl.

00:48:28Maybe you ought to think about having your venom sac removed.

00:48:31Yeah, you don't know how right you are.

00:48:34So, um, how's Angela?

00:48:39That's an interesting train of thought.

00:48:42Are you getting serious?

00:48:45Have you ever known me to get serious about any girl?

00:48:48Have I ever known you to let a girl move in and take over your life?

00:48:52It's like I told you before, it's a complicated situation.

00:48:55And are you getting serious?

00:48:57There are various degrees of serious.

00:49:01You know, I wish you would just give me a straight answer.

00:49:04Look, I know you're not the type that likes to kiss and tell,

00:49:06but I'm not just being nosy.

00:49:08I have a reason for asking.

00:49:10Okay, sure.

00:49:12In spite of my usual cynicism, she's getting to me.

00:49:16And something's bothering you.

00:49:26No.

00:49:28You're right.

00:49:29Something is bothering me.

00:49:33Well, I'm living with a woman I know nothing about.

00:49:37Well, regardless of how beautiful and sexy she is,

00:49:40sometimes she just acts...

00:49:44weird.

00:49:48You want some advice from a friend?

00:49:55Get her out of your house.

00:49:56Do it tonight.

00:50:07Do it that way.

00:50:08She says go to Tommy.

00:50:09There is...

00:50:13This world is a true

00:50:37I tried to stay away tonight.

00:50:46God, how I tried.

00:50:48But I couldn't.

00:50:50I couldn't.

00:50:52It's like you put some sort of evil curse on me.

00:50:57You think I'm evil?

00:51:00Oh, lady, you are the most evil thing I've ever known.

00:51:03Or could possibly ever know.

00:51:05You should get out more often.

00:51:08How can you make jokes?

00:51:10How can you make jokes knowing what you do to people?

00:51:17I tried to tell Roger about you today.

00:51:22What'd you tell him?

00:51:23Nothing.

00:51:25How can I tell him about you without him knowing about us?

00:51:31If you ever tell Roger anything...

00:51:33Oh, what?

00:51:34What, what are you going to do, kill me?

00:51:35I think you already have.

00:51:41Carl, I'm sorry.

00:51:42Oh, knock it off.

00:51:44Knock it off.

00:51:44You don't have to play it to me.

00:51:46I'm already caught in your little web.

00:51:48I can't do anything about it.

00:51:49So, who do you want to pick up?

00:51:55You in the mood for hookers?

00:51:59Let's go somewhere private.

00:52:02Just the two of us.

00:52:03I want to be alone with you.

00:52:06I want to be alone with you.

00:52:18Hello?

00:52:19Roger.

00:52:20Hi, Helen.

00:52:20What's new?

00:52:21You haven't by any chance heard from Carl this morning.

00:52:24I don't see much of Carl on the weekends.

00:52:28After a five-day week, we're usually pretty sick of each other.

00:52:32Is something wrong?

00:52:34I had a breakfast date with him.

00:52:35He never showed.

00:52:37Well, I wouldn't let that worry you.

00:52:39It probably just slipped his mind.

00:52:40Maybe he got lucky last night and he's trying to turn it into a wild weekend.

00:52:44You're talking about yourself.

00:52:46Carl is more considerate.

00:52:47He's never stood me up.

00:52:51And today's a special occasion.

00:52:53It's my birthday.

00:52:55Oh, happy birthday.

00:52:56He always takes me to breakfast on my birthday.

00:52:59I don't think he'd forget.

00:53:01I even checked with his ex.

00:53:03Nothing.

00:53:05When was the last time you talked to him?

00:53:06Three days ago at work.

00:53:08You remember then?

00:53:09How was he yesterday?

00:53:11Tired.

00:53:14Actually, he looked like shit.

00:53:17Where are you now, Helen?

00:53:20Home.

00:53:21Well, no one should be stood up on their birthday.

00:53:23Maybe he'll accept me as a substitute.

00:53:26Lunch.

00:53:26That's sweet.

00:53:28But I can't get Carl off my mind.

00:53:31I have a bad feeling.

00:53:33Well, then I'll pick you and your bad feeling up at noon.

00:53:36Bye.

00:53:42How's Helen?

00:53:43She's concerned about Carl.

00:53:47He didn't show up for their breakfast date.

00:53:52You wouldn't happen to know where he is, would you?

00:53:56Why would I know?

00:53:59Oh, he did stop by here a few nights ago when you were at work late.

00:54:04But since you weren't here, he left.

00:54:06I saw him after that.

00:54:09I keep going over the possibilities, but I still can't come up with a reasonable explanation.

00:54:36People do forget.

00:54:38But nobody's seen him today.

00:54:41There's still the wild weekend possibility.

00:54:44So, where's Angela?

00:54:47Three's a crowd.

00:54:49Uh-huh.

00:54:50She's not the jealous type?

00:54:52Shall we put her to the test?

00:54:55I doubt if Angela would have any reason to be jealous of me.

00:54:59Actually, I'll tell you something, Helen.

00:55:00If you were available...

00:55:01But I am available, Roger.

00:55:03Carl and I are just good friends.

00:55:05Well...

00:55:08Idiot.

00:55:11Thanks, Roger, for trying to cheer me up.

00:55:13It helped.

00:55:14Look, try not to worry about Carl.

00:55:16I'm sure he'll turn up.

00:55:20Look, Helen, there's a...

00:55:22I have a question for you.

00:55:26What could a woman be doing out after midnight until nearly morning?

00:55:31You mean Angela?

00:55:32Angela?

00:55:32She sneaks out of my bed when she thinks I'm asleep.

00:55:40Why don't you follow her and see where she's going?

00:55:42Because I'm trying like hell to keep my dignity.

00:55:45Then confront her with it.

00:55:46I would if I thought she'd tell me.

00:55:47Well, maybe she's seeing someone.

00:55:53Yeah.

00:55:55That's the obvious answer.

00:55:58Roger, if I can help...

00:56:00I'll take care of it.

00:56:05Look, I'm sorry, Helen.

00:56:07It's not like me to cry on someone's shoulder.

00:56:09I kind of liked it.

00:56:14Listen, I have to go, Roger.

00:56:16Call me if you hear from Carl.

00:56:19Or for any other reason.

00:56:20Oh, God.

00:56:29Oh, God.

00:56:44I don't know.

00:57:14I don't know.

00:57:44I don't know.

00:58:14I don't know.

00:58:44I don't know.

00:59:14I don't know.

00:59:21Where's Roger?

00:59:36He's in bed asleep.

00:59:38You can't keep me from seeing him.

00:59:43Roger?

00:59:44Roger?

00:59:44Roger!

00:59:45Roger!

00:59:46Roger!

00:59:50Roger!

00:59:51Roger!

00:59:52Roger!

00:59:53Roger!

00:59:55Roger!

00:59:56Roger!

00:59:57Roger!

00:59:58Roger!

00:59:59Roger!

01:00:00Roger!

01:00:01Roger!

01:00:02Roger!

01:00:03Roger!

01:00:04Roger!

01:00:05Roger!

01:00:06Roger!

01:00:07Roger!

01:00:08Roger!

01:00:09Roger!

01:00:10Roger!

01:00:11Roger!

01:00:12Roger!

01:00:13Roger!

01:00:14Roger!

01:00:15Roger!

01:00:16Roger!

01:00:17Roger!

01:00:18Roger!

01:00:19Roger!

01:00:20Roger!

01:00:21Roger!

01:00:22Roger!

01:00:23Roger!

01:00:24Roger!

01:00:25Roger!

01:00:26Roger!

01:00:27Roger!

01:00:28Roger!

01:00:29Roger!

01:00:30Roger!

01:00:31Roger!

01:00:32Roger!

01:00:33Roger!

01:00:34Roger!

01:00:35Roger!

01:00:36Roger!

01:00:37Roger!

01:00:38Roger!

01:00:39Roger!

01:00:40Roger!

01:00:41Roger!

01:00:42Roger!

01:00:43Roger!

01:00:44Roger!

01:00:49Hella?

01:00:50Please...

01:00:51Please don't!

01:00:52You don't have to be afraid!

01:00:53Hella?

01:00:54Please don't!

01:00:55You don't have to be afraid.

01:00:56What?

01:00:57You killed Carl.

01:00:59Hella?

01:01:01You...

01:01:02You killed Carl.

01:01:04Helen.

01:01:05And Roger.

01:01:07You're gonna kill him too.

01:01:08No.

01:01:09Not Roger.

01:01:11I would never hurt Roger.

01:01:14Why?

01:01:17Because I'm in love with him.

01:01:20I never thought it could happen to me, but it did.

01:01:25That's wonderful.

01:01:28What are you?

01:01:31I never wanted to hurt you, Helen.

01:01:45Helen.

01:01:48Are you letting me in or not?

01:01:53Getting a late start today?

01:02:00I was working on something.

01:02:03You look like you haven't slept all night.

01:02:06Is it Carl?

01:02:07Haven't you heard from him yet?

01:02:08You don't have to worry about Carl.

01:02:09Not anymore.

01:02:11Then you have heard from him.

01:02:13Yes.

01:02:14Well, I'm glad of that.

01:02:18Unfortunately, there's something else that's bothering the hell out of me.

01:02:20It's Angela.

01:02:24The other night when she was leaving for one of her midnight dates.

01:02:27Well, I saw the car she got into.

01:02:30I couldn't see who the driver was, but it looked like Carl's car.

01:02:34I mean, it's too crazy to even consider.

01:02:37Carl and Angela couldn't be.

01:02:41Are you concerned about any of this?

01:02:43I mean, are you interested at all?

01:02:45Of course.

01:02:48Well, the last time I saw Carl, he had these strange marks on the side of his neck.

01:02:54Did you see them?

01:02:57Something strange is going on.

01:02:59Either that or I'm losing my mind.

01:03:01I mean, it's Angela.

01:03:02She's the reason I'm going crazy.

01:03:04Either she has a concussion or else she's psychologically screwed up.

01:03:07I can't do anything with her and she won't get help.

01:03:10Well, I'll tell you what, Angela.

01:03:11Let's talk about something else.

01:03:12You said you were working on something?

01:03:15Nothing important.

01:03:19I see you're still working on the old man.

01:03:27What's with you?

01:03:30Does he have any coffee?

01:03:31I could use some.

01:03:32Roger, don't.

01:03:33What's this?

01:03:50Nothing.

01:03:52So this is your project?

01:03:56For God's sakes, Helen, don't you go crazy on me too.

01:03:59I couldn't take it.

01:04:00Roger, please trust me.

01:04:05Everything will be all right.

01:04:10I want you to leave now.

01:04:13I have some things to do.

01:04:20Okay, Helen.

01:04:20I have them.

01:04:40I'm going to leave now.

01:04:40I'm getting put into...

01:04:41I'm getting ready.

01:04:41I'm going to be following your enlightenment.

01:04:43I'll be there.

01:04:44I'm getting ready.

01:04:45I'll be here.

01:04:47Off to somewhere?

01:05:07Don't you look beautiful?

01:05:10Roger.

01:05:17You know, you surprised me.

01:05:21What was all that bullshit the other day about the new Angela?

01:05:25Oh, come on.

01:05:26Shut up!

01:05:28Sit down.

01:05:34Now, let's start again.

01:05:37Where are you going?

01:05:40I can't tell you, but I don't want to lie to you either.

01:05:43Why not?

01:05:45You know, at this point, even a lie might be a welcome change.

01:05:50What sort of excuse could you dream up?

01:05:53I'm drawing a complete blank.

01:05:56But I confess, I lack imagination.

01:05:59I'm not cheating on you, okay?

01:06:02Then why so secretive?

01:06:04Did you actually think that you could slip in and out of my bed without my noticing?

01:06:08I'm telling the truth.

01:06:11I'm not cheating on you.

01:06:15Not really.

01:06:17What's that supposed to mean?

01:06:19It means that if you fully understood, you wouldn't think so.

01:06:32I want to understand.

01:06:34You can't.

01:06:37You can't.

01:06:40Just let me go, Roger.

01:06:45Just tell me, Angela.

01:06:46Are you seeing someone else?

01:06:51No.

01:06:52Then that's the truth.

01:06:58All right, yes, but it doesn't mean anything to me.

01:07:00Then why see him?

01:07:01I have to.

01:07:05God, I told you, I can't explain.

01:07:07You're not making any sense.

01:07:09I can't help it.

01:07:10There is something that I need that I can't get from you.

01:07:14How do you know?

01:07:15Oh, for God's sakes.

01:07:16I could if I wanted to.

01:07:19But believe me, you wouldn't want me to.

01:07:23This whole conversation is making me dizzy.

01:07:27I do not want to play the role of the jealous lover.

01:07:30That's what I'm trying to tell you.

01:07:32You don't have to be jealous.

01:07:36Just trust in me.

01:07:40Look, what I'm doing, I'm doing for us.

01:07:46You don't want me to be like I was, do you?

01:07:52I have to do this.

01:07:55It's the only way we can truly be happy.

01:07:58Happy?

01:08:00Christ, you have an original mind.

01:08:04Let me go, please, Roger.

01:08:08I have to.

01:08:11Sure.

01:08:14Take your time.

01:08:40To be continued...

01:08:46To be continued...

01:08:47To be continued...

01:08:48To be continued...

01:08:50This was something that I was here...

01:08:51I don't know.

01:09:21I don't know.

01:09:51I don't know.

01:10:21I don't know.

01:10:51I don't know.

01:11:21I don't know.

01:11:51You should have trusted me.

01:12:07What are you?

01:12:09You're not human.

01:12:11What are you?

01:12:11An animal?

01:12:14A freak?

01:12:15Don't call me that.

01:12:18You killed Helen.

01:12:21Carl, did you kill him too?

01:12:24Why?

01:12:25I had no choice.

01:12:27I had no choice.

01:12:27I'm like any other animal that needs to kill for survival.

01:12:32But people, for Christ's sake.

01:12:35You yourself said I wasn't human.

01:12:37I'm not human.

01:12:38I'm not human.

01:12:39I'm not human.

01:12:40I'm not human.

01:12:41She gave a pretty damn good impersonation.

01:12:44I never lied to you, Roger.

01:12:48Not about my feelings.

01:12:49You think we can just pick up from where we were?

01:12:52And pretend like none of this ever happened.

01:12:58Do you intend to use that?

01:13:03So you're going to kill me now?

01:13:08Helen tried to.

01:13:09But she wasn't fast or strong enough.

01:13:16Are you?

01:13:22I know you must think I'm some creature spawned from hell.

01:13:26But I could never hurt you, Roger.

01:13:30Never.

01:13:31What I felt, still feel for you, is real.

01:13:37Please believe that.

01:13:39I'd like to think that you felt something for me, too.

01:13:44That you loved me.

01:13:47Angela, it's pointless.

01:13:50Maybe not, Roger.

01:13:52It doesn't have to end like this.

01:13:57Not if you want to be together.

01:14:00Meaning?

01:14:06There's only one way we can truly be together.

01:14:09As long as you remain what you are,

01:14:14it could never work.

01:14:19We have to become the same.

01:14:22You must become as I am.

01:14:27Only then can you truly love me.

01:14:30And I, you.

01:14:31And I, you.

01:14:39Come to me.

01:14:40Come to me.

01:14:50So we're back to that again, are we?

01:14:51I won't fight you, Roger.

01:14:52I won't fight you, Roger.

01:14:58Just do it quickly.

01:15:00Yeah.

01:15:01Don't make me suffer.

01:15:09I knew you couldn't do it.

01:15:10But it's better this way.

01:15:16It's better this way.

01:15:20Now we can have each other.

01:15:23Completely belong to one another.

01:15:27Forever.

01:15:28I love you, Roger.

01:15:33I love you.

01:15:34I love you.

01:15:36I love you.

01:15:37Mom.

01:15:37Oh, God.

01:16:07I love you.

01:16:37I love you.

01:17:07I love you.

01:17:37I love you.

Monamour (1992) Tinto Brass Monamour (1992) Full Movie | Tinto Brass Classic | Italian Romance Drama HDItalian Darma

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