The small town of Paris, Australia deliberately causes car accidents, then sells/salvages all valuables from the wrecks as a means of economy.
#movies #horror
#movies #horror
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TVTranscript
00:04:30Two gallons.
00:04:47You take coupons?
00:04:49I don't know.
00:04:59You take coupon?
00:05:19I don't know.
00:05:49I don't know.
00:06:19I don't know.
00:06:49He basically is travelling at an unsafe speed, these old country roads.
00:07:07A dark night, probably had a few beers with his evening meal.
00:07:10Yeah.
00:07:12Consequently, fails to take the bend, towing a heavy caravan.
00:07:19Over he goes. Both killed instantly.
00:07:22I don't know. People never seem to learn, do they?
00:07:26Gotta go that bit faster.
00:07:28Oh, well, I thought I'd call out and check personally.
00:07:32And what about the car? Anything salvageable?
00:07:36Virtually exploded. Burned right out.
00:07:38You can see the wreck if you like.
00:07:39Oh, no. No, that won't be necessary.
00:07:43Uh, look, uh, if you've got any business in the district in the future,
00:07:47I'd be only too happy to act for you.
00:07:51Save your traipsing out all this way.
00:07:54Well, that's very kind.
00:07:56Well, you might be able to arrange something.
00:07:57Yeah.
00:07:57Thanks.
00:08:01That's, uh, rather an unusual uniform.
00:08:04Ha, ha, ha.
00:08:06I guess, I guess he was looking for a caravan.
00:08:21You know, caravan park.
00:08:26I fell asleep.
00:08:27Just before the accident, I woke up.
00:08:35I remember his face.
00:08:36He was...
00:08:38There was this sound.
00:08:40This terrible sound.
00:08:42And a whole lot of lights.
00:08:44No lights, matey.
00:08:46One way road, no other traffic.
00:08:52You know your brother is dead?
00:08:53The funeral's arranged for 11 o'clock.
00:08:59In the meantime, you can come up and see me in my office.
00:09:04Welcome to Paris.
00:09:20Good morning.
00:09:22All right, are you?
00:09:23That's the boy.
00:09:24You can do it all up.
00:09:32Come in.
00:09:36I'm off now, then.
00:09:37Right, Daryl.
00:09:40Well, I've done all the tidying up.
00:09:42Good boy.
00:09:47That new bloke, uh,
00:09:49all the stuff out of his caravan.
00:09:51Should I put it somewhere safe?
00:09:52Well, I told you, Daryl, didn't I?
00:09:54Nothing's to be touched.
00:09:57He's going to become a Parisian.
00:09:58Oh, right, sure.
00:09:59Well, you see, out here in the country,
00:10:04well, we get far more opportunity to do experimental work in the field of surgery and psychiatry than your city experts.
00:10:11There's a tremendous challenge out here in the country, just waiting to be picked up.
00:10:14This is where the really exciting work, this is where the really exciting work is being done.
00:10:19You see, in this accident work, you've got to move quickly, without hesitation, try out new ideas.
00:10:25Well, what would you say to me doing a couple of tests on you?
00:10:32Well, if it's all right with you, I'd like to, if I can, thanks.
00:10:37But I haven't got much fun.
00:10:39Now, this test scene is very simple.
00:10:43Receptively so.
00:10:47I want you to name each item portrayed in the photograph.
00:10:50All right, now?
00:10:51Yeah.
00:10:52Here we are.
00:10:53Well, what is it? Say what it is.
00:10:57Well, it's a tree.
00:10:58Right.
00:11:00Seems easy enough, eh?
00:11:01Yeah.
00:11:02Um, chair.
00:11:04Dog.
00:11:06House.
00:11:08Car.
00:11:11Television.
00:11:13Two cars.
00:11:18It's a smash.
00:11:20Accident.
00:11:23Table.
00:11:25Cat.
00:11:27Pen.
00:11:30Accident.
00:11:32Dog.
00:11:33Horse.
00:11:34Bull.
00:11:35Scissors.
00:11:36Cow.
00:11:45Accident.
00:11:48Well done.
00:11:48You know, sometimes I think it's a pity I didn't become a professional photographer.
00:11:56There are one or two other tests I'd like to try.
00:12:01For Mrs. Henderson.
00:12:03Not really, matron.
00:12:04You're going to spoil me.
00:12:05You're going to do it.
00:12:06Oh, okay.
00:12:06I've got to do it.
00:12:06Get out of your pocket.
00:12:07Okay.
00:12:08I'll do it.
00:12:08Okay.
00:12:08No?
00:12:09Okay.
00:12:10I can't wait.
00:12:16I can't wait.
00:12:16I can't wait.
00:12:27I can't wait.
00:12:27I can't wait.
00:12:29I can't wait.
00:12:30and
00:12:44then keely's the name mayor of paris
00:12:46i just want you to know that we're uh upset we're terribly terribly upset about what happened
00:12:58Oh.
00:13:00Stop it.
00:13:02Oh, thank you.
00:13:05I thought that this was the least that we could do.
00:13:24Oh, gosh, Lord.
00:13:39Sometimes you work in ways that are totally incomprehensible.
00:13:44We try to understand.
00:13:46But we're only human.
00:13:48Help us not to ask why.
00:13:51Help us not to lose faith.
00:13:54Help us both to keep our faith
00:13:57and to bear our grief in times of trouble and pain.
00:14:00And it's not easy.
00:14:03Lord, give us courage.
00:14:05Amen.
00:14:07Amen.
00:14:08Mr. Mayor, this model doesn't seem to show the veranda posts of the hotel.
00:14:13That's right, because they aren't there.
00:14:15Could I have that, please? Thank you.
00:14:16The reason that we are here is to discuss progress.
00:14:21We must look to the future.
00:14:22And that, thank you, is a very great responsibility.
00:14:26As to the veranda posts,
00:14:28I realize there is a place for them,
00:14:31but they should be in our new proposed museum,
00:14:35which I'm sure that Mr. Clive Smedley would be the first to be with me.
00:14:41As to our youth,
00:14:58they are idle,
00:15:00they are lazy,
00:15:02they need to work.
00:15:05As that American president said,
00:15:09what was his name?
00:15:14Roosevelt.
00:15:16Roosevelt, yes.
00:15:18The New Deal.
00:15:20Build.
00:15:22They have got to work.
00:15:24Mr. Mayor,
00:15:26I'd like to raise another question.
00:15:28Yes.
00:15:28It's the matter of our, uh,
00:15:32visitor.
00:15:34Yes.
00:15:36We're keeping him.
00:15:49Have a cake.
00:15:58Look.
00:16:14What do you think of it?
00:16:17It's mink.
00:16:18Is it real?
00:16:19Yeah, real mink.
00:16:21Where did you get it?
00:16:22Oh, second hand.
00:16:26Then gave it to me.
00:16:28It's very nice.
00:16:31I have to wear it around the house,
00:16:32because he won't let me wear it outside.
00:16:36Doesn't want me to look too posh.
00:16:40I thought it might cheer you up.
00:16:42Oh, it did, really.
00:16:52Hilary.
00:17:08Hilary.
00:17:08Hilary.
00:17:08Hilary.
00:17:08Hilary.
00:17:22Bill Cotter, Sergeant Cotter, nice man, very good at his job, very good indeed.
00:17:29He said that you mentioned something about seeing lights at the scene of the accident.
00:17:39But then again, the doctor said there was a shock.
00:17:43If I'd been driving last night, George would be alive.
00:17:52It's not the first time.
00:17:55About a year ago, I killed an old man with my car.
00:18:04I knocked him.
00:18:07I knocked him down.
00:18:12I was charged with manslaughter.
00:18:17They acquitted me.
00:18:19And now I can't drive anymore.
00:18:22Hmm.
00:18:25Yes, these old pedestrians are a real problem, aren't they?
00:18:30Well then, you're acquitted.
00:18:35Hmm?
00:18:36The Prime Minister, in today's address to the nation, talked of the need for cooperation.
00:18:42The future promises great things for us and our country.
00:18:47The light is at the end of the tunnel.
00:18:51But have you the strength to travel the short distance that remains.
00:18:57The state road toll reached an all-time high this weekend, with 82 deaths, mostly in country areas.
00:19:05The police commissioner has his men working round the clock to catch the offending motorists.
00:19:10The opposition leader today condemned the emergency measures taken by the Prime Minister.
00:19:15He specifically attacked the food riot militia, comparing the PM's actions with that and the president of the South American Banana Republic.
00:19:23He's a prisoner of the PM.
00:19:24He's a prisoner of the PM.
00:19:25He's a prisoner of the PM.
00:19:26He's a prisoner of the PM.
00:19:27Charlie.
00:19:28Come on.
00:19:29Give us that.
00:19:30Give us that.
00:19:31Give us that.
00:19:33Nick off.
00:19:34Come on.
00:19:36Give us that.
00:19:37Come on.
00:19:38You know you're not supposed to be here.
00:19:53All right, back to the midnight chorus.
00:20:06Get back in the bed.
00:20:08Not the same bed.
00:20:09Get back in your own bed.
00:20:10All right.
00:20:11That's it.
00:20:12Be quiet.
00:20:13Daryl!
00:20:14Daryl!
00:20:15Daryl!
00:20:16Daryl!
00:20:17Daryl!
00:20:19Daryl!
00:20:20Daryl!
00:21:22Hi, come on!
00:21:23Come on!
00:25:01Oh.
00:25:02I didn't know you were going.
00:25:03Yes, I am.
00:25:04Yes, I am.
00:25:05Well, Lynn's gone to work.
00:25:08I left him a little note.
00:25:10It's a thank you note.
00:25:11It's on the desk.
00:25:12That's nice.
00:25:13That's nice.
00:25:14Um, goodbye.
00:25:22Bye, Arthur.
00:25:23Bye, Arthur.
00:25:24Good day, good to see you.
00:25:25Good morning.
00:25:34Good morning, guys.
00:25:35Good morning, guys.
00:25:37Good morning.
00:25:39Good morning, guys.
00:25:41Good morning, Sue.
00:25:51Good morning, guys.
00:25:52Good morning, guys.
00:25:53Oh, my God.
00:26:23Oh, my God.
00:26:53Oh, my God.
00:27:23Oh, my God.
00:27:25Good morning, Mr. Waldo.
00:27:27Morning.
00:27:28I wonder, would you mind coming down to the council chambers?
00:27:31What for?
00:27:32The mayor would like to have a few words with you before you set off.
00:27:35Arthur, I'm going to be frank with you.
00:27:41I'm a plain man, and I don't like fancy words.
00:27:48So what I'm telling you, I'm telling you because I like you.
00:27:53Okay.
00:27:59Arthur, you're a very, very sick man.
00:28:04The doctor left just a moment ago.
00:28:13He spoke to me in all that technical rubbish, you know, but I thought it'd be better if you heard it from a layman.
00:28:22Now, the main thing that you've got to keep in your mind is that you're basically normal, but this mightn't stay that way unless you can face your problem.
00:28:39That man spent almost all through the night analyzing the results of your tests.
00:28:45What did he say?
00:28:50Well, let's be blunt, Arthur.
00:28:51I think you've got two dead men on your conscience.
00:28:55You've also got this fear of driving, this fear of cars.
00:29:02Do you know, here in Paris Hospital, in the Bellevue Ward, we have people who don't even know their own names.
00:29:12You know, this is true.
00:29:15It happens in hospitals all over the country, all over the world.
00:29:21Accident, brain damage.
00:29:25Sometimes I haven't even got a mark on their bodies.
00:29:30People who can't handle the suffering and the shock.
00:29:36People like you.
00:29:37Not very pleasant, isn't it?
00:29:45But that's the world we live in.
00:29:49That's the world of the motor car.
00:29:53I don't know much about your financial situation, but if it helps, the doc says that you can work with him as a medical order.
00:30:01I mean, you can either take the profit hand or help, or just walk out that door and drive away.
00:30:08It's your decision.
00:30:08I don't know much about your bangs.
00:30:09You can especially see me right now.
00:30:13I don't know much about my breathing.
00:30:15I don't know much about it.
00:30:16I don't know much about my skin.
00:30:17But that's the key to all of this.
00:30:17I don't know much about your skin.
00:30:18I don't know much about it.
00:30:19But that's why we're able to talk to my skin.
00:30:27I think Cheira nye has light Einbrun, as theanca family gets bent.
00:30:32jan countries are Hejka Macca 들 feeling in the body.
00:30:36Let's go.
00:30:37Let's go.
00:37:09Arthur?
00:37:10What's the matter?
00:37:14I'm not going to work in that hospital anymore.
00:37:21I'm not going to work in that hospital anymore.
00:37:24I'm not going to work in that hospital.
00:37:31They told me all about George.
00:37:34I'm not going to work in that hospital.
00:38:04I'm not going to work in that hospital.
00:38:05I'm not going to work in that hospital.
00:38:14I'm not going to work in that hospital.
00:38:44I'm not going to work in that hospital.
00:38:45I'm not going to work in that hospital.
00:39:14I'm not going to work in that hospital.
00:39:15I'm not going to work in that hospital.
00:39:44I'm not going to work in that hospital.
00:39:45I'm not going to work in that hospital.
00:39:46I'm not going to work in that hospital.
00:39:50I'm not going to work in that hospital.
00:39:51I did see lights on the night of my accident.
00:39:57Well, really?
00:39:58Good night, Arthur.
00:39:59Good morning.
00:40:27I don't know.
00:40:57I don't know.
00:41:27I don't know.
00:41:37Good morning.
00:41:39Hymn 407.
00:41:41I don't know.
00:41:51I don't know.
00:41:53I don't know.
00:41:57I don't know.
00:42:07I don't know.
00:42:09I don't know.
00:42:11I don't know.
00:42:13I don't know.
00:42:23Hi, Charlie.
00:42:25I don't know.
00:42:35I don't know.
00:42:47I don't know.
00:42:49I don't know.
00:42:51I don't know.
00:42:53I don't know.
00:42:55I don't know.
00:42:57I don't know.
00:42:59I don't know.
00:43:01I don't know.
00:43:03I don't know.
00:43:05I don't know.
00:43:07I don't know.
00:43:09I don't know.
00:43:11I don't know.
00:43:13I don't know.
00:43:14I don't know.
00:43:15I don't know.
00:43:17I don't know.
00:43:19I don't know.
00:43:23I don't know.
00:43:25I don't know.
00:43:27I don't know.
00:43:29its address form. As you know, I have two hobbies. The past, which is manifest in these lovely
00:43:38old country towns like Paris, and the future, which lies with our youth. And I'm very pleased
00:43:44to notice here that they're having a car, Gymkhana, the Sunday after the ball. That's
00:43:50an excellent idea. It'll give our youth a chance to blow off a bit of steam and share
00:43:56with us in our celebrations of our glorious past. About the only criticism that I could
00:44:05offer as a newcomer is your road. It's a real bone shaker. I'd certainly hate to travel on
00:44:13it at night. I think that's a part of your past you don't really need to preserve.
00:44:26Oh, God.
00:45:30Have a good morning, Slade.
00:45:31Thank you, Mary.
00:45:32Yes, it was good.
00:45:33Happy day.
00:45:34Well, Mary.
00:45:35I don't.
00:45:36Mary?
00:45:37What did you think of the service?
00:45:38I thought it was Mary.
00:45:39It's yours.
00:45:40It wasn't my own children.
00:45:41There's one thing I wanted to ask you.
00:45:43Actually, I've got to apologize to you.
00:45:46I'm sorry.
00:45:48Have you got a minute?
00:45:49Arthur, what are you doing here?
00:45:50I thought you'd left.
00:45:51There's something I have to talk to you about.
00:45:52Good.
00:45:53I'd love to talk to you, but I can't do it today.
00:45:54Well, when?
00:45:55I'll be back to the ball.
00:45:56That'll be all right?
00:45:57Okay.
00:45:58If you could...
00:45:59Don't worry about it.
00:46:00I might be able to help.
00:46:01Right.
00:46:02Thanks very much.
00:46:03Can you give me a ring?
00:46:04Yeah.
00:46:05Jeanette, put those things off the car.
00:46:06I thought we were going home.
00:46:07Just get them off!
00:46:35Go away.
00:47:35Get in, Arthur.
00:48:01Arthur, I wanted to talk to you today.
00:48:05I wanted to talk to you very seriously.
00:48:08I'm a great family man.
00:48:11I always have been.
00:48:13I love my family, and I've always taught them to be frank
00:48:16and to be honest.
00:48:18I would like to talk about last night.
00:48:25Last night, when I saw you with Jeanette,
00:48:31I realized there was something missing in our family.
00:48:35The son.
00:48:40The son?
00:48:43Yes.
00:48:45Yes, I feel with you that I could say anything.
00:48:49And, uh, I would like to think that you could me.
00:48:56Because, after all, I mean, that's what, uh, that's what families are about.
00:49:03And, oh, Beth, oh, she's, she's mad about you.
00:49:08Oh, I'm gonna have to watch you, or, uh, or she'll spoil you.
00:49:14Uh, what I would like you to do
00:49:17is I would like you to settle here permanently
00:49:21and become part of our family
00:49:26and become part of our family.
00:49:29Part of my family.
00:49:35That means I stay with your family.
00:49:40That's right.
00:49:44Okay.
00:49:46I never had a real family.
00:49:47There's one thing that close families don't do.
00:49:52They don't talk to outsiders like, uh...
00:49:58Ted Mulray.
00:50:00They keep themselves to themselves.
00:50:17Of course, you know, I'll need a decent job.
00:50:21Now, the next item of business
00:50:24is the position of parking, superintendent.
00:50:27Parking, superintendent.
00:50:28That's right.
00:50:29We've got to think of the future.
00:50:31We have to be prepared.
00:50:33Like the pioneers who settled this land,
00:50:36we have to seize the initiative.
00:50:40And so, superintendent, parking,
00:50:43a powerful and responsible job.
00:50:45The man is faced with a job
00:50:48of cleaning up this town
00:50:50and making it a decent place
00:50:52for people to park.
00:51:00There is only one man for the job.
00:51:03Arthur Waldo.
00:51:08He's a man who came here,
00:51:11an orphan.
00:51:12He came here
00:51:14seeking help
00:51:16and it is only
00:51:17today
00:51:19that he's decided
00:51:21to stay with us.
00:51:25I, uh,
00:51:26I have, uh,
00:51:28created
00:51:29a symbol
00:51:30of, uh,
00:51:32his authority.
00:51:52Come forward, Arthur Waldo.
00:51:54Waldo.
00:52:24Did you hear something?
00:52:38No.
00:52:54You're still waiting for him.
00:53:13What happened?
00:53:16We've got the cars all right, but we can do with some of the perks, eh?
00:53:21It's a bit rough riding around on ten wheels.
00:53:24What about sharing the tyres out a bit?
00:53:27A bit of music wouldn't go down too bad.
00:53:29Couple of your radios, eh?
00:53:31You're tight, old bastard.
00:53:51Mm-hmm.
00:54:12So, let's get started.
00:54:42What's the most important thing about the city?
00:54:45What's the most important thing about the city?
00:54:48What's the most important thing about the city?
00:55:09Hello, Arthur.
00:55:11Do you know whose car this is?
00:55:13Yeah.
00:55:14Whose is it?
00:55:15Mine.
00:55:16You're gonna have to move it, Darwin. You just can't have to park it here.
00:55:19Who's that?
00:55:20The mayor says.
00:55:21He can't say that, mate. He can't. I'm sorry.
00:55:23He tries to start squeezing us out again.
00:55:28All right, then.
00:55:31Anything to oblige, mate.
00:55:34Right, mate.
00:55:41I'm sorry.
00:56:57G'day, fellas.
00:57:00Hi, Daryl.
00:57:01Hi, Eliza.
00:57:03All right, are you?
00:57:05Don't you want to be a doctor anymore?
00:57:08Well, they give me a new job.
00:57:11Parking officer, see?
00:57:15Well, the mayor said that, um,
00:57:18I was supposed to tell people where to park.
00:57:21Do you think you could, you know, um, move a little?
00:57:25Anything to oblige, Arthur?
00:57:41Is that far enough for you?
00:57:46Hey, Daryl says you had a brother.
00:57:50What happened to him?
00:57:51George got squashed.
00:57:53You should have got squashed, too, mate.
00:57:55You shouldn't be here.
00:57:56You should be a veggie, too.
00:57:58Hey, he'd make a great veggie, eh?
00:58:00Hey, Liz, I reckon he hates cars.
00:58:02Hates cars, eh?
00:58:03Is that right?
00:58:05How would you like to come for a burn with me
00:58:09in my car, mate, eh?
00:58:10All right?
00:58:11All right, who was it?
00:58:17Food was the mayor's place last night.
00:58:21Come on, don't fuck about.
00:58:23Talking about pot plants.
00:58:26Smashed pot plants.
00:58:28You just tell this little worm to lay off.
00:58:30Yeah, we'll talk about that later.
00:58:32Meantime, you and Liz come with me for a little chat.
00:58:35Please tell on the blokes not to park here,
00:58:37not to park there.
00:58:38All outsiders shouldn't be telling us what to do.
00:58:41Come on, Liz.
00:58:42We'll talk about it at the station.
00:58:51And leave those cars.
00:58:58Please tell them.
00:59:21Hi.
00:59:22105.
00:59:2210, tyningen.
00:59:26You say this bloke's gone too far, now maybe he has.
00:59:32Now what about you blokes?
00:59:34You went too far.
00:59:36Why pick on the mare?
00:59:38Must be bloody mad.
00:59:46Look at this.
00:59:48The mare is aboriginal.
00:59:50Broken in half.
00:59:56All right, everybody outside.
01:00:09Hey, that's my car.
01:00:11Hey, what are you doing with my car?
01:00:13What are you doing?
01:00:14Get off of me!
01:00:15My bloody car!
01:00:17Get off!
01:00:18Get off of me!
01:00:19Wait!
01:00:22Now,
01:00:24let this be a warning.
01:00:27A warning to all people
01:00:30who defy the laws of Paris.
01:00:36Okay, Max.
01:00:39Ah!
01:00:40What the hell?
01:00:41You can't do that!
01:00:42Get off of me!
01:00:43Get off of me!
01:00:44Bloody car, you car!
01:00:45No!
01:00:46Fuck out!
01:00:47You!
01:00:48Matty, you fucking had a car!
01:00:49You bastard!
01:00:50You fucking had a car, you bastard!
01:00:51Matty!
01:00:52No!
01:00:53Matty!
01:00:54No!
01:00:55Shit!
01:00:56What the fuck?
01:00:57You bastard!
01:00:59You bastard!
01:01:00You bastard!
01:01:01Fuck out of you lot!
01:01:03Oh, shit!
01:01:04Get off of me!
01:01:06Get off!
01:01:07Get off!
01:01:08You can't burn a blunt's fucking car, you...
01:01:12No you idiot!
01:01:14Get off me!
01:01:26You bastard!
01:01:27No you bastard!
01:01:28Now, let's talk to him.
01:01:29Election to the王
01:02:40Take that off.
01:02:41Quick.
01:02:42I got this one.
01:02:56This one's mine.
01:03:03You bastard.
01:03:04You irreligious bastard.
01:03:07Steady, daddy.
01:03:08Come on.
01:03:09Come on.
01:03:10You bastard.
01:03:11You bastard.
01:03:12Cross.
01:03:13How did I bury the damn gun?
01:03:14I have to report this, me.
01:03:15We can't cover this.
01:03:16Get down.
01:03:17Well, you shut up, you animals.
01:03:18Destroy the animals.
01:03:19You hear what I said?
01:03:20Shut up!
01:03:21Come on, you shut up!
01:03:28Max, go to the door.
01:03:31See that no one goes up.
01:03:34I never did nothing wrong.
01:03:39You always kept the best bits for yourself.
01:03:42I've never done nothing bad.
01:03:44I've never done nothing wrong.
01:03:46Now listen.
01:03:47Listen!
01:03:48All of you.
01:03:49Now just remember, an accident has occurred.
01:03:55An accident has occurred.
01:04:00A, uh, a shooting accident.
01:04:06Uh, Mr. Metcalf?
01:04:08Mr. Metcalf.
01:04:14A, uh, a shooting accident has occurred.
01:04:19Would you say that?
01:04:20Hm?
01:04:25Go on.
01:04:26A shooting accident has occurred.
01:04:29That's right.
01:04:30That is right.
01:04:39This is better not interfere with my work.
01:04:41I haven't finished my work.
01:04:46Well, I can only go so far, then.
01:04:48I've got my career to consider.
01:04:50I haven't finished my work.
01:04:51Your work?
01:04:52Your bloody work.
01:04:54You're in this as much as we are.
01:04:56What about those experiments?
01:04:57Those bloody experiments of yours?
01:04:59Take that experiment back to the hospital, will you?
01:05:01All right.
01:05:02Move it!
01:05:03Yes, then.
01:05:04Come on.
01:05:05Bring your lock.
01:05:06Come on in, China.
01:05:07We've got a nice Meccano check for you.
01:05:08Come on.
01:05:18Max.
01:05:19Close the road.
01:05:20Close the road.
01:05:21No one in or out.
01:05:22Till we sort this mess out.
01:05:24Neil, the ball will go ahead as planned.
01:05:26Alf?
01:05:27Cut him out.
01:05:28Get rid of the car.
01:05:29What are you waiting for?
01:05:30Al?
01:05:31Cut him out.
01:05:32Get rid of the car.
01:05:41What are you waiting for?
01:05:42See ya.
01:05:43That's right.
01:05:44Move away.
01:05:45What are you waiting for?
01:05:46I'll see ya.
01:05:47That's right.
01:05:48I'll see ya.
01:05:49Yep.
01:06:19Well, we've had a hard day, but we're going to go to bed.
01:06:49We've got through it.
01:06:52How do you like your costume?
01:06:56Beth spent all afternoon doing that.
01:07:00I don't think I can go to the ball.
01:07:05Why?
01:07:07Because I've got a lot of things on my mind, things to sort out.
01:07:19I think you're leaving.
01:07:32Look, I can't stay.
01:07:34I'm not well, I worry.
01:07:37Not like you, you're all right.
01:07:39You're like George.
01:07:41You listen to me.
01:07:43Now you get this into your mind.
01:07:46Nobody leaves Paris.
01:07:48No one.
01:07:49Now you get into those clothes and you go to the ball.
01:08:07No one leaves us at home very easily.
01:08:21I'm thinking I can't go is-
01:11:02A happy night?
01:11:04Anita Sam.
01:11:06As you by now know, the Reverend Ted Mowbray has met with a tragic shooting accident.
01:11:13A cruel chick of fate took him from our midst.
01:11:19But I feel that he is still here tonight with us in spirit.
01:11:27The early pioneers suffered adversity and they overcame.
01:11:38It was a tough life.
01:11:39Only the strong survived, the future promises great things for us, for our town.
01:11:55The light is at the end of the tunnel.
01:12:00But have you the strength to travel the short distance it remains?
01:12:11I think most of you have.
01:12:12I think most of you have.
01:12:14I thank you.
01:12:15Have you, country boys, forgotten the old school war crime?
01:12:29Have you forgotten the meaning of those words?
01:12:34Woomera, woomera, babalook, boomerang, crocodile, kookaburra, wombat, orangutan, wee-ho, way-ho, taramunga mine,
01:12:45quondong, billabong, gunda-bluey pine, platypus, emu, wallaby, rue, ivus, bulga, the white cockatoo, marabara, kara, kolamine, fanko, bogabrine, aramine, never cry, yanko, hooprah, hooprah, hooprah, ha, ha, ha, ha, yanko, white school, ya, ya, ya, ya!
01:14:02Goes around?
01:14:04Yeah.
01:14:05What's the problem?
01:14:07It's the cars.
01:14:09They're a bit upset over the burning.
01:14:12Well, keep in touch.
01:14:13If there's any real trouble, you know what to do.
01:14:17Set the traps?
01:14:18Yes.
01:21:11Get him, get him!
01:21:26Agent! Get all the patients together!
01:21:29Come on then, Arthur!
01:21:31He started up quite the way!
01:21:33What about a game of cheese?
01:21:35Come on!
01:21:41Back, back, back, back, back, back.
01:21:48Come on.
01:21:49Come on, boys.
01:21:50Come on.
01:21:51Come on.
01:21:52Don't rush me.
01:21:54Get in there, boy.
01:21:55Try again, boys.
01:21:56See if you can catch me.
01:21:58Oh, back.
01:22:00Look at me.
01:22:02That was awesome.
01:22:11Now.
01:22:20Now.
01:22:21Now.
01:22:22Now.
01:22:23Now.
01:22:24All right.
01:22:25I'll be there in there.
01:22:26Two.
01:22:27One.
01:22:28Now.
01:22:33Back, back, back.
01:22:35Come on.
01:22:36Come on.
01:22:37Come on.
01:22:38Now.
01:22:40Look out.
01:22:44Let's see.
01:22:45How about.
01:22:48Hang on.
01:22:52Now.
01:22:59Quiet.
01:23:03Now.
01:23:06I can drive.
01:23:31Stop!
01:23:33Nobody can drive.
01:23:35There are traps made in and out of the town.
01:23:43Nobody can go in or out.
01:23:49There is no safe road.
01:23:54Paris will survive.
01:23:59No one will drive.
01:24:01On to further notice.
01:24:05Let's go!
01:24:07Come on, come on!
01:24:09Come on!
01:24:11Papa!
01:24:21Papa!
01:24:22Papa!
01:24:24Papa!
01:24:25Come on, pal.
01:24:27Come on, pal.
01:24:29Come on, pal.
01:24:31Come on, pal.
01:24:33Come on, pal.
01:24:35Nice, sir.
01:24:37Nurse, bring the car round the back.
01:24:39Do you hear me?
01:24:41Around the back.
01:24:51All right, it's coming down now.
01:24:53I'm here right down.
01:24:54George! George!
01:24:56Can you get inside, please?
01:24:58George!
01:25:10Arthur!
01:25:12Arthur!
01:25:14Get out of that car!
01:25:16Arthur!
01:25:18Get out of that car!
01:25:20Arthur!
01:25:22Arthur!
01:25:28Arthur!
01:25:30Arthur!
01:25:32Arthur!
01:25:34L'entend, l'entend, l'entend, après que les potets soient disparus,
01:25:48leurs chansons courtent encore dans les rues.
01:25:55La foule les chante un peu distrait en ignorant le temps de leur cœur.
01:26:04Sans savoir pour qui battre leur cœur
01:26:12Parfois on change un mot d'une phrase
01:26:17Et quand on est à court d'idées
01:26:21On fait la la la la la la la la la
01:26:30Il l'entend, l'entend, l'entend
01:26:37Après que les brats ont disparu
01:26:43Leurs chansons coursent encore dans les rues
01:26:53Demain peut-être qu'on vienne après moi
01:26:56Demain on chantera
01:26:58Cet air pour percer un enfant
01:27:03Ou quelque destelle
01:27:07Para-t-il vivre un vieux mendiant
01:27:11Ou dormir un enfant
01:27:14Tourneras-tu l'ombre de l'eau
01:27:18Sur l'air d'un vieux phono
01:27:28Sous-titrage Société Radio-Canada
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