00:00in 1964 I got on a boat to England England was monochromatic until 1967 and suddenly
00:11England became Technicolor I got into Jesus Christ Superstar and the director was Jim
00:17Sharman I said to Jim that I'm writing a little musical myself I said I hope it's
00:23not religious and of course it's the only one that ended up with its own cult
00:30we opened and it was a phenomenal success we created immersive theater people were
00:36rushing to get in and see it this was something alive we were allowed to make a movie we just
00:44worked our asses off there was something about not having money it added to the edginess of it
00:53and then the movie flopped it just didn't make any sense Tim Deegan suggested why don't we run
00:59the film at midnight I said how's it doing he said what's interesting it's the same 50 people every
01:07week
01:15this crowd is lining up for a film about transvestites every theater where it plays
01:20becomes something like a nightclub there was energy in the air it was a trip people
01:25were throwing rice and it was like we were in a wedding party was spreading to the other theaters
01:32and other cities it's steamroll Rocky allowed you that freedom to live out your dreams this was like a
01:41pop-up book of rock and roll and sex and drugs and the power of that I think the movie is about saying yes
01:47it's a life into everything it has to be considered the major cult movie of all time it's not a movie it's a way of life
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