Trending view : A Star is Born movie part 3 (1937) :  movie - video Dailymotion

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00:00I'll take care of these stars. I know how to handle them.

00:03I had a serious talk with Norman after that Hollywood boat occurrence,

00:06and you don't have to worry any more about his behavior.

00:09Excuse me, Mr. Niles.

00:10Mr. Libby of your publicity department is on the telephone.

00:13He says it's most important, sir.

00:15It's about Mr. Maine.

00:21Oh, it's probably just some little thing.

00:23Of course, Oliver.

00:24I'll turn on the radio and see if they've called out the National Guard yet.

00:28Hello, Libby. What's the good word?

00:31Mr. Norman Maine, America's Prince Charming,

00:35was apprehended driving an ambulance down Wilshire Boulevard

00:39with a siren going full blast.

00:41He explained he was a tree surgeon on a maternity case.

00:45Well, will it be in the papers?

00:47No, it won't be in the papers.

00:49But that's a nice, expensive hobby of yours,

00:52keeping Mr. Maine's informal entertainments out of the public press.

00:56Oh, that's fine work, Libby.

00:59Try and see that no one gets to Norman.

01:01He's probably home, sleeping at all.

01:03Oliver.

01:04Why can't you forget those dopes at the studio for one night?

01:07Business, business, all the time.

01:09I don't know what's going to become of you.

01:13Norman!

01:14Why didn't you call for me?

01:16Well, by darling, why didn't I call for you?

01:19In case you've forgotten, I was supposed to come here with you.

01:22Oh, that's all right. I got here without any trouble.

01:25The only reason I don't slap your face.

01:27Yes, darling, I know.

01:29Hello, John.

01:30Oh, hello, man.

01:31What's the matter with Oliver?

01:32He looks like he'd had bad news.

01:35Hello. Hello, Mary.

01:38What's the matter, old boy?

01:40Maybe I'm wrong.

01:41I guess I've been drinking too much lately.

01:43Oh, you ought to cut it down. It's bad stuff.

01:45Scotch and soda.

01:47Come on, come on, come on.

01:55The word you know is pronounced when.

01:57Bad dialogue, Oliver.

01:59I'd rather not watch this.

02:02You know best.

02:04Soda.

02:13Go ahead and say it.

02:14I've got it coming to me.

02:15Don't make it tougher on me, Norman.

02:17I don't want to stand here and preach.

02:19But take a look at my side of it.

02:20I'm trying to make pictures with you.

02:22I know, I know.

02:23Costs are going up and the grosses are going down.

02:25No, it isn't that.

02:26I've made lots of money with you.

02:28And I can afford to take a loss.

02:29But I hate to see you going the way of so many others.

02:32Why don't you get Lloyd's to insure you against me?

02:34You can't get insurance against a man forgetting who he is.

02:37You're a great star, Norman.

02:38But there's nobody so big that he can afford to have people refuse to work with him.

02:42Who doesn't want to work with me?

02:44Shh, quiet.

02:45Listen, I know plenty of people who do.

02:46Yes, and so do I.

02:47But you real friends can't stand seeing you start to fall apart.

02:50What do you mean by that?

02:51The first signs are always the same.

02:53Not being able to remember your lines.

02:55Cameraman struggling to cover your hangovers.

02:57And all because you have to have a good time.

02:59Every day and every night.

03:00Listen, I've warned you for a long time, Norman.

03:02Okay, Oliver, you're a swell guy.

03:03You won't lose any money on me, I promise you that.

03:05I'll be ready for the curtains when the time comes.

03:11When it does, here's my epitaph.

03:18And now I think I'll have a little drink.

03:25Scotch and soda.

03:31Scotch and soda.

03:33Oh.

03:39Come on, come on, come on.

03:44A little soda.

03:46Not more?

03:47No, thank you.

03:48Yes, uh, pardon me.

03:53Ah, lovely, lovely.

03:55No, I mean the caviar.

03:58No, don't go away.

03:59I'm starving.

04:00Really.

04:04Which, which would you take?

04:07I don't know.

04:08You know?

04:09I don't know either.

04:11It's hard to choose.

04:13I think I'll take caviar.

04:14Mr. Main doesn't care for any more.

04:17Do you, Normie?

04:19No.

04:21Normie doesn't care for any more.

04:27I think I shall get very drunk indeed.

04:34Scotch and soda.

04:37Sorry, I have something.

04:39Oh.

04:41Mind if I help?

04:42Won't they miss you?

04:43Oh, no, no.

04:44They'll just look under the table, and when they see I'm not there, they'll forget the whole matter.

04:47Hey, what, uh, what's your name?

04:48Esther Blodgett.

04:49Esther Blodgett.

04:50Oh, no, no.

04:51They'll just look under the table, and when they see I'm not there, they'll forget the whole matter.

04:52Then what, uh, what's your name?

05:02Esther Blodgett.

05:03My name's Maim.

05:04I know.

05:05You do?

05:08Ah.

05:09Ah.

05:10Well, what, ah…

05:12What's your name?

05:13Esther Blodgett.

05:14My name's Maim.

05:15I know.

05:16You do?

05:17Yeah.

05:18Ah.

05:19You do?

05:24What's so funny?

05:26I was just thinking about all your fans and how surprised they'd be to see you here helping me put plates away.

05:31Oh, they don't know my finer side.

05:33They'd be pretty envious of me meeting you this way in person.

05:37Oh, you do.

05:38Well, tell me, are you disappointed?

05:42Yes.

05:46Now you've done it.

05:47Oh, never mind that. That makes the room look lived in.

05:53Tell me, why are you disappointed?

05:57I was sitting behind you at the Hollywood Bowl the night you didn't want to be photographed.

06:06I'm told I crept into many a heart that night.

06:09I can never explain this.

06:11You know, you have very pretty hair.

06:13You'd better get out of here.

06:14And a sensitive mouth.

06:16And a charming little...

06:17So, precisely why are you here instead of with the rest of the guests?

06:20I'm just trying to be helpful.

06:22I see.

06:23Are you sure there's no other attraction?

06:25Well, it might be that my old mania for putting plates away is coming back on me.

06:30It's rather odd.

06:31I always know where I can find you.

06:33If there's a pretty girl around.

06:34It's not only odd.

06:35It's embarrassing.

06:36You're being deliberately insulting, Norman.

06:37I put out for this long enough.

06:38No, no, no.

06:39Don't lose your temper.

06:40Remember, we must try to keep the voice low.

06:43I know you'll excuse us if we go on with our work.

06:46Now to see what you've done.

07:02Come here.

07:03Help me up.

07:04Are you hurt?

07:05No more than usual.

07:06Come on.

07:07The wolves are on us.

07:08We've got to get out of here.

07:09No, I can't.

07:10The dishes aren't finished.

07:11Oh, yes they are.

07:12Well, I'll bet I know what you're going to say now.

07:27What?

07:28Good night.

07:41good night good night and thanks hey wait a minute wait a minute here you

07:50realize that all I found out about you is that you're foolish enough to want to

07:55go into pictures but why is it foolish look at you yeah that's what I mean no

08:01I'd uh I'd rather like to go into this matter a little more thoroughly well

08:07that's awfully nice of you why uh why don't we go on up to my place and talk it

08:15off oh no thank you very much but I really must say good night good night

08:24but you're not angry no no I'm hungry why don't you go and get something to eat

08:33good night miss bludgett good night with the name wait a minute at least I can do

08:43is to see you to your door

08:46well I see you again has anyone ever told you that you're lovely well now you know

08:57it's uh it's hard to say but I I want to say it anyway you know I'm a I'm a screen I'm a

09:14you know in private life I'm a you know but whatever I do I I still respect lovely

09:27things and you're lovely you understand yes I I think I do and it isn't that bump on the head

09:38that's doing this well I'm glad

09:40good night good night

09:50hey you mind if I think just one more look

09:59go away quite impossible

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