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Transcript
00:00And here's the aerial sequence, one of the sequences that represented 400 hours of footage,
00:06all of which had to be distilled down to about 15 minutes of screen time.
00:12Each one of these shots represents a great deal of difficulty, a lot of danger,
00:17a lot of coordination between multiple aircraft, a lot of skill from pilots,
00:21and always looking for ways to show that it is Tom flying the plane and not a stuntman,
00:26which is not usually the case.
00:28And all of these shots involve ideal weather conditions and split-second decisions of when to pivot and what to shoot,
00:35and a great deal of beauty that you cannot be seduced by.
00:38You have to always be looking at these sequences and saying, does it move the story along?
00:42And Eddie Hamilton was constantly telling me that this stunt, it was part one of a two-part stunt,
00:48Eddie kept telling me, this is redundant, and we're just ultimately going to end up taking it out of the movie.
00:53And of course, I resisted that for a long time, but true enough to everything else,
00:57it could go, so it went.
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