#Horror Movie 6
#scary movie
#thriller movie
#hot movie
#romance movie
#mystery of the wax museum movie
#scary movie
#thriller movie
#hot movie
#romance movie
#mystery of the wax museum movie
Category
🎥
Short filmTranscript
00:00The End
00:30Let's go.
01:00Well, well, my friend, this is an unexpected place.
01:24Come in.
01:31How do you do?
01:35I wouldn't think of disturbing you,
01:37but the friend I spoke to you about is leaving town tomorrow
01:39to supervise some new excavations in Egypt.
01:41He was most anxious to see your collection before going away.
01:44May I present Mr. Galatali?
01:46This is a great pleasure.
01:47I've heard so much about you.
01:49How do you do?
01:50Follow me, gentlemen.
01:55My children become conceited and so distinguished a critic
01:58has thought them interesting enough to review.
02:12Splendid.
02:14Joan of Arc.
02:15Beautiful.
02:16It's a pity to race through such an exhibition.
02:18And here is Volcaire.
02:26One might almost expect him to speak.
02:29I wonder what he'd say after all these years.
02:31You will be astonished.
02:33He is more difficult now to those in authority than even the record show.
02:37He is a very stubborn person, I assure you.
02:41Stubborn?
02:42Oh, unbelievably.
02:43For days I argue with this fellow before I get him just as I want him.
02:47But always I triumph.
02:49And few people triumph over Monsieur Bontaire.
02:54And here, gentlemen, here is something that pleases me.
02:59Although of no historic importance.
03:02It was done because I love to model children.
03:05You will know, gentlemen, the line of the shoulder I have.
03:07You know right to hide such genius in the Side Street Museum, Corbin.
03:10You are very gracious.
03:12These things have some merit, I suspect.
03:14But this...
03:16Will you come this way, gentlemen, please?
03:22This, I am convinced, is fine.
03:25Marie Antoinette?
03:26Yes, sir.
03:27Beautiful composition.
03:29Even those delicate veins and the texture of that flesh.
03:32I never saw anything more exquisite.
03:36Tell me, where did you begin to model and wax?
03:39In my native country.
03:39At first, as a hobby.
03:42You have a great reputation as a sculptor.
03:44Oh, you are very kind, sir.
03:45However, I was commissioned to come to England.
03:47And at the completion of my work, I turned my mind more seriously to this.
03:50Because it seemed to satisfy me more.
03:54I felt I could reproduce the warmth and flesh and blood of life
03:57far more better in wax than in cold storm.
04:01If you will grant me the privilege,
04:02I'd like to submit your work to the Royal Academy when I get back.
04:06Royal Academy?
04:10You have won the undying gratitude of all of us.
04:14Is that not so, Marie Antoinette?
04:16I regret that I have not the time to give to your exhibition now.
04:19But I'm going to worry the life of you when I get back.
04:21It will always afford me the greatest pleasure to welcome you.
04:23I feel I must apologize again
04:27for coming in and disturbing you at this late hour.
04:29It's a great pleasure, I assume.
04:34Good night, sir.
04:35Good night.
04:36And I am very grateful to you.
04:37Not at all, not at all.
04:38Thank you so much for your visit and your encouragement.
04:41Good night.
04:41Good night.
04:42Good night.
04:42My masterpiece, my Marie Antoinette.
05:08You heard what this man who is very celebrated what he say of you?
05:14Oh, yes, of course.
05:17You would say that.
05:18You always told me so.
05:20Of course.
05:25Hello, Marie.
05:27Hi.
05:28Hello.
05:31What are you doing here so late?
05:32I came back and get some of the books.
05:34I'm trying to straighten out the accounts.
05:36I don't hope to impress you,
05:37but I may as well tell you we haven't afforded.
05:38Oh, that is unfortunate.
05:41You're right, it's unfortunate.
05:43Fifteen thousand pounds this cost me,
05:44and you say it's unfortunate,
05:46as though I spill soup from my vest.
05:48Well, your money may be very well invested.
05:51One never knows.
05:52Something important may come of all this.
05:54Something important has got to come of all this.
05:56You know the rent on this place isn't paid?
05:57He's in a bank.
05:58No, I'm lying to amuse myself.
06:01Now look here.
06:02I have an idea that will get us out of all this.
06:04You and I have absolutely no money,
06:06but we have got this.
06:08Fire insurance.
06:10Yes, insurance.
06:11That's our way out.
06:12You know that a fire in this place
06:13will give us ten thousand pounds?
06:15A fire?
06:17Is this your idea of humor, my friend?
06:19I want some of the money back
06:19that I've thrown into this rubbish heap.
06:21You are asking to burn these people?
06:23You are asking to destroy all these?
06:25I am not asking you anything.
06:26I'm telling you what I'm going to do.
06:27You think I will permit this?
06:28You've got to permit it.
06:29Whose fault is it that people don't come to this place?
06:31Yours, all this artistic nonsense.
06:33The museum at Walston Lane does well enough.
06:37And why?
06:38Because they're Jack the Ripper,
06:39Burke and Hare,
06:40the Mad Butcher,
06:41the Demon Barbara Fleet Street,
06:42and things that people pay to see.
06:43That's why.
06:44And they are welcome to them.
06:46They perpetuate such countless
06:47who celebrate their crimes.
06:48Well, whether or no,
06:49what do you think I'm in this for?
06:52A match.
06:53It's a garst, Naveen.
06:54And you and I have ten thousand pounds
06:56to divide between us.
06:57You are insane.
06:58Oh, no, I'm not insane.
07:00Not at all.
07:04Let me show you how easily it can be done.
07:13Quiet, Joel!
07:28Sit down.
07:34Step down.
07:45Ah.
07:48Step down.
07:48Ah.
07:48добав thoughts.
07:51Ah.
07:51Ah.
07:52Let's go.
08:22Let's go.
08:52Let's go.
09:22Let's go.
09:52Let's go.
10:22Let's go.
10:52Let's go.
11:22Let's go.
11:52Let's go.
12:22Let's go.
12:24Let's go.
12:26Let's go.
12:28Let's go.
12:30Let's go.
12:32Let's go.
12:34Let's go.
12:36Let's go.
12:42Let's go.
12:44Let's go.
12:54Let's go.
12:56Let's go.
13:04Let's go.
13:06Let's go.
13:16Let's go.
13:18Let's go.
13:20Let's go.
13:22Let's go.
13:24Let's go.
13:26Let's go.
13:28Let's go.
13:30Let's go.
13:32Let's go.
13:34Let's go.
13:36Let's go.
13:38Let's go.
13:40Let's go.
16:44You're fired unless you bring back a story for the next edition, even if it's only a new recipe for spaghetti.
17:55Thanks.
17:56Thanks.
17:57Come on.
17:58Understand this.
17:59You get nothing more from me until you show me something.
18:01The next time you talk on a turn, you're going to have bad luck.
18:03Understand?
18:04Thanks.
18:05Thanks.
18:06Thanks.
18:08Thanks.
18:10Thanks.
18:11Thanks.
18:35Hey, Miss Dempsey, I don't know how they're going to settle that heavyweight argument while you're around.
18:44Oh, boy.
18:47Hi, sweetheart.
18:48Oh, hello.
18:49How's your sex life?
18:51Uh-oh.
18:52So you're in again.
18:54Hey, Jim, call out the riot squad.
18:57How's every little old thing?
18:58Fine. You're the first reporter that's been in here for two hours.
19:01You people been seeing the old Jiro?
19:03I'm people which the old Jiro saw out. I'm fired.
19:06No kidding.
19:07I gotta make news if I have to bite a dog.
19:09Hey, Kelly.
19:11My gosh, even he walked out on me.
19:13I've got a story for you. You know the Joan Gale girl?
19:16Sure, she committed suicide yesterday, but that's not news. I read about it last year.
19:19Oh, yeah?
19:20Well, maybe she didn't commit suicide. She may have been murdered.
19:23No kidding. Any suspect?
19:25You know George Vinton?
19:26Old Hardware and his cub?
19:28That's him.
19:29They don't suspect him.
19:30Don't they?
19:31He's down at the tombs right now.
19:33Say, if you're stringing me, old timer.
19:34Why should I string you?
19:35They were Swedes up to a month ago.
19:37Oh, what does that prove?
19:38Nothing.
19:39Only she may have tried to blackmail him. You know such things have happened.
19:43Anyway, he was in her apartment a few hours before she was found dead.
19:47Achoo!
19:48Saved one job.
19:49The first room for yours.
19:51Hey, hold everything till I give you the rest of it.
19:53Make a snappy, Colonel.
19:54They boarded Natatsi over at Bellevue immediately.
19:56You better skip on over there.
19:57Don't give this to anybody else, will you?
19:58It's all you.
19:59Thanks!
20:00Hey!
20:01Hey!
20:02Hey!
20:03Hey!
20:04Hey!
20:05Fresh kitty!
20:18Feeling tough?
20:19Rotten.
20:20Well, that's too bad, sister.
20:21What case of jitters that copped the fella's surprise?
20:24If they don't hurry up with that thing, they're going to have another corpse on their hands.
20:31Bring in number seven.
20:32The Gale girl.
20:34It's a very interesting case.
20:37Yes.
20:38When I was called, the girl had been dead for possibly three or four hours.
20:41My examination clearly showed that she died of london poisoning.
20:45I thought at first that it might have been an accident, an overdose.
20:48Her eyes indicated that she used narcotics frequently.
20:52What was the police theory?
20:53Suicide.
20:54Leave any message?
20:55No.
20:56But that's why I thought death might have been accidental.
20:58Are you in charge of the case?
20:59Yes, sir.
21:00Well, who got the information about Wynton?
21:02Well, everyone knew they were living together, but he was playing around with some other twist.
21:06But Wynton was in bed, though, because he left before she folded up.
21:09Well, if she committed suicide with london, she probably took it in its crude form and would find it in that or very close to that state.
21:16Yes.
21:17If someone gave it to her, it would be diluted.
21:19But how could he give it to her?
21:20In a cup of coffee or a glass of whiskey?
21:22Oh, that's possible.
21:23Gale, the body is gone.
21:24Gale?
21:25What are you talking about?
21:26Wait a minute.
21:27What happened?
21:28What do you mean?
21:29The body is gone?
21:30Just that.
21:31It's vanished.
21:32Gone.
21:33Disappeared.
21:34He found the slab empty, and the window to the alley was open.
21:36Come on, Henry.
21:37Come on, Henry.
21:44Oh, boy, and he asked for a story.
21:46Is his face red?
21:48Ryan, 2626.
21:50Hello?
21:53Hello, slug.
21:54Hey, kill that Wynton story for this.
21:56Joan Gale's body, but not John Brown's, Joan Gale's body, was snatched from the morgue two minutes ago.
22:02Well, I'm here now.
22:04Yeah, there were nine or ten witnesses.
22:07No, they didn't talk.
22:08They're pretty stiff.
22:09No, dope.
22:10Not drunk.
22:11Dead.
22:12Tear down to the tombs and get to Wynton.
22:13I'll have Harry write the first flash.
22:15A cow does that and gives milk besides.
22:20Say Harry in.
22:32How do you do?
22:33I'm from the express.
22:34Yeah?
22:35I don't want to talk to you.
22:36I know you people.
22:37You'll try to crucify me for something I didn't do.
22:39Well, I warn you.
22:40Anything you print about me, you've got to prove.
22:41Come on, old man.
22:42Now, you know you're innocent until you're proven guilty.
22:43Yeah, sure.
22:44That's fine.
22:45But while I'm proving my innocence, you people will uncover every petty kid trick I ever did.
22:47You'll write editorials about every cocktail I ever drank.
22:49Anything that any sane, normal person might have done will have a sinister meeting if I did it.
22:51Listen, kid.
22:52You can make it a whole lot easier for yourself if you come clean.
22:53Now, let's go down to cases.
22:54When did you see this gale girl last?
22:55Oh, a few minutes the afternoon before she...
22:56Why didn't you tell that to the police?
22:57They didn't give me a chance.
22:58We had a couple of drinks and she was all right then.
22:59She seemed happy.
23:00I see.
23:01Do you remember what she said?
23:02What did you talk about?
23:03Well, she laughed and she said we were being very silly.
23:04But she didn't give me a chance.
23:05She didn't give me a chance.
23:06We had a couple of drinks and she was all right then.
23:07She seemed happy.
23:08I see.
23:09Do you remember what she said?
23:10What did you talk about?
23:11Well, she laughed and she said we were being very silly,
23:12that we didn't care for each other anymore,
23:13but we didn't even hate each other.
23:14Said she wanted us to be friends.
23:15Was that all she said?
23:16No, we planned a trip for her.
23:17I was going to send her to Bermuda.
23:18You weren't going with her?
23:19No.
23:20Oh, why didn't I take her away somewhere?
23:21Well, let's get back to the case in hand.
23:22They boarded an autopsy and discovered her body had been stolen from the morgue.
23:25Don't...
23:26What are you trying to do to me?
23:27No.
23:28Oh, why didn't I take her away somewhere?
23:31Well, let's get back to the case in hand.
23:33They boarded an autopsy and discovered her body had been stolen from the morgue.
23:37Don't...
23:38What are you trying to do to me?
23:40Oh, I know.
23:41You're working with the police.
23:42You're trying to get me to say something...
23:43I'm trying to help you.
23:44You're on the square and I think you are.
23:45Why are you trying to tell me you're a crazy liar then?
23:47That happens to be the truth.
23:49But who'd steal her body?
23:51Yeah, that's what they're going to ask you.
23:52All right, come on.
23:53Time's up.
23:54Be right with you.
23:55Keep a stiff upper lip, kid.
23:56I think you're going to come out okay.
24:02Go ahead, Florence.
24:03I'm listening.
24:04Go ahead.
24:05Well, the whole thing sounded on the up and up to me.
24:07Poor guy's too scared to lie.
24:08I think he's getting a raw deal.
24:10Well, ain't that a shame.
24:11Nice little chap, he wouldn't harm a fly.
24:13Everybody pick it on the poor little fella.
24:15Say, if he were some unknown soda-jerker, they wouldn't have pinched him.
24:17But he's George Winton and they're playing it up.
24:19It's a Roman holiday for every paper-head editor in New York.
24:22Why the goose dribbles?
24:23If he wasn't social registered, if he was somebody like me, you'd be trying to hang him.
24:26I wouldn't be trying, beloved.
24:27I would hang him.
24:28Another thing.
24:29Oh, there's gaga about that body disappearing.
24:31Eight bodies have been stolen in New York in the last 18 months.
24:34Now, doesn't it seem more reasonable to hook this up from that angle?
24:37And we're on a perfectly good story?
24:38No, son.
24:39No, I mean it.
24:40I think this kid's entitled to a break.
24:42He's getting it, ain't he?
24:43He's front page.
24:44You give me a page.
24:45I'm glad to hear it.
24:47Since when did Duke win for crusading in a cause of justice?
24:50This lousy monk with all the money in the world has had two or three nasty affairs.
24:53He's kept out of print because his grandfather was smarter than the Indians.
24:56Well, anyway, he couldn't cut the money.
24:57He was in jail.
24:58You don't think he'd be sap enough to do the job himself, do you?
25:00I hope they give him the works.
25:02Even if he didn't kill the girl, he's responsible for her death.
25:05And they can fry him any time without making me sore.
25:07Well, I won't work on him from that angle.
25:09Oh, you won't.
25:10You were pretty tough about Judge Ramsey a little while ago, too.
25:12And they never proved anything against him.
25:14Except that he disappeared when things got too hot.
25:16I was bumped off by somebody that was afraid of him.
25:18Ah, boy.
25:19He took a run-out powder.
25:20That's got nothing to do with this case.
25:22Can I handle this my way?
25:23You cannot.
25:24I'm still editor of this newspaper.
25:26All right.
25:27You said I was fired?
25:28Well, I quit.
25:29You give me a sign of somebody else.
25:31Hey, wait a minute.
25:32Come here.
25:33No, I'm through.
25:34Come here, soft sister.
25:36All right.
25:38Go ahead.
25:39Do it your own way.
25:41Oh, I'm the square, Jimmy.
25:42If you'd seen that kid down there.
25:43No, I'm not holding a brief.
25:45Boy, maybe he is the dirty pup.
25:46But he's scared and...
25:47Oh, he's the kind of dumb and worthless.
25:49That's fine.
25:50If he's worthless, we'll give him away as a bridge prize.
25:52Come on, beat it.
25:53It's five o'clock.
25:54You need some sleep.
25:55Now, there's another point I want to iron out.
25:56Sleep on it.
25:57We'll get it tomorrow.
25:58Oh, here's your portrait.
25:59Which one is me, the horse?
26:02Will you get out of here?
26:04Shh.
26:05Yeah.
26:06Yeah.
26:07I'm gonna be right.
26:09Ah.
26:10EØ®!
26:11Yeah.
26:12Hey.
26:13The horse, the horse.
26:14I'm...
26:15Wait, wait, wait.
26:16And the horse is in here.
26:17I can't do, I can't do it.
26:18I can't do it.
26:19I can't do that.
26:20I can't do it.
26:21I can do better.
26:22Uh, but...
26:23No, no.
26:24No.
26:25No, no.
26:26No, no.
26:27No, no.
26:28No, no.
26:29No.
26:30If my curiosity is not too great, would you mind telling me what manner of animal that is you are designing?
26:40This is one of the Athenian girls for the back of now.
26:43It would be interesting to know, young man, where and when you studied anatomy.
26:47Well, it doesn't seem so bad to me, sir.
26:49What's wrong with it?
26:51Anatomy.
26:52Heaven forgive you.
26:54You must have studied with the sideshow freaks.
26:57I'm sorry, sir. I'll change it.
26:58The only reason I wanted to work with you was because I wanted to learn about that sort of thing.
27:01And this fellow.
27:03Look at him.
27:04Look what this cobbler is doing.
27:12What is this?
27:14Are you so beautiful that you make everything in your own likeness?
27:18It is a mercy of providence that this fellow cannot hear.
27:25Anatomy.
27:26A great sculptor.
27:30And I am bound.
27:35Look.
27:37Look at these claws.
27:40If I had those hands of yours,
27:43I would show you the meaning of what you are trying to do.
27:46All those beautiful things that were destroyed,
27:49I could restore.
27:51I could restore.
27:56It is a cruel irony that you people without souls
27:59should have hands.
28:03But go on.
28:04Go back to work.
28:06It is useless and hopeless to talk to such people.
28:09Who is it?
28:21Well, have you got it?
28:22Is it completed?
28:23Yes, it is ready.
28:24But it is pretty heavy.
28:25And I will need some help.
28:27Oh.
28:28Otto, Otto, come in here and help Professor Darcy.
28:30Now, my friend, you ought to see something that one truly can't describe as art.
28:46Professor Darcy doesn't try to keep freedom and sketchiness in his work.
28:49He is an artist.
28:52His figures are realistic, lifelike.
28:55He works at home, hours,
28:57when such people as you are loafing.
29:03Can we open it?
29:05Yes.
29:19Exquisite.
29:40Almost as beautiful as the original.
29:43Someday I hope to have you restore Marie Antoinette.
29:46I'd be glad to, Mr. Igor.
29:48Take her in and press her for the opening.
29:59I think I'll have something to tell you soon.
30:02You have done well.
30:04And I, too, have something for you.
30:07Thanks.
30:18Hello?
30:29Oh, hello.
30:31I was just thinking about you.
30:33Yeah.
30:34I was, too.
30:36No, I haven't forgotten.
30:38I'm sorry.
30:39I won't have much time.
30:40We'll have to have lunch someplace broke.
30:41Well, uh, let's go to that little bohemian restaurant.
30:45All right.
30:46I'll meet you here in the lobby.
30:47All right, then.
30:47It's well.
30:49Bye.
30:51Who was that penny, Andy?
30:52Mm-hmm.
30:53Why?
30:54I just wondered.
30:55Did he invite you to lunch, or did you invite him?
30:57Well, I don't want to offend you, but frankly, it's none of your business.
31:00I don't interfere in any of your affairs.
31:02I don't have any affairs.
31:04What do you mean?
31:05I don't think you could have a real affair.
31:07I don't think you could care for anyone.
31:09Oh.
31:10I've been in love so many times for heart's carelessness.
31:13But I never hit one with dough.
31:15Loving and adding is my idea of the way to surrender to that matter.
31:19I don't agree with you.
31:21All right.
31:22You raise the kids, I'll raise the kids.
31:24I'd rather die with an athletic heart from shaking cocktails and bangers than expiring a
31:27pan of dirty dishwater.
31:29Would you?
31:31You can look like a gorilla and have the manners of a nicarote.
31:33But he's got to have dough.
31:35Plenty of dough.
31:39You think money's the only requisite?
31:41Well, it just happens that the poor people are happy.
31:43Then marry Ralph.
31:45You'll be the happiest couple in the world.
31:47I wish you wouldn't be so sarcastic about Ralph.
31:49He's the sweetest kid I know.
31:53Well, what are you laughing at?
31:55I just had a picture of you telling a landlady someday you didn't have the rent, but Ralph
31:59was awfully sweet.
32:00Well, I haven't noticed any multimillionaires running after you.
32:03I met one last night.
32:05All the money on this side of Peoria.
32:07Did you?
32:07Where?
32:08In the can.
32:09The hoosegow.
32:10Mrs. Wyndham's little boy of the Park Avenue whip.
32:13And if he had the wings of an angel over those prison walls, he would play.
32:20Aye.
32:20Discharge, eh?
32:30Yeah.
32:39How are you, Mr.
32:40What do you think?
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