The Venice Killer

zay27

In the heart of Venice’s winding canals and misty nights, a masked killer stalks unsuspecting victims. Beneath the romantic charm of the city lies a dark secret, as the murderer seeks to preserve his victims in a horrifying collection. Tension rises as the police race against time to unmask the culprit before the next body disappears into the watery labyrinth. This 1965 cult classic blends suspense, horror, and mystery against the haunting beauty of Venice.

Transcript

00:00:00Transcribed by ESO, translated by —

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00:03:36No, it's late, dear. I must be going.

00:03:38I'm sorry, but if you must...

00:04:00Night, till tomorrow. Good night.

00:04:30I'm sorry, you're not worried.

00:04:43You're sick, I'm sorry. I'll say you may be.

00:04:47I'm sorry. I'm sorry, but if I'm sorry, I'm sorry. I'm sorry. I'm sorry. I'll say you may be.

00:04:52Oh, my God.

00:05:22Oh, my God.

00:05:52Another girl reported missing. Get your latest news here. Another girl reported missing.

00:06:07Hello, Sheriff. Hello, Andrea. Is the commissioner in? Better not bother him. He's hot. Sure, I know. When isn't he? Any new leads today?

00:06:16Uh, well, we were able to fish up some things that seemed to belong to the girl.

00:06:20All right, thanks. I'll put that in tonight's paper. Haven't you any other clues?

00:06:23Only a few suspects.

00:06:25Sure, come on. I'll buy the coffee.

00:06:26Is this a bribe?

00:06:27I know. Murder hasn't been ruled out, has it?

00:06:30We aren't prepared to say. But I can tell you this. She was a pretty good swimmer. That was confirmed by everyone.

00:06:36Up here.

00:06:36But so far, there's nothing to indicate there's been any foul play.

00:06:43Yes, I agree, but...

00:06:44So stop pumping me for further information. You're wasting your time.

00:06:48And what about the corpse? Will you be able to find it?

00:06:55Well, I think so. Anyway, we're continuing to drag for it.

00:06:59Well, I've got to go now.

00:07:00Thanks, Sheriff.

00:07:13Oh, how lovely you are.

00:07:18Like alabaster goddesses, no living woman possesses your mysterious fascination or your sweet repose.

00:07:34You will stay here with me always. No one else shall have you.

00:07:48Want to go to a movie tomorrow?

00:08:12No, thanks. I'm going for a boat ride with some friends.

00:08:16Miss, would you help me, please?

00:08:18I'm going for a boat ride with some friends.

00:08:20I'm going for a boat ride with some friends.

00:08:21I'm going for a boat ride with some friends.

00:08:22I'm going for a boat ride with some friends.

00:08:23I'm going for a boat ride with some friends.

00:08:24I'm going for a boat ride with some friends.

00:08:25I'm going for a boat ride with some friends.

00:08:26I'm going for a boat ride with some friends.

00:08:27I'm going for a boat ride with some friends.

00:08:28I'm going for a boat ride with some friends.

00:08:29I'm going for a boat ride with some friends.

00:08:30I'm going for a boat ride with some friends.

00:08:31I'm going for a boat ride with some friends.

00:08:32I'm going for a boat ride with some friends.

00:08:33I'm going for a boat ride with some friends.

00:08:34I'm going for a boat ride with some friends.

00:08:35I'm going for a boat ride with some friends.

00:08:36Oh, my God.

00:09:06Oh, my God.

00:09:36Oh, my God.

00:09:42Thanks.

00:09:44Only I can defy the laws of nature.

00:09:47You shall be my goddesses, my idols, preserved forever.

00:09:52Here with me, where I can adore you.

00:09:55She'll take me home.

00:09:56Don't bother. I live nearby.

00:09:57Bye.

00:09:57So long.

00:09:57I live nearby.

00:10:27No.

00:10:28No.

00:10:29No.

00:10:30No.

00:10:31No.

00:10:32No.

00:10:33No.

00:10:34Oh, my God.

00:11:04Here are your passports.

00:11:15Welcome.

00:11:16Come on, let's go.

00:11:18Yes, yes.

00:11:22Has been asserted, period.

00:11:26You declare

00:11:26that the aforementioned

00:11:29Nora Colbano

00:11:31was last seen walking

00:11:36in the vicinity.

00:11:39Where?

00:11:39Near the Rivoli Bridge.

00:11:42The Rivoli Bridge area.

00:11:46Officer the Commissioner, who's speaking?

00:11:48Why didn't you stay at home that night?

00:11:50I had a late date, Commissioner.

00:11:53No, we're not sure yet.

00:11:54We're investigating.

00:11:55Who's that?

00:11:57Reporter.

00:11:58I'm not in hang-up.

00:11:59No, I can't now.

00:12:01I've got work to do.

00:12:02I'll call you later.

00:12:04I've been told that another girl

00:12:05has been lost in the lagoon.

00:12:07Well, I can only tell you

00:12:08that we've been asked

00:12:08to investigate her disappearance.

00:12:10And you haven't found the body as yet.

00:12:12Oh, say, Shira,

00:12:13how old would you say this girl is?

00:12:15She's 18.

00:12:16Ah, thanks a lot.

00:12:20Good evening.

00:12:21Evening.

00:12:22Provost?

00:12:23Hello, Carlo.

00:12:24Always at it, huh?

00:12:25Andrea, you want a byline on this article?

00:12:30I sure do.

00:12:40Work all day?

00:12:41Sure.

00:12:42Sure did.

00:12:44Why do you ask?

00:12:45Hmm.

00:12:47You really puzzled me, you know?

00:12:49I don't even have time

00:12:51to get me a shave.

00:12:52And you look as slick

00:12:53as a movie idol.

00:12:55Ah, you're in the wrong business,

00:12:57my friend.

00:12:58Why, I just have a good razor.

00:13:01Andrea, the editor wants you.

00:13:04Ah, Carla,

00:13:05search in the files

00:13:06and get all you can find

00:13:07on those drowned girls

00:13:08whose bodies were never recovered.

00:13:10All of them?

00:13:10Yes, especially their ages.

00:13:12I can't print this story, Andrea,

00:13:24without some concrete proof.

00:13:25This stuff is dynamite.

00:13:27I'm firmly convinced

00:13:28of everything I wrote here.

00:13:30The circumstances

00:13:31are certainly strange, I agree.

00:13:33But a maniacal sex fiend,

00:13:35a monster...

00:13:36A monster, precisely.

00:13:37Dennis is hiding a monster.

00:13:38But nobody but you

00:13:39believes that.

00:13:40Get me the proof

00:13:42and then I'll print

00:13:42anything you want me to.

00:13:44I'll find it.

00:13:47We'll print this and this.

00:13:53Hello.

00:13:55Here's the data

00:13:56that you wanted.

00:13:56The ages of the girls

00:13:57who are missing

00:13:58vary from 17 to 18.

00:14:00Thanks.

00:14:01Sure.

00:14:01That's why I believe

00:14:13a maniac committed

00:14:13these murders.

00:14:15Now, please spare me

00:14:16the benefit

00:14:17of these fiction stories

00:14:18you've been dreaming up,

00:14:19Rubus.

00:14:19Search among the girls' friends

00:14:30and you'll see

00:14:31everything will be solved

00:14:32much more quickly

00:14:33and with less fuss

00:14:35and fanfare.

00:14:36But still, Commissioner,

00:14:37there have been cases

00:14:37like this in the past.

00:14:41You want my job, Marshal?

00:14:44No, sir.

00:14:46Well, let me worry about it.

00:14:47Simply try following orders

00:14:48and stick to the facts.

00:14:52And this story,

00:14:53if you'll allow me to say so,

00:14:55should be serialized

00:14:56for the readers

00:14:59of comic books.

00:15:00Good day, sir.

00:15:05Excuse me, Commissioner,

00:15:06if I've made you lose

00:15:07your precious time.

00:15:09Good day.

00:15:09Goodbye.

00:15:17Now I begin to see

00:15:18why murder's committed.

00:15:19What a hard head.

00:15:20You've got to admit

00:15:21that your story's

00:15:22difficult to digest,

00:15:24even for those

00:15:24that are much more

00:15:25intelligent than he is.

00:15:26You believe it, though?

00:15:28No, I don't say

00:15:28that I believe it.

00:15:30I say only

00:15:30that it's possible.

00:15:32That's all.

00:15:33But we'll talk later.

00:15:34I have to be moving.

00:15:35Stick to the facts!

00:15:36You imitate him well.

00:15:37Extra, another girl

00:15:52disappears mysteriously.

00:15:53Extra, read all about it.

00:15:55Girl missing.

00:15:56Extra, girl missing.

00:15:59Boy, what a headache

00:15:59I've got.

00:16:00My mouth's bone dry.

00:16:01That wine from last night

00:16:02must have been bad.

00:16:04Oh, don't you start

00:16:05blaming the wine.

00:16:06You just can't drink,

00:16:07that's all.

00:16:08You just smell the cork

00:16:09and you pass out.

00:16:10You, you're the one.

00:16:11If I hadn't taken you

00:16:12home with me,

00:16:13you'd have slept

00:16:14on a boat or a bridge.

00:16:15What kind of a fool

00:16:16do you think I am?

00:16:18Why, look at you.

00:16:20Could a little fish

00:16:21such as you

00:16:21be able to carry home

00:16:23a big man like me?

00:16:24Don't push me

00:16:24or I'll bring you see.

00:16:25Better not try it.

00:16:27I can break you up

00:16:28in little pieces

00:16:28and put you right here

00:16:29in my coat pocket.

00:16:30Oh, you put me

00:16:31in your pocket, will you?

00:16:32You don't know

00:16:33how strong I am.

00:16:34Fighting again, eh?

00:16:36You two seem

00:16:36to be always battling

00:16:37every time I see you.

00:16:40What's wrong now?

00:16:42He's been bugging me, Andrea.

00:16:43I should give him

00:16:44a sock in the mouth.

00:16:45That sure would fix him.

00:16:46Man, you try that

00:16:47and I'll bust you one.

00:16:48Come on, boys.

00:16:49That's enough now.

00:16:49How about joining me

00:16:50in a drink?

00:16:51Oh, thanks, Andrea,

00:16:51but I never drink

00:16:52on the job.

00:16:53Ah, they're arriving

00:16:54pretty early today, eh?

00:16:55Hey there, miss.

00:16:59Fraulein.

00:17:00Mademoiselle Porter.

00:17:01Carry your bag.

00:17:02Si vous plaît.

00:17:02Thank you, huh?

00:17:03No?

00:17:04All right.

00:17:04Too bad for me.

00:17:08I'm sorry, Andrea,

00:17:09but he needs a good lesson.

00:17:11I guess you're right.

00:17:11Oh, it's the matter.

00:17:12Students.

00:17:12I always get them.

00:17:14There'll be others.

00:17:15Here.

00:17:17Please, sir.

00:17:18Can you tell me

00:17:18where this hotel is?

00:17:20Oh, it's not very easy

00:17:21to get there, signorita.

00:17:22Anyway, I'll be glad

00:17:23to take you

00:17:23as I'm going that way.

00:17:25Come on, girls.

00:17:26It's a pleasant ride

00:17:27along the Grand Canal.

00:17:29You'll be able

00:17:30to see St. Mark's Square.

00:17:32I sure wish the girls

00:17:33would fall for us

00:17:34the way they fall for him.

00:17:36Did you see that baby?

00:17:38If she ever saw me

00:17:39when I'm dressed up.

00:17:40Oh, stow it, Don Juan,

00:17:41and get on with your sweepin'.

00:17:43My throat is dry,

00:17:44and I'm getting me

00:17:45a quart of wine

00:17:45to salute those lovely beauties.

00:17:51There.

00:17:52And that's the Isla de la Giudeca.

00:17:54What are you called that?

00:17:55Yes.

00:17:57What are you saying?

00:17:58Isla de la Giudeca.

00:17:59Yes, that's what you see.

00:18:00And over there is San Giorgio.

00:18:02San Giorgio.

00:18:03Yes.

00:18:04Oh, yes.

00:18:04I remember.

00:18:05I remember.

00:18:05Yes.

00:18:06I remember.

00:18:09Those are the San Marco docks.

00:18:11San Marco.

00:18:12Yes, where is it?

00:18:13And down there is

00:18:14Piazza San Marco,

00:18:15St. Mark's Square.

00:18:16Where?

00:18:17Is it going on the right?

00:18:18That's right.

00:18:19Where's the place?

00:18:19We've got some of the right.

00:18:20Oh, that's close.

00:18:21Oh, yes.

00:18:21I did.

00:18:22Yes.

00:18:23Have you heard?

00:18:29Another girl is missing.

00:18:31That's the news

00:18:32the whole town is talking about.

00:18:34No one speaks of anything else.

00:18:37Don't give it a thought.

00:18:39Everyone likes detective stories.

00:18:40I agree.

00:18:41That's so.

00:18:42But facts are facts.

00:18:43The girl has disappeared.

00:18:44Nobody denies that, Mr. Thornton.

00:18:46But who can say why?

00:18:48Certainly not the newspapers.

00:18:50Quite right, Commissioner.

00:18:51I agree with you,

00:18:52since not even your forces

00:18:53who are experts can.

00:18:54Of course.

00:18:54In cases like this,

00:18:56unfortunately,

00:18:56what we believe is an accident

00:18:58is more likely a crime.

00:18:59It's a mistake.

00:19:00I say a big mistake.

00:19:03I don't say those girls

00:19:05weren't done away with,

00:19:06but it's much more likely

00:19:07that they ran away.

00:19:09If there's a criminal involved,

00:19:11when he trips up,

00:19:12which he's bound to do,

00:19:13we'll get him.

00:19:14Don't you worry.

00:19:15Watch it, Commissioner.

00:19:16He could be so clever,

00:19:17he might be murdering them

00:19:18under your nose

00:19:19and you wouldn't suspect it.

00:19:20By heavens,

00:19:23you're suggesting that

00:19:25perhaps the guilty one

00:19:26might be someone

00:19:28right here amongst us?

00:19:30Bah, it's faith we must have.

00:19:33The world's mad.

00:19:35Ah, yes.

00:19:36Unfortunately,

00:19:37I'm afraid that you're right, Father.

00:19:39Excuse me?

00:19:43I'll be right there.

00:19:46Oh, that's Shearer.

00:19:47If he could only track down suspects

00:19:49as easily as he finds me,

00:19:51he'd be the best detective

00:19:52in the world.

00:19:54Do what he calls me.

00:19:55Sorry.

00:19:55Goodbye.

00:19:56All right.

00:19:57Goodbye, Commissioner.

00:20:18Good afternoon.

00:20:19Well, here you are

00:20:21at your hotel, Miss Marine.

00:20:22Please excuse us

00:20:23for all the trouble

00:20:24that we have put you to, Andrea.

00:20:26It's been a real pleasure,

00:20:27Miss Marine,

00:20:27especially to make

00:20:28your acquaintance.

00:20:29And I hope we can meet again

00:20:30before you leave.

00:20:32I'd enjoy that.

00:20:33You're an excellent guy.

00:20:35I must go.

00:20:36Goodbye, Marine.

00:20:37I leave it at Shearigatze.

00:20:38Bye.

00:20:39Thanks.

00:20:41Show your passports, girls.

00:20:42Good morning, Mr. Dorey.

00:20:55Good morning.

00:20:56New arrivals?

00:20:57Yes, sir.

00:20:57The group that we were

00:20:58expecting from Rome.

00:20:59Ah, that's fine, Franco.

00:21:00May I welcome you

00:21:15and the young ladies

00:21:16in your company.

00:21:17May your stay be pleasant.

00:21:19And if there is anything

00:21:20you might be needing,

00:21:22will you ask me personally, please?

00:21:24I will be always

00:21:25at your disposal.

00:21:27That's really very thoughtful of you,

00:21:28I must say.

00:21:30Many thanks.

00:21:31We really appreciate it.

00:21:32Grazie.

00:21:33Buongiorno.

00:21:34Buongiorno, Mr. Dorey.

00:21:36And what does he do here?

00:21:38He's the manager of this hotel.

00:21:40Oh, I see.

00:21:48And you're on the first floor.

00:21:57But why can't she be with us?

00:21:58I haven't any more rooms

00:21:59on your floor, miss.

00:22:01But as soon as one's free,

00:22:02I'll reserve it at once

00:22:03for the signorina...

00:22:05Grace.

00:22:06Va bene?

00:22:08Very well.

00:22:09Grazie.

00:22:11Excuse me,

00:22:12but there are still two rooms

00:22:13free on the fifth floor

00:22:14with the other girls

00:22:14in the group.

00:22:15Oh, yes?

00:22:16I wasn't aware of that.

00:22:17Anyway, it's the same thing.

00:22:19Because they all have rooms,

00:22:20Luigi.

00:22:20That's the point.

00:22:21Certainly, sir.

00:22:22The main thing is that

00:22:23they all have rooms.

00:22:25Main desk.

00:22:28Where are we going?

00:22:29Oh, no, I know.

00:22:31I said, man.

00:22:32No, they're not.

00:22:34Come on.

00:22:48Hello, how are you?

00:22:55Hello.

00:22:55Fine, thanks.

00:22:57It's good to see you again.

00:22:58Andrea,

00:22:59I'd like you to meet

00:23:00some friends of mine.

00:23:02With pleasure.

00:23:05Now, here they are.

00:23:07Miss Catherine,

00:23:08Senor Andrea.

00:23:09How do you do?

00:23:09Professor Schwartz,

00:23:10Senor Andrea.

00:23:11Delighted to meet you.

00:23:12Won't you sit down?

00:23:13There.

00:23:17Nice day.

00:23:18Lovely.

00:23:19Hello, everyone.

00:23:20May I join you?

00:23:21Certainly.

00:23:23Say, you're not from

00:23:25this marvelous city

00:23:25by chance, are you?

00:23:27Why, yes.

00:23:28I am.

00:23:28A Venetian.

00:23:30He's a real Venetian.

00:23:31He can be our guide.

00:23:33Now, please, Catherine.

00:23:34I'm sure he must have

00:23:36more important things.

00:23:38Do you have

00:23:38more important things?

00:23:40Well, yes,

00:23:41I'm a newspaper man,

00:23:41but I'll be happy

00:23:42to take you tomorrow

00:23:43any place you'd like to see.

00:23:46Senor, Ina.

00:23:47All of us will be

00:23:48very grateful, Andrea.

00:23:50Venice is a most marvelous

00:23:52city for us,

00:23:53but at times

00:23:54it seems more like

00:23:55a labyrinth.

00:23:57Yes, that's the impression

00:23:58it gives one.

00:23:59But when you know it,

00:24:00you can get around

00:24:00quite easily.

00:24:02Ah, he also knows

00:24:03Venice, he says.

00:24:04But only the ancient one,

00:24:06so we wouldn't get far,

00:24:08would we now, nephew?

00:24:10Uh, how's that?

00:24:11What did you say?

00:24:11Yes, certainly, Andy.

00:24:12Any place.

00:24:14I think that it should be

00:24:16right here.

00:24:18What's that?

00:24:19The professor is interested

00:24:20in research on the

00:24:22antiques and

00:24:23facades of Venice.

00:24:25They say,

00:24:26if I have it clear,

00:24:27that the city is

00:24:28beginning to sink

00:24:29under the water.

00:24:30It's sunk already,

00:24:31Marine.

00:24:32In many places.

00:24:33Over several meters.

00:24:35In fact,

00:24:36Venice is interesting

00:24:37because it's being

00:24:38continually eroded

00:24:38by the waters

00:24:39which surround it.

00:24:41Well,

00:24:42tomorrow morning

00:24:42we shall count on you.

00:24:44Yes, certainly.

00:24:46Oh,

00:24:46I have to go now.

00:24:48Goodbye.

00:24:49Goodbye.

00:24:50Goodbye.

00:24:50See you tomorrow.

00:24:51Professor?

00:24:51Nice meeting you, sir.

00:24:52A cup of coffee, please.

00:25:05Yes, sir.

00:25:15The whole church

00:25:16is built entirely on pilings.

00:25:18It's charming.

00:25:20In what year

00:25:21was it constructed?

00:25:22Do you know, Andrea?

00:25:23I'm afraid I'm bad

00:25:25on dates, signorina.

00:25:25They're not my forte.

00:25:26Tomorrow I'll bring

00:25:27my nephew along

00:25:28because he knows

00:25:30the dates to everything.

00:25:31Certainly.

00:25:32Shall we go?

00:25:33Yeah.

00:25:34Yeah.

00:25:35Yeah.

00:25:36Yeah.

00:25:37Yeah.

00:25:38Yeah.

00:25:39Yeah.

00:25:40Yeah.

00:25:41Yeah.

00:25:42Yeah.

00:25:43Yeah.

00:25:44Yeah.

00:25:45Yeah.

00:25:46Yeah.

00:25:47Yeah.

00:25:48Yeah.

00:25:48Look, didn't I tell you

00:26:04that she's mad about him?

00:26:05That's strange.

00:26:06I figured she was

00:26:07indifferent to all men.

00:26:08I've never seen her

00:26:09so friendly with anyone.

00:26:11Well, who wouldn't

00:26:11fall in love in this town?

00:26:13It's really so marvelous

00:26:15and everyone so pleasant.

00:26:16I can't happen.

00:26:17Yeah.

00:26:18Hey.

00:26:21Hey!

00:26:24Hi.

00:26:24Oh well.

00:26:25Hey.

00:26:27Hey, Hey.

00:26:37Hey.

00:26:38Hey.

00:26:40Hey, You.

00:26:41Oh, my God.

00:27:11Oh, my God.

00:27:41Oh, my God.

00:28:11I'm I'm

00:28:16I'm

00:28:17I'm

00:28:18I'm

00:28:23I'm

00:28:28I'm

00:28:29Yes

00:28:30It's a good orchestra.

00:29:00You will stay with me always. You won't be lonesome, for I shall bring you others. But only the most beautiful, so your loveliness can be preserved forever. Here, in my temple of beauty.

00:29:22Well now, Professor Schwartz, still probing, searching?

00:29:24I think I've figured out the place exactly.

00:29:29Why don't you dance with that pretty girl?

00:29:31I just don't want to.

00:29:32You're timid.

00:29:33Why not dance with me then? All right, won't you?

00:29:36What's that?

00:29:38I can't make out anything.

00:29:45I can't make out anything.

00:29:57I can't make out anything.

00:30:04Ginger, whoever joins me now.

00:30:05Baby!

00:30:06Baby!

00:30:07Baby!

00:30:08Baby.

00:30:09Baby!

00:30:12Daddy.

00:30:13Somebody.

00:30:14Daddy.

00:30:15Father?

00:30:17W filled out?

00:30:19notwithstanding my 42 years i still feel in very good shape she's fairly honest she's only taken

00:30:38off 20 well they say you're as young as you feel may i join you sit down say maybe you can tell me

00:30:44where i might be able to find a deep sea dive oh i haven't the faintest idea but the hotel might tell

00:30:50you what are you mumbling about you two what happened nikki the lights will come back on

00:31:14look it's a guitar

00:31:30one terribile sventura se ha battute su di me e su quanti questa sera stanno seduti accanto a me

00:31:54scenderà scenderà scenderà scenderà scenderà una maledizione ad ognuno di noi una maledizione ad ognuno di noi

00:32:09una maledizione ad ognuno di noi una maledizione ad ognuno di noi una maledizione ad ognuno di noi

00:32:22sono l'oggiato di mistero che si è chiuso su di noi

00:32:28at least this number's pretty different though scary i would say good looking boy

00:32:54good night see you tomorrow

00:33:17good night

00:33:24good night

00:33:28good night

00:33:32Let's go.

00:34:02Let's go.

00:34:32Thanks. I must be going.

00:34:47Excuse me, will you, dear, but duty is calling. I'll see you tomorrow at the hotel.

00:34:58I'm going to call it a night. I'm tired out.

00:35:00Are you going too, Grace?

00:35:02Yes. Good night.

00:35:03Good night.

00:35:05What a set-up.

00:35:06Good night.

00:35:18anything new sure yeah another girl cashier of a bar near here she was leaving work and going home

00:35:36right along the street and disappeared in the water maybe i don't know probably that's the story

00:35:40a neighbor who suffers with insomnia said he heard a kind of a stifled cry of a woman

00:35:46and then the sound of something falling in the water there by that bank we found the girl's purse

00:35:53and in the middle of those plants over there we found a piece of the scarf that she was wearing

00:35:58and what's more there

00:36:01i was right it is the monster there's no doubt about it it's it's all clear now she was near the water

00:36:10and a young victim probably she was very pretty aren't you convinced yet a young girl's missing

00:36:16and her body's now most probably floating towards the grand canal as for the rest i wouldn't say yes

00:36:23or no it's got to be as i say this girl wasn't drowned it was a maniac if that's the case where

00:36:29does he take them huh it's just what i can't figure out but i will where does he hide them

00:36:35and then i will where does he hide them at the time of the water

00:38:24My secret potion will penetrate every cell in your body, keeping you eternally beautiful.

00:38:30Death cannot destroy you.

00:38:40I have preserved your beauty for the ages.

00:38:43No one can duplicate my secret formula.

00:38:59Ah, you are even more lovely than you were in the other life.

00:39:10Andrea.

00:39:11I'm in a hurry.

00:39:12I'll see you later.

00:39:12Too bad.

00:39:13If you had arrived before dawn, you would have seen a fish all lighted up.

00:39:16It passed right below us.

00:39:18No, I don't believe him.

00:39:19I was standing there myself.

00:39:21I didn't see anything.

00:39:22We'll talk about that the next time we see each other.

00:39:24Give me back that glass.

00:39:24I want a little sip.

00:39:28Hey, that's some little sip.

00:39:29It's going to be found right here.

00:39:41But to ascertain the facts I've gathered, I'll have to review my findings.

00:39:54After examining the above-mentioned facts, it is advisable, given the instability of the mass of clayish subsoil,

00:40:12to concentrate on the erosion rate of same, and using the Jones formula, calculate the degree of submersion in the fourth quadrant.

00:40:24Perhaps here in the cellars.

00:40:32There's where there might be something interesting.

00:40:34Good evening.

00:40:41Did you enjoy yourselves?

00:40:42Yes, thank you very much.

00:40:44You are?

00:40:49I'm so tired.

00:40:50I sure would like a nice hot bath before going out tonight.

00:40:53We'll see you later.

00:40:54520.

00:41:34Luigi, take over.

00:41:54I have to go out.

00:42:04I have to go out.

00:42:34I have to go out.

00:43:04All right.

00:43:13I have to go out.

00:44:19Yes, the boss is out.

00:44:25So I called you.

00:44:26I'll see you later.

00:44:27All right?

00:44:29Oh.

00:44:31All right.

00:44:32I'll be there.

00:44:39At the corner.

00:44:46Sure.

00:44:49You have?

00:44:50Let's get it over with now.

00:45:04All right.

00:45:13Let's go.

00:45:19Hey, it's heavy.

00:45:20I wonder where that nephew of mine is.

00:45:26Bad boy.

00:45:28I haven't seen him since breakfast this morning.

00:45:31He's really been neglecting me.

00:45:33He'll be here.

00:45:34Don't worry.

00:45:35But I'm not worrying, dear.

00:45:37What's wrong?

00:45:41It's all right.

00:45:42You mustn't be afraid.

00:45:43You'll find this number is most amusing.

00:45:46You there.

00:46:07Please turn on the lights.

00:46:08Don't let anyone leave.

00:46:08Call the police at once.

00:46:10Get out of here.

00:46:12and then go.

00:46:42Investigation would indicate that due to the clayish nature of the subsoil and the variation

00:46:52in the substrata, the submerged monastery should be definitely in the area of the...

00:47:12Well, there's not a single trace of the singer.

00:47:27I might have known. He must have murdered him and then took off.

00:47:32We've got to find him, Shira.

00:47:33And the motive?

00:47:35I'll give you that as soon as we bring him in.

00:47:42You'd better alert all the other precincts.

00:47:50Excuse me. Where do they keep the background scenery?

00:48:18In the basement.

00:48:20You're welcome.

00:48:35Mom, Mom, Mom, Mom!

00:49:05Mom, Mom, Mom, Mom!

00:49:35Mom, Mom, Mom, Mom!

00:50:05Mom, Mom, Mom, Mom, Mom!

00:50:35Mom, Mom, Mom, Mom, Mom, Mom, Mom!

00:50:39Oh, hello, Shira.

00:50:43That singer's been in the hospital since Monday.

00:50:46Oh, you believe this alibi clears it?

00:50:48All right, thanks, Shira. So long.

00:50:56I wish I could figure out who killed Schwartz.

00:50:59Poor old Catherine.

00:51:01She had no one else in the world but him, poor soul.

00:51:13There's already a senior email.

00:51:18Here, have another one.

00:51:20Quick, take a look.

00:51:21Here, have another one.

00:51:22Let me see it as well.

00:51:23No, we don't.

00:51:24No, it is.

00:51:24Oh, the God.

00:51:25Oh, the God.

00:51:26Oh, the God.

00:51:27Girl, let's go.

00:51:28Oh, the God.

00:51:29Oh, the God.

00:51:30Oh, the God.

00:51:30It certainly is.

00:51:31Well, it should be a beautiful night, I think.

00:51:35I've been looking forward to this for a long time.

00:51:37What a pretty belt that is, Grace.

00:51:39It's a gift.

00:51:40Oh.

00:51:41Ah, Fred.

00:51:42Oh.

00:51:43Oh.

00:51:44Oh.

00:51:45Oh.

00:51:46Oh.

00:51:47Well, I think you'll enjoy this trip, Marine.

00:51:53It's really the best way to see the city.

00:51:56Yeah.

00:51:57I'm sure it is.

00:51:58Well, maybe you'll think it's overrated because I'm excited.

00:52:01It's not as easy as a look.

00:52:14I was afraid that they're in a second shape.

00:52:15Oh.

00:52:16Oh.

00:52:17Oh.

00:52:18Oh.

00:52:19Oh.

00:52:21Oh.

00:52:22Oh.

00:52:23Oh.

00:52:24It's not as easy as it looks.

00:52:26I was afraid that they're in the second ship.

00:52:28Oh, oh, oh!

00:52:32Oh, yes, you are.

00:52:34Yes, you are.

00:52:36Here we are again.

00:52:54Oh, my God.

00:52:58Oh, my God.

00:53:02Is that my friend?

00:53:03That's me.

00:53:04Yeah, that's it.

00:53:06Oh, my God.

00:53:08I'm afraid to come up with that.

00:53:10That's what I'm afraid of.

00:53:14And that's when it is.

00:53:16He's going to go up life.

00:53:19When he hit it, he says what was going on?

00:53:21Oh gosh, Kitty, did you see them?

00:53:32They're kissing, look.

00:53:51And I still don't know what to do.

00:54:21They'll say, I'm cold, see?

00:54:22Oh, but it's so beautiful out.

00:54:28You need Andrea.

00:54:51It's all right.

00:54:54Come on.

00:54:58Are they all here?

00:55:14I think so.

00:55:17How did it happen?

00:55:19Nobody knows, Maureen.

00:55:20We just capsized and we're in the water.

00:55:22It wasn't bad, though.

00:55:23I kind of liked it.

00:55:24Where's Grace?

00:55:25Grace is missing.

00:55:26Have any of you seen Grace?

00:55:27What's wrong?

00:55:28We're missing a girl.

00:55:29A girl is missing.

00:55:31Have you seen her?

00:55:31Have you seen a girl wearing a green dress?

00:55:34Now calm down, Maureen.

00:55:35Getting excited won't help.

00:55:37Did you see anyone else?

00:55:38No, I fell in too.

00:55:39Was she able to swim?

00:55:40Yes, she was a very fine swimmer.

00:55:42You'd better go inside.

00:55:43I'll call the police.

00:55:44Here, I'll give you a hand.

00:56:04Again, we haven't found a thing.

00:56:18I'm beginning to believe your story.

00:56:20Mm-hmm.

00:56:20Well, we might as well go back.

00:56:22There's nothing more we can do here.

00:56:24Yeah, you're right.

00:56:36I saw it, too.

00:56:36The same thing.

00:56:38Huh.

00:56:39Andrea, Andrea, I was wrong.

00:56:40I just saw it myself.

00:56:41I swear.

00:56:41What did you see?

00:56:42The fish with a lamp on it.

00:56:43It went behind there.

00:56:44Come here and I'll show you, Andrea.

00:56:46We both saw it pass and disappear near that piling.

00:56:48More that way.

00:56:49Nearer the piling, I told you.

00:56:51I've seen it lots of times.

00:56:52All you've ever seen was in a bottle.

00:56:54It was much further on, near that skit.

00:56:58He slept there last night.

00:56:59That's how he saw it.

00:57:01Something's floating there.

00:57:02Let's try and get it.

00:57:04Danny, bring me that line attached to that iron bar.

00:57:06Huh.

00:57:08What we need is an oar.

00:57:09Why don't you just jump in?

00:57:10What do you think I am, a deep-sea diver?

00:57:14Deep-sea diver.

00:57:16The professor wanted one.

00:57:18Give me that oar.

00:57:19Here.

00:57:20There.

00:57:22Why, this is that belt of grace's.

00:57:33Oh, I've decided, Shira.

00:57:35Decided what?

00:57:36Tonight's the night I'm going to fish him out.

00:57:38Wait for me.

00:57:39I'll be right over.

00:57:40I have an appointment with the editor first.

00:57:41Okay, see you soon.

00:57:42I'll be waiting.

00:57:43Ciao.

00:57:43Now, the girl's belt and the underwater light that was seen every time a girl vanished convinced me.

00:57:51So you figure that the maniac is hiding down there underwater?

00:57:54Exactly.

00:57:56And tonight I'm going to find it.

00:57:59My paper can't sanction this.

00:58:01This is just a grandstand play on your part.

00:58:03If you go through with it, I'll have to ask for your resignation.

00:58:06Oh, of course.

00:58:06The paper doesn't want any trouble.

00:58:08Well, I've already written my resignation and it's dated tomorrow.

00:58:12I wouldn't want to be the cause of any problems for you.

00:58:14I don't want to be the cause of any problems for you.

00:58:44Where is that Mr. Torre?

00:58:54He's in his apartment.

00:58:56He never goes out at night.

00:59:05Mr. Torre?

00:59:13Mr. Torre?

00:59:14Mr. Torre...

00:59:27Mr. Torre...

00:59:41Mr. Torre...

01:00:12All right, listen.

01:00:31When you believe I've reached the place where that lamp went out, pull this cord.

01:00:34I sure will. Don't worry.

01:00:36Hey, give me that. I know the place. Leave it to me.

01:00:42I know the place.

01:01:12Don't worry.

01:01:14Don't worry.

01:02:19Look there, Nanny.

01:02:32He looks just like that fish we saw.

01:02:35He sure does.

01:02:36Pull the cord. He's there.

01:02:37No, he's not yet. It's more to the left.

01:02:39He's there.

01:02:40No, he's there.

01:03:10No, he's there.

01:03:40No, he's there.

01:04:10No, he's there.

01:04:40No, he's there.

01:05:10No, he's there.

01:05:40Hey, will you two get together?

01:05:43It was much closer. Not over there.

01:05:46It was around here. I know best.

01:05:48Darn fool.

01:05:49You fighting again?

01:05:50Come on, boys, watch me, huh?

01:05:53Tuck the cord.

01:06:01Tuck the cord.

01:06:01Tuck the cord. He's there.

01:06:06There's more to the left.

01:06:07Cut it out.

01:06:07It's there, I tell you.

01:06:08If we don't stop arguing.

01:06:10If we don't stop arguing, he'll stay in there all night.

01:06:11If we don't stop arguing, he'll stay in there all night.

01:06:11Cut it out.

01:06:12Hey, leave it to me now.

01:06:13I'll take charge.

01:06:14You big fool.

01:06:15I'll take charge.

01:06:22You big fool.

01:06:24I'll take charge.

01:08:27Call for help.

01:08:28Telephone the police immediately and get Shura.

01:08:31I found it.

01:08:32What did he find?

01:08:33You see where he is?

01:08:39Thanks for having me.

01:08:45I don't know.

01:09:15I don't know.

01:09:45I don't know.

01:10:15I don't know.

01:10:45I don't know.

01:11:15I don't know.

01:11:45I don't know.

01:12:15I don't know.

01:12:45I don't know.

01:13:14I don't know.

01:13:44I don't know.

01:14:14I don't know.

01:14:44I don't know.

01:15:14I don't know.

01:15:44I don't know.

01:16:14I don't know.

01:16:44I don't know.

01:17:14I don't know.

01:17:44I don't know.

01:18:14I don't know.

01:18:44I don't know.

01:19:14I don't know.

01:19:44I don't know.

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