mansion of the doomed / 1976 movie

retro tv gold

A mad scientist fills his basement dungeon with victims in an insane attempt to restore his daughter's eyesight.

Transcript

00:00:00Transcription by CastingWords

00:00:30Let's go.

00:01:00Let's go.

00:01:30Let's go.

00:02:00I'm a scientist.

00:02:03No more nightmares.

00:02:06I must find the answers logically without passion.

00:02:11And I will.

00:02:14This is my research.

00:02:15I need to narrow the field even more.

00:02:21Let's see.

00:02:23Artificial vision unit.

00:02:25Subminuous to your television camera.

00:02:27Implant it in a glass eye.

00:02:30Electrodes in the cranium stimulate the visual cortex.

00:02:34Yes.

00:02:37This was how long before they begin to affect the brain.

00:02:41Not so good.

00:02:43My Nancy's a healthy girl.

00:02:48That hasn't changed.

00:02:51No matter what she's gone through, she'll always be as she was.

00:02:54Happy.

00:02:56Alive.

00:02:56Don't stop me.

00:03:07Let's race.

00:03:09Okay.

00:03:09One, two.

00:03:11Are you clear?

00:03:13Are you clear?

00:03:13Daddy, I love you.

00:03:31Daddy, I love you.

00:03:34Daddy, I love you.

00:03:36Daddy, I love you.

00:03:38Daddy, I love you.

00:03:39Daddy, I love you.

00:03:41Is it mandatory, make it mandatory, any usable pair of eyes upon the death of its owner

00:03:56will be automatically removed and stored in the nearest eye bank.

00:04:04Dr. Brown, Dr. Cheney, at the risk of compounding your displeasure with me,

00:04:08some of us would still like to get your opinion.

00:04:10Dr. Boran of Dublin and his theory regarding eye transplants.

00:04:15He goes on to say...

00:04:16Dr. Boran is entitled to his theory.

00:04:19But as I said before, I do not choose to go in that direction.

00:04:24No. No, I would not care to go that far.

00:04:28No. No, I could never go that far.

00:04:35Never that far.

00:04:36Yet who would have predicted that dreadful day how far I might have to go?

00:04:44Daddy, look out!

00:04:44No! No!

00:04:46I must haveJean!

00:04:47I must have attained my recurrence!

00:04:48Let's go.

00:05:18Let's see. Can you see the beam?

00:05:21No.

00:05:25Nothing.

00:05:35My God.

00:05:48Let's go.

00:05:50Let's go.

00:05:51Let's go.

00:05:52Let's go.

00:05:53Let's go.

00:05:54Let's go.

00:05:55Let's go.

00:05:56Let's go.

00:05:57Let's go.

00:05:58Let's go.

00:06:08Oh.

00:06:11Oh, there are new theories that lead to dead ends.

00:06:15Len, why don't you talk it over with your colleagues?

00:06:19I can't just wait for somebody to hand me the solution.

00:06:23I've been thinking about that Irish doctor. What's his name?

00:06:27Boran.

00:06:28Boran.

00:06:29Yeah.

00:06:30Now, his concept comes closest to being the best.

00:06:33His idea is to transplant the cornea from one live element to another,

00:06:37and he's done just that with animals.

00:06:39An animal cornea can be transplanted into a human?

00:06:42No.

00:06:43No.

00:06:44No.

00:06:45The secret is something else.

00:06:46A live element transplanted into another.

00:06:48Yes.

00:06:49Yes.

00:06:50Yes.

00:06:51But not just the cornea.

00:06:52It wouldn't help, in Nancy's case.

00:06:53It could be the entire eye.

00:06:58Entire eye.

00:07:00She's... she's blind, Len.

00:07:07Nancy is going to have her sight back.

00:07:09Now, I don't appreciate your pessimism.

00:07:11That's not fair.

00:07:15Oh, I'm sorry, Cathy.

00:07:18After her mother died, if you wouldn't come along,

00:07:20I don't know how I'd have raised her.

00:07:25Transplant the entire eye.

00:07:28That would destroy the optic nerve.

00:07:35How do we know?

00:07:38How do we know it won't work?

00:07:42Unless I try.

00:07:58Nancy.

00:08:01You haven't been up here in days, Father.

00:08:04Believe in me, baby, believe in me.

00:08:09It's not your fault, Father.

00:08:11You can't help me.

00:08:13Then help yourself.

00:08:16Come out of this room.

00:08:18Go sit to the pool, take walks with Catherine, anything.

00:08:21Anything.

00:08:32Baby, uh...

00:08:35Why don't you come down this evening?

00:08:38Get up dinner together.

00:08:40You call up Dan and ask him over.

00:08:43That's finished.

00:08:46I thought you loved him.

00:08:51I do.

00:08:55Ah!

00:09:12You can't have to pay attention.

00:09:13I don't know.

00:09:14I know.

00:09:15I don't know.

00:09:16I know.

00:09:17I don't know.

00:09:18I know.

00:09:19I'm sorry.

00:09:20I can't wait.

00:09:22I'm sorry.

00:09:24I don't know.

00:09:26I'm sorry.

00:09:28I don't know.

00:09:30OK.

00:09:32I can't wait.

00:09:33Let's get started.

00:09:54Thank you, Catherine.

00:09:55Catherine, would you love me to get ready for dinner?

00:10:03Dan, do you remember the day of the accident?

00:10:10Yes, that was a very ironic day.

00:10:15Well, in my lecture that morning, you spoke about the theory of transplanting the cornea from one live animal to another.

00:10:22You said you could never go that far.

00:10:25Sometimes things happen that make you want to go farther.

00:10:29And I did.

00:10:34We still have a few minutes before Nancy comes down.

00:10:37Come on, let me show you something.

00:10:49Now, remember, Moran's work only involved transplanting the cornea from one live animal to another.

00:10:56Before you look at these animals, I'd like you to keep this in mind.

00:11:07This one originally had blue eyes.

00:11:10This one.

00:11:11This one.

00:11:12The brown teeth.

00:11:17It's all right.

00:11:18I have removed one eye from each dog and transplanted it into the other.

00:11:28In its entirety.

00:11:29It's impossible.

00:11:31As you see.

00:11:32How?

00:11:35Not how.

00:11:36Why?

00:11:38Why?

00:11:39It brings me that much closer to giving Nancy back her son.

00:11:46Animals' eyes don't work in humans.

00:11:48No.

00:11:49No.

00:11:50No.

00:11:51No.

00:11:52But human eyes wake another humans, don't they?

00:11:53Sure.

00:11:54You're corneous for cadavers.

00:11:58You get them at the eye back.

00:12:00I'm talking about eyes from the living.

00:12:02You all right?

00:12:03Mary.

00:12:05One who loved her nothing, you love Nancy, don't you?

00:12:08Oh, Nancy.

00:12:10You love her enough to give up your eyes for her.

00:12:12I know I give up my own blandly, but...

00:12:15Give up my eyes? I can't.

00:12:20I can't.

00:12:21I can't.

00:12:23You love her enough to give up your eyes for her.

00:12:25I know I give up my own blandly, but...

00:12:28Give up my eyes? I can't.

00:12:31give up my eyes

00:12:42I can't

00:12:43I think you can

00:12:50my eyes

00:13:01I can't

00:13:31I can't

00:13:50I can't

00:13:52That's enough.

00:14:04Let's begin.

00:14:08Let's go.

00:14:16Start the count.

00:14:22Let's go.

00:14:38Of course, yes.

00:14:43Sterilize.

00:14:52Nineteen minutes, thirty-one seconds.

00:15:05Doing fine.

00:15:19Nancy.

00:15:22Say something, darling.

00:15:25You must talk to me if I'm to help you.

00:15:28No, please.

00:15:31Fuck.

00:15:35Fuck.

00:15:37Fuck.

00:15:39Fuck.

00:15:42Fuck.

00:15:47Fuck.

00:15:50Fuck.

00:15:52Fuck.

00:15:54Fuck.

00:15:56Fuck.

00:16:00Fuck.

00:16:02Fuck.

00:16:03Open your eyes, baby.

00:16:33Open your eyes, baby.

00:17:03Open your eyes, baby.

00:17:33Open your eyes, baby.

00:18:03Open your eyes, baby.

00:18:33Open your eyes, baby.

00:18:35Open your eyes, baby.

00:18:39Open your eyes, baby.

00:18:45Open your eyes, baby.

00:18:47Open your eyes, baby.

00:18:51Open your eyes, baby.

00:18:57Open your eyes, baby.

00:18:59Oh, you're going to the hospital?

00:19:01I have to make a good impression.

00:19:03They'll probably send you to Sweden for one of those prizes.

00:19:07Well, what are you doing today?

00:19:09Oh, I've been thinking a lot about Dan lately.

00:19:13I thought maybe I'd drive over there and see him.

00:19:17You know, I don't think that's such a good idea.

00:19:20See, in just a couple of weeks, those scars will be gone.

00:19:23You'll be able to see what you're best.

00:19:25I want you to go up to your room, do your eye exercises.

00:19:28Five more minutes today.

00:19:29Keep those eyes working.

00:19:31That's very important.

00:19:33You do your eye exercises how I say and when I say and I say.

00:19:36You do them right now.

00:19:37Okay.

00:19:39You do them right now.

00:20:09Okay.

00:20:39Oh, my God.

00:21:09Hey!

00:21:39Oh, my God.

00:21:46Yoo-hoo.

00:21:47Yes.

00:21:48Yes, darling.

00:21:49I'm sorry to bother you.

00:21:50Have you seen Dr. Bryan today?

00:21:51No, I haven't seen him for quite a while.

00:21:54Oh.

00:21:55Why don't you come and have a cup of coffee?

00:21:57No, thank you.

00:21:58Some other time.

00:22:00Sorry, darling.

00:22:01Sorry, darling.

00:22:08Oh.

00:22:09Oh.

00:22:10Len.

00:22:11Ah.

00:22:12Excuse me, Len.

00:22:15Did the police ever contact you about Dan?

00:22:18Oh, yes.

00:22:19Someone found some.

00:22:20If you have some family trouble like me, something like that.

00:22:25But surely he would have contacted your daughter.

00:22:27They're still engaged, aren't they?

00:22:28You know, this whole thing is lucky to hell out of Nancy.

00:22:29I'll have a lecture.

00:22:37It's good to be back.

00:22:38It's ironic.

00:22:40Today when I saw a son of a son, I saw a son of a son of a son of a son of a son.

00:22:44but they're still engaged, aren't they?

00:22:47This whole thing is knocking the hell out of Nancy.

00:22:49I'll have a lecture.

00:22:55Thank you, thank you.

00:22:58I guess it's good to be back.

00:23:00It's ironic.

00:23:03Today, when I have something really important to tell you,

00:23:05we have less than half the attendance

00:23:07we had the last time I was here.

00:23:09Oh, well, poor devils, they've missed the second coming.

00:23:12If you remember, several weeks ago,

00:23:16we talked about live transplants,

00:23:19and at the time, I brushed the theory aside.

00:23:22But as I drove home, I began to feel guilty.

00:23:25People in our profession should not have closed minds.

00:23:29So, in the next few days,

00:23:31I gathered up all the material I could find on the subject.

00:23:34Now, I know I've been unavailable for some time,

00:23:36but for a very good reason.

00:23:39I studied the theory.

00:23:40I even made some experiments of my own,

00:23:42and I soon realized

00:23:43that Boran had gone quite far in his work.

00:23:49But not far enough,

00:23:50because what I am about to reveal to you

00:23:53is the result of an attempt never before made successfully.

00:23:58Now, as we all know,

00:23:59there are two main problems in eye transplant operations.

00:24:02First, the optic nerve does not regenerate itself

00:24:05like other parts of the body.

00:24:06And second, the operation must be performed

00:24:09without loss of circulation of the retina.

00:24:17I can't see!

00:24:23I can't see!

00:24:25Now, the main danger presents itself

00:24:27when there's damage to one of the optic nerves.

00:24:30The damage can easily spread to both eyes.

00:24:32But, what about...

00:24:34What about attempting the detachment of the entire structure?

00:24:38What...

00:24:38I'm terribly sorry,

00:24:39but there's an emergency phone call from your house.

00:24:42I wouldn't have interrupted,

00:24:43but the lady sounded frank.

00:24:44Excuse me.

00:24:45Deep infection, that's all.

00:25:00There can be no other reason.

00:25:02Perhaps the...

00:25:03the water in the pool,

00:25:06the drive she took,

00:25:10activity,

00:25:11normal reactions,

00:25:13strain,

00:25:13and everything.

00:25:15I cannot work with her new eyes

00:25:17if...

00:25:18it wouldn't stand the proving.

00:25:43Let me look at the eyes, let me look at the eyes.

00:25:46Oh, all right.

00:26:13Let me look at the eyes, let me look at the eyes, let me look at the eyes.

00:26:43Let me look at the eyes, let me look at the eyes, let me look at the eyes.

00:27:13I need new eyes, defective perhaps, yes, but I must take my chances.

00:27:24The problem now is one of longevity, it's a minor one compared to my victory.

00:27:32I cannot afford to make any mistake.

00:27:39I cannot afford to make any mistake.

00:27:40I cannot afford to make any mistake.

00:27:49Hi, how far are you going?

00:28:16I just found for a drive.

00:28:17Where are you heading?

00:28:18Towards old world.

00:28:19This sounds great.

00:28:20Come on.

00:28:49Mr. Benson, bleeding from the retina.

00:28:55Mr. Benson, bleeding from the retina.

00:29:11All right.

00:29:12The keratitis set in, cause an infection.

00:29:15Not uncommon.

00:29:16It just has to be perfected, that's all.

00:29:18All right.

00:29:19Let's prepare for this time tomorrow Nancy will be able to see again and for good.

00:29:25The timing must be off.

00:29:26New resistance as I repeat the operation.

00:29:32The formation of an inner wall I cannot penetrate.

00:29:33That must not cause shock to the brain.

00:29:34That must not cause shock to the brain.

00:29:35I cannot risk going any deeper.

00:29:36I cannot risk going any deeper.

00:29:37I cannot risk going any deeper.

00:29:38I cannot risk going any deeper.

00:29:39I cannot risk going any further.

00:29:40I cannot risk going any further.

00:29:41I cannot risk going any further.

00:29:46This is Doctor Chaney.

00:29:47Doctor?

00:29:48Miss Dunn.

00:29:49Hi.

00:29:50Why don't you come and be seated please?

00:29:51Oh, thank you.

00:29:52Oh, thank you.

00:29:53Well, have a nice day.

00:29:54Come and you have been trying to find a new body.

00:29:56I have a nice day.

00:29:57It's hard for him to come.

00:29:58Do you have to be on the next day?

00:29:59My brother?

00:30:00Well, I have to be on the next day.

00:30:01Can you come and see you?

00:30:02No, you've been on the next day.

00:30:03Oh, the doctor?

00:30:04My mother?

00:30:05I can't even see you on the next day.

00:30:06I have to be on the next day.

00:30:07What's the day?

00:30:08You have to ask for this?

00:30:09I have to be on my next day.

00:30:10Ok, you are so happy.

00:30:12How are you doing?

00:30:13números.

00:30:14Well, you're so happy, right?

00:30:15Oh, thank you.

00:30:18Well, you, according to my secretary,

00:30:20you have some very impressive credits.

00:30:22Now, why would you want to find a domestic?

00:30:25I don't know, Doctor.

00:30:26It's something I've always thought about,

00:30:28and, um, I thought this would be a good time.

00:30:31You see, I'm new out here, and the money's good.

00:30:34It's true, but I always warn you, however,

00:30:36it's time-consuming.

00:30:38I understand this would be for your daughter?

00:30:40That's right, she is better.

00:30:42And I can't give her all the attention she needs.

00:30:44You're free of the moment.

00:30:46In a way.

00:30:47Well, I don't understand.

00:30:48I did specify a full-time nurse.

00:30:50Well, um, let me be honest with you.

00:30:52I didn't tell the agency.

00:30:54I'm married.

00:30:55But my husband travels a lot.

00:30:57Oh, what does he do?

00:30:58He's a United States Marshal.

00:31:00A United States Marshal.

00:31:02He transports prisoners back and forth.

00:31:04Oh, what does he do?

00:31:05He's a United States Marshal.

00:31:07A United States Marshal?

00:31:09He transports prisoners back and forth.

00:31:11across the country.

00:31:13So, most of the time I'm alone,

00:31:14he'd prefer I had a job.

00:31:16And your situation sounds ideal.

00:31:20Yes, well, you sound ideal to us, too, Mrs. Dunn.

00:31:23I still have a few applicants to interview,

00:31:25and, uh, I let you know.

00:31:28You see, I was raised in St. Vincent's Orphanage.

00:31:32Oh.

00:31:33Oh, thank you.

00:31:34You're, uh, no family,

00:31:35or, uh,

00:31:37no husband,

00:31:38or...

00:31:40No.

00:31:41No husband.

00:31:42Uh, no sweethearts, either.

00:31:44I've only been in town a couple of weeks.

00:31:48You know, I think my daughter's gonna thank you, Miss Matthews.

00:31:52You mean I've got the job?

00:31:55When do you start?

00:31:57Um, tomorrow.

00:31:59Uh, okay.

00:32:01In the morning, be fine.

00:32:02Mmm.

00:32:03Oh, would you like a glass of wine?

00:32:14You know, I'm gonna like this place.

00:32:16And sea will have her sight.

00:32:32The skies break my heart.

00:32:35But better sky than sea.

00:32:38Better than blind.

00:32:47Close-ups, Catherine.

00:32:48We'll be behind.

00:32:54Close-ups, Catherine.

00:32:55We'll be behind.

00:33:17A poor subject, surely.

00:33:20There can be no other explanation for this failure.

00:33:23Impaired vision.

00:33:25An unfortunate choice.

00:33:28But I have not run out of donors.

00:33:31Cabiners!

00:33:43She's gonna kill us all.

00:33:47Oh, my God!

00:33:49That bitch.

00:33:52That bitch.

00:33:55Bitch.

00:34:16Sylvia Porter.

00:34:19I'm sorry I'm late, but I was showing another house and I just couldn't get away.

00:34:23Oh, that's quite all right. I just got here myself.

00:34:25Good.

00:34:26Let me point out some of the features of the property.

00:34:29Of course, you've got a sweeping city view. Isn't that stunning?

00:34:33It's usually an extremely quiet neighborhood.

00:34:37It's, uh, combining total privacy with only five minutes from the heart of the city.

00:34:42Is that, uh, is that one of the models over there?

00:34:45Yes, it is. It's not totally completed, but I'm sure that you could get a good indication of what the possibilities are.

00:34:50Could we have a look?

00:34:51Of course.

00:34:52All right, thank you.

00:35:22Well, let's make a good Creamy Alley.

00:35:23My cents and Volume in my case is much of competition, as well.

00:35:33Oh, my!!!

00:35:35No one!

00:35:37Hello?

00:35:39Oh my...

00:35:41Good.

00:35:43Okay, thank you.

00:35:44I'd like to go out of the kitchen.

00:35:46Please, can you see my baby?

00:35:53Is he tall?

00:35:56No. No.

00:36:01I don't care anymore.

00:36:16The operation succeeded. Almost totally in the beginning. Even if it's the third time she could still see for days. I've discovered.

00:36:43Stop.

00:36:45The only thing you'd better discover is a way to get rid of those people.

00:36:52I see Dan has been getting to you.

00:36:55Get rid of those people, then.

00:36:58How would you suggest that we do that, Catherine?

00:37:05Kill them.

00:37:08Kill them. I intend to help these people. And as soon as I succeeded with Nancy, I will.

00:37:14Still condense the time. One more operation. One more.

00:37:24I don't know.

00:37:27What are you doing? What are you doing? What are you doing?

00:37:46Oh my gosh...

00:37:47What are you doing?

00:37:49What are you doing?

00:37:51What is this?

00:37:53What is this?

00:37:59What is this?

00:38:01What is this?

00:38:03What?

00:38:04What?

00:38:09My eyes!

00:38:11My eyes!

00:38:12I can't see it!

00:38:17I can't see it!

00:38:20What happened?

00:38:23What happened?

00:38:25They called me!

00:38:27They called me!

00:38:29They called me!

00:38:31What happened?

00:38:33What happened?

00:38:35What happened?

00:38:37Shh!

00:38:39Quiet, quiet, quiet!

00:38:41Shh!

00:39:08I feel sorry for that young thing.

00:39:10She seemed so right, the eyes were perfect, healthy.

00:39:14But she's stern, she'll not suffer long.

00:39:17There's one basic factor missing in my work, Lord.

00:39:21I must understand why the eyes keep being rejected before I proceed.

00:39:51It's okay, the eyes keep moving.

00:39:54It's okay.

00:39:55I'm so happy.

00:39:57I'm so happy.

00:39:59I'm so happy.

00:40:01I'm so happy.

00:40:03Oh, my God.

00:40:33No more!

00:40:41No more!

00:40:52Katrin, you can't!

00:40:55No more!

00:40:56Katrin, no more!

00:41:00The eyes of the young hold the truth, curious looks of children, probes of the innocent.

00:41:28That's what my Nancy needs, her new vision will regenerate itself for years to come.

00:41:37No more operations.

00:41:40And it will work for all the others.

00:41:43Some must be sacrificed for humanity, not the old and feeble, not eyes of survival,

00:41:50not eyes that have known anguish and pain, no, eyes wide and clear, unspoiled, new and young.

00:42:06Hi.

00:42:16Hi.

00:42:17What are you reading?

00:42:19A woman called Fancy.

00:42:22You know, you're a very unusual little girl.

00:42:23All the other kids are out there playing.

00:42:24You're sitting here with your nose biting a bug.

00:42:25You know, that's the way I was at your age.

00:42:26Never got enough books to read.

00:42:27All the other kids used to make fun of me.

00:42:28They make fun of you?

00:42:29Sometimes.

00:42:30Sometimes.

00:42:31Well, I just hope that what happened to me doesn't happen to you.

00:42:35What's that?

00:42:36I'm almost embarrassed to tell you.

00:42:37You see, as I get older, I find myself wanting to do more of the things that I didn't get

00:42:43enough of when I was a kid.

00:42:44Well, like what?

00:42:45Why?

00:42:46Why?

00:42:47Why?

00:42:48Why?

00:42:49Why?

00:42:50Why?

00:42:51Why?

00:42:52Why?

00:42:53Why?

00:42:54Why?

00:42:55Why?

00:42:56Why?

00:42:57Why?

00:42:58Why?

00:42:59Why?

00:43:00Why?

00:43:01Why?

00:43:02Why?

00:43:03Why?

00:43:04Why...

00:43:05I'd like to go to amusement parks.

00:43:07I'd like to go to Disneyland at least once a month.

00:43:10I love Disneyland.

00:43:11You do?

00:43:12Well, you know, I was going out there for a couple of hours this afternoon but I hate to

00:43:17go alone.

00:43:18Would you like to come with me?

00:43:21Well,

00:43:24Well,

00:43:25we could uh, stop off and tell your parents.

00:43:28Well, could we be back by 6.30?

00:43:30That's the time to come home from work.

00:43:32Oh, so I have an appointment at 6, so we'll be back in plenty of time.

00:43:39Come along.

00:43:41Oh, by the way, what's your name?

00:43:43Libby.

00:43:44Libby.

00:43:45Oh, I'm very glad to meet you, Libby.

00:43:47I'm Mr. Carson.

00:43:48There we go?

00:43:49Okay.

00:43:49Wait, my book.

00:43:50Oh.

00:43:51Oh, book.

00:43:53Here we come.

00:43:58See, we're going to visit my grandmother in Oklahoma,

00:44:01but my father thought we could always do that.

00:44:03So what we're going to do, and since we only get two weeks' vacations,

00:44:06is drive up to San Francisco, swing around Lake Tahoe,

00:44:09and come back to Las Vegas.

00:44:11Then I'll get to see my first Las Vegas show.

00:44:16Wait a minute.

00:44:17This isn't the way to Disneyland.

00:44:18You're heading toward the ocean.

00:44:19I've got one more stop to make before I...

00:44:22Please, I don't think I want to go anymore.

00:44:24Please, let me out.

00:44:25Please.

00:44:26Please.

00:44:27Help.

00:44:28Help.

00:44:29Help.

00:44:31Help.

00:44:32Help.

00:44:33Help.

00:44:34Help.

00:44:35Help.

00:44:36Help.

00:44:37Help.

00:44:38Help.

00:44:39Help.

00:44:40Help.

00:44:41Help.

00:44:42Help.

00:44:43Help.

00:44:44Help.

00:44:45Help.

00:44:46Help.

00:44:47Help.

00:44:48Help.

00:44:49Help.

00:44:50Help.

00:44:51Help.

00:44:52Help.

00:44:53Help.

00:44:54Help.

00:44:55Help.

00:44:56Help.

00:44:57Help.

00:44:58Help.

00:44:59Help.

00:45:00Help.

00:45:01I don't want to take a scar.

00:45:31Can you see him?

00:45:38There he goes.

00:45:39All right, let's get him.

00:46:01Where's the guy that owns that car?

00:46:09That's Dr. Cheney's car.

00:46:11You have an appointment with him?

00:46:12We don't need no appointment.

00:46:14Wait a minute.

00:46:15That's all right, Captain. I'll handle this.

00:46:17Gentlemen, did you, uh, turn this stuff in here?

00:46:20Now, what's this all about?

00:46:35How about that? He wants to know what this is all about.

00:46:41How much do you want?

00:46:45Hey, we're not a wine, uh, make us an offer.

00:46:50All right, I'll, uh, give you $1,000.

00:46:55Okay with you both.

00:46:56Okay with me, gotta take him $500.

00:47:00I don't have that much cash.

00:47:02I have to, uh, check.

00:47:05It's better to be all right. We trust you.

00:47:10I realize you gentlemen are blackmailing me.

00:47:14But I'm, I'm grateful to you for not going to the police.

00:47:18Who should I make it out to?

00:47:20I'll make it out to cash. Uh, cash will be fine.

00:47:23Yeah, cash will be fine.

00:47:25Good.

00:47:26Good.

00:47:27Good.

00:47:28And there we are.

00:47:31Good. No hard feelings.

00:47:34Hell no, Doc. Uh, you made our day.

00:47:37Oh, oh, by the way, would you gentlemen like some wine?

00:47:47Oh, Ben's that. What are you having?

00:47:50Oh, this is, uh, an excellent baton lunch, you say.

00:47:56I think you like it.

00:47:58Yeah, that's my favorite. How about you both?

00:48:01She'd rather take any beer.

00:48:10I trust this has been the end of it.

00:48:13Don't worry, Doc. We will be seeing you again.

00:48:15We've reached the inner wall in half the time.

00:48:28This one will work, I'm sure of it.

00:48:45No. No, still not fast enough.

00:48:59Bring in the other.

00:49:15Al, help me, Al.

00:49:17Help me, Al.

00:49:18Al, wake up.

00:49:19Help me.

00:49:20Al, come on.

00:49:21Al, wake up.

00:49:22Al, what's happening?

00:49:23Al, it's me, Georgie.

00:49:24Help me.

00:49:26Al!

00:49:27Help me.

00:49:28Get me, Al.

00:49:29Come on, Al.

00:49:30Help me.

00:49:31No, no, no, no.

00:49:32You can do it.

00:49:33You can do it.

00:49:34Good.

00:49:35Good.

00:49:36What the hell is this?

00:49:37Come on.

00:49:38Get him, Al.

00:49:39I can see.

00:49:40You can do it.

00:49:41You can do it.

00:49:42I can see.

00:49:43What?

00:49:44I'll take him.

00:49:46What?

00:49:47Why did you take care of me, Georgie?

00:49:49Why didn't you take care of me, Georgie?

00:49:51Georgie?

00:49:52What did you like, girl?

00:49:53Why did you take care of me, Georgie?

00:49:54Where did you take care of me?

00:49:55I'm following me.

00:49:56I'm following you.

00:49:57No, no, no.

00:49:58Hey, hey, hey, hey, hey, hey.

00:49:59No.

00:50:04Put it to the clown.

00:50:05Look ge downward!

00:50:08Getとやり meАp!

00:50:09Get him alive!

00:50:10Help me!

00:50:12Help me!

00:50:14Help me!

00:50:16Help me!

00:50:18Get out of here!

00:50:20Get out of here!

00:50:22Rip a bike!

00:50:24Rip a bike!

00:50:26I can't!

00:50:28I can't!

00:50:30Leave yourself!

00:50:40I can't!

00:50:42...

00:50:46...

00:50:48...

00:50:50...

00:50:54...

00:50:56...

00:50:58...

00:51:01...

00:51:07Oh

00:51:28Yeah, yeah, hurry

00:51:37Please not.

00:51:42She's... she's dying.

00:52:07She is dying.

00:52:20She is dying.

00:52:23No! No!

00:52:25She's in me! No!

00:52:27No, Mary!

00:52:29No, Mary!

00:52:31No, Mary!

00:52:32No Mary, no Mary, no Mary, no Mary, God!

00:52:38I want to hit you. Sir, Don't want me out to hit you, I'll kill you.

00:52:55Your friend is really her L.

00:53:04I'll kill you.

00:53:05There's a girl dying over there, huh?

00:53:11Now I know what we have to do to get out of here, huh?

00:53:17You gotta help us, buddy.

00:53:20Because we just ain't got the strength.

00:53:25I'm gonna untie you.

00:53:28Now I'm gonna untie you.

00:53:35I'm gonna untie you.

00:54:05I'm gonna untie you, huh?

00:54:12No, man.

00:54:13Well, the zoo was so happy.

00:54:21Oh, my God.

00:54:23Then, I knew I was so happy.

00:54:25I can't wait for you to get out of here.

00:54:29Oh, my God.

00:54:31Oh, no, no, no.

00:54:33Come on, come on, come on.

00:55:03Come on, come on.

00:55:33Come on, come on, come on.

00:55:40Take it easy, Giorgio.

00:55:46Everything's gonna be all right.

00:55:50Come on, Giorgio.

00:55:52Feel it.

00:55:53Yeah.

00:55:54Hold it.

00:55:55Come on, Giorgio.

00:56:00Come on, Giorgio.

00:56:04Come on, Giorgio.

00:56:05Come on.

00:56:06Come on.

00:56:08Come on.

00:56:09Come on.

00:56:11Come on, Giorgio.

00:56:12Come on.

00:56:21Come on, Giorgio.

00:56:25I shouldn't do that!

00:56:51All right.

00:56:53Hey. Hey.

00:56:55Is Sydney all right?

00:56:59I want to see you. I want to see you all.

00:57:02When's the last time you had something to eat?

00:57:04I don't call.

00:57:06I didn't get up on myself. You don't have to pull me around.

00:57:11Who are you?

00:57:13There's a little restaurant just around the corner.

00:57:15Get you a decent meal. Now, come on.

00:57:17No, just give me a buck for a drink.

00:57:19Don't forget about it.

00:57:21I know.

00:57:23Now, come on.

00:57:25Hold it.

00:57:27Maybe you don't have any money.

00:57:29Maybe you're a cop.

00:57:31You're not a cop, are you?

00:57:35Look, I have a doctor.

00:57:37See what that says there?

00:57:39Doctor. You understand?

00:57:41You're a doctor all right.

00:57:43Yes, sir.

00:57:44Well, let's go get some paint done.

00:57:47Ah!

00:57:56Doctor, you still missed a lot of money, a doctor.

00:57:59All right.

00:58:00Oh, my God.

00:58:30What happened?

00:58:32What happened to Mac?

00:58:33Lenny, you must listen to me.

00:58:37A girl died in the cage.

00:58:42I had to get rid of the body.

00:58:44Oh, my God.

00:58:46I can't stand it anymore.

00:58:49I'll try this one more time, and I intend to.

00:58:52Look at what you went through tonight.

00:58:53Look at what you went through tonight.

00:58:55You're not in control of yourself.

00:58:57See?

00:58:58Nancy's going to have one last chance.

00:59:01I am in complete control.

00:59:12Dad, Dad, come on, come on.

00:59:14Over here, over here.

00:59:16What are you making of this?

00:59:18Just another bar.

00:59:20It's a place.

00:59:21Pull him, pull him!

00:59:23No, no, no, pull him.

00:59:24Come on, feel that.

00:59:25All right, shh.

00:59:28Feel the distance between these two.

00:59:30Feel that.

00:59:31It's sick of you.

00:59:32Oh, my, eight, eight, eight.

00:59:34Feel up here.

00:59:35And a foot.

00:59:36What's wrong?

00:59:37What's wrong?

00:59:38There's a pipe.

00:59:39Spock in the exit.

00:59:40Oh, please.

00:59:41I've got a foot.

00:59:43Oh.

00:59:44That let me out.

00:59:46Well, it lets most of us out, but it doesn't.

00:59:48It doesn't change anything so we can get out.

00:59:50We can get out, baby.

00:59:51Please.

00:59:52Dan, let me try.

00:59:53Let me go.

00:59:54Let me go.

00:59:55Let me try, Dan.

00:59:56I'll go.

00:59:57Listen to me now.

00:59:58Listen.

00:59:59Feel this.

01:00:00Listen.

01:00:01Listen to me.

01:00:03You get out of here.

01:00:04You get clear from the house.

01:00:06Go about 200 feet.

01:00:07And when you know you're in the clear,

01:00:09you scream your hell.

01:00:10You scream.

01:00:11Hell, baby.

01:00:12And somebody will hear you.

01:00:14And then you bring him in.

01:00:15All right.

01:00:16Come on.

01:00:17Feel that.

01:00:18Feel that.

01:00:19Come on.

01:00:20Put your other hand.

01:00:21Come on.

01:00:22Come on.

01:00:23Come on.

01:00:24Come on.

01:00:25Come on.

01:00:26Come on.

01:00:27Come on.

01:00:28Come on.

01:00:29Come on.

01:00:30Come on.

01:00:31Come on.

01:00:32Come on.

01:00:33Come on.

01:01:03Len, it's morning.

01:01:25What was that?

01:01:26I don't know.

01:01:33Look, quick!

01:01:50Oh, come on!

01:01:55Ah!

01:01:57Ahh!

01:01:59Oh!

01:02:01Oh!

01:02:03Oh!

01:02:05Aah!

01:02:07Ah!

01:02:10Aah!

01:02:12Aah!

01:02:17Ah!

01:02:18Ah!

01:02:19I don't know.

01:02:49I don't know.

01:03:19I don't know.

01:03:49I don't know.

01:03:51Cheney.

01:03:57Blanca is gone.

01:03:59Find the exit, seal it off.

01:04:01I'll go find it.

01:04:03I don't know.

01:04:05I don't know.

01:04:07I don't know.

01:04:19Help me!

01:04:33Help me!

01:04:45Help!

01:04:47Help!

01:04:49Help!

01:04:51Help!

01:04:53Help!

01:04:55Help me!

01:04:57Help me!

01:04:59Help!

01:05:05Help!

01:05:07Help me!

01:05:09Help me!

01:05:11Help!

01:05:13Help!

01:05:15Help!

01:05:16Please!

01:05:17Help me!

01:05:19Please!

01:05:21Help!

01:05:23Help me!

01:05:25Please!

01:05:26Help!

01:05:27Please!

01:05:29Please!

01:05:31Please!

01:05:33Help!

01:05:35Help!

01:05:37Help!

01:05:39Help!

01:05:41Help!

01:05:43Help!

01:05:45Help!

01:05:47Help!

01:05:49Help!

01:05:51Help!

01:05:53Help!

01:05:55Help!

01:05:57Help!

01:06:11What happened?

01:06:12She's dead.

01:06:57I could open the eyelids if you want to see what I'm talking about.

01:07:09No, no, no. That's not necessary.

01:07:12Just tell me one more time what you just told me.

01:07:15She didn't lose her eyes in the accident because the scar tissue under the lids is old.

01:07:20What's that supposed to mean?

01:07:22Everything's been removed. The entire eyeball.

01:07:25No. I've never seen anything like it.

01:07:28Was there a glass eye found around here?

01:07:31Not that I know. Of course, I don't think anybody would have two glass eyes in their head.

01:07:37That's all I can tell you.

01:07:38But why would anybody want to remove an entire eyeball?

01:07:42Lady, you want to step back on the curb?

01:07:44Okay.

01:07:45Let me ask a question.

01:07:46Let's get back.

01:07:49All right. Who can examine her?

01:07:52Best authority is Dr. Leonard Chaney.

01:07:54Good luck on getting him out.

01:07:56Chaney, huh?

01:07:59All right. I'll get one more.

01:08:00Thank you, Dr.

01:08:03You're welcome.

01:08:04Okay.

01:08:05Well, the very first opportunity I have would be, um, this coming Saturday, perhaps.

01:08:30Saturday, huh?

01:08:34But you do think there is a good chance you'll find out why the girl's eyes were removed.

01:08:38The girl was hit by a car, you said.

01:08:41Yeah, yeah. It was a short distance from here.

01:08:46Let me explain something to you, doctor.

01:08:48We know how the girl died.

01:08:51But if you could tell us how and why her eyes were removed, then maybe we could check out a few hospitals and maybe find out who she is.

01:08:59Well, I'll do my best that, uh, I can tell you this much.

01:09:05However, the, uh, cause could be a severe case of syphilis, uh, cancer, any one of a number of things.

01:09:15Then you're telling me that the removal of both eyes is not unheard of?

01:09:21That's right.

01:09:21Uh, although I will say that it's extremely rare in a person as young as the victim.

01:09:29Yes, yes, I'll definitely make it this Saturday.

01:09:34I'd like to examine the body myself.

01:09:38Oh, oh, right.

01:09:39By the way, uh, would you care for a glass of wine?

01:09:42Oh, no, no, no, thank you. Not while I'm on duty, anyway.

01:09:51Well, I'll see you sadly, then.

01:09:54All right.

01:09:55That girl did not get away.

01:10:13There was no need for her to die.

01:10:22Unnecessary.

01:10:23Waste.

01:10:32Oh.

01:10:34If you just trust me, I, I'm going to give you back your eyes.

01:10:39All of you.

01:10:41As soon as I succeeded with Nancy, as soon as I, as I discovered the truth,

01:10:49I will share that truth with you.

01:10:51For the whole world.

01:10:57I believe in humanity. That's what it's all about.

01:11:01All my life I've devoted to others.

01:11:05That poor girl didn't have to die.

01:11:08Then you know my word. Why did you aligns?

01:11:11Why?

01:11:21My life!

01:11:38There was no need for this!

01:11:40There was no need for this!

01:11:45Murderless.

01:11:48Murderless.

01:11:51Murderless.

01:12:05Catherine.

01:12:07Catherine.

01:12:12She loved it too.

01:12:15She didn't know that...

01:12:17The last time would be her eyes.

01:12:47No.

01:12:48No.

01:12:49Oh.

01:12:53No.

01:12:55No.

01:12:56Oh.

01:12:57Oh...

01:13:27Oh...

01:13:57I can't see...

01:14:07Mother!

01:14:27Oh...

01:14:33Oh...

01:14:37Oh...

01:14:43Oh...

01:14:57Oh...

01:14:59Oh...

01:15:01Oh...

01:15:03Oh...

01:15:05Oh...

01:15:27Oh...

01:15:45Oh...

01:15:51Oh...

01:15:57Hey!

01:16:27Will!

01:16:28No!

01:16:29No!

01:16:30No!

01:16:31No!

01:16:50Ah!

01:16:51Ah!

01:16:52Oh!

01:16:53Oh!

01:16:54Ah!

01:16:55Ah!

01:16:56That's it!

01:16:58That's it!

01:17:26That's it!

01:17:56That's it!

01:18:26Baby, are you awake?

01:18:38Uh-huh.

01:18:40Oh.

01:18:56You see, my darling?

01:19:10And then I'll...

01:19:12I'll operate on...

01:19:14Dan and the other...

01:19:18Nancy, too.

01:19:21I know you meant well, Father.

01:19:25I love you.

01:19:43You may open your eyes, my darling.

01:19:55I don't know.

01:20:00No.

01:20:01That's...

01:20:02That's not possible.

01:20:04You...

01:20:05No.

01:20:06You can see.

01:20:08No.

01:20:09Nancy?

01:20:10Nancy.

01:20:11Let me help you, hear?

01:20:14Let me help you.

01:20:16Take my arm.

01:20:19Nancy.

01:20:20Get up.

01:20:21Get up, Nancy.

01:20:22You can see.

01:20:23You can see.

01:20:24Look.

01:20:25Look, look.

01:20:26And walk.

01:20:27Walk around the room.

01:20:28In...

01:20:29In the bright light.

01:20:30No!

01:20:31No!

01:20:32Please!

01:20:33It's no use.

01:20:34My face is burning.

01:20:35I can't see.

01:20:36It's all black.

01:20:37No!

01:20:38No!

01:20:39Please!

01:20:40It's no use.

01:20:43My face is burning.

01:20:44I can't see.

01:20:45It's all black.

01:20:46No.

01:20:47No!

01:20:48Oh, no, no!

01:20:49What is this?

01:20:50No.

01:20:51I can't see.

01:20:52I can't see.

01:20:53It's all black.

01:20:54No.

01:20:55No.

01:20:56No.

01:20:57No.

01:20:58No.

01:20:59No.

01:21:00No.

01:21:01No.

01:21:02No.

01:21:03No.

01:21:05No.

01:21:06No.

01:21:07No.

01:21:08No.

01:21:10No.

01:21:11Try any.

01:21:12No.

01:21:14No.

01:21:15No.

01:21:16I'd like the baptism and it'll make it alive.

01:21:23Oh, shiny, my cards.

01:21:28How do you even get up in that tree, honey?

01:21:41Oh, yes. Ready inside.

01:21:46Oh, no.

01:22:00Nancy.

01:22:03Nancy, come, come back.

01:22:06I was right, you can't see.

01:22:08Nancy.

01:22:17Nancy.

01:22:26Nancy, where are you?

01:22:32Nancy.

01:22:33Stop.

01:22:35Stop.

01:22:36Nancy!

01:22:37Nancy.

01:22:38Nancy.

01:22:39Nancy.

01:22:40Nancy.

01:22:41Nancy!

01:22:42Nancy!

01:22:43Nancy!

01:22:44Nancy to the keys by the door.

01:22:45By the door.

01:22:46By the door.

01:22:48He is by the door.

01:22:50By the door.

01:23:01Nancy, open the door.

01:23:07Nancy, Nancy, my baby sweetheart.

01:23:11Open the door, honey.

01:23:15I can hear you, Nancy.

01:23:17I'm the only one that can.

01:23:19Nancy!

01:23:20Nancy, for the love of God, open the door, man!

01:23:32Open the door.

01:23:34No!

01:23:35Let me out!

01:23:36Let me out!

01:23:38Nancy, Nancy, let me out!

01:23:42Let me out!

01:23:44Go!

01:23:46Oh, my God!

01:23:48No!

01:23:50No!

01:23:55No!

01:23:56No!

01:24:04No!

01:24:05The End

01:24:35The End

01:25:05The End

01:25:35The End

01:26:05The End

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