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00:00Well, Mr. Heath, is she running this newspaper or are you, sir?

00:03Cranston, as long as she happens to be the owner's niece,

00:07I'm afraid she can pick any seat she wants for a ride.

00:10Oh, it's one of those, is it?

00:14Well, there's no law against our making the joyride a little, shall we say, bumpy for her, is there?

00:19Not that I know of.

00:21Thank you, sir.

00:30Ladies and gentlemen, this is Phoebe Lane, the real brains of the shadow who thinks he knows all about crime.

00:35But the real crime of the age is the way he makes you think he's so smart,

00:37when it's really me that does the work all the time.

00:43Hello. I didn't see you.

00:45That's quite evident.

00:47I didn't mean what I said, Mr. Cranston. I hope you can forgive me.

00:50I wish I could forget you.

00:54Oh, if you think you're going to have Mr. Palms in a robbery without me, you're crazy!

00:58That is my story!

01:00Wait for Phoebe!

01:02Hello, Mr. Cranston!

01:04Now, listen, Mo, you're a fine driver and all that, but you're not working for me.

01:07You mean I'm fine?

01:09No, but you will be if you insist upon calling me by name.

01:11Now, remember, you're no good to me unless you don't know me.

01:14Okay, stranger. Where to?

01:16A metropolitan theater.

01:18This is going to be thrilling, isn't it, Mr. Cranston?

01:21Yes, and dangerous, too, particularly for you.

01:23For me? Why?

01:24Well, when the crooks start shooting, it seems they pick off the girl first.

01:27I never knew that.

01:29Oh, a strange quirk in the criminal mind. Nobody seems to understand it.

01:32Oh, but I understand it.

01:34It's because they realize that the girl is really the smart one.

01:37They have to get her first.

01:39Miss Lane, why didn't you stick to the baby and biscuit end of the newspaper business

01:43instead of hurling yourself into the jaws of death?

01:46Because I'm tired of babies and biscuits.

01:48I want thrills, adventure, romance.

01:50Ah, but the household hint page is the place to find it.

01:53The home is the very symbol of romance.

01:55Oh, no, it isn't.

01:56The nearest I ever came to it was when a cross-eyed washing machine salesman tried to kiss me in a model kitchen.

02:01Young lady, you're impossible.

02:03Not if the right man comes along.

02:05Hang around a while, Moe.

02:18Okay, stranger.

02:20Where are the police?

02:23Oh, don't worry about that. They'll be around.

02:25Oh, we've got to warn the theater right away.

02:26Oh, no, wait a minute. Let's do some window shopping first.

02:29Well...

02:32The boss of them all.

02:33Police Commissioner Weston in the flesh.

02:36And if this turns out to be a false alarm, he'll love me even less than he does now.

02:41Oh, but I'm sure it isn't because he had such an honest...

02:43Such an honest face.

02:46Bram!

02:52Hello, Commissioner.

02:53Say, what kind of a song and dance is this?

02:55I hope you realize my whole department has been shifted just to take care of this tip-off.

02:59Maybe you'd rather have the theater robbed than let them chalk up another black mark against your record.

03:03Now, see here.

03:04We got crime down to the lowest level it's been in years.

03:06But the way you advertise it, people will think a crime wave is on.

03:09You might have twice as much to deal with if I didn't advertise the crime doesn't pay.

03:13I'm helping you.

03:14Well, I'd like to try running the department without your help.

03:16Just as an experiment.

03:20It's nine o'clock.

03:21Well, well, well.

03:22Our time flies.

03:25What have you got there?

03:26It's...

03:27It's my violin.

03:28What are you taking in there for?

03:29Well, to play it, of course.

03:30I am a violinist.

03:31Yeah?

03:32Let me see it.

03:33Please, be careful.

03:34It is very valuable.

03:35Shut up.

03:36See?

03:37I'm no lie.

03:38I'm sorry.

03:39I owe you an apology.

03:40I owe you an apology.

03:41What have you got there?

03:43What have you got there?

03:44What have you got there?

03:45It's...

03:46It's my violin.

03:47What are you taking in there for?

03:48What are you taking in there for?

03:49What to play it?

03:50Of course.

03:51I am a violinist.

03:52Yeah?

03:53Let me see it.

03:54Please, be careful.

03:55It is very valuable.

03:56Shut up.

03:59See?

04:00I'm no lie.

04:02I'm sorry.

04:03I owe you an apology.

04:05Take those off.

04:11I ought to send you to jail for life for bringing me out on such a wild goose chase.

04:15I didn't invite you.

04:16You crashed the party.

04:17Mr. Cranston, I consider you public nuisance number one.

04:21Good.

04:22I like to be first in everything, Mr. Weston.

04:24I gotta phone the paper.

04:29Hello, Heath.

04:30Cranston speaking.

04:31That robbery tip was just a gag to get the radio cars off their regular runs.

04:34Yes, I gotta hunt something big is gonna break elsewhere.

04:37Better hold page one in my column for remake.

04:39Oh, and have Burke stand by.

04:41Yeah, so long.

04:42Give me the captain.

04:43McCabe reporting, sir.

04:44Explosion in 93 Madeira Drive.

04:45Yes, sir.

04:46Yes, sir.

04:47Explosions within 93 Madeira Drive.

04:48Ok, oh.

04:49No, no, no.

04:50It's not a pass.

04:51No, no, no.

04:52Get out of here.

04:53No, no, no.

04:54It's not a pass.

04:57I got it.

04:58It's not a pass.

04:59It's a pass.

05:00It's a pass.

05:01It's a pass.

05:02It's a pass.

05:03It's a pass.

05:04We'll move the captain.

05:05Okay, Sir.

05:06Yes, sir.

05:17First you tell me to get all my cars down here to stop a robbery.

05:20Then you get me to rush them all back before there is a robbery.

05:23What kind of a merry-go-robbery is this anyway?

05:25I know, but then there's...

05:26Calling all cars from District 9.

05:28Calling all cars from District 9.

05:31Explosion reported at 9-3-Madeira Drive.

05:33Explosion reported at 9-3-Madeira Drive.

05:37Oh, Mr. Cranston!

05:40Wait to see me!

05:43Oh, taxi!

05:51Mr. Cranston, kindly keep your fingerprints to yourself.

05:55Rowley, take the door.

06:00Have you searched the house?

06:02Yes, there's no one else here.

06:03What, no servants?

06:05Servants have a day off every week.

06:07Or haven't you heard?

06:09One in a house of this size is always someone on duty.

06:11Well, I want any information from you, I'll ask for.

06:13That's fine.

06:14I've got to phone the paper anyway.

06:16Frank, is there a phone still working?

06:17In there.

06:18Thanks.

06:18Thanks for the ride, mister.

06:31Don't forget to look for your name in the paper.

06:32You know what?

06:33You better stand back, lady.

06:33Oh, but I'm a reporter.

06:35I'll pay my press cards.

06:36I've got no reporters.

06:37Oh, but officer, I've got to make good on this story.

06:39I've got a sick mother.

06:39Oh, yeah?

06:40Well, your mother's going to have a sick daughter if you don't scram out of here.

06:42How many of them were there?

07:02I really can't say, sir.

07:05Oh, come on.

07:07You must have some idea.

07:09Think back.

07:11I think there was only one, sir.

07:14I was grabbed from behind.

07:18Oh, I'm so shaky.

07:20I think I'd better go to bed.

07:21All right.

07:29Stay with him, Tom.

07:31We're wasting time here.

07:33Get your men out and bring in the man who did this job.

07:35An old-time safe blower who just got into town.

07:38His name is, uh...

07:39Honest John.

07:41Honest John.

07:42Bring him in and we'll charge him with robbery and homicide.

07:45The motive of the crime wasn't robbery.

07:47How can you look at that safe and say the motive wasn't robbery?

07:50Don't you know that man's watching while it had gone?

07:53If it wasn't robbery, what was it?

07:55Murder.

07:58If it was robbery, they'd have taken the bonds, wouldn't they?

08:02Marvelous powers of observation.

08:04Why do you use the word they, Mr. Cranston?

08:06Because one man couldn't have done all this between the departure of the radio car and the time of the explosion.

08:11As I recall, you gave the impression Honest John was a very fast workman.

08:15Right.

08:16And much too efficient to be guilty of a botched-up job like that.

08:20That blast wasn't set to blow a safe.

08:22It was calculated to kill whoever opened it.

08:24I say you're wrong.

08:25That's great.

08:26I'll see that your opinion has given its proper unimportance in my column tomorrow.

08:30There won't be any shadow column tomorrow.

08:33Oh, no?

08:34No.

08:35And for a long time to come.

08:37Inspector, kindly file this gentleman in one of our steel cabinets.

08:42Somewhere out in the state.

08:43On what charge, Commissioner?

08:45Material witness.

08:47Thanks for being the first man on the scene of the crime.

08:49You certainly use your brain, Mr. Cranston.

08:52I wish I could say the same for you, sir.

08:55Oh, never mind those things.

08:56I don't go in for flashy jewelry.

09:18Hello?

09:20Give me the desk, sweetheart.

09:22Burke speaking.

09:24New lead off for shadow column.

09:27He says Weston all wet with robbery theory on Morton case.

09:33Says it's murder using robbery as a cover-up.

09:37Honest John?

09:39Nah.

09:40He's just as innocent as a new-laid cornerstone.

09:43Oh, yeah, I say.

09:45Cranston's been pinched.

09:47Yeah.

09:48Held as material witness.

09:49On the way now to some hick town.

09:52Who's got?

09:54Oh, sure.

09:56Right on my toes.

09:58Well, so long, pumpkin puss.

09:59Take it easy, boys.

10:22I only want one of you for traffic court.

10:23You.

10:24Say, officer, I'm sure the judge wants to see me first.

10:31Ah, go on back and sit down.

10:32I know who to let out and who not to.

10:34But I've got to get a message to my folks.

10:36Now, if you help me out, I'll take care of you.

10:37Take care of me?

10:39I'm taking care of you.

10:40Come on, get out of here.

10:41Hello, Heath.

11:04Well, I suppose you want to know what happened to your man Cranston.

11:08After what you let him print yesterday, this is a fine time to call me up and ask for anything.

11:12But, Commissioner, you've got to let him out for the broadcast tonight.

11:16Why, thousands of people are waiting.

11:17To hear what else he has to say about the stupidness of the police department, huh?

11:21Well, let him wait.

11:22And furthermore, unless he changes his tune and lines up on our side, I'm going to cut off all police news from your paper.

11:28But the news is public property.

11:30You can't...

11:31Keep your men away from the records?

11:32Of course not.

11:33They can have the same access as other citizens.

11:36And I'd like to see you get out a newspaper on that.

11:38All right, Commissioner.

11:40Anything you say.

11:41But you've got to let the shadow open time for his broadcast tonight.

11:45We can't disappoint the public.

11:47Can't disappoint the public, eh?

11:49Well, we can't mislead them either.

11:51Goodbye.

11:54But...

11:55We must have got cut off.

11:58You see, what are you in for?

12:03Nothing.

12:04Nothing.

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