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FunTranscript
00:00There is also a strong supporting actor in your country.
00:06That's why I am so happy.
00:12We are 25 years old.
00:1425 years old.
00:19There are a lot of people who are young.
00:22That's why I am so proud of you.
00:25What do you think?
00:27I have known a lot of people who are getting a lot of money.
00:32I have no idea if they are getting a lot of money.
00:35If they are getting a lot of money, I would like to say that.
00:38It's not a mistake.
00:40What is it?
00:41It's not a mistake.
00:44I don't think I'm going to tell you.
00:50Ajit Kumar is a great friend.
00:52Yes, he is a good friend.
00:54I am going to get it from the car.
00:58I am going to get a different way to the car.
01:03I am going to talk about this and see what it is like.
01:16Let's go to the filmy with Tamil Nadu.
01:19There is a lot of people who are in this interview with me.
01:25I think that I can tell a lot about the stories.
01:33I can tell a lot about the stories.
01:35So, I want to talk to you about MS Boss.
01:38Yes, I want to talk to you about everything else.
01:44Sir, I want to talk to you about MS Boss.
01:48In a new place, I was shocked.
01:53When I was in a channel, I was in a parking place and did a great job.
02:03It was very interesting.
02:06In a other channel, I was in a parking place and did a great job.
02:11I was in a company and did a great job.
02:16Sir, there is a supporting actor for you.
02:23That's why it's great for you to be around and to be around.
02:27Sir, you say that you have a good idea.
02:29You have to be around for the young people who are in a very good shape.
02:34You are not there as a job.
02:37You know it's a good idea.
02:38It's a good idea.
02:40It's not a good idea.
02:42There is a lot of people who have come to the Kanawha, Sir.
02:47So, you have been in the cinema in the Kanawha, Sir.
02:52I have been in the Kanawha.
02:53I have been in the Kanawha.
02:55I have been in the Kanawha.
02:56In the Kanawha, you have been in the Kanawha, Sir.
02:59So, how do you feel about this Kanawha?
03:05I don't want to say anything about this.
03:10What I am in the Kanawha, and then it's very important.
03:14I also want to say that I am interested in thinking about,
03:19even if I have really what I have in the Kanawha,
03:23Then I ask the Minai,
03:27I think it's a good thing to see the Kanawha.
03:32Then we miss them.
03:35Then I ask the Minai,
03:38I don't know if I'm a person that is a person.
03:42I can tell you, I'm a person.
03:45But you said you're not a person.
03:48Why do you have a character in a cinema career?
03:52I'm not a person.
03:55I have a person who is a person.
03:57I'm a person who is a person who is a person.
04:01I'm a person who is a person.
04:03I'm a person who is a person who is a person.
04:06Vivesar is a lady who is in a position to get out of the character.
04:08You are doing character.
04:10You are doing character.
04:12We are looking for comedy.
04:15We are looking for a movie.
04:17We are looking for a movie.
04:19So, what are you looking for?
04:21How do you select character?
04:23How do you look for character?
04:25No, I don't think I should say that.
04:28I think I should choose this character.
04:33That's Josip.
04:35If you don't want to be in a suit, you can't be able to be in a suit.
04:45I don't want to be in a suit, sir.
04:48If you want to be in a suit, if you want to be in a suit, you can't be in a suit.
05:00So, when I select characters, I do my own.
05:05Do you want to be in a suit?
05:08It's a suit.
05:12The situation is where I can be.
05:16You can't be able to be in a suit.
05:20It's a suit.
05:24Do you have anything to do with the set?
05:31No, no. If you plan three scenes, I don't have to fix it in one scene.
05:37I don't have to fix it in one scene.
05:42I don't have to fix it in one character.
05:45No, I don't have to fix it in one scene.
05:51I don't have to fix it in one scene.
05:54I don't have to fix it in one scene.
05:58Parking, your director told you about the character.
06:03How did you see your character?
06:06I don't have to fix it in two scenes.
06:11I don't have to fix it in one scene.
06:13I don't have to fix it in one scene.
06:17But you don't have to fix it in an accident.
06:19I don't have to fix it in one scene.
06:21I will say that you have to fix it in one scene.
06:23But I don't have to fix it in another scene.
06:25So, there is parking in all flats and parking.
06:34So, this is how we can do it.
06:40Do you have parking in your life?
06:43Yes, there is no parking in your life.
06:46We will come here and do parking.
06:51Do you have parking in your life?
06:56Do you have parking in low parking?
06:58Yes, there is no parking in your life.
07:00That is why we can't do it.
07:02Do you have money?
07:05He is very happy.
07:07He is very happy.
07:09He is very happy.
07:11He is very happy.
07:13He is very happy.
07:17He is very happy.
07:22Now, he is very happy.
07:25He is very happy.
07:26He is very happy.
07:30He is very happy.
07:31He is very happy.
07:32He is very happy.
07:33Okay, nice.
07:35Yes, sir.
07:36How do you feel like you are getting settled in your life?
07:40You are very happy.
07:42You are very happy.
07:44You are very happy.
07:45You are happy.
07:46You are unhappy.
07:47I am happy."
07:48Really.
07:49I am happy."
07:50You are happy with others on the 2nd track.
07:52It is part of an investment panel together.
07:53why not?
07:54It is important in the 1st era.
07:56We will continue to pray for Football and Kingdom Manas stripe.
07:57We have been telling them a nice name.
08:01Then it's okay, that's why.
08:06We will learn the people who are going to learn the people in the past.
08:14We can learn the people who are going to learn the people in the past.
08:19I'm going to learn the people in the past.
08:23He has a problem.
08:26We can't do anything about this.
08:29We don't know anything about this.
08:32We don't know anything about this.
08:35We can't do anything.
08:38There's a lot of time in Tamil.
08:41This is a big deal of time.
08:45If we don't have time to do anything about this,
08:48we can't do anything.
08:50Imaker watk, a juror and a juror, a juror, a juror, a juror, a juror, a juror and a juror.
09:04All the team and my friends.
09:08All the YouTube channels and my friends are doing this.
09:12Kamal sir is also a villain, sir.
09:16That character is a legend.
09:23Then, you have to do that scene?
09:27At a university, I was going to go to a university.
09:30I was going to go to a university.
09:35I was going to go to a university.
09:37Did you try the cinema?
09:40No.
09:41I was going to go to a university and I was going to go to a university.
09:47Mumba donde jala, mumbay experter.
09:49So, all of that is a school.
09:51I was going to help you.
09:54Once again, I was going to help you.
09:58After that, I had to get a couple of emails.
10:03I was going to be waiting for you.
10:05I was going to ask you to find you later.
10:07Now, I am happy to be here.
10:11You know?
10:12I am happy to be here.
10:17I am happy to be here.
10:20I am happy to be here.
10:26Wow, nice.
10:27I am happy to be here.
10:37I am happy to be here.
10:42I am happy to be here.
10:47What do you think about that?
10:50I am happy to be here.
10:56I am happy to be here.
10:59I am happy to be here.
11:02I am happy to be here.
11:03I am happy to be here.
11:06I am happy to be here.
11:08I am happy to be here.
11:10What do you think about that?
11:12I don't know the title.
11:14I am happy to be here.
11:16Director Nelson is not a title.
11:19No, it is a title.
11:21Okay.
11:22I am happy to have a title.
11:25What is the name of your story and character?
11:28You know which to be a character?
11:29Yes, I am.
11:30Yes, I am happy to be here.
11:31There is an author-drave character.
11:32Do you think it is important?
11:33What is the character of your story?
11:34What is your story?
11:35No, I am happy to be here.
11:37It is a plot in the my book.
11:39What is the character of the story?
11:41I think you are a lot of people, sir.
11:43And if you are a character who is a Prithiviraj, you are saying that you are going to be a Tamil dubbing.
11:53I am not sure, but we don't have to speak.
11:55Yes.
11:56That's why you are going to be a Tamil dubbing.
11:59Yes.
12:00I don't have to speak.
12:02He is talking about the number of people.
12:04So, I've been doing it.
12:06Sir, you've been doing it.
12:08I've been doing it.
12:10What kind of spot is this?
12:14It's not that much.
12:16Adam is a good actor.
12:18We all have friends.
12:20I've got a guy who's a friend.
12:22He's got a guy who's doing it.
12:24He's got a guy who's doing it.
12:26He's a great actor.
12:28He's a great actor.
12:30He's a good actor.
12:32He's a good actor.
12:34He's a good actor.
12:36I'm a good actor.
12:38I'm doing it.
12:40I'm doing it.
12:42I'm doing it.
12:44Your first award?
12:46I'm doing it.
12:48I'm doing it.
12:50I'm doing it.
12:52The breaking point is
12:54a young father.
12:56Yes.
12:58My mother is a young father.
13:00I'm doing it.
13:02You've done it.
13:04You've never seen it.
13:06You've never seen it.
13:08While we've gone with the gibt dissolved,
13:10I've done it.
13:12You've never seen it.
13:14Trying to talk about it.
13:16I'm talking about it.
13:18Hindi.
13:20Something about that.
13:22I don't have to do anything like that.
13:25There is a shooting, right?
13:28There is a shooting, right?
13:30There is a shooting, right?
13:32There is a shooting, right?
13:34I don't know.
13:35So, do you have to do anything like that?
13:3825 years ago, it was 25 years ago.
13:4125 years ago, it was 25 years ago.
13:43Dubbing?
13:44Yes.
13:45Then, when I was in the morning,
13:48I was in the morning,
13:49we were having a filming of the Dubbing.
13:51Your time was in the night,
13:52I was in the night,
13:53I would never get to do anything.
13:54Are you in the VASN,
13:56in the Dubbing Studio?
13:58There are many people from the Dubs,
14:08and we should not be talking about it.
14:10The second time and the second time,
14:13we were talking about that.
14:16So, Prakash, Mama, Rajendra and all these people are talking about dubbing.
14:23I will tell you all about them.
14:28But your sisters are interested in dubbing?
14:32Yes, if they are going to talk about dubbing, then I will talk about them.
14:38But then you will be interested in the curriculum?
14:41No, I am not interested in that.
14:45There is a vibe that is not a vibe.
14:48And then you will see the vibe.
14:50What did you do the first vibe?
14:53If I see dubbing, I will talk about dubbing.
14:57I will take a dubbing, but I will talk about dubbing.
14:59I will talk about dubbing.
15:04But then I will talk about dubbing.
15:08I will talk about dubbing.
15:12The character is now in 5 years.
15:156 years.
15:166 years.
15:17This is how he did it.
15:19It's not.
15:20Do you know a lot of language?
15:23No.
15:24No.
15:25That's my innocence.
15:29Okay.
15:30If they don't know what to do,
15:32they are the main character.
15:34They are the main character of SPM.
15:37They are the main character of Lakshmiya.
15:40They are the main character.
15:46So, they are the main character and I.
15:49The person is the main character.
15:54They are the main character.
15:56The person is the main character.
16:02How do you call Harish Kalya and Harish Kalya?
16:07Harish, Induja, Prathana, Harish, Induja, and Prathana.
16:11They are all the same.
16:15Harish is all the same.
16:17Induja is all the same.
16:19They are all the same.
16:21They are all the same.
16:24Harish and Induja are all the same.
16:28They are all the same.
16:30They are all the same.
16:32Harish is all the same.
16:34Harish is all the same.
16:35Yes, you are all the same.
16:37You are all the same.
16:39You are all the same.
16:41Yes, that's correct.
16:43In the cinema, there is a name of Angi Garam.
16:47You are all the same.
16:50I am doing this.
16:53I am doing this.
16:55Yes, I am doing this.
16:58I am doing this.
17:01I am doing this.
17:03Award is not at all.
17:06You are not looking at the award.
17:08You aren't?
17:09correlated.
17:11You are already looking at me.
17:14Now, I can tell my national award,
17:21I'll say that I'm not too late or late,
17:26but I'm not too late at all.
17:30I'm not too late at all.
17:35I'm not too late at all.
17:39So, that's the same thing that we have to do with the same things.
17:44I don't know anything about it.
17:47I don't know anything about it.
17:49I don't know anything about it.
17:52So, what do you think about it?
17:55Yes, I think about it.
17:57It's all about it.
17:59But, it's all about it.
18:02But, it's all about it.
18:03I don't know anything about it.
18:06I don't know anything about it.
18:08I can't believe it.
18:13Do you have any character in your work?
18:19We can't do anything about it.
18:21You can't do anything about it?
18:23Do you have any character in your work?
18:26That's why I look like a character in your work.
18:31If you don't know anything about it, you have to do anything.
18:35Self-satisfaction is a good thing.
18:39What is my question?
18:41I don't know anything about it.
18:43I will do anything about it.
18:44If you don't know anything about it,
18:47it's something that I think is bad.
18:50Self-satisfaction is one that is true.
18:52I can't achieve it.
18:54I was told that I was inspired by a lot of characters.
18:58I was told that many characters were like,
19:01I'm inspired by a lot of characters.
19:06But I was told that there was another one in my own.
19:08You guys have something that does this character?
19:13I was told that I was told that
19:15I was told that it was a good reason for a lot of people.
19:19It's not a bad thing to do with it, it's not a bad thing to do with it.
19:26It's not a bad thing to do with it.
19:29It's not a bad thing to do with it.
19:33I think it's a bad thing to do with it.
19:37Do you have any other characters in Asuran?
19:41It's a bad thing to do with it. It's a bad thing to do with it.
19:55How many characters do you do with it?
19:57I'm talking about that character.
19:59Do you have any other character?
20:01Yes, I'm talking about it.
20:03Modulation, slang.
20:06There is no other character.
20:11As an example, you can see the more is a different character.
20:15I mean, it's a bad thing to do with it.
20:17I mean, you can do that.
20:19You do have a different character.
20:20You can do it with a little bit more.
20:24You can do it with a little bit more.
20:27You do it with a different character.
20:29I think that's a good thing to do with it.
20:32One of them has become a plan of saving up.
20:38So, after the same time, if you say something else, there are a plan of saving up.
20:41What are you giving up?
20:42You're giving up to a certain type of saving.
20:46They're saving up to a specific type of saving.
20:49We're trying to manage, we're trying to help.
20:52We're trying to reduce the price.
20:56If it's worth the price of saving up, we're doing one of them.
21:01So, how do you see that?
21:04This is how you want to see the award.
21:08Then, we are going to see what happened.
21:11I am going to see the award for Sariya.
21:15So, we are going to see the award award.
21:17So, we are going to talk about Sariya.
21:19We are going to see you.
21:23So, how do you see that?
21:25How do you see that?
21:27I am not talking about it.
21:30You are going to see the award.
21:33You are going to see the award.
21:36Yes, that is the winner.
21:40We are going to see the award.
21:44We are going to see the award.
21:47That is not a violation.
21:50You will be saying the award.
21:53That was the reason I said.
21:54So, you are going to see your judge.
21:58Now, if you're talking about this, you're correct.
22:05Yes, correct. That's correct.
22:07Yes, I understand.
22:11No, you're not going to do anything about this.
22:13No, I'm not going to do anything.
22:15I'm not going to do anything.
22:17I'm not going to do anything.
22:20At this point, we were telling them who has given this courage?
22:23The truth is the truth is that the truth is the truth.
22:28The truth is the truth is the truth.
22:34Do you know how to help us to providefarious knowledge?
22:41If you are interested in this, I would like to talk to you about the people of Samudhaya and the people of Samudhaya and the people of Samudhaya and the people of Samudhaya and the people of Samudhaya.
23:02I'm going to talk to you about the people of Samudhaya and the people of Samudhaya and the people of Samudhaya.
23:14They took a visit to visit.
23:19I didn't know the person who was at the time.
23:22That's because I didn't know the person who was at the time.
23:27Now, I'm going to talk about the car,
23:31and I'm going to talk about the car and get it.
23:37So, I'm going to talk about the car.
23:39I'm going to talk about the car.
23:41I would like to invite other people to the Uttar.
23:46They are very good.
23:50I saw that I was very good.
23:54It's true that I have a woman who has a woman,
23:58but I don't know if she is a woman.
24:02If I have a woman who is a woman who is talking and she is a woman,
24:07I will tell you about that.
24:09I can see my own way.
24:11Actually, I see social media in your social media.
24:17I don't see any of you.
24:18I don't see any of you.
24:21I see social media in my own way.
24:24I don't see any of you.
24:27I don't see any of you.
24:29I don't see any of you later.
24:32That's why they are on my own way.
24:36You can see my own way.
24:40I don't know.
24:42We are not aware of any of you.
24:48We are going to work with our own way.
24:52We are going to work with our own way.
24:57I don't understand that.
24:59We are about to make a better choice.
25:03We are going to go to the building, the car, and the building, all the people are going to be in place.
25:13We are going to be in place as we are going to be in place.
25:18We will always have a good place like that.
25:21Even if we are interested in this, we will go to the building.
25:25We will have a good place.
25:28Do you have a new car?
25:31Fiat Premier Padmini.
25:33That's why I was in a shooting shooting.
25:39I had a fracture in my hand.
25:42So, I think it's crazy.
25:47If you buy a car and buy a bike,
25:51I would like to buy a Fiat car.
25:54Okay. You don't have to drive.
26:00I don't know why I'm on-ride.
26:02On-ride.
26:03I'm on-ride.
26:05You're at the same time.
26:07Fiat?
26:08Yes.
26:09That's why I'm on-ride.
26:10Yeah, I'm on-ride.
26:15Now, Toyota is on-ride.
26:18Can I ask a question?
26:24No, I'm not sure.
26:27Okay.
26:28All of them are on-ride.
26:30All of them are on-ride.
26:32He's talking about everything.
26:34All of them are in a place.
26:36Yes.
26:37All of them are in a place.
26:38Okay.
26:39It's a thing that's all I need to go.
26:41They were ready.
26:43They were prepared for a motor.
26:49They were able to get a car and get a car.
26:52They were able to get a small car.
26:55They were able to get a car.
27:00They were able to get a car.
27:03Yes, I was told that he was just like a man.
27:07He was just like a man.
27:09He was just like a man and he was like a man.
27:13Oh, nice.
27:15Then, I was told by a director,
27:20that he could go to a bike and start his car too.
27:24He could start his car and start his car.
27:27He could start his car and do it.
27:30But there is a place where you are standing and standing on the floor and you are standing on the floor and standing on the floor and standing on the floor.
27:39But if you are standing on the floor and standing on the floor, you can see that scene making.
27:47This is a kind of person.
27:51It is a dream.
27:55So, he didn't know anything about that.
28:01He didn't know anything about that.
28:04He didn't know anything about that.
28:08He was talking about everything.
28:11He was an office.
28:14So, he was a man who was a man.
28:17He said, I don't want to go to the road, I don't want to go to the road.
28:22That's not true. I was told by a guy who was a man who was walking the whole time.
28:29He was walking the door and would have to go and get a good job.
28:36He was given a good job and he was given a good job as a director.
28:41He was given a good job.
28:46He was given a good job and he was given a good job.
28:50He needs to be expanded with the dutch of the house.
28:52The wall has to be closed.
28:56It's been a big dream.
28:58It's a big dream.
29:01We can do it.
29:03But in order for us, we can take something.
29:07So, people will see the cinema and kids?
29:10Yes, they will see the cinema and the others will be in the movie.
29:13If they come to the cinema that will be in the movie and her,
29:15I have to tell my name, name, name and name.
29:19And they are coming from me.
29:21They are coming from me.
29:24They are coming from me.
29:26I have to tell you how to tell them.
29:30You have to tell a name on the screen.
29:36You have to tell a name on the screen.
29:38You have to tell people who are the top.
29:41What is that in 96?
29:44No.
29:45Are you going to start the spot?
29:49Well though there are young people.
29:52You may turn away from your wavelength.
29:55I've created my control, my other person, and my other person.
30:00They don't have to say anything and they don't have to leave.
30:02I told him that he would have been going to go and he didn't have to go.
30:07He would have been doing anything.
30:10He would have been doing anything like that.
30:13He would have been involved with his dad.
30:17Sir, you can tell the directors about this.
30:21I'm not sure if they can tell the characters or comedy role.
30:26Because you have a senior from the city. You were also in the cinema.
30:30You were also in the city and you were also in the city.
30:33How do you tell them that you kept parking?
30:39In the city of Mardi, you can tell them that you are not in the city.
30:43You are essential to parking.
30:46You are essential to this.
30:48In the police department, there is an accident that has been stopped.
30:54There is an incident.
30:57Okay, let's go.
30:58That's too much.
30:59I can't tell you the script, but I can't tell you the script.
31:05They are telling me the right.
31:07They are telling me the dialogue.
31:13They are telling me, I can't tell you the dialogue.
31:18I'm telling you the right.
31:20They are telling me the story.
31:22If the director can't tell him, he can't tell him.
31:27He can't tell him to tell him.
31:30He can't tell him, he can't tell him.
31:32He can't tell him, he can't tell him.
31:35If he can't tell him, he can't tell him.
31:41So, I'm learning the script and listening.
31:46Okay. Here's a scene.
31:47You're playing like this song.
31:49Sir, it's time for you to be able to react to the audience.
31:54The other thing is, you can't say anything about the scene.
32:00No.
32:01We don't know the same thing.
32:03I just said, Mahan Sreekanes,
32:06he was going to take a short shot and he said,
32:08I think he has to know what he is doing.
32:13I think he has to know how he is doing it.
32:19When you start doing that, you can't do anything.
32:23You can't do anything like a hero, but you can't do anything like that.
32:26It's like a short take and take a look at one minute and take a look.
32:30But that's the climax of the movie.
32:35This is not like a movie or a movie,
32:39but that's how we do it.
32:43But we do it again.
32:45Did you see the scene as a manapad?
32:51Manapad is not a manapad.
32:53It is automatic.
32:54It is a concept.
32:56If you are able to see the same thing, you can fix it.
33:02But we talked about many times in the theater,
33:07and in the late summer,
33:09and in the late summer,
33:11and in the late summer,
33:14and in the summer,
33:16and then we went to the theater.
33:19And we spoke about many times in the theater.
33:23We talked about many times in the theater.
33:25That's fine.
33:26We did that.
33:27Okay, I'm going to tell you a whole road trip to Kamal Saru.
33:32How did you see Kamal Saru in that scene?
33:36Why did you see Kamal Saru in the same time?
33:40You can see that.
33:42You can see the monitor.
33:44Do you see the monitor?
33:49You can see the monitor.
33:50You can see the monitor.
33:53I can see the monitor.
33:56They are the director.
34:00They are the one more.
34:02I can see the monitor.
34:04That's why you can check the monitor.
34:06You can see the monitor.
34:11Okay, I'm going to see the monitor.
34:13Okay, this is the 90th verse.
34:16The 90th verse is the 90th verse.
34:17It's a very good name.
34:21So, this is the cinema world.
34:24we have a lot of people who have been taking the most important work.
34:26We have also had a lot of people who have been in the neighborhood.
34:31How do you see this whole life?
34:35In the most recent years, you can find those people that are in the world.
34:40Even there is also a lot of people who have been there.
34:41So, you can see that.
34:43We are happy.
34:44There are many people who have been there.
34:48I think it's a good question.
34:53We can get out of the steps.
34:54We can get out of the way.
34:56We can get out of the way all the time.
35:02We can get out of the way.
35:04We can get out of the way.
35:10We are very happy.
35:11Do you miss any questions?
35:13We have some questions.
35:15I miss the character, I will miss the character.
35:19Is there a character that is not a miss?
35:24No.
35:26Sir, you have done a character in the first stage.
35:32Then you have a small role in something-something.
35:38Why did you do a character in this stage?
35:43There is an unavoidable Frenchie that is not available.
35:47Okay, no solution is available.
35:50Okay, so that's why we're going to take care of it.
35:53Yes.
35:54Okay.
35:55Okay.
35:56Okay.
35:57Okay.
35:58Okay.
35:59Okay.
36:00Okay.
36:01Okay.
36:02Okay.
36:03Okay.
36:04Okay.
36:05Okay.
36:06Okay.
36:07Okay.
36:08Okay.
36:09Okay.
36:10Okay.
36:11Okay.
36:12Okay.
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