- 5 months ago
Category
🎥
Short filmTranscript
00:00:00I'm sorry, I'm sorry, I'm sorry, I'm sorry.
00:01:30I'm good to go.
00:02:30Excuse me, miss.
00:02:31You can't stay here.
00:02:32You have to move.
00:02:33I'm sorry.
00:02:33She's just a little fussy.
00:02:35Carlos, get your hands off that lady.
00:02:40My boys, they have no manners.
00:03:00Alonzo says hello.
00:03:11I'm good to go.
00:03:41This was the scene today on 3rd and 58th Street
00:03:55where a wild shootout in broad daylight resulted in six deaths.
00:03:59Among the dead were notorious mafia boss Anthony Vecchio.
00:04:02Vecchio, known on the streets as Little Tony,
00:04:05was embroiled in a power struggle with mob underboss Victor Alonzo
00:04:08for control of the Licenzo crime family.
00:04:10Police have no suspects so far and have refrained a comment.
00:04:19That was absolutely perfect.
00:04:23No, I'm okay.
00:04:24Are you sure?
00:04:25Mm-hmm.
00:04:26You're turning out to be a good chef.
00:04:29Well, if I left it up to you, Luke, we'd have a ticket every night.
00:04:34Know your limitations. That's my motto.
00:04:36And besides, no miss.
00:04:39I'd love to stay and chit-chat about the pros and cons of takeout versus home cooking.
00:04:44But I do have a semblance of a life, you know.
00:04:47Ah, leave that.
00:04:48Where are you off to?
00:04:50Nowhere.
00:04:52Nowhere.
00:04:54Why do I get the distinct feeling you're not telling me everything?
00:04:58Because I'm not.
00:04:59Good night, Luke.
00:05:03Don't wait up, okay?
00:05:06Good night, sweetheart.
00:05:08Have fun.
00:05:08The senator, the director of the CIA, announced his intentions to run for the leadership of the Republican Party.
00:05:13Harmon, a Vietnam veteran and renowned hardliner, surprised insiders by making his announcement on the steps of the Senate building.
00:05:20It is expected the senator will hold a formal press conference later this week.
00:05:24It's time to stop talking and start acting.
00:05:28How's your family, Jimmy?
00:05:29All right.
00:05:29How are you doing?
00:05:30Hey, how are you doing?
00:05:57Hi, how are you?
00:05:58I'm good.
00:05:59Good.
00:06:00Good to see you.
00:06:01You too.
00:06:02What are you doing here?
00:06:03Come to see you.
00:06:04That's nice.
00:06:05And have a sneak preview.
00:06:06Sneak preview?
00:06:07All right.
00:06:08Well, I'll show you this room.
00:06:09It's finished.
00:06:10Are you going to be ready for tomorrow?
00:06:12Yeah.
00:06:13You know, I was really, really nervous about this show, but...
00:06:15Well, you know what?
00:06:16I'll just take it in and you can see for yourself.
00:06:21Wow, James.
00:06:23This is incredible.
00:06:25These pieces are excellent.
00:06:28I'm so proud of you.
00:06:31It's all coming together.
00:06:33Slowly but surely.
00:06:34Yeah.
00:06:35I've got so much work to still do, though.
00:06:37I mean, you saw the front gallery.
00:06:39I've still got to get that all dressed.
00:06:40I mean, half of these paintings arrived before you got here, you know?
00:06:43Oh, yeah.
00:06:44I mean, trying to get an artist to meet a deadline is like pulling teeth sometimes, you know?
00:06:49Yeah, this one's beautiful.
00:06:50Oh, I love this one.
00:06:52This kid is 23 years old.
00:06:54I'm already painting at this level.
00:06:55I mean, it blows my mind.
00:06:57He's going to be huge.
00:06:59And that's all thanks to you.
00:07:01You know?
00:07:02And I'm going to be there front and center tomorrow.
00:07:05Mm-hmm.
00:07:07Why aren't your paintings up there?
00:07:10Well, I don't know.
00:07:11The market's really fallen through for the dogs playing poker.
00:07:14Now I'm stuck with all this velveteen.
00:07:16Stop.
00:07:17Not everything has to be a masterpiece, though, James.
00:07:19Mm-hmm.
00:07:20You know?
00:07:21I think, um, I think you need to be inspired a little bit.
00:07:25Inspired?
00:07:26Yes, I do.
00:07:27I'm not sure I'm following you.
00:07:28Well, let me show you.
00:07:29Mm-hmm.
00:07:30No, I'm not getting anything there.
00:07:31Nothing.
00:07:32No.
00:07:33Well, how about...
00:07:34I think I like this inspiration.
00:07:35And what it took you to prove
00:07:44I guess that I loved you
00:07:49It's not me.
00:07:53The ones
00:07:54That can hurt you
00:07:56The ones that can hurt you
00:07:59The ones that can hurt you
00:08:01The ones that can hurt you
00:08:03The ones that can hurt you
00:08:04The ones that can't heal, I don't need your second-hand love
00:08:09To come and dry, dry these tears
00:08:13Maybe it's nothing you wanna hear
00:08:17But for me, it's nothing I wanna keep on feeling
00:08:25I'm not the one who's with you tonight
00:08:31Well, I'm gonna say goodnight
00:08:34All right
00:08:35Got a lot of work ahead of you
00:08:36They're gonna love it, you know
00:08:40The collection
00:08:42You did a great job, James
00:08:44Thank you, thanks
00:08:46So we'll see you tomorrow at the grand opening?
00:08:48Yeah, yeah
00:08:49Finally a chance for me to meet the mysterious Luke
00:08:55You weren't gonna introduce me, were you?
00:08:57Look, James, when the time is right, you'll meet him
00:09:00I promise
00:09:02He's gonna love you
00:09:06Goodnight
00:09:07Goodnight
00:09:08This is your giving away
00:09:10Well, they should be mine
00:09:13They should be in mine
00:09:15They should be in mine
00:09:17They should be in mine
00:09:23Oh, yeah
00:09:24Oh, yeah
00:09:25Oh, yeah
00:09:26Having trouble sleeping?
00:09:36How was your evening?
00:09:38Fine
00:09:39You weren't waiting up for me now, were you?
00:09:42No, just gassing up once I'm reading
00:09:45At 2 a.m., huh?
00:09:47Is it that late?
00:09:49Phil, what are you reading?
00:09:57Luke
00:09:58No offense, but you need a woman
00:10:09Or at least a hobby
00:10:19What the hell's that?
00:10:20Nothing
00:10:21I'm just checking on our next job
00:10:25Hi
00:10:26You've reached Candace's webpage
00:10:27I'm so very, very hot for you
00:10:31So what's it gonna be, big boy?
00:10:32So what have we got?
00:10:33I'm so very, very hot for you
00:10:35So what's it gonna be, big boy?
00:10:37So what have we got?
00:11:03Peter Wellington
00:11:05It seems simple enough.
00:11:09Yeah. That's exactly what's got me worried.
00:11:13Luke, we can do this one in our sleep.
00:11:17Not this one. What are you doing?
00:11:21Honey, trust me. This hit just isn't right. Luke, that was a lot of money.
00:11:25Doesn't that say anything to you?
00:11:29Now, who pays a lot for easy contracts? They cover it.
00:11:33Nothing in the contract is as easy as it seems.
00:11:37You don't think I can do this?
00:11:39We don't do government jobs. It's that simple.
00:11:41Look, it's late, I'm tired, and I have no time for this.
00:12:03We're coming down. Get the elevator.
00:12:09The car's on its way.
00:12:11Whoa! Whoa, whoa, whoa!
00:12:13Whoa! Whoa, whoa, whoa!
00:12:15I'm sorry, this is on service. You have to take another.
00:12:17I'm sorry, this is on service. You have to take another.
00:12:21Damn it, my day timer.
00:12:23I'm sorry, this is on service. You have to take another.
00:12:27Damn it, my day timer.
00:12:31Alita?
00:12:33I'm on it.
00:12:35Yes, sir.
00:12:37I'm sorry, this is on service. You have to take another.
00:12:39I'm sorry, this is on service. You have to take another.
00:12:47Damn it, my day timer.
00:12:49Alita?
00:12:51I'm on it.
00:12:53I'm on it.
00:12:56Yes, sir.
00:13:00Oh, come on. I'm only going to the fourth floor.
00:13:03It'll be our little secret.
00:13:11I know I'm gonna regret this.
00:13:23I know I know I'll regret this role.
00:13:25I love you.
00:13:27No, I get out of here.
00:13:31Did this run?
00:13:33I know I forgot to run one player.
00:13:35Olderx Vaccine bootstrap lies into an impossible person.
00:13:37Just coming to the 50th floor to take another.
00:13:40People might fire your ass to burnt oneорт.
00:13:42Well, you might have to step forward.
00:13:44I know.
00:13:45I don't know how the city is now.
00:13:47I'm no-no-no-no-no.
00:13:48Please get out of here.
00:13:50This is Alita, they got Wellington, a woman south stairs, move!
00:14:20This is Alita, they got a lot of fun!
00:14:33This is Alita, they got a lot of fun!
00:14:39Let's go.
00:15:09You all right?
00:15:11Hannah!
00:15:13Yeah, yeah.
00:15:17Get the car.
00:15:19We'll take care of things here.
00:15:21Hannah, move!
00:15:23We're running out of time.
00:15:39Got room for two more?
00:16:01Who sent you?
00:16:17Who sent you?
00:16:19The Big Bang Wolf.
00:16:21Yeah!
00:16:23Ah!
00:16:25Ah!
00:16:27Ah!
00:16:29Ah!
00:16:31Ah!
00:16:33Ah!
00:16:35Ah!
00:16:37Ah!
00:16:39Ah!
00:16:41Ah!
00:16:43Ah!
00:16:45Ah!
00:16:47Ah!
00:16:49Ah!
00:16:51Ah!
00:16:53Ah!
00:16:55Ah!
00:16:57Ah!
00:16:59Ah!
00:17:01Ah!
00:17:02Ah!
00:17:07Ah!
00:17:09Ah!
00:17:09Ah!
00:17:10Ah!
00:17:11Ah!
00:17:12Ah!
00:17:14Ah!
00:17:15Ah!
00:17:17Ah!
00:17:19Ah!
00:17:20Ah!
00:17:21And I can see her.
00:17:23No, no.
00:17:25No, no.
00:17:27No, no.
00:17:29No, no.
00:17:31No.
00:17:33No.
00:17:35No.
00:17:37No, no, Luke, no.
00:17:39No, you're gonna make it.
00:17:41You're gonna make it.
00:17:43No, please, don't.
00:17:47No.
00:17:49Luke, please.
00:17:51No, Luke.
00:17:53No, Luke.
00:17:57No.
00:18:21No.
00:18:23No.
00:18:25No.
00:18:27No.
00:18:29No.
00:18:31No.
00:18:33No.
00:18:35No.
00:18:37No.
00:18:39No.
00:18:41No.
00:18:43No.
00:18:45No.
00:18:47No.
00:18:49No.
00:18:51No.
00:18:53No.
00:18:55No.
00:18:57No.
00:18:59No.
00:19:00No.
00:19:01No.
00:19:03No.
00:19:05No.
00:19:06No.
00:19:07No.
00:19:08Yeah, so much style.
00:19:12All the great killers, they got calling cards.
00:19:15Something they say to a dude before the cap is ass.
00:19:18That's the kind of thing that gets you a rep.
00:19:21And when you get a killer rep, you get respect.
00:19:24Am I right?
00:19:26One problem.
00:19:29What?
00:19:31The guy's dead.
00:19:33So?
00:19:38Let me ask you this, Einstein.
00:19:41How can it be your calling card if there's no one around to tell the story?
00:19:47Let's go.
00:19:51You got work to do.
00:20:00Name's Angel.
00:20:02And that's the last word you're ever gonna hear.
00:20:05Nah.
00:20:06That sucks.
00:20:07Hey.
00:20:08Hey.
00:20:09Hey.
00:20:10Hey.
00:20:11Hey.
00:20:12Hey.
00:20:13Hey.
00:20:14Hey.
00:20:15Hey.
00:20:16Hey.
00:20:17Hey.
00:20:18Hey.
00:20:19Hey.
00:20:20Hey.
00:20:21Hey.
00:20:22Hey.
00:20:34Hey.
00:20:52So how was the opening?
00:21:05The opening was fine, Hannah.
00:21:07The opening was great.
00:21:08Thank you very much for being there.
00:21:10James.
00:21:11No, no.
00:21:12This is the same thing over and over again.
00:21:13I mean, it's getting absolutely ridiculous.
00:21:19Hannah, what's wrong?
00:21:22James?
00:21:23Ah, why don't you sit down?
00:21:25Now, what's wrong with you?
00:21:40Look, he's dead, James.
00:21:42Oh, Hannah, I'm sorry.
00:21:44He's dead.
00:21:47I'm sorry.
00:21:49I'm sorry.
00:21:50I'm sorry, I didn't know.
00:21:53I was just at the cemetery. No.
00:21:58How did this happen?
00:22:00No, I... I... I don't.
00:22:02Okay. All right. We don't have to talk about it.
00:22:09Why don't I, uh...
00:22:11Why don't I go get us some food and, uh...
00:22:15You just... just... just sit and relax for a minute, okay?
00:22:19Okay.
00:22:24Uh, I could... I could go get us a movie or something.
00:22:26Say, um...
00:22:28Uh, The Princess Bride.
00:22:30Uh, with, uh...
00:22:31Billy Crystal, Robin Wright, uh...
00:22:33Andre the Giant.
00:22:36James.
00:22:38Hurry back, okay?
00:22:40As you wish.
00:22:42Come on.
00:22:43Come on.
00:22:48It still feels strange somehow
00:22:52If you really wanna know
00:22:58It's been hard
00:23:00You've never been the creature
00:23:07Never been the crowd
00:23:08Never been the receiver of miracles
00:23:12When they're around
00:23:14Just the curiosity of feelers
00:23:17I've been touched
00:23:19I've been bled
00:23:20And it's still hard
00:23:22And it's still hard
00:23:25So hard
00:23:26So hard
00:23:27Back up.
00:23:45Back up.
00:23:46Ah
00:24:04Ah
00:24:07Ooh
00:24:08Oh, my God.
00:24:38Come on, come on!
00:25:08Oh, my God.
00:25:38Hannah?
00:26:08No way, Hannah.
00:26:38You ain't seen anyone.
00:26:39Not now.
00:26:40Look.
00:26:45Jesus Christ!
00:27:07What the hell are you?
00:27:36Why'd you kill Luke who it's a simple question Alonzo. I want a simple answer who gave you my name
00:27:45Boy angel for starters angel that moron. I haven't used them for months
00:27:53He's freelance now
00:27:55But where's the buzzer all did you said you see son
00:28:01Him and Frank will been working together for a while
00:28:03We haven't seen those boys in a long time
00:28:07Franco's a dead man
00:28:09His life ain't worth the cost of a bullet anyone's using that joker for jobs. It's because they don't know him
00:28:16So where do I find Franco?
00:28:19You can try the girls on the east side
00:28:22low class that's more his
00:28:24I
00:28:26Guarantee you if he's making money. He'll be down there pissing it away
00:28:30Hey, baby, you look a little ice strong. Why don't you let me loosen you up a little? Come over here
00:28:42Sorry about your notes
00:29:00You
00:29:12You
00:29:14You
00:29:16You
00:29:18You
00:29:20You
00:29:22You
00:29:24You
00:29:26You
00:29:40You
00:29:42You
00:29:44You
00:29:46You
00:29:48You
00:29:50You
00:29:52You
00:29:54You
00:29:56It's the truth, I'll tell you, it's the truth.
00:30:24Good evening, Frankel.
00:30:25Fellas, you guys looking for a little action?
00:30:29A little action?
00:30:30You know, a little advice.
00:30:33I'd lose the suits next time.
00:30:35Kind of makes you look like cops.
00:30:37Real joker, eh?
00:30:44Take a hike.
00:30:46It's time for a little chirp, Frankel.
00:30:55Oh, Jesus.
00:31:07Oh, Jesus.
00:31:08So you kids want a drink?
00:31:20So you kids want a drink?
00:31:29Hold on.
00:31:37I'll tell you, boys, music's since the king died, man.
00:31:40It's crap.
00:31:42Now, I'm not talking about when he was in Vegas
00:31:44taking pot shots at TVs and stuff.
00:31:48I'm talking about the man.
00:31:51Oh, hey.
00:31:52In his prime.
00:31:54You two Elvis men?
00:31:58Sit up, Franco.
00:32:00Hey!
00:32:02Relax.
00:32:04Now is it done?
00:32:05Where's my money?
00:32:07Jackson, the cash.
00:32:11I don't know what you guys are so worked up about.
00:32:14It's like fishing a barrel.
00:32:15Yeah, you've always been clueless, Franco.
00:32:20I didn't know this was going to be an official visit.
00:32:25Well, I just wanted to shake the hand of the man who killed two of the greatest assassins
00:32:28since Lee Harvey Oswald.
00:32:31Yeah, well, you want a job done right.
00:32:33You get the best.
00:32:35You just let me know if any more of your boys get out of line.
00:32:39So?
00:32:40So what?
00:32:43Are you going to make me a happy man, Franco?
00:32:45I told you I could handle it.
00:32:47Luke's dead.
00:32:48The girl?
00:32:51We missed the opportunity.
00:32:54Look, it's no big deal.
00:32:55I sent Angel to take care of it.
00:32:57He should be back any time.
00:32:58You just relax, have a drink.
00:33:01Don't worry.
00:33:02Anyway, she's a throw-in.
00:33:06My gift to you.
00:33:07No charge.
00:33:10Did you hear that fellow's a girl is a gift to us?
00:33:15Listen, I don't know what to say.
00:33:16You shouldn't have.
00:33:18And Moses, is he a gift as well?
00:33:20Well, no.
00:33:21I mean, guys got to make a living, right?
00:33:24You guys understand that.
00:33:26Nice try, though.
00:33:27You ever ask yourself, Franco, how a screw-up like you
00:33:34could get two of my best men?
00:33:39No.
00:33:40Because they were set up, Franco.
00:33:43They were sent there.
00:33:44I sent them there.
00:33:45And you want to know why, Franco?
00:33:47I have a feeling you're going to tell me.
00:33:49Because they were loose ends, Franco.
00:33:53And you.
00:33:56You.
00:33:57Ah, my last.
00:34:16You know it's almost criminal that this scumbag
00:34:19nailed Luke and Moses.
00:34:22Now all we have to do is find his little friend.
00:34:25Prep the place.
00:34:26Let's get out of here.
00:34:27Spunk is already starting to stink.
00:34:30I don't know.
00:35:00What was that?
00:35:15The girl, sir.
00:35:30What the hell are you doing here?
00:35:50What the hell am I doing here?
00:35:51I'm not the one sneaking into the back of my apartment.
00:35:53What the hell happened?
00:35:53I mean, I come back.
00:35:54My place is trashed.
00:35:55You're gone.
00:35:56What am I supposed to think?
00:35:57James, not now.
00:35:59What do you mean, not now?
00:36:00Jesus Christ, Hannah, would you talk to me?
00:36:02Freeze!
00:36:03Hands up against the wall, right now!
00:36:05Guys, it's not what you think.
00:36:06It's just a little disagreement, Hannah.
00:36:07You can tell them.
00:36:08You guys are good.
00:36:09Where'd you come from?
00:36:10Hey, Jesus.
00:36:11Hey, would you relax there, Serpica?
00:36:12You're off!
00:36:13Oh!
00:36:14Oh!
00:36:16Oh!
00:36:18Oh!
00:36:32Oh!
00:36:33Oh!
00:36:35Oh!
00:36:35Oh!
00:36:36Oh!
00:36:36Oh!
00:36:37Oh!
00:36:37James, are you okay?
00:37:07We got to go.
00:37:26We got to go.
00:37:32I don't feel well.
00:37:49I don't feel well.
00:37:51We now join them live.
00:37:53Clearly, the deficit is not going to vanish overnight, folks.
00:37:56And, of course, vote for me.
00:37:58Let's try to keep a proper perspective on these things.
00:38:01I guarantee you this whole thing will turn around.
00:38:04Vote for me.
00:38:06My budget proposal is just a starting point.
00:38:09Of course, vote for me.
00:38:11We work together and stay on course.
00:38:14All I ask for is that the American public be patient.
00:38:18And, of course, vote for me.
00:38:20I guarantee you.
00:38:22And, of course, vote for me.
00:38:24Thank you very much, ladies and gentlemen.
00:38:26Martin, you are looking just exquisite.
00:38:29Thank you very much, ladies and gentlemen.
00:38:30That'll be all the questions for today.
00:38:32Bye.
00:38:33Bye.
00:38:34Bye.
00:38:36Bye.
00:38:37Bye.
00:38:43Where's the girl?
00:38:44We're working on it, sir.
00:38:48What did you say?
00:38:49Sir?
00:38:52I dare you to say that again.
00:38:56I don't need to remind you what it would mean
00:38:58if that girl were to see the light of day.
00:39:01You find her, and you finish her.
00:39:31Are you going to kill me now, too?
00:39:50James, take a look at this gun.
00:39:56Look at it.
00:39:59It doesn't have a serial number on it.
00:40:02James, they weren't cops.
00:40:05Jesus Christ, is that supposed to make it easier?
00:40:09James, I...
00:40:10You're what?
00:40:11You're sorry that I just killed somebody?
00:40:16What the hell happened back there?
00:40:17You're like Jackie Chan or something.
00:40:20I mean, who are you?
00:40:27I don't even know.
00:40:33James.
00:40:37Luke was an assassin.
00:40:41A paid killer.
00:40:44And so am I.
00:40:49I never knew my mother because she died in a car crash when I was really young.
00:40:55Luke was my father's best friend in the war.
00:40:59And before he died, he made him promise to take care of me.
00:41:04You know what?
00:41:05I don't want to hear it.
00:41:06James.
00:41:07James.
00:41:11Hey.
00:41:12You two okay?
00:41:13Yes, sir.
00:41:14I was just, uh, feeling a little carsick.
00:41:27Is that so?
00:41:28Where are your two kids from?
00:41:29The city.
00:41:30You don't say.
00:41:31What might be your business in these parts?
00:41:33Just passing through.
00:41:34Just passing through, huh?
00:41:35How about some ID?
00:41:36You all have that in the big city, don't you?
00:41:38It's, uh, in the car.
00:41:39Now, if I were to punch up your license plate here, I wouldn't find out.
00:41:40Your names are Bonnie and Clyde.
00:41:41Something like that now, would I?
00:41:42What?
00:41:43What?
00:41:44What?
00:41:45What?
00:41:46What?
00:41:47What?
00:41:48What?
00:41:49What?
00:41:50What?
00:41:51What?
00:41:52What?
00:41:53What?
00:41:54What?
00:41:55What?
00:41:56What?
00:41:57What?
00:41:58What?
00:41:59What?
00:42:00What?
00:42:01What?
00:42:02What?
00:42:03What?
00:42:04What?
00:42:05What?
00:42:06What?
00:42:07What?
00:42:08What the?
00:42:09Whoa, whoa, wait a second.
00:42:10Officer, it's not what you think.
00:42:11No, no, you tell me.
00:42:12Just what am I thinking?
00:42:13Hannah, hold on here.
00:42:14Drop it, lady.
00:42:15Put it down.
00:42:16I said put it down.
00:42:17Everybody just chill, okay?
00:42:18Take a moment here.
00:42:19Put it down.
00:42:20No, wait, lady.
00:42:21Not gonna happen.
00:42:22Look, uh, Officer Wiley.
00:42:23Listen, Officer Wiley.
00:42:24Clarence.
00:42:25What?
00:42:26Clarence.
00:42:27What?
00:42:28Everybody calls me Clarence.
00:42:29No one calls me Officer Wiley.
00:42:30Okay.
00:42:31Look, look, Clarence, you don't want to get shot, do you?
00:42:32Officer Wiley. Listen, Officer Wiley.
00:42:35Clarence.
00:42:36What?
00:42:39Everybody calls me Clarence. No one calls me Officer Wiley.
00:42:42Okay. Look, Clarence, you don't want to get shot, do you?
00:42:50I don't know why.
00:42:53So please put the gun down.
00:42:55How come you're not asking her to put the gun down?
00:42:57Because. I got a pretty good feeling about you, Clarence.
00:43:02You seem like a pretty sensible guy to me.
00:43:05Her?
00:43:09Jesus.
00:43:14Look, Clarence.
00:43:16Do you have any kids?
00:43:19Look at me.
00:43:21I asked if you had any kids.
00:43:25Yeah. Two.
00:43:27Just think about your kids, Clarence.
00:43:31Okay? They deserve to have their father around.
00:43:37Take it easy, man.
00:43:40I'm just going to take this.
00:43:42Everything's going to be cool, okay?
00:43:48As long as you know, no one's going to get hurt.
00:43:53It's okay.
00:43:54It's okay.
00:43:55It's okay.
00:43:57See, we're all, uh, friends here.
00:44:09What are you going to do with me?
00:44:11Okay, now, Clarence, I'm just going to leave your keys by the front tire.
00:44:22All right. You okay? You're not too, uh, cold, are you?
00:44:28Okay.
00:44:31What about the radio?
00:44:34What's that?
00:44:35Can I listen to the radio?
00:44:38Sure, Clarence.
00:44:39I hear that lonesome train rollin' that lonesome track.
00:44:44I'm lookin' for my baby, don't know when he's coming back.
00:44:49We make a pretty good team, huh?
00:44:55Look, James, I know this is a lot to swallow.
00:44:57I know how twisted this all sounds, but if you don't understand, you have to find them before they find us.
00:45:06And then what?
00:45:07And then that's it.
00:45:08It's over.
00:45:10It's just...
00:45:12Look, I understand if you want to leave.
00:45:16Look, I understand if you want to leave.
00:45:19Where to?
00:45:21What?
00:45:22Where to next?
00:45:23Oh.
00:45:25Oh.
00:45:26Oh.
00:45:27When the fame has found him, fortune never shines.
00:45:31If he had left me, I would not have found mine lonesome train.
00:45:37Lonesome train.
00:45:39Lonesome train.
00:45:40Lonesome train.
00:45:41Lonesome train.
00:45:42Lonesome train.
00:45:43Lonesome train.
00:45:44Lonesome train.
00:45:45Lonesome train.
00:45:46Lonesome train.
00:45:47Lonesome train.
00:45:48Lonesome train.
00:45:50Lonesome train.
00:45:57Lonesome train.
00:45:58Lonesome train.
00:46:01Ozzie!
00:46:02Ozzie!
00:46:03Hello, beautiful!
00:46:05Who's Ozzie?
00:46:06He's like family.
00:46:10I've known him since I was a little girl.
00:46:13You're taking care of the boat here for the winter.
00:46:18Are you a sight for sore eyes?
00:46:20Oh, it's good to see you.
00:46:22All right.
00:46:25This is James.
00:46:26Hey, Oz.
00:46:27What brings you to this lovely corner of the world?
00:46:31Oz, we're in trouble.
00:46:34Yeah, what else is new?
00:46:38Oh, baby.
00:46:40What you got here, girl?
00:46:42I think they're feds.
00:46:46Oz, I don't know what the hell's going on here.
00:46:50Are you okay?
00:46:55Oz...
00:46:58Luke's dead.
00:47:02What happened?
00:47:04The last hit, we were set up.
00:47:07Look, Oz, do you think we can go in and clean up? It's been a really long day.
00:47:15Of course.
00:47:21But let me borrow the kid here. I can use some help with your friends in the trunk.
00:47:25Hannah.
00:47:34I'm sorry.
00:47:36Thanks, Oz.
00:47:40What are you going to do with me?
00:47:41I'm sorry.
00:47:42I'm sorry.
00:47:43I'm sorry.
00:47:45I'm sorry.
00:47:46I'm sorry.
00:47:47I'm sorry.
00:47:49I'm sorry.
00:47:51So, kid, what's your story?
00:47:52Not much to tell, really.
00:47:54Frustrated artist, tired of being told he'll never make it.
00:47:57Wakes up one morning and finally believes it.
00:47:58So, he takes a job in a small but funky gallery downtown and spends his days hanging other people's dreams on the walls.
00:48:05Not much of a headline.
00:48:07So, what the hell are we doing now, Oz?
00:48:10I don't think it'd be in my best interest to be driving around town in a stolen vehicle with two bodies in the trunk.
00:48:17So, we gotta move bodies now.
00:48:20Great. Just great.
00:48:28So, James, what are your intentions with Hannah?
00:48:43Don't worry. I'll have her home by midnight.
00:48:46How long have you two known each other?
00:48:48All her life.
00:48:50God, it seems just like yesterday. She was just a little girl.
00:48:55She was brought up by her grandparents.
00:48:58And then Luke.
00:49:00Who's he like?
00:49:01Who, Luke?
00:49:02Yeah.
00:49:03He was one of the best friends a guy could have.
00:49:05I met him in Nam.
00:49:07We were in the same unit for a while before he joined the team of special ops.
00:49:12The thing was, when they asked him to join, they didn't mention what he had to give up.
00:49:17You see, what these guys were doing was secret.
00:49:22I mean, I could tell you, but then I'd have to kill you secret.
00:49:25Nobody could know where he was or what he was doing.
00:49:30So, they reported him MIA.
00:49:33Intercepted all his mail going both ways.
00:49:37He never even knew he had a baby girl waiting for him when he came back.
00:49:41He never even knew his sweetheart had been killed in a car accident.
00:49:46Jesus.
00:49:48So, Luke was...
00:49:50Man, why are you telling me all this?
00:49:52Because you're all she's got.
00:49:54Her family life hasn't exactly been a bed of roses.
00:49:58I'm not trying to make excuses for her.
00:50:01I'm just trying to give you a little insight.
00:50:04We better get this car back. Come on, kid.
00:50:06The legend goes that the blues is the devil's music.
00:50:10And the crossroads, that's where you're supposed to meet the devil, get the 12th tune.
00:50:15Is this some sort of bonding thing?
00:50:17It seems our friend here had never heard of Robert Johnson.
00:50:21Probably thought the blues began and ended with Stevie Ray Vaughan.
00:50:23Oh, that's right.
00:50:24I'm sorry.
00:50:25I'm sorry.
00:50:26I'm sorry.
00:50:27I'm sorry.
00:50:28I'm sorry.
00:50:29I'm sorry.
00:50:30I'm sorry.
00:50:31I'm sorry.
00:50:32I'm sorry.
00:50:33I'm sorry.
00:50:34I'm sorry.
00:50:35I'm sorry.
00:50:36I'm sorry.
00:50:37I'm sorry.
00:50:38I'm sorry.
00:50:39I've never heard of Robert Johnson.
00:50:41Probably thought the blues began and ended with Stevie Ray Vaughan.
00:50:44Ozzy gets a little testy when it comes to the blues.
00:50:47Thinks he knows everything under the sun.
00:50:49How many albums you got now, Oz?
00:50:512,000 and counting.
00:50:54On vinyl like they were meant to be.
00:50:56None of this compact crap.
00:50:59Yeah, I gotta agree with you there, Oz.
00:51:00I mean, you ever seen the compact version of Sticky Fingers?
00:51:04Kinda defeats the purpose.
00:51:06Andy Warhol did that to cover it.
00:51:08I'm aware.
00:51:10Hey Oz, what's this?
00:51:15Goddamn!
00:51:16I am a handsome man.
00:51:19Is that Luke?
00:51:20No.
00:51:21Bob Rio.
00:51:22That's Luke.
00:51:24This guy here is Keith Gertz.
00:51:26We used to call him Moses on account of him being so religious.
00:51:29We started with Holy Moses.
00:51:31Moses?
00:51:32Yeah, Moses.
00:51:33The guy was a real Bible thumper.
00:51:36Tell me more about Moses.
00:51:39That's him there.
00:51:41He joined our platoon about two...
00:51:43Stronghan.
00:51:45Moses.
00:51:47The guy who killed Luke mentioned him Moses.
00:51:53What was that first guy's name again?
00:51:55Bob Rio.
00:51:56Bob Rio?
00:51:58Bob Rio.
00:51:59No, I...
00:52:00I don't remember that name.
00:52:02You know, I remember this.
00:52:04You were saying goodbye.
00:52:08These three, Rio, Luke and Moses, were being transferred.
00:52:13It's the last time I saw them in country.
00:52:16Why them?
00:52:17They were the snipers in our battalion.
00:52:20Black ops.
00:52:22What?
00:52:24It's what Ozzy told me.
00:52:25Special unit in Vietnam.
00:52:28Jesus.
00:52:30Guns with no serial numbers.
00:52:32Black operations.
00:52:34Ozzy, what the hell have we gotten ourselves into here?
00:52:40Is anyone else hungry?
00:52:41I'm starved.
00:52:42There's a burger place just a few miles down on the right.
00:52:46Take my car.
00:52:47The keys are in it.
00:52:48Alright, I'm on it.
00:52:54What did you tell him?
00:52:57What he needs to know.
00:52:59He's a good kid.
00:53:01Yeah.
00:53:02He is.
00:53:04He's a big boy.
00:53:06He can take care of himself.
00:53:08Oz, I'm really tired.
00:53:10It's been a hell of a day.
00:53:11I'm gonna go lie down.
00:53:14Okay, baby.
00:53:15Get your rest.
00:53:16Thanks, Oz.
00:53:31Sir?
00:53:36Sir, we have no word for Reynolds and Jackson.
00:53:39We've been trying to trace them.
00:53:41But we've come up empty-handed.
00:53:42And what about the girl?
00:53:43Have you been able to track her down?
00:53:47She seems to have disappeared as well.
00:53:50Let me get this straight.
00:53:52You have access to state-of-the-art tracking devices,
00:53:58satellites, computers,
00:53:59and you can't even find two of your own field agents.
00:54:05Yes, sir.
00:54:09Okay.
00:54:11There you are.
00:54:14Why don't you get the hell out of here?
00:54:15And if you value your life, even a little bit,
00:54:26you'll find that girl.
00:54:29Yes, sir.
00:54:30So, Van Gogh cut his ear off and then he mailed it to her.
00:54:45Why?
00:54:47He was a tortured artist.
00:54:49He was deeply in love.
00:54:50Yeah.
00:54:51And he was quite insane.
00:54:53That's besides the point.
00:54:54Hey, Sunshine.
00:54:55What time is it?
00:54:57How long have I been out?
00:54:58A couple hours.
00:55:00Feels like a couple days, though.
00:55:02The kid here's been talking my ear off.
00:55:04You like that one?
00:55:06Talking my ear off.
00:55:07Yeah, that's a good one.
00:55:10You okay, darling?
00:55:12Yeah, I'm fine.
00:55:15So, tell me more about the black ops.
00:55:16There's nothing to tell, really.
00:55:18Just rumors.
00:55:20Assassination type stuff.
00:55:22They were real cloak and dagger.
00:55:24Had their own agenda.
00:55:26And they didn't discriminate, if you know what I mean.
00:55:29Charming.
00:55:31So, who would want them dead?
00:55:33And why?
00:55:35I think the question you should be asking is not why,
00:55:37but why now?
00:55:40Luke knew he was living on bore of time.
00:55:43They all did.
00:55:44So, how do I find out more about the black ops?
00:55:49Maybe they've got a website.
00:55:51Ha, ha, ha.
00:55:59Newman.
00:56:01Yeah, this is, uh, George Henderson from the, um,
00:56:03Leiden County Police Department.
00:56:05What is it?
00:56:06Hey, are you driving right now?
00:56:07You know you're not supposed to talk on the phone and drive, right?
00:56:09You better pull over if you want to continue this conversation.
00:56:11What the hell do you want?
00:56:12Hey, there's no need to get testy with me, sir.
00:56:15We got that information you requested.
00:56:16You were looking for two men at all.
00:56:17Get on with it.
00:56:20Well, it seems one of our boys found that car a few hours ago.
00:56:23And, well, I hope you're sitting down.
00:56:26I think I can get Luke's email from here.
00:56:41Bingo.
00:56:42Here it comes.
00:56:43What are we looking for?
00:56:44What are we looking for?
00:56:48This.
00:56:50This was sent to live the same day we were set up.
00:56:55It's a friggin' nursery rhyme.
00:56:58The answer's gotta be here somewhere.
00:57:05Wait a second, go back.
00:57:07That's not how it goes.
00:57:08What?
00:57:09The rhyme.
00:57:10It's been changed.
00:57:13This isn't a message.
00:57:15This is a warning.
00:57:17Someone was trying to warn Luke.
00:57:20Damn it.
00:57:21I gotta find out who sent this.
00:57:24You can check the code.
00:57:26The computer code.
00:57:27Just here.
00:57:28You can trace the email using the graphic code.
00:57:38Voila.
00:57:45This could take some time.
00:57:47Look, James, I'm gonna get our room ready.
00:57:50You let me know the second anything comes up, okay?
00:58:20Kensington Public School.
00:58:22Sorry?
00:58:24Message came from Kensington Public School.
00:58:25It's in a little town about an hour north of here.
00:58:29Well, at least we have a destination, huh?
00:58:32I don't suppose there's any merit in telling you how insane this is?
00:58:36I mean, you have considered the possibility that this is, you know, another set-up, right?
00:58:43I'm just tired of running.
00:58:46I mean, you're not used to running.
00:58:51Yeah, I took the liberty of drawing us a map.
00:58:55Look, James, when this is over...
00:58:58When this is over, I'm gonna take you out of this two-bit one-horse town.
00:59:04See the world firsthand.
00:59:07Sistine Chapel, Lisa.
00:59:09The Statue of David?
00:59:10Of course she wants to see the naked man.
00:59:13James, I don't deserve you.
00:59:15That is true.
00:59:20Come on, talk dirty to me.
00:59:25Who is the opposite?
00:59:27Everyone.
00:59:28You're not...
00:59:29...sched.
00:59:30You're not sure what happened.
00:59:31I can't see the world.
00:59:32You're not sure what happened.
00:59:33There was a terrible moment in the world with us.
00:59:35I'm killing you for a non- hazelnut.
00:59:36Who is shes?
00:59:37Who is not in the mind?
00:59:38Who is not in the world?
00:59:39How many years?
00:59:40Who is shes?
00:59:41Who is ha, too?
00:59:42Who is looking?
00:59:43Who is a thbig man?
00:59:44Who is them to be sad?
00:59:46looking for these busted so what do you want me to tell them tell him I'll be
01:00:05home soon be careful always
01:00:16I'll check with the chain hold on for a second here what is it we just got word from a sheriff
01:00:31that ID'd the girl where she and her companion overpowered him at the junction of I-5 and highway
01:00:3589 I've got to go honey I'll talk to you later okay bye so there's still no word from Reynolds
01:00:43and Jackson Jane did you get my dry cleaning okay send out two teams I'm sure they couldn't
01:00:50gotten far yes sir sir we'll take my car
01:01:13yeah it smells good man what are you cooking eight bacon and a little blues
01:01:41it's the breakfast of champions that's right so where's uh where's Hannah
01:01:48oh come on she didn't she can take care of herself
01:01:54are you insane I gotta go after her what you got to do is sit your ass down and eat these goddamn eggs
01:02:03now sit down sit
01:02:16besides she took the car
01:02:21son I'm going to introduce you to my special recipe
01:02:27Aussie's eggs tequila
01:02:3320
01:02:36and
01:02:38my
01:02:40and
01:02:42and
01:02:42yeah
01:02:43and
01:02:47yeah
01:02:50yeah
01:02:55yeah
01:02:57yeah
01:03:27You don't recognize me, do you, Hannah?
01:03:43We can't talk here.
01:03:58Who are you?
01:04:01How did you find me?
01:04:03Answer the question.
01:04:06I knew Luke.
01:04:07Name's Bob.
01:04:09Bob Rio.
01:04:11You sent the email, didn't you?
01:04:13Three little pigs.
01:04:15And remember, one got away.
01:04:19They'll find you, Bob.
01:04:20I did.
01:04:22They can't find what they're not looking for.
01:04:24Fifteen years ago, a chopper went down over Nicaragua.
01:04:28All hands, bodies were never recovered.
01:04:33Never appeared in the news because it never officially happened.
01:04:37You were on that flight, weren't you?
01:04:39Really?
01:04:39I killed me before they could.
01:04:43How did you know that they were going to kill Luke?
01:04:51You were surprised I saw that.
01:04:55Boy, if I have learned anything in my 55 years on God's green earth,
01:05:02it is not to try to understand the mind of a woman.
01:05:09Amen.
01:05:10You can't live with them.
01:05:11And you can't shoot them.
01:05:13I beg to differ.
01:05:17They got Luke?
01:05:20What about Moses?
01:05:21They get him too?
01:05:23Dead?
01:05:23Prince of Lies.
01:05:29El Diablo.
01:05:32The Devil himself.
01:05:34Senator Harmon.
01:05:36After what we did,
01:05:38Luke should have known Harmon was going to come knocking.
01:05:41Bob?
01:05:42What did you do?
01:05:46Tell me.
01:05:49I'm not going to ask you again.
01:05:50Only the most notorious assassination of all time.
01:06:03Hey, Sherlock.
01:06:04Next time, park a car, look back.
01:06:10Okay, that's it.
01:06:11I'm definitely not voting Republican now.
01:06:13I'm definitely not voting Republican now.
01:06:13I'm sorry.
01:06:14I'm not voting Republican now.
01:06:17What the fuck?
01:06:20Come on.
01:06:35I'm okay.
01:06:38I'm okay.
01:06:39All right.
01:06:39I'll be right back.
01:06:41Gentlemen, I'm a busy man.
01:06:53I have a dinner engagement with the Speaker of the House
01:06:56and a late night interview with City Line
01:06:58and my little baby girl can't get to sleep
01:06:59without me reading her a bedtime story.
01:07:01So as you can see, I'm a little pressed for time.
01:07:05Where does she go?
01:07:10Come on, Bob.
01:07:11We're going on a little trip.
01:07:12No way, lady. I ain't going anywhere.
01:07:15Bob, this is bigger than the both of us.
01:07:16People need to know.
01:07:18Now that's crap.
01:07:21Nobody's going to believe us.
01:07:23That's what keeps them safe.
01:07:24Look, Bob.
01:07:27Why did you try and get in touch with Luke?
01:07:29I told you, to warn him.
01:07:33He doesn't need warning.
01:07:35Tell me the real reason, Bob.
01:07:39It's because you can't stay out of the game, right?
01:07:41Here you are, in the middle of nowhere.
01:07:47Harmon thinks you're dead.
01:07:49You've won.
01:07:52But you risk everything
01:07:53to warn somebody who doesn't need it.
01:07:57Am I right?
01:08:00Helping Luke was just one last little screw you
01:08:03to get to Harmon.
01:08:04Come on, Bob.
01:08:08Let's get personal.
01:08:11You know Harmon will.
01:08:13What's that supposed to mean?
01:08:15Once he finds out you're alive,
01:08:17he will travel to the ends of the earth to find you.
01:08:20The way I see it, we got one chance.
01:08:23We find him first.
01:08:24Where did she go?
01:08:30Well, then, um,
01:08:31when is she coming back?
01:08:33Now do I have your attention?
01:08:49What are you protecting her for?
01:08:51What did she ever do for you
01:08:52except get you mixed up in all of this?
01:08:54I didn't kill Ozzy.
01:08:55Your girlfriend did.
01:08:56That's how you got to look at it.
01:09:01Yo, my girlfriend's gonna kick your ass.
01:09:03Oh, thank you for telling me what I need to know.
01:09:09Newman, go rig the ship.
01:09:13We can't afford to take any chances
01:09:15since his girlfriend's coming back to kick my ass.
01:09:20Yes, sir.
01:09:26I know, I know.
01:09:41Isn't that insane?
01:09:42It's not the phone company.
01:09:43That's way too obvious.
01:09:45Who invented the internet?
01:09:47I'll tell you who it was.
01:09:48The government.
01:09:50Why?
01:09:51Global village?
01:09:52Information sharing?
01:09:54I think not.
01:09:55I'll tell you who you're sharing information with.
01:09:58And you invited them into your home.
01:10:02What is it?
01:10:02What's wrong?
01:10:04The ladder to the club's up.
01:10:05So?
01:10:08Something's not right here, Bob.
01:10:11Harmon.
01:10:15You're okay, kid.
01:10:16Too bad you're not batting on the winning team.
01:10:18But then, uh, you're not a player, are you?
01:10:20You're an artist.
01:10:25I'm a bit of an artist myself.
01:10:31You know what I like to do?
01:10:36I like to finger paint.
01:10:40When is she coming back?
01:10:42Well, have faith, kid.
01:10:54Didn't Matisse paint with his mouth at the end of his career
01:10:57when he could no longer use his hands?
01:11:07Sir, you're not going to believe this.
01:11:10Target has returned.
01:11:16Want me to take her out?
01:11:18Oh.
01:11:21Oh, hold your fire.
01:11:25You gave your girlfriend too much credit.
01:11:27She's coming straight to us.
01:11:29Williams, get the girl.
01:11:31Phillips, you hold your position.
01:11:32Roger that.
01:11:33It's going to be interesting.
01:11:43Let's go, Picasso.
01:11:45It's game time.
01:11:47Mm-hmm.
01:11:47It's game time.
01:12:02It's game time.
01:12:09It's game time.
01:12:10It's game time.
01:12:11No, I'm sorry.
01:12:13Oh, wait.
01:12:13She's clean.
01:12:15Thanks for making it so easy.
01:12:17James, you okay?
01:12:19I'm okay.
01:12:21Let him go, Harmon.
01:12:23He has nothing to do with this.
01:12:25Oh, no, no, no, no.
01:12:27Your artist friend is a featured player,
01:12:29thanks to you.
01:12:31Why, Harmon?
01:12:33Why now?
01:12:35Well, that's a million-dollar question, isn't it?
01:12:37Oh, no, no, no, no.
01:12:39Your artist friend is a featured player,
01:12:41a million-dollar question, isn't it?
01:12:43You see, Hannah,
01:12:45the world is not black and white.
01:12:47There are no more walls, no more clear enemies.
01:12:49Me, I'm just changing
01:12:51with the times, adapting
01:12:53if you will. For that, I need
01:12:55a clean slate.
01:12:57Give the girl a prize.
01:12:59You see,
01:13:01I'm the new enemy.
01:13:03The one you can't find even though he's
01:13:05standing right in front of you.
01:13:07I have power, Hannah, but not the kind
01:13:09of power that comes with the backing of the American public.
01:13:11I've started wars.
01:13:13But like my daddy used to say,
01:13:15don't start things you can't finish.
01:13:17One day when I'm president,
01:13:19I'll have the power to finish them.
01:13:23You're insane.
01:13:25No, no, no, no, no, no, no, no.
01:13:27I'm opportunistic.
01:13:29The ship's rigged a blow, Hannah.
01:13:31Well, that's too bad.
01:13:33Just when things were getting interesting, too.
01:13:35Cut the crap, Harmon.
01:13:37Time to lay the cards on the table.
01:13:39I've got Bob.
01:13:41Bob Rio.
01:13:43Bob Rio is...
01:13:45Deb!
01:13:47I know.
01:13:49Died in a helicopter crash in Nicaragua.
01:13:51You just gotta ask yourself how I know.
01:13:53What's the matter, Harmon?
01:13:55You don't look too good.
01:13:57One man who can bring your house of cards crashing down?
01:14:01Loose on the town.
01:14:03How do I know you have Bob Rio?
01:14:05That's a question on everyone's mind.
01:14:33How do I know you have Bob?
01:14:35You're a spender.
01:14:37I'll be right back.
01:14:39I'll be right back.
01:14:41I'll be right back.
01:14:43Let's go.
01:14:45You're a mess with Bob, a gardener.
01:14:47You're a big covariance, man.
01:14:49You're a big fan.
01:14:51You're a big fan.
01:14:53You're a big fan.
01:14:54You're a big fan.
01:14:56You're all new.
01:14:58I know you can see Bob on the back.
01:15:00I know you've got some awesome, man.
01:15:02Two down, three to go.
01:15:23Sorry, honey.
01:15:25My day's done.
01:15:27Damn it.
01:15:30I'm gonna need some cover.
01:15:31Can you manage?
01:15:33I ain't dead yet.
01:15:35On three, ready?
01:15:38One, two, three.
01:16:01Looks like you're stuck with me.
01:16:03No, you're stuck with me.
01:16:06Fifteen in the mag, one in the pipe.
01:16:08You take him, I'm going now.
01:16:09What?
01:16:10What?
01:16:11What?
01:16:20I'm going now.
01:16:21What?
01:19:24I guess it's time to show who's in charge, huh?
01:19:27You know, raise the stakes a little.
01:19:31Huh?
01:19:31Come on, kid.
01:19:41What are your arms?
01:19:42Let's examine them together, shall we?
01:19:46We can stand here and chat all day while your friend here bleeds to death.
01:19:50I mean, I'm no expert, but it looks pretty bad.
01:19:53Or you can take your shot.
01:19:56Kill him quick, and then I'm yours.
01:20:02What's it gonna be, little girl?
01:20:06Clock is ticking.
01:20:08Come on, do it, kid.
01:20:09Come on, do it, kid.
01:20:11Take your shot.
01:20:12Come on.
01:20:12Do it.
01:20:13Come on.
01:20:13Come on.
01:20:14Go for it.
01:20:15Shoot him now.
01:20:16Do it.
01:20:19Can't you feel that rock?
01:20:21Kill this prick now, Hatter.
01:20:23Come on, Hatter.
01:20:24See, now, surrendering was never an option.
01:20:51Damn it.
01:20:54You okay?
01:20:55I'm okay.
01:20:56I wasn't kidding about the ship being wired, Hannah.
01:20:59They might want to get it in gear.
01:21:17Damn it.
01:21:24I don't know how it is, Hannah.
01:21:25Hanna.
01:21:51Hanna, he's up.
01:21:55It's over.
01:22:04Remind me never to piss you off.
01:22:25Gosh, you know, I miss him already.
01:22:34So where to?
01:22:49Anywhere.
01:22:50It's a clean slate.
01:22:51No more secrets?
01:22:52No more secrets.
01:22:53I got just one.
01:22:54I collect comic books.
01:22:55No, I think I want to draw them.
01:22:56I'm not kidding.
01:22:57I got this one idea for this character.
01:22:58See?
01:22:59She's an assassin.
01:23:00Oh, no.
01:23:01Yeah, no.
01:23:02She works undercover.
01:23:03And her boyfriend, he's this kick-ass kung fu expert.
01:23:04The comic's really more about him.
01:23:06The comic's really more about him.
01:23:07I remember summer's day.
01:23:08I went to ride an airplane, wanted to be my brother.
01:23:12Pilots is what we wanted to be.
01:23:13And my mom took the time and paid attention to Audrey.
01:23:17She is.
01:23:18Now, we're driving the 401 and stealing the dólares.
01:23:21That's a great job.
01:23:22It is history of kind of industries.
01:23:24Yeah.
01:23:25It was a big deal of wrestling.
01:23:26I don't know what I'm talking about.
01:23:27Don't know what I'm talking about.
01:23:28You're not a big deal of things.
01:23:29You're not a big deal of television.
01:23:30Yeah, yes.
01:23:31Now, I'm going to have another guy.
01:23:32And then, I'll be watching the movie.
01:23:33Paid attention to our dreams
01:23:43Now we're driving, the 401
01:23:46And Steely's on the radio
01:23:48And we're smoking, laughing
01:23:50The Great Escape looked at what we've shun
01:23:54Spam in summer morning
01:23:56With TV kids and stuff
01:24:03With the sun and shining
01:24:08And keeping point of smiling
01:24:11For I want to find feeling
01:24:14And I promise me who's lonely
01:24:18It's wrong
01:24:28Come on
01:24:33Waves are breaking
01:24:43Sales are full
01:24:45And growing up Canadian
01:24:47Well it makes you stronger
01:24:48A band on ship
01:24:50Eight hands in the cooler
01:24:52We're keeping with tradition
01:24:54But it feels for few
01:25:04Tempted by glamour
01:25:06Dead by flesh
01:25:07Foundation keeps a growing
01:25:09So we keep it solid
01:25:11Cause candy coatings crack and lose the flavour
01:25:15Like 60s architecture
01:25:17Nothing must disable
01:25:27If the sun had shined
01:25:29You're facing point of smiling for that war
01:25:33While it's all I want
01:25:35I'm feeling
01:25:37And I constantly
01:25:39Won't let you go
01:25:43The world
01:25:48Once a day
01:25:49That's true
01:25:50Though
01:25:51But it's all I want
01:25:53And離
01:25:54It's all
01:25:57Than I
01:25:58That is
01:25:59It's all I want
01:26:00To be honest
01:26:01I tell you
01:26:02You can tell me
01:26:03It's all I want
01:26:04To be honest
01:26:05And I don't know
01:26:06How about my heart
01:26:07With the sun has
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