Shah Rukh Khan's Sensational Fire Stunt | No CGI | No Body Double | Koyla (1997) Making & Interviews - video Dailymotion

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Watch Shah Rukh Khan's most daring fire stunt at the railway track straight from Rakesh Roshan's Koyla (1997) Sets. SRK performed this high octane action scene without any VFX or Body Double! Enjoy this special Lehren footage and witness the golden Behind-The-Scene moments with Koyla's cast & crew including Shah Rukh Khan, Madhuri Dixit, Amrish Puri, Johny Lever, Rakesh Roshan, Sameer Arya & others... #shahrukhkhan #srk #madhuridixit #koyla #koyla1997 #koylabts #rakeshroshan #amrishpuri #johnylever #sameerarya #lehren

Transcript

00:00Welcome to the making of Koila.

00:30The action in Koila.

00:44Actually, before I tell you about the action in Koila,

00:47there is a superstition.

00:49Whatever I run, the film is a big hit.

00:52When I run in fear, it was a big hit.

00:56After that, Salman Khan told me that I'm running in Karan Arjun.

01:00I'm running, the film is a big hit.

01:02I'm running after a girl, the film is a big hit.

01:05So, in this film, the trend was going on.

01:22Shahruf is a very daring person himself.

01:25When I conceived the climax of the film,

01:29I went and narrated him.

01:31I said, this is what I have thought of.

01:33But this, I can only do if you give the shots yourself.

01:36He said, no, Rakesha, we'll do it.

01:38I gave one shot that I hit on my body.

01:42And I'm running.

01:45When I saw him running,

01:48I literally got scared.

01:53Not one kick, he gave six kicks.

01:59He said, no, Rakesha, we'll do it.

02:00I'm running.

02:01I'm running.

02:02I'm running.

02:03I'm running.

02:04I'm running.

02:05So, how did you do that

02:09By putting the light on my eyes and running?

02:11And I will tell them that

02:12when you can say it in the camera,

02:14after the light on my eyes,

02:15you can use very fast.

02:16I can do this stunt with my eyes closed.

02:25The problem is keeping my eyes open while doing it.

02:27Thank you, Koehla.

02:43So there were a couple of dangerous shots in the film

02:45which we have done, finished with

02:47and if somebody wants to tell me to do them again,

02:49I will not do them.

02:50The action of Koehla is phenomenal.

03:12We have gone to Armanachal Pradesh.

03:13Absolutely inaccessible place.

03:16From Goati, we sat in a car, not knowing how far it is.

03:20We drove for 17 hours to reach Tawang which is just two kilometers away from China.

03:27The sun rises in the morning at 4 o'clock, set set about 3 o'clock.

03:31So we used to get up in the morning at 4 o'clock, be ready by 5, 5.30.

03:36Mr. Rakesh Roshan was the first person to get up

03:38and he used to wake up at 4.30

03:42and he used to go and knock on everyone's door.

03:45It's the worst thing that can happen.

03:46It's your worst nightmare.

03:47Be 5.30 in the morning,

03:49Mr. Rakesh Roshan standing ready to go

03:50and you have just gone to sleep.

04:01But we don't have only one location,

04:02we have different locations.

04:04You shot for it in all,

04:05all the weird places that I can think of.

04:08Overall, I think

04:23what comes through in this film Koila is

04:27the bigness of the action,

04:28the bigness of the shooting pattern.

04:30I mean, it is really huge.

04:32Can we just widen the frame to show how huge it is?

04:36One second.

04:36So, yeah, it's about this big, the film.

04:44The shooting in Tawang,

04:47it was a very difficult location

04:49and the shooting part was very difficult.

04:52But then, we all, the whole union,

04:55used to meet in the evenings

04:56at about 8 o'clock

04:57and have some songs from there.

05:00The local singers used to come over there

05:02with their guitars.

05:03After we came back,

05:04we were shooting there for a month.

05:06I think we still missed working,

05:08you know, with the unit.

05:10And I really missed those moments.

05:12The ambiance was great and the people were great.

05:20And we had such a blast.

05:21It was unbelievable.

05:22Everybody was so young and bubbly

05:24and, you know, full of energy on the sets

05:28that it was great working with this unit.

05:32This is my third film with Mr. Rakesh Roshan and Filmcraft.

05:35And the one thing that really, really comes across

05:38of Mr. Rakesh Roshan is that

05:40he is the most hardworking and organized director

05:42I have worked with.

05:44He is pit-pat with his homework.

05:55Once we are on the set,

05:57not one minute is wasted.

05:58We just get cracking and we get to work.

06:00I found out that he was very young at heart.

06:02He is a bit of a tyrant, you could say.

06:04He is a dude.

06:15My job is to make a good film.

06:18I cannot make a successful film.

06:20I can only make a good film.

06:23And good film also that

06:24what I feel,

06:26what I can do the best.

06:27I am not saying this is the best film I have made.

06:30But as a director,

06:31one can only make a good film.

06:33People, I feel sorry,

06:35when people say,

06:36picture both of you.

06:37Coming soon to a theater near you.

06:43Khoila.

Shah Rukh Khan's Sensational Fire Stunt | No CGI | No Body Double | Koyla (1997) Making & Interviews

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