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'जैत रे जैत' चित्रपटाला 48 वर्ष पूर्ण; पं. हृदयनाथ मंगेशकर यांची Exclusive मुलाखत
ETVBHARAT
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4 months ago
पं. हृदयनाथ मंगेशकर आणि उषा मंगेशकर निर्मित 'जैत रे जैत' चित्रपटाला 48 वर्ष पूर्ण झाली आहेत. या पार्श्वभूमीवर 'पद्मश्री' पं. हृदयनाथ मंगेशकर यांची Exclusive मुलाखत.
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00:00
You should say, sir, in your face, you should say,
00:08
sir, it is a fourth time and it is a fourth time.
00:13
Certainly, sir, it is a fourth time,
00:15
which is a fourth time.
00:17
You should say,
00:20
this is just a fourth time,
00:23
it is a fourth time.
00:25
It is a fifth time.
00:28
There are a lot of people who are working on these days and are working on these days.
00:33
This is a great pleasure.
00:35
But in this case, the people who are working on these days
00:40
have not been able to stay for 2-4 people.
00:44
This is a lot of pain.
00:46
Sir, we don't have to say anything.
00:48
We don't have to say anything.
00:50
We don't have to say anything.
00:52
We don't have to say anything.
00:55
How should our education become a method?
01:01
This is an attitude.
01:03
What do we know about it?
01:04
How should our education be?
01:05
How should our education be?
01:08
It is anything that we know about it.
01:09
It is the fact that we would say that
01:13
that we are working on the jeito of our life.
01:15
We would say we are working on it.
01:17
This is a word that we are working on it.
01:20
When we look at our Saradavu people,
01:22
we can believe that our education has no need.
01:24
we had a son for a life.
01:29
But he doesn't tell me,
01:31
he doesn't tell me,
01:33
his mother is blind,
01:34
his mother is blind,
01:35
and the mother is blind,
01:38
and he doesn't tell me.
01:39
But he doesn't tell me.
01:41
And he doesn't tell me what is wrong.
01:44
But I don't tell,
01:46
this new story is a true story,
01:49
he says,
01:51
that's not true.
01:53
But what kind of people have been told about this song?
01:57
What kind of people have been told?
02:01
Because I don't think we can't understand this.
02:05
Because in the past, many people have been in the past.
02:10
The second thing is,
02:13
I'm going to go to the village,
02:18
and I'm going to go to the village,
02:22
I was very proud of him, but I just learned that I was a most proud of him.
02:29
I was a girl who asked him to figure out how to do this.
02:35
I was a plump.
02:40
I was a crazy person who all loved his life.
02:46
He was made a lot of pride in the village.
02:51
But in those people, they have the same code system.
02:57
They have the same code system.
03:01
And all of them are very big,
03:03
not only one of them.
03:05
They are very difficult.
03:10
But they have the same words,
03:14
and they have the same words.
03:17
And the people are very big.
03:19
Asati, Didi, Saath,
03:22
Saath, Saathani,
03:24
she's gone all the way through.
03:26
She has gone all the way through,
03:29
but she doesn't have one.
03:31
She has been sad.
03:34
She's gone all the way through the city.
03:38
Now, in the past,
03:40
people will have a good heart.
03:43
The same thing is about the time.
03:46
This is a long time ago.
03:48
I was born in the village of Gawad.
03:50
I was born with the great people.
03:54
Today, there are lights.
03:56
It was lights.
03:58
It was in the New York Times.
04:00
They were able to fly with a cycle.
04:02
I was born in the very small village of Gawad.
04:04
Then, I was born in the village of Gawad.
04:06
I was born in the village of Gawad.
04:08
The village of Gawad came to the village of Gawad.
04:12
All the locals had to go to the village.
04:14
foreign
04:28
foreign
04:44
It's a very beautiful soul.
04:46
It's a life that you're looking for, the people of God, and the people of God.
04:49
It's so that you're looking for and you're looking for the living.
04:53
There's no pain, no pain, no pain.
04:56
You must have a power of the song, the power of the song, the power of the song.
05:03
That's how you do it.
05:04
What do you do?
05:05
I'm not.
05:06
I'm not.
05:07
I'm not.
05:08
I just want to be the song.
05:09
Which song has been your favorite song?
05:12
Sampurnasitra Patath.
05:14
It is the passion for you.
05:16
It is the passion for the taking place.
05:18
The passion for taking place is the passion for the festival.
05:22
I know there is a passion, but it will be the passion for the festival.
05:26
I always like to take the time to take place.
05:31
Because of the time I have walked over these places,
05:34
I will never walk from a moment,
05:35
I will walk back into theylan and soon forth.
05:39
I have been forced to take place in the 15th century,
05:42
It is very important to me, but it is very important to me.
05:47
Can I tell you a little bit?
05:49
Yes.
05:50
One question is to go to Jhapuri.
05:56
In the village, there is a place to go to the village.
06:02
There is a place to go to the village.
06:05
There is a place to go to the village.
06:08
There is a place to go to the village.
06:11
There is a place to go to the village.
06:13
There is a place to go to the village.
06:15
There is a place to go to its dates and proceeds.
06:19
Then, the story there is a place to go to the village.
06:23
This is why the �시� hac is often found in the village.
06:25
Here is an important thing to go.
06:31
Even if a teenager had not in a village.
06:35
Well, that is a place to go to the village.
06:39
I was told to make the songs a lot,
06:43
and I was told to make the songs,
06:45
tune, song, song, song, song,
06:51
sing the song.
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