- 7 months ago
Beneath the creaky floors and behind the quiet walls of an old house live the Hidden Helpers—tiny beings who borrow forgotten items and secretly fix what’s broken. Living unseen by the human eye, they care for the home in subtle ways, never asking for anything in return. But when a curious child stumbles upon their world, everything changes. Full of heart, mystery, and small-scale adventure, The Hidden Helpers is a magical tale of unlikely friendships, the courage to be seen, and the power of quiet kindness.
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Short filmTranscript
00:00:00Something to climb up the cedar, across the clover, all fours and all three.
00:00:09To lie on your back and see the sky backwards, it's got to be something more than the heart
00:00:20has any right to see.
00:00:24Being alive is the best part of living, the best part of being alive is to be awake and
00:00:39aware of what's over there, beyond the next beach and past the last highway you thought
00:00:50you might never see.
00:00:55And isn't it something, the dandelion dozing, reposing in fields that are open and free.
00:01:06Better than best, we two together, it has to be something more than our hearts have any right
00:01:20to see.
00:01:21Yes, isn't it something just to be you and me.
00:01:27It has to be you and me.
00:01:34It has to be you and me.
00:01:35It has to be you and me.
00:01:36That has to be you.
00:01:37It has to be you and me and me, I trust you.
00:01:40And not only do you know, but some people you are here.
00:01:44If you don't have any of these things, it has to be you and me.
00:01:48Like that.
00:01:49It has to be you and me.
00:01:53This is our house, the place where we live
00:02:12Through God's own good graces we borrow to live
00:02:18Though all that we borrow is all that we are
00:02:23The borough we borrowed is home
00:02:26This is our house, it's big and it's white
00:02:33A world full of wonders is hidden inside
00:02:38Behind every clock and under each day
00:02:43Is something surprising when there is
00:02:47The only thing we've never borrowed is love
00:02:58That's what I know, it's something we own
00:03:03And this is our house, it's not very new
00:03:08The carpets are worn, that we make them make me
00:03:14But if you have them bone, a pencil or a pen
00:03:18A feeling for friendship, a face that can grin
00:03:24The most of our needs are few
00:03:29We might come a-borrowing some bright tomorrow
00:03:39From you
00:03:45We might come foravi
00:03:58We may-you-you'd not think of
00:04:04...
00:04:34He was far, far away with his howls of his hair in the morning.
00:04:52I warn you.
00:04:55No knocking about the mess in the room's downstairs.
00:04:57Is that on the third?
00:04:59All right.
00:05:00Go on up.
00:05:01I know you people want to take the measure.
00:05:04Where are my scissors, Mrs. Crump Thorell?
00:05:06They came apart, m'lady.
00:05:07I'm taking them to be mended.
00:05:08Oh, very well.
00:05:10I'm your great-aunt Sophie.
00:05:11You don't look at all like my nephew.
00:05:13You remember your father?
00:05:14Not very well.
00:05:15He was a thorell.
00:05:16Splendidly hairy.
00:05:17Peerless horseman.
00:05:18I myself taught him to hunt.
00:05:19Oh, dear.
00:05:20Oh, dear.
00:05:21Oh, dear.
00:05:22Oh, dear.
00:05:23Oh, dear.
00:05:24Oh, dear.
00:05:25Oh, dear.
00:05:26Oh, dear.
00:05:27Oh, dear.
00:05:29Oh, dear.
00:05:30Oh, dear.
00:05:31Oh, dear.
00:05:32Oh, dear.
00:05:33Oh, dear.
00:05:34I don't believe the residents of Boston go in much for hunting.
00:05:37No.
00:05:38No, I thought not.
00:05:39Well, what do they do?
00:05:41Do?
00:05:42With their horses.
00:05:43Their horses.
00:05:45Where do you Bostonians ride your horses?
00:05:48Ride?
00:05:49Well, your wits, perhaps, inadequate.
00:05:52I asked, where are you accustomed to ride your horse?
00:05:56I don't ride.
00:05:58You don't ride?
00:06:00Oh, you mean, since you were sick.
00:06:02No.
00:06:03I'm afraid of horses.
00:06:04Afraid of horses.
00:06:05My great nephew.
00:06:06Has he, perhaps, forgotten that you're English?
00:06:12I should have expected it.
00:06:13Bringing the child up in the city.
00:06:15Neglecting his character.
00:06:16Feeding him under healthy slop.
00:06:18No wonder he's spiritless.
00:06:19Mrs. Clamphurl, I want the child to have proper English teas and good English breakfasts, porridge with thick cream and eggs and sausage and kippers, and for lunch, plenty of blood-red meat. We'll soon have you up on the friskiest horse in the country.
00:06:36And Mrs. Clamphurl, pour me a glass of Madeira, please.
00:06:49Madeira is not medicinal.
00:06:54Mrs. Clamphurl claims to be teetotal.
00:07:00Come and sit on the bed, boy.
00:07:14You're looking for a cup of tea, you best fill out the wood box.
00:07:19Oh, I think that's what men are, knocking things around and leaving a mess for whatever woman's handy.
00:07:37If you do your work...
00:07:39I said it! There, did you see? Under the stove. Get a poker, I said it.
00:07:43The trap there only lasts for you.
00:07:45You'll see things in the cupboards everywhere. And why didn't you clean up the mop for that you spill?
00:07:48I never!
00:07:50Where's the other half of the scissors?
00:07:52Oh, it's the limit. I've never seen those scissors, and I never make no mess with no morphine.
00:07:56Oh, no, you never. I'll tell you what else you never, you never empty the ash fan.
00:08:18So you don't feel the lack of a knife.
00:08:19Would it be true?
00:08:22Come and listen to me.
00:08:23Let's go.
00:08:24Why don't you find this one here, dear?
00:08:25Why don't you find it?
00:08:26Maybe-
00:08:29Way-point- brothel.
00:08:32Oh-var Kh cloud.
00:08:33Do you know what?
00:08:33Wald.
00:08:35Do you think there's the pit in the house?
00:08:39Is it the pit in the Looks Guy?
00:08:40Oh, Pod, you're late.
00:08:48What's that fearsome looking thing?
00:08:49What, tea not ready?
00:08:50Oh, this means war, woman.
00:08:53It's me and Mrs. Crankful at dawn I sent him a card.
00:08:56Hey, it took a bit of doing to get this, huh?
00:08:58Is that what took you so long?
00:08:59I could have swore I heard that.
00:09:00Pod, what's that all over your...
00:09:02That's ash.
00:09:04You had to come down from under the stove.
00:09:05Now, cut that.
00:09:06Don't scold when it was just a little shortcut like.
00:09:08A shortcut.
00:09:09Under the stove was shortcut ashes and hot coals.
00:09:12Pod, they was in the kitchen.
00:09:14You might have been seen.
00:09:15Why do you take such...
00:09:16Oh, Pod.
00:09:20Aren't you something?
00:09:21Now, don't worry, old girl.
00:09:22I wasn't seen.
00:09:23I've never been seen.
00:09:25I don't intend to be seen.
00:09:27This place is mine.
00:09:28No cats, no dogs.
00:09:30And what humans there is?
00:09:31Duck soup, you might say.
00:09:33None of the hazards of me wild youth.
00:09:35Where's Arietti?
00:09:36I've got something for her.
00:09:37Well, she always is these days.
00:09:40Arietti!
00:09:44Arietti!
00:09:45Arietti!
00:10:06Arietti!
00:10:06Arietti's ready!
00:10:07I'm coming!
00:10:07And what have you been doing?
00:10:17I've been writing in my diary, Mama.
00:10:19Oh.
00:10:19I hope you'll read it to me sometime.
00:10:21Oh, Mama.
00:10:24Papa, it's wonderful down by the grading.
00:10:26The sun, the birds, everything.
00:10:28There was a field mouse.
00:10:29Which hand?
00:10:31Oh.
00:10:32Um.
00:10:34This one.
00:10:35Is she going to brought you?
00:10:37Oh, that stamp album upstairs is such a one.
00:10:39All the colors.
00:10:41I really don't like to borrow from it.
00:10:43Oh, Papa.
00:10:44I'd give anything to see it.
00:10:45I mean, all of it.
00:10:47Arietti.
00:10:48Your father can't very well lug down a great thing like that.
00:10:50Wherever do you get your ideas?
00:10:52I didn't mean that.
00:10:54Papa, I wish, well, what I wish is that I could come borrowing with you.
00:10:59Oh, you wicked heathen girl.
00:11:01How can you speak so?
00:11:02So it's come to this.
00:11:03I could borrow.
00:11:04I know I could.
00:11:06I'm tired of being cooped up down here.
00:11:09Cooped up?
00:11:09Who's cooping you?
00:11:10That's a fine way to talk.
00:11:12With a nice home like you've got and a grating into the bargain.
00:11:15Oh, Papa.
00:11:16Arietti, run along.
00:11:17Hang up your stamp on the wall and come back quick for tea.
00:11:20Okay.
00:11:23And four miles in 20 minutes wasn't bad going for this particular Mac.
00:11:27Before the hounds had checked at High Beach, half the field had fallen out already.
00:11:31You see, this ruscally old dog fox, as I told you,
00:11:37well, I can see you have no interest whatsoever in the hunting field.
00:11:41Take the tray to the nursery, Mrs. Clamferl.
00:11:44And place the decanter within reach, if you please.
00:11:51Run along with Mrs. Clamferl, boy.
00:11:53Have your tea in the horseless security of the nursery.
00:11:56What am I to do every day?
00:11:58Eat what Mrs. Clamferl gives you.
00:11:59You have plenty of fresh air and whatever exercise you're up to.
00:12:03And in the evenings, come in and kiss me goodnight.
00:12:05I'm sure you'll be fit in no time.
00:12:07Perfectly sound English stock, turned all yellowy and runty from city living.
00:12:18Up, up, up, up.
00:12:20Oh, well.
00:12:21Age and pain and disappointment.
00:12:26Never took comfort from pure spring water.
00:12:28Oh, it's ruined.
00:12:44There were only two of the real China ones left.
00:12:46I told you, and I told you, Ariadne, not to use them.
00:12:49No, no, it's only a cup.
00:12:50No need to make such a terrible fuss.
00:12:51Oh, I'm sorry, Ariadne.
00:12:52Oh, it's all right, Ariadne.
00:12:53I should have kept Marahan's way.
00:12:55I get so dote on those cups.
00:12:57Wait a minute.
00:12:58It seems to me that I've seen a cup like that up on her floor.
00:13:01Yes, in the old nursery.
00:13:02Oh, I'll go up and get one right now.
00:13:03You miss.
00:13:04You get yourself the bed where you belong.
00:13:05Now.
00:13:07Ah, ah, ah, ah.
00:13:11Take good care of yourself, Paul.
00:13:13I tell you what.
00:13:14I'll try to get a little of her perfume on a piece of cloth like for you.
00:13:18Terrible stairs, Paul.
00:13:20You're not exactly a boy.
00:13:21Might I suggest, madam, that when I return with the perfume,
00:13:26you and I will have further discussions about the age.
00:13:29Well, let's go.
00:13:30Well, let's go.
00:13:30I don't want to go.
00:13:31Well, let's go.
00:13:32I'll go.
00:13:32Oh, my God.
00:14:02Precisely why I never married.
00:14:30The futility of true communication.
00:14:33All hounds and hares, hounds and hares.
00:14:36Oh, Pod, dear, reach me a pill.
00:14:44Catch!
00:14:48There's no communication between men and women.
00:14:52No between generations.
00:14:55When you're as old as me, Pod, it'll come to you.
00:14:58Will you get old, I wonder?
00:15:01You poor little delusion.
00:15:04I, uh, I've told Mrs. Crampferl about you.
00:15:07Oh, that was very naughty of you, Lady Sophie.
00:15:10I said, Mrs. Crampferl, it only stands to reason, I said.
00:15:14Factories go on making safety pins year after year,
00:15:17hundreds and thousands of them,
00:15:18and people go on buying them,
00:15:19and yet there never is a safety pin when you want one,
00:15:22or a pencil or a needle.
00:15:24Now, where else could they go to?
00:15:26Something takes them, I said.
00:15:28Or somewhat.
00:15:29I thought for a moment the full woman was going to offer me a lecture on the evils of drink.
00:15:36Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:15:38Oh, Pod, Pod.
00:15:41I long for a bit of human companionship.
00:15:45Pod, you're all I've got.
00:15:48Oh, and, and you mean a lot to me, Lady Sophie.
00:15:50Uh, being able to come here and, and, and talk with you about the world.
00:15:55Uh, the truth is, a man's family is a precious thing.
00:15:59But, the world, Lady Sophie, the world!
00:16:03Oh, po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po-po.
00:16:05Yes, and I'm still young.
00:16:07You know, borrowing has always meant, uh, adventure to me, danger, excitement, pitting me which against terrible odds.
00:16:14Oh, I was brought up on it.
00:16:16But, uh, this house, Lady Sophie, you'll forgive me the way it is now.
00:16:23Me 12-year-old daughter could, uh, do the job.
00:16:25Oh, well, I suppose I should be seeing about Amelie's cup.
00:16:51Sweet dream.
00:16:55Sweet dream.
00:17:21Sweet dream.
00:17:23Sweet dream.
00:17:34Sweet dream.
00:17:44Sweet dream.
00:17:52Sweet dream.
00:17:52THE END
00:18:22THE END
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00:20:00And he's seen me.
00:20:02What do you mean, living in this house?
00:20:04Got his own room.
00:20:05Everything.
00:20:06Oh, no, no.
00:20:09We've got to do something.
00:20:11He's seen me.
00:20:12He's seen you go under the clock.
00:20:14He knows where we live.
00:20:15No.
00:20:16But he will.
00:20:18He will.
00:20:18He's seen me.
00:20:19And now he'll search and he'll dig and he'll try.
00:20:23Oh, Amelie, our days are numbered.
00:20:26Numbered.
00:20:27I tell you, when I looked up,
00:20:30I saw that light thing and his great, meaty fist.
00:20:35Oh, I thought he was going to mash me flat out.
00:20:39Monster.
00:20:40Oh, Pogs.
00:20:42No, no.
00:20:43No, no, no, no.
00:20:45We've got to talk to Ariadne tonight.
00:20:48When I think of the things she don't know.
00:20:50There's no use frightening her.
00:20:52No, she's just a child.
00:20:53So is her cousin, Tina.
00:20:55Remember.
00:20:57I'll wake her up.
00:20:59You talk to her right now.
00:21:00Come on.
00:21:02Come on.
00:21:10Uh, Ariadne, uh, you're going to have to grow up fast.
00:21:16You're going to have to, to face things.
00:21:19Uh, for instance, what do you know about boys?
00:21:24Boys?
00:21:24Listen, Anna.
00:21:25Yes, you're going to have to face the facts.
00:21:27There's a human boy in this house living on the top floor.
00:21:31And human boys, they're the worst things there is.
00:21:36Oh.
00:21:37What do they do?
00:21:38What do they do?
00:21:39Oh, no.
00:21:41Well, then...
00:21:43Oh, they...
00:21:45Uh...
00:21:46Uh...
00:21:47Uh...
00:21:48Uh...
00:21:49Uh...
00:21:50Oh, Ariadne, human beings, uh, regular grown-up human beings, they're good and they're bad.
00:21:56They're honest and they're art.
00:21:57No good ever come from no human beings.
00:21:59Oh, Amalie, please.
00:22:00Like I said, they're a mixed bag, the grown-ups.
00:22:05But human boys...
00:22:06They hunt.
00:22:07That's what human boys do.
00:22:08They destroy everything that walks or runs or flies.
00:22:11But, Mama, they're just children.
00:22:13Children, human beings.
00:22:14I don't think human beings...
00:22:16Even children can be so very awful.
00:22:18Let me tell you a minute.
00:22:19Oh, Amalie, please.
00:22:20Ariadne, who around here is likely to have more first-hand information I'd like to know?
00:22:24What they are is clever.
00:22:29Human boys are clever.
00:22:32No borrower can go on living in a place when he's been seen by a human boy.
00:22:37And that's what happened tonight.
00:22:40You mean this boy saw you?
00:22:43Tonight?
00:22:44Nothing will ever be the same again.
00:22:47What can we do?
00:22:48Oh, Papa, we should leave?
00:22:50We should leave here?
00:22:51Why, this is our chance.
00:22:53Now we have to do something.
00:22:54Go somewhere.
00:22:56Ariadne, you don't know what you're talking about.
00:22:58To go and live in the fields.
00:22:59Sounds wonderful.
00:23:00Like animals.
00:23:01I won't do it.
00:23:02And neither will no daughter of mine.
00:23:04Nobody said you had to go live in the fields.
00:23:06There's other places.
00:23:07The overmantle.
00:23:08Oh, oh, can't you just see us moving in on the overmantle?
00:23:11If they're still alive.
00:23:11Oh, don't you remember there's a boy living in a farmer's place, too?
00:23:14That don't mean he's seen them.
00:23:16Homily, we've got to explore every possibility.
00:23:19That farmer's place isn't half the distance it is to Uncle Hendrary's and Aunt Lupe's.
00:23:23And if the overmantles are still there, I think I should go...
00:23:25Ask for overmantle charity.
00:23:27The stuck-up things.
00:23:28You know they always thought your sister Lupe married beneath us.
00:23:31Look, we've got to have some plan.
00:23:33Don't you see that one?
00:23:34We've got to start somewhere.
00:23:36Now, at least I can go and see if they're still there.
00:23:38I won't let you do it.
00:23:39I won't let you make that terrible trip alone.
00:23:41Then I'm not forcing myself uninvited on the overmantle.
00:23:45Let's just hold off for a couple of days.
00:23:48I'll tell you what.
00:23:49We'll set up a listening post.
00:23:51Stand guard around the clock.
00:23:52Somebody there at all times.
00:23:53It's just possible that that boy might not be here to stay.
00:23:57That he might have to leave before he's had time to dig us out.
00:23:59That's it, Bart.
00:24:00I know that's how it'll turn out.
00:24:02Well, don't count to it, I'll turn out.
00:24:04Come on now.
00:24:04We'll get things ready.
00:24:05Necessary.
00:24:06Oh, Tony, what you can carry.
00:24:08We've got to be ready and able to run.
00:24:10I'll help you.
00:24:15Hey, Eddie.
00:24:16You're a bad thief.
00:24:18I'm picking up candles.
00:24:20Just one more, but I can use every one of them.
00:24:22Papa, I'm not afraid, Papa.
00:24:23Not of anything.
00:24:24Well, I could even find the overmantles for you.
00:24:27Well, I'm not.
00:24:28I'm not afraid of things.
00:24:29Cats or dogs or anything.
00:24:31I know, John.
00:24:32We'll talk about it later.
00:24:37Go and get some bedding.
00:24:39Something to make her more comfortable out by the listening post.
00:24:41All right.
00:24:44You see, she just doesn't comprehend the danger.
00:24:46I know.
00:24:47I know.
00:24:48Ariete, you've heard your mother and me talk about Tina?
00:24:51Yes.
00:24:51Your aunt Lupe Henry had six children.
00:24:54Tina was next to the oldest.
00:24:55She was about your age.
00:24:55She was a lovely child.
00:24:56My age?
00:24:57You mean when they had to immigrate?
00:24:58No, no.
00:24:59When they lived in the barn here.
00:25:00Wait here a minute.
00:25:00Look, Lauren, tell me about Tina.
00:25:29Tina got out.
00:25:32Out?
00:25:33How?
00:25:33What do you mean?
00:25:34Lupe never kept up with those children proper.
00:25:36That's the truth of it.
00:25:37Just let them run wild.
00:25:39Tina got outside.
00:25:41They waited a week.
00:25:41They waited a month.
00:25:43And they hoped for a year.
00:25:44But no one ever saw Tina no more.
00:25:46No trace of her ever again.
00:25:48Why not?
00:25:49What happened to her?
00:25:50Well, you see, outside, there are animals.
00:25:53Not just dogs and cats, but wild, terrible things like ferrets and weasels.
00:25:57You mean Tina got eaten?
00:26:00I don't believe it.
00:26:02You better believe it.
00:26:03Because that's what happened to your cousin Tina.
00:26:04And don't you ever, ever forget it.
00:26:06Yes, Mama.
00:26:07I want to be the first to stand guard.
00:26:09I'm not sleepy.
00:26:10Can I, can I pop up?
00:26:11No, no, no, no, no, no, no, not tonight.
00:26:12Now, off to bed with us.
00:26:13Oh, I think we ought to let her.
00:26:15She has to take her turn, same as us.
00:26:16She might as well start tonight.
00:26:18Why, hurry it, woman.
00:26:19It's about time she learned about them.
00:26:21All right, I guess you've got to start sometime.
00:26:24Come on.
00:26:27Tuck your feet under the back of the car.
00:26:29There you are.
00:26:30Now, keep a good watch.
00:26:32Good night.
00:26:34We won't be beaten and we won't be eaten.
00:26:51What are you up to?
00:27:14Look, I warned you yesterday when you first come in the door, no messing about down here.
00:27:19Have you lost something?
00:27:20What are you looking for?
00:27:22Something.
00:27:23What kind of something?
00:27:25Kind of a little man.
00:27:31So she started on her little man, has she?
00:27:33Probably offered you some fine old media.
00:27:35I'm being raised in the city.
00:27:36You probably took it.
00:27:37Now, outside where boys belong.
00:27:39I want to look for her.
00:27:40Out.
00:27:50She's doing she said all day.
00:27:52I don't know.
00:27:53Okay.
00:27:53Yeah.
00:27:54I don't know.
00:27:55I don't know.
00:27:55She's doing it.
00:27:56What are you doing?
00:27:56What are you doing?
00:27:57Well, everyone.
00:27:57How do you think?
00:27:58What do you think?
00:27:58What does he do with his self all day, poking his nose into everything in the house, that's
00:28:23what? I caught him just this morning lifting up the rugs in the dining room, mind you?
00:28:53Here, what are you up to now? Who gave you permission to come into my kitchen?
00:29:11There's a hole under there. If you're concerned, what hole's where in this house? Now look, I am going to count to three and I want you out of my kitchen.
00:29:18It's the only hole I found.
00:29:48Well, it might early, Miss Crampford. It's that boy's keeping you on the run. Here's your milk.
00:29:55One more day of it. Till tomorrow. Seems his mother wants him home. No account for days.
00:30:03The boy's leaving. Hey, did you hear that? The boy's leaving tomorrow. Oh, yeah. Oh, my shoes. I got a lot of borrowing to do.
00:30:15May I come borrowing, Papa? Yes. Oh. But remember, borrowing is a skilled job in heart. And of all the families that have lived in this house, there's only us left. Do you know why?
00:30:18Because your father is the best borrower that's been in these parts since, well, before your granddad's died.
00:30:33That's right. But I never heard of no girl going borrowing before.
00:30:39I've never heard of no girl going borrowing before.
00:30:42Why couldn't she, Pop?
00:30:43Isn't she just like her father?
00:30:50This is it, Ariely.
00:30:51This is our clock.
00:30:53Oh, it's beautiful.
00:30:54The clock our family's named after.
00:30:56Over 75 years, they say, it's been standing here on this spot.
00:31:00Oh, look. Hey, we're in luck.
00:31:02Both doors are open.
00:31:04I can't make out what it is.
00:31:10It's pretty, Papa.
00:31:11Could I blow that?
00:31:12I mean, by myself?
00:31:14Oh, why not?
00:31:16Come on, I'll show you.
00:31:17Here.
00:31:19Give me the hook.
00:31:20All right, now get back there.
00:31:31Hey, that's very good.
00:31:33You're better than your Papa.
00:31:35Oh, I wish your mama could see you.
00:31:38Look.
00:31:40Oh, that's beautiful.
00:31:42Come on.
00:31:54Now put the ball in your borrowing bag.
00:31:56Now you're a real borrower.
00:32:00What's that?
00:32:01That must be the wind.
00:32:04They're all gone.
00:32:05Mr. and Mrs. Cranford and the boy, and she can't get out of bed.
00:32:09Must be the wind.
00:32:16There you go.
00:32:17All right.
00:32:20Come on, hustle along.
00:32:21All right.
00:32:22I'm going to work on the drapes.
00:32:23You sit over there by the doorway to the garden.
00:32:24Take a peek outdoors.
00:32:25I'll come back for you.
00:32:26All right.
00:32:27All right.
00:32:28All right.
00:32:29I'm going to work on the drapes.
00:32:30You sit over there by the doorway to the garden.
00:32:31Take a peek outdoors.
00:32:32I'll come back for you.
00:32:33I'll come back for you.
00:32:34All right.
00:32:35I'll come back.
00:32:36All right.
00:32:37All right.
00:32:38Isn't it something to climb up the cedar
00:32:52And crawl through the clover of the old and old tree
00:32:57To lie on your back and see the sky backwards
00:33:04Gotta be something more than the heart has any right to see
00:33:15Being alive is the best part of living
00:33:22The best part of being alive is to be awake and aware
00:33:30Of what's over there beyond the next beach
00:33:36And past the last highway you thought you might ever see
00:33:44Isn't it something to dandelion dozing, reposing in fields
00:33:53That are open and free
00:33:58And better than death
00:34:00We two together have to be something
00:34:05More than our hearts have any right to see
00:34:12Less isn't it something
00:34:17Just to be you and me
00:34:27Don't move
00:34:29Don't move or I shall hit you
00:34:31Why?
00:34:32In case you run towards me quickly through the sand
00:34:36In case you scramble at me with their nasty little hands
00:34:39Why should I run towards you?
00:34:41Things do
00:34:42You were supposed to go away this morning
00:34:44Well I didn't
00:34:45I'm to stay a few more days
00:34:47I'm not well enough yet
00:34:49Oh
00:34:50Did you come out of the house?
00:34:53Where in the house?
00:34:55Where did the cramp furrows go in the cart?
00:34:57Mrs. Crampful said it was her day off
00:34:59And she meant to have it
00:35:01In spite of everything
00:35:02She meant me
00:35:03Yes
00:35:04Now tell me where you come from
00:35:07Or I'll hit you
00:35:08Alright
00:35:09Hit me
00:35:10Go on
00:35:11Hit me
00:35:12Stay where you are
00:35:13Supposing
00:35:16You saw
00:35:18A little man
00:35:19About
00:35:20As tall as a pencil
00:35:22Coming out of your dollhouse
00:35:23Carrying a doll's teacup
00:35:25Would you say it was a fairy?
00:35:27No
00:35:28I'd say it was my father
00:35:30How old are you?
00:35:31Thirteen October
00:35:32How old are you?
00:35:33Eight
00:35:34Thought so
00:35:35Can you read?
00:35:36Of course
00:35:37Can't you?
00:35:38Could you read out loud?
00:35:39Of course
00:35:40Could you
00:35:41Could you read out loud to me?
00:35:42Of course
00:35:43Can you fly?
00:35:44No
00:35:45Can you?
00:35:46Of course not
00:35:47I'm not a fairy
00:35:48Well nor am I
00:35:49Nor is anyone
00:35:50I don't believe in them
00:35:51You don't believe in them
00:35:52You don't believe in them
00:35:53No
00:35:54Do you?
00:35:55No
00:35:56Of course not
00:36:00Do you know my great aunt Sophie?
00:36:02No
00:36:03But my father does
00:36:04Does he like her?
00:36:05I don't know
00:36:06She thinks my father comes out of a decanter
00:36:09Does he?
00:36:10Don't be silly
00:36:11Do you like her?
00:36:12Your aunt?
00:36:13Great aunt
00:36:14Yes
00:36:15But she doesn't like me
00:36:16I'm afraid of horses
00:36:18Are there many people like you?
00:36:20No
00:36:21None
00:36:22We're all different
00:36:23I mean
00:36:24Small as you
00:36:25Don't be silly
00:36:26Sure you don't think there are many people in the world your size
00:36:29They're more mine than yours
00:36:31Honestly
00:36:32You really think?
00:36:33I mean
00:36:34What sort of world would it be?
00:36:35Great chairs
00:36:36Fancy if you had to make chairs that size for everyone
00:36:39And the stuff of their clothes
00:36:41Miles and miles of it
00:36:42And the food they eat
00:36:43That's why my father says it's a good thing they're dying out
00:36:46Who's dying out?
00:36:47Human beans
00:36:48Just a few
00:36:49My father says that's all we need to keep us
00:36:52Otherwise the whole thing might get
00:36:54We'll get out of hand he said
00:36:55What do you mean to keep us?
00:37:02Human beans are for boilers
00:37:04Like butter is for bread
00:37:05And I don't believe it
00:37:06And I don't believe that's what we're for at all
00:37:08And I don't believe we're dying out
00:37:10Just use your common sense
00:37:12You're the only real human being I ever saw close to
00:37:14Except for the ones in this house
00:37:16But I know there's lots and lots of borrowers
00:37:18The Hendriris
00:37:19The Overmantles
00:37:20The Drain Pipes
00:37:21The Harps Accords
00:37:22The Clocks
00:37:23That's us
00:37:24Who are they?
00:37:25My uncle Hendriri has a house in the country
00:37:27With five children
00:37:28But where are the others?
00:37:29Oh they're somewhere
00:37:30Around
00:37:31Well I've only seen two borrowers
00:37:33But I've seen hundreds and thousands
00:37:35I don't believe you
00:37:36Of human beings
00:37:37And what's more
00:37:38I don't believe that there are any more borrowers
00:37:40Anywhere in the world
00:37:41I bet you're the last
00:37:42We're not
00:37:43I bet they're dead
00:37:44What's more
00:37:45No one will ever believe I've seen even you
00:37:48And you'll be the last
00:37:49Because you're the youngest
00:37:50One day you'll be the only borrower left in the world
00:37:53What's the matter?
00:37:55They're not dead
00:37:56The Hendriris live in a gopher hole two fields away
00:37:59We don't see them because it's much too far
00:38:01There's weasels and hawks and owls and foxes
00:38:04Which field?
00:38:05I don't know exactly
00:38:06It's over by the Perkins green
00:38:08I'm going home
00:38:09Don't go
00:38:10Please
00:38:11You promised you'd read to me
00:38:12Let me go get the book
00:38:13I'm not gonna read to you now
00:38:15Please listen
00:38:16Just one chapter
00:38:17And I'll tell you what I'll do
00:38:19I'll go to that field
00:38:20And find Uncle Hendriri
00:38:21And everybody
00:38:22And if they're alive
00:38:24I'll tell you
00:38:25What about that?
00:38:26You could write them a letter
00:38:27And I'd put it down the hole
00:38:28Would you?
00:38:29Would you really do that?
00:38:30Yes I would
00:38:31Really and truly I would
00:38:32Now can I go get the book?
00:38:33When can I give you the letter?
00:38:35Anytime
00:38:36I can come to your house
00:38:37No, no
00:38:38I'll put it somewhere
00:38:39I'll stick it in the grating
00:38:40Which one?
00:38:41The one by the front door?
00:38:42No, the one by the back
00:38:43Near the kitchen
00:38:44All right
00:38:45I'll get the book
00:38:46Wait, wait a minute
00:38:47You mustn't let my father see you
00:38:49Where is he?
00:38:50He's working in the hall
00:38:51Or the kitchen
00:38:52I don't know
00:38:53I'll go on the side door
00:38:55The grating by the kitchen?
00:38:57Now I can guess where you live
00:38:59Arietti
00:39:01Arietti
00:39:02Arietti
00:39:03Where are you?
00:39:05I'm here
00:39:07Come back
00:39:10Come back quickly
00:39:11I told you never to leave the house
00:39:18Drop that
00:39:20You can't go lugging great flowers about
00:39:22Now come on
00:39:23Help me with your bag
00:39:24Arietti
00:39:25Arietti
00:39:26Arietti
00:39:27I'm coming
00:39:28Arietti
00:39:29Arietti
00:39:38Arietti
00:39:39I'm coming
00:39:40I see him running round the fields
00:39:54Young Tom thinks the boy's got his selfie ferret
00:39:56That Tom's got ferrets on the bar
00:39:57The Tonsgott said it's on the brain.
00:39:58Where would the boy get up, Sammy?
00:40:00I don't know, but there he was all day.
00:40:02Run around that field by Perkins Green,
00:40:04shouting down the rabbit hole.
00:40:05I think he was calling to something by name, like, uh, Henry.
00:40:09Henry!
00:40:11Hmm.
00:40:20Where's Papa?
00:40:21Borrowing.
00:40:22How long do you think he'll be gone?
00:40:24He won't be back for a good while yet.
00:40:25He likes it up there.
00:40:27Gossiping with her, poking about in her dressing table.
00:40:29What are you up there?
00:40:30Just a lunch in the storeroom, Emma.
00:40:54It's the very last straw.
00:40:56To be deserted by a delusion.
00:40:58I said I would have come if I could have come.
00:41:02Why can't you admit you've been frightened?
00:41:04I can take one look at you and see you've been frightened.
00:41:06Frightened?
00:41:06Me?
00:41:07Frightened because you're so small.
00:41:08Or small because you're so frightened.
00:41:10That's more like it.
00:41:11Would I be here if I were frightened?
00:41:13Oh, you're cocky enough with me.
00:41:15You think I'm harmless.
00:41:16A boozy, bedridden old woman.
00:41:18How dare you patronize me,
00:41:19you wretched little mannequin,
00:41:20you've taken liberties,
00:41:21puffing yourself up,
00:41:22keeping me waiting.
00:41:23Lady Sophie,
00:41:25I have me own life to lead.
00:41:27You think all I've got to do
00:41:28is to sit around your woodwork chattering?
00:41:31I have business of me own to pursue.
00:41:33What business?
00:41:33You've got no business of your own.
00:41:34You've got nothing of your own.
00:41:36You've no business,
00:41:36you've no affairs,
00:41:37you've no possessions.
00:41:38Well, your very existence,
00:41:39by your own admittance,
00:41:41is to go creeping about my house,
00:41:42pierce it out of my stores.
00:41:43Lady Sophie.
00:41:44Pilfering my belongings.
00:41:45Your house indeed.
00:41:47Us clocks have had this place
00:41:49for over 75 years.
00:41:51Well, you think you own the world.
00:41:52Well, you've nothing,
00:41:53nothing that doesn't belong to me.
00:41:54You're a cocky, conceited,
00:41:55ungrateful little...
00:41:57Quiet, you wouldn't exist at all
00:41:59if I didn't virtually inundate myself
00:42:01in Madeira.
00:42:03You think I don't know
00:42:04why you haven't been here?
00:42:05Well, you haven't been here
00:42:08because that Mrs. Crumpfurl woman
00:42:11has been watering my wine.
00:42:13Take care, my puppet.
00:42:15If Mrs. Crumpfurl ever drinks enough to see you.
00:42:19I can handle Mrs. Crumpfurl.
00:42:23Oh, Pod, proud.
00:42:25That's the way I love you.
00:42:26Acting proud and coughing
00:42:27all the time inside you.
00:42:28You're trembling with fright.
00:42:31Oh, Pod, Pod, don't ever leave me.
00:42:33You're all I've got.
00:42:35It's me, Arrietty.
00:42:43Did you take the letter?
00:42:45Why did you come creeping,
00:42:46creeping into my room?
00:42:48I didn't come creeping, creeping.
00:42:50Came down the hall.
00:42:51Your Aunt Sophie is saying
00:42:52terrible things to my father.
00:42:54When I brought the book,
00:42:56he's gone.
00:42:57My father fetched me.
00:42:59Did you take the letter?
00:43:00Yes, I had to go back twice.
00:43:02I shoved it down the Golden Hall.
00:43:08Here it is.
00:43:09He's written on it.
00:43:10Oh, please show me.
00:43:12Then they are alive.
00:43:13Did you see them?
00:43:14No, but when I went back,
00:43:16the letter was down the hall,
00:43:17just where I put it.
00:43:18But they've written on it.
00:43:20Look.
00:43:20I can't see from here.
00:43:33It's very faint.
00:43:35What's he written it with, I wonder?
00:43:37Y-O-double-E
00:43:39tell
00:43:40Y-O-U-R
00:43:42Y-O-U-R
00:43:42Yes, Y-O-U-R
00:43:44Tell your mother,
00:43:46come soon.
00:43:47So tell her.
00:43:53Wait.
00:43:54Wait.
00:43:55Don't go.
00:43:56I've got something for you.
00:44:01Come home.
00:44:08There's a blue one, too.
00:44:10But it's a bit...
00:44:11Where are you?
00:44:13Where have you gone?
00:44:15Oh, come on out.
00:44:17What's going on in there?
00:44:19Who are you talking to?
00:44:20No one.
00:44:22Be quiet then and go to sleep.
00:44:24Look, look, look.
00:44:25Look at night.
00:44:38Oh.
00:44:39Alder, let yourself be seen by that boy.
00:44:41Ariadne, what ever made you do such a thing?
00:44:44I was trying to save the race.
00:44:45The expressions that she uses.
00:44:47What race?
00:44:47Our race.
00:44:48The borrowers.
00:44:50Right.
00:44:51She said we were dying out
00:44:52and that we were the last three left
00:44:54and that one day,
00:44:55that one day,
00:44:56I'd be alone in this house,
00:44:58alone in this world.
00:44:59So I brought Uncle Hendriri a letter.
00:45:01The boy took it for me.
00:45:02He what?
00:45:03Uncle Hendriri answers.
00:45:05Here, Mama.
00:45:06Aunt Lupe says come soon.
00:45:07The boy brought it back to me.
00:45:09He found Hendriri?
00:45:12Oh.
00:45:13Then he'll find us.
00:45:15Mark, what is it?
00:45:17It's a screwdriver.
00:45:18You, you sneak.
00:45:27You're a terrible boy.
00:45:28A terrible human boy.
00:45:31Is that your mother?
00:45:32Certainly.
00:45:33Put that light out at once.
00:45:35At once.
00:45:36But I brought something for you.
00:45:38I brought it especially.
00:45:40I...
00:45:40It's very kind.
00:45:43But we don't need anything.
00:45:45Thank you very much.
00:45:46We don't need anything at all.
00:45:47Nothing except our roof.
00:45:49Show us what you've got.
00:45:50It's this.
00:45:54Oh.
00:45:55Oh.
00:45:55Well, thank you.
00:45:58Thank you very much.
00:45:59And now we'll be good enough to put our roof back.
00:46:02Wait a minute.
00:46:03There's something else.
00:46:09Try it.
00:46:11Oh.
00:46:11Just about fit you, Pa, that one.
00:46:18Oh, Pa.
00:46:19It's perfection.
00:46:21I'll get the rest.
00:46:22I'll get the rest.
00:46:29But please, no more in the parlor.
00:46:30It's getting all cluttered.
00:46:32Everything looks so lovely, Papa.
00:46:34Doesn't it?
00:46:35Then just put the roof back on, will you?
00:46:37There's a bad draft.
00:46:38Shall I nail you down?
00:46:40Of course nail us down, you great clot.
00:46:43I mean, I've got even more things.
00:46:46Tell him to nail us down.
00:46:48But lightly.
00:46:49Just a tap or two here and there.
00:46:52She wants you to nail us down lightly.
00:46:55Just a tap or two here and there.
00:46:57First one I ever really and truly saw.
00:47:13And it was a boy.
00:47:15Pa, those beautiful things.
00:47:17Think of what he brought us in just one visit.
00:47:20Oh, he's ugly.
00:47:21I knew they were ugly, but not that ugly.
00:47:23I knew they were ugly.
00:47:25She's, uh, she's not afraid of him, is she?
00:47:28Not one bit.
00:47:29A human boy.
00:47:31Ariadne is no more afraid of him than you are of her upstairs.
00:47:35I shouldn't wonder.
00:47:37It's in the blood.
00:47:39I got my human being, Ariadne's got hers.
00:47:42But, uh, you know, I never heard of no borrower would ever do a thing.
00:47:46Why, why shouldn't we?
00:47:48We'll just sit tight and make good use of him.
00:47:51I'll show her.
00:47:55Who?
00:47:56Her.
00:47:58Aunt Sophie.
00:47:59That's who.
00:48:01And remorseful Eric cannot help being amazed
00:48:04how in his heartless selfishness
00:48:06he left that fair child to go so far astray.
00:48:09That's his trade to put boys and boys companions in the lowest floor.
00:48:13Eric, did you know, you like this story?
00:48:15Yes, I've got a friend called Eric.
00:48:19Did your mother really please with all the new things I brought last night?
00:48:22Very please, yes.
00:48:24Good.
00:48:24Go on now.
00:48:25Will you turn over, please?
00:48:27No, the paper means.
00:48:31That I was slogged last night for what she did.
00:48:34Eric's side filled with tears.
00:48:36But Vernon, he's scammers.
00:48:37Look, what are we going to do with all this stuff?
00:48:52It's gotten beyond all reasons.
00:48:53I know how you feel, Paul.
00:48:55But he's been so kind.
00:48:56You just can't tell him no.
00:48:58Where are you going?
00:49:00Upstairs to her room for a place to sit down.
00:49:02Your father was a soldier, wasn't he?
00:49:11Who'd he kill?
00:49:12Oh, I don't expect they told him.
00:49:14Whoever needed killing at the time, I guess.
00:49:17He killed other human beings?
00:49:19You're making it up.
00:49:20No, I'm not.
00:49:22No Boroark could ever kill another one.
00:49:24Not for any reason.
00:49:26Why not?
00:49:27Human beings do.
00:49:28All the time.
00:49:29And that proves what I said.
00:49:30It's the human beings who will die out.
00:49:33There's too many human beings to die out.
00:49:35I'm glad I'm a borrower.
00:49:37I'd rather be nimble in everything than kill other people.
00:49:40I'm leaving tomorrow.
00:49:42Leaving?
00:49:43You never said you were leaving.
00:49:45Don't worry.
00:49:46It's got all day today.
00:49:47We can easily finish the book.
00:49:49It isn't bad.
00:49:50It isn't a book.
00:49:51Oh, how can you be so silly?
00:49:53You're like all human beings.
00:49:54You're treacherous and dangerous.
00:49:57Oh, do you think I'm dangerous?
00:49:59How?
00:50:00Because you make everything change.
00:50:02And then you just go away and don't care.
00:50:04You're glad to be going.
00:50:05I wish you'd never come.
00:50:14I should call the police now.
00:50:16I know I should.
00:50:18Wait a few days.
00:50:19Maybe the things will turn up.
00:50:20The boy will be gone tomorrow.
00:50:22And who will get the blame then?
00:50:22I'd like to know.
00:50:23Who is responsible for this house?
00:50:24Me.
00:50:25That's who.
00:50:25What good will it do?
00:50:26You can't prove nothing.
00:50:27Nothing.
00:50:27And what good will it do?
00:51:24Come for one last look, so you can remember life.
00:51:41I'm to leave by 9.30.
00:51:43Will you be under the clock?
00:51:44Put a bit of rag around that hammer.
00:51:46Keep the noise down.
00:51:47And, uh, nail us down tight this time,
00:51:49seeing this once and for all.
00:51:52Thanks again.
00:51:54Good night.
00:51:55Bye.
00:51:56See you tomorrow.
00:52:24Bye.
00:52:25Bye.
00:53:38Stop your carrying on.
00:53:40You'll wake yourself you have already.
00:53:42What is all this?
00:53:43Oh, no.
00:53:44I'm speaking to the next to the floorboard there.
00:53:46Why, it's nothing.
00:53:48It's just that boy.
00:53:50He's built himself a little playhouse here.
00:53:52No.
00:53:53No, I've seen them running.
00:53:54I've seen them.
00:53:55Seen?
00:53:56Seen what?
00:53:57Well, there was like mice dressed up.
00:53:59Mice dressed up?
00:54:00Horrible.
00:54:01Vermin.
00:54:02That's what they was.
00:54:03Vermin.
00:54:04That's what they was.
00:54:05Vermin.
00:54:06Whatever they was, there's no sign of them now.
00:54:07Oh, they've run away.
00:54:08That's why under the floorboards up inside the walls.
00:54:10The place is alive with them.
00:54:11I tell you.
00:54:12Just look at all this stuff.
00:54:14Playing dolls he was.
00:54:16Here.
00:54:17Here, look at this.
00:54:18Here's that little Pluto is missing from the drawing room.
00:54:21Here's that silver thimble he was complaining about not long ago.
00:54:26A snuff box.
00:54:27Oh.
00:54:28There.
00:54:29Two of them.
00:54:30Oh, the little devil.
00:54:31Look.
00:54:32Look.
00:54:33Ladies of his handkerchief monogramming all.
00:54:35Safety pins.
00:54:36No wonder I could never find any safety pins when I was looking for them.
00:54:39My big mattress needle.
00:54:41I looked everywhere for that.
00:54:42I knew I had one.
00:54:43Here.
00:54:44Look at this, will you?
00:54:45Look at that.
00:54:46It's the gold pocket watch.
00:54:50It's gone.
00:54:55And what's more, it's right.
00:54:56Mr. Grumple.
00:54:57That watch has been missing 17 years.
00:55:00Now, where do you suppose he found that?
00:55:03Well, what's he done with the big things from the drawing room, I wonder?
00:55:05Where's he put those?
00:55:06Not enough room down there for all that.
00:55:08Here, let's finish looking in the morning.
00:55:09No.
00:55:10Welcome back.
00:55:16No.
00:55:17Oh, no.
00:55:18I'm going to call the fumigator.
00:55:19The whole house, top to bottom.
00:55:20There's no need for that.
00:55:21Call in Tom Goodenough and his ferret.
00:55:22Set the ferret loose under the floor.
00:55:23I want this place cleaned out.
00:55:24But try the ferret first.
00:55:25You can always try the fumigators if that don't work.
00:55:26No need to upset a ladyship with the fumigators unless it's necessary.
00:55:28Well, get Tom right now then.
00:55:29Right now.
00:55:30It's in the middle of the night, woman.
00:55:31Come on, morning's good enough.
00:55:32We'll get ourselves a feisty little dog.
00:55:33We'll borrow that one at Tom.
00:55:34We'll borrow that one at Tom.
00:55:35Come on.
00:55:36We'll borrow that one at Tom.
00:55:37Come on.
00:55:38Come on.
00:55:39Come on.
00:55:40Come on.
00:55:41Come on.
00:55:42Come on.
00:55:43Come on.
00:55:44Come on.
00:55:45Come on.
00:55:46Come on.
00:55:47Come on.
00:55:48Come on.
00:55:49Come on.
00:55:50Come on.
00:55:51Come on.
00:55:53Look, he's a feisty little dog.
00:55:54We'll borrow that one at Turner's.
00:55:55Set him loose topside.
00:55:56He can track the ferret.
00:55:57We can see where he stops.
00:55:58Now, hold on, will you, till morning.
00:55:59Oh, pocket watch.
00:56:00We've got to get the Constable now.
00:56:02Oh.
00:56:03And I want you to spend the night right here.
00:56:04I want that hole watched.
00:56:05Nothing's going to come out of the hole now.
00:56:06Alright, ma'am.
00:56:07Sit and watch as soon as you cut yourself into such a state.
00:56:10Do you mind about my state just to keep your eye on the hole?
00:56:13And get the ferret fairly.
00:56:14I want this done before that boy gets away.
00:56:16Alright.
00:56:17Don't worry about it.
00:56:18Go on.
00:56:19Go on back to sleep.
00:56:20Arrietty, Arrietty, where are you?
00:56:47It's me, Arrietty.
00:56:48You've got to get out.
00:56:50I can take you to the attic.
00:56:52We can't stay there.
00:56:53I heard her.
00:56:54If the ferret don't get us, she's going to fumigate.
00:56:57Top to bottom.
00:57:01After tomorrow morning, there's no place that'll be safe.
00:57:03Not indoors.
00:57:04Not in this house.
00:57:05We've got to emigrate.
00:57:07Arrietty, not you two.
00:57:08Don't you start taking on.
00:57:10I'm not taking on.
00:57:11I'm so happy.
00:57:12Happy to be going outdoors.
00:57:14It's all I ever wanted.
00:57:16We can go to Aunt Lupe's.
00:57:18Well, where else?
00:57:20How about the stables?
00:57:21Oh, we've got to eat, don't we?
00:57:23There's nothing there for us.
00:57:25Will you go tonight?
00:57:27We can't cross the fields in the dark.
00:57:31Not with Arrietty and Homily.
00:57:33I can take you up to my room for the night.
00:57:36Take us?
00:57:37How?
00:57:38In a box or something.
00:57:39In his pockets.
00:57:40What does it matter?
00:57:41All right.
00:57:42Yeah, I suppose so.
00:57:45Hello.
00:57:46I was just, I just remember where I lost my slingshot.
00:57:48Don't you think I heard you whispering to something in there?
00:57:49We'll take care of that.
00:57:50Pick it up.
00:57:51What is it?
00:57:52Come on, put it in front of the hole.
00:57:53What's in the hole, please?
00:57:54A man with heaven only knows what kind of nastiness.
00:57:55I'll be with you in the morning.
00:57:56Come on.
00:57:57Come on.
00:57:58Come on.
00:57:59Come on.
00:58:00Come on.
00:58:01Come on.
00:58:02Come on.
00:58:03Come on.
00:58:04Come on.
00:58:05Come on.
00:58:06Come on.
00:58:07Come on.
00:58:08Come on.
00:58:09Come on.
00:58:10Come on.
00:58:11Come on.
00:58:12Come on.
00:58:13Come on.
00:58:14Come on.
00:58:15Come on.
00:58:16Come on.
00:58:17Come on.
00:58:18Come on.
00:58:19Come on.
00:58:20Come on.
00:58:21Come on.
00:58:22Come on.
00:58:23I want to talk to my aunt.
00:58:24You won't want to talk to Ralph and Ralph, but he's talking to Ralph.
00:58:25You wretched little pickpocket.
00:58:26Putting suspicions on honest hard-working people.
00:58:27Who you'll be talking to is the police.
00:58:28That's him.
00:58:30I can't seem to stop shivering.
00:58:35I know, Mama.
00:58:37Oh, why don't Pod come back?
00:58:40Arrietty, do you think he's gone back in those rooms where Crampville could see him?
00:58:43Oh, he might.
00:58:44If Crampville is really asleep.
00:58:46Now or never, Mama.
00:58:47Oh.
00:58:48We'll need some clothes.
00:58:49We can't arrive at 10 Jerry's all poor and destitute.
00:58:51All poor and what?
00:58:53Destitute.
00:58:54You wouldn't like it.
00:58:55Not in front of Aunt Lupie.
00:58:56Oh.
00:58:57Wish that boy would hurry on back and then lock the hole.
00:58:59Oh, Pod, thank goodness.
00:59:00She locked the boy up.
00:59:01What?
00:59:02Oh, yes.
00:59:03She's back in the kitchen now with Crampville.
00:59:04And you know that big marble slab I told you about that they make pastry?
00:59:07She had Crampville lay it over the hole.
00:59:10We're trapped.
00:59:11What about the grating?
00:59:12Couldn't we, couldn't we get through it somehow?
00:59:14Oh, yes.
00:59:15Then it'd be straight outdoors.
00:59:16But how?
00:59:17That grating's made of iron.
00:59:18Dad.
00:59:19That's a nail pile?
00:59:21Hey, that's an idea.
00:59:25Steel against iron.
00:59:28Yeah, it'll take a little while, but we've got some time.
00:59:30We've got six hours.
00:59:31Hey, you're pretty artful when the going gets tough.
00:59:34We're working shifts.
00:59:35We've got till 8 in the morning.
00:59:36What is it?
00:59:37Oh, it's the big boy.
00:59:38He must be the one with the face.
00:59:39He's standing around the corner.
00:59:41It's all right.
00:59:42You go back to sleep.
00:59:43What is it?
00:59:44Oh, it's the big boy.
00:59:46He must be the one with the face.
00:59:47He's standing around the corner.
00:59:48It's all right.
00:59:49You go back to sleep.
00:59:50He must be the one with the face.
00:59:52He's going around the corner.
00:59:55It's all right.
00:59:56You go back to see.
01:00:12I have to go to the bathroom.
01:00:13Well, no, come along, too, then.
01:00:17That's a boy.
01:00:18Come on, now. Hold on.
01:00:20Put that thing away until after the constable gets here.
01:00:22I thought you said he'd be here by 8.30.
01:00:24It's past that now.
01:00:25Well, Mrs. Cranford would start without him if she has to.
01:00:27She won't leave here with that boy until she's got the goods on him.
01:00:35Take the baggies on and put it down in the court.
01:00:37Time's wasting.
01:00:38You ought to say goodbye to your aunt.
01:00:40And I may tell you she's in her very nasty temper.
01:00:42Oh, the master criminal. Good morning.
01:00:48They say crime doesn't pay.
01:00:50Have you been interviewed yet by the police?
01:00:52I like it.
01:00:53Perhaps you'd better tell me what bits and pieces of that junk downstairs you find so appealing.
01:00:57I'd gladly give it to you, you know.
01:00:59I didn't steal the things.
01:01:01You see, Mrs. Cranford, you might have asked him.
01:01:03Mrs. Cranford thought you were dickering with a receiver of stolen property.
01:01:07You were only playing, weren't you, boy?
01:01:09I just borrowed the things.
01:01:11I borrowed them for the little house.
01:01:13Did you give the policeman all the details, Mrs. Cranford?
01:01:16The midnight raid in the doll's house.
01:01:18The squeaking and running of terrible little things.
01:01:20He'd probably have to call out the reserves.
01:01:25Too bad we didn't hit it off, boy.
01:01:27I'm too old.
01:01:28I say all the wrong things.
01:01:30But I believe always have.
01:01:32I expect you were bored and lonely here.
01:01:35A horse would have made all the difference.
01:01:38Crime is a natural consequence of not riding horses.
01:01:43Remember what I told you, Mrs. Cranford.
01:01:45Take my advice.
01:01:47And keep the bottle caught.
01:01:50I'll take the bottle.
01:01:51I'll stop.
01:01:52Take the bottle.
01:01:53I'll take the bottle.
01:01:57Toilet.
01:01:58And if he does it, I'll take it off.
01:01:59Toilet.
01:02:00You'll change that tune when I'll bring him to a laid-out
01:02:02incisor on a clean piece of newspaper.
01:02:04Quick.
01:02:05The policeman's here.
01:02:06Give me the file.
01:02:07Time is running out.
01:02:08Come on.
01:02:09What about the clock?
01:02:10Is it still covered?
01:02:11Did you catch it?
01:02:12It's covered.
01:02:13You put those things in the hole, didn't you?
01:02:15For a game like.
01:02:16Wasn't that it?
01:02:18All by yourself?
01:02:21Worth a lot of money, some of those ornaments,
01:02:23according to Mrs. Cranferl here.
01:02:25How about that gold watch?
01:02:27It's supposed to have been missing for years.
01:02:29I found it.
01:02:31It was already down the hole when I found the hole.
01:02:35Just taken away down there, was it?
01:02:36After all these years?
01:02:38Yes.
01:02:39No.
01:02:40I mean, I said it.
01:02:47One for you, and one for me.
01:02:54Call yourself a policeman.
01:02:56We've been sitting around here wasting precious time.
01:02:59Wait up, Ferris.
01:02:59Come on, let's go.
01:03:00What?
01:03:01Come on.
01:03:02Oh, for your minute.
01:03:05Grandpa, get it, Grandpa.
01:03:06I guess we'll just see now what you've got down that hole.
01:03:09Get that, put it down there.
01:03:10Move the doorstop.
01:03:11The hole's behind the doorstop.
01:03:11That's right, it's big enough as he squeezes.
01:03:14Gee.
01:03:14Get it down there.
01:03:15Here you go.
01:03:16I put clothes there, our clothes, our scent.
01:03:26Sort of a false trail, like leading to the kitchen.
01:03:29He'll give us more time.
01:03:39It's no use trying to file anymore.
01:03:43File is worn down.
01:03:44Give me a hand.
01:03:45Try to break this.
01:03:45Everybody, here we go.
01:03:50No.
01:03:51No, we can't do it.
01:03:54Where are you going?
01:03:55Try to block up that passage more.
01:03:57Come on.
01:03:59She's found herself coming down there.
01:04:01Yeah.
01:04:03What did you tell her?
01:04:03No, she's only stopped to smell something.
01:04:05I can hear her.
01:04:06There's nothing off down there.
01:04:07I heard something.
01:04:07What, she's on something?
01:04:08Landry.
01:04:09I'm moving along.
01:04:09Come on.
01:04:09Let me go.
01:04:20There we are.
01:04:21Come on.
01:04:21Oh.
01:04:22Harder.
01:04:23Harder.
01:04:23Come on.
01:04:24We've got to break this.
01:04:25Everybody now.
01:04:25Come on.
01:04:26Wrap your hands.
01:04:26Turn.
01:04:26All right.
01:04:27Come on.
01:04:27All right.
01:04:28Turn.
01:04:28Come on.
01:04:29Come on.
01:04:29Come on.
01:04:29Come on.
01:04:30There's you.
01:04:30I can't go, sir.
01:05:00Break it! Get something, anything! Hurry, hurry!
01:05:11Get back! Get back!
01:05:24Hey, you two! Go on! Go on! Get out of here before they follow you here!
01:05:28Go on, come on! Hurry! Don't you see the bear who follows you?
01:05:32No! No!
01:05:33Come on, you want me to kill us all? Hurry! Hurry! Get the area in the field! Go! Go!
01:05:38You're going to make me miss my train!
01:05:43You're going to make me miss my train, I'll have to stay another week.
01:05:48My aunt won't be very happy.
01:05:50Well, we can leave now. Hurry up, we'll just make it. Come on. Come on.
01:05:54Come on.
01:05:56I had to, Bart. I had to come back.
01:06:00I had to, Bart. I had to come back.
01:06:24And you can't wait.
01:06:26I'll wait.
01:06:27I'll wait.
01:06:28I'll wait.
01:06:29I'll wait.
01:06:30I'll wait.
01:06:31I'll wait.
01:06:32I'll wait.
01:06:33I'll wait.
01:06:34There.
01:06:35Nothing's got itself caught.
01:06:36I should have caught it.
01:06:38I never thought they wouldn't.
01:06:39Too bad your coffee at the finish.
01:06:40I sent you a little package.
01:06:42I sent you a little package.
01:06:45Too bad you can't be at the finish.
01:06:48I sent you a little package.
01:07:08Mrs. Craftsville, take my advice.
01:07:10And keep the bottle caught.
01:07:15Across the horizon, beyond the next hill.
01:07:20Are places to borrow and park it to fill.
01:07:27Is your a cottage, a castle, or shell?
01:07:33A right proper stable, a born shiny red.
01:07:39And these are quite simple.
01:07:42And if you look at the bottle,
01:07:47there are tomorrow from you.
01:07:51I meet a butterfly, I love you,
01:07:52I'm teaching you all.
01:07:53Any dealt with sowie.
01:07:54On earth, any deutsch-com window.
01:07:56You can see the yellow.
01:07:58Cause the bottom is whiteъ Water at brown.
01:08:00And you are pulls andIsliga.
01:08:01First, three, and the beach will pour to find out each other.
01:08:03Now, before you see,
01:08:05or ajoute the Europacus,
01:08:07or when the fire has stopped,
01:08:08the apple?
01:08:09In the middle of the springtime,
01:08:10It only wraps up your energy,
01:08:11I聊s the snow.
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