A collector comes into possession of the skull of the Marquis de Sade and learns it is possessed by an evil spirit.
#movies #horror
#movies #horror
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TVTranscript
00:00:00The
00:00:04The
00:00:10The
00:00:16The
00:00:20The
00:00:24The
00:00:26Oh, my God.
00:00:56So, let's go.
00:01:26Let's go.
00:01:56Let's go.
00:02:26Let's go.
00:02:56Let's go.
00:03:04What are you doing here?
00:03:08Aren't you pleased to see me?
00:03:15Get out.
00:03:16I said get out.
00:03:21And quickly.
00:03:27You're usually glad to see me.
00:03:39Yes, but...
00:03:45Why else did you give me your key?
00:03:49Yes, but not now.
00:03:53I've got to be alone tonight.
00:03:57I've got to be alone tonight.
00:04:01But...
00:04:05I've got to be alone tonight.
00:04:15I've got to be alone tonight.
00:04:17I've got to be alone.
00:04:19I've got to be alone tonight.
00:04:21I've got to be alone.
00:04:25I've got to be alone tonight.
00:04:27Let's go.
00:04:29Let's go.
00:04:31Let's go.
00:05:01Let's go.
00:05:31I'm sorry.
00:05:45Pierre.
00:05:57Pierre.
00:06:01Let's go.
00:07:41Once.
00:07:43Twice.
00:07:45Sold.
00:07:47For 90 pounds.
00:07:49To Sir Matthew Phillips.
00:07:59Hard luck, Mr Maitland.
00:08:01Better luck.
00:08:05Next time.
00:08:07It's all in the game, Marker.
00:08:09Item number 73.
00:08:11Four stone figures.
00:08:13Mid-17th century.
00:08:15Sculptor unknown.
00:08:17In the admirable history of Father Sebastian Michaelis.
00:08:21The figures represent the hierarchies of hell.
00:08:23Lucifer.
00:08:25Who commands all.
00:08:29Next unto Lucifer.
00:08:31The prince of the seraphim.
00:08:33Who tempts men with pride.
00:08:35Beelzebub.
00:08:37And now the demon who tempts men with heresies.
00:08:47And sins repugnant unto faith.
00:08:51Leviathan.
00:08:53And finally, prince of the fallen cherubim.
00:09:05Who tempts men to be quarrelsome and contentious.
00:09:09And to commit murder.
00:09:11Bell Perry.
00:09:19Now, who will open the bidding?
00:09:22Seventy-five pounds.
00:09:24One hundred and fifty.
00:09:26Two hundred.
00:09:28Two fifty.
00:09:30Three hundred.
00:09:32Five hundred.
00:09:36Five twenty-five.
00:09:38Six hundred.
00:09:40Six twenty-five.
00:09:43Seven hundred and fifty.
00:09:45Seven hundred and fifty.
00:09:47Better stop, Mr. Maitland.
00:09:49He's got more money than you have.
00:09:54Seven seventy-five.
00:09:59Fifteen hundred pounds.
00:10:01Fifteen hundred.
00:10:03One thousand five hundred once.
00:10:06One thousand five hundred twice.
00:10:10Sold.
00:10:11To Sir Matthew Phillips.
00:10:16Ladies and gentlemen.
00:10:17It is now ten past one.
00:10:19So I suggest we break for lunch.
00:10:21And resume the sale at two thirty this afternoon.
00:10:24With item number seventy-five.
00:10:26Item number seventy-four having been withdrawn.
00:10:30To initial two of us.
00:10:32Matthew, those figures aren't worth anything near what you paid.
00:10:36Oh, even I was overbidding.
00:10:38What did you want them for?
00:10:39Well, thought they'd go well with my collection,
00:10:42at the right price.
00:10:44Why did you want them so badly?
00:10:46I don't know. I really don't know.
00:11:16Good evening. Here's Mr. Maitland at home.
00:11:46I'll see if he's at home, Mr. Markle.
00:11:48It's all right, Denise. I'll see Mr. Markle.
00:11:53Good evening, Mrs. Maitland. May I see your husband?
00:11:56I'm sure he will see me.
00:11:58I'm afraid he's busy.
00:12:02He's never too busy to see me,
00:12:04if you'll kindly tell him I'm here.
00:12:06Chris.
00:12:18Marco's here again.
00:12:19I told him you were busy.
00:12:21Has he brought anything with him?
00:12:23He was carrying a bag.
00:12:25I can't bear that man.
00:12:28Why do you have to do business with him?
00:12:30Darling, you know I need research materials,
00:12:32and he's the one who can get them for me.
00:12:36I'm afraid.
00:12:38I'm afraid for you.
00:12:40You needn't be afraid of Marco.
00:12:41And it's because people all through the ages
00:12:43have been influenced and terrorised by these things
00:12:46that I carry up research to try and find the reasons why.
00:12:49It's all part of the unknown.
00:12:50And the unknown's always intriguing.
00:12:52And sometimes dangerous.
00:12:54My husband will see you, Mr. Marco.
00:13:19Good evening, Mr. Maitland.
00:13:21Good evening.
00:13:22Don't keep your moment.
00:13:24I'm sorry to come unannounced and so late.
00:13:30I hope I'm not intruding.
00:13:32What have you got for me?
00:13:35Something choice.
00:13:37Very choice.
00:13:38Why don't you show me?
00:13:44The life of the notorious Marquis de Sade.
00:13:49The man whose name has become the symbol of cruelty and savagery
00:13:53that is in all of us is in all of us, sadism.
00:13:58The Marquis de Sade was born in 1740.
00:14:00A distinguished Provençal lady.
00:14:03He was a handsome young man when he joined his cavalry regiment.
00:14:11Pale, delicate, like an angel.
00:14:14And with the soul of the devil, he began to write books filled with the pleasure of inflicting pain.
00:14:25It was rumoured that he practised sorcery, making sacrifices of blood to his master, the devil.
00:14:35But these were only rumours.
00:14:37It was the facts, his offences against society, which sent the Marquis to prison over and over again.
00:14:48He ended his days confined as a lunatic, with an eternal hatred of all mankind.
00:15:00A most interesting man.
00:15:03A most interesting book.
00:15:05How much do you want for it?
00:15:10200 pounds.
00:15:14Ah.
00:15:15Look at the binding.
00:15:18What's it made of?
00:15:20Skin.
00:15:22Human skin.
00:15:23So you see, it is very special.
00:15:28Where did you get this book?
00:15:29I didn't think you were so particular.
00:15:34Look at these other things.
00:15:36The crook sansata, fashioned from a thigh bone.
00:15:40That shriveled hand of glory, stolen from a grave in Mainz.
00:15:48This knife.
00:15:50Giles de Retzis.
00:15:52The notorious wife murderer.
00:15:55Hmm.
00:15:55Bluebeard.
00:15:56You didn't enquire into their pedigree.
00:16:01I needed them for my work.
00:16:03Yes, I know.
00:16:05Demonology.
00:16:06Black magic.
00:16:07Witchcraft.
00:16:09I've read your books.
00:16:12Well.
00:16:15200 pounds.
00:16:16Not a penny less.
00:16:18Think of it.
00:16:19A deeper look into your world of fantasy and imagination.
00:16:24And how useful for your research.
00:16:27Ah, ah.
00:16:28Cash, please.
00:16:30Of course.
00:16:31Of course.
00:16:31100, 200 pounds.
00:16:56Oh, by the way, I may have another item for you.
00:17:07Perhaps tomorrow night.
00:17:09But it will require somewhat more than this, if you want it.
00:17:14You're always welcome here, whenever you have something interesting.
00:17:20I think you'll find that what I have for you is most interesting.
00:17:24Good night, Mr. Maitland.
00:17:25Good night.
00:17:25Good night.
00:17:26Good night.
00:17:44Good night.
00:17:47Let's go.
00:18:17Let's go.
00:18:47I'll tell Mr. Maitland you're...
00:19:10Mr. Maitland is expecting me.
00:19:12Let's go.
00:19:14Let's go.
00:19:16Let's go.
00:19:18Let's go.
00:19:20Let's go.
00:19:22Let's go.
00:19:24Let's go.
00:19:26Let's go.
00:19:28Let's go.
00:19:30Let's go.
00:19:31Let's go.
00:19:32Let's go.
00:19:33Let's go.
00:19:34Let's go.
00:19:35Let's go.
00:19:36Let's go.
00:19:37Let's go.
00:19:38Let's go.
00:19:39Let's go.
00:19:40Let's go.
00:19:41Let's go.
00:19:42Let's go.
00:19:43Let's go.
00:19:44Let's go.
00:19:45Let's go.
00:19:46Let's go.
00:19:47Let's go.
00:19:48Let's go.
00:19:49Let's go.
00:19:50Let's go.
00:19:51Let's go.
00:19:52Let's go.
00:19:53Let's go.
00:19:54Let's go.
00:19:56Let's go.
00:19:58It's a beauty isn't it?
00:20:00It's so small and delicate it would be a worthy addition to anybody's collection and
00:20:06all I'm asking for it is a thousand pounds.
00:20:10A thousand pounds? For a human skull?
00:20:18Oh Mr. Maitland.
00:20:21What do you take me for?
00:20:23Do you think I'd bring you just an ordinary human skull?
00:20:28Do you imagine I'd ask you for a thousand pounds for a skull of a nobody?
00:20:35A thousand pounds, Mr Maitland, and cheap at the price.
00:20:40You'll pay it gladly when you know the story.
00:20:42Marco, I wouldn't pay that price for Napoleon's skull.
00:20:46I think you'll find the owner of this skull a great deal more interesting.
00:20:53You see before you the skull of Donatien Alphonse Francois, Marquis de Sartre.
00:21:10What proof?
00:21:12Do you happen to have a copy of Havelock Ellis's studies?
00:21:16Yes, they're over there by the mask.
00:21:19Well, in the section named Love and Pain, there is something you might find rather interesting.
00:21:30A short time after the Marquis de Sartre was buried at Charenton in 1814, his skull was stolen from his grave.
00:21:38The man who stole it was a phrenologist.
00:21:43Such was his interest professionally in De Sartre.
00:21:47He wanted to see if an examination of the skull would show whether the Marquis was truly insane.
00:21:54Yeah?
00:21:57Yeah?
00:21:58Oh yeah!
00:21:59Yeah?
00:22:00Yeah?
00:22:01Yeah?
00:22:02Yeah!
00:22:03A few days later, the executor of the phrenologist's estate
00:22:33a friend of his, a certain Dr. Laund.
00:22:42Ah, too many things. Weeks, weeks.
00:22:49Who's this?
00:22:56Who are you?
00:22:57I am the executor of Monsieur's estate.
00:22:59Oh. Well, continue. I shan't disturb you.
00:23:02Yes, but excuse me, who are you?
00:23:09But I asked you who you were.
00:23:11Who do you think I am? His mother?
00:23:15We were colleagues. He was really devoted to his work.
00:23:22Perhaps that was the trouble. Too devoted.
00:23:25No, what do you mean? Is there perhaps something that you should tell me?
00:23:31He brought something back with him the night he was killed. He didn't show to me. He took it in there.
00:23:38What could it have been?
00:23:41I don't know.
00:23:44But whatever it was, it changed him.
00:23:47Changed him? In what way?
00:23:50The way he spoke to me. He never had before. He was always gentle, kind.
00:23:55And you think that this thing changed him?
00:23:58Yes, it made him evil.
00:24:00Hmm.
00:24:02I wonder what it could have been.
00:24:04I don't know.
00:24:06Now, if you'll excuse me, I'll get my things.
00:24:08I wonder what it was.
00:24:09Hmm.
00:24:10Let's see.
00:24:11Right on the spot.
00:24:13Huh.
00:24:14What's that?
00:24:15So let's put it in there.
00:24:16Huh.
00:24:17Put that there.
00:24:18Yeah, it's right.
00:24:20Huh.
00:24:21What's that?
00:24:23So let's put it in there.
00:24:25Huh.
00:24:27What's that?
00:24:29Put that there.
00:24:30Yeah, it's right.
00:24:31Huh.
00:24:33Huh.
00:24:34What's that?
00:24:36Huh.
00:24:37Huh.
00:24:38Huh.
00:24:39Huh.
00:24:44Huh.
00:24:45Wonderful.
00:24:46Wonderful.
00:24:47Wonderful.
00:25:01That's it.
00:25:03One head.
00:25:05That's right.
00:25:06Yeah, that's right.
00:25:07Can you imagine that.
00:25:08Okay.
00:25:09Oh, that's right.
00:25:11Oh.
00:25:13See.
00:25:14Of course.
00:25:16Okay.
00:25:18Oh..
00:25:19Can you imagine?
00:25:23Oh, yeah.
00:25:25Oh, my God.
00:25:55Oh, my God.
00:26:25Oh, my God.
00:26:55Oh, my God.
00:27:25Oh, my God.
00:27:55Oh, my God.
00:28:25There are plenty of skulls that will fit that description.
00:28:30You know me, Mr. Maitland.
00:28:33I've never sold you anything which was not truly authentic.
00:28:36You can take my word for it.
00:28:40I know that is the skull of the Marquis de Sade.
00:28:43No, it's too much for the skull and a flimsy story.
00:28:53Well, let's say $800.
00:29:03All right, then.
00:29:06$500.
00:29:07And right now.
00:29:08This is the first time I've ever known you to lower your price.
00:29:12Now I know it's a fake.
00:29:13On the contrary.
00:29:15If it were, I wouldn't budge from my price.
00:29:17You stole that skull, didn't you, Marco?
00:29:22What does that matter to you?
00:29:25You can tuck it away in your collection,
00:29:28look at it whenever you like,
00:29:30and know that it's yours.
00:29:31Nobody need be any the wiser.
00:29:33Think about it, Mr. Maitland.
00:29:37For 500 pounds.
00:29:43Yes.
00:29:45Yes, I will think about it.
00:29:56Here's my address.
00:29:57Thanks.
00:29:59Top floor.
00:30:08Room number 57.
00:30:13If you'll change your mind,
00:30:16come round tomorrow night.
00:30:27Bring the money, will you?
00:30:29Move it.
00:30:302 batman.
00:30:312 batam.
00:30:312 bat Bible.
00:30:32Come round tomorrow.
00:30:322 baton.
00:30:4112 baton.
00:30:44Okay.
00:30:562 baton.
00:30:57Oh good luck. I do seem to be having an off night. I've never played so badly in my life.
00:31:10You certainly don't seem to be able to concentrate do you? Anything the matter?
00:31:14I was offered an item last night by a mutual acquaintance, Marco.
00:31:20Oh yes. Somewhat shady individual but useful. He offered me a death's head which he set as a skull of the Marquis de Sade.
00:31:29He wanted a thousand but finally came out of 500. And naturally I'd like to have it in my collection if it's genuine.
00:31:36It's genuine enough. How could you possibly know that?
00:31:41Because my dear fellow it was stolen from me.
00:31:46What?
00:31:48Brandy?
00:31:50No thanks.
00:31:51Marco's expecting me later this evening. Why don't you come with me?
00:31:56You could identify your property and get it back.
00:31:59I should do nothing of the sort.
00:32:01I'm glad that the skull has been stolen. And I advise you to leave it alone.
00:32:07But why?
00:32:09Because it's dangerous.
00:32:12You've never taken any notice of superstition before.
00:32:15Exactly.
00:32:17And that is why when I tell you that I sincerely believe the skull to be dangerous, I'd better take my word for it.
00:32:28But how can a mere skull be dangerous? Unless your mind makes it, sir?
00:32:35Dessard said he wasn't mad. And I believe him. He was far worse than mad. He was possessed. Possessed by an evil spirit. A spirit which still inhabits the skull. I kept the skull locked in a glass case in the library. I had the only key.
00:33:02Once a month, during the two nights of the new moon, a time of devil worship and black magic, I found in the morning that the skull had been removed.
00:33:18Well, who removed it?
00:33:21Those who use its power. Invisible beings. Spirits from a strange, evil world.
00:33:33Sometimes I used to hear them calling me. To join them in their ceremonies. It took all my powers of will to resist.
00:33:45I wouldn't resist, given the opportunity. I'd wait for them. Make a good chapter for one of my books.
00:33:54I don't think that I was tempted. But I knew that the moment I set foot in the room, I'd be unable to resist the forces of evil.
00:34:02I would do whatever the skull wanted me to do.
00:34:05Do you remember the auction? Do you remember these? Lucifer, Beelzebub, Leviathan, and Balbareth, who incites to murder.
00:34:20I bought them. I told you at the time that I didn't know why. But I know now.
00:34:27Then why did you? Because the skull wanted me to. It needed this one for its worshippers.
00:34:36They were all kept in the library till after the skull had been stolen, but I never went into the library on the nights of the new moon. Never.
00:34:48You're a coward. Perhaps sometimes it's better to be.
00:34:57All I can say to you is keep away from the skull of the Marquis de Sade.
00:35:27It's better to be.
00:35:28It's better to be.
00:35:29It's better to be.
00:35:48Is this what you're looking for?
00:35:51Where'd you get that?
00:35:54Have you been messing about in my room?
00:35:57Now what would I be doing in this junk heap?
00:36:00Where did you get that?
00:36:01I found it.
00:36:02Where?
00:36:03In the ore.
00:36:04Where?
00:36:05In the broom cupboard.
00:36:06I am the caretaker here.
00:36:13You're the strangest tenant we've ever had here.
00:36:16Is this junk worth any money?
00:36:19Oh, it's of no value.
00:36:22Anyone must be barmy who collects things like this.
00:36:24It's all right there, Ed.
00:36:25It's all right, Ed.
00:36:26It's all right.
00:36:27It's all right, Ed.
00:36:28It's all right.
00:36:29It's all right.
00:36:30It's all right.
00:36:31It's all right.
00:36:32What's the day?
00:36:33It's all right, Ed.
00:36:34Oh, my God.
00:37:04Oh, my God.
00:37:34Oh, my God.
00:38:04Oh, my God.
00:38:34Oh, my God.
00:39:05Come along.
00:39:06My wife is out. I must leave a note for her.
00:39:08You can phone from the station.
00:39:34I must leave a note for her.
00:39:39I must leave a note for her.
00:39:44I must leave a note for her.
00:39:49I must leave a note for her.
00:39:54I must leave a note for her.
00:39:59I must leave a note for her.
00:40:05I must leave a note for her.
00:40:10I must leave a note for her.
00:40:15I must leave a note for her.
00:40:18I must leave a note for her.
00:40:20I must leave a note for her.
00:40:25I must leave a note for her.
00:40:28I must leave a note for her.
00:40:31I must leave a note for her.
00:40:32I must leave a note for her.
00:40:36I must leave a note for her.
00:40:41I must leave a note for her.
00:40:42I must leave a note for her.
00:40:46I must leave a note for her.
00:40:47I must leave a note for her.
00:40:48I must leave a note for her.
00:40:49I must leave a note for her.
00:40:52But this isn't the police station.
00:40:53Who are you?
00:41:21What do you want?
00:41:23Why am I here?
00:41:53Why am I here?
00:41:55Why am I here?
00:41:57Why am I here?
00:41:59Why am I here?
00:42:01Why am I here?
00:42:03Why am I here?
00:42:05Why am I here?
00:42:15I don't know.
00:42:45I don't know.
00:43:15I don't know.
00:43:45I don't know.
00:44:15I don't know.
00:44:45I don't know.
00:45:15I don't know.
00:45:45I don't know.
00:46:15I don't know.
00:46:45I don't know.
00:47:15I don't know.
00:47:16I thought you were working.
00:47:17Why didn't you leave me a note like you usually do?
00:47:20Where were you?
00:47:21What were you doing?
00:47:23I don't know, Blaney.
00:47:25I honestly don't know.
00:47:26I honestly don't know.
00:47:32I was sitting over there reading.
00:47:33I can only imagine that I fell asleep.
00:47:36I was asleep.
00:47:37I had a most terrifying dream.
00:47:46I had never been there before in my life.
00:47:48It was almost as if something had compelled me to go then.
00:47:50I went without knowing.
00:47:51This is what I was afraid of.
00:48:00I tried to warn you.
00:48:03I didn't know.
00:48:04Did Marco bring you anything last night?
00:48:05Did Marco bring you anything last night?
00:48:07Yes he did.
00:48:09But he wanted far too much for it.
00:48:11Well...
00:48:12I must find out more about it.
00:48:14What about it?
00:48:15What about it?
00:48:16What about it?
00:48:21What was going on?
00:48:23How many times did she fly with me?
00:48:27Well.
00:48:28What was it?
00:48:29Đ°Ń€
00:48:51Oh, my God.
00:49:21Oh, my God.
00:49:51Oh, my God.
00:50:21Oh, my God.
00:50:51Oh, my God.
00:51:21Oh, my God.
00:51:51Oh, my God.
00:52:21Oh, my God.
00:52:51Oh, my God.
00:53:21Oh, my God.
00:53:51Why did you come here?
00:53:53Marco had a volume I wanted urgently.
00:53:55Some reference material for a book I'm writing.
00:53:58I telephoned him and said I'd pick it up tonight.
00:54:01When I found the door was open, I thought perhaps he had just gone out for a moment, so I came in to wait for him.
00:54:05I found him, I found him, I found him, I found him, I found him, I found him like that and called you immediately.
00:54:08I don't understand it.
00:54:10I don't understand it.
00:54:12What don't, I found him, I found him, I found him, I found him, I found him.
00:54:16Thank you, Constable. Come in, Mr...
00:54:19Travers. Bert Travers.
00:54:22Well, Bert, have you known the tenant long?
00:54:30Couple of years. I had nothing much to do with him.
00:54:34He did his own room. Didn't let anyone near it.
00:54:37Mr Travers, do you have a pet of any kind?
00:54:41No.
00:54:42There's anyone else in the house. A large dog, perhaps.
00:54:45We don't allow them.
00:54:47Thank you, Mr Travers.
00:54:51Doctor, what have animals to do with this?
00:54:55The man's jugular vein was bitten. Clean through.
00:55:15Do you know what last night was?
00:55:23How do you mean?
00:55:25The date.
00:55:26Oh, it was...
00:55:27It was the 23rd.
00:55:29Well?
00:55:30The first night of the new moon.
00:55:35The first night of the new moon.
00:55:41It's the first night of the rituals.
00:55:43Was it the second night of the new moon?
00:55:44Yes, sir.
00:55:45Exactly.
00:55:47And tonight is the second.
00:55:51If you have the skull, get rid of it.
00:56:01Would you take this?
00:56:03it's to protect you as it protected me against the skull and its evil worshippers
00:56:15thanks you really are superstitious aren't you
00:56:33what are you doing here what's that you got you stealing something no this belongs to me funny
00:57:00I've seen that before in Israel I paid mr. Marco for it now how do I know you're telling the truth
00:57:08hmm must be worth something no excuse me what about a little phone call to the police
00:57:30so
00:57:38ORGAN PLAYS
00:58:08ORGAN PLAYS
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01:02:34Oh, my God.
01:03:04Oh, my God.
01:03:34Oh, my God.
01:04:04Oh, my God.
01:04:34Oh, my God.
01:05:04Oh, my God.
01:05:34You've got the skull.
01:05:36I knew you had it.
01:05:39Get rid of it.
01:05:44Maitland.
01:06:04Oh, my God.
01:06:13Oh, my God.
01:06:22Oh, my God.
01:06:24Oh, my God.
01:06:32Oh, my God.
01:06:35Oh, my God.
01:06:36Oh, my God.
01:06:41Oh, my God.
01:06:53Oh, my God.
01:06:58Oh, my God.
01:07:03Oh, my God.
01:07:06ORGAN PLAYS
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01:11:00ORGAN PLAYS
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01:11:40I'm not sure what's going on here, but I'm not sure what's going on here, but I'm not sure what's going on here.
01:12:10Oh, my God.
01:21:40What's the connection?
01:21:42What connection could there be?
01:21:44What connection could there be?
01:21:46Hardly?
01:21:48None of this day and...
01:21:50None of this day and...
01:21:52Not of this day and age.
01:21:56None of this day and age.
01:21:58It's my age.
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