- 4 months ago
Dr Martin interviews four patients at a mental asylum in order to land a job at the hospital, but discovers some disturbing facts instead.
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00:00:00The End
00:00:30The End
00:01:00The End
00:01:30The End
00:02:00The End
00:02:29The End
00:02:59Yes
00:03:00You'll forgive me for not rising
00:03:05An accident
00:03:06Might call it that
00:03:07Carelessness actually
00:03:09Never turn your back on a patient
00:03:13Teach you that at school, don't they?
00:03:15Yes, they do, Dr. Star
00:03:16Hey, Dr. Rutherford, Lionel Rutherford
00:03:20Ah, I understood that Dr. Star was head of this institution
00:03:27I'm Dr. Star's associate
00:03:29Sit down, sit down
00:03:31You advertised for a senior houseman
00:03:35I sent along my credentials and Dr. Star asked me to come along for an interview
00:03:38I've read your report
00:03:40But it doesn't tell me what I need to know
00:03:43Your background qualifies you to set up a fashionable psychiatric practice
00:03:50Hold wealthy old ladies by the hand while they tell you about their horrible husbands
00:03:56But we're a long way from Harley Street
00:04:00Out here
00:04:01This is an asylum of the incurably insane
00:04:09You want to know the most useful thing here?
00:04:15This control system for the door upstairs
00:04:20No keys, just an electrical device
00:04:23The door can't be opened from either side
00:04:27Unless I press that button
00:04:29If you're trying to warn me that some of the inmates are potentially dangerous
00:04:33You needn't worry
00:04:34I've dealt with disturbed patients during my training
00:04:37By what methods?
00:04:39Kindness, understanding
00:04:40Insight
00:04:42Exactly my ways, 20 years ago
00:04:45Now I'm not so sure
00:04:47Those poor devils up there can't be cured
00:04:51They can only be confined
00:04:52And kept from being dangerous
00:04:54Is that Dr. Star's outlook too?
00:04:58Dr. Star is upstairs now
00:05:01What with a patient?
00:05:04Dr. Star is a patient
00:05:06Dr. Star attacked me a few days ago
00:05:12Suddenly, without warning
00:05:13That's how I injured my leg
00:05:16Yes
00:05:18Working with the mentally disabled
00:05:22Disturbed
00:05:22Can lead to a breakdown
00:05:25The nurse and orderly managed to transfer Dr. Star upstairs with the other patients
00:05:32I can't go there
00:05:33The orderly gives me reports
00:05:36He says the doctor is perfectly rational now
00:05:40Except for one thing
00:05:43A new personality seems to have taken over
00:05:48With its own name
00:05:50With its own life story
00:05:52The hysterical feud
00:05:53Meaningless label
00:05:56It describes something that exists
00:05:59From time to time a man disappears
00:06:02And is discovered much later
00:06:05Living in a different town
00:06:06Under a different name
00:06:07Following a different occupation
00:06:08Because something happened in his earlier life
00:06:11That made it completely intolerable
00:06:12Do you believe you could recognize such a case?
00:06:17I'm certain
00:06:18Very well
00:06:19We'll call that a test
00:06:22There are several patients upstairs
00:06:25With the sort of condition you describe
00:06:28Go up there
00:06:31Talk to me
00:06:32If you can recognize who is or was Dr. Star
00:06:37Then I'll consider you qualified for the position
00:06:40I will recognize him
00:06:44Him?
00:06:45How do you know the doctor's a man?
00:07:03Reynolds
00:07:04Yes, doctor?
00:07:05Reynolds
00:07:07I'm sending a young man upstairs
00:07:10Martin
00:07:11Dr. Martin
00:07:12Now listen to me carefully
00:07:35canción
00:07:37He came to me
00:07:41How do I know?
00:07:43Ό
00:07:52More than a doctor
00:07:53That was true
00:07:56He came to me
00:07:57He came to me
00:07:58Because of you
00:07:59Something
00:08:00frustrating
00:08:02That was meant to me
00:09:37It keeps out the draft, as Dr. Starr used to say.
00:09:41You know why I'm here.
00:09:43Dr. Rutherford gave me full instructions.
00:09:45What can you tell me about the doctor?
00:09:48Who?
00:09:48Rutherford.
00:09:50Starr.
00:09:52Nothing.
00:09:53You're to be given full cooperation, but no clues.
00:09:58Are all his rooms occupied?
00:10:00Yes.
00:10:02We keep them locked, of course.
00:10:03The security measure.
00:10:05This one isn't.
00:10:06It's my office.
00:10:09Aren't the patients free to move around at all?
00:10:11They're not too badly off.
00:10:13You see for yourself.
00:10:14First patient?
00:10:15Mm-hmm.
00:10:16Name?
00:10:17She calls herself Bonnie.
00:10:21B-star.
00:10:21Well, that's a question for you to decide.
00:10:26Tea in the afternoon.
00:10:31Yes.
00:10:35So, Bonnie?
00:10:39Bonnie.
00:10:41Come along.
00:10:43Here's Dr. Martin to see you.
00:10:49Leave me alone.
00:10:52I was hoping I could talk to you.
00:10:54Talk?
00:10:56That's all you people ever do, is talk.
00:11:00Nobody listens.
00:11:02I listen, too.
00:11:05You wouldn't believe me.
00:11:08Perhaps not, but I am willing to listen.
00:11:13Well, if it makes any difference.
00:11:24I hope to God we get to the airport on time.
00:11:27For the last time, Walter, there's nothing to worry about.
00:11:30Did it arrive?
00:11:31Yes, it's here.
00:11:32They finished installing it about an hour ago.
00:11:34There's nothing to worry about.
00:11:36That's easy enough for you to say, Bonnie,
00:11:37but supposing something goes wrong.
00:11:39It can't go wrong, not if you follow the plan.
00:11:41I'll follow it.
00:11:43But if only I could see you first.
00:11:46You'll see me soon enough.
00:11:48I'll be waiting for you once it's over.
00:11:51I'll ring you.
00:11:51I'll ring you.
00:11:51I'll ring you.
00:12:00I'll ring you.
00:12:02I'll ring you.
00:12:05If only I'll ring you.
00:12:05Take care.
00:12:36Walter?
00:12:44You're home early.
00:12:46I didn't get into town today.
00:12:49But you did get into the brandy.
00:12:51This happens to be my first drink.
00:12:53Not your last, I'm sure.
00:12:55I'll fix you one.
00:12:57Yes, please.
00:12:59How did your class go?
00:13:01It's not a class.
00:13:03Professor Kalanga is a spiritual leader.
00:13:05Professor.
00:13:07Back in Africa, it'll be just another witch doctor.
00:13:09What do you know about it?
00:13:11Don't forget, I lived there for years.
00:13:13After all, my father was...
00:13:15Governor General of the colony.
00:13:18It's a good thing he can't see his daughter now.
00:13:20The poor old boy turn in his grave,
00:13:23taking voodoo lessons from a black charlatan.
00:13:26It is not voodoo.
00:13:27There are natural forces which are stronger than life or death.
00:13:35Forces which modern civilized man has forgotten.
00:13:38I wish you'd forget all this mumbo-jumbo.
00:13:42What's that?
00:13:42It's called Anuanga.
00:13:47I think it's revolting.
00:13:49It's not supposed to be pretty.
00:13:51The serpent is a symbol of the life force.
00:13:55And the teeth are to protect one from evil.
00:13:59There's no evil in your life.
00:14:00Oh, but there is.
00:14:04What do you mean?
00:14:06Bonnie.
00:14:11That's all over and done with.
00:14:13I swear it.
00:14:15Only last month you came and asked me for a divorce.
00:14:19I haven't seen her since.
00:14:21You had my word on that.
00:14:22I'm glad you haven't.
00:14:25Because I told you then, and I'm telling you now,
00:14:28there won't be any divorce.
00:14:33Oh, I know you, Walter.
00:14:36You're a weak, vain, selfish opportunist.
00:14:40You're content to live off my money.
00:14:42But you are mine.
00:14:46And I will never let you go.
00:14:49Never.
00:14:51Now, you do understand that, don't you?
00:14:54Perfectly.
00:15:05Darling.
00:15:08I've got a present for you.
00:15:10Oh?
00:15:12What is it?
00:15:13You'll see.
00:15:17Come along with me.
00:15:22I don't see anything.
00:15:24Downstairs.
00:15:25In the basement.
00:15:28After you.
00:15:30Careful now.
00:15:30Mind the steps.
00:15:31What is it?
00:15:36Well, what is it?
00:15:40Oh, darling.
00:15:43It's a freezer.
00:15:46Would you like it?
00:15:48Oh, you know I've always wanted one.
00:15:50What a lovely surprise.
00:15:52I have another one for you.
00:15:54What is it?
00:15:55This.
00:15:58Ah.
00:16:02Ah.
00:20:03Yes?
00:20:04It's finished.
00:20:06Good.
00:20:07Are you all right?
00:20:09Yeah.
00:20:09How soon can you get here?
00:20:11I'm just packing.
00:20:12I should be there within the hour.
00:20:14I'll be ready.
00:20:17One more thing, Walter.
00:20:20We'll have to take her along.
00:20:21Why?
00:20:22There's no need for that.
00:20:23No one's going to check up while we're away.
00:20:25It'll be safer if there's nothing left behind.
00:20:27It'll be safer if there's nothing left behind.
00:20:27They may still suspect, but they'll have no proof.
00:20:30We'll dispose of the evidence on the way to the airport.
00:20:33Look, we can't talk about it on the phone.
00:20:35We'll talk when you're here.
00:20:36But for God's sake, don't let anyone see you.
00:20:39I'll bring my car round to the back, and I'll keep the kitchen door unlocked so I won't have to knock.
00:20:43All right, but hurry.
00:20:45The sooner we're out of here, the better.
00:20:46I'll be right there.
00:20:47I'll be waiting.
00:21:13I'll be right there.
00:21:43I'll be right there.
00:22:13I'll be right there.
00:22:43I'll be right there.
00:23:13I'll be right there.
00:23:43I'll be right there.
00:24:13I'll be right there.
00:24:15Walter?
00:24:16Walter?
00:24:16Walter?
00:24:18Walter?
00:24:19Walter?
00:24:21Walter?
00:24:22Walter?
00:24:23Walter?
00:24:25Walter?
00:24:26I'll be right there.
00:24:27I'll be right there.
00:24:28Walter.
00:24:29Walter?
00:24:31Walter?
00:25:01Walter?
00:25:31Walter?
00:26:01Walter?
00:26:31Walter?
00:27:01Walter?
00:27:31Walter?
00:28:01Walter?
00:28:25They found me lying there the next morning.
00:28:28They said I'd strangled Walter.
00:28:31I tried to tell them about Ruth and the hand, but it was gone.
00:28:41Everything was gone.
00:28:47But the hand was on my face.
00:28:53I chopped and chopped.
00:28:58Chopped at it.
00:29:11Now, do you believe me?
00:29:14Now?
00:29:27Paranoid psychosis.
00:29:29How did she come to the asylum?
00:29:32She could have come as a doctor.
00:29:34And the what?
00:29:35You learn the real case histories when you've made your choice.
00:29:39That's the service left from the kitchen.
00:29:43The next patient?
00:29:45His name is Bruno.
00:29:49Bruno?
00:29:51This is Dr. Martin.
00:29:52What are you making?
00:30:05Whatever you like.
00:30:09Could it be a surgical gown?
00:30:11I can make whatever you wish.
00:30:17It could be a surgical gown.
00:30:20Never mind.
00:30:21You might.
00:30:23I'm a tailor.
00:30:25I'm a tailor.
00:30:26I'm a tailor.
00:30:30I've always been a tailor.
00:30:34Stitch?
00:30:37Always been a tailor.
00:30:43Always.
00:30:44Oh, Mr. Stavins. Good evening.
00:31:06The first of the month.
00:31:10The rent is due.
00:31:12Mr. Stavins, I got a wonderful idea.
00:31:17Have you got the rent?
00:31:18Every month you come here,
00:31:20and always you are wearing the same suit.
00:31:23Nothing wrong with my suit? Gives me good wear?
00:31:26Ah, wear, yes. But style, no.
00:31:30Now, listen.
00:31:32For one month's rent, I could make for you such a suit.
00:31:36I don't need a suit.
00:31:38And if I did, I wouldn't get it from you.
00:31:42I haven't got it.
00:31:48Now, see here.
00:31:50No, no, no. You see here, Mrs. Stavins.
00:31:54You see this shop.
00:31:56People, people, fine people used to come here for fine tailoring.
00:32:01Now, a little pressing, a little mending.
00:32:06It's all I get.
00:32:07I will pay the rent.
00:32:09But you must give me a little more time.
00:32:12I'll tell you what.
00:32:14Today's Monday, right?
00:32:16I'll be back here on Saturday morning.
00:32:18Saturday morning?
00:32:20Bright and early.
00:32:21And if you haven't got the rent, you can start packing.
00:32:31No tricks now.
00:32:33No tricks.
00:32:39Your supper, it's ready.
00:32:41I'm hungry.
00:32:42I'm not hungry.
00:32:44Something is wrong.
00:32:49Not something, Anna.
00:32:51Everything.
00:32:52Mrs. Stavins was here.
00:32:55He's given us one week.
00:32:58A man works hard all his life, and then in one week?
00:33:02Where can we go?
00:33:13Good evening.
00:33:14Is the proprietor in?
00:33:21I am the proprietor.
00:33:32Good evening.
00:33:38Go have your supper.
00:33:44Now, what can I do for you, Mr. Reb?
00:33:49Smith.
00:33:51Am I correct in assuming that you can tailor a garment
00:33:54from any material of my own selection?
00:33:57You want I should make you a suit?
00:33:59Exactly.
00:34:02I have a fine stock of woolens here.
00:34:05That will not be necessary.
00:34:09I brought my own material.
00:34:12I see.
00:34:14You will be wanting something special.
00:34:18Correct.
00:34:20Something very special.
00:34:25There's enough here for a suit, I believe.
00:34:27Unusual?
00:34:28Unusual.
00:34:33Special.
00:34:34It will be difficult to work from such a fabric,
00:34:38but I can promise you a suit.
00:34:42Now, if you will just slip off your coat,
00:34:44so I can make measure.
00:34:46The suit is not for me.
00:34:48It is for my son.
00:34:50When will he come in for fitting?
00:34:54It's to be a surprise.
00:34:55Oh.
00:34:57A present.
00:34:59You might call it that.
00:35:01I had written down all the measurements.
00:35:04I made various diagrams of the style.
00:35:14Expensive.
00:35:15Then you will have to charge me accordingly.
00:35:16Shall we say 200 pounds?
00:35:21200?
00:35:25I will begin immediately.
00:35:27No.
00:35:28This schedule.
00:35:30It is of the greatest importance that you work on the suit
00:35:34only during the hours listed here.
00:35:36But these times, they are all past midnight.
00:35:44I happen to believe in astrology.
00:35:47The stars?
00:35:49I take it you are not a believer?
00:35:51No matter.
00:35:52All that concerns you is following these instructions to the letter.
00:35:57There must be no mistake, is that clear?
00:36:00No mistake.
00:36:02Everything will be as you wish, I swear.
00:36:07You will find my address written on the top of the first sheet.
00:36:10When may I have delivery?
00:36:13Today is Monday.
00:36:16If I start tonight...
00:36:20So, I can bring you the suit on Friday.
00:36:24Excellent.
00:36:26I shall expect you the moment it is finished.
00:36:28Good night.
00:36:36Remember...
00:36:38My instructions.
00:36:40I promise.
00:36:42Good night.
00:36:43Good night.
00:36:58Who was that, ma'am?
00:37:00A customer.
00:37:02We ordered a suit.
00:37:04200 pounds he will pay.
00:37:07Una, I'm afraid.
00:37:09There is something not right, in all.
00:37:11There is something that will make you trouble.
00:37:12No.
00:37:13I must do it.
00:37:43I must do it.
00:38:13What is it?
00:38:21The instructions said to work to five o'clock only.
00:38:29I tried to work a little longer.
00:38:43I must do it.
00:38:51I must do it.
00:38:53I must do it.
00:38:55I must do it.
00:38:57I must do it.
00:38:59I must do it.
00:39:01I must do it.
00:39:03I must do it.
00:39:13It is finished.
00:39:15I am the one who is finished.
00:39:19Four nights.
00:39:21Nothing but work.
00:39:23From midnight till just before dawn.
00:39:27Now it's done.
00:39:29May I see it?
00:39:36It is strange.
00:39:38You are going to press it?
00:39:40No, no.
00:39:41Mrs. Smith doesn't want to be pressed.
00:39:43Then what will you do?
00:39:45Deliver it.
00:39:46Just as he said.
00:39:47Right now.
00:39:48The end of the game.
00:39:51The end of the game.
00:39:52I am the one who is behind me.
00:39:53It is a strange thing.
00:39:54The end of the game.
00:39:55I must do it.
00:39:56The end of the game is not a bad thing.
00:39:57I do the game for you.
00:39:58I am the one who is behind me.
00:39:59I want to go.
00:40:00Let's go.
00:40:30Let's go.
00:41:00Let's go.
00:41:02Come in.
00:41:16This way.
00:41:18Yes, now they're two steps down.
00:41:26In here.
00:41:32I study.
00:41:34The suit is completed.
00:41:48Oh, yes.
00:41:50It was difficult working with such material and at night only.
00:41:56But you followed the instructions.
00:41:58Just as you ordered.
00:42:00Splendid.
00:42:02You have no idea how much this means to me and to my son.
00:42:06Ah, your son.
00:42:08Where is he?
00:42:10Never mind.
00:42:12Now, if I may see the suit.
00:42:14Ah.
00:42:16Oh, yes.
00:42:17Of course.
00:42:18Your fee.
00:42:19Just send me your account and I'll take care of it.
00:42:21I must have the money first.
00:42:24I have bills to pay.
00:42:26You wouldn't understand your rich.
00:42:30On the contrary.
00:42:32I understand the situation only too well.
00:42:35It so happens at the moment.
00:42:37I'm in the same financial position as yourself.
00:42:40You?
00:42:42Don't misunderstand.
00:42:44In a very short while I shall be in funds again.
00:42:47Just as soon as my son returns.
00:42:52Your diamond.
00:42:54It is.
00:42:57It's a fake.
00:43:01Well, it was real once.
00:43:02But I had to dispose of it.
00:43:04In order to continue my work.
00:43:07My studies.
00:43:09This book now.
00:43:12It's very old.
00:43:15Very rare.
00:43:17The only one of his kind left in the world.
00:43:21Cost me my fortune.
00:43:24You gave all your money for a book?
00:43:27To Penny.
00:43:29I needed it because of my son.
00:43:32He sold everything to buy it.
00:43:35You are lying.
00:43:39See for yourself.
00:43:41There is nothing left.
00:43:45What is in that room?
00:43:47That room is empty too.
00:43:50There is nothing in there, I tell you.
00:43:52Please.
00:43:53Please.
00:44:10So that's it.
00:44:14You are a murderer.
00:44:15No.
00:44:16No.
00:44:18I am no murderer.
00:44:20He died a natural death.
00:44:24I knew a long time ago.
00:44:26But it was inevitable.
00:44:27Can't you see?
00:44:28This is my son.
00:44:32Your son.
00:44:33He is the one I was working for.
00:44:34Planning for.
00:44:35The book told me what to do.
00:44:36That's why I had to make the suit.
00:44:37It is for him.
00:44:38Give it to me.
00:44:39No.
00:44:40First money.
00:44:42Can't stop me now.
00:44:43Can't stop me now.
00:44:44No one can stop me now.
00:44:46No one can stop me now.
00:44:48No one can stop me now.
00:44:49No one can stop me now.
00:44:52Get me that suit.
00:44:53Get me that suit.
00:45:22You and me.
00:45:23Just come down.
00:45:25Just come down.
00:45:26More time again.
00:45:27Let's go.
00:45:28Let's go.
00:45:29Hit me that suit.
00:45:30Unieren.
00:45:31No one can.
00:45:33Let's go there.
00:45:34I can't wait.
00:45:35We could leave with the pain that luggied up out of nowhere.
00:45:38Run this race.
00:45:40No one can run out of nowhere.
00:45:41A octave left.
00:45:42You'll let's go.
00:45:43Matter of nowhere.
00:45:44You'll go there.
00:45:45For a little bit.
00:45:48There's no one.
00:45:49Say he said that oh.
00:45:50That's right.
00:45:51acoustic guitar player in the morning.
00:45:52Oh, my God.
00:46:22You sold the suit?
00:46:42No.
00:46:44Mr. Stebbings' phone just after you left.
00:46:46He said to remind you he was coming for his rent in the morning.
00:46:49I told him it was all right.
00:46:51You were collecting money from a customer tonight.
00:46:53You told him?
00:46:55Oh, Anna, I asked you not to say a word about this to anyone.
00:46:59Burn, burn, burn it.
00:47:01Put it in the stove and burn it.
00:47:04Forget about the suit.
00:47:06Forget I ever made the suit.
00:47:08Forget about Mr. Smith.
00:47:10Forget everything.
00:47:11Burn it.
00:47:12The fortune is hit.
00:47:20The fortune is hit.
00:47:36Was it what?
00:47:37I thought it was really W synt, too.
00:47:39It seemed hard to make it short as mine.
00:47:43I said,
00:47:45I don't know what you will do now, but when people see how you look, perhaps they'll
00:48:15come in.
00:48:25I told you to burn the suit.
00:48:28I put it on Otto.
00:48:30Otto?
00:48:31I made a name for him.
00:48:33I talk to him often when I'm alone.
00:48:36Mama, please, burn the suit.
00:48:39I thought...
00:48:40No one must ever know it existed.
00:48:44Mr. Smith knows.
00:48:45Mr. Smith is dead.
00:48:47Dead?
00:48:51I killed him.
00:48:53It was an accident, but no one will believe that.
00:48:57What is that book?
00:48:59Mr. Smith had it.
00:49:02It is a book of magic.
00:49:04There is a spell for making the suit.
00:49:07The book, too, must be burned.
00:49:10No.
00:49:11What do you mean?
00:49:13Don't you see?
00:49:14If you have the book, you can show it to the police.
00:49:17Tell them what happened.
00:49:18Then they will believe you speak the truth.
00:49:20What do you know from the police?
00:49:22Bruno, please, for my sake, tell them what happened.
00:49:25No.
00:49:26Then I tell them.
00:49:27We cannot live with murder on our souls.
00:49:30Anna?
00:49:31No.
00:49:32No.
00:49:33Oh!
00:49:34Peter!
00:49:35Anna!
00:49:36No!
00:49:45Let go of me!
00:49:46Let go of me!
00:49:47Let go of me!
00:49:48Who knows?
00:49:49Come on!
00:49:50Let go of me!
00:49:51Come on!
00:49:52Oh, no!
00:49:53No!
00:49:54Come on!
00:49:55No!
00:49:56No!
00:49:57I don't!
00:50:01Oh, no!
00:50:02Oh, no!
00:50:04Oh, no!
00:50:05Oh, no!
00:50:06Oh, no!
00:50:07Oh, no!
00:50:08Oh, no!
00:50:13You must find him.
00:50:15Somewhere in the city, he is alive.
00:50:21I tell you, he is alive.
00:50:35I'll get it, Anna.
00:50:37You know I can't tell you, of yet.
00:50:40Not until I've made my choice.
00:50:42Dr Rutherford's orders.
00:50:45All right. Who's next?
00:50:49A strange case. A very strange case.
00:50:54Her name is Barbara.
00:50:59How good of you to come. You're the lawyer, aren't you?
00:51:03No, I'm sorry. I'm afraid not.
00:51:06I asked to see a lawyer. I told you to send for one.
00:51:09This is Dr Martin.
00:51:12I'm the doctor.
00:51:15But I'm not ill. You can see that.
00:51:17Your lawyer would know that it wasn't my fault.
00:51:19I haven't accused you of anything.
00:51:22You doctors are alive.
00:51:24How can you be so sure about that?
00:51:26I happen to know a great deal about the medical profession.
00:51:31That's interesting.
00:51:35Did you study medicine yourself?
00:51:37No. I asked too many questions.
00:51:40That's only because I want to help you.
00:51:42And get me out of here.
00:51:43It wasn't my fault. You've got to understand that.
00:51:48I had nothing to do with it.
00:51:50It was...
00:51:52It was Lucy.
00:51:54Tell me about it.
00:52:00All right.
00:52:01All right.
00:52:06All right.
00:52:07How do you feel, Barb?
00:52:09You look marvelous.
00:52:23I feel fine.
00:52:24You look marvellous.
00:52:25Oh, I feel fine.
00:52:27George, if only you knew how wonderful it is to be coming home again.
00:52:31Listen, I hope you're going to be very, very happy.
00:52:34Of course I will.
00:52:35Don't worry, it's not going to be like the last time.
00:52:37That's all over with now.
00:52:39I'm sure of it.
00:52:42Good.
00:52:44Nearly there now.
00:52:54What's the matter?
00:53:20I don't know.
00:53:21I could swear I saw someone looking out of the window.
00:53:23Oh?
00:53:24I thought for a moment it might be Lucy.
00:53:26Now, remember what you promised in hospital.
00:53:28You're not to mention her name again.
00:53:30Yes, I know, I'm sorry.
00:53:31But there is someone inside, isn't there?
00:53:32Yes.
00:53:33Who is it?
00:53:34You'll soon see.
00:53:36Who is it?
00:53:37Ah, Nurse Higgins.
00:53:38This is my sister, Barbara.
00:53:40Hello.
00:53:41I've heard so much about you.
00:53:44Nurse, why don't you need a nurse?
00:53:46Now, it's only temporary until you get settled in again.
00:53:49The doctor suggested...
00:53:50Here, I'll take that, sir.
00:53:51Shall we go upstairs, huh?
00:53:52Upstairs?
00:53:53Upstairs?
00:53:54You can pop right into bed.
00:53:56Bed?
00:53:57In the middle of the afternoon?
00:53:59Well, you've had quite a long trip.
00:54:01You must rest.
00:54:02But I'm not in the least bit tired.
00:54:05Now, Barbara, you promise me, remember, you ought to follow the doctor's instructions.
00:54:12This is my home.
00:54:13Our home.
00:54:15And I hope that we'll be together here always.
00:54:18You don't want to go back into hospital, do you?
00:54:21No.
00:54:22You wouldn't.
00:54:24I sincerely hope it won't be necessary.
00:54:27Come along, dear.
00:54:29Aren't you going to come up?
00:54:34Later.
00:54:36Later.
00:54:54Still think it's ridiculous going to bed at this hour.
00:54:57Doctor says you need a nap every day before tea to keep your strength.
00:55:00But I'll never sleep.
00:55:01Here.
00:55:02You to drink this.
00:55:03What is it?
00:55:04Only a sedative, dear, to calm your nerves.
00:55:07I am calm.
00:55:09Perfectly calm.
00:55:10I could just have one of my pills.
00:55:12Now, we're not to have any more of those things.
00:55:15That's better.
00:55:16Now.
00:55:17In we go.
00:55:18All comfy.
00:55:19Try to sleep now.
00:55:20And I'll look in on you a little later on.
00:55:21Oh, yes.
00:55:22That's better.
00:55:23Now.
00:55:24In we go.
00:55:25All comfy.
00:55:26All comfy.
00:55:28Try to sleep now.
00:55:41And I'll look in on you a little later on.
00:55:44Tonight, after dinner, we'll have a nice chat.
00:55:48You'll be staying here in the evenings, too?
00:55:50Well, of course I will.
00:55:52And your brother's given me the room right next to yours.
00:56:07Hello.
00:56:08Oh, yes.
00:56:09Would you hold on a minute, please?
00:56:10Nurse Higgins, it's for you.
00:56:17Hello.
00:56:18Yes.
00:56:19Yes, speaking.
00:56:22Oh, no.
00:56:24Where did you say?
00:56:26Charing Cross Hospital.
00:56:28No danger.
00:56:31She's 78.
00:56:33I'll come at once as soon as I can.
00:56:35For my sake, if there's anything the matter.
00:56:37It's my mother.
00:56:38I'm afraid she's had an accident.
00:56:40I must go to her.
00:56:42Well, what about my sister?
00:56:44I put her to bed under sedation.
00:56:46She'll sleep for hours.
00:56:47When I look, there's a train in 20 minutes.
00:56:50I'll run you to the station.
00:56:51Oh, thank you.
00:56:52I'll get my bag.
00:56:54I'll get my bag.
00:57:22You were so happy to help.
00:57:25Oh, yes, ma'am.
00:57:26Oh, yes.
00:57:28Oh.
00:57:29I'll take a deep breath in.
00:57:30It's okay to just let myselferton pass away on.
00:57:32Oh, my goodness when People are here, girls.
00:57:35I, I wouldize.
00:57:36Oh, my God.
00:58:06Oh, my God.
00:58:36How did you get in here?
00:58:37It wasn't easy.
00:58:39I've been waiting ever since you came home.
00:58:42Where?
00:58:43In the garage.
00:58:44That's where I phoned him from.
00:58:46Phoned?
00:58:47I had to get them out of the house.
00:58:49Knew he'd be gentleman enough to drive her to the station.
00:58:56Well, aren't you glad to see me?
00:58:58Well, of course I am.
00:59:00What if he finds you here?
00:59:02I know.
00:59:03That's why we have to work quickly.
00:59:06I don't understand.
00:59:07Obviously.
00:59:09What's the matter?
00:59:11Nothing.
00:59:11I just feel a little faint.
00:59:14Have you been taking those pills again?
00:59:16No.
00:59:18No, that's all over with.
00:59:19He doesn't trust you, does he?
00:59:21Shutting you up like this in a darkened room.
00:59:24Bringing in a nurse.
00:59:27She's not your nurse, you know.
00:59:29She's your guard.
00:59:31Your keeper.
00:59:33But George wouldn't do a thing like that.
00:59:36Oh, wouldn't he?
00:59:37Who owns this house?
00:59:43Why, I do.
00:59:44When father died, he let everything to me.
00:59:47And if something happened to you?
00:59:51Suppose George has you put away for good.
00:59:53Oh, he wouldn't.
00:59:57Oh, he couldn't.
00:59:59All he has to do is to tell the doctors
01:00:01that you are too difficult to control at home.
01:00:04That nurse will back them up.
01:00:05But you know that's not true.
01:00:08And what good does that do?
01:00:10George won't listen to me.
01:00:12He doesn't even like you to see me.
01:00:14That's so, isn't it?
01:00:16Isn't it?
01:00:26What are we going to do?
01:00:29I've got to get you away from here.
01:00:31And we haven't got much time.
01:00:33But if I stay with you,
01:00:34He'll find me.
01:00:36Where could we go?
01:00:38I thought of that.
01:00:40We could take a room somewhere.
01:00:42Do you have any money?
01:00:44No, but you do.
01:00:46A hundred pounds.
01:00:47You put away for a new dress.
01:00:50How?
01:00:51How did you know that?
01:00:53You told me.
01:00:54Don't you remember?
01:00:58Well, I'll get it.
01:00:59No hurry.
01:00:59We can't go now.
01:01:02Not in broad daylight.
01:01:04Somebody's bound to notice.
01:01:06Besides, we'll need a car.
01:01:09Tonight, when George's asleep.
01:01:19Now, don't you worry.
01:01:20Just leave everything to me.
01:01:22There's a Wassala.
01:01:23I love you.
01:01:24Look.
01:01:25Pour!
01:01:26Come here.
01:01:27Come here.
01:01:29Come here.
01:01:31Now, it's going to be me.
01:01:32Sorry.
01:01:32I want to learn.
01:01:33What's the sign of this Sel desserts?
01:01:33I want it to get it.
01:01:35But there's nothing.
01:01:36I want it to be.
01:01:37You can see that I have some proof.
01:01:39Please enjoy theальness and mask to see it on.
01:01:40So, nothing, якобы you can look what I can do.
01:01:41I Chiwig and I call alright?
01:01:44I'll do something with nature.
01:01:45I will decide that I'll survive,
01:01:47ever since I can do notdling these.
01:01:48That time looks too bad.
01:01:49You know what?
01:01:50You reason I want it?
01:01:51Let's go.
01:02:21Let's go.
01:02:51Let's go.
01:03:21Let's go.
01:03:23Let's go.
01:03:25But you will be back tonight.
01:03:27Good.
01:03:28Now, there's a late train getting in at ten o'clock.
01:03:30Take a taxi from the station and I'll reimburse you.
01:03:33Splendid.
01:03:34Well, I'll expect you then.
01:03:35Bye-bye.
01:03:37Bye-bye.
01:03:39Bye-bye.
01:03:41Bye-bye.
01:03:43Bye-bye.
01:03:45Bye-bye.
01:03:47Bye-bye.
01:03:49Bye-bye.
01:03:57Bye-bye.
01:03:59Come on, love.
01:04:01Come on, love.
01:04:02Wake up.
01:04:03Hurry up.
01:04:04Get dressed.
01:04:05It's time to go.
01:04:07It's time to go.
01:04:08You're so loud.
01:04:09He'll hear you.
01:04:10George.
01:04:11I've got some little sedative they had for you.
01:04:14Put it in his tea.
01:04:15Would he sleep?
01:04:16Oh, he didn't even feel it when I took his car keys.
01:04:18Oh, Miss Higgins.
01:04:19Oh, by the time she gets here, we'll be gone.
01:04:20Come on, love.
01:04:21There.
01:04:22There.
01:04:23There.
01:04:24There.
01:04:25You go and get dressed.
01:04:26Are you okay, huh?
01:04:27Yes.
01:04:28Yes.
01:04:29Yes, yes.
01:04:30Just a touch of nerves.
01:04:31I guess I'm not used to so much excitement.
01:04:33Oh, I love excitement.
01:04:34Hey, come on, love.
01:04:35Well, they want to check your self.
01:04:36They don't like to watch the nerve that he's got a hat for you.
01:04:38Put it in his tea.
01:04:39Oh, he put it in his tea.
01:04:40Will you sleep?
01:04:41Oh, he didn't even feel it when I took his car keys.
01:04:43Oh, Miss Higgins.
01:04:44Oh, by the time she gets here, we'll be gone.
01:04:46Come on.
01:04:47There.
01:04:48Now, you go and get dressed.
01:04:50Are you okay, love?
01:04:51Yes.
01:04:52Yes, just a touch of nerves.
01:04:53I guess I'm not used to so much excitement.
01:04:54Oh, I love excitement.
01:04:56Here we are. Just the thing.
01:05:03What do you want with those?
01:05:06To cut the phone cord, silly.
01:05:08We don't want old Miss Higgins giving the alarm.
01:05:11Now, do we?
01:05:13You do think of everything.
01:05:15I try to.
01:05:17Now, you hurry and get dressed,
01:05:19and I'll go down the hall and...
01:05:21Remember, I expect to find your dress when I get back.
01:05:31I say...
01:05:33What?
01:05:35It is a lot, isn't it?
01:05:38Just like old times.
01:05:51I say that this dress could get up.
01:06:06You are so welcome.
01:06:10I'm here, Stacy.
01:06:44What are you doing?
01:06:50Give them to me.
01:06:52I can't. I need them.
01:06:54Give them to me.
01:06:56Please, Lucy, one more.
01:06:58I am not going to watch you ruin yourself.
01:07:01Just one more, Lucy, then I promise.
01:07:03I thought you said you weren't taking them.
01:07:06I can't help it.
01:07:08You mean you don't want to help it.
01:07:11You always had a choice.
01:07:13George or the pills.
01:07:14Me or the pills, and the pills always win.
01:07:17Because deep down inside,
01:07:20you hate George.
01:07:21You hate me.
01:07:24No, Lucy, you're my best friend.
01:07:27These are your friends.
01:07:31Your only friends.
01:07:33Oh, I'm good enough for you when you're in trouble.
01:07:35But I've never been good enough for George,
01:07:38or anyone else you know.
01:07:40Now I can't even win out of a handful of these.
01:07:44No.
01:07:44What I have done for you today,
01:07:51you'll never know.
01:07:54And it isn't enough.
01:07:56I'm getting out.
01:07:58Now.
01:07:59No, Lucy.
01:08:04Do you want these?
01:08:07Here.
01:08:08I'll take them.
01:08:09Take them.
01:08:10Lucy.
01:08:14Lucy.
01:08:19Lucy.
01:08:22Lucy.
01:08:28Lucy.
01:08:29Lucy.
01:08:30Lucy.
01:08:31Lucy.
01:08:31Lucy, come back.
01:08:43Miss Barbara, what are you doing out of bed?
01:08:44I've got to go out.
01:08:45At this time of night?
01:08:46Yes, you don't understand, Miss Lucy.
01:08:48Lucy?
01:08:49Yes, you just left. I heard the car pull away.
01:08:52That was the cab.
01:08:52If I came in, there's no one out here.
01:08:56No one.
01:08:58Oh.
01:09:00Oh, then she's still here.
01:09:01Where's your brother?
01:09:08In the study, I suppose.
01:09:12George?
01:09:14George?
01:09:20Ah!
01:09:20Oh.
01:09:20Ah!
01:09:20Oh, my God.
01:09:50Barbara?
01:09:52Barbara?
01:10:20There, Barbara.
01:10:22Are you free?
01:10:24Free of all of them.
01:10:28How do you understand why I must see a lawyer?
01:10:40They said I killed them.
01:10:42They say my fingerprints are on the shears.
01:10:46It was Lucy.
01:10:48Lucy who did it.
01:10:50What does Lucy have to say about her?
01:10:54Why don't you ask her yourself?
01:10:58She's here with us now.
01:11:02Where?
01:11:04There she is.
01:11:10Don't you see her?
01:11:12Don't you see her?
01:11:14Don't you see her?
01:11:16Don't you see her?
01:11:18Don't you see her?
01:11:30Was there a George and a Miss Higgins?
01:11:32There may have been.
01:11:34No, Lucy.
01:11:36There may not have even been a Barbara.
01:11:42Meaning she might be Dr. Stour?
01:11:45No, I don't think so.
01:11:47I don't think I've met Dr. Stour yet.
01:11:51Maybe there is no such person.
01:11:54Perhaps your Dr. Rutherford is just playing a game.
01:11:57Dr. Rutherford never plays games.
01:12:00How many more are there for me to see?
01:12:03Just one.
01:12:04And then the choice.
01:12:05Then the choice.
01:12:07Tell me about this one.
01:12:10He calls himself Byron.
01:12:13Dr. Byron.
01:12:20Byron?
01:12:25Gentlemen.
01:12:26I've brought Dr. Martin to see you.
01:12:31It's always a pleasure to meet a colleague.
01:12:34You're a doctor?
01:12:37Indeed I am, sir.
01:12:39Physician, neurosurgeon and orthopaedic specialist.
01:12:44And lately I've found still another vocation.
01:12:51Even more fascinating.
01:12:53Would you care to see some of my recent work?
01:12:55Yes, I'd be happy to.
01:12:57If you'd be good enough, step over here.
01:13:06Hmm.
01:13:07Who are the subjects?
01:13:10Former colleagues of mine.
01:13:12Of course I had to model their faces from memory.
01:13:15Quite a hobby.
01:13:16Oh, it's more than a hobby.
01:13:18Much more.
01:13:20These are not ordinary figures.
01:13:22The eyes were made to see.
01:13:26Inside each skull is a perfectly proportioned brain,
01:13:29perfectly capable of functioning.
01:13:32You talk about them as though they were alive.
01:13:34Hmm.
01:13:35That's the final step.
01:13:39From playthings to creations.
01:13:42Living creations.
01:13:43Living creations.
01:13:44I know it sounds a bit...
01:13:47But you see, the Bible tells us that the Lord God formed the man from the dust of the ground.
01:13:54And he breathed into his nostrils the breath of life.
01:13:56Thus the man became a living creature.
01:13:59Do you believe that, Doctor?
01:14:00No.
01:14:01I'm afraid I put my belief in science.
01:14:03So do I.
01:14:05If I could breathe my, er, consciousness into one of these figures,
01:14:10that figure will come alive.
01:14:14You want to see what I'm working on now?
01:14:16You want to see what I'm working on now?
01:14:22Call it my...
01:14:24My final creation.
01:14:26That's your face?
01:14:27Mm-hmm.
01:14:28My face and inside my body.
01:14:29Correct to the smallest detail.
01:14:33I can turn it on and you'll say,
01:14:34Oh, yes, it operates on batteries.
01:14:37But how do you know what it is?
01:14:39Inside.
01:14:41What is it?
01:14:43It's me.
01:14:44I mean, not yet, but...
01:14:48It will be.
01:14:50Through the power of concentration, I shall...
01:14:53I shall will my mind to enter its body.
01:14:56And it'll be me.
01:14:58Rutherford wouldn't believe I could do it.
01:15:00He locked me up.
01:15:01But he let me keep my...
01:15:03My dolls.
01:15:05Occupational therapy, he called it.
01:15:07He'll soon find out what they are.
01:15:09That's right, go.
01:15:13Run away and hide from the truth like that idiot downstairs.
01:15:19But it won't do any good, you know.
01:15:21You can tell Rutherford for me.
01:15:23Tell him the truth, we'll find him out.
01:15:26Tell him!
01:15:27Well, which is it?
01:15:28Would you mind stepping into your office and telling the doctor that I'm ready to come down?
01:15:42No need.
01:15:44I'll use the intercom.
01:15:48Why do you want me to tell him?
01:15:50Just tell him I'm coming to see him.
01:15:52Dr. Martin is ready to come down, sir.
01:16:00Thank you for your help.
01:16:02It was a pleasure.
01:16:04Doctor?
01:16:07Good luck.
01:16:08Good luck.
01:16:18So...
01:16:20You've seen the patients.
01:16:24Well, what do you think?
01:16:26I think it's a disgrace.
01:16:29This institution.
01:16:31The way it's run.
01:16:33Everything about it.
01:16:34Those patients.
01:16:36Locked away by themselves.
01:16:38Lost in their own fantasies and no attempt made to bring them back to reality.
01:16:42You forget.
01:16:44They're incurable.
01:16:46Take a man like Byron.
01:16:48You think you could rid him of his delusions?
01:16:52I'd be willing to try.
01:16:54Then you fail.
01:16:56Byron is hopelessly insane.
01:17:04Didn't steal any Irish money?
01:17:06Maybe a Polish with?
01:17:07Have a good day.
01:17:09And you?
01:17:11Nicole.
01:17:12You weren't doubles.
01:17:14To the devil, Shaw?
01:17:16You could like him.
01:17:18You cut up.
01:17:19You killedATE master.
01:17:21His honor was definitely clauses intentar.
01:17:23You can't do this as well as the world.
01:17:26You leave the falminous konstitize.
01:17:29God is not refuge.
01:17:30There is only one way to remove Pauline's hallucinations.
01:17:55This is...
01:17:57Free frontal lobotomy.
01:17:58Exactly.
01:18:00Do you believe that surgery is a substitute for psychiatry?
01:18:04It's effective.
01:18:06Yes, it's effective in turning intelligent human beings into vegetables.
01:18:30To be continued...
01:18:31To be continued...
01:18:36THE END
01:19:06THE END
01:19:36THE END
01:20:06THE END
01:20:36THE END
01:20:38THE END
01:20:42THE END
01:20:44THE END
01:20:46THE END
01:20:56THE END
01:20:58THE END
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01:23:16Oh, my God.
01:23:46I was in my office, and he cried out.
01:24:02By the time I got to his room, it was too late.
01:24:06He's dead.
01:24:08The hold of his body was crushed.
01:24:13So let's see how Luke Byron started.
01:24:15You recognized him, then, sir?
01:24:19It's obvious.
01:24:20Where are you going?
01:24:22To call the police.
01:24:23Is there a phone in your office?
01:24:25Don't go in there, sir.
01:24:37No.
01:24:37He's been strangled.
01:24:52Two days ago.
01:24:55There was no opportunity to dispose of it.
01:24:57Dispose of it?
01:24:58Who is he?
01:24:59His name was Max Reynolds.
01:25:01Reynolds.
01:25:02Lovely.
01:25:09Yes.
01:25:10I'm afraid your guest was wrong.
01:25:13I am Dr. Star.
01:25:15Come here.
01:25:38Oh, my God.
01:26:08Oh, my God.
01:26:38Oh, my God.
01:27:08Oh, my God.
01:27:12Ah, good afternoon.
01:27:13Good afternoon.
01:27:14I've come about the appointment.
01:27:16Yes, I was expecting you.
01:27:18You come in.
01:27:24Better keep the door closed and keep out the drows, as Dr. Starr used to say.
01:27:38Oh, my God.
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