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00:04:11DON'T WORRY
00:04:13Tom will be along
00:04:15any second
00:04:16If what I think is true
00:04:18I hope he never comes along
00:04:19What?
00:04:20Well I'll tell you what's in my mind
00:04:22Heaven knows I don't want it there
00:04:23That girl he's been living with
00:04:24for the last three years
00:04:26Just a minute sir
00:04:27It's all right
00:04:28Good Jupiter it's no secret is it?
00:04:29Who is she anyway?
00:04:30What is she?
00:04:31An extremely nice girl
00:04:33Hard-working, talented
00:04:35She draws for one of the fashion magazines
00:04:39And very successful.
00:04:41She left three months ago for her magazine's Paris office for an indefinite stay.
00:04:45Maybe she's coming back.
00:04:47What of it, Mr. Collier?
00:04:49What of it? Everything of it.
00:04:50It's like him to marry her.
00:04:51I'm surprised he's missed it as long as he has.
00:04:54Well, I've stood for his rowdy friendship.
00:04:56I've put up with his idleness, his ill-mannered insolence.
00:04:59I'm sorry, Mr. Collier.
00:05:00I'll have to ask you to let it go, Ned.
00:05:02Why so?
00:05:04Because it so happens that I'm why we're here.
00:05:07How's that?
00:05:08It's me Tom's going to marry.
00:05:10And I've heard enough against him to last me quite a while.
00:05:13See, what are you talking about?
00:05:15Marrying.
00:05:16I see, I thought...
00:05:17On June 1st, to be exact.
00:05:19He asked you after to tell you.
00:05:21And I imagine to receive your good wishes.
00:05:24My dear.
00:05:25My dear, I congratulate Tom and myself.
00:05:29And I hope it will work out for you.
00:05:31I hope he won't be utterly impossible as a husband.
00:05:33He has been at everything else I wanted him to do.
00:05:35I don't agree with you.
00:05:37Tom's the most interesting, most attractive man I've ever known.
00:05:41I consider myself shot with luck.
00:05:43I'm very loyal.
00:05:44Not at all.
00:05:45I simply believe in him.
00:05:47Not in his so-called past, perhaps.
00:05:50I'm not quite a fool.
00:05:51But certainly in what's to be.
00:05:53Well, faith is a beautiful thing.
00:05:56I think so.
00:05:59Well, if you can make a respectable citizen out of Tom Collier at this date, you'll have
00:06:03nothing but praise from me, my dear.
00:06:04It seems not to occur to you.
00:06:08But Tom has someone who really understands him, who works and care for, why...
00:06:12Understands him?
00:06:13Yes, completely.
00:06:15Why, he'll make what you call a respectable citizen of himself.
00:06:18Oh, you think so?
00:06:20I know.
00:06:21And if what you laughingly refer to as my faith is a very use to it...
00:06:25Love will conquer all.
00:06:27Yes, yes, of course.
00:06:27But forgive me a few doubts.
00:06:30Oh?
00:06:30How's that, sir?
00:06:31Darling, I'm coming back.
00:06:33Arrive on Paris at eight tonight.
00:06:35Much love, Daisy.
00:06:38Well?
00:06:39I know all about her.
00:06:40Did you know she was returning tonight?
00:06:42No.
00:06:43Neither did Tom.
00:06:44Owen, I'd like a few words with you.
00:06:46If Cecilia will pardon us?
00:06:48Certainly.
00:06:51Owen.
00:06:57I meant to tell you on the way over, Owen.
00:07:00Then I couldn't.
00:07:02See, how did it happen?
00:07:04Very suddenly.
00:07:06Very sweetly.
00:07:07Yesterday.
00:07:08I'm sorry.
00:07:12You asked.
00:07:15If you'll excuse me, I...
00:07:17I think I'll see what Mr. Coyle wants.
00:07:38Hello, Red.
00:07:43Hiya, Tom.
00:07:44Oh, uh, are they here yet?
00:07:45They are.
00:07:46Good.
00:07:48Darling.
00:07:50Tom.
00:07:51Take my hat, will you?
00:07:53Thanks.
00:07:53Now get out.
00:07:54Uh, I just wanted to tell you that...
00:07:55Later.
00:07:56But there's a...
00:07:56Get, will you, Red.
00:07:57A radio message come for you.
00:07:59A radio message come for you.
00:07:59Oh, get out.
00:08:01Hello, darling.
00:08:03No.
00:08:03You're late.
00:08:04I'm furious with you.
00:08:05Late?
00:08:08There.
00:08:09Is that all right?
00:08:09That's terrible.
00:08:10I've taken up with a thrifty spinster.
00:08:13That's all you deserve.
00:08:14Well, where are they, father and Owen?
00:08:16In the other room.
00:08:17Tell me, darling.
00:08:17Did you really say you'd marry me?
00:08:19I'm afraid I did.
00:08:20Oh, heaven help us both.
00:08:21Just this one marriage, please.
00:08:23You know, I haven't been very good about marriage.
00:08:25I was exposed to a very bad case of it as a baby.
00:08:28We must make a grand go of it.
00:08:29Oh, we shall.
00:08:31Never you fear.
00:08:31Well, you just do everything I say and it'll be all right.
00:08:34With pleasure, sir.
00:08:36Oh, see, darling.
00:08:37What a marvelous object you are.
00:08:42Oh, I feel good.
00:08:44So do I.
00:08:45Do you?
00:08:46My lovely seat.
00:08:48Stop it, Tom.
00:08:48You're embarrassing me.
00:08:50Why?
00:08:51I feel quite naked.
00:08:52You look marvelous.
00:08:53I'll have dinner in a couple of minutes, Tom.
00:08:55Here, glasses with ice and run all the way.
00:08:57Right.
00:08:57Did you get your radio message?
00:08:59What message?
00:09:04Excuse me.
00:09:17Goodbye.
00:09:25Don't tell me if you don't want to.
00:09:27But I do.
00:09:28I'd always intended to at the first opportunity anyway.
00:09:31And suddenly it seems here it is.
00:09:36Well, see, for a long time I've known, known intimately, a girl who's been very important
00:09:45to me.
00:09:45Yes?
00:09:47Yes.
00:09:48Daisy's done more for me than anyone in this world.
00:09:51She's the best friend I've got.
00:09:52I believe she always will be.
00:09:54I'd hate terribly to lose her.
00:09:55It's been a good time.
00:09:56It's been a good time.
00:09:57It's been a good time.
00:09:58It's been a good time.
00:09:58Well, no arrangement at all, really.
00:10:01There's never been any idea of marriage between us.
00:10:03Well, is she attractive, Tom?
00:10:05To me, she is.
00:10:06I don't believe you'd like me half so well if Daisy hadn't knocked some good sense into
00:10:12me.
00:10:12Someone's done a good job of it.
00:10:14I'll tell her that.
00:10:15I sent her a long cable this morning, all about us.
00:10:20Of course, she never got it because this, this came from the boat.
00:10:24She lands tonight.
00:10:26I see.
00:10:27See, we've, well, we've been everything possible to each other, of course, but.
00:10:35Yes.
00:10:35At the same time, as free as air, I mean, there's never been any feeling of conventional responsibility
00:10:40towards each other involved in it.
00:10:43I can understand that.
00:10:44Can you see?
00:10:46Because I never could.
00:10:49Anyhow, that's, that's how it's been.
00:10:52We haven't been what you'd call in love for a long time now.
00:10:56Does she know that?
00:10:59She knew it first.
00:11:02Well, I, I don't know what more there is to be said about it, except that there's no need
00:11:06for you to worry.
00:11:07You won't, will you?
00:11:09Not if you tell me I needn't.
00:11:10Well, I do.
00:11:11And finally, I think she ought to know the news about us pretty promptly.
00:11:17Yes.
00:11:18Probably.
00:11:20Well, is, is anything I do about that all right with you?
00:11:24Of course.
00:11:25Thank you, sir.
00:11:28Oh, hello, Father.
00:11:29Hello, Owen.
00:11:29Evening, Tom.
00:11:30Good evening.
00:11:31You said five o'clock.
00:11:32It's seven, and I think...
00:11:33Oh, did I?
00:11:34Is it?
00:11:35Listen, you know it.
00:11:36I want to tell you what this is all about.
00:11:38We know.
00:11:38We've heard.
00:11:39He was abusing you, sir.
00:11:41I had to tell him.
00:11:42And it didn't discourage you?
00:11:43On the contrary.
00:11:44Oh, stout heart.
00:11:46Why, thanks very much, sir.
00:11:47But I think I'm the one to be congratulated.
00:11:50Yes, indeed we are.
00:11:52I'm sure we shall be.
00:11:54Hello, Red.
00:11:55There you are.
00:11:55That's the boy.
00:11:56That's my father over there.
00:11:57Oh, glad to meet you, sir.
00:11:59And my fiancé, Miss Henry.
00:12:03You're...
00:12:03Good boy.
00:12:08Thanks.
00:12:08Thanks very much.
00:12:09Well, here's how and why and wherefore.
00:12:11And you know where marriage is a maid.
00:12:15Is it all right?
00:12:21Swell.
00:12:22Well, that's splendid.
00:12:23We're all satisfied, aren't we?
00:12:24Yeah, yeah.
00:12:25Just a moment, Red.
00:12:26Did you put the car away?
00:12:27Say, how many hands have I got?
00:12:29Oh, don't.
00:12:29I shall need it.
00:12:30Right.
00:12:32Father.
00:12:34I'm afraid I'll have to ask you to do the honours at dinner.
00:12:37Why?
00:12:37How's that?
00:12:39I find I have to go straight back to town.
00:12:41Now, you listen to me.
00:12:42Seems to me extremely important that I should do it at once.
00:12:44In fact, I can't do otherwise.
00:12:46You have the effultery, the colossal bad taste on the night of celebrating your engagement
00:12:50to a fine, trusting, loyal girl, to go from her, your fiancé, to your...
00:12:55Your...
00:12:56Same old difficulty about words, eh, father?
00:12:59Never mind.
00:12:59None of them apply to Daisy.
00:13:00I suppose you know better.
00:13:02If you leave here tonight...
00:13:03Yes, much.
00:13:05Much better.
00:13:08Till tomorrow, my angel.
00:13:09My poor child.
00:13:16I'm sorry, sir.
00:13:18Oh, I think you did exactly right.
00:13:21The beautiful thing, Faith.
00:13:23A beautiful, beautiful thing.
00:13:25Tommy.
00:13:44I was looking for you at the door.
00:13:45I'm so sorry.
00:13:46I didn't get your message in time.
00:13:48Oh, come in.
00:13:49All right.
00:13:49Oh, hello, you dear Tom.
00:13:56Hello, Daisy.
00:13:58Now, it seems as though I haven't been away at all.
00:14:00That is.
00:14:01Oh, come sit down.
00:14:02I have so much to tell you.
00:14:03It'll take hours.
00:14:04Ah.
00:14:06Tom, two of the most exciting things have happened to me.
00:14:09Not one, two.
00:14:10Really?
00:14:11What were they?
00:14:11Oh, I'm bursting with them.
00:14:14Daisy, I...
00:14:15No, you tell me.
00:14:18Come on.
00:14:19Well, my heavy sledding ought to be over in a few weeks.
00:14:22By the first of June, anyway.
00:14:24What have you got on the fire, much?
00:14:27Yes, a good deal.
00:14:28The fact is, I...
00:14:29Well, work day and night until the first of June, and then...
00:14:32And then come to Mexico for a month with Daisy.
00:14:34Oh, I'm dying to go, because...
00:14:36Well, first of all...
00:14:38What?
00:14:39I feel like such a fool.
00:14:41I promise you won't be the word of it to anybody.
00:14:42Tom, I think I can paint.
00:14:46Well, that's no surprise.
00:14:47I've always thought you could...
00:14:48Well, then you've always been wrong, because it's new.
00:14:50It's just since the last two months.
00:14:52I believe if I work my eyes out and my fingers to the bone,
00:14:55that someday I may really paint.
00:14:58You must be hard on me now.
00:14:59No parties, no playing around, just work.
00:15:02And you mustn't let me show until you know I'm ready to.
00:15:04Does that agree?
00:15:05All right.
00:15:06You've got a funny instinct about those things, and I'm counting on you.
00:15:09That's the first thing.
00:15:10That's the second thing.
00:15:14What?
00:15:18No, I...
00:15:19Suddenly, I feel shy with you.
00:15:26Oh, I don't like it.
00:15:32I don't like it a bit.
00:15:35It's been a long time, Daisy.
00:15:38Too long.
00:15:40Perhaps I'd better wait to tell you the second thing.
00:15:46No.
00:15:47Tell me now.
00:15:50Oh, my dear, what's wrong with us?
00:15:53Come here to me.
00:16:01That's better.
00:16:01I don't feel it so much now.
00:16:02You're a free man, you know, Tommy.
00:16:05Always have been with me.
00:16:06No questions out of me.
00:16:07But, oh, please, Mexico and June together, because, listen...
00:16:11No, don't look at me.
00:16:12Look the other way.
00:16:15On the boat coming over,
00:16:17the sweetest small boy, about two,
00:16:19and I got crazy about him, and I want one.
00:16:22I want one badly.
00:16:23So, will you please be good enough to marry me?
00:16:27Oh, you always used to say you wanted to,
00:16:29only I wouldn't let you.
00:16:31Well, you can be terribly serious.
00:16:33Not a life sentence, you know.
00:16:34Just for a little while, if you like.
00:16:36Would be such a dirty trick on him if you didn't.
00:16:39Then after I get my stuff through,
00:16:40the July issue,
00:16:41Mexico for a month together.
00:16:43Oh, I love you so much.
00:16:45I was a fool ever to think I didn't.
00:16:48So, come on, Tommy.
00:16:49Be a good sport, and...
00:16:50And give me a cigarette.
00:16:52Stacy.
00:16:54All right, never mind.
00:16:54Let's forget all about it.
00:16:57That is a foul necktie you've got on the car.
00:16:59Stacy, I...
00:17:00What is it?
00:17:05Oh, you're going to tell me something terrible.
00:17:08What is it?
00:17:09I'm going to be married, Stacy.
00:17:16To be...
00:17:17Listen, listen, my darling.
00:17:18You can't care so much.
00:17:19You can't.
00:17:20It's simply that you and I...
00:17:21It must have happened pretty quickly.
00:17:22Yes, it did.
00:17:22A month ago, we hadn't even met.
00:17:24It was...
00:17:25You can spare me the details, please.
00:17:28I don't even want to know who she is.
00:17:39Who is she?
00:17:45Cecilia Henry, her name is.
00:17:49Behold, the bridegroom cometh.
00:17:53And no oil for my lamp, as usual.
00:17:57A foolish virgin, me.
00:17:59Well...
00:18:01Foolish, anyway.
00:18:02Okay.
00:18:09When is it to be, soon?
00:18:12About the first of June, we planned.
00:18:15June?
00:18:15Oh, yes.
00:18:16Well, in that case, Mexico would be out.
00:18:18But I never dreamed you...
00:18:20I feel so awful.
00:18:23Remember me, Tom.
00:18:26Daisy, there's to be no nonsense about not seeing each other again as friends or any of that, you know.
00:18:30Oh, but there will be that nonsense.
00:18:32Oh, yes, there'll be that, all right.
00:18:34I don't understand.
00:18:35I don't see why we shouldn't.
00:18:36But I thought for a long time we'd been out of danger so far as...
00:18:41Well, so far as...
00:18:42Wanting each other goals?
00:18:44Well, haven't we?
00:18:46Speak for yourself, Tom.
00:18:48You too, Daisy.
00:18:49You first, I thought.
00:18:51Well, it's true.
00:18:52That side of it was never so much to us.
00:18:54Not in comparison.
00:18:55Not...
00:18:56Well, not after those first crazy months.
00:19:00But I thought that was natural.
00:19:03I was even glad.
00:19:04Glad that it was other needs that held us together.
00:19:09So closely.
00:19:11Not a claim.
00:19:12Never a claim.
00:19:14But so closely.
00:19:19Tom.
00:19:20Tom, do you have to marry her?
00:19:23I want to marry her.
00:19:25I thought maybe you just wanted her.
00:19:27Wanted her most awfully.
00:19:28No, no, no.
00:19:28It's more than that.
00:19:29Much more.
00:19:30Well, I don't see how you can quite tell that.
00:19:33But for all our big talk, you know, we do still belong to the animal kingdom.
00:19:36If you knew her, Daisy.
00:19:37Yes, well, I don't.
00:19:39Listen, Daisy.
00:19:40There's no one like you.
00:19:41Never will be.
00:19:42I know that.
00:19:43But this, it...
00:19:44I don't know.
00:19:45I can't tell you.
00:19:46Don't try.
00:19:47Don't try.
00:19:47Don't try.
00:19:48Goodbye, you Tom Carter.
00:19:57Goodbye.
00:19:59Until when?
00:20:02Doomsday, my darling.
00:20:06What are you talking about?
00:20:08Just that.
00:20:09Now, you listen to me.
00:20:10If you think I'm going to allow two people who mean as much to each other as you and I do
00:20:13to be separated by any such false, ridiculous notion as that you're mistaken, just you try it.
00:20:17Tell me goodbye.
00:20:18I'll do nothing of the kind.
00:20:19Oh, yes, you will.
00:20:20You must.
00:20:21You have to.
00:20:22Sharp, decent and clean.
00:20:23No loose ends between us two.
00:20:24But it's not decent.
00:20:25It's soft.
00:20:26It's sentimental.
00:20:27It's the kind of thing you'd never have any use for.
00:20:28Toward me never to.
00:20:29Goodbye.
00:20:30I will not say.
00:20:30Goodbye.
00:20:31No.
00:20:31You must.
00:20:32Listen to me, Daisy.
00:20:33Please.
00:20:33And some things of yours that are here, I want you to take them along with you, please.
00:20:37Frank got me a new maid just before I landed.
00:20:38I let Harriet go when I left.
00:20:40Well, the new maid had a swell hunch about us.
00:20:42Yes, she did.
00:20:43Some shirts and things of yours that were here.
00:20:45She wrapped up in a nice little bundle.
00:20:48Well, she gets the gate for it, the big suite.
00:20:50I don't believe in this.
00:20:51I don't believe in any of it.
00:20:53Go and get them, will you?
00:20:54Fetch, Thomas.
00:20:56It's quite a neat, tidy little bundle.
00:20:58But if it stays around here, well, I don't quite see myself prying into an old shirt, do you?
00:21:04I've worked to do my son a great deal of it.
00:21:08No?
00:21:09More fetch?
00:21:12Then kindly permit me to.
00:21:24And you will say goodbye to me.
00:21:26You've said it so many times so brightly.
00:21:29Leave this time, sadly.
00:21:32You will, won't you?
00:21:34We'll make it an unmarried ceremony.
00:21:36Keep everything quite regular.
00:21:40You must take my hand in yours, one splendid gesture.
00:21:44And murmur goodbye, my Daisy.
00:21:46Thanks very much.
00:21:49A charming association.
00:21:52And may we never, never meet again, so long as we too shall live.
00:21:56Here's the washback.
00:22:01Now do as Daisy says.
00:22:02Are you Gonna make another treatment?
00:22:04Come?
00:22:04Come?
00:22:16There's no way.
00:22:16There's a Wibb.
00:22:17Thanks a day.
00:22:18Look, there's a fire with a witness.
00:22:21Do I?
00:22:22Thanks.
00:22:23We don't love it.
00:22:27There's a week.
00:22:28There you are. Thank you.
00:22:53My dear, I'm congealed.
00:22:55I can't say I envy you and your husband the trip into town.
00:22:59It's not my idea.
00:23:00Well, why do you do it, see? It's so grim.
00:23:03Tom wants to.
00:23:04Such loyalty.
00:23:06It's her first showing, and he thinks for some reason we should be there.
00:23:10Who is she, anyway?
00:23:12An artist. Sage, her name is. Tom says she's good.
00:23:18Oh, well. I suppose publishers have to harp now with all sorts of queer people.
00:23:23We see few people of any description anymore.
00:23:26Oh, yes. Don't tell me about the hermit life you live.
00:23:29I think the least you could do would be to come to my Sunday breakfast now and then.
00:23:33Oh, tomorrow's will be such fun, do you see?
00:23:36Perhaps we shall.
00:23:37Well, not if you're going tonight.
00:23:39Perhaps we shan't go in tonight.
00:23:40Oh, so that's the way it is.
00:23:45Well, well, well.
00:23:46Ah, with us again.
00:23:48With you again, yes.
00:23:50See, don't you think we'd better be getting underway, dear?
00:23:52Oh, we've got ours.
00:23:54I read the new book you published last week, Tom.
00:23:56Oh, yes?
00:23:57What do you think of it?
00:23:58Superlative, my dear.
00:23:59I was simply ravished.
00:24:01Well, that's something, isn't it?
00:24:03Isn't he beyond words?
00:24:05You're the world's funniest man.
00:24:06You couldn't possibly be funnier.
00:24:08Ah, you don't know me.
00:24:09Oh, yes, I do.
00:24:11Don't you adore it, see?
00:24:12The book, I mean.
00:24:13I like it very much.
00:24:15In fact, I'm afraid it was I who made Tom take it.
00:24:17And I'm afraid I still think it's the worst tripe the Bantam ever published.
00:24:20But, my dear, everyone's simply devouring it.
00:24:23Well, there'll be a lot of sickness this winter.
00:24:25You're so foolish about it, Tom.
00:24:28He'll make enough on that one book to bring out ten he really cares for.
00:24:31Yes, I suppose that's the way it works.
00:24:33Oh, well, Father called today.
00:24:36What'd he want?
00:24:37He wants us to dine with him on Wednesday and spend the night.
00:24:40Oh, come on, darling.
00:24:41Get it out of it, won't you?
00:24:42Again?
00:24:43How can I?
00:24:44I don't know.
00:24:45Tell him I'm up to my eyes in work or anything else he won't believe.
00:24:47Take the old cars, Frozen Stiff.
00:24:49Oh, well, I could easily send you in in a closed car.
00:24:52Sammy and I might even join you.
00:24:54Oh, thank you.
00:24:54We cannot accept your sacrifice.
00:24:57Really, he's extraordinary.
00:24:59He defeats me.
00:25:01Well, I guess I'd better be barging along, as they say.
00:25:05I'm sure it's getting colder by the minute.
00:25:07Yeah, it's almost cold enough to...
00:25:09You know, I think we'd best bring the Brass Monkeys in tonight, don't you?
00:25:12The, uh...
00:25:13Good night, C.
00:25:15Good night, Grace.
00:25:18Not you, really.
00:25:19Well, uh...
00:25:20Yes, I'm afraid I must.
00:25:23Oh, now don't forget.
00:25:24You're coming to my Sunday breakfast tomorrow.
00:25:26We're having the most amusing people.
00:25:28Of course, that's just what Sunday breakfast needs, isn't it, C.
00:25:30Mind you, the coffee must be very hot as well.
00:25:33Good night.
00:25:33Good night.
00:25:41Good night.
00:25:44I think that...
00:25:46Good evening.
00:25:50Good evening.
00:25:50Good evening, Red.
00:26:03Good evening.
00:26:03Good evening, Red.
00:26:18Even.
00:26:18Here, you better get to bed, haven't you?
00:26:22Just where I'm headed.
00:26:24Here, just a moment, Red.
00:26:25Now.
00:26:28All right.
00:26:29Bring a couple of bottles of beer, will you?
00:26:31Right.
00:26:32Good night.
00:26:43What did you say to Regan?
00:26:45Regan?
00:26:46He never drinks on duty.
00:26:48Why shouldn't he have the right to get slightly mellow on his one day out?
00:26:52Slightly mellow?
00:26:53He can hardly stand.
00:26:55When I said good evening to him, he didn't even answer.
00:26:58Maybe he couldn't speak.
00:27:00All he did was to bow, like this, with a foolish grin, so low he nearly fell over.
00:27:04Well, you know, it's pretty hard to gauge a bow under those conditions.
00:27:10Tongue.
00:27:12I think it's selfish of us to keep him.
00:27:15Selfish?
00:27:16Well, we're certainly depriving him of any chance he ever had to make anything of himself.
00:27:20Hang it, see, he broke his hand.
00:27:21He'll never fight again.
00:27:23I don't mean fighting.
00:27:24Well, these are hard times.
00:27:26I don't know what else there is for him.
00:27:27I'll leave it to you.
00:27:29Do as you like about him.
00:27:30And you know, I feel somehow...
00:27:32I feel somehow that Red's good luck for me.
00:27:35He's...
00:27:35I don't know, we understand each other.
00:27:37I'm awfully fond of him.
00:27:38You must be.
00:27:39To ruin whatever chance in life he might have.
00:27:42I wouldn't do that to Red, you know I wouldn't.
00:27:44You're doing it, though.
00:27:45What possibly could be more degrading to a man than housework?
00:27:49I don't know.
00:27:50I wouldn't like to tell you, darling.
00:27:51Of course, you know, you're making a regular Simon Legree out of me.
00:27:54Where's my whip?
00:27:54No.
00:27:55Well, it's just that in your delightful, casual way, you've never thought of his side of it.
00:28:01I wouldn't do that to Red.
00:28:03I really wouldn't.
00:28:04Ring for him, see.
00:28:06Not me.
00:28:07I've nothing to do with it.
00:28:13Do you have to change, or are you ready?
00:28:15Seemed to me you were unnecessarily rude to Grace.
00:28:17I have to change.
00:28:19Now we've got to go to her breakfast in the morning.
00:28:21Honestly, see, all my life I've been trying to get away from her kind of people.
00:28:24Well, it takes all kinds to make a world.
00:28:26Yes, and then what have you got?
00:28:28Come on, darling, you go get dressed, yes?
00:28:33I suppose you feel we must go into town tonight.
00:28:36Of course, why?
00:28:38An exhibit lasts several days, doesn't it?
00:28:41Yes, but I want to be there tonight.
00:28:43Tonight's the opening.
00:28:44Besides, they'll all be there tonight.
00:28:46Have you seen any of your old friends lately?
00:28:52No.
00:28:54Why not, dear?
00:28:56Oh, and the girl, Daisy, the one who's exhibiting tonight.
00:29:02Have you seen her?
00:29:05No.
00:29:07Why not?
00:29:07I thought you felt her friendship was important to you.
00:29:12She won't see me.
00:29:14Won't see you?
00:29:15No.
00:29:17Come on, see, be a good girl.
00:29:18You go out and get dressed.
00:29:21Oh, dear.
00:29:22What's the matter?
00:29:23Nothing.
00:29:25Dear, what is this?
00:29:27Oh, just this blasted headache.
00:29:29I've had it all day.
00:29:30Oh, what a shame.
00:29:31The cold air will fix that up.
00:29:33It was that that gave it to me.
00:29:34Honestly, Tom, I don't think I can face it.
00:29:38What?
00:29:39Why not send her a wire?
00:29:40Best wishes.
00:29:42That's enough, isn't it?
00:29:42No, no, no, that wouldn't do.
00:29:44I'm sure she'd be every bit as glad to have a telegram.
00:29:46See, darling, listen.
00:29:47Daisy's been working for years for this.
00:29:48A telegram wouldn't do at all.
00:29:49I've simply got to be there.
00:29:51There's no particular reason why you should go.
00:29:53I can go alone.
00:29:54I'll come.
00:29:55Listen, dear, you...
00:29:56Put them down there, Red, will you?
00:30:00Here.
00:30:03What?
00:30:04I'll have it now.
00:30:05All right.
00:30:06And, uh, wait a minute.
00:30:07What's the rush?
00:30:09Stick around.
00:30:11It's only.
00:30:13Listen, see, if you're...
00:30:14If you feel tired, you go to bed.
00:30:16No, I'll come.
00:30:27There.
00:30:31Well, drag out a chair, Red.
00:30:34One more's about all I need.
00:30:45You know, this morning, if all the bad heads in the world were put together in a row,
00:30:50my head would have got up and sneered at the rest of them.
00:30:54Well, here's how.
00:30:56How?
00:30:56How?
00:30:57That's the stuff.
00:31:01That builds you up, eh?
00:31:03Yo.
00:31:04Oh.
00:31:05Say.
00:31:08Have you seen this one?
00:31:10I don't think so, no.
00:31:11Tell me where to stop and remember the card.
00:31:18Right.
00:31:19Got it?
00:31:20I got it.
00:31:30Where is it?
00:31:36It's gone all right.
00:31:37Feel in your pocket.
00:31:41Not this time.
00:31:42No?
00:31:42No.
00:31:43Is that it?
00:31:47Marvelous.
00:31:48I paid five dollars for that trick.
00:31:50Oh, God.
00:31:53I'll let it go for $2.98.
00:31:56Oh.
00:31:57Sorry, not interested.
00:31:59Red.
00:32:02Was it cold in town today?
00:32:04I don't envy those guys selling apples on the corners.
00:32:07No.
00:32:07Not much of a job, that, eh?
00:32:09Women's work.
00:32:13Pretty tough times, all right, eh?
00:32:15Say, look here, Tom.
00:32:16What?
00:32:18If I...
00:32:21Nothing.
00:32:22If you're ever hard up, though, you know where to come.
00:32:24That goes both ways.
00:32:28Red, I might just as well tell you right off.
00:32:31What?
00:32:34Nothing.
00:32:34Say, how's your father these days?
00:32:40Never better, thanks.
00:32:45Red.
00:32:46Do you ever think about your future?
00:32:49I guess where I'll go, it'll be plenty hot.
00:32:52I mean...
00:32:52Oh, you mean here.
00:32:54Now, that's a funny thing, because, listen, Tom, maybe I...
00:32:58I'll let it go.
00:33:00No, but what?
00:33:02Fill her up, will you?
00:33:03Not much of a future in battling, eh, Red?
00:33:07Oh, well...
00:33:08You know, I'm certainly grateful to you for all you've done.
00:33:11Ah, be still, will you?
00:33:13I am, though.
00:33:13That's fine from you.
00:33:17I'll never forget when I was...
00:33:19And you...
00:33:22Well...
00:33:22Well, I'll never forget it.
00:33:24Put it there, old boy.
00:33:25You're the top boy.
00:33:29I don't know what you think of me when I...
00:33:31When you what?
00:33:32When I...
00:33:34Well...
00:33:34Well, what would you say, for instance, if I...
00:33:38Nope, it's no good.
00:33:40Here, you're not any trouble, are you?
00:33:42Trouble?
00:33:43Me?
00:33:44What trouble?
00:33:45Well, then look here, Regan.
00:33:46Well, chief...
00:33:47Tom Cullier for president.
00:33:52The people's choice.
00:33:53Now, now, listen to me.
00:33:54Wait, wait, Tom.
00:33:54Tom, I just gotta tell you.
00:33:56Don't hold it against me, but I'm...
00:33:58I'm quitting you.
00:33:59I took another job.
00:34:01What?
00:34:01Oh, I know what you'll say.
00:34:03Holy cats, man.
00:34:05I couldn't stand it any longer.
00:34:06She don't like my ways.
00:34:07I mean the missus.
00:34:08I get on her nerves.
00:34:10Last week, Mo Willis told me he wanted to open a country gym.
00:34:13And would I run it with him?
00:34:14On the order of Muldoons.
00:34:15But with a little bar attached.
00:34:19Heaven help me.
00:34:20I...
00:34:20I give him a word.
00:34:22I see.
00:34:24Well, what's the name for you, Reg?
00:34:26Oh, don't put it that way, Tom.
00:34:28I really want to know.
00:34:30Two hundred a month and a smell at the gate, if any.
00:34:33That's all right.
00:34:33Sounds like a good deal.
00:34:35Let it go.
00:34:36I'll phone it.
00:34:37Oh, no, no, no.
00:34:38When did you start?
00:34:40He wanted me last Wednesday.
00:34:42I've been trying all week to get up the nerve to tell you, but...
00:34:46Well, but...
00:34:47How long will it take you to pack?
00:34:49Well, there's my hat trunk and my shoe trunk.
00:34:53And the trunk for my fancy dress ball clothes.
00:34:55Listen, you leave by noon tomorrow, you understand?
00:34:58Not a minute later.
00:34:58Okay, Chief.
00:35:02I'm sorry you had to take it that way.
00:35:04Oh, don't be a fool.
00:35:05I'm overjoyed for you.
00:35:07Absolutely.
00:35:08Here's to the new job.
00:35:10Take it from me, boy.
00:35:12You're the goods.
00:35:14Well, you've got your points, too, you know.
00:35:18Anyhow.
00:35:21Anyhow.
00:35:22Well, you'll explain to the missus?
00:35:30Yes, of course.
00:35:31Tell her I'm sorry.
00:35:34Hope no inconvenience.
00:35:36I'll explain, Red.
00:35:39So long, Tom.
00:35:41Goodbye, Red.
00:35:43So long, Tom.
00:35:46Goodbye, Red.
00:35:47I'll give you a ring, how it goes.
00:35:50Yes, you do that.
00:35:51That's right.
00:35:52Keep your bib clean.
00:35:54I will, old boy.
00:36:01Good luck, Tom.
00:36:22Tom.
00:36:29Oh, hello.
00:36:31Ready?
00:36:32Not quite.
00:36:34Did you tell him?
00:36:37You know, I miss that guy.
00:36:39I miss having him around.
00:36:41Oh, I know, darling.
00:36:42But it's for the best.
00:36:45I'm sure of it.
00:36:47I feel somehow that my luck's going with him.
00:36:52I'm your luck, darling.
00:36:59See, you feel good.
00:37:01Do I, dear?
00:37:03You haven't any clothes on?
00:37:05Go along now.
00:37:06Dress.
00:37:06Dress quickly.
00:37:07We've got to run.
00:37:09Come and help me.
00:37:09No, you'd better not.
00:37:21Si.
00:37:21Do you remember this negligee?
00:37:27I came across it from the bottom door.
00:37:29My spine simply melted.
00:37:30We're back?
00:37:38Yes.
00:37:39Si.
00:37:40Come here.
00:37:41You'll make us late.
00:37:43What of it?
00:37:44We're late already.
00:37:45We'll miss it.
00:37:46Well, what if we do?
00:37:48Oh, darling.
00:37:51You're the limit.
00:37:53Ten minutes ago, you said.
00:37:57Tom.
00:37:58What, dear?
00:37:59You go in alone.
00:38:01I've decided to stay here.
00:38:03You what?
00:38:04Yes, it's too cold.
00:38:06I will tuck myself in my warm bed and bleed.
00:38:11Good night, lover.
00:38:13I'll miss you.
00:38:18Look here, I'll stay.
00:38:23No, no.
00:38:25Good night, darling.
00:38:27You'd better take your heavy coat.
00:38:30And keep warm.
00:38:48Good night, darling.
00:38:57Good night, darling.
00:38:59Good night, darling.
00:39:00Good night, darling.
00:39:01Good night, darling.
00:39:02Good night, darling.
00:39:02Good night, darling.
00:39:03Good night, darling.
00:39:04Good night, darling.
00:39:05Good night, darling.
00:39:06Good night, darling.
00:39:07Good night, darling.
00:39:08Good night, darling.
00:39:09Good night, darling.
00:39:10Good night, darling.
00:39:11Good night, darling.
00:39:12Good night, darling.
00:39:13Good night, darling.
00:39:14Good night, darling.
00:39:15Good night, darling.
00:39:16Good night.
00:39:17Good night, darling.
00:39:18Uh, hello.
00:39:27I want to send a telegram.
00:39:38I would have an exhibition, wouldn't I?
00:39:40Well, if I'm to believe the critics, I ought to be painting signboards.
00:39:43There are no judges of one's work, but one's safety.
00:39:45The...
00:39:45Oh, I wonder who that is.
00:39:49I'll answer.
00:39:55Hello, Frank.
00:39:57Hello, Tom.
00:39:59Is Daisy in?
00:40:01Yes.
00:40:05Hello.
00:40:06I think I'll run along, Daisy.
00:40:08No, don't go, Frank.
00:40:09Yes, I must go.
00:40:10Goodbye, Tom.
00:40:16Well, uh, speak to me, somebody, will you?
00:40:19Am I a leper?
00:40:21What would you like me to say?
00:40:24Oh, uh, take off your coat, Collier, and stay a while, will you?
00:40:30Thanks.
00:40:30I think I will.
00:40:36Well, it was, uh, nice of you to ask me over.
00:40:40Yes, but I didn't, you see.
00:40:42Well, it was nice, anyway.
00:40:43Whatever made you think I, I wanted to see you?
00:40:52Nothing.
00:40:53Except that I, I wanted to see you.
00:40:59How's, uh, how's it coming?
00:41:02How's what coming?
00:41:03I mean, the job.
00:41:04Job.
00:41:05Oh, the job.
00:41:06Oh, I gave that up last winter.
00:41:08A trifle, uh, shall we say, quick-startly got me.
00:41:11Shall we?
00:41:12Uh-huh.
00:41:14How's Joe's book doing?
00:41:15Haven't you seen him?
00:41:17No.
00:41:19Joe's book is doing fine, thank you.
00:41:22Of course, you can't compare with the magnificent volumes being brought out by your Bantam press.
00:41:26Indian Summer and Young Ecstasy.
00:41:29Ouch.
00:41:30Oh, what on earth made you take those things on, Tom?
00:41:34Oh, I know.
00:41:34Money.
00:41:36Oh, but Daisy, I, I've reformed.
00:41:37You wait till you see the Bantam's new list.
00:41:39I'm waiting.
00:41:49Well, I hear Frank's a hit.
00:41:51She is.
00:41:54I, uh, saw your exhibition today.
00:41:58Oh, did you really?
00:41:59Funny I missed you.
00:42:00What'd you think of it?
00:42:02Well.
00:42:04Oh, tell me.
00:42:04Daisy, I don't think you were ready to show yet.
00:42:09How were the notices?
00:42:10Appalling.
00:42:11I suppose their reasons were all wrong.
00:42:13Yes, of course they were.
00:42:14What were yours?
00:42:16Well, you've been painting less than a year.
00:42:18Yes.
00:42:19And yet you had about 30 canvases to show.
00:42:2232.
00:42:23An awful lot, Daisy.
00:42:25Then you didn't like any of them?
00:42:26Oh, yes.
00:42:27Well, one I loved particularly.
00:42:28That one with the milk bottles on the doorstep, you know?
00:42:31I'd like to buy that one.
00:42:32That's number seven.
00:42:34Sorry.
00:42:35Not for sale.
00:42:36Oh.
00:42:37Of course, your drawings are marvelous.
00:42:39Only what?
00:42:40Well, it depends on what you want to be.
00:42:42I thought it was a painter.
00:42:43So did I.
00:42:45Goya's drawing was pretty good.
00:42:46He painted rather well, too, I always thought.
00:42:49In the first year, I doubt it.
00:42:51Well, I wasn't aware that it took a definite length of time.
00:42:52I'm living in cities all your life.
00:42:54Oh, I suppose I should hire me to some Sylvan Dell.
00:42:56I don't think it would hurt a picture.
00:42:57Well, if you can show me a purer cobalt blue than the winter sky over the East River
00:43:01in the afternoon at four o'clock, I...
00:43:02But now you're just being bullheaded.
00:43:04Bullheaded?
00:43:05Me?
00:43:07Me, bullheaded?
00:43:08Well?
00:43:09Well, what more, teacher?
00:43:10All I've said and all I'm saying is that you can't expect the first crack out of the box.
00:43:14You've got to work, Daisy.
00:43:16Work?
00:43:17Now he's telling me to work.
00:43:18Great heaven, what have I done else but?
00:43:20But differently, with such pains.
00:43:22You're turning out too much, and you know it.
00:43:27Maybe.
00:43:40Maybe anything's too much.
00:43:42Oh, darling.
00:43:44Now, don't soften on Miss Data.
00:43:46Well, I do believe that's it.
00:43:47I think that's the whole story still hung over from the old job.
00:43:50Pressure, pressure all the time.
00:43:52Still rushing countless sketches through against a magazine's deadline.
00:43:57Anyhow, against some deadline.
00:44:00Daisy, darling.
00:44:02Who but you, Tom?
00:44:04Who but you and strangers, honest with me ever.
00:44:08Daisy.
00:44:11Have you missed me, Daisy?
00:44:13You?
00:44:14Well, I'll tell you about that.
00:44:17See, it's this way.
00:44:23Much.
00:44:27Skunk.
00:44:30Skunk.
00:44:30Oh, what are you?
00:44:32It's a lot of nonsense.
00:44:33This is ridiculous.
00:44:34We need each other.
00:44:35We two do.
00:44:37You think?
00:44:38Most terribly.
00:44:38I'm convinced of it.
00:44:39They're never worse.
00:44:40Blessed friends of you and me.
00:44:42You know, it's wicked to give that up.
00:44:44To lose anything so precious for no good reason.
00:44:47Why, you of all people, for a shabby, low-down question of convention,
00:44:51fit on and to be considered by shabby, low-down...
00:44:53Oh, well, now, wait a minute.
00:44:54A hundred times I have given my eyes to see you, just to talk to you.
00:44:57Well, here I am.
00:44:59Daisy.
00:45:00May I come and see you just now and then?
00:45:02If you like.
00:45:03Just now and then.
00:45:03My sweet dear, thanks.
00:45:05But no, sweet dear, that belongs to another life, years and years and years ago.
00:45:11I see.
00:45:12There are to be rules, Arthur.
00:45:13One or two.
00:45:15One very definite one.
00:45:16What?
00:45:18Never secret.
00:45:19Never hidden.
00:45:20Why should a friendship be hidden?
00:45:22What's that hide?
00:45:23Well, it does get misunderstood.
00:45:26It can't.
00:45:26It won't or the whole world's rotten.
00:45:28It's been pretty ripe for a long time, Tommy.
00:45:31Tommy.
00:45:32Oh, darling, how grand it is.
00:45:35Kiss the boy, Daisy.
00:45:37No, you've got to go.
00:45:39Why, will it take long?
00:45:44Oh, magnificent.
00:45:45All as before.
00:45:47Yes, except for one thing.
00:45:49What?
00:45:50We're not in love anymore.
00:45:52Now run.
00:45:58Oh, listen.
00:46:00How about lunch tomorrow?
00:46:01Lunch?
00:46:01Yeah.
00:46:02The old place?
00:46:03I'd love it.
00:46:04One o'clock?
00:46:04Fine.
00:46:05And let's dine at John Donovan.
00:46:06Donovan?
00:46:06Yes, he's open a new place on 48th Street.
00:46:08All right.
00:46:09Yes, and then let's see, Wednesday's the next day.
00:46:10I said I'd drive out and see Pat Atkins.
00:46:12He's been sick again.
00:46:12Oh, poor dear, I didn't know.
00:46:13He's better now.
00:46:14Come with me, Daisy.
00:46:15Oh, Wednesday.
00:46:15Wednesday, now.
00:46:16And if it's a fine day, we'll take a picnic.
00:46:17What do you say?
00:46:18Oh, yes.
00:46:19And listen, Thursday, Thursday, I'm at the press all day, but Friday...
00:46:21Oh, now, wait a minute.
00:46:22You said now...
00:46:23I bring Hal Foster in about four o'clock on Friday.
00:46:25Will you be here?
00:46:26Oh, I suppose so.
00:46:28Goodbye then, darling.
00:46:29Till tomorrow?
00:46:30Tomorrow.
00:46:31What about this afternoon?
00:46:32That...
00:46:32Yes, what about...
00:46:33How about a cocktail at Jean's place at five o'clock?
00:46:35Oh, this...
00:46:36All right.
00:46:37All right.
00:46:38Goodbye then.
00:46:40Bye.
00:46:40Sweet, dear.
00:46:46Five o'clock.
00:46:50Ten minutes to five.
00:47:03Please.
00:47:05Frank.
00:47:06Frank.
00:47:10Frank.
00:47:13Frank.
00:47:14Daisy.
00:47:15What is it?
00:47:15You frightened me.
00:47:17Frank, I'm scared.
00:47:18Come here.
00:47:20But, Daisy, wait.
00:47:21Oh, Frank, don't ask any questions.
00:47:23I need your help.
00:47:24I know you can hold your tongue, Frank.
00:47:25But what is not my business, I am.
00:47:27It's Tom.
00:47:27I'm going away.
00:47:28A long way away.
00:47:30I love him, Frank.
00:47:32I love him more than I ever did.
00:47:33But think, Daisy.
00:47:34Wait.
00:47:34Are you wise?
00:47:35I'm going alone.
00:47:36Yes, that is wise.
00:47:37And nobody's to know where I've gone, either.
00:47:39No, of course not.
00:47:41No mess, Frank.
00:47:42It's to avoid when I'm going.
00:47:43But compose yourself, Daisy.
00:47:44Be calm.
00:47:45Oh, I can't.
00:47:46Does he love you?
00:47:47I don't know.
00:47:49I don't think he knows.
00:47:52Oh, Frank, he's so slim and brown and sandy.
00:47:55Now snap out of it, Daisy.
00:47:56He'll always be like that.
00:47:57I know he will.
00:47:58Even when he's old.
00:48:00The funny way he stands,
00:48:01so sort of stiff with his feet turned out.
00:48:03What they call duck-footed, eh?
00:48:07No, certainly not.
00:48:09It's a perfectly natural way to stand.
00:48:12Of course.
00:48:12It's a fine, strong way to stand.
00:48:14Yes, I know.
00:48:15But don't forget your watercolors.
00:48:16Huh?
00:48:16Oh.
00:48:18Frank.
00:48:20Maybe if I wait.
00:48:21Maybe I'd better see him once more and explain to him.
00:48:23Daisy, if you want to go at all,
00:48:25you must go tonight.
00:48:27Yes, I guess you're right.
00:48:29Come along, come.
00:48:31Yes, now in here.
00:48:32Help me.
00:48:39And look.
00:48:40Yes?
00:48:41You know that painting on the doorstep?
00:48:42The one with the milk bottles?
00:48:43Number seven.
00:48:44Yes, Lipshyn, yes.
00:48:45Well, will you wrap it up
00:48:46and take it to him for me with my love?
00:48:49Take it?
00:48:50Oh, yes.
00:48:51Yes, you're having cocktails with him at jeans
00:48:52in one hour at five o'clock.
00:48:58Five o'clock?
00:49:00Ten minutes to five.
00:49:04And Frank.
00:49:05Yes, darling.
00:49:06When you see him,
00:49:07kiss him for me.
00:49:09What?
00:49:11Kiss him for me?
00:49:14Kiss him for me?
00:49:20Daisy.
00:49:22Kiss him for me.
00:49:49Kiss him.
00:49:50Kiss him.
00:49:51Kiss him for me.
00:49:53Hello.
00:49:55How are you?
00:49:57How do you do?
00:49:59Glad to see you.
00:50:02Grab your supper chair.
00:50:03I'll tell the missus you're here.
00:50:04You're too kind.
00:50:06Ha.
00:50:07Ain't seen you since I've been back.
00:50:08No.
00:50:09Been back a month.
00:50:10Gee, it's swell.
00:50:11My dear, sir.
00:50:13Yeah.
00:50:16Will you have some tea, Bob?
00:50:17No, thank you, my dear.
00:50:19No, thank you.
00:50:20By the way,
00:50:21his birthday is on the 23rd.
00:50:24I think it would be well
00:50:25to have it a surprise party.
00:50:27Have all his old friends.
00:50:29Give him a chance to realize
00:50:30he's outgrown them.
00:50:32And I hope you may be able
00:50:33to persuade him
00:50:33to move into town
00:50:34with me this winter.
00:50:36Must be uncomfortable
00:50:37for you out here.
00:50:39Father, I'd so love
00:50:40being in town with you.
00:50:41But you know how Tom feels.
00:50:47I'm very contented here.
00:50:50There's something
00:50:50besides contentment.
00:50:52Of course.
00:50:56How did that
00:50:57that desperado
00:50:58Regan
00:50:59get back here?
00:51:01Oh, Tom ran into him somewhere.
00:51:03Seems a new job
00:51:03didn't pan out.
00:51:04Regan was ill.
00:51:06So Tom asked
00:51:06if he might bring him back.
00:51:08I said he might.
00:51:09Oh, why not just
00:51:10give him something?
00:51:11Anything to get rid of him?
00:51:12Don't worry about it, Bob.
00:51:13I'll work it out somehow.
00:51:15I have the greatest confidence
00:51:16in you, my dear.
00:51:19Well, I guess I must be
00:51:21getting back to town.
00:51:24Goodbye.
00:51:24Goodbye.
00:51:27Operator?
00:51:28Long distance?
00:51:29I want to get the number
00:51:31of Miss Daisy Sage
00:51:32in New York.
00:51:33Yeah?
00:51:36Just a minute.
00:51:37Connecticut calling you.
00:51:39Oh, this is Miss Sage.
00:51:47Oh, yes, Miss Sage.
00:51:49Allow me to introduce myself.
00:51:51I am Mrs. Thomas Collier.
00:51:53Mrs. Thomas Collier?
00:51:54I am so sorry
00:51:57we haven't met.
00:51:58Oh, isn't it a shame?
00:52:00All of Tom's friends
00:52:01hereabouts
00:52:01are so regretted
00:52:02not knowing you.
00:52:05I called to tell you
00:52:06his father and I
00:52:07are giving a surprise party
00:52:08for him here
00:52:09on the 23rd.
00:52:10You possibly remember
00:52:12it's his birthday.
00:52:14Why, no, I...
00:52:15We'd so love having you
00:52:17and Miss Schmidt
00:52:17and Mr. Fisk
00:52:19for the party.
00:52:20And if possible,
00:52:21spend the night.
00:52:21The 23rd?
00:52:23Oh, now,
00:52:24isn't that too bad?
00:52:26Oh, I'm terribly sorry,
00:52:27but I just couldn't
00:52:28possibly make it
00:52:29on the 23rd.
00:52:31Oh, I'm frightfully disappointed.
00:52:33We must try again
00:52:34sometime.
00:52:36Soon.
00:52:38Yes.
00:52:39Goodbye.
00:52:46Now, what was that?
00:52:48What?
00:52:49Mrs. Thomas.
00:52:50Thomas, mind you, Collier.
00:52:53wants to know
00:52:54if I won't surprise her,
00:52:55surprise Tom on his birthday
00:52:56and spend the night
00:52:57with them in the country.
00:52:58She's going to ask
00:52:59you and Frank, too.
00:53:00And what did you say?
00:53:01You heard me, didn't you?
00:53:03Look, Daisy.
00:53:05Ever since your trip
00:53:06to Nova Scotia,
00:53:07you've made Tom feel
00:53:07that you don't want to see him.
00:53:09And so he's cut himself off
00:53:10from, well,
00:53:11from all of us.
00:53:12He's only trying to do
00:53:13what he thinks you wish.
00:53:15Well, I don't propose.
00:53:17Mrs. Thomas Collier
00:53:19invited me down there
00:53:20for some very good reason
00:53:20of her own.
00:53:21Well, don't take it out
00:53:22on Tom.
00:53:23I think it'll do him
00:53:24a lot of good.
00:53:25He needs it.
00:53:26He needs us.
00:53:27Well, if he's so weak...
00:53:28Oh, he isn't.
00:53:30Just bewildered.
00:53:31If he could get back
00:53:32just now and then
00:53:33with the right people,
00:53:34it might help him
00:53:35get a decent point
00:53:35of view again.
00:53:38Oh, Joe,
00:53:38I love that boy.
00:53:40With all my heart.
00:53:42Then don't go.
00:53:42Oh.
00:53:43I would like to find out
00:53:47if something I think
00:53:48is true
00:53:48is true.
00:53:51I certainly would.
00:53:59May I look up
00:54:00the number for you,
00:54:01Miss Sage?
00:54:02Oh, thank you so much,
00:54:04Mr. Fisk.
00:54:04I think
00:54:05that by making
00:54:06a tremendous effort,
00:54:07I may be able
00:54:07to recall it.
00:54:11Long distance, please.
00:54:12Brandy, ma'am?
00:54:24How about some
00:54:24back gallons?
00:54:25Oh, fine.
00:54:26Brandy.
00:54:29Hi, Red.
00:54:31No, thanks.
00:54:31Yes, thanks.
00:54:39The Boston's got you
00:54:40reading this new book.
00:54:41Uh-huh.
00:54:42Forget it.
00:54:43Join the party.
00:54:44You might get some laughs.
00:54:45Oh, it's a nice party.
00:54:47Not like we used to have,
00:54:48though.
00:54:49I don't know
00:54:50hardly anybody here.
00:54:52Don't you, Red?
00:54:54Oh, Red,
00:54:55why don't you get Tom
00:54:56to introduce you?
00:55:03Of course,
00:55:04I know very little
00:55:05about music,
00:55:05but I know
00:55:06what I like.
00:55:07That's for the boss.
00:55:09Oh, sorry.
00:55:14We're so anxious
00:55:14to hear you play,
00:55:15Miss Schmidt.
00:55:16I, uh,
00:55:16I'm sure you're
00:55:17better than the radio.
00:55:18But I didn't bring
00:55:19my cello.
00:55:20Oh, what a pity.
00:55:21Perhaps we could get one.
00:55:23She's used to
00:55:24her own fiddle.
00:55:27Yes, but is there
00:55:28any difference?
00:55:29Yes, I suppose
00:55:30there is.
00:55:31Yeah.
00:55:32Look what baby
00:55:33brought you.
00:55:33Well, he is
00:55:39quaint.
00:55:40Indeed.
00:55:40He devastates me.
00:55:45Yeah.
00:55:47I've got about
00:55:48around four.
00:55:48Old boys didn't
00:55:49sit in the ring.
00:55:49They stayed in that jet
00:55:50and broke really
00:55:50kind of headshot.
00:55:51They saw the gins
00:55:52and they're real
00:55:52back in the heels.
00:55:53They're going to tear
00:55:54us back and walk
00:55:54and they stand
00:55:55full of two ripping
00:55:55right to left
00:55:56and get to the party.
00:55:57Morgan, that's up.
00:55:58You've got an answer
00:55:58right to Morgan's
00:55:59door.
00:55:59Hope's that after
00:55:59she is not right
00:56:00in the door.
00:56:01Morgan, read us
00:56:01against the rope.
00:56:02She's dragging.
00:56:02Morgan comes off
00:56:03the roof
00:56:03fighting like a tiger.
00:56:05Morgan's right eye
00:56:06is closing,
00:56:06closing,
00:56:07bleeding.
00:56:07Collectors in.
00:56:08Pump the furious
00:56:09fuselage
00:56:09funding lights
00:56:10and that's
00:56:10for Morgan's
00:56:10body.
00:56:11The clinch.
00:56:12That's a swell
00:56:13fight time.
00:56:14I tell you.
00:56:15Down the clinch.
00:56:16Then a Russian
00:56:16Morgan again
00:56:17moves on the
00:56:17left right.
00:56:21Listen, you're
00:56:22a pretty good
00:56:23actor.
00:56:24Try and act
00:56:24like a butler,
00:56:25will you?
00:56:26Right, sir.
00:56:27I know his
00:56:27me place, sir.
00:56:29Don't lay it
00:56:29on, Meadows.
00:56:31Oh, no, sir.
00:56:33Say, how does
00:56:34it feel to be
00:56:3532, baby?
00:56:36Uh, sir?
00:56:38I'm bearing up.
00:56:46Brandy, sir?
00:56:47Thank you, sir.
00:56:48No, thanks.
00:56:50Try it.
00:56:50I did.
00:56:51The results
00:56:51were very satisfactory.
00:56:54No, thank you.
00:56:55Get out.
00:56:57Get out.
00:56:59Very good, sir.
00:57:04Oh, Joe.
00:57:05Hmm?
00:57:06This is awful
00:57:09tripe.
00:57:10What?
00:57:12This, um,
00:57:13rotten egg
00:57:14about to be laid
00:57:15by the Bantam press.
00:57:19Yeah, I know.
00:57:20But it'll make
00:57:21money.
00:57:23Is that all he
00:57:24ever thinks about
00:57:25nowadays?
00:57:25Apparently so.
00:57:27I have an idea
00:57:28he thinks he's
00:57:28doing me a favor
00:57:29of publishing
00:57:29my book.
00:57:30Oh, he doesn't.
00:57:31He couldn't.
00:57:31Well, he kind of
00:57:32gave us a works
00:57:33at dinner.
00:57:34Well, I imagine
00:57:35he'd rather gather
00:57:36if we didn't approve
00:57:37of him.
00:57:37We don't.
00:57:40Gotta do
00:57:40something about it,
00:57:41Joe.
00:57:41Yeah, but...
00:57:43He kind of
00:57:45hinted that he
00:57:45might hook up
00:57:46with those pirates
00:57:46Williamson Warren.
00:57:47Oh, no.
00:57:49Yes.
00:58:03Why do you
00:58:04suppose she asked
00:58:04us out here
00:58:05anyway?
00:58:06Just to prove
00:58:07we don't belong.
00:58:09She isn't a bad
00:58:10sort.
00:58:11You know, I had
00:58:11quite a long
00:58:11talk with her
00:58:12tonight.
00:58:12She seems like
00:58:13a very nice,
00:58:13attractive woman.
00:58:16So did Delilah.
00:58:18Yes, so did Delilah.
00:58:19Oh, Miss Bates,
00:58:20we were wondering
00:58:21where you were.
00:58:23Hello there,
00:58:24Mr. Finn.
00:58:25I suppose you've
00:58:26made a good plot
00:58:26tonight.
00:58:27A plot?
00:58:28Did I make
00:58:29any plots tonight?
00:58:30No.
00:58:31Oh, no,
00:58:32not so far as I know.
00:58:33Well, I mean
00:58:34for your new novel.
00:58:35Oh, yes.
00:58:36Oh, I know
00:58:36you write a man.
00:58:38I bet you're
00:58:39going to use
00:58:39us all for characters.
00:58:40Oh, that's
00:58:41a very good idea.
00:58:42Thanks.
00:58:43Oh.
00:58:43Come on,
00:58:44everyone's playing games
00:58:45besides you.
00:58:45Oh, I'm still
00:58:46reading this thing.
00:58:47Isn't it too divine?
00:58:49I think it's
00:58:49going to be a sensation.
00:58:50I'm practically
00:58:51a collaborator,
00:58:52aren't I, Tom?
00:58:53Yes, Grace
00:58:53is my reaction agent.
00:58:55She submits
00:58:56to tests.
00:58:56I'd love to.
00:58:58Yes, she's
00:58:58my little guinea pig.
00:59:02Shall we go
00:59:03and play backgammon,
00:59:04Mr. Fisk?
00:59:04Oh, yes.
00:59:05I'd love to.
00:59:09Well, how are you
00:59:10getting on with the book?
00:59:11Look, is this
00:59:12on the bound
00:59:12of the two list
00:59:13you told me to wait for?
00:59:14Don't you like it?
00:59:16Well, it seems
00:59:17awfully bright.
00:59:20Well, bright things
00:59:21seem to sell.
00:59:22Yes.
00:59:23Look at those
00:59:24great publishers,
00:59:25Williamson Warren.
00:59:26They sell millions
00:59:26of copies
00:59:27in drugstores.
00:59:31What difference
00:59:31does it make?
00:59:32Where are they selling?
00:59:34None.
00:59:36Except
00:59:37if you want to
00:59:38keep your integrity,
00:59:40you...
00:59:41Well, you...
00:59:41You can't go in
00:59:42from mass production,
00:59:43can you?
00:59:44I mean,
00:59:45you can't just
00:59:45become a little cog
00:59:47in the big machinery,
00:59:49can you?
00:59:51Well, don't
00:59:51let's argue about that.
00:59:53Oh, why not?
00:59:54Daisy, listen.
00:59:55I want to...
00:59:55Never mind, never mind.
00:59:56I just shouldn't have
00:59:57said anything at all
00:59:57until I'd read it through.
00:59:59That book will make money.
01:00:00Money?
01:00:01Is that so awfully important?
01:00:04I haven't got any,
01:00:05but you know,
01:00:05I feel quite all right.
01:00:10Well,
01:00:11you're not a married man.
01:00:14No.
01:00:16No, I suppose
01:00:17that does make a difference.
01:00:20Daisy,
01:00:21please read the thing through
01:00:22and give me your opinion.
01:00:25I...
01:00:25I'm not quite sure about it.
01:00:27You will, won't you?
01:00:29Oh, yes, Tom.
01:00:30And we...
01:00:31And just bear in mind
01:00:33that, uh...
01:00:35Well,
01:00:35you can't please everybody.
01:00:55Why did she come?
01:00:57Who?
01:00:58That woman.
01:00:59Oh, I thought you asked her.
01:01:01First she said she couldn't
01:01:03and then she telephoned back
01:01:04she would.
01:01:08Well...
01:01:08Well...
01:01:09I'm not the least bit jealous anymore.
01:01:12In fact,
01:01:13I'm inclined to like her.
01:01:15That's big of you, see.
01:01:18Suppose that
01:01:19Joe's one of hers, too.
01:01:21How do you mean?
01:01:22Oh, sweet innocent.
01:01:25No, how's that?
01:01:26I should think you'd know by now
01:01:27that she was just a
01:01:28promiscuous little...
01:01:29Oh, well.
01:01:34You're a strange girl, see.
01:01:36You're a pretty cruel one, too.
01:01:39Not at all.
01:01:41In fact,
01:01:42I don't see why Tom and she
01:01:43shouldn't be just as good friends as...
01:01:46well,
01:01:47as you and I are.
01:01:49Their history is a little different.
01:01:52Why?
01:01:53Don't you like our history?
01:01:55What there is of it?
01:01:57Trifle uneventful,
01:01:58don't you think?
01:02:00Or should we simply call it
01:02:01lacking in excitement?
01:02:12You've been so strange lately.
01:02:15So remote.
01:02:16I wasn't aware of it.
01:02:20Refusing to help us
01:02:21sell Tom's press
01:02:22to Williamson Warren.
01:02:25But Tom...
01:02:27Tom doesn't want to be helped.
01:02:31I do.
01:02:38Good heavens, darling,
01:02:39I've told you a dozen times
01:02:40I'm counsel for them.
01:02:42So they do exactly
01:02:43as you tell them.
01:02:43Hang it all, see.
01:02:46Tom doesn't want
01:02:47to sell the band.
01:02:49Tom doesn't know
01:02:50what he wants.
01:02:51Just one little word
01:02:53from me.
01:02:54Well, you know,
01:02:55there's a thing called
01:02:56legal ethics.
01:02:57There's a thing called
01:02:58friendship.
01:03:02Owen.
01:03:06Lacking in excitement,
01:03:08you said.
01:03:08For you?
01:03:09For you, I meant.
01:03:10And I suppose
01:03:13you're the judge
01:03:13of that, too.
01:03:14Well, I don't know
01:03:15who else.
01:03:17And of course,
01:03:18you couldn't possibly
01:03:19be wrong.
01:03:20Could I?
01:03:22And I'm not
01:03:23a human being at all.
01:03:24Of course.
01:03:26Si.
01:03:27Si.
01:03:28You will do
01:03:29this one thing for me.
01:03:30Just one word
01:03:31to Williamson Warren.
01:03:38Owen.
01:03:38Yes.
01:03:44You darling.
01:03:53Oh, Miss Sage.
01:03:55Owen and I
01:03:55have been discussing
01:03:56something that might
01:03:56interest you.
01:03:58He's promised
01:03:58to use his influence
01:03:59to have Williamson Warren
01:04:00take over the Banton Press.
01:04:01Isn't that splendid?
01:04:04Did Tom...
01:04:04Is it all settled?
01:04:08Owen's arranged it.
01:04:09You see,
01:04:10he's their lawyer.
01:04:11Isn't that nice of him?
01:04:13Well,
01:04:13if there's any credit
01:04:14to you,
01:04:14I'm sure it's Cecilia's.
01:04:16Oh, yes.
01:04:17I'm sure it is.
01:04:20Will you excuse me?
01:04:20I was just looking
01:04:22for Miss Schmidt.
01:04:23Frank.
01:04:31Joe.
01:04:37Look,
01:04:38do you mind
01:04:39going in tonight?
01:04:40But why,
01:04:41Dave?
01:04:41We were supposed
01:04:42to spend the night.
01:04:43Yes,
01:04:43I know we were,
01:04:44but I've just got
01:04:45to get out of this house.
01:04:46Oh,
01:04:46but Dave...
01:04:46No.
01:04:47We are going.
01:04:48Get your things together.
01:04:49Okay.
01:04:49Okay.
01:04:50Okay,
01:04:51Jesus.
01:04:51That's when the party's
01:04:52getting good.
01:05:01Uh-oh.
01:05:10So sorry,
01:05:11Mrs. Collier.
01:05:11It just can't be helped.
01:05:13Are you ready,
01:05:14Joe?
01:05:14Yes.
01:05:15Goodbye.
01:05:15Thank you very much.
01:05:16Goodbye,
01:05:17Tom.
01:05:17Goodbye.
01:05:18Goodbye.
01:05:18I must say,
01:05:20your leaving seems
01:05:21very strange.
01:05:22We've so loved
01:05:23having you.
01:05:23You were very kind
01:05:24to us.
01:05:24Goodbye,
01:05:25Tom.
01:05:25Goodbye.
01:05:26Goodbye,
01:05:26Mrs. Collier.
01:05:27Goodbye.
01:05:28Come again
01:05:28when you can
01:05:28really stay.
01:05:30I'll see about
01:05:31the card.
01:05:33Well,
01:05:34all so solemn.
01:05:36Sorry you don't
01:05:37like my friends.
01:05:38You're...
01:05:39They are,
01:05:39however.
01:05:40Sorry you don't
01:05:41like the book
01:05:41I'm publishing.
01:05:44Tom,
01:05:44I pity you
01:05:45with all my heart.
01:05:47Pity me?
01:05:48What are you
01:05:49talking about?
01:05:51I came to find out
01:05:52and I found out.
01:05:54Now I'm going.
01:05:55Found out what?
01:05:56Pity me,
01:05:57why?
01:05:58Give me mine.
01:06:01Daisy,
01:06:02I...
01:06:03Give us a kiss,
01:06:06Daisy.
01:06:08Hey,
01:06:08Daisy.
01:06:09Hurry up
01:06:10or we'll miss the train.
01:06:12Come on,
01:06:12here's your coat.
01:06:12Get in.
01:06:13You must give us
01:06:14a ring sometime,
01:06:15Tom.
01:06:15Right.
01:06:16I'll wait for you
01:06:17outside.
01:06:17Goodbye, Tom.
01:06:27Once I wouldn't
01:06:28say it,
01:06:28would I?
01:06:29Once you wouldn't.
01:06:32Well,
01:06:33goodbye.
01:06:38This time you do.
01:06:42Goodbye.
01:06:42Goodbye.
01:06:42Goodbye.
01:06:42Goodbye.
01:06:59Good night,
01:07:01my dear.
01:07:02Had a lovely time.
01:07:04Bless you.
01:07:05Good night,
01:07:06Tom.
01:07:06Good-night, Father.
01:07:13Goodbye, Father.
01:07:23Will?
01:07:25Who is?
01:07:26Why you decline to spend the winter in town with your father is...
01:07:38Is what?
01:07:39You must simply wish to be disagreeable.
01:07:41That isn't true.
01:07:43Oh, come on, see.
01:07:43Now, let's forget it.
01:07:44As if that were so easy.
01:07:46And I suppose you refuse to sell the press,
01:07:48even if Williamson and Warren are willing to pay twice what it's worth.
01:07:51I don't... I don't know.
01:07:53Can't we talk about something else tonight?
01:07:55I'm afraid not.
01:08:25Oh, hello, see.
01:08:32You're frightfully late, darling.
01:08:35I stopped at the banter.
01:08:36What made you do that, silly?
01:08:38I don't know.
01:08:39I just wanted to think.
01:08:42Try to clear my mind of the vision of millions and millions of cheap books.
01:08:46Williamson's recital of the glories of the machine age.
01:08:51So I stopped at the press.
01:08:52Everything went all right, didn't it?
01:08:54Oh, yes, perfect.
01:08:55In fact, it's settled.
01:08:57Not already.
01:08:58Yes, they've signed.
01:09:00All I have to do now is dig up a notary in the village
01:09:02and write my name under theirs.
01:09:06Oh, Tom.
01:09:07Are you pleased?
01:09:09Aren't you?
01:09:11I don't know.
01:09:11I think something's happened to my nervous system.
01:09:15I feel awfully light.
01:09:16Of course.
01:09:17You're famished.
01:09:18Come and eat.
01:09:21Would you like to eat in my sitting room?
01:09:24All right.
01:09:25I'll call Regan.
01:09:29See?
01:09:30Yes, sir.
01:09:30I think it's time we had a child or two, see?
01:09:37We'll talk about that.
01:09:40We must.
01:09:53Still ready, Tom?
01:09:54I thought it would be so cosy, us dining here.
01:10:06What's the matter?
01:10:09Funny.
01:10:11You know, lighted this way, it reminds me of some place.
01:10:14What place?
01:10:16I don't know.
01:10:19Champagne, is it?
01:10:21I thought you'd feel like celebrating.
01:10:23Well, well.
01:10:24A little wine won't hurt you.
01:10:26The little more and how much it is.
01:10:29Fill them, Mr. Regan.
01:10:38Infinite riches in a little room.
01:10:41You've got the quotes badly.
01:10:43The little lamb who made thee.
01:10:45Regan, dost thou know who made thee?
01:10:51What is it it reminds me of?
01:10:54And a little more, old son.
01:11:11The discreet withdrawal.
01:11:12I've seen that before, too.
01:11:17I know, the Florentine.
01:11:19A private room at the Florentine.
01:11:21What's that?
01:11:22That's a sort of hotel.
01:11:25Run by a woman called Flora Conover.
01:11:27Sounds wicked.
01:11:28It used to be the best place in London.
01:11:31Place?
01:11:32What sort of place?
01:11:3420 guineas.
01:11:3520 guineas?
01:11:36On the mantelpiece.
01:11:41What are you talking about?
01:11:42In advance at that.
01:11:45Rather expensive, wasn't it?
01:11:48Well, one went to Flora's to celebrate.
01:11:49And the food was good.
01:11:50The waiter discreet.
01:11:51The wine excellent.
01:11:52The lady...
01:11:54most artful.
01:11:55I don't care to hear about it, thank you.
01:12:00See, your eyes are so bright.
01:12:02Ah.
01:12:03Eat you.
01:12:04You're seeing things.
01:12:07See?
01:12:08Yes, dear.
01:12:09You know...
01:12:10little love is no love.
01:12:12Meaning what, precisely?
01:12:13It wasn't necessary to lock your door against me last night.
01:12:18But I didn't.
01:12:20I mean, not against...
01:12:21Then why?
01:12:22Tell me instantly why it was.
01:12:24Is that an order?
01:12:25Tell me.
01:12:26You mean...
01:12:28why I didn't want you near me?
01:12:29Yes.
01:12:30You've been so consistently disagreeable, that's all.
01:12:33About what?
01:12:33Wanting Regan back?
01:12:34That's one thing.
01:12:35Well, what else, then?
01:12:36Your father, cheaply.
01:12:38Ah.
01:12:43What are you going to do about your birthday check, Tom?
01:12:49What?
01:12:50Oh, that...
01:12:52Well, I, uh...
01:12:54I don't know whether to send it back or just not to cash it.
01:12:57Of course, you simply can't allow yourself to show any graciousness toward him.
01:13:01No.
01:13:03As a way of telling you how pleased with you he is,
01:13:05he gives you a small check and you have the extraordinary bad taste...
01:13:09What?
01:13:11Good heavens!
01:13:12I can't believe it.
01:13:14There it is.
01:13:17There isn't that much money in the world.
01:13:19In Father's world, there is.
01:13:21He fears he can afford it to get us to come and live with it.
01:13:23Of course, I can't understand your attitude about that, either.
01:13:26Can't you see?
01:13:27No.
01:13:28He knows how inconvenient it is here in the winter.
01:13:31And having that great, huge, lovely house in town is perfectly sweet and natural of him to ask us.
01:13:35Well, to ask...
01:13:37Yes, you, to preside night after night at his deadly dinners.
01:13:40Me, to listen eternally to his Delphic advice on what to do and how to live.
01:13:45To give up what little integrity I have left.
01:13:48In short, to allow him for onus.
01:13:50Of course he's willing to pay.
01:13:52He always is.
01:13:52How you can be so hard about him, I don't know.
01:14:03My way of thinking of the person...
01:14:04Oh, let's drop it, see.
01:14:06Very well.
01:14:07We shall.
01:14:07Now you've gone from me again.
01:14:18Lot, you care.
01:14:20Oh, sea, my lovely sea, where are you?
01:14:22What's become of you?
01:14:24The thing you call your integrity.
01:14:25That's the word.
01:14:30You see, it's no use talking.
01:14:31This is what you call being disagreeable, I suppose.
01:14:37Yes, very.
01:14:37But how to be otherwise, then?
01:14:39Possibly by being the fine, kind, generous man you ought to be.
01:14:43Accept the check with thanks and go and live with him.
01:14:46It's only for a few months.
01:14:48I think to refuse his present would be extremely bad manners.
01:14:51Just about in a class with those of your little ex-sweetheart.
01:14:53Oh, I'm sorry.
01:14:59I don't know.
01:15:00Never mind.
01:15:05See.
01:15:09Suppose I should do as you say about father.
01:15:13Oh, Tom.
01:15:15Do be the darling I knew you are.
01:15:18Would you like me better?
01:15:19Much.
01:15:21How much?
01:15:22Oh, very much.
01:15:24No locked doors anymore?
01:15:28Not one, ever.
01:15:31Sounds most inviting.
01:15:33Does it?
01:15:34And suddenly I'm beginning to see with an awful clearness.
01:15:39What?
01:15:41How stupid you've been.
01:15:43Of what I am to you.
01:15:46Yes.
01:15:49So you are going to be nice again.
01:15:52You'll see.
01:15:54Oh, I want Sue to feel, I don't know, together again.
01:15:59As we used to be.
01:16:02You're very pretty, you know.
01:16:04Oh, thank you, sir.
01:16:06Very exciting, too.
01:16:09I don't know whether it's you or the wine speaking.
01:16:10For me?
01:16:11Through the wine.
01:16:13Shall we have a little more?
01:16:14I think so.
01:16:15It's a party, then.
01:16:17It's a party.
01:16:18We'll have another small bottle.
01:16:21There's some here.
01:16:27Sometimes you're so thrilling, Tom.
01:16:29You think?
01:16:30We shouldn't.
01:16:32You know we shouldn't.
01:16:33But we seem to be.
01:16:38All at once, I feel terribly naughty somehow.
01:16:43You know, I suppose you're one of the most...
01:16:45The prettiest girls I've ever seen.
01:16:47So nice of you to think so, sir.
01:16:49So very attractive.
01:16:51I like to be attractive.
01:16:52So very alluring.
01:16:56There, that's enough.
01:16:57You're a strange woman.
01:16:59Your lips drop honeycomb.
01:17:01Your mouth is smoother than oil.
01:17:04Now what are you quoting?
01:17:07Ah, the discreet waiter returns.
01:17:10Come in.
01:17:14Give the lady some, waiter.
01:17:22Ah, you can leave the bottle on the table.
01:17:29That'll be all.
01:17:36To the pleasant ways of life.
01:17:39Such pleasant ways.
01:17:44It's good, isn't it?
01:17:46So good.
01:17:49I'm getting to feel it a little.
01:17:50Well, that's what it's for, eh?
01:17:52It must be.
01:17:55Champagne.
01:17:56The friend of lovers.
01:18:00No.
01:18:01Not yet.
01:18:03Artful child.
01:18:05You think?
01:18:07Lovely, alluring thing.
01:18:10I like you too now.
01:18:12It's pleasant here, isn't it?
01:18:15So pleasant.
01:18:19But you're not taking any?
01:18:20No.
01:18:21It makes me see almost too clearly.
01:18:25Oh.
01:18:26Take a little more.
01:18:27And everything will get so...
01:18:29So lovely and vague.
01:18:33In the way I feel now.
01:18:34It's a good feeling, isn't it?
01:18:38Delicious.
01:18:42Oh, Tom.
01:18:45One last toast.
01:18:49Do we dare?
01:18:52Come on.
01:18:53But to what?
01:18:59What to?
01:19:01You name it.
01:19:03To love.
01:19:05And darling.
01:19:17Yes?
01:19:18Yes?
01:19:20You are going to be an angel about things, aren't you?
01:19:23You'll see.
01:19:27I knew you would.
01:19:29I'm so happy.
01:19:34I want you close to me.
01:19:37Don't be long.
01:19:52I'm so happy.
01:19:53Let's go.
01:19:55Bye.
01:20:26Come in.
01:20:30See here, Red, I...
01:20:31Never mind.
01:20:33All I mean is, well, I'm out for good this time.
01:20:37Why?
01:20:38I just don't like it here, that's all.
01:20:41When you want to go?
01:20:42As soon as I can.
01:20:45Tonight, then?
01:20:46That's all right with me.
01:20:48I'm packed.
01:20:50Wait downstairs.
01:20:53Oh, Red.
01:20:56You've got a fountain pen.
01:21:02Thanks.
01:21:03Don't let me forget to return it.
01:21:42On the mantelpiece.
01:22:12Oh, here you are, Ray.
01:22:25Thanks.
01:22:25Well, goodbye.
01:22:31Don't get in the car.
01:22:33I can water the train, all right?
01:22:35Bring my hat and coat.
01:22:36Will you bring my hat and coat, please?
01:22:41What's the idea?
01:23:04Light, please.
01:23:05Light, please.
01:23:20Now, then.
01:23:22I can walk, I tell you.
01:23:23Not at all.
01:23:24We'll drive in.
01:23:25We will.
01:23:26I'm going back to my wife, Ray.
01:23:30To your...
01:23:32My wife, I said.
01:23:36I can walk, I tell you.
01:24:06THE END
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