- 2 months ago
A director ignores several warnings from the caretaker of a house where seven occult murders were committed and begins filming with his crew. However, they summon a spirit from the nearby cemetery.
Category
🎥
Short filmTranscript
00:00:00Transcription by CastingWords
00:00:30CastingWords
00:01:00CastingWords
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00:05:15THE CLAKE
00:05:17THE END
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00:05:20THE ED
00:05:23MOM settlers
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00:05:45Die! Die!
00:05:49You are dead!
00:05:50Buried!
00:05:51Never to return!
00:06:15You are dead!
00:06:33Oh no!
00:06:38No!
00:06:45No!
00:06:55No!
00:06:57No!
00:07:02No!
00:07:03No!
00:07:05No!
00:07:07No!
00:07:09No, please!
00:07:10No!
00:07:11No!
00:07:13No!
00:07:15No!
00:07:17No!
00:07:19No!
00:07:21No, please!
00:07:23No!
00:07:25That's not how it happened!
00:07:27Who said that?
00:07:29Cut it!
00:07:30Cut it, I said!
00:07:32What the hell are you doing up there?
00:07:33You just blew my whole scene!
00:07:34What about me?
00:07:35My scene, you blew!
00:07:36I'm terribly sorry, but it's just not the way Mrs. Beale committed suicide!
00:07:41I know how she committed suicide, so don't try to tell me how to shoot my picture!
00:07:44I suggest you stay with the truth!
00:07:47The story of the Beale family is more bizarre than anything you can dream up!
00:07:51Tell me about it!
00:07:52I'll be happy to!
00:07:54Well, that's Mr. Price, huh?
00:07:56What's his first name, Vincent?
00:07:59No, Edgar.
00:08:06All those cables up!
00:08:08Do you need this 10K now?
00:08:10Wrap it up, Don.
00:08:11Eric, where do we go?
00:08:13Where are our rooms?
00:08:14On the third floor!
00:08:16The third floor it is!
00:08:21Well, après vous, ma chère.
00:08:24Bryce, you just killed this whole scene for me!
00:08:27You insulted my intelligence and embarrassed me in front of the cast and crew!
00:08:30Now, none of that's going to happen again, is that clear?
00:08:32My apologies, Mr. Hartman, but I only acted as an interest of you.
00:08:35The truth, an assumption apparently that does not interest you.
00:08:39Everything about the Beale's interest needs.
00:08:42But I don't discuss my films with caretakers, so...
00:08:46Why is he so mean to the old man?
00:08:48You've got to keep the devil in his place.
00:08:50David, is he serious?
00:08:51I am! I am!
00:08:53Perhaps these portraits could help you select your story points a little more accurately.
00:08:58For instance, Jonathan Anthony Beale, Founding Harbor.
00:09:03The first Beale to live in this house.
00:09:05The first one to die here.
00:09:07He fell off this balcony, right here where we stand.
00:09:10Fell? Or was pushed?
00:09:12Who knows? The only one here when it happened was his housekeeper.
00:09:15Just like you and Mrs. Beale, hmm?
00:09:17Suzanne, drowned in her own fire.
00:09:21Here we have... Theodore!
00:09:24Shot again.
00:09:26Another suicide?
00:09:28He was shot five times.
00:09:30In the back.
00:09:31Determined bastard, wasn't he?
00:09:33Allison.
00:09:34I know, I know.
00:09:35Allison Beale died by hanging.
00:09:37Yes, from the door up there.
00:09:39Don't ask me how she got there.
00:09:41Here.
00:09:48Charles.
00:09:49Stabbed to death, wasn't he?
00:09:50By his own wife.
00:09:51Russell, my first employer.
00:09:52Bludgeoned to death.
00:09:53Yeah, with a candle holder.
00:09:54How did you know that?
00:09:55I'm the one that found this mansion for you, remember?
00:09:57What about those two?
00:09:58This one will be in a portrait of the late Mrs. Beale.
00:10:15Any other?
00:10:16There was placed there by her request.
00:10:19Are any Beale still alive?
00:10:20Is that a portrait of the late Mrs. Beale?
00:10:21It was placed there by her request.
00:10:24Are any fields still alive?
00:10:25Not that I know of.
00:10:27And here are your rooms.
00:10:34This way, please.
00:10:47I really like this room.
00:10:49Yeah, it has a nice feel to it.
00:10:52Not exactly the Beverly Hilton, is it?
00:10:54This was Suzanne's bedroom.
00:10:56Oh, yes, the one who drowned.
00:11:01As a matter of fact, yes.
00:11:03This way.
00:11:12The back stairs.
00:11:13Another staircase.
00:11:15For the servants' ghosts, I have no doubt.
00:11:18No, just for the servants.
00:11:21The bathroom.
00:11:29What a fantastic shower.
00:11:33Ah, Madame Salafoudra.
00:11:35Does it work?
00:11:41Does it work?
00:11:50Very well.
00:11:53Running water.
00:11:54How chic.
00:11:58Find a shot, Eric?
00:11:59Maybe.
00:12:01Might work.
00:12:10Charming.
00:12:12No lights.
00:12:13There haven't been any lights in this house since Mrs. Beale passed away.
00:12:16We've got generators for the film.
00:12:19No end to this kid's knowledge.
00:12:20And when we're not filming, how do we find our rooms in the dark?
00:12:24By candlelight.
00:12:26If there's a bed in it, she'll find it.
00:12:29David, look at Phil.
00:12:32Gail.
00:12:35As you can see, this was the master bedroom.
00:12:38I know, I know. Built by the original owner.
00:12:40Will there be anything else?
00:12:41No, Mr. Price.
00:12:42I think you've done enough for one day.
00:12:44Mr. Price.
00:12:50For your tour.
00:12:51I can understand why the old lady committed suicide.
00:12:58With that vampire around.
00:13:00Well, Annie, you're safe.
00:13:01You're wearing your cross.
00:13:03Gail, you have your wooden stake?
00:13:06Oh, well, well, look what I found.
00:13:08The proverbial hidden door.
00:13:11Well, open it, open it.
00:13:12What are you waiting for?
00:13:13A stunt check?
00:13:18Hmm.
00:13:22This is the room we shot the scene in.
00:13:23Yeah, I know.
00:13:25That must be the secret entrance.
00:13:30What's that, Eric?
00:13:31The old evil eye.
00:13:33I'm using it in the film.
00:13:34That's supposed to be bad luck.
00:13:36Oh, come on.
00:13:37You don't believe that stuff.
00:13:40No.
00:13:41I guess not.
00:13:42I've got that cat's eyes on me all through the sea.
00:13:53Imagine.
00:13:54Have a cat.
00:13:55How dare you hit my cat?
00:14:08But he scratched me.
00:14:09I wish he'd bitten you.
00:14:10If he did, I'd break his neck.
00:14:12You touch my cat again and I'll break your neck.
00:14:14Stop it.
00:14:15Enough.
00:14:16I've had enough too.
00:14:17I'm going to bed.
00:14:19May Morpheus take you swiftly to his arms, dear lady.
00:14:21And should he fail, I am always at your service.
00:14:26That'll be the day.
00:14:31David.
00:14:32What do you see?
00:14:33These books.
00:14:35The Art of Witchcraft.
00:14:37The Black Mass.
00:14:39Tibetan Book of the Dead.
00:14:40Just another one of those how-to books.
00:14:41Hey, dig this.
00:14:42Prince of Sharman.
00:14:43Majesty of Phlegathon.
00:14:44Belial.
00:14:45Ellis.
00:14:46Azazel.
00:14:47Bleed my soul.
00:14:48Apollyon.
00:14:49Lord of Amenti.
00:14:50Possess me.
00:14:51I seek your kingdom.
00:14:52Let me see this.
00:14:53I see this.
00:14:54Oh, my God.
00:14:55I see this.
00:14:56Oh, my God.
00:14:57Oh, my God.
00:14:58Oh, my God.
00:14:59Oh, my God.
00:15:00Oh, my God.
00:15:01Oh, my God.
00:15:02Oh, my God.
00:15:03Oh, my God.
00:15:04Oh, my God.
00:15:05Oh, my God.
00:15:06Oh, my God.
00:15:07Oh, my God.
00:15:08Oh, my God.
00:15:09Oh, my God.
00:15:11You think we can use it, Eric?
00:15:13Well, it may be garbage, but it's better garbage than what the writer gave us.
00:15:19Here.
00:15:20See if you can find some lines for the chant in it.
00:15:22Oh, yeah.
00:15:23I'll be happy to.
00:15:25Why are you so interested?
00:15:27I love this kind of stuff.
00:15:29Like fairy tales, huh?
00:15:31Sure.
00:15:32Fairy tales can come true.
00:15:40I only got 400 feet.
00:15:41I hope that's enough.
00:15:42Joe, you've got to rack focus.
00:15:43Don't forget.
00:15:44How about the perfect?
00:15:45I need a cup of coffee.
00:15:46How about a beer?
00:15:47Any kind of level.
00:15:48I have a boom shot.
00:15:49Come on, Grace.
00:15:50What about the book?
00:15:51Who's got the book?
00:15:52I got it.
00:15:53Someone run me some power.
00:15:57Where are the candles?
00:15:58You forgot one of the laugh lines.
00:15:59You forgot one of the laugh lines.
00:16:00Gross beef.
00:16:01Laugh lines, you clod.
00:16:02Now cover it up.
00:16:03I'm just a poor makeup man out of a Jewish ship.
00:16:04That joke went out with high button shoes.
00:16:05Who did you leave?
00:16:06David.
00:16:07Save it.
00:16:08Save your passion for the camera.
00:16:09Let's have a little rest.
00:16:10Let's have a little rest.
00:16:11Come on, Grace.
00:16:12Come on, Grace.
00:16:13Come on, Grace.
00:16:14What about the book?
00:16:15What about the book?
00:16:16Who's got the book?
00:16:17I got it.
00:16:18Someone run me some power.
00:16:19Where are the candles?
00:16:20You forgot one of the laugh lines.
00:16:21Gross beef.
00:16:22Laugh lines, you clod.
00:16:23Now cover it up.
00:16:24I'm just a poor makeup man out of a Jewish ship.
00:16:26That joke went out with high button shoes.
00:16:28Who did you leave?
00:16:29David.
00:16:30Save it.
00:16:31Save your passion for the camera.
00:16:32Let's have a little restraint.
00:16:34Scenes always go better when they're under control.
00:16:36Anything for you, darling?
00:16:37Ron.
00:16:38Get a little of this red off her cheeks and fix her eyes.
00:16:41She looks like a whore.
00:16:42We want the drakes open or close?
00:16:44Here, let me get this.
00:16:45Anything for you, Ron.
00:16:47Put a double on the table, will you?
00:16:52Joe, don't forget the rack focus when you're through with that.
00:16:57Okay, pinch the doors on that Junior.
00:16:59Now, a little more.
00:17:02I got no power.
00:17:03Put the plug in, you dummy.
00:17:04Close the doors on that Junior.
00:17:05Another one in the corner.
00:17:07Give me a double on that baby, will you, Charlie?
00:17:08Eric, I found some great lines in the book.
00:17:09You want to check it over before we start?
00:17:10Okay.
00:17:11Okay, use that one.
00:17:12Danny, let's try one.
00:17:13Okay, heat that one up.
00:17:14Let's see what happens.
00:17:15Bring the girls in.
00:17:16Come on, girls.
00:17:17Now, get that cable out of the way.
00:17:18It's in the shop.
00:17:19Give me your high priestess voice.
00:17:20And get down in the door.
00:17:21And get down in the door.
00:17:22You're the one in the corner.
00:17:23Give me a double on that baby, will you, Charlie?
00:17:24Eric, I found some great lines in the book.
00:17:25You want to check it over before we start?
00:17:26Okay.
00:17:27Okay, use that one.
00:17:28Danny, let's try one.
00:17:29Okay, heat that one up.
00:17:30Let's see what happens.
00:17:31Bring the girls in.
00:17:32Come on, girls.
00:17:33Now, get that cable out of the way.
00:17:34It's in the shop.
00:17:35Get up.
00:17:36Give me your high priestess voice.
00:17:37And get down on your knees.
00:17:38You're supposed to be going in for a trance.
00:17:39All right.
00:17:40All right, Danny, let's try one.
00:17:41Roll it.
00:17:42See?
00:17:43Mark it.
00:17:4424 take one.
00:17:45Oh, my God.
00:17:46Oh, my God.
00:17:47Oh, my God.
00:17:48Oh, my God.
00:17:49Oh, my God.
00:17:50Oh, my God.
00:17:51Oh, my God.
00:17:52Oh, my God.
00:17:53Oh, my God.
00:17:54Oh, my God.
00:17:55Oh, my God.
00:17:56Oh, my God.
00:17:57Oh, my God.
00:17:58Oh, my God.
00:17:59Oh, my God.
00:18:00Oh, my God.
00:18:01Oh, my God.
00:18:03Oh, my God.
00:18:04Yeah.
00:18:06Uh-hmm.
00:18:07Action.
00:18:09Omniski.
00:18:10Edim.
00:18:11Adamo.
00:18:14Omniski.
00:18:16Edim. Adamo.
00:18:17Omniski.
00:18:18Edim. Adamo.
00:18:20Omniski.
00:18:22Edim. Adamo.
00:18:24Cut it.
00:18:25Cut it!
00:18:26I said you're supposed to be going into a trance.
00:18:29Not an orgasm.
00:18:30I'm sorry let's try it again with a little more restraint this time that's today's secret word restraint
00:18:38All right, let's go
00:18:45A little more a little more that's got it. Okay, I'd roll rolling and market
00:18:51Roll camera slated 24 takes two
00:19:02Action on this key
00:19:05Edem Adamo
00:19:07On this key aid him Adam
00:19:13Participavimus okay
00:19:21In the crowd in men dook T sumers in
00:19:31Radimathus
00:19:33Erebus
00:19:34Charon
00:19:36Lords of death witness me in this
00:19:41Maria
00:19:43God's name
00:19:45What are you doing?
00:19:46Charles you fool you should not have come
00:19:48Jesus Maria I demand I say silence
00:19:56His satanic majesty summons this man
00:20:01Slay him
00:20:04Slay him
00:20:06Maria what are you saying?
00:20:09For God's sake what?
00:20:12No Maria no
00:20:14Kurt that's good for me
00:20:16Very good for you too
00:20:18Fine that was good
00:20:19Okay, let's move in for close-ups of the stabbing
00:20:22Do I have to get rigged?
00:20:23You'll get rigged
00:20:26Come on, Ron you can do it show us how you're rigging
00:20:29I'll get rigged
00:20:30Action
00:20:42Cut
00:20:44You're bleeding like a trooper
00:20:46Let's get this corpse cleaned up and ready for the next scene
00:20:48You were great
00:20:49Thanks
00:20:51How's it feel to kill somebody?
00:20:52I don't like it
00:20:53Oh yeah, you'll get used to it
00:20:54You want the camera
00:21:17Now for the fifth time
00:21:20You are running down the hall and down the stairs into camera
00:21:23You are running
00:21:25Not strolling or walking but running
00:21:28And see if you can do it without falling
00:21:29All right, all right
00:21:31Save your sarcasm for Ann
00:21:33She's still impressionable
00:21:37Stand by to roll
00:21:38You ready?
00:21:39I'm ready
00:21:39I'm ready
00:21:41Mark it
00:21:42283 Apple take five
00:21:45Action
00:21:46You ready?
00:21:47Dead
00:21:53Cut
00:21:56See what you can do when you have talent?
00:21:57That was good for me, Danny
00:22:00Print it and wrap
00:22:01Good day's work
00:22:05Good day's work
00:22:06At Metro that would have been a week's work
00:22:11Honey, you're going up
00:22:12I'll join you in a minute
00:22:16I'll join you in a minute
00:22:30Danny, there's a lot of good moonlight outside
00:22:32Let's go shoot some of it
00:22:33Don't you ever sleep?
00:22:34Would you sleep if we were your money?
00:22:36No way
00:22:36Well get on your horse and let's grab some atmosphere
00:22:39Okay
00:22:40You fog that film, I'll eat your aorta
00:22:46To the multitudes assembled at my feet
00:22:51I regretfully bid fond adieu
00:22:55To go and seek sleep
00:22:57Gentle sleep that knits up the rabble sleeve of care
00:23:16The adulthoodicians
00:23:18You know I mean what it's going to it
00:23:19Wait more
00:23:21To cuid
00:23:21my heart
00:23:22Find a groceries
00:23:23A area
00:23:23With часов
00:23:31A drug
00:23:33A drug
00:23:33Anyone
00:23:34You should try
00:23:35Early
00:23:35And
00:23:36One
00:23:37A drug
00:23:38To
00:23:39Leah
00:23:39Goodbye
00:23:40Am
00:23:41You
00:23:42Hope
00:23:43It's
00:23:43Gentles, perchance you wonder at this show, then wonder on, till truth make all things
00:24:11play. This man, this man,
00:24:41this man, this man, this man, which is the same of his love.
00:24:58This man, this man, this man, this man, here, this man,
00:25:05David.
00:25:31Hmm?
00:25:38Hey.
00:25:40The brushing hair is boring.
00:25:44Honey, you should read some of this stuff.
00:25:47It's incredible.
00:25:49I don't want to read it.
00:25:50Listen to this.
00:25:52To you in blood, I give my soul, O master of the dark.
00:25:55David, please, that makes me uncomfortable.
00:25:58Come on, honey.
00:26:02Everybody else thinks it's phony, why don't you?
00:26:09Why don't you ask Mr. Price?
00:26:11What?
00:26:12What are you talking about?
00:26:14He's in the graveyard.
00:26:18David, come here, look.
00:26:21What's he doing?
00:26:36He's stomping at Headstones as though he's looking for something.
00:26:40Easy, honey. Easy.
00:26:43Easy, honey. Easy.
00:26:45I can't help it.
00:26:47This place.
00:26:49It gives me the willies.
00:26:51Annie.
00:26:52You're imagining things.
00:26:54I'm not imagining it.
00:26:56I feel it.
00:26:58I feel nothing's gonna happen.
00:27:01Something terrible.
00:27:05I'm sorry, David. I'm just scared.
00:27:08But just look at me.
00:27:10Okay, so he's a creep.
00:27:15Maybe...
00:27:16Maybe looking at Headstones is his thing.
00:27:18Come on.
00:27:21We got our own thing.
00:27:35David!
00:27:40I'll call you, I'll call her, darling.
00:27:42The music...
00:27:43I need a kindergarten.
00:27:44The music...
00:27:45My darling, don't you see?
00:27:46I can bring you pleasure as you only dreamed of until now.
00:27:51My darling, don't you see?
00:27:52I can bring you pleasure as you only dreamed of until now.
00:27:54My darling, don't you see?
00:28:02I can bring you pleasure as you've only dreamed of until now.
00:28:10You needn't fear.
00:28:23You needn't fear.
00:28:24Touch me.
00:28:27You're the power you can share.
00:28:29You're the power you can share.
00:28:30You're the power you can share.
00:28:32You're the power you can share.
00:28:34You're the power you can share.
00:28:36You're the power you can share.
00:28:37You're the power you can share.
00:28:39You're the power you can share.
00:28:41You're the power you can share.
00:28:43You're the power you can share.
00:28:44You're the power you can share.
00:28:46You're the power you can share.
00:28:48You're the power you can share.
00:28:50You're the power you can share.
00:28:52You're the power you can share.
00:28:54You're the power you can share.
00:28:55You're the power you can share.
00:28:56Who is it?
00:28:57Is anyone there?
00:28:59Is anyone there?
00:29:01Is anyone there?
00:29:03There.
00:29:13Dan.
00:29:13Dan.
00:29:24Dan.
00:29:25Dan.
00:29:25Leon?
00:29:50Leon?
00:29:55Leon?
00:29:57Leon?
00:30:07Leon?
00:30:25Kitty?
00:30:27Kitty?
00:30:37Kitty?
00:30:39Kitty?
00:30:41Kitty?
00:30:59Kitty?
00:31:01Kitty?
00:31:03Kitty?
00:31:07Kitty?
00:31:09Kitty?
00:31:11Kitty?
00:31:13Kitty?
00:31:15Kitty?
00:31:21Yeah.
00:31:23Yeah.
00:31:25Yeah.
00:31:27Yeah.
00:31:29Yeah.
00:31:31Yeah.
00:31:39Oh, Christopher.
00:31:43Oh, Christopher!
00:31:57I'll be alarmed, my child.
00:32:00It is I, your prince charming.
00:32:03You're drunk.
00:32:04Perhaps.
00:32:06But most assuredly, not enough to forget how to treat a lady like yourself.
00:32:13Look out for the lamp, I'll drop it.
00:32:17Now, love, can't we pass like dips in the slight, I mean ships in the...
00:32:22Let me go!
00:32:23No, we must seize this moment.
00:32:26Let me go!
00:32:31Don't you ever touch me, you drunken bum.
00:32:35Mr. Mellon.
00:32:39Tonight is your business.
00:32:40Tomorrow morning is mine, at 8 a.m., if you haven't already been told.
00:32:45Eric, I'm so glad you came.
00:32:47I'll bet you are.
00:32:48What do you mean by that crack?
00:32:50You don't think for one minute I miss you?
00:32:51Ladies and gentlemen, I bid you good evening.
00:32:56As he exits, laughing.
00:33:03Come on, Christopher.
00:33:04If you didn't come by, that maniac would have raped me.
00:33:09You sure dressed for it.
00:33:10Well, I was looking for Cleon.
00:33:12He got out of my room, he's down here someplace.
00:33:14He's a big kitty, now he can take care of himself.
00:33:16Eric, please.
00:33:19Listen, baby.
00:33:21We're going to be shooting early in the morning,
00:33:23and you've got to get some sleep.
00:33:24Or there'll be bags under our bags.
00:33:29And there isn't enough makeup in the world to cover that up.
00:33:33You still want me to be beautiful, don't you?
00:33:36I always want you to be beautiful.
00:33:40Was I beautiful in the first movie you put me in?
00:33:43Breathtaking.
00:33:45Do you still think I'm beautiful?
00:33:48To me, you'll always be beautiful.
00:33:50Beautiful.
00:33:54Thank you, darling.
00:34:12I'll take you to your room.
00:34:15You can't.
00:34:15You never ask.
00:34:19Wait a minute.
00:34:20What about Cleon?
00:34:22Oh, Fritz the cat!
00:34:27Eric?
00:34:29Eric, we can look for him in the morning.
00:34:31Eric!
00:34:40David, please, don't leave me alone.
00:34:42I'm too nervous.
00:34:43Don't worry, Annie.
00:34:44I'll only be gone a second.
00:34:45I just want to check something out with Eric.
00:34:46Check what?
00:34:47Eric, we, uh...
00:34:53Well, we, uh...
00:34:54Well, what is it?
00:34:55Eric, David's trying to tell you that...
00:34:59We saw Mr. Price in the graveyard.
00:35:01Yeah, I know.
00:35:03You know?
00:35:03You saw it, too?
00:35:04Saw it.
00:35:05I directed it.
00:35:06What?
00:35:08I was filming some of the graveyard stuff when old Princely Price arrived.
00:35:11I asked him if he'd move through the tombstones for one of the shots,
00:35:14and surprisingly enough, he agreed.
00:35:18Do you mean you staged it?
00:35:20That's right.
00:35:22What about when he went into the grave?
00:35:24What?
00:35:25He lifted a tombstone and disappeared.
00:35:27Did you stage that, too?
00:35:33No.
00:35:35Good night.
00:35:41Come on.
00:35:41Come on.
00:35:44I need a C-Stamp.
00:36:03You got it.
00:36:03Good.
00:36:05How about a couple of bucks?
00:36:06Good.
00:36:07How about a couple of bucks?
00:36:08Good.
00:36:09Good.
00:36:09Good.
00:36:10Good.
00:36:11Good.
00:36:12Good.
00:36:13Good.
00:36:14Good.
00:36:14Good.
00:36:14Good.
00:36:20Charlie, give me a huffin' out.
00:36:22You got it.
00:36:22You got it.
00:36:26How about a couple of sandbags?
00:36:31It's a brook.
00:36:34Eric, it's the sixth case.
00:36:36Can I please put on my double wardrobe now?
00:36:38Double wardrobe on my budget?
00:36:39You've got to be kidding.
00:36:40But I'm so free.
00:36:41We've been out here for hours.
00:36:42We'd be inside if you get the damn scene right.
00:36:44All you have to do is walk away from cameras if you're in a hurry.
00:36:47You don't care about the rain.
00:36:48That's what you think.
00:36:49Because you're going to meet your lover.
00:36:51Now, if you can manage to convey that and walk at the same time, we'll all go inside.
00:36:56Slated.
00:36:57Take seven.
00:36:58Okay.
00:36:59Let's make one.
00:37:00Hit the range.
00:37:04Roll sound.
00:37:05Page.
00:37:05I'll go to the left.
00:37:15I'll go to the left.
00:37:28Hey, that's for real.
00:37:42Cut.
00:37:42Hooray.
00:37:43One of you bastards did this.
00:38:04One of you.
00:38:05Hey.
00:38:07That's all I need another day's work shot.
00:38:10Why would anyone do anything that awful?
00:38:14Eric.
00:38:15Look at that.
00:38:23Where do you think that came from?
00:38:26Piece of a headstone.
00:38:30Price.
00:38:30Yeah.
00:38:31Price.
00:38:36Price.
00:38:36Price.
00:38:36Price.
00:39:01Price.
00:39:02Price.
00:39:03Price.
00:39:04Price.
00:39:05Price.
00:39:06Price.
00:39:07Price.
00:39:08Price.
00:39:09Price.
00:39:10Price.
00:39:11Price.
00:39:12Price.
00:39:13Price.
00:39:14Price.
00:39:15Price.
00:39:16Price.
00:39:17Price.
00:39:18Price.
00:39:19Price.
00:39:20Price.
00:39:21Price.
00:39:22Price.
00:39:23Price.
00:39:24Price.
00:39:25Price.
00:39:26Price.
00:39:27Price.
00:39:28Price.
00:39:29Price.
00:39:30Price.
00:41:31If you're looking for the silver, it's in the main house.
00:41:37Mr. Price, this is the last time you'll interfere with my filming.
00:41:40Are you mad I haven't been near your filming?
00:41:42Stop playing games.
00:41:43Why did you kill that cat?
00:41:45What?
00:41:46Sometime last night, half of Miss Dorian's cat was neatly deposited on the lawn.
00:41:50Are you accusing me of this vulgarity?
00:41:52Part of the headstone was found nearby.
00:41:54I took it to be your calling card.
00:41:56The headstone?
00:41:57Was there a name?
00:41:58No.
00:41:59Sure?
00:41:59No name on the headstone?
00:42:01None.
00:42:01I didn't expect you'd sign it.
00:42:03You're insane.
00:42:04Am I?
00:42:05What are you doing with that chisel?
00:42:07Baking a cake.
00:42:15Obviously, you'll give me no peace until you've ransacked my entire house.
00:42:18Close the door.
00:42:29Close the door.
00:42:29There's a private elevator, huh, Price?
00:42:44It's wear and tear on the old back.
00:42:46Don't scruff a thing you know nothing about.
00:42:48What's there to know about headstones except death?
00:42:52That's only part of it.
00:42:53The other part is graves, Mr. Hartman.
00:42:56Graves.
00:42:57Now what are you talking about?
00:42:58There are eight graves in the Beale family plot, Mr. Hartman.
00:43:01Only seven headstones.
00:43:03Well, make another one.
00:43:04I would, but I haven't been able to find out whose grave it is.
00:43:08Now that is one momentous problem.
00:43:19This way.
00:43:28Nice place you have here.
00:43:33Your family room?
00:43:35Strange things have happened here, Mr. Hartman.
00:43:38Unimaginable things.
00:43:40That's why I'm making my picture here, Price.
00:43:45Other than that, I don't give a damn.
00:43:46Mr. Hartman, Mrs. Beale was experimenting with the occult when she died.
00:43:52Her death was no ordinary suicide, I assure you.
00:43:56What you're doing here, the subject matter of your film, whatever...
00:44:00I believe you to be in great danger yourself.
00:44:03Price, I've made a lot of films, mostly about witchcraft.
00:44:06And you and I...
00:44:08We both know that it's all a lot of crap.
00:44:12Perhaps, perhaps not.
00:44:13But there are signs, Mr. Hartman.
00:44:16I've seen them.
00:44:17This cat that was killed.
00:44:19What is it, Price?
00:44:20The devil?
00:44:22Did the devil kill the cat?
00:44:24Maybe a ghost or a vampire?
00:44:26Well, what about you?
00:44:27I should have realized it would do no good to try to talk to you.
00:44:35I'm glad we both understand each other.
00:44:39Since you found your own way in,
00:44:42I'm sure you can manage to find your own way out.
00:44:45I'll do that.
00:44:46Good day, sir.
00:44:48And you stay off my set.
00:44:57What is this?
00:45:15What the hell's going on here?
00:45:17What is this, a tea break?
00:45:18No actress, no lights, no suit.
00:45:21What?
00:45:22Madam has played her final farewell performance.
00:45:25Where is she?
00:45:26In her room, packing.
00:45:28Finish setting up in here.
00:45:29We'll shoot in ten minutes.
00:45:56No need for a scene, Eric.
00:46:05I just can't take this place anymore.
00:46:09This house, this movie.
00:46:11I just can't stand it another minute.
00:46:14I'm going back to Hollywood if I have to hitchhike.
00:46:19Okay, baby.
00:46:20I understand.
00:46:21In the meantime, what am I supposed to do with my movie?
00:46:26Well, get a new ending.
00:46:27Do it on a set.
00:46:28I don't care, Eric.
00:46:29I just want to go home.
00:46:31Don't do it on the set.
00:46:33Baby, we've got to finish this picture tonight here.
00:46:36Do you know what it would cost me to move into the studio and build a set?
00:46:39I've got to bring this in for a price.
00:46:41No money, money.
00:46:42Is that all you can think about?
00:46:43What about me?
00:46:44I tell you, I feel threatened and I can't stand it another minute.
00:46:49Same old ego still working, huh?
00:46:51Aye, aye, aye.
00:46:53Everything for Gail.
00:46:53To hell with everyone else.
00:46:54Oh, Eric, you don't have to...
00:46:55Listen, baby.
00:46:57What you're pulling might have worked in the studios ten years ago, but not here and not now.
00:47:00And sure as hell not on my picture.
00:47:02Eric, you're hurting me.
00:47:08Okay.
00:47:11Go on, leave.
00:47:12But you're walking, all right.
00:47:17And when you get there, you're going to find out just how tough it is for a middle-aged beauty queen to get a job in the acting profession.
00:47:24Or even in the profession I first found you in.
00:47:34I'll expect you on the set in ten minutes.
00:47:37In your wardrobe.
00:47:42You'll forget, sister.
00:47:52You have taken vows.
00:47:55Vows to the devil.
00:47:57Or go to the priest.
00:47:59Beg for forgiveness.
00:48:02There is no forgiveness.
00:48:04They will burn you at the stake for your sins.
00:48:06Then we will run.
00:48:08They'll hunt you like an animal.
00:48:11Running away is not an answer.
00:48:13It's my answer.
00:48:15Don't you see, Maria?
00:48:16I love them.
00:48:18That means nothing.
00:48:20Angela, I forbid it.
00:48:22You will ruin everything that I've worked for.
00:48:24I absolutely forbid it.
00:48:25There's nothing you can do about it.
00:48:28We're going to leave today.
00:48:31And I say, you are not.
00:48:35Maria, what are you doing?
00:48:38My God, Maria, I'm your sister.
00:48:39Maria, you've gone crazy.
00:48:40What's up?
00:48:41Roll over.
00:48:42Come on.
00:48:43All right, get her on the floor.
00:48:44Look out for the knife now.
00:48:46Good, good.
00:48:47All right, David.
00:48:47Come on in.
00:48:49Maria.
00:48:49Angela.
00:48:51Cut.
00:48:52Good for me.
00:48:53How was it for you?
00:48:54We're here.
00:48:55Print it.
00:48:57Ron, set up for the stabbing.
00:48:59Yeah.
00:49:01Where is it?
00:49:02Okay, put it on them.
00:49:04Come on, let's go.
00:49:08Gail, stay under them when you stab them.
00:49:11I want to see plenty of blood on you.
00:49:18All right, come on.
00:49:19Get on your marks.
00:49:21All right, girls.
00:49:21Never mind your hair.
00:49:22You're supposed to be in a fight,
00:49:23not a beauty contest.
00:49:25Come on, Ron.
00:49:26Get out of there.
00:49:27Come on.
00:49:29That's fine.
00:49:30Let's go.
00:49:31Places.
00:49:32Right where you are.
00:49:33Right there.
00:49:34Camera ready?
00:49:36Ready.
00:49:37Okay, roll camera.
00:49:39Rolling.
00:49:40And slate.
00:49:43Fall into it.
00:49:43That's right.
00:49:44Ready.
00:49:46Action.
00:49:46Come on.
00:49:47Come on.
00:49:52Come on.
00:49:52Okay.
00:49:55Stop it.
00:49:56Do you hear me?
00:49:57Stop it.
00:49:57Gloria.
00:49:58Angela.
00:49:58Angela.
00:50:04Maria.
00:50:05Oh, my God.
00:50:07Maria.
00:50:08Oh.
00:50:09Now you have no reason to leave.
00:50:25Ever.
00:50:33Oh, my God.
00:50:35Cut it.
00:50:44That's good for me.
00:50:45How was it for camera?
00:50:46Beauty.
00:50:47Okay for sound?
00:50:48Okay for sound.
00:50:49Print it.
00:50:49Oh, you look awful.
00:50:51For a dead man, I don't feel too bad.
00:50:55Don't get it on me, okay?
00:50:56That's good.
00:50:57Very good.
00:50:58Okay.
00:50:58Set up for the last shot.
00:50:59We'll shoot in an hour and a half.
00:51:01An hour and a half?
00:51:04You mean I have an hour and a half to change my clothes, redo my wardrobe and be ready?
00:51:08You heard the man.
00:51:09You know, that's just what the movies need.
00:51:34Another pretty face.
00:51:37How do I look?
00:51:38Great.
00:51:39You look awful.
00:51:40Let's make a movie.
00:51:42Now you know what you look like when you're dead.
00:51:45That's rather handsome, actually.
00:52:03Honey?
00:52:06Honey?
00:52:06David?
00:52:10Sit me up.
00:52:13Just what is so interesting about that book?
00:52:16I don't know.
00:52:18Well, why do you keep reading it?
00:52:19I think we can use it in the film.
00:52:22We already have.
00:52:24I think we can use it again.
00:52:26Anne, I've got it.
00:52:30Listen to this.
00:52:31David, it's not good for you to read things like that.
00:52:33I don't know.
00:52:35Exergent, more to I,
00:52:38had owed me a variant.
00:52:40The dead rise and come to me.
00:52:46Exergent, more to I,
00:52:50had owed me a variant.
00:52:52More to I, had owed me a variant.
00:53:07The dead rise and come to me.
00:53:11Stop it! Stop it!
00:53:14What's the matter?
00:53:15That, that book, that awful book.
00:53:18Honey, it was written a thousand years ago.
00:53:20Well, it sounds like it was just written yesterday.
00:53:23It's so official, so real.
00:53:27I don't like it.
00:53:29It's just so...
00:53:30Scary.
00:53:31Yes.
00:53:32I know, it's scary as hell,
00:53:33and that's why we should use it in the film.
00:53:35Why?
00:53:37Authenticity.
00:53:38It'll give the picture a feeling of authenticity.
00:53:50Share your breath.
00:53:59And...
00:54:00Share your journey.
00:54:01Because I see you in this film,
00:54:03you phải alternate.
00:54:03I just love you.
00:54:05I hope you've earn a hug.
00:54:07I'm not.
00:54:08I'm not.
00:54:08I'm not.
00:54:09I'm not.
00:54:09I'm not.
00:54:11I'm not.
00:54:12I'm going to go.
00:54:42All right.
00:55:12Hit all the lights.
00:55:23Get the actors down here.
00:55:24Let's make a movie.
00:55:42Gail, hold the book up.
00:55:50I haven't got the book.
00:55:52Where's the book?
00:55:53I got it.
00:55:54Sorry, Eric.
00:55:55Okay, okay.
00:55:57Now, hold it up, Gail.
00:55:59I want to zoom in on it.
00:56:01How do you want me to read it?
00:56:03The way we rehearsed it.
00:56:05Chris?
00:56:05Chris?
00:56:07Chris?
00:56:08Where the hell is Chris?
00:56:10You called.
00:56:13Yeah, yeah.
00:56:15Look, when you come up, come up slowly.
00:56:17And don't stop once we start rolling, okay?
00:56:19Got you.
00:56:20Eric?
00:56:21Yeah?
00:56:21How do you want me to die?
00:56:25What?
00:56:26Well, I've never died before, and I don't know how to.
00:56:29Maybe we've been through all this before.
00:56:31But we didn't rehearse the actual dying.
00:56:33You back away.
00:56:34He grabs you and hits you with a candelabra.
00:56:37You just fall down and be dead.
00:56:39Okay.
00:56:39Okay.
00:56:39Trust me.
00:56:43Dying's easy.
00:56:45Living's hard.
00:56:47Let's try one.
00:56:52Fix their hoods.
00:56:56Chris, will you hold us a minute?
00:57:00Come on, come on.
00:57:01Hurry it up.
00:57:04Camera ready?
00:57:05Ready.
00:57:06Roll it.
00:57:07Rolling.
00:57:08Slate it.
00:57:08Two-twenty-seven, take one.
00:57:13Action.
00:57:14Exurgent, mortuary.
00:57:17Et adme vurient.
00:57:19Cut!
00:57:19Somebody light the damn candles.
00:57:27Come on, come on.
00:57:28Hurry up.
00:57:29Get them lit.
00:57:31All right, let's go again.
00:57:33Camera ready?
00:57:34Ready.
00:57:35Stand by.
00:57:37Roll camera.
00:57:38Roll in.
00:57:39Slated.
00:57:40Two-twenty-seven, take two.
00:57:43Action.
00:57:45Exurgent, mortuary.
00:57:48Et adme vurient.
00:57:50Put here.
00:57:51Also...
00:57:52Ahhh...
00:57:52That's super close.
00:57:58I don't know.
00:58:00Take another selfie.
00:58:01Notice...
00:58:06clarified music.
00:58:08Um...
00:58:09Angelika certainly,
00:58:11Ahh...
00:58:11Take another moment...
00:58:12Nah...
00:58:13See you...
00:58:13I'm going to have to plug now,
00:58:13a piece of one mirror.
00:58:15You're giving me...
00:58:15enjoy the plan vo思air.
00:58:16Being here for everything.
00:58:17You can face it.
00:58:18I'll just take another minute.
00:58:18et adme vurient
00:58:25exurg
00:58:28cut
00:58:29Eric, this book is very old
00:58:33it's just not that easy to follow
00:58:35it's the same damn line
00:58:38read three times
00:58:39what's so difficult
00:58:40I'm sorry
00:58:41okay, let's go again
00:58:46please
00:58:47camera ready
00:58:51roll camera, slate it
00:58:53227, take three
00:58:54action
00:58:57exurgent, mortuary
00:59:17exurgent, mortuary
00:59:31and adme vurient
00:59:34exurgent, mortuary
00:59:46exurgent, mortuary
00:59:48et adme vurient
00:59:52exurgent, mortuary
00:59:56exurgent, mortuary
00:59:58et adme vurient
01:00:02exurgent, mortuary
01:00:04exurgent, mortuary
01:00:06exurgent, mortuary
01:00:08exurgent, mortuary
01:00:10exurgent, mortuary
01:00:12exurgent, mortuary
01:00:14exurgent, mortuary
01:00:15exurgent, mortuary
01:00:16exurgent, mortuary
01:00:17exurgent, mortuary
01:00:18exurgent, mortuary
01:00:19exurgent, mortuary
01:00:20exurgent, mortuary
01:00:21exurgent, mortuary
01:00:22exurgent, mortuary
01:00:23exurgent, mortuary
01:00:24exurgent, mortuary
01:00:25in Publia Filii Omnibus Suisse.
01:00:55Café, casita, non cafela, et Publia Filii Omnibus Suisse.
01:01:09Come, my darling, I have been awaiting your return from the dead.
01:01:16You see, my sister? You see the power?
01:01:26Yes, my love.
01:01:33Try.
01:01:36Yes.
01:01:38Rise.
01:01:46Rise.
01:02:09Let go of me. I command you.
01:02:13Let go of me.
01:02:16Angela. Angela, help me.
01:02:23Angela, help me.
01:02:26Angela, help me.
01:02:29Maria!
01:02:33Maria!
01:02:36Maria!
01:02:37Maria!
01:02:46Maria!
01:02:49Maria!
01:02:52Maria!
01:02:54Maria!
01:02:58Maria!
01:02:59Oh, my God.
01:04:31Cut! Print it!
01:04:33That was great.
01:04:36I don't know how it was for you, but it was great for me.
01:04:38You all right, baby?
01:04:45See, baby?
01:04:45I told you dying was easy.
01:04:47Yeah, it was fun.
01:04:49Eric, do you think we could do that again?
01:04:51You are funny.
01:04:53You ought to play comedy.
01:04:54Where'd you get hurt?
01:04:55Oh, stop it.
01:04:57Did you see all of it?
01:04:57Everything.
01:04:58How was it?
01:04:59You're a very groovy corpse.
01:05:01But messy.
01:05:02Beautiful, baby.
01:05:03Just beautiful.
01:05:04Beautiful.
01:05:05Look at me.
01:05:06I am, and you are beautiful.
01:05:08Now, get yourself cleaned up.
01:05:09I'll see you first thing in the morning.
01:05:10In the morning?
01:05:11Yeah, when we leave.
01:05:13Eric.
01:05:15Eric, can't we leave tonight?
01:05:17I still have some exterior stuff to shoot.
01:05:20What is that going to take the whole night?
01:05:22Half.
01:05:23Well, what about the other half?
01:05:26Who knows?
01:05:27We're going to get some graveyard stuff tonight, Eric?
01:05:32Yeah, Dave and I will handle it.
01:05:34You stay here and pack up the equipment.
01:05:40Come on, David.
01:05:40Let's go.
01:05:42Ron, would you know if I'll get cleaned up?
01:05:46How do you take this stuff off?
01:05:47Secure gas.
01:05:57And so to sleep, perchance to dream, the arms, the hands that dispatched a thousand souls bid you goodnight.
01:06:27Let's go.
01:06:57Ron, that goes in the truck.
01:07:27You know, Eric was right.
01:07:31About what?
01:07:33There's no end to this kid's knowledge.
01:07:35Okay, I'll take it to the truck itself.
01:07:37No, that's okay, Tom.
01:07:38I'll get it.
01:07:39Ron, I'd sort of like to smoke.
01:07:40Let me do it.
01:07:41Yeah.
01:07:41No, I'll take it.
01:07:52I'll take it.
01:07:52Oh, my God.
01:08:22Oh, my God.
01:08:52Oh, my God.
01:09:22Oh, my God.
01:09:52Oh, my God.
01:10:22Oh, my God.
01:10:52Oh, my God.
01:11:22Oh, my God.
01:11:52Oh, my God.
01:12:22Oh, my God.
01:12:52Oh, my God.
01:13:22Oh, my God.
01:13:52Oh, my God.
01:14:22Oh, my God.
01:14:52Oh, my God.
01:15:22Oh, my God.
01:15:52Oh, my God.
01:16:22Oh, my God.
01:16:52Oh, my God.
01:17:22Oh, my God.
01:17:52Oh, my God.
01:18:22Oh, my God.
01:18:52Oh, my God.
01:19:22Oh, my God.
01:19:52Oh, my God.
01:20:22Oh, my God.
01:20:52Oh, my God.
01:21:22Oh, my God.
01:21:52Oh, my God.
01:22:22Oh, my God.
01:22:52Oh, my God.
01:23:22Oh, my God.
01:23:52Oh, my God.
01:24:22Oh, my God.
01:24:52Oh, my God.
01:25:22Oh, my God.
01:25:52Oh, my God.
01:26:22Oh, my God.
01:26:52Oh, my God.
01:27:22Oh, my God.
01:27:52Oh, my God.
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