- 5 months ago
Trust Me (2014) is a comedy-drama starring Clark Gregg as a struggling Hollywood agent who finally discovers a teenage acting prodigy that could change his life forever. As he navigates the cutthroat world of show business, he faces unexpected challenges, betrayals, and the true cost of chasing success. Both sharp and heartfelt, the film blends humor with an honest look at ambition, dreams, and the price of trust.
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Trust Me 2014 movie, Trust Me full movie, Trust Me film, Trust Me trailer, Trust Me cast, Trust Me Clark Gregg, Trust Me Felicity Huffman, Trust Me Sam Rockwell, Trust Me Allison Janney, Trust Me William H. Macy, Trust Me Amanda Peet, Trust Me review, Trust Me comedy drama, Trust Me Hollywood story, Trust Me family film industry, Trust Me inspiring movie, Trust Me 2014 full film, Trust Me behind the scenes Hollywood, Trust Me drama comedy
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PeopleTranscript
00:00:00.
00:00:30Did you ever think, in some deep down place, that you were really something else?
00:00:49And if you could just strip away that filthy dead shell you've been walking around in,
00:00:55you'd be reborn. There's something new, something more beautiful than anything you'd ever imagine.
00:01:04Hey, buddy. Well, of course you're nervous, because it's me. Oh, it's Daryl. Sorry, Daryl.
00:01:10It's a really big deal. Listen to me. No. Philip, no. Stop. You stop right there.
00:01:18Hold on. Hold on one sec. I'm sorry. I got a client freaking out.
00:01:22These came for you. Oh, thanks. Thanks so much.
00:01:25Wow. You look really, really... Hey, Ben. What's up? Ben.
00:01:29Hey. Hey, did you get some flowers? Oh, God. Yes, Howard. Thank you so much.
00:01:35Oh, please. I saw that you had some tulips in your window once, and then they were on sale at Trader Joe's.
00:01:40Oh, you know, I... I... I didn't get them into water soon enough.
00:01:45No, totally. Totally. I'm sure... It's weird, though. They looked still really fresh.
00:01:49You know what it is? Plants hate me. Fine. They just... I doubt that. They do. You should probably... There's a bottom button.
00:01:55You're... I can see your, uh... Okay. Thank you for that. Thanks. You got my back. You got my back. Yeah.
00:02:00All right. Just say it with me. Congratulations, Philip. You got the part.
00:02:04Well, it only works if you really do it. That... That wasn't really doing it. You know it wasn't. You know it wasn't.
00:02:12I know when you really are doing it, and it's only when you really do it that it works. This is your time to shine.
00:02:18Oh, God, you homicidal son of a... No, not you. I'm here. I'm parking. Yes, I am.
00:02:26Picture yourself resting on a cool, sandy beach. Not lying. I'm here.
00:02:32Take that big breath in and exhale out. Good. Hold that door!
00:02:37You think I don't know how you feel? Third call back for Boatniks. I'm ten.
00:02:41My mom had to give me an airplane bottle of schnapps just to get my hands to stop shaking.
00:02:45But this is different. You know why? Because I was good. But you're special.
00:02:51I am? Hell yes, you are. Because...
00:02:55Come on. Hell yes, you are. And when you go in there and do what we rehearsed, they're gonna see that.
00:03:06I heard Lindsay Lohan's little brothers doing the part.
00:03:09What? Who told you that?
00:03:11You know those ones who go to my school, Rory and Cory? Yeah.
00:03:14Rory's manager told them. No, they offered it to him, but they couldn't make a deal.
00:03:18So now one of the main roles in this motion picture is wide open, and I'm gonna tell you something.
00:03:24It's yours. It is?
00:03:29I can feel it. You can. Yes.
00:03:34Phillip Trilby? Yes?
00:03:37You're up, honey. You got this. My man.
00:03:41Kick some ass, baby. We really need this one, okay?
00:03:46It's yours. Hi, Phillip. I'm Meg Waldron. Thanks for coming in.
00:03:50We all loved your work in cooties. It's all good, right?
00:03:53Uh, thanks. Let's do this thing.
00:04:00This is empty. Oh, okay.
00:04:02Hey, Gordon, can you get it?
00:04:16Hey, Charlotte, you look great. You still working with that guy? The, uh, what's his name? The...
00:04:21Let me...
00:04:23What's going on in here? An audition.
00:04:30Okay.
00:04:32Okay.
00:04:33Charlie, please.
00:04:34What's going on in here?
00:04:36An audition.
00:04:37Oh. Sorry. It just sounded so real.
00:04:43Who's your agent?
00:04:45Get out.
00:04:46Okay.
00:04:47Uh, sorry.
00:04:48Uh, sorry.
00:04:49She is really good.
00:04:50Are you saying he got the part?
00:04:51Well, there's still a few things to work out, but Nigel loved him.
00:04:56So, Janice, what are you and Phillip doing for the next few months?
00:04:59Um, well, I mean, we've got school, but you know, screw it, right?
00:05:00No, there's that one thing over at Nickelodeon.
00:05:01Huh?
00:05:02But, you know, it's nothing we couldn't do.
00:05:03What are you doing for the next few months?
00:05:04Um, well, I mean, we've got school, but you know, screw it, right?
00:05:05No, there's that one thing over at Nickelodeon, but, you know, it's nothing we couldn't get
00:05:30out of, you know, for the right situation.
00:05:31Oh.
00:05:32Hey, pal, why don't you hit your game thing for a few minutes so Megan and I can talk
00:05:37business?
00:05:38Good job, Phillip.
00:05:39Great job.
00:05:40Now, can I ask you, when would you need him to start?
00:05:42Janice, can you give us a sec?
00:05:44And then, should I just...
00:05:45I was just...
00:05:46All right.
00:05:50This is so exciting.
00:05:51Yeah.
00:05:52Seems like a great kid.
00:05:53The best.
00:05:54Wish it was mine.
00:05:55We done?
00:05:56Yep.
00:05:57Okay.
00:05:58Break of a lifetime.
00:05:59Big fat roll opposite whoever we get.
00:06:00I'm authorized to go 80 grand, take her to leave it.
00:06:02But if we can close it right now, we'll throw in 25K when it hits 100.
00:06:06That's just over scale to do fifth lead in a $30 million picture.
00:06:09Listen, Howard, I understand you want to glue yourself tight to young Phil and his tasty
00:06:13little milf over there, but he's got no quote.
00:06:15He's nobody.
00:06:16Oh, haven't you heard?
00:06:18He just got the new Nigel Skank picture.
00:06:21110, run a show, 30 on the bump.
00:06:23170, 50 on the bump.
00:06:24170.
00:06:25Are you really fucking high right now?
00:06:28Meg, can I talk to you for a moment?
00:06:31You want to close it or not?
00:06:33Meg.
00:06:38You want to close it?
00:06:39Hold that thought.
00:06:40Okay, fine.
00:06:41110.
00:06:42We're very excited.
00:06:43We've got a deal.
00:06:44Hey, where are you going, Meg?
00:06:45What's happening, Howard?
00:06:46Just give me a second.
00:06:47Okay, fine.
00:06:48He'll do it for scale.
00:06:49Just throw us something on the back end.
00:06:50Hi, Nigel.
00:06:51Don't talk to him.
00:06:52Look, Howard.
00:06:53Listen, you close this right now or he's doing the Nickelodeon thing.
00:06:56Do what you gotta do.
00:06:57We had an offer.
00:06:58Go home.
00:06:59I'll call you.
00:07:00Talk to me, okay?
00:07:01I'm his fucking manager.
00:07:02Please, Meg.
00:07:03Please.
00:07:04What's going on?
00:07:05He's back in the low hand kit, okay?
00:07:08No.
00:07:09No, he passed.
00:07:10There's a name.
00:07:11They pull the shit all the time.
00:07:12Look, I've got something else too, a vampire thing.
00:07:14Howard!
00:07:15You calm down.
00:07:16Take Philip home and I'll try to find him something in that.
00:07:18But seriously, we're done.
00:07:19You lying sack of shit.
00:07:21What did you call me?
00:07:22You never had any intention of giving Philip the part.
00:07:25You just used him to get the low hand kit back to the table.
00:07:27Howard, that is bullshit.
00:07:28Nigel loved him.
00:07:29He wanted to hire him.
00:07:30Oh, I'm sure he did.
00:07:31Until Honey Boo Boo over there called Aldo.
00:07:33What now?
00:07:34Called Aldo and told him the role was walking out the door.
00:07:36You pathetic bottom feeder.
00:07:38If you ever want to see one of your talentless little trolls in this office again,
00:07:41you will shut your mouth and walk out that door.
00:07:43Now.
00:07:45Delia, call security.
00:07:47Mm-hmm.
00:07:49Fine.
00:07:50I'm going.
00:07:51I'm taking Philip down to SAG.
00:07:52We're gonna file a grievance.
00:07:53Right, Janice?
00:07:55Janice?
00:07:57Guys?
00:07:59Guys?
00:08:00Philip?
00:08:01Hey, buddy.
00:08:02It's okay.
00:08:03Look.
00:08:04I know you're disappointed, but you did something really special in there.
00:08:06And nobody can ever take that away from you.
00:08:07Well, they just did.
00:08:08Yeah.
00:08:09And you let it happen.
00:08:10No.
00:08:11Get in the car.
00:08:12Don't you...
00:08:13Listen to me.
00:08:14Don't you see?
00:08:15They used Philip to close Tommy Lohan.
00:08:16Oh, please.
00:08:17Yeah, and isn't it your job to protect us from that?
00:08:19Aldo said something like this would happen.
00:08:20Aldo?
00:08:21You talked to Aldo Stankis?
00:08:22You know what?
00:08:23I guess it's a good time to tell you.
00:08:25Howard, you're fired.
00:08:26No.
00:08:27We have a contract.
00:08:28Oh, not anymore we don't.
00:08:29There you go.
00:08:31Termination of services.
00:08:33Listen.
00:08:34You were great when we first started out, but Philip needs more now.
00:08:36He needs an Aldo Stankis.
00:08:37No.
00:08:38Get in the car, Philip.
00:08:39But Aldo's Tommy's agent.
00:08:40Don't you see?
00:08:41He did it this way to make you dump me.
00:08:43Well, guess what, Howard?
00:08:44It worked.
00:08:45No, Janice.
00:08:46Please.
00:08:47Don't do this.
00:08:48Hey.
00:08:49Hey.
00:08:50What about us?
00:08:51Oh, please.
00:08:52It was one drunk night and I wish I'd been drunker.
00:08:53Janice.
00:08:54Move out of the way, Howard.
00:08:55No.
00:08:56I'm trying to close my door.
00:08:57No.
00:08:58Janice.
00:08:59Get away from my car.
00:09:00Janice.
00:09:01Buddy?
00:09:02Roll down the window.
00:09:03Roll down the window, buddy.
00:09:04Oh, my God.
00:09:05Please.
00:09:06Roll down.
00:09:07Who's gonna run lines with you, huh?
00:09:10You think Aldo's gonna know what to do when you have a panic attack, do you?
00:09:13No.
00:09:14Philip, close that window now.
00:09:16Ow.
00:09:17Ow.
00:09:18Ow.
00:09:19Get your hands off the button, Philip.
00:09:20You don't have to do this, man.
00:09:21You can come live with me.
00:09:22No, we can't.
00:09:23Not without that emancipation thing from the judge.
00:09:25You can't.
00:09:26Roll up that damn window now.
00:09:27Hey.
00:09:28Don't you love me anymore?
00:09:29Hey.
00:09:30Look at me, you little bastard.
00:09:31You're gonna sell me out.
00:09:32At least have the balls to look me in the eye.
00:09:34Get away from the car, you freak.
00:09:36Janice.
00:09:37No.
00:09:38No.
00:09:39Janice.
00:09:40Wait.
00:09:41Wait.
00:09:42Oh.
00:09:43Oh, my God.
00:09:44Oh, my God.
00:09:45Oh, my God.
00:09:46Oh, my God.
00:09:47Oh, my God.
00:09:48Oh, Howard.
00:09:49That was an accident.
00:09:50I'm so sorry.
00:09:51We can still save this.
00:09:52You are an asshole.
00:09:54Asshole.
00:09:55Get in the damn car, Philip.
00:09:57Now.
00:09:58I need it.
00:09:59No.
00:10:00Please.
00:10:01Really?
00:10:02Come on.
00:10:03Seriously, please.
00:10:04After four and a half years, please don't do this.
00:10:07Come on, Janice.
00:10:08Please.
00:10:09No.
00:10:10No.
00:10:11Oh, hey, gang, gang.
00:10:12Soon.
00:10:13Don't do that.
00:10:14Oh, here's Ryan.
00:10:15No.
00:10:16No.
00:10:17Hello?
00:10:18Hello?
00:10:19Hello?
00:10:20Hold on.
00:10:21Hold on?
00:10:22Hold on?
00:10:23Hello?
00:10:24Hello?
00:10:25Hello?
00:10:26Hello?
00:10:28Hello?
00:10:30Hello?
00:10:32Hello?
00:10:33Hello?
00:10:38Hello?
00:10:39What the...
00:10:41What the fuck, man?
00:10:46If you ask me, you better off.
00:10:52Huh?
00:10:53I did this cable thing with him last year.
00:10:56We played siblings who both needed one of Ann Archer's kidneys.
00:10:59And he's okay.
00:11:01But it never goes much deeper than the audition, you know?
00:11:05And I met his sister once.
00:11:07She used to go out for stuff, too.
00:11:09Until she turned 14 and got a bad case of thugglies.
00:11:13What do you got?
00:11:15It's his game thing.
00:11:17Are you gonna smash it and send the pieces?
00:11:20Yeah, I probably will.
00:11:22Oh, my God. You're gonna give it back to him.
00:11:25No, I'm not.
00:11:27Yes, you are. He just dumped you.
00:11:30And you're gonna give him back his game thing.
00:11:32It's not his fault. He's a good kid.
00:11:36I'm Howard.
00:11:46Lydia.
00:11:47I'm sorry about messing up your audition before.
00:11:49Do you want me to talk to somebody?
00:11:51Maybe I could get you another shot.
00:11:53Something tells me you may not be the best person for that job.
00:11:56So it's no need. I got it.
00:11:59You got the part?
00:12:01Yeah. They're all getting off that you thought it was real.
00:12:04Meg took the tape into Nigel and they offered it to me on the spot.
00:12:07Wow, that's...
00:12:09Congratulations.
00:12:11It's two scenes.
00:12:12Are you kidding me?
00:12:13Brad Pitt became a superstar off just two or three scenes...
00:12:16That was Louise. Yeah.
00:12:18My mom used to say that.
00:12:19Oh. Is she gone?
00:12:22Yeah.
00:12:23I'm sorry.
00:12:25It's not like she died or anything.
00:12:27She just moved to Vegas with her stoner boyfriend, Kai.
00:12:30Where's your dad?
00:12:32He's in there, trying to get validated by that skeezy receptionist.
00:12:35Or maybe he's getting his parking ticket stamped.
00:12:38How old are you?
00:12:40Fourteen.
00:12:41Well, almost.
00:12:43I know. Percussion.
00:12:47Well, it was nice talking to you, Lydia.
00:12:50Would you say that was up or down?
00:12:55No idea.
00:13:00I hope this is a pretty bad day for you.
00:13:08You know...
00:13:13Don't mind me asking.
00:13:14Who's your, uh...
00:13:15Agent?
00:13:16His name's Mark.
00:13:17He's the sketchy coach-agent casting guy back in Tulsa.
00:13:21Is that where you live?
00:13:23It was.
00:13:24Until Mom and Kai bolted to Vegas.
00:13:26You know, you're really good.
00:13:28You ought to be working with somebody here in town.
00:13:30What?
00:13:31What's this?
00:13:33He's hitting on me.
00:13:35Dude!
00:13:36I was not...
00:13:37I wasn't hitting on you.
00:13:38He thinks I need local representation, which I do.
00:13:41Yeah, you think it's okay to just walk up and start talking to my daughter about business
00:13:45behind my back?
00:13:46No.
00:13:47I...
00:13:48She talked to me, really.
00:13:49She...
00:13:50I recognize you.
00:13:52You almost cost her the damn job back then.
00:13:54You did not.
00:13:55Just ignore him.
00:13:56Who's talking to you?
00:13:57Am I talking to you?
00:14:00You stay away from her.
00:14:02You understand?
00:14:03Yeah.
00:14:04Come on.
00:14:06Later.
00:14:09I was only saying, sir, that your daughter's very talented and, you know, with an agent
00:14:18in town, one who was a child actor himself, in such...
00:14:21Hey, bro.
00:14:22Are you deaf?
00:14:23I said, leave her alone.
00:14:25Okay.
00:14:26Okay.
00:14:27Okay.
00:14:28Sorry.
00:14:29Stop.
00:14:30Ouch.
00:14:31Ignore him.
00:14:32He's got issues.
00:14:33Do not have issues.
00:14:34Stop saying that.
00:14:35What?
00:14:36What?
00:14:37He is?
00:14:38Fine.
00:14:39Put his ass on the line.
00:14:40Hello, Aldo.
00:14:41You...
00:14:42I'll hold it.
00:14:43Hello, Aldo.
00:14:44You skeevy...
00:14:45Hello?
00:14:46Hello, Aldo.
00:14:47You skeevy...
00:14:48Hello?
00:14:49Hello, Aldo.
00:14:50You skeevy...
00:14:51Hello?
00:14:52Hello, Aldo.
00:14:53You...
00:14:54Hold on.
00:14:55Hello, Aldo.
00:14:56You skeevy fucking dirtbag.
00:14:57Oh, that's much better.
00:14:58Now I can hear you.
00:14:59Hi, Howard.
00:15:00Listen to me, you Polack poacher.
00:15:01You're not getting away with this.
00:15:02Not this time.
00:15:03First of all, I'm Greek-Irish.
00:15:04And I don't steal your clients so much as you seem to constantly misplace them.
00:15:06You used Philip to push Tommy Lohan into the picture and make me look like a douche at
00:15:07the same time.
00:15:08I love your meds, Howard.
00:15:09You're getting paranoid.
00:15:10Oh, yeah?
00:15:11Then how do you happen to change his mind the minute my kid walked out of the room?
00:15:12Yeah.
00:15:13How do you happen to change his mind the minute my kid walked out of the room?
00:15:14Yeah.
00:15:15How do you happen to change his mind the minute my kid walked out of the room?
00:15:17Yeah.
00:15:18How do you happen to change his mind?
00:15:19This town moves fast, my friend.
00:15:20I only called because I felt really bad.
00:15:21What if I could nudge a Miss Amber Tuck back into your capable hands?
00:15:22Oh, no thanks, pal.
00:15:23I just saw Amber.
00:15:24She's got weird-looking breast buds and a momager from hell.
00:15:25Nope.
00:15:26I'm taking Philip back before you turn him into another Schuyler Sams.
00:15:27You never let that go, will you?
00:15:28Let it go, pal.
00:15:29Hey, he's a trickster.
00:15:30He's a trickster.
00:15:31He's a trickster.
00:15:32He's a trickster.
00:15:33He's a trickster.
00:15:34He's a trickster.
00:15:35He's a trickster.
00:15:36He's a trickster.
00:15:37He's a trickster.
00:15:38He's a trickster.
00:15:39He's a trickster.
00:15:40He's a trickster.
00:15:41He's a trickster.
00:15:42You never let that go, will you?
00:15:43Let it go, pal.
00:15:45Hey, is it true that you ran over Kayla Clobber's gerbil?
00:15:48He's in her backpack who keeps a gerbil in a god damn backpack.
00:15:51I hope you weren't thinking of doing something foolish.
00:15:53I follow another restraining order.
00:15:54You're gonna lose your license.
00:15:55Oh, please, you really think I'm that stupid.
00:15:56Would you be offended if I said yes?
00:15:57Oh, ow!
00:15:58Oh, ow!
00:15:59Oh!
00:16:00Oh, ow!
00:16:01Oh.
00:16:02Oh.
00:16:03Oh!
00:16:04Oh!
00:16:05Oh!
00:16:06Oh!
00:16:07Oh!
00:16:08Oh!
00:16:09Oh!
00:16:10Oh!
00:16:11Oh!
00:16:12Oh, I'm sorry.
00:16:18Rolf's a better bodyguard than a driver.
00:16:21How you doing?
00:16:22Rolf, huh?
00:16:23What happened to Trent? You guys broke up?
00:16:25Don't be ridiculous, Howard. I'm a happily married man.
00:16:28Yeah, so is Mr. Brady.
00:16:30Uh, hey, Mr. Stankus?
00:16:32Phil! Big man!
00:16:33Hey, Philip. What's going on? Remember me?
00:16:35Uh-uh.
00:16:36Hey, look what I got. I got something you might remember.
00:16:39Whoa, what's that? That's your game thing.
00:16:40Yeah, your mom told me about your game thing.
00:16:43That's a bummer.
00:16:44So you know what? I got the new Nintori Ultra Super Pad.
00:16:48Won't even be in stores for another month.
00:16:50Whoa, it's freaking awesome.
00:16:51Freaking awesome is right.
00:16:53You ever been in a Hummer?
00:16:54That just flipped me off. Did you just flip me off?
00:16:56Did you? Because that is not okay, pal.
00:16:58Hey, right here. Back at you.
00:17:00Yeah.
00:17:02Classy. Real classy.
00:17:03You know what? Kiss my ass.
00:17:04You and your boyfriend both, you go fucking me, cocksucker!
00:17:10Okay. Use your cell. She doesn't know that number.
00:17:27I can't. I meant the thing.
00:17:29It's closing night, and Pierce Brosnan's kid's playing the roach.
00:17:32I gotta go.
00:17:36Marcy!
00:17:36Hey!
00:17:40Hey!
00:17:41Yeah?
00:17:41Everything okay?
00:17:42Huh?
00:17:43Is that, you know, you have a little blood, I think?
00:17:45Oh.
00:17:46Oh, yeah, there was a...
00:17:48What are you doing here?
00:17:49Oh, there's a kid I'm looking at.
00:17:52Wow, that's a nice car. Is that new?
00:17:54No. I mean, it's a demo.
00:17:57I sell them.
00:17:58Oh.
00:18:00But I thought you were a singer.
00:18:01Oh, well, I was, but, you know, the gig stopped rolling in and got a paper bill.
00:18:06But you've got such a beautiful voice.
00:18:09You sing in the shower.
00:18:11You can hear it in the courtyard.
00:18:13Ask anybody.
00:18:16So, are you guys into this?
00:18:18Acting and stuff?
00:18:20Uh, no, but I like the book.
00:18:22Oh, yeah, me too.
00:18:22We, you know, Ben goes here now.
00:18:25Really?
00:18:25Cool.
00:18:27Yeah.
00:18:27That was...
00:18:28Hurry up, though, because it's going to start.
00:18:31Okay.
00:18:31You know, I've been thinking, I really want to take you guys out, just to say thanks for
00:18:36all the packages and the watering of plants and stuff.
00:18:39You don't have to do that.
00:18:40No, I want to.
00:18:41In fact, what are you doing Saturday?
00:18:43Ben is with his, with his dad this weekend.
00:18:46Oh, okay.
00:18:48Well, then, I could just take you.
00:18:53Come on.
00:18:54How bad can it be?
00:18:55All you got to do is have a great meal with a guy who happens to think you're one of the
00:18:59most beautiful women he's ever met.
00:19:02Howard.
00:19:03It's true.
00:19:04Look, I know I'm not your usual kind of guy or something, but I see you out there and
00:19:12the way you are with him, and I just, I think you're amazing.
00:19:16Can I say that?
00:19:17Is that weird?
00:19:18It's nice.
00:19:20So, what do you say?
00:19:21It's a terrible idea.
00:19:26We live in the same complex.
00:19:28Which means I'm absolutely going to behave myself.
00:19:30Or you won't have far to go when you start stalking me.
00:19:34I've been stalking you for a year and a half, and so far you haven't even noticed.
00:19:40It's a joke.
00:19:40Oh.
00:19:42What is this?
00:19:43This is not a cookie.
00:19:44I think the play's starting.
00:19:46Oh.
00:19:46Okay, I'm going to get my ticket.
00:19:47Hi, I'll take one ticket.
00:19:50Can I sit with my friends?
00:19:51Oh, I'm sorry.
00:19:52It's closing night.
00:19:53We're completely sold out, so.
00:19:55I'm Howard Holloway of the Howard Holloway Agency.
00:19:58Why didn't you say so?
00:20:00Well, in that case, it's closing night, and we're completely sold out.
00:20:04Um, I was invited to this performance by one of the lead actors for the purposes of possible
00:20:09representation, Brian Brosnan.
00:20:12It's Ryan Brosnan, and I don't care if you were invited by Franz Kafka himself.
00:20:18I don't have any more tickets.
00:20:21Okay, I don't know who that is, but...
00:20:23Sandy, it's Marcy.
00:20:25Marcy Watkins, Ben's mom.
00:20:27Oh, hey, hey, Marcy.
00:20:29You know, I just talked to Jeannie Kim, and Georgia has pink eyes, so they're not coming.
00:20:33Is there any chance I can just grab those tickets for my friend here?
00:20:36Well, you know, I'm not supposed to.
00:20:37I know.
00:20:38Hey, what the hey?
00:20:39There you go.
00:20:44So, I gotta take this.
00:20:47Here, I'll save you a seat.
00:20:49Okay, thanks.
00:20:50Yeah, I mean, the rosin kid, I hear he's amazing.
00:20:54Mm-hmm.
00:20:58Howard Holloway?
00:20:59Hello?
00:21:00Hello?
00:21:02God damn it.
00:21:04Howard Holloway?
00:21:06Lydia?
00:21:07How'd you get this number?
00:21:08Listen, Lydia, I'm really psyched you called, but I'm just walking into a screening.
00:21:14Okay, your dad was very clear with me before.
00:21:17Big deal how?
00:21:18No, no.
00:21:19I gotta go, okay?
00:21:22Who said he needed to hear back from you tonight?
00:21:26Was it Mr. Ang Lee?
00:21:30Yeah, that's somebody.
00:21:35Chelsea Charles dropped out today.
00:21:37They said because she had mono, but I heard that she threw up the teen choice words because
00:21:40maybe she's pregnant.
00:21:42I heard that too.
00:21:42Isn't she like 14 years old?
00:21:44And Meg's casting this one too, and she showed the tape where you busted into Mr. Ang Lee,
00:21:48and he freaked out.
00:21:50So he called Daddy's cell, but he was on the toilet.
00:21:52Hey!
00:21:53Oh, I'm sorry, you weren't?
00:21:55So he called, and I answered, and he said I was like a young Joanie Foster.
00:21:59Joanie, yeah?
00:22:00And then he asked who my agent was, and I told him it was you.
00:22:03I hope you're not mad.
00:22:05Mad?
00:22:05No, I'm, no, no.
00:22:07You did the absolutely right thing.
00:22:10And did, did Mark get you the, who, who got you the, uh, appointment for the thing today?
00:22:16What did Mark ever got me was a couple commercials and that stupid kidney crap.
00:22:20I got a freaking scumbag.
00:22:24Hold on, I think this, okay, that's, yeah, that's gotta be, that's, that's.
00:22:32Meg?
00:22:34Hi.
00:22:36Yes, I have.
00:22:36In fact, I'm with her right now.
00:22:39Meg says hi.
00:22:41And hi to you too, Ray.
00:22:42Can't wait to meet you.
00:22:43Tell her.
00:22:44What's up?
00:22:45He says, what's up, Meg?
00:22:48Please, Meg, no, it's okay, it's forgotten.
00:22:52No, please, yeah, I'd love to hear.
00:22:57Oh, fuck.
00:22:58I'm sorry.
00:22:59I'm so sorry, I'm sorry.
00:23:01No, go ahead.
00:23:02Yeah.
00:23:03And the, no, talk about the money.
00:23:05Well, no, that's a nice place to start.
00:23:11How much?
00:23:12But, of, of course, she's not gonna do it for that.
00:23:15Well, you better go back to them, Meg, or it's gonna be a very long night.
00:23:19Um, I'm sorry, Meg.
00:23:22You know, our entrees just arrived.
00:23:24Is that how you like it, sweetie?
00:23:25It's perfect, Howard.
00:23:25Oh, good.
00:23:26So, we'll see what you can do.
00:23:30Okay, bye-bye.
00:23:33Excuse me.
00:23:34Excuse me, miss.
00:23:35Can I have a vodka rocks?
00:23:38Make it a double, please?
00:23:39And my friend Ray?
00:23:41Want another bourbon?
00:23:43Oh, Meg, it too.
00:23:44Same with those pretty legs you trim.
00:23:46Yeah.
00:23:46Wow.
00:23:48Well, what'd she say?
00:23:53They want her at the studio tomorrow for a chemistry read with Sir Ben.
00:24:00Kingsley.
00:24:02Gandhi.
00:24:04Why in the hell would a 13-year-old girl need to have chemistry with some old Indian fucker?
00:24:08He's English, Ray, and it's not like that.
00:24:10They just want to see how they act together.
00:24:13Turns out it's a franchise.
00:24:14Like Harry Potter, right?
00:24:15Exactly.
00:24:16Like Harry Potter, Agnes Dieter is producing.
00:24:19Ang's directing the first two himself.
00:24:21They're announcing it Friday when they introduce their new Sophia at Grumman's Chinese Theater.
00:24:26And since they start in two days and their sequel's involved, they want a three-picture deal signed before she walks in the room tomorrow.
00:24:36Well, that doesn't suck.
00:24:37No, it doesn't suck.
00:24:39And what was the offer?
00:24:4175.
00:24:42With a small bump on the next two pictures.
00:24:44But like I said, it's nothing.
00:24:45It's they know we're going to pass.
00:24:47Are you telling me that you just hung up on a lady who offered us a quarter of a million dollars?
00:24:52For three movies, Ray.
00:24:54But there's no guarantee they'll ever make the other two.
00:24:57You wait your whole life for a setup like this, and still it never happens.
00:25:01It's a royal flush.
00:25:04How do you know?
00:25:06Because I've been doing this since I was six.
00:25:09Yeah, but this?
00:25:10You ever done this before?
00:25:12Because it sure don't look like it.
00:25:14Let's start.
00:25:15I'm talking business now, baby.
00:25:17Keep quiet.
00:25:17Why?
00:25:18Because you're Trump all of a sudden?
00:25:20He started a topless car wash with my money.
00:25:22How much did we lose on that one, Dad?
00:25:24I said, shut up.
00:25:25You shut up.
00:25:25You shut up.
00:25:33Thanks.
00:25:33If this thing's as big as you say it is, then maybe we ought to get somebody in there that's been there before.
00:25:42Like, what's that guy's name?
00:25:43Stinkus?
00:25:44Okay, okay.
00:25:45I get it.
00:25:46You don't know me.
00:25:47I don't know you.
00:25:48But nobody can take care of her like I can.
00:25:50Nobody.
00:25:52Because I've been where she is.
00:25:55And I know what she needs.
00:25:58There's a reason we found each other.
00:25:59I'm just asking for a chance to prove that to you.
00:26:05Dad, I...
00:26:05How much do you take?
00:26:10Ten percent.
00:26:12That's an awful lot of money for two days of work.
00:26:15When she books this, my job is just beginning.
00:26:21We'll give you seven.
00:26:22But that's not fair.
00:26:24Baby, please.
00:26:25You need to let me do my thing here.
00:26:29That's the offer, Howard.
00:26:33Take it or leave it.
00:26:35Ten is fair, Ray.
00:26:36I deserve ten percent.
00:26:40I understand.
00:26:42Let's go.
00:26:49Your mama's gone.
00:26:51We're doing things my way now.
00:26:52I hope this isn't at Paramount, because he's banned from the lot.
00:26:55Last chance, Howard.
00:26:59You in or you're out.
00:27:01We're signing with Howard, or I'm not going tomorrow.
00:27:06Come on.
00:27:12What's going on here?
00:27:14Are you all right?
00:27:17I think so.
00:27:19Could you just give us a minute?
00:27:21All right.
00:27:21Please, take your seats.
00:27:23Take your seats.
00:27:25If that's your rate, Howard, then I guess that's your rate.
00:27:46I was just trying to make sure that the man that is representing us is sitting on a parrot.
00:27:52You understand.
00:27:53A courier will be waiting when you get back.
00:27:59Get to know the scene, but make sure you get some sleep, okay?
00:28:01Good night, Howard.
00:28:02Shoot me a text when you close it.
00:28:04I will.
00:28:05Any questions, any problems, anything at all, call me.
00:28:07Anytime.
00:28:08Doesn't matter.
00:28:08How's your day now?
00:28:10It doesn't suck.
00:28:10I can't believe what I'm hearing.
00:28:18I mean, it's like so comical.
00:28:20I mean, what happened?
00:28:21The eighth time you've done this to him?
00:28:23I mean, never mind me.
00:28:24Never mind you.
00:28:25Well, you can tell her your dick will still be there in the morning.
00:28:27You can drop them off then.
00:28:28Hi.
00:28:29Is it your goddamn business?
00:28:30Who it is?
00:28:31Fine.
00:28:32It's my new boyfriend.
00:28:32He's going to give it to me real good.
00:28:35Hello?
00:28:39Hi.
00:28:40Everything okay?
00:28:42Just my jackass ex-husband acting like a jackass.
00:28:45How was the play?
00:28:46I seriously wanted to slit my wrists with the program.
00:28:49How was the Roach Kid?
00:28:50Brilliant.
00:28:51Johnny Depp with Peach Fuzz.
00:28:53I heard he got signed in the dressing room.
00:28:55Seriously?
00:28:56No.
00:28:57Kid's voice was like a cat getting sawed in half.
00:29:00You know, he was kind of cute, and he wasn't that fat, so I got his number for you.
00:29:10Thanks.
00:29:12Where's Ben?
00:29:13He's with his dad.
00:29:14I picked him up a couple hours ago.
00:29:15Oh.
00:29:16For the first time in two months.
00:29:17Now he wants to bring him back because his stupid girlfriend just scored tickets for Coachella.
00:29:22She's 20.
00:29:23She's 20 years old.
00:29:24I have pennies that are older than she is.
00:29:27Sexy.
00:29:28Uh, so, when's he bringing him back?
00:29:30Oh, no, no.
00:29:31I said I had plans.
00:29:32Why?
00:29:33What are you doing?
00:29:34I'm just heading over to this strip club, uh, over in Culver City.
00:29:36They have an open poll night, so, um, I'm gonna give that a whirl.
00:29:40Really?
00:29:41Did...
00:29:42No, you're not.
00:29:43I'm not gonna do that.
00:29:47Oh, crap.
00:29:47You know what?
00:29:48You gotta get out of here.
00:29:49What?
00:29:49That's my ex-husband, and he's really super jealous.
00:29:52That's him?
00:29:54Howard Holloway?
00:29:54Yes?
00:29:56Secure a courier.
00:29:57I got a package here.
00:29:59That's not funny.
00:30:00I think it's so funny.
00:30:06Hi.
00:30:07ID.
00:30:08Oh.
00:30:08Oh.
00:30:15Hello?
00:30:17I was...
00:30:18Flashing.
00:30:18Flashing.
00:30:18Okay.
00:30:18No excuses.
00:30:21Okay.
00:30:22Now I need one of you.
00:30:24Flashing.
00:30:25I need you to sign, sir.
00:30:28Can I use that?
00:30:29Yeah.
00:30:29That's why it's attached.
00:30:30Okay.
00:30:31The script is watermarked.
00:30:42Okay.
00:30:42You are to make no copies.
00:30:44I want you to think about making a copy.
00:30:46Okay.
00:30:46You will bring this draft when you come to the studio tomorrow, or you will not be admitted.
00:30:50Do you understand?
00:30:51Yes, sir.
00:30:53Good.
00:30:54Awesome.
00:30:57Awesome.
00:31:02Jeez Louise, what's in there?
00:31:03Somebody's liver?
00:31:04It's the script.
00:31:05The becoming.
00:31:07Shut up.
00:31:08From the books?
00:31:09Yeah.
00:31:10You know?
00:31:10I love them.
00:31:11Ben and I read them together.
00:31:13Don't tell me she's reading for Sophia.
00:31:14Yeah.
00:31:15It's the lead.
00:31:16I know.
00:31:17Shut up.
00:31:17Kiss my ass.
00:31:19You should get in there and start.
00:31:21Oh, yeah.
00:31:21I probably should.
00:31:22Okay.
00:31:22I'll see ya.
00:31:24Actually, I was gonna have a glass of wine first, you know, to unwind.
00:31:29And I can see you need a refill.
00:31:32So, maybe you want to stop by for a, you know, for a nightcap?
00:31:37A nightcap?
00:31:38Just came out.
00:31:39Is Dean Martin gonna be there?
00:31:41It's never mind.
00:31:43Sure.
00:31:46You will?
00:31:48You're a nice guy, right?
00:31:50Tell me you're a nice guy.
00:31:52I am.
00:31:53I mean, I think I am.
00:31:55So, let's do this.
00:31:56Before I chicken out.
00:31:58One glass of wine, no funny stuff.
00:32:01No.
00:32:02All right.
00:32:09What?
00:32:10What am I doing?
00:32:12No, wait.
00:32:15No, I'm sorry.
00:32:16I'm just having a really tough time right now, and I don't want to do something that's
00:32:19going to make me want to kill myself later.
00:32:22That didn't come out exactly the way I meant it.
00:32:24It's okay.
00:32:26The first few years after my divorce, I was certifiable.
00:32:28When did you get divorced?
00:32:29It was a while ago.
00:32:31You were probably on a playdate.
00:32:33Anyway, I'm going to go inside now.
00:32:36You're welcome to join me for a glass of wine.
00:32:38But after that, I've got to work.
00:32:40So, if you kill yourself later, it's not going to be on my conscience.
00:32:44That's funny.
00:32:44Funny goes a long way with me.
00:32:47It's going to have to.
00:32:48How are you?
00:32:55How are you?
00:32:59Lydia?
00:33:00What are you doing here?
00:33:01Well, my dad went out, and I was getting kind of tweaked about bridging with Gandhi, and
00:33:05you said you'd help me.
00:33:07So, here I am.
00:33:08How did you get my address?
00:33:10You know you're listed, right?
00:33:13Hi, I'm Lydia.
00:33:14I'm Marcy.
00:33:16Wow, she's really pretty.
00:33:18You're really pretty.
00:33:20You're pretty, and I'm going to go now.
00:33:23Okay, can you wait inside?
00:33:24Coffee that.
00:33:27Hey, hey.
00:33:28Can I call you tomorrow?
00:33:35So, are you coming now, or in, like, a little bit?
00:33:37Inside.
00:33:40Sure.
00:33:56Oh, my God.
00:33:57Is this you?
00:33:58Look at all that hair.
00:34:00Shh.
00:34:03Is that your mom?
00:34:05Why does she look like that?
00:34:07She's disappointed in me.
00:34:09Why?
00:34:10Depends which picture you're looking at.
00:34:12Wow.
00:34:17So?
00:34:18Oh, my God.
00:34:18Yeah.
00:34:20It's kind of good, though, right?
00:34:22It's amazing.
00:34:24But, I mean, come on.
00:34:26Period vampire movie?
00:34:27How fresh.
00:34:28They're not really vampires.
00:34:30They're more like this lonely alien species living among us.
00:34:33Yeah, with fangs, who bite people.
00:34:36And the main vampire guy, Casteline, he's growing wings.
00:34:39They're not four wings yet.
00:34:41They've been here for centuries, waiting for the one who will trigger that final phase of their metamorphosis.
00:34:47Their what?
00:34:48Their, it's a change.
00:34:49So you really liked it, huh?
00:34:51Oh, my God.
00:34:52Oh, my God.
00:34:53It's amazing.
00:34:55And Lydia, her mother, she sells her to them like a piece of meat.
00:34:59Everybody she loves betrays her, and then it's her.
00:35:03She's the one.
00:35:04Yeah.
00:35:04She's the one who becomes this magnificent new creature.
00:35:08Are you going to start crying?
00:35:09No.
00:35:10God, no.
00:35:11It's just, I found it kind of moving is all.
00:35:13Oh, my God.
00:35:13No wonder Aang freaked out.
00:35:14It's like they wrote it for you.
00:35:16Then how come I can't act it to save my life?
00:35:17I am a new thing, and this is my becoming.
00:35:23Who talks like that?
00:35:24It's a period piece.
00:35:25They'll teach you how to handle the language.
00:35:27Tomorrow, they just want to see you connect to it.
00:35:29Make it real.
00:35:29Yeah, no problem.
00:35:31I mean, just the other day when I was sucking the life force out of this kid at school.
00:35:33No, see, don't.
00:35:35Don't do that.
00:35:36Don't, don't distance yourself from her like that.
00:35:39She's just a kid.
00:35:41Like you.
00:35:43She's got nobody.
00:35:45He's the only person who's ever been kind to her,
00:35:47and then he shows up all bloody from fighting that other one.
00:35:50Terrence.
00:35:50Terrence, to protect her.
00:35:53He's dying, and, and he wants to feed on her one last time,
00:35:57but she refuses, so he turns to that other one, the new girl.
00:36:01Let's read it.
00:36:04Stop.
00:36:06You mustn't do this.
00:36:07Look, I know it's a little scary, but we've got to...
00:36:10Oh, that was good.
00:36:12That was good.
00:36:13Okay, um, uh, I understand your fear,
00:36:16but my wounds are deep.
00:36:18If she does not replenish me, I will die,
00:36:20and then who will be left to protect you?
00:36:21Protect me?
00:36:22Is that what you've done?
00:36:23She opens her lips to reveal long fangs.
00:36:25You swore you wouldn't with every breath.
00:36:27Okay, okay, I'm going to stop you.
00:36:29No, no, no, no, no, no.
00:36:30It's good.
00:36:31It's a good start,
00:36:32but it's never really going to feel real
00:36:34until you make it feel real to you.
00:36:36You love this person,
00:36:37you trusted them with your life,
00:36:39and then they betrayed you
00:36:40in the worst possible way.
00:36:43Has anybody done anything like that to you?
00:36:46No.
00:36:48Are you sure?
00:36:50Okay, that's okay.
00:36:52Then you've got to go there,
00:36:54no matter how hard it is.
00:36:57So, this person,
00:36:59what if he or she...
00:37:01He.
00:37:02Okay?
00:37:03What if he was standing here right now?
00:37:05What if he...
00:37:06Shut up!
00:37:07Pratsy, do you ever shut the fuck up?
00:37:09Hey, don't touch me!
00:37:10Don't fucking touch me!
00:37:12I'm just a little kid for shit's sake.
00:37:14What the fuck is wrong with you?
00:37:15Okay, that was good.
00:37:17Give it to me.
00:37:18Huh?
00:37:19Give me the line.
00:37:21Um, oh, if...
00:37:22if she does not replenish me, I will die,
00:37:24and then who will be left to protect you?
00:37:25Protect me?
00:37:27Is that what you've done?
00:37:29Look at me.
00:37:31That's right.
00:37:33I've been turned.
00:37:35You swore you wouldn't,
00:37:37with every breath that came from your foul throat.
00:37:40Now you've transformed me
00:37:41into this vile, unholy thing,
00:37:44and I will die before I let you do the same to her.
00:37:49You say that now,
00:37:51but soon you will thank me for what I've done.
00:37:53Will I?
00:37:54Yes.
00:37:55I think you will.
00:37:58What are you doing?
00:37:59You'll destroy us both.
00:38:00And so be it.
00:38:01What kind of creature are you?
00:38:20I am a new thing.
00:38:24And this is my becoming.
00:38:30Was that okay?
00:38:32Um, yeah.
00:38:34Yeah, it was.
00:38:35Should we do it again?
00:38:37No.
00:38:37No, I think we're good.
00:38:38Um, do you, is there anything you want to talk about?
00:38:48Like what?
00:38:49I don't know, just...
00:38:50Actually, I'm getting kind of tired.
00:38:53Oh, God, yeah, of course you are.
00:38:55Here, lie down.
00:38:57Lie down.
00:38:57Um...
00:38:58Wait, what about your dad?
00:39:04Isn't he going to wonder where you are?
00:39:06Yeah, I'm sure he's so worried he can barely drink.
00:39:09I left him a note.
00:39:10Okay.
00:39:14Okay.
00:39:14Okay.
00:39:18Okay.
00:39:19You get some sleep.
00:39:20If you need me, I'll be right in the next room.
00:39:22Okay?
00:39:24Hey, Howard?
00:39:27Yeah.
00:39:29I know I only met you this morning,
00:39:31but I think anybody who would leave you
00:39:33is a big-time dumbass.
00:39:35Thanks.
00:39:38Thanks.
00:39:49Hey, what's going on?
00:39:51Where is she?
00:39:54She's sleeping, Ray.
00:39:56It's quarter to four.
00:39:57Wake her up.
00:39:59You sure you're okay to drive?
00:40:01Hey, man, it's my kid.
00:40:03If I say wake her up, go get her.
00:40:06Okay.
00:40:08Yeah, that's locked now.
00:40:11Here's the thing.
00:40:12You're loaded.
00:40:13She's not getting in that truck unless I'm driving.
00:40:16That's the deal.
00:40:16You want to hit me?
00:40:17Go ahead.
00:40:21She got Allie.
00:40:24You're a regular badass.
00:40:28Come on.
00:40:28We'll do it, you're right.
00:40:32Hey, I thought you were going to text me
00:40:34when you close the deal.
00:40:36It's not unusual on a thing like this
00:40:38to be working out the deals right until the last moment.
00:40:41What if the deal isn't closed and she's got to go in?
00:40:44They've already doubled what they came in with, right?
00:40:46But the thing is, she's amazing.
00:40:49When people see what she can do,
00:40:51there's going to be a feeding frenzy.
00:40:53That's good, right?
00:40:54At first.
00:40:56Then everybody starts pulling on her
00:40:57until there's nothing left.
00:40:59There's only one way to get her home safe
00:41:01when the ride's over,
00:41:02and that's by securing her future
00:41:04with some meaningful back end.
00:41:06You let me do my job,
00:41:07I'll have that for her on a piece of paper
00:41:09when she walks into that room tomorrow.
00:41:11You know, Howard,
00:41:12I'm almost starting to like you.
00:41:18Keith.
00:41:19Yes, sir.
00:41:21But you don't know me.
00:41:29Okay.
00:41:31I say that look
00:41:32like you think you have some idea
00:41:36of who I am
00:41:38or what she's been through,
00:41:42but you don't know shit.
00:41:43Shit.
00:41:49That's my baby in there.
00:41:52She talks tough.
00:41:54Deep down.
00:41:58She's just a little kid.
00:42:01That's why I'm going to do
00:42:02whatever I got to do
00:42:04to make sure
00:42:06she stays that way.
00:42:10So am I.
00:42:14I don't know what to tell you, Meg.
00:42:15The guy's not budging.
00:42:18Oh, that?
00:42:19Well, I mean, I'll be honest with you.
00:42:22We're at the airport.
00:42:23He's taking her home.
00:42:24I tried to talk him out of it,
00:42:25but you sure about that?
00:42:30Okay, hold on.
00:42:31I'm going to run it by him.
00:42:34How can I help you?
00:42:40Um, I'll have two coffees
00:42:43and what do kids usually get?
00:42:45Eggie riser.
00:42:46Eggie riser.
00:42:47Okay, I'll have one of those.
00:42:47And a chorizo burrito?
00:42:50$11.70.
00:42:51$11.70.
00:42:53Okay.
00:42:58Okay, Meg.
00:43:00I'm bringing him down there,
00:43:01but you guys get cute.
00:43:02He is going to walk out of there so fast
00:43:04it'll make your head spin.
00:43:05Oh, thank you.
00:43:11Thanks.
00:43:12Thanks.
00:43:33But, I mean,
00:43:34when did you get it?
00:43:37This morning, bro.
00:43:39The other one died,
00:43:40and I thought,
00:43:41what the hell?
00:43:42Pretty sweet, huh?
00:43:43Napkin.
00:43:44But I thought you were broke.
00:43:47You're going to close
00:43:47that big deal, right?
00:43:49Well, I don't anticipate
00:43:50any problems,
00:43:51but when there's this much
00:43:52on the line,
00:43:53anything can happen.
00:43:54So, if it starts to get weird,
00:43:55just go with whatever I do.
00:43:57Any division between us,
00:43:58that's going to cost you
00:43:58lots and lots of money.
00:44:00Now, remember,
00:44:01you're the loose cannon.
00:44:02You're pissed.
00:44:03If you don't get exactly
00:44:04what you want,
00:44:04you're going to storm
00:44:05out of there, right?
00:44:06I knew that.
00:44:07Okay, good.
00:44:08Oh, you got some ketchup?
00:44:10Oh, here we go.
00:44:11Miss your teeth?
00:44:12Yeah.
00:44:13Perfect.
00:44:14What the hell is going on?
00:44:17It's all afternoon.
00:44:19Have a seat, Ray.
00:44:19Hey, hey, hey.
00:44:22Who's ready to sign
00:44:23some autographs?
00:44:25My little genius.
00:44:26Oh, big day.
00:44:29Howard, my new phone buddy.
00:44:31Yes, I am.
00:44:32Oh, okay.
00:44:34Ray, good to see you.
00:44:36Come on in.
00:44:37Follow me.
00:44:37Hey, let's go.
00:44:38Let's go get this.
00:44:39Madness is very excited
00:44:40to meet you.
00:44:41She is?
00:44:42Yes, she is.
00:44:43I am so sorry
00:44:45to keep you waiting.
00:44:46I was on a Skype
00:44:47with Helen Mirren,
00:44:49hey,
00:44:50who will be playing
00:44:50your mother, by the way,
00:44:51but you didn't hear
00:44:52that from me.
00:44:53No way.
00:44:53So, listen,
00:44:54Ang has got to jet up
00:44:55to ILM to look at your wings,
00:44:57so we need to get started.
00:44:58How do you feel, sweetheart?
00:44:59You ready?
00:44:59Yeah, yes, sir.
00:45:00Great.
00:45:01Let's get the paperwork
00:45:02out of the way
00:45:02and then we can get going.
00:45:10Looks good.
00:45:11Anybody get a pen?
00:45:12So, whoa, whoa, whoa,
00:45:13whoa, whoa, whoa, whoa.
00:45:15Just got to take up.
00:45:17Quick.
00:45:22Oh, yeah, no, see,
00:45:24that's a problem.
00:45:24That's...
00:45:26This is adjusted gross.
00:45:27What's that?
00:45:28That's how you say
00:45:29bend over in producer.
00:45:30Howard, listen to me.
00:45:32Ray, we all want her to do this.
00:45:34The studio is never going to give her
00:45:36what you're asking for.
00:45:37Never.
00:45:38Then I'm sorry, but
00:45:39we have to go.
00:45:42Really?
00:45:44I'm afraid so, sweetie.
00:45:52If I could do this for her,
00:45:54I would,
00:45:55but nobody ever gets this
00:45:56on their first movie.
00:45:58Nobody.
00:46:01Ray?
00:46:01I thought I was pretty
00:46:14goddamn clear
00:46:15about where I stood
00:46:16on this, Howard.
00:46:17You were, Ray.
00:46:18If you had a set of nuts,
00:46:20you and me
00:46:20would be stepping outside
00:46:22right about now.
00:46:23Now, wait a minute.
00:46:24Come on.
00:46:24Hey?
00:46:28Oh, my God.
00:46:29That was amazing.
00:46:30Wasn't he amazing?
00:46:31You were freaking amazing, Ray.
00:46:33Now, I need you to hit that button
00:46:35so they know we're for real.
00:46:38Gotta do it, Ray.
00:46:40Okay, I'll do it.
00:46:41You hit that button
00:46:42and I am definitely
00:46:42breaking your hand.
00:46:44What's going on, Dad?
00:46:45Oh, Howard is trying
00:46:48to blow this for you, baby.
00:46:49Nobody's blowing anything.
00:46:50I just need you to stick with me
00:46:51for a few more minutes.
00:46:53It's a lead, Howard.
00:46:54I know it is, sweetie.
00:46:56It's three of them.
00:46:57So we need to make sure
00:46:58you get paid more than
00:46:59they make off your
00:47:00action figure the first weekend.
00:47:01What if you're wrong, huh?
00:47:03Everything about that?
00:47:05We can get this.
00:47:06I know it.
00:47:07Do it.
00:47:08And we're going back in there
00:47:09without your heart.
00:47:14Fine.
00:47:15But if they had a star
00:47:16who could do this,
00:47:16they'd have hired her by now.
00:47:18So you fold here,
00:47:19you'll spend the rest of your life
00:47:20watching T-shirts go by
00:47:21from the movie
00:47:22you got screwed on.
00:47:23So I'd say it's worth
00:47:24another 30 seconds
00:47:25of your time
00:47:25to play this out.
00:47:27Kill it, baby.
00:47:29One, two...
00:47:43I need you to walk
00:47:44into the elevator now, Ray.
00:47:50Lid.
00:47:5437, 28, 29, 30.
00:47:58Sorry, Howard.
00:47:59Guys.
00:48:00Guys, guys, this is crazy.
00:48:02Come on out of there.
00:48:04This guy, Mr. Clank Clank,
00:48:06okay, I'll go your two points.
00:48:09With the successive
00:48:10one-point bump?
00:48:12With the bump?
00:48:13Now come inside, please.
00:48:14We got a movie to make, people.
00:48:16Come on.
00:48:16Yeah, we do.
00:48:16Come on.
00:48:20Help!
00:48:29Dieter Films.
00:48:31Um, yes, he is.
00:48:34Howard.
00:48:35It's for you.
00:48:37Me?
00:48:37Yeah.
00:48:38Who is it?
00:48:40They didn't say.
00:48:42Okay.
00:48:43Uh, there's an empty office,
00:48:45second one on the right.
00:48:46You can take it in there.
00:48:47Oh, okay.
00:48:48Uh, wait here.
00:48:51I'll be right back.
00:48:56This is Howard.
00:48:57Hey, Howard.
00:48:58What up, stink-ass?
00:48:59Looks like you finally
00:49:00hooked a big one.
00:49:01How would you like to come on
00:49:03as junior partner here
00:49:05at the Stank's Group?
00:49:06Junior partner, huh?
00:49:08Wow.
00:49:09That's tempting.
00:49:11It'd be nice to see
00:49:12all my old clients again,
00:49:13and I truly enjoy watching
00:49:15you try to steal Lydia
00:49:16all day long.
00:49:17But all the same,
00:49:19I'm gonna have to say
00:49:20no thanks, Stankis,
00:49:22you backstabbing ass bandit.
00:49:24Really?
00:49:24Ray?
00:49:50Ray?
00:49:50Ray?
00:49:50get out of my way have a seat howard call security oh you scumbag you're in on this too
00:50:00try to calm down howard you guys should calm down yeah what are you gonna do okay that's enough
00:50:06you're right i'm sorry
00:50:08oh my god
00:50:16he's having a seizure get agnes
00:50:21howard no howard i got the port oh that's so great honey that's such great news you just missed
00:50:32ang and sir ben oh what's going on maldo wanted to meet lydia and ray thought it was a good idea
00:50:41so so that's where the truck came from huh ray we had a drink last night it was just there this
00:50:51morning when i woke up how about that howard nothing personal but lydia's a rare talent
00:51:00ray just wants to make sure that she's represented by somebody who can nurture that talent that's your
00:51:06pitch aldo the nurturer i wonder how teslip nikki would feel about that i guess we can ask her when
00:51:15she gets out of jail for stabbing her pimp he's making that up google it tell him about skylar
00:51:20sam's we're not talking about me well maybe we should be
00:51:25i signed her when she was seven
00:51:31at 14 she books a movie so aldo steals her i try to talk to her he gets a restraining order
00:51:39eight months later she hung herself tell him the rest
00:51:43when the movie tank skylar couldn't get arrested so she calls howard begs him to take her back
00:51:50but howard's new girl amber tuck says she'll walk if he does so howard hangs up on poor skylar
00:51:59a week later she was dead i've heard enough howard i'm sorry
00:52:05you don't deserve to be treated like this come on let's go wait just a goddamn minute
00:52:15give me the keys look baby i know you like hard hell i like him too but he can't protect you like
00:52:23aldo can give me the keys
00:52:27i'm sorry i missed your aldo my daddy means well but this is my decision and i'm happy with howard
00:52:40honey don't it was really great meeting you and i'm so excited about the movie but you have
00:52:46fittings and makeup tests all day i guess you better talk to my agent
00:52:53honey honey
00:52:55aldo will you excuse us you can't be serious
00:53:03mate you do this and i'm gonna pull a low-end kid out of play date
00:53:07do what you gotta do justin will validate your parking
00:53:11for this guy he's a fucking punchline
00:53:17okay thick move my bad but we have two thousand screaming kids showing up at groman's chinese on
00:53:32friday night to meet our new sophia so what do you say howard we're all grown-ups here what's it
00:53:38gonna take to put this behind us for starters i'd love a nice macchiato
00:53:45thanks mag
00:53:50co-associate producer it's crazy right i guess ang really liked my script notes
00:54:03which is oh it's uh you know we got a we got one of those big blenders i'm on a juice cleanse
00:54:09that's right it's because we're back baby as soon as we get a few checks in you're going
00:54:25back on full salary with a slight raise i'm thinking we'll talk where you going
00:54:30i got a i got a thing i gotta do it's like a quarter to four and you got like 300 messages
00:54:37see you later howard what thing howard
00:54:52that help you um hi yeah i'm i was uh looking for marcy marcy who uh she works here she's oh
00:55:09there she is she's right over there who are you i'm howard i'm her friend i'm a friend of hers
00:55:15she's working right now is that your car uh no it's not i saw you get out of it oh that one yeah
00:55:21that's mine you're looking to buy um i am actually yeah but i really came to talk to marcy you like her
00:55:30yeah sure i like her frankly you're not really her type
00:55:34why what's your time gangsters man stone cold killers come on really ignore him
00:55:43he's a child i don't know mars i think i saw him on that most wanted show thank you gary
00:55:52how'd it go what she got it oh my god
00:55:59i'm so happy for you we have to celebrate can you get me for dinner no yeah i can i'll pick you up at
00:56:05seven oh you'll you'll pick me up well because is that your car maybe it's time we get you something
00:56:11it's a little more appropriate for a man of your stature oh you sell a lot of these don't you do
00:56:17pretty well oh hold on i just this is lydia's dad he wants to go over the contracts with me so
00:56:25could i meet you at the place hot bluey seven sounds great yes
00:56:42you
00:56:43you
00:56:47you
00:56:49you
00:56:55Hello?
00:57:13Lydia?
00:57:15Ray?
00:57:25Lydia?
00:57:35Lydia?
00:57:41Lydia?
00:57:43Lydia?
00:57:47Lydia?
00:57:51I don't know.
00:58:21I don't know.
00:58:51I don't know.
00:58:52I don't know.
00:58:53I don't know.
00:58:54I don't know.
00:58:55I don't know.
00:58:56I don't know.
00:58:57I don't know.
00:58:58I don't know.
00:58:59I don't know.
00:59:00I don't know.
00:59:01I don't know.
00:59:02I don't know.
00:59:03I don't know.
00:59:04I don't know.
00:59:05I don't know.
00:59:06I don't know.
00:59:07I don't know.
00:59:08I don't know.
00:59:09I don't know.
00:59:10I don't know.
00:59:11I don't know.
00:59:12I don't know.
00:59:13I don't know.
00:59:14I don't know.
00:59:15I don't know.
00:59:16I don't know.
00:59:17I don't know.
00:59:18I got some contract stuff to go over with your dad.
00:59:20Hello, Howard.
00:59:21Do you have to do that?
00:59:22Oh, they need these signed before she starts tomorrow.
00:59:25Well, you drove all the way out here.
00:59:26And I got a text.
00:59:27Come on in.
00:59:28You want a beer?
00:59:29Lydia, get Howard a beer.
00:59:30No, thanks.
00:59:31That's okay.
00:59:32I'm good.
00:59:33This is the last one.
00:59:34You need to sign this.
00:59:37Listen, Howard, I'm really sorry about today.
00:59:39The whole thing with Aldo really got me turned around.
00:59:42You know what I mean?
00:59:43We're okay, though.
00:59:44Yeah.
00:59:45Okay.
00:59:46Okay.
00:59:47Cool.
00:59:48The car's picking up at five.
00:59:49Know your words?
00:59:50Yep.
00:59:51All right.
00:59:52You can watch the movie on pay-per-view.
00:59:53Lights out at nine.
00:59:54Yeah.
00:59:55Yeah.
00:59:56Yeah.
00:59:57Yeah.
00:59:58Yeah.
00:59:59Yeah.
01:00:00Yeah.
01:00:01Yeah.
01:00:02Yeah.
01:00:03Yeah.
01:00:04Yeah.
01:00:05Yeah.
01:00:06Yeah.
01:00:07Yeah.
01:00:08Yeah.
01:00:09Yeah.
01:00:10Yeah.
01:00:11Yeah.
01:00:12Yeah.
01:00:13Lights out at nine.
01:00:16See you in the morning, Howard.
01:00:21So, you must be pretty excited.
01:00:27For the first day of the really big movie that you're starring in?
01:00:32Yeah.
01:00:33I totally am.
01:00:35It goes on for months and months.
01:00:37Sometimes it starts to feel like a, almost like a new family.
01:00:41Cool.
01:00:42Okay.
01:00:43So, I'm gonna let you get some rest.
01:00:45I'll be there in the morning, of course, just to make sure everything goes smoothly.
01:00:50Oh.
01:00:51I almost forgot.
01:00:52I know it's tomorrow, but happy birthday.
01:00:55How did you know?
01:00:56I noticed it earlier when I was going over your contracts.
01:00:57Open it.
01:00:58Oh, Howard.
01:01:01It's beautiful.
01:01:02Oh, Howard.
01:01:03It's beautiful.
01:01:04Oh, Howard.
01:01:05It's beautiful.
01:01:06Oh, Howard.
01:01:07It's beautiful.
01:01:11Oh.
01:01:12Oh.
01:01:13Oh.
01:01:14Oh.
01:01:15Oh.
01:01:16Oh.
01:01:17Oh, Howard.
01:01:18It's beautiful.
01:01:19Oh.
01:01:20Oh.
01:01:21Oh.
01:01:22Oh.
01:01:23Oh.
01:01:24Oh, Howard.
01:01:25It's beautiful.
01:01:26Oh.
01:01:27Oh.
01:01:28Oh.
01:01:29Oh.
01:01:30Oh.
01:01:31Oh.
01:01:32Uh-oh.
01:01:49Oh, I have his friend Doug, and it does family law, so m-
01:01:56What?
01:01:59I never even saw him do anything.
01:02:02What if I imagined the whole thing?
01:02:04What if you didn't?
01:02:05She's 14.
01:02:07In California, that means she can't be emancipated
01:02:09without his permission,
01:02:10and there's no way he's gonna give that,
01:02:12not with all that money on the table.
01:02:14So we go to court.
01:02:15She loses the movies and the money
01:02:17that might buy her a way out.
01:02:19Do you really think you saw something?
01:02:22I don't know.
01:02:25Yeah, I do.
01:02:28You can't just leave her there, can you?
01:02:35Get dressed, you're coming with me.
01:02:37What? Why is it beyond?
01:02:38I won't let you spend another night here with that creep.
01:02:41Get your things together, we're leaving now.
01:02:43Howard, stop it, you're scaring me.
01:02:45I know what he's doing to you.
01:02:46He's not doing anything to me.
01:02:48You look me in the eyes, you tell me I imagined the whole thing.
01:02:51You do that, I'll walk out the door,
01:02:52we'll pretend this never happened.
01:02:55He never...
01:03:01Okay, okay, okay, okay, okay, okay.
01:03:10Are you out of your fucking mind?
01:03:12I know it's an inconvenience.
01:03:14An inconvenience?
01:03:16Yes, be... oh.
01:03:17You wanna shut down my $160 million movie
01:03:20so you can make some futile attempt
01:03:22to pull young Lydia out from under her horny dada?
01:03:25That's not an inconvenience, Harold.
01:03:27It's Howard.
01:03:28That's a goddamn shitstorm,
01:03:29but it's your shitstorm,
01:03:30so you do what you need to do,
01:03:32but you make this go away.
01:03:33You're so help me God, you don't wanna be you.
01:03:35I can't take her back there.
01:03:37Then let's call the cops.
01:03:38I got the commissioner on speed dial.
01:03:39No, she won't do that.
01:03:40She won't testify against him.
01:03:41Then take her home.
01:03:43Just for a minute, okay?
01:03:44For a few goddamn days.
01:03:45Just long enough until we get some film in the can,
01:03:47and then we'll hire her an assistant.
01:03:49Some pissed-off dyke with a big can of pepper spray.
01:03:52You want me to pretend I don't know what he's doing to her
01:03:54so the movie can start on time?
01:03:55Under the circumstances, I'm saying yes.
01:03:58You wanna play kamikaze?
01:03:59You do it on your own, Don.
01:04:00You wanna keep it down?
01:04:01I'm trying to sleep.
01:04:02Sleep in hell, you wrinkly fuck.
01:04:05Look, you wanna help her?
01:04:07Then do what it takes to really help her.
01:04:08You know as well as I do,
01:04:10if she walks onto that set tomorrow,
01:04:12he becomes 50 times harder to scrape loose.
01:04:14But she'll have a shitload of money,
01:04:16and she'll be doing what God put her on this earth to fucking do,
01:04:18and she's gonna need you, Howard.
01:04:20She's gonna need you watching her back 24-7.
01:04:24That's why I'm gonna bump you up to EP.
01:04:26You're bumping me up to?
01:04:28Executive producer of this movie,
01:04:30which comes with half a point,
01:04:31but fuck it.
01:04:32A full point.
01:04:33Oh, my God.
01:04:34Cause you need the clout.
01:04:36So what do you say, Howard?
01:04:37Don't you think she deserves a shot?
01:04:42Yeah, I do.
01:04:43So take her home.
01:04:45She'll thank you, believe me.
01:04:47Okay.
01:04:48Yeah.
01:04:49That's amazing.
01:04:50It's an amazing town.
01:04:54But I can't do it.
01:05:05This movie starts principle in seven hours.
01:05:07If your client isn't standing on her mark
01:05:09when my genius Chinaman yells action,
01:05:12I will fire her from the movie.
01:05:14And then I will spend the rest of my days
01:05:18turning your life into a torturous sea of flaming shit.
01:05:24It's okay, Howard.
01:05:25Aang said I was his only Sophia.
01:05:39He said he wouldn't do the movie without me.
01:05:40I know, honey, but it's a weird business.
01:05:54Sometimes people say something and they mean it,
01:05:56but then things happen and it's not something they can mean anymore.
01:06:00I just want you to feel sure you're making the right decision.
01:06:05Well, do you think I'm making the right decision?
01:06:09I do, yeah.
01:06:10But I'm worried about what could happen if we lose.
01:06:13We won't lose.
01:06:14I lose a lot.
01:06:17Are you trying to get rid of me?
01:06:19No.
01:06:20I promise.
01:06:21Maybe we should call your mom.
01:06:24No.
01:06:25Because I bet you...
01:06:26No.
01:06:27She knew and she left me there.
01:06:32So she's not really like the first person I call when I'm in trouble.
01:06:36You know what I mean?
01:06:38Yeah.
01:06:41I do.
01:06:43Okay.
01:06:46Good night.
01:06:49What?
01:06:50Can I have a hug?
01:07:01Yeah.
01:07:02I can do that.
01:07:03Sure.
01:07:08Um...
01:07:13Is there any chance you can get us an any earlier?
01:07:27No, no, no, no.
01:07:28Thank you, Doug.
01:07:30Okay, bye.
01:07:32Doug said the earliest he could get us a hearing would be Friday.
01:07:36Basically said, you're right.
01:07:39Without Ray's consent, you don't stand a chance.
01:07:41And not only that, but he could sue you for loss of income.
01:07:47I'm sorry.
01:07:49I did 11 movies by the time I was 15, but never a lead.
01:08:00And then one day, I got one.
01:08:04Surf camp with Jan Michael Vincent and Anissa Jones.
01:08:09From Family Affair?
01:08:10Yeah.
01:08:11She was the first girl I ever kissed.
01:08:17In a scene.
01:08:19Whole crew watching.
01:08:21Lost my virginity in her trailer the next night.
01:08:25Between her and the movie, I was so happy.
01:08:29I almost couldn't breathe.
01:08:31She took me to this party up in the hills.
01:08:33Everybody was on coke and lutes.
01:08:37I tried to get her to walk out with me, but she wouldn't go.
01:08:42So I left her there.
01:08:44When I got to work the next day, they told me she'd OD'd.
01:08:49The studio scrapped the picture.
01:08:51And nothing ever really happened for me.
01:08:55After that, this is 36 years ago.
01:09:01And I've spent that time wandering this place like some kind of ghost.
01:09:11Trying to find some way to get back there.
01:09:15To feel like that again.
01:09:18Like I'm somebody.
01:09:21And just now, in that room, I did.
01:09:31Hello, Ray.
01:09:41Ray, you are fucked.
01:09:43You are so fucked.
01:09:45Tell him how fucked he is.
01:09:46Very, very fucked.
01:09:47Do you think you're just gonna waltz in here and steal my little girl?
01:09:50Well, Pat here says you can't do that without my say-so.
01:09:53And I don't fucking give it.
01:09:55So I'm gonna go in there and I'm gonna get my daughter.
01:09:57And then I'm gonna sue you for damages and lost wages and emotional...
01:10:02Duress.
01:10:03Yeah, duress.
01:10:05And then I'm gonna file charges for kidnapping.
01:10:07And then, and this is my favorite part, I'm gonna find you in the parking lot.
01:10:12And I'm gonna beat you until you cry like a little fucking baby.
01:10:16Fine.
01:10:21But before we go in there, I think you might wanna hear what I have to say.
01:10:25In private.
01:10:26That's not gonna happen.
01:10:28Have it your way.
01:10:29But I think you'd rather hear it from me out here than from Lydia in there.
01:10:35Go inside.
01:10:36It's a mistake, Ray.
01:10:37I said go inside.
01:10:47What are you trying to pull now?
01:10:48Save it, you sick bastard.
01:10:49I know what you've been doing to her.
01:10:50And if it was up to me, they'd just cut your balls off in there.
01:10:53What are you talking about?
01:10:54But instead, you're gonna agree to everything we ask for or she's gonna get up on that stand.
01:10:58All right, hold on.
01:10:59And this is my favorite part.
01:11:00She's gonna break it down for that judge in her sweet little voice till you get the tables turned on.
01:11:04Wait, just a minute.
01:11:05Just a goddamn minute.
01:11:06Did she say that I...
01:11:09Yes, Ray.
01:11:10She did.
01:11:15Howard, I don't know what she's trying to do here, but she is lying.
01:11:17I never touched her.
01:11:18I saw...
01:11:19Oh, please.
01:11:21I was there.
01:11:22I saw.
01:11:23You saw what?
01:11:25What did you see?
01:11:26That's the deal, Ray.
01:11:27Take it or leave it.
01:11:31Okay, it wasn't me, all right?
01:11:34I swear to God.
01:11:35Get your hands off me.
01:11:41It was Mark.
01:11:43It was her coach.
01:11:48She told Nikki.
01:11:50She told her mom, but he was getting her jobs and so she just kept her goddamn mouth shut.
01:11:55Try that in there.
01:11:56I bet that goes real well for you.
01:11:58No, you gotta listen to me, Howard.
01:12:00It's okay.
01:12:01It's okay.
01:12:05She called me, crying, begging me to come and pick her up.
01:12:10But I was drunk and I didn't get the call.
01:12:14I messed up, man.
01:12:15I messed up bad, but I am trying to help her.
01:12:20But she has changed.
01:12:21You don't know what you are dealing with.
01:12:25Don't you see?
01:12:27She set this whole thing up.
01:12:30It's good stuff, Ray, but it's not gonna work this time.
01:12:33No.
01:12:34No.
01:12:35You said you got a text.
01:12:36Who sent it?
01:12:37Because it wasn't me, Howard.
01:12:38It wasn't.
01:12:39No, Howard.
01:12:40Please don't do this.
01:12:41Please help me.
01:12:42Okay.
01:12:43Okay.
01:12:44Okay.
01:12:45Okay.
01:12:50And you're sure about that?
01:12:53Uh-huh.
01:12:57And, but, and I know that she's absolutely free and clear.
01:13:05Okay.
01:13:07Thanks.
01:13:09What happened?
01:13:11It's not absolutely certain yet.
01:13:13Tell me.
01:13:17They recast the part.
01:13:20What?
01:13:21But Aang said I was his only Sophia.
01:13:23They gave it to Sydney Bieber.
01:13:26I guess she's a cousin or something.
01:13:28But it's only been three days.
01:13:30He promised me.
01:13:31I'm so sorry.
01:13:36They can't just do that.
01:13:37I know.
01:13:38I know.
01:13:39It's what I was afraid of.
01:13:40I guess Aang isn't even really that happy with her, but Agnes won't even take my calls.
01:13:47I know.
01:13:49I know.
01:13:50I know.
01:13:51I know.
01:13:52I know.
01:13:53I've been there, pal.
01:13:55I'm so sorry, sweetie.
01:13:56It's okay.
01:13:57It's okay.
01:13:58It's okay.
01:13:59It's okay.
01:14:00It's okay.
01:14:01It's okay.
01:14:02It's all gonna work out.
01:14:03I promise.
01:14:06Okay.
01:14:08Okay.
01:14:09Take a breath.
01:14:21Can I just have a minute?
01:14:24You sure?
01:14:25Yeah.
01:14:28Okay.
01:14:29I'm gonna jump in the shower.
01:14:31Marcie's coming over.
01:14:32We'll go get a burger or something, okay?
01:14:34Okay.
01:14:39Okay.
01:15:07Hi.
01:15:10How's she doing?
01:15:12I don't know.
01:15:13How'd she see?
01:15:14I don't know.
01:15:15She's not there.
01:15:34He checked out.
01:15:35Where the hell could he have taken her?
01:15:36It's been hours.
01:15:37They could be anywhere.
01:15:38Here.
01:15:41Shit, my phone died.
01:15:42Here.
01:15:44Where the hell you been?
01:15:45I've been trying to reach you for over an hour.
01:15:47Ray's gone.
01:15:48He checked out.
01:15:49Howard, listen.
01:15:50We gotta call the police.
01:15:51She ain't with Ray, okay?
01:15:52What?
01:15:53I made some calls.
01:15:54I made some calls.
01:15:55Sidney's off the movie, but that announcement thing is still happening.
01:16:02I need to go to Grumman's Chinese.
01:16:04Whoa, Howard.
01:16:05Hold on.
01:16:06We got all those great head shots into those new kids.
01:16:09I need to go there.
01:16:10Will you take me there?
01:16:11Please.
01:16:12Please.
01:16:13Please.
01:16:30Take the towel and around back.
01:16:32Just drop me off right here.
01:16:33Just drop me off right here.
01:16:34Let's just go home.
01:16:35No.
01:16:36No, I can't.
01:16:37I gotta make sure she's all right.
01:16:38I'm here.
01:16:40Great.
01:16:41Come on.
01:16:42Come on.
01:16:43Give her some room.
01:16:44Miss Deter, Miss Deter.
01:16:45Miss Deter, Miss Deter.
01:16:46Sh.
01:16:47Please.
01:16:48I need to get in there.
01:16:49I'm meeting my client.
01:16:51She's playing Sophia.
01:16:52I'm her agent.
01:16:53Right here, right here!
01:16:55Actress!
01:16:55Right here!
01:16:56Yes!
01:16:57Right here!
01:16:58Actress!
01:16:59Actress!
01:17:00Actress!
01:17:01Actress!
01:17:02Actress!
01:17:03Actress!
01:17:04Actress!
01:17:05Actress!
01:17:06Actress!
01:17:07Actress!
01:17:08Um, I need to get in there.
01:17:10I'm meeting my client.
01:17:11She's playing with Sofia.
01:17:12I'm her agent.
01:17:15Hold on.
01:17:17Veronica, where is it, kid?
01:17:20Uh, we got them waiting a block away.
01:17:21I'm not with the agent right now.
01:17:23Why?
01:17:24I'm staying.
01:17:25I'm right here.
01:17:26Hey!
01:17:27Hey!
01:17:36I only have a few minutes, so, uh, make it snappy.
01:17:40What are they gonna do?
01:17:42Start without me?
01:17:51See you later.
01:18:13Did you hear?
01:18:16What's going on?
01:18:33Seriously?
01:18:35What are you?
01:18:37A glutton for punishment?
01:18:39You just don't want to do this the nice way, do you?
01:18:42Leave him alone.
01:18:42We don't have time for this shit, sweetie.
01:18:47You're going to be calling us any minute.
01:18:49It's fine.
01:18:51He's harmless.
01:18:53We'll be there in a minute.
01:19:03It was you.
01:19:05You texted me.
01:19:07When Ray went nuts at Paramount, I knew I had to cut him loose.
01:19:11Nobody would touch it.
01:19:13And then you busted it on my audition and it gave me the idea.
01:19:17When I made that phone call, it just seemed like everything was meant to be.
01:19:21But why not just jump to Aldo when you had the chance?
01:19:24Because Aldo would never have done what you did.
01:19:28Oh.
01:19:29Oh, I'm so stupid.
01:19:30I wanted to stick, Howard.
01:19:33But hey, once in a lifetime, right?
01:19:35So Ray was telling the truth.
01:19:38It was Mark.
01:19:39I told my mom what he was doing.
01:19:41But I was making money.
01:19:44She didn't say shit.
01:19:45So one day, the group's trying to get my pants, and I finally call, right?
01:19:55But he's too wasted, so he just leaves me there.
01:19:59That's when I knew I was really on my own.
01:20:01I don't know what's true anymore.
01:20:10I know how you feel.
01:20:10You never learn, do you, pal?
01:20:35It's so sad.
01:21:05Oh, no, no, no, no.
01:21:05There she is right there.
01:21:07Another time, another time.
01:21:08Yeah, but that's my daughter.
01:21:09Lydia!
01:21:13My little girl.
01:21:14Tell him I'll go.
01:21:17Hey, Ray.
01:21:19Lydia!
01:21:25Ray, let it go.
01:21:26He will not.
01:21:29Stop, you're joking him!
01:21:35Oh, my God.
01:21:47It's okay.
01:21:48You're okay.
01:21:49What did you do?
01:22:05I'm sorry, Howard.
01:22:13I'm sorry.
01:22:18I'm sorry.
01:22:19I'm sorry.
01:22:20What happened?
01:22:23What happened?
01:22:24Did you ever know in some deep down place...
01:22:28Somebody get an ambulance!
01:22:29...that you were really something else?
01:22:32I want to stay with Howard!
01:22:33I want to stay with Howard!
01:22:35My scarper!
01:22:36And then, one day, you stripped away that filthy dead shell you'd been walking around in.
01:22:43And you were reborn...
01:22:45...as something new.
01:22:51Something more beautiful than anything you'd ever imagined.
01:22:55There's just a little while holding her...
01:23:11Oh, come on, man.
01:23:13No!
01:23:13It's….
01:23:14No!
01:23:16No!
01:23:17I don't know.
01:23:47I don't know.
01:24:17I don't know.
01:24:47I don't know.
01:25:17I don't know.
01:25:47I don't know.
01:26:17I don't know.
01:26:47I don't know.
01:27:17I don't know.
01:27:47I don't know.
01:28:17I don't know.
01:28:47I don't know.
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