00:00Mayasabha is a web series called Sonny Livy.
00:04My team is a director, Devakattagaru, Adhipini Shetty and Chaitanya Rao.
00:12What is the name of Mayasabha?
00:16Mayasabha is the name of Mayasabha?
00:20Sir, Mayasabha is the name of Mahabharata.
00:25The name of Mayasabha is the name of Mayasabha.
00:29If there is a story, he sees a teammate each and a tease.
00:33As it pretends it takes it.
00:36What's this great vision?
00:40When measabha is the name of God
00:44Once he was a makeup and an Stretcher where he had a Imbition,
00:49a approach, a maleHub todos
00:52If you see it like a play or a game, it is a very enjoyable race. Right?
01:08I will approach that respect to the characters. Whether it is that I can convey the process of any theme, any intent or emotion in the process,
01:22the characters are authentic, roots, and motives, and fictional reasons, and logic, we can relate to it.
01:33In the past, in the past, in the past, in the past, in the past, we can travel to the perspective.
01:43The characters also travel to my imagination.
01:46In the past, in the past, the characters will be a challenge faster.
01:51Exactly.
01:52Relatable.
01:55And also, approaching them with respect, with dignity, with giving them the deserving motives, whatever, from their situations.
02:07That is the writing process.
02:09If you start from vanilla, that is, somewhere I follow,
02:13and if you start talking about films, it is the same.
02:20So, it is the same.
02:21It is also the same process.
02:23Exactly, that is the same process.
02:25One particular emotion, it is closely bonded friends.
02:28They have different backgrounds, different problems,
02:32and they have different spirited people, or spirited people, natural born leadership skills.
02:39They have a dream vibe.
02:41They have a dream vibe.
02:42They have two or two rivals.
02:46They have rivals.
02:47They have the same emotions.
02:49They have the same complications.
02:51But, I could save it.
02:52But, we are exploring.
02:53We are trying to have a small family,
02:56and we are trying to have a small family,
02:57but I think,
02:58the four girls are also trying to have a small family.
02:59For example,
03:00two canh Mutterashtraas,
03:01one canh Mutterashtraas,
03:03one canh Mutterashtraa,
03:04one canh Mutterashtraa,
03:05one canh Mutterashtra.
03:06So, we have to talk about your family.
03:07So, we can see that the way,
03:09the sort of concept is that
03:10it should be born.
03:12So, we are almost like 6, 7, 8, 10 heroes.
03:17Heroes are not like their own motives.
03:22So, identity, existence, all these things.
03:26But primarily, primarily, we are looking at both heroes in the past.
03:32So, we are looking at multiple characters.
03:38Every character is one movie.
03:41Every character is one movie.
03:42Maha Vahartha is one movie.
03:44Krishna is one movie.
03:46One movie is one movie.
03:48One movie is one movie.
03:50One movie is one movie.
03:51So, believability is one character's background.
03:55Maha Vahartha is one movie.
03:57So, you have seen an incident.
04:00Yeah.
04:01One movie is one movie.
04:03Particular incident.
04:04Particular incident.
04:05Particular incident.
04:06So, that is,
04:07Andhra Pradesh's story,
04:10development,
04:11marches, development,
04:14right?
04:15Yeah.
04:16Mancho, chado,
04:17we are at that time.
04:18We are at that time.
04:19We are at that time.
04:20So, we are at that time.
04:21So, we are at that time.
04:23Yeah.
04:24We are at that time.
04:25So,
04:26What is the story that has been seen right now?
04:28What is the story that has been seen?
04:29That is not a story that is not a story.
04:31That is a story that has been seen.
04:32In fact,
04:34It is a glimpse of a little open.
04:37It has been a little bit.
04:38It has been a perspective,
04:39it has been a very fast-forwarding.
04:41It has been a very intense.
04:42It has been a very intense,
04:43but in this story,
04:44in 1975,
04:45in 1983,
04:46I started to start.
04:47I had the story that I had been mesmerized by Rajmooligari.
04:52in a bigger style, I will talk about it first.
04:56I will talk about it and then I will talk about it.
05:01I will talk about it very much.
05:03Especially when you deal with sensitive subjects,
05:07I will talk about the intent and the perspective,
05:13I will talk about it.
05:14It is the most memorable moment.
05:22I will talk about it.
05:24But you will talk about it.
05:26But you will talk about it in the time.
05:31If you have to answer the question,
05:33I will talk about it.
05:35I will talk about it.
05:37But when I talk about it,
05:40Opening two or three minutes,
05:42one of them is one of friends,
05:44and one of them is one of rivals.
05:46That is why one friend is in a crisis
05:48and an existential crisis.
05:50And one friend is in a crisis.
05:52You are in a situation where you are,
05:54and you are in a situation.
05:56You are saying that you are your own.
05:58But,
06:00you are knowing who you are.
06:02You are in a competition,
06:04you are in a semifinals.
06:06You are in a finals.
06:08But, one of them is one of them,
06:10and one of them is one of them,
06:12and one of them is one of them.
06:14That is very emotional.
06:16But again, you are in a situation,
06:18and you are in a situation,
06:20but you are in a match,
06:22and you are in a situation.
06:24First of all,
06:26it is very complex and interesting,
06:28and it is very traumatic.
06:30So, when you are in a small life,
06:32there are young lives,
06:34tender lives,
06:36simple and humble,
06:38start all life,
06:39and you are in a small life,
06:40and you are in a small life,
06:42and you are in a small life.
06:44One of them is one of them.
06:46One of them is the most important part.
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