Carnival Row Season 1 Episode 6

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Transcript

00:00I don't know.

00:30He took his liver, just like the first two.

00:36Now, where are we on them?

00:39Have you sorted out if they had any kind of relationship?

00:44No, sir.

00:48They didn't know each other.

00:51Been on the case from the start. He's got nothing.

00:57He's a good man, Marange.

01:00Never took so much as a stiver for the work he did for us.

01:04Saw it as his civic duty.

01:07True enough, sir, but with respect, there were rumours.

01:10Rumours?

01:12Word was that he saw it as his civic duty to do other jobs, too.

01:17Jobs most doctors wouldn't touch.

01:20Such as?

01:21Abortions, reconstructions.

01:24Convicts looking to have their brands removed, that sort of thing.

01:26And pigs looking to pass.

01:29Getting their ears bobbed, their wings sheared.

01:32Hands more often than they must have cared.

01:34Thank God.

01:35Well?

01:36Philo?

01:38Sir?

01:39I said it's your case.

01:41If there's a connection between the victims, then find it.

01:43Yes, sir.

01:44I said it's your case.

01:45If there's a connection between the victims, then find it.

01:46Yes, sir.

01:47I said it's your case.

01:48If there's a connection between the victims, then find it.

01:49Yes, sir.

01:50I said it's your case.

01:51If there's a connection between the victims, then find it.

01:56Yes, sir.

02:20I said it's your money for you.

02:21So...

02:26It's totally different to once.

02:28I said it's your truth.

02:30I said it.

02:32I said it exists.

02:33I said it's your sinful path that you would feel.

02:35I said the subject to inflammatoryatti andでしょう.

02:39If there's a connection between Crispy and Marianne,

02:41Jungianya and paraul colony.

03:12Morning, Father.

03:22Our tackers tack harder with longer being daughter at the helm.

03:26Clever.

03:27I'm not sure I know exactly what it means.

03:30It means she turned the tables on me.

03:32That's what it means.

03:35She hadn't been there to see it.

03:37You make too much of it, Father.

03:39Now you sound like your mother.

03:42Always trying to handle me like I'm a bottle with a bad cork that might pop off at any moment and take someone's eye out.

03:51You've always taken after her, even as a boy.

03:56The irony is, of course, that it's me she'd rather you took after.

04:01To that end, I thought I might come watch you in Parliament again today.

04:07There's no session today.

04:10Longerbane's body is lying in state.

04:13His daughter will be receiving condolences from his supporters.

04:18Really?

04:19I know.

04:21I needn't have allowed it, considering what he did to you.

04:25But remember one of the first rules of politics.

04:28Magnanimity in victory goes a long way towards disarming one's enemies.

04:36Very wise, Father.

04:42Seeing as I've little to do today, I thought I might go to the country.

04:46Perhaps we could go riding together.

04:48You well know I would greatly enjoy that, but I really should attend to my studies.

04:51Master Symes has been amassing an army of tutors on my behalf.

05:20I'm so sorry.

05:23I promise to do my best to carry forth my father's legacy.

05:30I pray so.

05:33He was the only man brave enough to tell the truth about what these critch are doing to our city.

05:40Never give up the faith.

05:43He stood for all of us.

05:44...

06:05Morning.

06:06Hello.

06:11Who's that?

06:14A gent from last night.

06:17Do them all, actually, seeing as the light's up.

06:21Is that strange?

06:23Not for you.

06:26He always looks grateful.

06:30Some of them are.

06:32Because you made them feel young again for the night,

06:34that they don't have to hate their own bodies.

06:37Some of them are just pigs, but I sketch them, too, all the same.

06:41For some reason, when you get their faces down on paper,

06:44they're easier to forget.

06:50More in there than I'd care to count.

06:55Maybe one day, when I've given up the life, I'll have a show.

06:59A whore's revenge, I'll call it.

07:04I missed you.

07:06Me, too.

07:10There's been another killing.

07:11Maybe there is a connection between the victims.

07:15Maybe there's not.

07:17Could be they were just unlucky enough to cross paths with whoever this maniac is.

07:20Sir, I tracked down a cabbie who drove Marange home last night.

07:24Says he picked him up on the road.

07:26What was he doing on the road?

07:28The driver couldn't say.

07:30Only that he picked him up outside a pig's brothel.

07:32Marange?

07:34Go check it out.

07:35Fucking case just gets uglier by the day.

07:36We'll crack it, sir.

07:37Just because Philo couldn't find a connection between the victims

07:38doesn't mean there isn't one.

07:40What was he doing on the road?

07:41What was he doing on the road?

07:42The driver couldn't say.

07:44Only that he picked him up outside a pig's brothel.

07:46Marange?

07:48Go check it out.

07:50Fucking case just gets uglier by the day.

07:54We'll crack it, sir.

07:56Just because Philo couldn't find a connection between the victims

08:00doesn't mean there isn't one.

08:01He's the one.

08:31a man who decided to drain the stripes in her head.

08:34Oh, wicked one, show us your ways.

08:36Our flesh deceives us.

08:37Show us your ways.

08:38We sinотри in darkness.

08:40Oh, wicked one.

08:41Show us your ways.

08:43Our flesh deceives us.

08:44Show us your ways.

08:47We sin пред in darkness.

08:49Show us your ways.

08:51O wicked one, show us your ways.

08:55Our flesh deceives us.

08:56Show us your ways.

08:59We sin through the darkness.

09:00This has just come for you from the dressmakers.

09:17I thought it's much.

09:20I've agreed to accompany Mr Agraeus to a charity auction at the museum this afternoon.

09:27It seems he aims to sell my humiliation with a gift.

09:32May it out, then let's see it.

09:48Suddenly spared no expense.

09:52The collar suits you well, too.

09:57What is it?

10:00Will you sit down?

10:03Ezra, you're scaring me.

10:07Do you remember Dr Marange?

10:10Father's friend.

10:12He's been killed.

10:15What happened?

10:17The same thing that happened to the headmaster the other day.

10:25Another murder.

10:27What is this city coming to?

10:29I wonder what Mr Finistrate can tell us about it.

10:32Has he come down?

10:34He's not here.

10:35He left just after midnight.

10:38One can hear all the comings and goings in this house.

10:41The walls are paper thin.

10:44They're saying it was someone from the constabulary was killed.

10:49I trust he's all right.

10:51Good day.

10:52Jeevo.

10:53Good day, Mr Grayson.

10:55A word, if you please, Mrs Fyfe.

10:59Of course, Mr Bagstock.

11:02Please be advised that unless this situation comes to an immediate stop, I will be vacating my room at month's end.

11:10I'm sorry, what situation?

11:12Oh, don't believe me for a fool, Mrs Fyfe.

11:14I'd long suspected something was afoot and last night I saw you leaving his room with my own eyes.

11:19An old widow parading about like some kind of harlot.

11:23I may be an old widow, but I am a grown woman in charge of my own life.

11:29Very well then.

11:31I expect my deposit returned expeditiously upon my departure.

11:40Mr Bagstock.

11:52Be out by the end of the day.

12:02If I might have a moment alone with my father.

12:04Of course.

12:05Everyone please leave.

12:07Miss Longerbane needs a moment alone.

12:10Not you, Janella.

12:14Unpin this.

12:16Terrible headache.

12:17Yes, Miss.

12:21God, it's a noose.

12:23Thought it would never end.

12:24There's so many of them.

12:25I'm so sorry for your loss.

12:29Thank you so much for your kind words.

12:33But always still while I unpin it.

12:35Oh, was I at all convincing?

12:37Asking for a moment alone was a nice touch.

12:40Hmm.

12:41Did you think so, father?

12:44Don't look like that.

12:46Who's there?

12:47Answer or I'll call the guards.

12:59Not Joan of Brakesphere.

13:00I'm sorry for the intrusion, Miss Longerbane.

13:01What are you doing here?

13:02I came only to pay my respects.

13:03To the man who kidnapped you.

13:04Liar.

13:05Said the girl who just cleared the room so she could pretend to grieve her father.

13:12Come closer.

13:13Is this close enough?

13:31Is this close enough?

13:42Suppose it was inevitable that our paths would cross sooner or later.

13:47I have to admit, you're not at all what I expected.

13:51What did you expect?

13:54Well, certainly not someone with such evident affection for their critch handmaid, for one thing.

13:59Given your performance in Parliament yesterday.

14:01Of course it was a performance.

14:05I don't like the word critch.

14:08Is that so?

14:10It's a good slur, as far as slurs go.

14:14But even so, as my father's daughter, that performance would have been one I would have been a fool not to give.

14:20And you are self-evidently no fool.

14:24Despite the rumours.

14:27Rumours?

14:27Well, for the reason your father's kept you sequestered away all these years is because you had a difficult birth and came into this world as simpleton.

14:37The birth was difficult.

14:39Cost my mother her life.

14:41And it made my father quite naturally overprotective of his only daughter.

14:44Well, whatever the reason, it sounds like you had a lonely childhood.

14:51I suppose it was.

14:54A little girl.

14:56No friends.

14:58But for the volumes in her library.

15:01No amusements.

15:02But for the litany of secrets drifting up from the smoky room down the hall.

15:08Where the most important men in the city whisper and plot.

15:12It's no wonder you learned to lie so convincingly.

15:19Learned how to discern lies.

15:22Such as?

15:23I know my father didn't kidnap you.

15:28Who else, if not my father's fiercest foe?

15:31Who can say for certain.

15:33Perhaps his dearest love.

15:35I haven't the foggiest idea of what you mean by that.

15:40Oh, I think you do.

15:43I think you knew before you even asked the question.

15:48My master Jonah.

15:50Is that fear in your pretty eyes?

15:55Are you scared of poor little Sophie Longerbane?

16:00Should I be?

16:03Perhaps.

16:05Perhaps not.

16:08We could be friends if we had a mind to.

16:11I suspect we have much in common.

16:14Oh?

16:15Two sole heirs.

16:17The city's two most important families.

16:22Overprotected.

16:25Chronically underestimated.

16:29There's only one difference I can see.

16:33What's that?

16:35I'm free of my parents.

16:41Good day, Master Jonah.

16:43Mr. Philistrate.

17:04Home for a bath and a change of clothes, I see.

17:10Let's make a real go of this.

17:25The two of us.

17:26You can give this room up.

17:30Keep it if you like.

17:32Stay upstairs with me.

17:33I'd like that.

17:37I think I wouldn't.

17:42But I don't think I can give you the things you want.

17:44You already have.

17:46More than you realize.

17:47You're still young.

17:48You can have a family.

17:49But not with me.

17:50You've said anything about that.

17:52We can work all that out, nature.

17:53But right now.

17:54I need you to listen to me.

17:55Please.

17:56The other day when you said I was hiding something, you were right.

17:59Tell me.

18:00Whatever it is, it won't matter.

18:02These murders, they're all connected.

18:25To me.

18:30You said one was your old headmaster, but the others?

18:35The doctor who was killed last night.

18:38I think it's because he's the one who did it to me.

18:45Did what?

18:46She brought me to him when I was a baby.

18:50The Fae.

18:52The singer.

18:55Yeah.

19:02She was...

19:07She was my mother.

19:13I didn't understand.

19:17What you're saying doesn't make any sense.

19:21I'm half a, Portia.

19:25I felt like my wings were short.

19:38If it's a joke, it's not funny.

19:41It's the truth.

19:44Now you know.

19:45Get out.

19:53Well, take your things and get out now.

19:57And it's...

19:58That's fine.

19:58Thank you, Neomah.

20:08Well...

20:08I think we've got the boat on.

20:10Yes, we can get a carriage there.

20:10Thank you, Neomah.

20:11Are you serious?

20:12Thank you, Neomah.

20:13Thank you, Neomah.

20:14All right, all right.

20:15препod.

20:16I think we can get it for seven.

20:16I think we can get it for seven now.

20:18Don't be jealous, Neomah.

20:19It snowman.

20:19Yes, we can get a carriage there.

20:20That's all new, sir.

20:21No, no.

20:22No, no.

20:22You're doing good bons.

20:23Thank you for killing me.

20:24All right, all right, all right, all right.

20:26We can get it for 7.

20:287.31.

20:29Again?

20:30It's my lucky number.

20:54All right, all right, all right.

21:24All right, all right.

21:54All right, all right.

22:24All right, all right.

22:54All right.

22:56All right.

23:06All right.

23:18All right.

23:30All right.

23:42I'll see you there.

23:54I love you.

23:56I'm going to seal the light.

23:58All right.

24:12All right.

24:14All right.

24:16All right.

24:18All right.

24:20All right.

24:22What are you doing there?

24:24All right.

24:26I just needed a place to think.

24:36All right.

24:38All right.

24:40All right.

24:42All right.

24:44All right.

24:45All right.

24:46All right.

24:48All right.

24:50All right.

24:52All right.

24:54All right.

24:56All right.

24:58All right.

25:00All right.

25:01All right.

25:02All right.

25:04All right.

25:06All right.

25:08All right.

25:10All right.

25:11All right.

25:12All right.

25:14All right.

25:16There's aqui all right.

25:17Apparently.

25:18All right.

25:19There is.

25:20All right.

25:21All right.

25:22So you have yours.

25:23All right.

25:24You can say the dots.

25:25All right.

25:31You have yours.

25:33You have yours.

25:34You took your eyes.

25:35Come.

25:36Things I do.

25:37You know.

25:38And no.

25:39I thought maybe she'd...

25:42What?

25:43She'd accept you for what you are?

25:45Make things better?

25:48What the fuck are you thinking, Philo?

25:50If this gets out, this could destroy you.

25:52She won't tell anyone.

25:54Well, she'd better not.

25:57You're the only reason they let me live.

26:01If anything happens to you...

26:04What the fuck's gonna happen to me?

26:09O hidden one, show us your face!

26:13Our flesh deceives us!

26:15Show us your face!

26:16We seek you in darkness!

26:18Show us your face!

26:20O hidden one, show us your face!

26:23O flesh deceives us!

26:25Show us your face!

26:27We seek you in darkness!

26:28Show us your face!

26:30Put the britain on their own selves?

26:32Or for some fake God?

26:34Hey, don't you strike now!

26:36That's our job!

26:37See?

26:38I can do it ten times better than you, eh?

26:42Oh, that's great!

26:44But punches aren't what you're interested in, is it, eh?

26:47You're fine with this, aren't you?

26:48No.

26:49All right, then?

26:54All is as the hidden one wills it.

26:57You ever know I'm doing it right, won't you?

27:00Like this?

27:01Watch and learn.

27:02This is the truth.

27:04They will never accept us.

27:07They will never understand us.

27:10We can make no peace with the ignorant.

27:14Oh, do something, Moira, before he hurts himself.

27:31Can I help you, lad?

27:32I've come from the constabulary.

27:33Oh, I can see that.

27:34About the matter of a certain gentleman.

27:35We have reason to believe visited these premises last night.

27:36Since deceased.

27:37You mean poor Morange, of course.

27:38I told the inspector who was here last night everything I know.

27:40What, Inspector?

27:41What?

27:42What?

27:43What?

27:44What?

27:45What?

27:46Do something, Moira, before he hurts himself.

27:48Can I help you, lad?

27:50I've come from the constabulary.

27:51Oh, I can see that.

27:53About the matter of a certain gentleman.

27:55We have reason to believe visited these premises last night.

27:59Since deceased.

28:00You mean poor Morange, of course.

28:03I told the inspector who was here last night everything I know.

28:08What, Inspector?

28:10Tyler was there last night.

28:12It's odd he didn't say anything.

28:14Probably just slipped his mind.

28:17He hasn't been himself.

28:19I think he took what happened at a boy's home.

28:21Harder than he let on.

28:23And was his headmaster, after all.

28:24Closest thing he ever had to a father.

28:26What I want to know is,

28:28why was he following after Morange in the first place?

28:31The night he was killed, no less.

28:34It is curious.

28:35I'll grant you that, Sergeant.

28:36Now, you've been with him since the start of this case, haven't you, Beric?

28:39Yes, sir.

28:40Is there anything else I should be made aware of?

28:45Well, out with it, man.

28:49It's to do with critch rumours.

28:52Beast they call a dark asher.

28:55Thing you raised from the dead to do your bidding.

28:59Even kill for you.

29:01Why no swears he's seen it.

29:05Right.

29:09There he is.

29:15Keep an eye on him.

29:17Understood?

29:18Any irregularities?

29:20Oi.

29:26If you could get this upstairs.

29:28Something happening, Inspector?

29:32I decided to find new accommodations.

29:34I used it to work.

29:36Remember that old fella?

29:39The one we met in the FaZe flat?

29:40Yeah, of course.

29:42Think I heard something about a show he's putting on.

29:45On the road.

29:47Want me to come with you, Inspector?

29:48No need.

29:49No need.

30:02Just a quick look before the crowds.

30:05It was found in the summer of 41,

30:08when our brave lads took Anun back from the pact

30:11and held it into that ostry.

30:13It was brought across the sea, timber by timber.

30:16Mind you, there are some naughty bits.

30:19What?

30:20What?

30:22Oh.

30:24Oh, my God.

30:28Look at this one.

30:30Stop it.

30:32They're not supposed to be in here.

30:35Get the fuck!

30:49Oh, man.

30:50Oh, man.

30:51Oh, man.

30:52Never mind.

30:53Oh, man.

30:54I'm going to walk.

30:55If you don't want a big surprise,

31:17I know who you are.

31:42What is it?

31:44What did you see?

31:47My death.

31:51No.

31:53Are you certain?

31:55I have felt it.

31:57Coming closer and closer.

32:00But surely if...

32:02If you saw what's to come, there must be some way to prevent it.

32:05My dear girl, did you learn nothing all those years sitting at my knee?

32:10Watching, listening.

32:12There is no cheating death.

32:14Especially when it's to come at the hand of a dark Asher.

32:22A dark Asher?

32:27Helmy?

32:29I didn't come here to talk about my fate.

32:32You wanted to know about Jonas.

32:33No. Your safety is what matters.

32:37You must stay here until the danger is past.

32:40Don't even try to say no.

32:41I know.

32:44Here he is.

32:46No, this happens.

32:47I know.

32:49Home.

32:57Modernatz.

32:58Ah!

32:59Ah!

33:00Ah!

33:01Ah!

33:02Ah!

33:03Ah!

33:04Ah!

33:05Ah!

33:06Ah!

33:07Ah!

33:08Ah!

33:09Sit down!

33:28Ah!

33:29Ah!

33:30Ah!

33:31Ah!

33:32Ah!

33:33Ah!

33:34Ah!

33:35Ah!

33:36Ah!

33:37Ah!

33:38Ah!

33:39Ah!

33:40Ah!

33:41Ah!

33:42Ah!

33:43Ah!

33:44Ah!

33:45Ah!

33:46Ah!

33:47Ah!

33:48Ah!

33:49Ah!

33:50Ah!

33:51Ah!

33:52Ah!

33:53Ah!

33:54Ah!

33:55Ah!

33:56Ah!

33:57Ah!

33:58I know this isn't easy for you, perhaps some champagne?

34:08Yes, please.

34:16Imogen.

34:18Louisa, please.

34:20Mr Agraeus, two days in a row now. This must be serious.

34:29Mr Agraeus, this is Leslie Boythorn.

34:34I must say I'm surprised to see you here, Imogen.

34:38Or did Ezra suddenly find his lost fortune?

34:44As I understand it, he's putting his money to work in the shipping trade.

34:47Do I have that right, Miss Fernrose?

34:51It's quite right.

34:53Admirable to see a man apply himself when he could so easily rest on his inherited good fortune.

35:00Leslie has his eye on the most striking and triumphant painting from Augustus Hope.

35:05The Rising.

35:06More than just an eye, Louisa did.

35:08I intend to purchase it.

35:10It's expected to fetch well north of a hundred thousand gilder.

35:14What was it about it that caught your eye?

35:17I'm curious.

35:19It's a masterwork.

35:21Everyone knows that.

35:23And at that price, if it doesn't match the drapes in your drawing room,

35:27I suppose you'll just have to get new drapes.

35:30Who is that?

35:32Shall we?

35:35Yes.

35:38She had sex with him in the carriage on the way here.

35:41How do you know that?

35:42We Puck have keen senses.

35:45I'm surprised they made it inside.

35:48That girl is so tightly wound.

35:50It's a miracle the fool didn't get stuck.

35:57Ladies and gentlemen, if you'll kindly take your seats.

36:01Go!

36:02Go!

36:03Go!

36:04Go!

36:05Go!

36:06Get back here!

36:08Get back here!

36:13Get back here!

36:38Did you not see what was happening?

36:40No, it doesn't matter anymore.

36:41They're gone.

36:43Who's gone?

36:45All of them.

36:47Leopold, Cassiopeia.

36:49Fike, Trady.

36:52They've all been deported by your lot.

36:57I'm sorry.

36:58I didn't know.

36:59Maybe it was for the best.

37:01At least I like to think so, because it's not much being an immigrant in the burg these days, but...

37:05I shall miss them, however infuriating they could be.

37:13Tell me, Inspector, did you keep your promise?

37:18Have you found justice for my Aisling?

37:21That's why I was looking for you as it happened.

37:24I'd like to know more.

37:26Listen, I've only just arrived in the burg and I know nothing about her recent life.

37:32It's her past that interests me.

37:35I've reason to believe that she did in fact have a child and that the circumstances of that child's birth may have had something to do with what got her killed.

37:49Her past.

37:55Well...

37:57It was in...

37:59Oort 6...

38:01Oort 7...

38:03When she was at the height of her fame.

38:07There was someone, someone she wouldn't talk about, but I had never seen her so happy.

38:12And then, one day something changed.

38:15She cancelled her standing engagement at the Abbey.

38:18She went away for some time, months in fact.

38:21And when she came back, she was changed.

38:23Sadder, somehow.

38:28And I always wondered...

38:30If she'd gone away to have a baby.

38:34That was my instinct. She never said. I never asked.

38:41She wrote her song about it.

38:43At least I like to think it was about a child that she'd given away.

38:47I'll fly for you, my child, my son, sweet dreams to you.

38:58Sweet dreams to you.

39:00My only one.

39:01You know it.

39:04If there was a child, where would she go to have the baby, do you know?

39:14She stayed with a benefactor in the crossing.

39:18A benefactor?

39:19Well, things were different in those days, Inspector.

39:23Friendships between their kind and ours were not so...

39:26impossible.

39:32You wouldn't happen to know the surname of this benefactor?

39:35How could I forget?

39:36He was the finest watchmaker in the burg.

39:42At the time.

39:44Good day to you, Inspector.

39:46Good day to you, Inspector.

40:05Next, an unparalleled work by Augustus Hope.

40:10The Rising was donated by Sir Elgany and Lady Tripplethorne.

40:14The floor is open.

40:20Bidding starts at 100,000 Gilda.

40:25100,000.

40:27Do I have 120?

40:30140.

40:33175.

40:38200,000.

40:39200,000 for Mr. Leslie Boythorne.

40:46A record, friends.

40:48Do I have...

40:50225?

40:52220?

40:54Anyone?

40:56For a priceless masterpiece?

40:58210?

40:59Well, then.

41:04200,000 Gilda.

41:07Going once.

41:09Going twice.

41:11300,000 Gilda.

41:17I'm sorry, but...

41:19Do you even have that sort of money?

41:21On hand, you mean?

41:23300,000 Gilda.

41:33Going once.

41:35Twice.

41:37Sold.

41:38Sold.

41:50Everyone's staring.

41:52Well, we could go if you'd like.

41:54No.

41:56No.

41:58I'm curious.

42:01Did you intend to purchase that painting today?

42:10Why did you then?

42:12Do you find it beautiful?

42:14Of course.

42:16Perhaps not 300,000 Gilda beautiful.

42:18I did it because I wanted to see his face.

42:24I wanted him to know that I could take it from him.

42:28Why?

42:30Because he took it for granted that it should be his.

42:35And what will you do with it?

42:37Hang it in my home.

42:39And then buy drapes to match it.

42:41You're not at all what I expected, Mr. Agraeus.

42:51Nor are you, Miss Spoonrose.

42:54Nor are you.

43:11If it's Inspector Philistrate you're looking for, he's no longer a tenant here.

43:23Well, I heard he was looking for a new place to let.

43:26That's why I'm here.

43:27You're interested in his room, then?

43:29I'm interested.

43:31Why are you up and left?

43:35She didn't want to say nothing at first, but I got it out of her.

43:41But I got it out of her.

43:43I'm interested.

43:45Why are you up and left?

43:48She didn't want to say nothing at first but I got it out of her.

43:52She didn't want to say nothing at first.

43:54at first, but I got it out of her.

43:56Poor woman.

43:57You have to feel sorry for her,

43:59being taken in like that.

44:01Still can't believe it.

44:03A half-blood.

44:04Passing right under our noses.

44:08It's a fucking disgrace.

44:10There's more.

44:13Go on.

44:16She told me, he said, the murdered Faye,

44:20the singer, was his mum.

44:22Fuck me.

44:24It all adds up.

44:26His mum, the headmaster,

44:29they both would have known the truth.

44:31What about Marange?

44:33Maybe the headmaster

44:35whispered something to him in the dark.

44:37Or maybe he's the one

44:39that clipped him back in the day.

44:42All that Akasha nonsense

44:43he made up to try and cover his tracks.

44:47By the martyr.

44:50It's been Philo all along.

44:52He killed them to hide his secret.

44:56You got a man on him now?

44:57Yeah.

44:59Then bring him in.

45:04No.

45:05Can I help you, Inspector?

45:30I remember her.

45:35I'd just started here.

45:37Mr. Spurnrose may bask in the martyr's light.

45:40Let her have what's now Miss Imogen's room.

45:43He was a good man.

45:46Progressive for his time.

45:48Even arranged for a doctor to look after her.

45:50Marange.

45:52I expect you know what happened to him.

45:54Well, there's not much more to tell.

45:57She stayed until the baby came.

46:00Cried for days after Marange left with him.

46:04The father?

46:06Did he ever visit?

46:07She never spoke of him.

46:08I had the feeling she was frightened of him.

46:14You've no idea who he was.

46:17None.

46:18Poor wee thing.

46:20Had these sad little wings.

46:23By the looks of them,

46:25I doubt he would have been able to take to the air.

46:26If he survived, that is.

46:31A lot of the time, half-bloods don't.

46:33Not for long, anyway.

46:37I always wondered what became of him.

46:47I'm coming!

46:49I'm coming!

46:53Good evening, Con.

46:54Where is he?

46:56Rockcroft Philistrate.

47:04You're under arrest.

47:07On what charge?

47:10Suspicion of murder.

47:12Three counts.

47:19Murder.

47:22Cuff him.

47:26You don't have to wander anymore.

47:41Shut up, you fucking critch.

47:44Fuck!

47:44Oh!

47:45Oh!

47:46Oh!

47:47Oh!

47:48Oh!

47:49Oh!

47:50Oh!

47:51Oh!

47:52Oh!

47:53Oh!

47:54Oh!

47:55Oh!

47:56Oh!

47:57Oh!

47:58Oh!

47:59Oh!

48:00Oh!

48:01Oh!

48:02Oh!

48:03Oh!

48:04Oh!

48:05Oh!

48:06Oh!

48:07Oh!

48:08Oh!

48:09Oh!

48:10Oh!

48:11Oh!

48:12Oh!

48:13Oh!

48:14Oh!

48:15Oh!

48:16Oh!

48:17Oh!

48:18Oh!

48:19Oh!

48:20Oh!

48:21Oh!

48:22Oh!

48:23Oh!

48:23Oh! Oh!

48:24Oh! Oh!

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