Join the cast and crew of Chennai Files: Muthal Pakkam as they delve into their filmmaking journey, sharing insights and experiences ahead of the film's August 1 release.
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#ChennaiFiles #MuthalPakkam #Vetri #ShilpaManjunath #AnishAshraf
#MageshDas #TamilCinema #Kollywood2025 #ActionThriller #BehindTheScenes
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NewsTranscript
00:00Most of the people who come to Arimoga are in crime.
00:04This is a safe side.
00:06If you are in Tamil Nadu, you will be able to copy this.
00:11You will be able to copy this.
00:13Why do you do that?
00:14You will not be able to copy this other style.
00:18The first movie is a tourist family.
00:22They don't have to do crime.
00:25The building is decided.
00:28It's better to be a crime-thriller.
00:30I'll be equal to one body.
00:32I'll be able to be a six-pack-salam.
00:34I'll be able to be a six-pack-salam.
00:36I'll be able to be a six-pack-salam.
00:42Boundary portrait, Indamadri, like...
00:44There are a few directors.
00:46I'll be able to do the modulation in Indamadri.
00:48I'll be able to do everything.
00:50I have come across directly.
00:55Here, I feel I belong to Tamil industry.
00:57Because I'm already recognized.
01:00I'm going to talk about this.
01:02I'm also a little bit more than a couple of days.
01:04For almost 3 hours, I can also do a review that's happening.
01:07It's very hard.
01:08I'm just going to tell you about it.
01:11Thank you for the interview.
01:14We are going to be a special guest.
01:18In August, we have been releasing a new album.
01:20We are also going to be a new album.
01:22We are going to be a new album.
01:24We are going to be a new album.
01:25We are going to be an album in August.
01:26I thought I would like to know the first time that I was in August.
01:31Welcome.
01:32Welcome.
01:33How are you?
01:34We are all here.
01:35We are all here.
01:36We will see you in August with a couple of days.
01:41So, we will come back to the first time.
01:43We will see you in August and then in August.
01:46We will see you in August.
01:48Okay?
01:49I will see you in August.
01:51This is the last time we will see you in August.
01:53We will have to check in and check in the video.
01:56We will do a video of the video.
02:00We will tell you a question.
02:02We will tell you something from the police.
02:04Then we will tell you something.
02:06The question of the question is you can't know.
02:09We will tell you something.
02:11Here we will tell you something.
02:13If they talk about the yes or no,
02:15then they will tell you anything.
02:19We will tell you something.
02:20One minute.
02:22Let's go to Tamil.
02:23Let's go to Tamil.
02:25Are you Tamil or Rara language?
02:26Yes.
02:27Okay, let's go.
02:28Let's go to Tamil.
02:31Ready?
02:33Let's go to the third floor.
02:34Okay.
02:35You can sit here.
02:39Okay.
02:40Did you see that?
02:41Okay, time starts now.
02:43Let's go to Tamil.
02:44Yes.
02:45Gilly.
02:47Let's go to Punjab.
02:48Vijayism.
02:49Yes, sir.
02:50You can't get it.
02:51You can't get it.
02:52You can't get it.
02:53You can't get it.
02:54Yes.
02:55New movie?
02:57You can't get it.
02:59Yes.
03:00Ajit.
03:01Yes.
03:02Viramirj.
03:04Good, Bad, Ugly.
03:06Yes.
03:07Yes.
03:08I'm going to get it.
03:10First, I got to get it easier.
03:12Now, I'm going to get it.
03:14I'm going to get it.
03:15I'm going to get it.
03:16I'm going to get it easier.
03:18How'd you get it?
03:20I didn't get it.
03:21I asked her for 6 seconds.
03:22I'm going to get it.
03:23That's a point.
03:24You'll get it.
03:25That's all.
03:27I'm going to get it.
03:34You need to get it.
03:36Do you know that you don't have to leave?
03:37I don't know.
03:39You don't know.
03:42I don't know.
03:44You don't know.
03:46You don't know.
03:47You don't know.
03:48You don't know how to cheat.
03:52You don't know how to cheat.
03:54You don't know.
03:56Okay.
03:57Ready?
03:57Yeah.
03:58Old.
03:59Then new.
04:01Stars?
04:02No.
04:03Old.
04:04Old is known, but it's called new.
04:06Do you think I got up?
04:08You know.
04:10Famous?
04:12Very famous.
04:14Maybe.
04:16Tamil only?
04:20Is it your movie?
04:22Okay.
04:24Then I know.
04:26You can see it.
04:28You can't release it.
04:30You can't release it.
04:32You can't release it.
04:34You can't release it.
04:36You can't release it.
04:38You can release it.
04:40I'm going to release it.
04:42It's easy to release it.
04:44It's easy to release it.
04:46Iran, Japan,
04:48you can release it.
04:50Ready?
04:59Tamil?
05:00I'm ready.
05:02Malayalam movie.
05:04India.
05:05English.
05:06Tilgu.
05:08Old or you?
05:10Old or?
05:12Big Star movie.
05:14Ram Charan.
05:16Juni 80.
05:1820.
05:2050.
05:22You're a big fan.
05:24Wow!
05:26I'm an artist.
05:28You're a big fan.
05:30No, you're a big fan.
05:32You're a big fan.
05:34You're a big fan.
05:36You're a big fan.
05:38Pushpar you.
05:39Pushpar to the game,
05:40I'll get caught with it.
05:41Pushpar 2,
05:44Game Changer,
05:45I'll get caught with it.
05:47Okay.
05:48I'll have a few customers.
05:49Be sure.
05:50That's okay.
05:51I think it's Tamil.
05:53I don't think it's Tamil.
05:54I don't think it's a good thing.
06:02You play Dumpster.
06:05Dumpster is not.
06:06No.
06:07Old?
06:08No.
06:09New?
06:10Yes.
06:11Tamil?
06:12Tamil.
06:13No, sorry.
06:14Yes.
06:15Parish?
06:16No.
06:17No.
06:18No.
06:19No.
06:20No.
06:21No.
06:22No.
06:23No.
06:24No.
06:25Any of our movies?
06:27This is the release of our movies.
06:29Yes.
06:30Yes.
06:31Yes.
06:32Is it our movie?
06:34Tourist Family?
06:35No.
06:36No.
06:37You see, you see, you see, you see, you see.
06:41You see, you see, you see, you see.
06:43Are you sure of them?
06:51Yes.
06:52Yes.
06:53Even somebody told us, you see one personality.
06:55Yes.
06:56Yes.
06:57No.
06:58No.
06:59Yes.
07:00I can't say the rest of you too.
07:02No.
07:03No.
07:04No.
07:06No.
07:07No.
07:08No.
07:11Okay.
07:12Super.
07:13Okay.
07:14I'm going to get a tire pal.
07:16I'm going to get a tire pal.
07:19I'm going to get a tire pal.
07:20I'm going to get a star.
07:23But what do you think about this?
07:28First, I'm going to get a hero.
07:33I'm going to get a tire pal.
07:42That's why I'm going to get a tire pal.
07:45This is important.
07:47But I'm going to get a tire pal.
07:51I'm going to get a tire pal.
07:54I'm going to get a tire pal.
07:59It's an international subject.
08:01You have to get a crime thriller language.
08:04You don't have to use a language.
08:08You don't have to use subtitles.
08:12You can use a crime thriller.
08:13That's why we do this.
08:17So, you're going to get a tire pal.
08:20I'm going to get a tire pal.
08:22Vettri, what's the crime thriller story about me?
08:27That was the first crime-thriller of crime-thriller.
08:31The director was straight up saying,
08:34Sir, this is the story of Thambhiramaya, Sir. No change.
08:37The story of both of them is the story of the voice.
08:43Sir, let's talk about the story.
08:46The story of the crime-thriller is the story of the crime-thriller.
08:48The story of the crime-thriller is the story of the crime-thriller.
08:52What do you think of the story of the crime-thriller?
08:56No, the crime is not.
08:58But the story of the crime is that we have to do.
09:01The death of the crime-thriller is the story of the crime-thriller.
09:05So, the story is the story of that crime-thriller.
09:09Through the crime-thriller, we will be just a human side.
09:12We wanted to face-thriller and our human side.
09:16So, you are always in a with-thriller-thriller.
09:18But that is why you are still talking about the crime-thriller,
09:21I don't think there is a doubt about it.
09:24That's right.
09:25The narrative subjects are like Bumpar, Tuthukudi, Rajaputaran, Sairagudi.
09:31That's a genre of movies.
09:35But the crime thriller is a series of series.
09:42But it's a series of series of series.
09:46So, if you have a movie, Tuthukudi, Sairagudi, Ramanathapuram, Sairagudi, Ramanathapuram,
09:51then you can see that.
09:55Okay, okay.
09:56Shilpa.
09:57So, you can see a video in Tamil.
10:00You can see a video in Tamil.
10:02You can see a video in the language.
10:04You can see a visual artist.
10:06So, what character do you think about it?
10:09I play a journalist.
10:11It's a character for the first time.
10:16So, there are a few nuances.
10:20Like, minute changes in the character.
10:22So, that you try to reach the other character.
10:26With the body language.
10:29On and off with the character.
10:31You can see a character in the character.
10:34So, you can see a question on the subject.
10:38You can see a journalist.
10:39You can see a power.
10:41And in that, you can talk about friendly things.
10:44You can see a friend in the movie.
10:46So, there are changes in the movie.
10:48Yeah, definitely to the character.
10:50Justice.
10:51So, that is the one I have done here.
10:53on here.
10:54Recently, we have seen a lot of things.
10:55You are a hero or a cop role, and now you are a journalist.
10:59How do you adapt to one character as a journalist?
11:01I think that's a god gift.
11:05I mean, costume and make-up, I think that's something I have to utilize.
11:15Super.
11:16Anish, Director.
11:17I am a director.
11:18I am a director.
11:19My name is Tamil.
11:20I am a director.
11:21We are now speaking to Amish.
11:23We are in a very recent recent article.
11:26We have been talking to Amish.
11:28Maybe this is a case for a safer side.
11:30You cannot be talking to Amish.
11:33If anyone has talked to Amish.
11:36I have told Amish.
11:38That's my director.
11:39I am not talking to Amish.
11:42I am not talking to Amish.
11:45But if a producer did not do that, then he would do it.
11:50So if a tourist family comes to the first movie director, they don't do crime.
11:55But that's why it's very nice to me.
11:58So if you tell me what I'm talking about, what I'm talking about, what I'm talking about,
12:02what I'm talking about, what I'm talking about, I'm talking about it.
12:06But I'm talking about that.
12:08So crime thriller series, ghost, and save zone.
12:17So that's why we first film a producer.
12:21We're going to go to the other route.
12:24So they already feel that.
12:27So we first film a crime thriller,
12:30and they are in the mind.
12:33So I just met a script for the project.
12:37Actually, crime thriller is an easy subject.
12:41It's not editing.
12:44So crime thriller is not an easy genre to do.
12:49Actually, if you think about it, one year is an editor.
12:52No.
12:53Okay.
12:54Now you can get a masterpiece.
12:58Okay.
12:59So if you think about it, what I'm talking about,
13:03I'm talking about it,
13:05I'm talking about unpredictable actors.
13:07I'm talking about the genre.
13:09So you can see that you are a police police, sports coach,
13:14and then you can see the government coach,
13:16and then you can see the government.
13:17So the people have an expectation.
13:20That's why you have a plus.
13:22If you have an expectation,
13:24then you will be a thriller.
13:26If you have an expectation,
13:28then you will be a thrill.
13:29If you have an expectation,
13:30then you will be a threat.
13:31Okay.
13:32So you have to be a threat.
13:33If you have a threat,
13:34then you will be a threat.
13:35So you have to be a threat.
13:36So you have to be an intention of doing it?
13:37Or do you have to be a threat?
13:38No.
13:39No.
13:40Yes.
13:41You will decide that the building will come.
13:42Okay.
13:43But that crime thriller will be better.
13:46That's why,
13:47I didn't know you will do variety.
13:48You will get more advanced.
13:49You will be able to do that.
13:50I can do anything right now.
13:52But I can't do that.
13:53Then you will get more advanced.
13:54When I were given you,
13:55then you had to do that.
13:56And you have to do that.
13:57Then you will do that.
13:58I have to do that.
14:00That's why I am going to do that.
14:01That's why I'm aware of them.
14:03Okay, Vettri.
14:04If you can do character,
14:06how far can you do it?
14:07You can move your character into the going?
14:08What is the case?
14:10There is a cop.
14:11Thambira Masaya is a cop.
14:13He is also a cop.
14:16He is also a cop.
14:17He is a crime writer.
14:20He is a cop.
14:21He is a cop.
14:23He is a cop.
14:25Then he is also a Thambira Masaya.
14:28The customer is a cop.
14:31I am equal to this body.
14:33He is a cop.
14:39So he is an animator.
14:42He is a cop.
14:45He is a cop.
14:47He is a cop.
14:51He is a cop.
14:54He is a cop.
14:57I am a cop.
15:00Okay, okay.
15:02Shilpa, I'm going to tell you that you've been talking about many things.
15:07You've done a lot of journalists.
15:09Why do you have any training?
15:11Why is that training?
15:13Why is that training?
15:14Rock into launch.
15:16We're going to talk about it.
15:18We will talk about it.
15:20See, we will all do interviews.
15:23We will talk more about it.
15:25We can talk about it.
15:26We will talk about it.
15:27We can talk about it.
15:33Sorry.
15:34We copy and paste other life.
15:36We can still make a cinema or character.
15:39Even in the incident, it would have happened in somebody's life.
15:43In the character, it would have been someone else.
15:46That's not me. It's another character.
15:48So, we have to copy and paste it.
15:49What if Shilpa was a journalist?
15:52When I was a journalist, I was a journalist.
15:55So, I would like to assure that freedom.
15:58There are a few directors.
16:02I have come across directors.
16:08So, there is freedom to create a better version.
16:14So, there is no constraint.
16:16When I did a scene, there was a version.
16:19Sir, I will show you what I did.
16:24If you don't like it, you will change.
16:26So, there is a relationship.
16:28So, it became very easy.
16:30So, if you are a journalist, you can't see a journalist.
16:34That's right.
16:35In the cinema, we used to meet with doctors.
16:39We used to meet with all doctors.
16:41If we meet with a doctor,
16:44he would be very cool.
16:46If you don't like it, everyone will start.
16:49But we don't have to know what the film is.
16:51Brother, how would you like it?
16:52So, if you are a journalist,
16:54I will be the idea of how you are right.
16:56Après, I was thinking about you.
16:58My interview is not starting in the middle.
17:06You will be able to do that in a different way.
17:09Why do you do that in a different style?
17:13Then you will be inspired.
17:16You will be able to do that in a different channel.
17:19But you will know who to start.
17:22You will be able to do that in a different way.
17:27You are a journalist.
17:30That's why you can do that in your body.
17:34You will be able to do that in a different way.
17:36That's why I am very proud of you.
17:39I am very proud of you.
17:40I am very proud of you.
17:43How did you know your performance?
17:47I am very proud of you.
17:52You have to be a character.
17:56You are not a person.
18:00You are supporting the character.
18:03You are a director.
18:05You are fully designed.
18:09You will have to call it.
18:11You will be able to do that in a different way.
18:13You should be able to do that in different ways.
18:15You will be able to do that in a different way.
18:17You will be able to do the performance.
18:19So, I will talk about this.
18:24The round is Ramey Sir.
18:27Yes, that's right.
18:29That's right.
18:32But, we have seen the main role in the main role.
18:38What role is in this role?
18:40I can't see the role in this role.
18:42What is the reason why?
18:44Because if you have a good job,
18:46you can do a job in a job.
18:50If you have a job, it will be a job in a job.
18:52So step by step,
18:54you can see that
18:56you can see the travel in a way,
19:00and you can see the travel in a way.
19:02That's correct.
19:06Ashra, you said,
19:08You do have 4th points.
19:15How do you find a goal?
19:18This is the challenge of a ground level.
19:23Whatever you do, you can find gold medals.
19:27You can find a one in a running game,
19:29and you can find one in a 10th line.
19:32I like this one.
19:35I think I will say that it is a problem.
19:40It is a good thing.
19:42But you are a producer and I am a part of the time.
19:45What are the advantages of the two sides?
19:48I am not a producer.
19:51I am a co-producer.
19:55I am a co-producer.
19:57I am a actor.
20:00I am a director.
20:04We can set what we can do, how much we can do, how much we can do, how much we can do.
20:08How?
20:09Yes, it is clear that we can do a plan for the treatment.
20:15We can do a few things.
20:17We can do a number of callsheets.
20:20We can do a number of callsheets.
20:22It is correct.
20:24There is one thing about Mahesh.
20:27I have to talk about that.
20:28I was working out.
20:31This was our first conversation.
20:34So, I was curious.
20:35How did you come to cinema?
20:37They have already planned for five years.
20:41In this year, in this budget, in this cinema, in this work,
20:47in that year, in that timeline, that was very shocking.
20:52I mean, who does this plan and paper work?
20:56I mean, we will do it.
20:57We will write our list.
21:00We will do it.
21:01But to follow that, I was shocked.
21:05Can you plan quite a few years?
21:07Yes, we will plan.
21:08In the department, you can see the work, the work, the work and the work.
21:12So, if you have to shoot the camera, you can use the camera.
21:17You can use the camera, you can use the camera, you can use the camera or you can use the camera.
21:22You can tell.
21:22We can use the camera.
21:23But if you are aware, it is easier.
21:25It is productive.
21:27Shilpa, you have a contribution in all industries. What do you think about the fee in all industries?
21:45You should be able to stay in all languages.
21:48I don't know.
21:49The home language is different. Definitely, there is a flow that we can learn.
21:54So, in Kannada, I can't do changes here.
21:57If I come here, I will be afraid of the changes here.
22:02So, I don't want to change that whole world.
22:04I don't want to change that whole world.
22:06But, there is a lot of...
22:08How do you say it?
22:09There is a lot of comedy.
22:11There is a lot of change.
22:14You can change that whole language.
22:16So, that is one thing.
22:18But, I feel like I belong to the Tamil industry.
22:24Because, here is the recognition of my home.
22:27In Telugu, Tamil, Kannada.
22:32They accepted me as their own.
22:36They thought, I am here.
22:38I am somewhere here.
22:39So, this became very close to me.
22:44So, I will never forget Tamil industry.
22:49Because, I feel I belong here.
22:51I don't have a cinema background.
22:54So, I am the first actor from my whole family.
22:59So, I don't have anyone else.
23:01And, even me too.
23:03So, when I started my career,
23:06Definitely, your parents want you to become doctor or engineer.
23:10So, there is a pressure to you.
23:14What if I fail?
23:15I can't do that.
23:16Because, everyone is against me.
23:19When I am coming to this field.
23:22So, I am a career in Tamil industry.
23:27So, I am always grateful for that.
23:30So, I am always grateful for that.
23:31Maybe, what would you do in cinema and variety?
23:33I would have.
23:34See, I am an engineer by profession.
23:36I am doing electronics and communication.
23:38And, I am a sports person.
23:40So, I have played nationals.
23:42Volleyball.
23:43Everyone is a lot of sports side.
23:46About fitness and everything.
23:48And, in 2013, I won Viskarnataka in 2013.
23:54So, I have many options to take as a career.
23:58And, I look good also.
24:00So, definitely, that is a plus.
24:01I mean, that is an advantage.
24:03But, this is something.
24:05I think I am meant to be as an actor.
24:07So, I think I am meant to be as an actor.
24:09I am meant to be an actor, I guess.
24:15God's grace.
24:16Okay, great.
24:18I am done an actor already.
24:19I think I am a journalist now.
24:20I am Horvath on that.
24:21I am making an artist.
24:23We are talking about how to speak.
24:25He has been talking about three hours in all of a time.
24:27They are reviewing the first three hours.
24:28He is following the first time.
24:30These are a difficult time.
24:32They are doing something out and the other time.
24:34But, I am going to be reviewing the others.
24:37I am trying to hear the other video.
24:38So, I am how to talk about the new ones.
24:39I am talking about the new one.
24:40What did he mean?
24:41No, I think there is a review on the show.
24:43No, it's not a review.
24:45We have reviewed in the theater.
24:48You can review it.
24:50Okay, so.
24:51Reviewing on the show is a good idea.
24:54It's not an idea.
24:56It's not an idea.
24:57We just heard it in a paper.
24:59No, it's not a paper.
25:01It's not a paper.
25:03It's a paper.
25:05We're talking about it.
25:07We're talking about paper news.
25:09I told you about it, it's a public crowd.
25:15How do you feel about it?
25:21I told you about it.
25:23If an artist or director goes on, it will be viral.
25:27It will be viral.
25:29It will be viral.
25:38I was thinking about that.
25:41We were not aware of it.
25:45They were being stressed too.
25:48They were playing an art paper and what did they do.
25:51Like the tourist families, we should say about it.
25:58But of course, we had an art person.
25:58However, we know that it was about the Kandipa from the outside.
26:04Only if you are not a small person, you are not an artist.
26:08But if you are a person who is hurt, or you can say negative,
26:14you can say positive.
26:17Okay. Super.
26:18So, the question is, what do you want to ask?
26:22I want to ask a lot of crime.
26:25There is a social message.
26:28If you come to the other side, you will say,
26:30Oh!
26:31If you come to the other side, you will tell us about a good crime.
26:35Super!
26:36So, you are all the best.
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