David Bowie: The First Five Years (2019) is a detailed documentary exploring the early life and creative beginnings of legendary artist David Bowie. Covering his formative years before fame, the film features rare footage, interviews, and insights into the development of his music, image, and vision. A thoughtful tribute to the roots of a cultural icon. David Bowie The First Five Years, David Bowie The First Five Years (2019), David Bowie documentary, music history, artist biography, 2019 documentary, early years of Bowie, creative beginnings, British music icon, rare footage, full movie David Bowie The First Five Years, musician story, music documentary, cultural legend, artistic journey, classic rock history, music and identity, music legacy film
01:15:03et où il s'est passé, c'est la photo que j'avais dans ma tête.
01:15:33Sous-titrage Société Radio-Canada
01:16:03Sous-titrage Société Radio-Canada
01:16:33Sous-titrage Société Radio-Canada
01:17:03Sous-titrage Société Radio-Canada
01:17:33Sous-titrage Société Radio-Canada
01:17:35Sous-titrage Société Radio-Canada
01:17:37Sous-titrage Société Radio-Canada
01:17:39And he was up there on his own.
01:17:41I still don't know what I was waiting for
01:17:46And my time was running wild
01:17:52A million dead-end streets
01:17:54And every time I thought I'd got it made
01:18:00It seemed the taste was not so sweet
01:18:04Then a few more arrived, and a few more arrived, and then people were running around waking people up. I could see people. I could see little scurrying figures up the hillside from my seat on the side of the stage, until eventually there were about four or five hundred people there.
01:18:17Sous-titrage Société Radio-Canada
01:18:19Sous-titrage Société Radio-Canada
01:18:23The sun was out, it was warming up, and these people had obviously thought they were the only people on the planet that discovered this young man. And it really was an important moment for a lot of people.
01:18:35Sous-titrage Société Radio-Canada
01:18:39I'll tell you what, I just want to say that you've given me more pleasure than I've had in a good few months of working. And I don't do gigs anymore because I got so pissed off with working and dying a death every time I worked. And it's really nice to have somebody appreciate me.
01:18:55Sous-titrage Société Radio-Canada
01:18:59Seventy-one is when I got down to seriously writing and trying to not diversify too much. I was trying to be a one-man revolution, you know.
01:19:14I know exactly what he wanted, Tom. He said, world domination. He said, there was absolutely no doubt that he was going to be, you know, a world-class superstar that he became. And that's what he wanted.
01:19:29I still don't know what I was waiting for.
01:19:32I had a million dead streaks and every time I thought I'd got it made, it seemed the taste was not so sweet. Then I told myself to face me, but I never caught a glimpse of how the others
01:20:42He needed a vehicle, he needed a character to feel comfortable and to put his ideas across.
01:20:54It seemed like he really needed that, which was missing from all those earlier attempts at success.
01:21:01Now they change me, I can't trace time.
01:21:36My death waits like a beggar blind
01:21:42Who sees the world through an unlived mind
01:21:49Throw him a dime for the passing time
01:21:55My death waits
01:22:01To allow my friends
01:22:05A few good times before it ends
01:22:11Is it difficult for you to do what you've just been doing in a tiny television studio?
01:22:16I mean, throwing yourself outwards?
01:22:18I find singing and performing very easy, but this is awful.
01:22:23Never done this before, a chat show.
01:22:25No, but I mean...
01:22:26I find this very difficult.
01:22:27Are you nervous?
01:22:28Yes, very.
01:22:29Oh, let's pick violets for
01:22:31The passing time
01:22:35My death waits there
01:22:40In a double bed
01:22:43Sails of oblivion
01:22:47I'd lie ahead
01:22:51Pull off the sheets again
01:22:54The passing time
01:22:59How long do you give it?
01:23:01What, me?
01:23:02Yeah.
01:23:02How long do I give me?
01:23:03Yeah.
01:23:03How many years do you give yourself?
01:23:05I don't mean how many years to give yourself in life,
01:23:07but how many years can you be ahead of the glamour field
01:23:09and ahead of a bit of you
01:23:11Oh, no, I've never been ahead of anything
01:23:13I've been, I think, on my own
01:23:15I'm not in an Olympics
01:23:17The artist is strictly a figment of people's imagination
01:23:29I really believe that
01:23:31We're the original false prophets
01:23:33We are the gods
01:23:34We want it all
01:23:36We want all the adulation
01:23:38and people to read the lyrics and everything
01:23:39Just to play the game, you know, we don't exist.
01:23:43And I know that that, I feel that same emptiness
01:23:46that they all feel when they get there.
01:23:49Because they know that it's not real.
01:23:54David didn't like a comfort zone.
01:23:56He could have done Ziggy for his whole life
01:23:58and he would have had fans, but he wanted to move on.
01:24:01So I knew Ziggy was not going to be long-lived.
01:24:06Well, it's the last one tonight, you know?
01:24:08Is it? I heard it was last for all the time, is that right?
01:24:12We shall see at the end of the show.
01:24:15Has been mentioned.
01:24:16You're making an announcement, though, isn't it?
01:24:19If that's the case, I will be.
01:24:20Yeah, okay.
01:24:22I knew that it was a very important show.
01:24:25I knew he was nervous because something was really working
01:24:28and he spent a decade working to that.
01:24:36Go away.
01:24:36I can't think that you're nervous,
01:24:38but I really think the audience you have tonight,
01:24:41it's the easiest you've ever had.
01:24:44You think so?
01:24:44Oh, and how.
01:24:45I'm an alligator.
01:24:48I'm a mom and papa calling for you
01:24:52I'm this busy man
01:24:54I'll be a rock and rolling bitch for you
01:24:59Keep your mouth shut
01:25:01You're squirming like a dick with me
01:25:04And I'm busting up my brain
01:25:07For the world
01:25:09The Hammersmith gig of the thousand shows I did with him
01:25:22had a mystique, an energy.
01:25:26This is something special.
01:25:28There was something electric about it.
01:25:31We'd finished the last song
01:25:45and David walked to my side of the stage
01:25:47and said, don't start Rock and Roll Suicide
01:25:50which I play the intro on
01:25:52until I tell you
01:25:54So I figured he must be going to say
01:25:59thanks for the tour
01:26:00I'll see you in September or whatever
01:26:02But he didn't
01:26:03Of all the shows on this tour
01:26:05this particular show
01:26:07will remain with us the longest
01:26:09because
01:26:10not only is it
01:26:14not only is it the last show of the tour
01:26:17but it's the last show that we'll ever do
01:26:20Thank you
01:26:22I thought, okay, maybe this is a stunt
01:26:26and then part of me was going
01:26:28I've just got the sack
01:26:30live
01:26:31Time takes a cigarette
01:26:34Puts it in your mouth
01:26:38Pull on your finger
01:26:41Then another finger
01:26:43Then your cigarette
01:26:45While the wall-to-wall is calling
01:26:48It lingers but still you forget
01:26:51Oh, oh, oh
01:26:55You're a Rock and Roll Suicide
01:26:58It did really seem odd
01:26:59That at the very height of his career
01:27:02He was extinguishing it
01:27:04With a couple of phrases
01:27:07It must have seemed to people
01:27:09Why would you do that?
01:27:13Why would you give it all up?
01:27:14When you're just at the starting grid
01:27:17When you've lived too long
01:27:20Extraordinary night
01:27:21An extraordinary statement
01:27:23You're a Rock and Roll Suicide
01:27:26There was something very calculated about it
01:27:30And I think what he had that most artists didn't have
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