- 2 days ago
Gorgeous Kreola (Demetra Hampton) joins her husband Andy on a business trip to Santo Domingo, and finds her fidelity crumbling as she enters into a torrid affair with a handsome fisherman named Leon
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Short filmTranscript
00:00:00Mi querido, la negra pola otra vez con pey, pero con coco.
00:00:08La negra pola me dijo que se iba a pasar mamá, y que iba a haber la marrumba con Checha y la Cocoban.
00:00:35¿Qué será que tú estás, la negra pola que se va?
00:00:42El amor que le brindé, era el amor en la noche, y mi negrita se fue, y eso me pasó de noche.
00:00:49¿Qué será que tú estás, la negra pola que se va?
00:00:56Pero, pero nosotros nos quisimos, con un amortito abierto, por eso que nuestro amor para siempre es el perdón.
00:01:03¿Qué será que tú estás, la negra pola que se va?
00:01:06¿Qué será que tú estás, la negra pola que se va?
00:01:10Mi corazón está triste, se acabó ya una alegría, si mami le brindan por la piel fuera, la vida mía.
00:01:17¿Qué será que tú estás, la negra pola que se va?
00:01:20¿Qué será que tú estás, la negra pola que se va?
00:01:24¡Abrr!
00:01:26¡Abrr!
00:01:28¡Abrr!
00:01:29¡Abrr!
00:01:31It was really great.
00:02:01You're fantastic.
00:02:07Thanks.
00:02:08Here's my address.
00:02:09Salam.
00:02:31Darling.
00:02:38Hello.
00:02:40Hello.
00:02:41Ciao.
00:02:42All go according to plan?
00:02:43Not bad.
00:02:44You look great.
00:02:47Thanks.
00:02:49Bye, Crianna.
00:02:50Ciao.
00:02:51Try to have a nice trip.
00:02:52I'll try.
00:02:53Good luck.
00:02:54I need it.
00:02:55Well, try to have a nice trip.
00:02:57I'll try.
00:02:57Good luck.
00:02:58I need it.
00:03:04Another conquest?
00:03:06No.
00:03:07I know that look.
00:03:09It really is beautiful.
00:03:33Yeah, well, I think the atmosphere is weird here.
00:03:35There's something in the air.
00:03:37It's extremely erotic.
00:03:39I feel strange all of a sudden.
00:03:48I hope the hotel's near.
00:03:50I'm almost there.
00:03:51Ah, it's beautiful.
00:03:53You were right.
00:03:55I just cannot imagine what it is like to do it here, you know?
00:03:59There's a living room.
00:04:00I'm not even here.
00:04:00I don't know.
00:04:00There's a living room.
00:04:01There's a living room.
00:04:02There's a living room.
00:04:02There's a living room.
00:04:03Hi.
00:04:03Hey, my girl!
00:04:05Hey, my girl!
00:04:07Hey, my girl!
00:04:09Hey, my girl!
00:04:23Hi.
00:04:33Hi.
00:04:35How's it going?
00:04:37Any news?
00:04:39No, nothing yet.
00:04:41I can't find anyone who recognizes her name or her picture.
00:04:43Sorry.
00:04:45I know.
00:04:47Good luck.
00:05:03I know.
00:05:15Let's go.
00:05:21No.
00:05:25No!
00:05:27No!
00:05:29No, no, no.
00:05:31No!
00:05:33Oh, oh, oh, oh, oh, oh, oh, oh.
00:06:03Oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:06:33Oh, oh, oh, oh, oh, oh.
00:07:03Let's go.
00:07:33Let's go.
00:08:03Let's go.
00:08:33Let's go.
00:09:03Let's go.
00:09:04Let's go.
00:09:05Let's go.
00:09:12Let's go.
00:09:13Let's go.
00:09:15Let's go.
00:09:16Let's go.
00:09:17Let's go.
00:09:18Let's go.
00:09:19Let's go.
00:09:20Let's go.
00:09:21Let's go.
00:09:22Let's go.
00:09:23Let's go.
00:09:24Let's go.
00:09:25Let's go.
00:09:26Let's go.
00:09:27Let's go.
00:09:28Let's go.
00:09:29Let's go.
00:09:30Let's go.
00:09:31Let's go.
00:09:32Let's go.
00:09:33Let's go.
00:09:34Let's go.
00:09:35Let's go.
00:09:36Let's go.
00:09:37Let's go.
00:09:38Let's go.
00:09:39Let's go.
00:09:40Let's go.
00:09:41Let's go.
00:09:42Let's go.
00:09:43Let's go.
00:09:44Let's go.
00:09:45Let's go.
00:09:46Let's go.
00:09:47Let's go.
00:09:48Let's go.
00:09:49Let's go.
00:09:50Let's go.
00:09:51They were going to get married and not long before the wedding she went on holiday with
00:09:54some friends from work.
00:09:56And they came here to Santo Domingo as part of the package deal.
00:10:00When it was time to leave, she disappeared.
00:10:01Come on.
00:10:02Really?
00:10:03Yeah.
00:10:04Just up and deserted the others?
00:10:07Apparently.
00:10:08She never contacted anyone.
00:10:12But he's convinced he's still here somewhere.
00:10:14It's quite possible.
00:10:15the tropics can do funny things especially to anyone who's been under some kind of stress the misery and
00:10:21anguish of living in what we laughingly call civilization taxes overwork crime pollution
00:10:28traffic this music can make you think again and besides who knows she might have met a guy she um
00:10:37like more you know simple islander oh come on that's only a depiction love is everywhere
00:10:47if it's there it's there if it's not it's not be nice to the guy wouldn't hurt if you
00:10:54asked him to join us i bet you think he'd be very lonely ready to talk to him okay marco
00:11:07how are you this is my husband very kind of you
00:11:17would you like something to drink yeah i'll have what you're happy whatever it is
00:11:24how's the search going to find anything yet no i'm afraid nothing much yet
00:11:29but they remember seeing her around i'm sure that sooner or later i'll find her well i sure
00:11:38hope you do uh you two carry on excuse me i i'll be right back where are you going oh i have to make
00:11:45a telephone call to new york my magazine editor wants that weekly report
00:11:49well that was rather sudden wasn't it
00:11:58let's dance i'm not too good a dancer just let the music do the work
00:12:02you know i haven't danced in years well we're gonna have to make up for lost time then
00:12:20yeah listen for you maybe we should go back to the table huh why your dancing is great
00:12:32i feel uncomfortable well there's no need
00:13:03what is it i don't know it's just that your andy could be watching us
00:13:08well the truth is that i'm doing it so that he can watch us
00:13:15let's keep dancing like this like lovers okay
00:13:18okay you mean that he is
00:13:27it's his way of loving me
00:13:31he likes to watch and thinks i don't know that's ridiculous yeah i know
00:13:35but you see i love him and i'll do anything
00:13:49i understand you know love can be a strange thing
00:14:14i don't know
00:14:23i don't know
00:14:27Oh, the light is not the best, but we shall do what we can.
00:14:52It's a beautiful island, an absolutely amazing place.
00:14:55Full of surprises.
00:14:58But you told me you'd never been here.
00:15:00Well, Brian told me such a lot about it.
00:15:03I feel like I know it by heart.
00:15:05It's in the form of a turtle.
00:15:07A turtle sleeping on the surface of the ocean.
00:15:10Is it true that turtles only make love once a year?
00:15:13Yeah.
00:15:14You better start praying that you don't end up reincarnated as a turtle.
00:15:21Huh, huh.
00:15:23Sometimes you're a real asshole.
00:15:25Oh, for God's sake.
00:15:30I was joking.
00:15:32Get away.
00:15:34What a warped for the day.
00:15:38What's wrong?
00:15:40Are you nervous?
00:15:42Huh?
00:15:42What is it?
00:15:43Are you uptight?
00:15:44Maybe.
00:15:45I don't know.
00:15:47I feel strange.
00:15:48And this boat.
00:15:50And that man up there.
00:15:52haven't you noticed he hasn't said a word since we left.
00:16:00You hired him to keep up a conversation with us, all right?
00:16:05Look at him. Look at him.
00:16:08The hat, his base, he's a pirate.
00:16:11I've been told he's a very good sailor, honest and completely trustworthy, who knows these islands.
00:16:17He looks like he doesn't watch.
00:16:20He appears to be uncommonly interesting to you for somebody who never bought soap.
00:16:25Aw.
00:16:29Let's go.
00:16:45Like it?
00:16:46What a place.
00:16:50Guaranteed primitive.
00:16:51Yeah.
00:16:54Hey, it's wide open.
00:16:56There's no key. Nobody locks doors here.
00:17:01Looks like Florida. What a disappointment.
00:17:06We said $100, right?
00:17:07Uh-huh.
00:17:13This is two.
00:17:14Keep it.
00:17:15One's enough.
00:17:22Adios.
00:17:32Uh, is it far to the fishing village?
00:17:34500 meters.
00:17:35Down that way.
00:17:36Okay.
00:17:40I'm gonna go to the village.
00:17:41Okay.
00:17:42I prefer to stay here.
00:17:43Whatever you like.
00:17:47Can't wait to take a swim.
00:17:48Go ahead.
00:17:49See you later.
00:17:50All right.
00:17:52See you later.
00:17:53Bye.
00:17:54Bye.
00:17:55Bye.
00:17:56Bye.
00:17:58Bye.
00:17:59Bye.
00:18:00Bye.
00:18:01Bye.
00:18:03I'm gonna go to the village.
00:18:04I'm gonna go to the village.
00:18:05Okay.
00:18:06I prefer to stay here.
00:18:07Whatever you like.
00:18:08Mm-hmm.
00:18:09I can't wait to take a swim.
00:18:10Go ahead.
00:18:11See you later.
00:18:12All right.
00:18:13So long now.
00:18:15Bye.
00:18:43Hi.
00:18:44Hi.
00:18:45Well, so you came at last.
00:18:55Hi there.
00:18:56Hello, senor.
00:19:02Good morning.
00:19:03Good morning.
00:19:04Good morning.
00:19:05Good morning.
00:19:11No, thanks.
00:19:12Hey, let me take a picture.
00:19:14Uh, that's it.
00:19:18Yeah.
00:19:35Uh, good morning, Consuelo.
00:20:03What can I do for you today?
00:20:05I've got an empty refrigerator to load up.
00:20:07I'll bring you a few drinks.
00:20:09For instance, would you like some alcohol or would you prefer some soft drinks?
00:20:13Hmm, well, a little of both.
00:20:15I won't be long.
00:20:16Here are some bottles.
00:20:19Here are some bottles.
00:20:44Uh, who's that woman there?
00:20:47A very well-known American writer.
00:20:51Joanne Sullivan?
00:20:52Mm-hmm.
00:20:53I know her.
00:20:54The two of us were at the same school.
00:20:56I think I'll say hello.
00:20:57Mm-hmm.
00:20:58Joanne?
00:21:06Mm-hmm.
00:21:07Who is it?
00:21:08Remember Andy the nerd?
00:21:11Oh, Andy the nerd.
00:21:14Oh, my God.
00:21:15Is it really you?
00:21:17Uh-huh.
00:21:17Oh.
00:21:18How are you?
00:21:21Fine.
00:21:21Great to see my old valedictorian.
00:21:23Great to see you.
00:21:24Oh.
00:21:25What are you doing here?
00:21:26Oh, I'm taking pictures for a magazine.
00:21:28Oh, fantastic.
00:21:29Come and sit down.
00:21:30What are you doing?
00:21:33Escaping.
00:21:33But don't ask me from what.
00:21:35Because I don't know.
00:21:36Maybe from myself.
00:21:38Well, I imagine you're writing something now.
00:21:40Checks, that's all.
00:21:42As long as the cash lasts.
00:21:43How do you spend your time if you don't write?
00:21:47Gymnastics.
00:21:50And I drink.
00:21:54I tend the garden.
00:21:56I read.
00:21:59Don't you like long for New York at all?
00:22:04No.
00:22:05America is in an advanced state of decomposition, Andy.
00:22:10Like the whole of the West.
00:22:12It's no good.
00:22:13I have no nostalgia.
00:22:16Only for company, that's all.
00:22:18Here there aren't any men that I like.
00:22:22That's probably a good thing.
00:22:25I like everything sophisticated or complicated.
00:22:30I suppose I'm in a crisis.
00:22:32Is that a plea for help, I guess?
00:22:33Oh, come on.
00:22:35It wasn't a proposition.
00:22:36I see.
00:22:37Well, in that case, I'll offer you a proposition.
00:22:39Hmm.
00:22:40What kind?
00:22:41Like I told you, I'm working for a magazine.
00:22:43And I'm doing a story on this island.
00:22:46And you know it pretty well.
00:22:48Yes, I do.
00:22:49You could help me.
00:22:51Whenever you want.
00:22:53My pleasure.
00:22:54Great.
00:22:55Here comes the food.
00:23:01Oh, good.
00:23:01We can try the local cuisine.
00:23:03Here it is, the chef's special.
00:23:06Mmm.
00:23:07Mmm.
00:23:07That looks...
00:23:09Enjoy your food.
00:23:10I'm starving.
00:23:11Oh, that looks good.
00:23:15Consuelo's such an extrovert.
00:23:16She's always bright and sunny.
00:23:18She's just my opposite.
00:23:20I like her.
00:23:22She's already had the cream of the young men on the island.
00:23:25Hmm.
00:23:26If I could only get used to going to bed so easily.
00:23:30Yes.
00:23:32It's knowing how to start it up.
00:23:33Yeah.
00:23:35A warm-up.
00:23:38It's simplest to make it with someone you know.
00:23:41The first up's taken already.
00:23:43Are you making advances?
00:23:47I'm attempting to find you an answer.
00:23:50I don't think Criella thinks it's such a good idea.
00:23:53Criella.
00:23:55It might be more fun if we didn't leave her out.
00:23:58Since when's three of the crowd?
00:24:00Oh, Andy, come on.
00:24:02I thought you were emancipated.
00:24:03But you're still stuck in the 70s.
00:24:06Sex, lib, dreaming.
00:24:08That's all, Dad.
00:24:09You disappoint me.
00:24:33Yeah, I'm very at home here in this setting.
00:24:45Been here long, do you know?
00:24:46Only a few years, but it's as if he was.
00:24:50The girl arrived a few months ago, that's all.
00:24:53Huh, not bad.
00:24:54You dance almost like a native.
00:25:06Is she his woman?
00:25:08His steady date.
00:25:10She sits all day and waits for us.
00:25:12I believe she's Italian.
00:25:15Poor thing.
00:25:16Came here on vacation.
00:25:17Took one look and got stuck.
00:25:19Stuck on him.
00:25:23Hey, maybe that person is the girl, that air steward was so desperately seeking.
00:25:29You said she's Italian?
00:25:31Yes, why?
00:25:33But then, it must be her on the plane I met her boyfriend.
00:25:37He came here to look for her.
00:25:40He'll go back empty-handed, I'm sure.
00:25:42Leon is like a drug.
00:25:44He doesn't conquer.
00:25:45He dominates.
00:25:46Your friend had better resign himself to losing her.
00:25:51I hope he doesn't find her.
00:25:53It's like I said, this isle is wants to put evil spells on sexy girls.
00:25:59Poor guy.
00:26:01He must love that girl a lot to come all this way.
00:26:09Since you feel so sorry for the poor guy, why don't you give him a hand?
00:26:13Me?
00:26:14Yeah, he's a savage.
00:26:16But it'd be terribly easy for you to make an oaf like that.
00:26:20You know, come chasing after you like a beast in heat.
00:26:24He's a womanized.
00:26:25And your friend will get back his girlfriend.
00:26:28Have you gone haywire?
00:26:30I think it's a magnificent idea, don't you?
00:26:33It's a little risky.
00:26:35What, you mean I might lose her?
00:26:37I trust Creole or completely, Joanne.
00:26:40And besides, she'll just have to fake it.
00:26:42Right?
00:26:43Go on.
00:26:43Ask him to dance.
00:26:45Have a heart.
00:26:45Hey, look, have you finished?
00:26:48I've had enough.
00:26:50I'm gonna go.
00:26:51This music's getting on my nerves.
00:26:52I love you, Andy.
00:26:53I love you more than anything else in the world.
00:26:56I love you, Andy.
00:26:56I love you, Andy.
00:26:57I love you more than anything else in the world.
00:27:00I love you, Andy.
00:27:05I love you more than anything else in the world.
00:27:21I love you more than anything else in the world.
00:27:23I love you.
00:27:25I love you.
00:27:27I love you.
00:27:32I love you.
00:27:32I love you.
00:27:33I love you.
00:27:35It's okay, if you're tired, it's happened before, it'll pass.
00:28:05It's okay, if you're tired, it'll pass.
00:28:35It's okay, if you're tired, it'll pass.
00:29:05It's okay, if you're tired, it'll pass.
00:29:35It's okay.
00:30:05It's okay.
00:30:07It's okay.
00:30:09It's okay.
00:30:11It's okay.
00:30:13It's okay.
00:30:15It's okay.
00:30:17It's okay.
00:30:19It's okay.
00:30:21Let's go.
00:30:23Let's go.
00:30:25Let's go.
00:30:27Well, it's a good thing you came.
00:30:37I guess I should say thanks.
00:30:39You don't have to.
00:30:41Thanks, anyway.
00:30:43You know, you shouldn't go around by yourself.
00:30:49It's asking for trouble, especially dressed like that.
00:30:53I can't have any fun shutting a bungalow.
00:30:57It's your life.
00:30:59Do what you want.
00:31:01What are you doing?
00:31:03Offering you a little hospitality.
00:31:05Here.
00:31:06Have a drink.
00:31:15Good.
00:31:16You're the captain.
00:31:17Looks after you.
00:31:18Great.
00:31:19Here.
00:31:20No, you're welcome.
00:31:21No, no, no.
00:31:23No, no, no.
00:31:24They're Desai.
00:31:26What are you doing?
00:31:27Offering you a little hospitality.
00:31:28Here.
00:31:29Have a drink.
00:31:32I
00:31:50Feel that
00:32:02You there?
00:32:10Grilla?
00:32:17Grilla?
00:32:21Grilla?
00:32:24Grilla!
00:32:32Grilla?
00:32:38Grilla?
00:32:40No.
00:32:42There's no sign of her on the beach. The bungalow's empty. She's disappeared.
00:32:47She's probably gone off exploring the island.
00:32:51I expect you're right. Thanks, Consuelo.
00:32:54Ciao.
00:33:03Ciao.
00:33:05Where the hell have you been? I looked all over for you.
00:33:08I got bored here all along. So I took off to look around, alright?
00:33:12Well, you'd have had more fun if you'd been with me.
00:33:21Joanne knows the island like the back of her hand.
00:33:24I took some magnificent pictures. Things I'd never have found without her.
00:33:33Andy.
00:33:34Yeah?
00:33:36I got to tell you something.
00:33:37Go ahead, shoot.
00:33:39Let's go away from here.
00:33:41Why? Something the matter?
00:33:43Yeah. Let's go away.
00:33:46We can't yet. I still have photos to do.
00:33:50Besides, I got a little money in advance.
00:33:53I can't let the magazine down. I'd never work again. No way. Forget it.
00:33:57Well, I can't forget it. I want to go away.
00:34:00I want to go back to America.
00:34:04You're not being reasonable.
00:34:09I know, but I can't stay here another minute.
00:34:12I suppose it's my fault, huh?
00:34:14No, of course not.
00:34:17I'll be alright again soon, I swear.
00:34:20No, it's... there's nothing to do with you. I don't know. It's just...
00:34:24Look.
00:34:26I'm counting on the erotic atmosphere of this place to do the trick, and I'm sure it will.
00:34:30It's only a question of time.
00:34:32I know it.
00:34:35All you have to do is be patient.
00:34:38Just a little longer.
00:34:40We'll be happy again.
00:34:42And then...
00:34:43And then I'll be able to give you what you need so badly.
00:34:45And then I'll be able to give you what you need so badly.
00:35:13Get out of here.
00:35:15There we are.
00:35:16Let's go.
00:35:17Let's go.
00:35:19Let's do it!
00:35:22Let's go.
00:35:24Choo!
00:35:25Nothing.
00:35:27No.
00:35:29Let's go.
00:35:30Yeah, you're good to see this.
00:35:32Come on.
00:35:34I'm sorry.
00:35:35Everything okay, folks?
00:35:51Oh, yes, thank you.
00:35:52I could get addicted to this.
00:35:54Fine, Consuelo.
00:35:55Thanks.
00:35:57Food is the only health device.
00:35:59What about sex?
00:36:02Right.
00:36:03But who remembers that anymore?
00:36:05Yes, I do.
00:36:10One day I guess I'll get another chance.
00:36:35One day I'll get another chance to get drunk, but I guess I'm the only one who hasn't got one.
00:36:42Does that mean you think I have one?
00:36:49Criola.
00:36:57What is this, the game of truth?
00:37:04No one ever tells the truth.
00:37:06No one ever tells the truth, even jokingly.
00:37:14There are a couple exceptions.
00:37:15Of course, you include yourself in that sweeping statement.
00:37:21I don't know.
00:37:29I don't know.
00:37:31I don't know.
00:37:32But I'm trying to.
00:37:34Since I quit writing that crap about love, I've stopped looking for it.
00:37:40Of course, these days of the script.
00:37:41But we have never done a part of the script.
00:37:50Ah, the broken hearts.
00:37:53Uh-huh.
00:37:53Hmm.
00:37:54Hmm.
00:37:55Mm.
00:37:59Hmm.
00:37:59Hmm.
00:38:02Ugh.
00:38:04Hmm.
00:38:06Hmm.
00:38:07Hmm.
00:38:09Hmm.
00:38:09I was sure you'd come.
00:38:14You were?
00:38:16Mm-hmm.
00:38:17You want to make love with me again?
00:38:21Yes.
00:38:26Well, not today.
00:38:31What are you afraid of?
00:38:33That your woman will find out?
00:38:37Well, answer me!
00:38:39Iris doesn't enter into this.
00:38:41And I decide when I make love.
00:38:52Are you quite sure you don't want to come with us?
00:38:55No.
00:38:56I prefer to stay here and keep consuel about your name.
00:39:00Okay.
00:39:03I'll try not to be late.
00:39:04I told you that's the way it was.
00:39:05Bye.
00:39:05Hey, I'm always right.
00:39:08It's not true.
00:39:10I'm open this thing.
00:39:12I'm talking about us.
00:39:14Goodbye, I'll beiese.
00:39:14Goodbye, I'll beologie.
00:39:15Bye, I'll be sprite.
00:39:16Bye.
00:39:17Bye.
00:39:18Bye.
00:39:19Bye.
00:39:20Bye.
00:39:21Bye.
00:39:23Bye.
00:39:26Bye.
00:39:27Bye.
00:39:28Bye.
00:39:31Bye.
00:39:35Bye.
00:39:35Bye.
00:39:36Bye.
00:39:36Bye.
00:39:37Bye.
00:39:37Bye.
00:40:08It's exactly four hours.
00:40:10What? Have we been driving around?
00:40:14Since you made a sound change.
00:40:17Sorry, Joanne, but the places you've shown me have been so...
00:40:20so dazzling that I was too busy to talk.
00:40:24You forgot to mention Criola.
00:40:28She's the real reason for this.
00:40:30Oh, you always find the truth, don't you?
00:40:33I'm desperate.
00:40:34She's changed.
00:40:35And if I don't get her away from this place, I'm afraid...
00:40:38I'm bound to lose her.
00:40:40You better hurry or you'll be too late.
00:40:44I'll take you back.
00:40:45I bet you're enjoying it.
00:40:50Joanne gave me one too with a dedication.
00:40:51I saw my eyes out.
00:41:10For a romantic novel, it's not bad.
00:41:16Is a model a fun thing to be, Criola?
00:41:20I wouldn't recommend it to my friends.
00:41:22But I'm not complaining.
00:41:24I asked because when I was a little girl, I dreamed of being a dancer or model.
00:41:28But I ended up with overweight tits.
00:41:30So you snuck away to live on an island.
00:41:36Well, here at least they appreciate my boobs.
00:41:40Here comes a customer.
00:41:42Oh, it's Marco.
00:41:43You know him?
00:41:45Yeah.
00:41:45Hi, Marco.
00:41:46Hi, Criola.
00:41:47I imagine bumping into you here.
00:41:49Did you just get here?
00:41:49Yeah.
00:41:50Wow, it's great.
00:41:51Yes, can I help you?
00:41:53Oh, I need a place to stay.
00:41:56I have a vacant room here.
00:41:57Fine.
00:41:57If it isn't too expensive.
00:41:59Don't worry.
00:42:00It won't bankrupt you.
00:42:01I'll go make your bed up.
00:42:03Okay.
00:42:04That's a bit of good luck.
00:42:05More than you bargained for.
00:42:08Listen.
00:42:10I have some important news for you.
00:42:11Very important.
00:42:12I may know where your girlfriend is.
00:42:15Iris.
00:42:16You mean you found her?
00:42:17Yeah.
00:42:18Oh, God.
00:42:27You.
00:42:29Who is it?
00:42:31Don't worry.
00:42:32What do you want?
00:42:34I came to take you back.
00:42:37You made the trip for nothing.
00:42:39I'm sorry.
00:42:40Leon, where are you going?
00:42:43I am leaving.
00:42:45But why?
00:42:46You're not the one who has to leave.
00:42:48Go away.
00:42:49Go back where you came from.
00:42:50Go on, get out.
00:42:52Leon, throw him out.
00:42:54Do something.
00:42:55I am.
00:42:57Leon.
00:42:59Leon.
00:43:01Don't go.
00:43:04Damn you.
00:43:05Why?
00:43:06Why did you come here?
00:43:07Because I still love you.
00:43:10And I'm not leaving without you.
00:43:14Don't you understand, Marco?
00:43:16I'm no longer the girl that you knew.
00:43:20Now I'm another person.
00:43:22I love another man.
00:43:24I'll wait.
00:43:25I'm patient.
00:43:27Iris, you'll get over it once we're together again.
00:43:30I'm not leaving this island without you.
00:43:32Can I stay on board?
00:44:00I'll get this straight.
00:44:15This time.
00:44:17Must be forever.
00:44:18I know.
00:44:26So?
00:44:28Stay.
00:44:40She's not a Consuelo.
00:44:41She's not on the beach.
00:44:42She's gone.
00:44:44There's no other explanation.
00:44:45I knew it.
00:44:46She's gone back to the States.
00:44:51How?
00:44:52Wearing a pareo?
00:44:54Andy, look.
00:44:56She hasn't gone.
00:44:57Her stuff's still here.
00:45:09Andy.
00:45:11You're not to worry.
00:45:12I'm sure that Criola will soon come back.
00:45:15Do believe me.
00:45:20I've got to be off now.
00:45:22So long.
00:45:23See you at dinner?
00:45:24I'll see you at dinner.
00:45:37Well, I don't drink.
00:45:39I don't drink.
00:45:40I'll drink it.
00:45:40I'll just hurry up.
00:45:41You puerta.
00:45:42I don't drink.
00:45:42Very late.
00:45:44I don't drink.
00:45:44Sometimes I drink.
00:45:45I'll drink.
00:45:46Life.
00:45:47December.
00:45:49Yes, I'll end it safe.
00:45:50Have you left?
00:45:51I don't know.
00:45:52I'd never Next time.
00:45:53Yes, sir.
00:45:53Have you seen Leon?
00:46:00Sorry.
00:46:12To the stern.
00:46:14I want a word with him.
00:46:16I'll leave you two together.
00:46:17Wait.
00:46:18What do you want?
00:46:20Iris.
00:46:21Iris?
00:46:22You got her.
00:46:24You know what, Iris?
00:46:26Iris is free to do what she wants.
00:46:28Adios.
00:46:29You got her.
00:46:31You got her.
00:46:32You got her.
00:47:36No, it's not true.
00:47:42I don't believe you.
00:47:45You're only saying that to convince me to come with you.
00:47:49I tell you, I saw them with my own eyes.
00:47:51It's true.
00:47:53Forget him.
00:47:56You'll suffer a little at first, but then it'll pass.
00:47:59I'll help you to forget.
00:48:05No, I don't want to forget.
00:48:07It doesn't make sense.
00:48:09Why don't you believe me?
00:48:10He's with someone else now.
00:48:14It's over.
00:48:16Don't you understand?
00:48:17He'll get tired of her quickly.
00:48:20It's already happened other times.
00:48:24I know him.
00:48:27It's me he loves.
00:48:30I'll wait.
00:48:31Oh, Christ.
00:48:34Oh, Christ.
00:48:34Oh, Christ.
00:48:35Oh, Christ.
00:48:37Oh, Christ.
00:48:38Oh, Christ.
00:48:39THE END
00:49:09Get out of here and stop bothering the customers
00:49:15So this isn't the very first?
00:49:23No, it isn't the first time, but she came back in the past
00:49:26Playing with fire, one can be burned in the end
00:49:30I blame myself, my unnatural desire to see the excitement men get in seeing a
00:49:37And seeing a naked woman
00:49:40Perverted, I guess
00:49:42I proposed it to her
00:49:45I must be an asshole
00:49:47Because now she's gone for good
00:49:49She did it because she knew you liked it
00:49:53Not for herself
00:49:54She's not the kind of woman who sleeps around a lot
00:49:58Are you serious?
00:50:00Yes, I am
00:50:02Whatever she became was to please you
00:50:05She realized simply that she had to go to bed with other guys
00:50:09In order to try to keep your interest in her going
00:50:11And look what happened
00:50:13Fate set a trap for her
00:50:15Oh, God
00:50:15Now I'm the one who went and trapped her
00:50:18Yep
00:50:21Now you're trapped
00:50:22It started as a game, that's all
00:50:25It wasn't serious
00:50:28Games can be dangerous to play if you don't keep to the rules
00:50:33Good evening
00:50:38Good evening
00:50:39Where can I find Consuelo?
00:50:40Back there, in the kitchen
00:50:41Thanks
00:50:43Hey, you've forgotten?
00:50:45We met one night in Santo Domingo
00:50:47I'm married to Creole
00:50:49Oh, yes
00:50:50Now I remember you
00:50:51Hi
00:50:52I'm, uh
00:50:53I'm sure she'll be delighted to know you're here
00:50:55She already knows
00:50:57But you mean to say you
00:50:59You've seen her?
00:51:01Yes
00:51:01Briefly
00:51:03Yeah, but where?
00:51:04You haven't said
00:51:05I have to know immediately
00:51:07Surely you can guess
00:51:16She's on
00:51:19Leon's boat
00:51:20Don't go
00:51:25Don't go
00:51:25I have to
00:51:26Don't go
00:51:29God
00:51:30God
00:51:32God
00:51:34God
00:51:35God
00:51:37God
00:51:37God
00:51:39God
00:51:41God
00:51:42God
00:51:48God
00:51:49You're hurting me.
00:52:02You're hurting me.
00:52:19Where can I find Leon?
00:52:26Leon's gone fishing, senor.
00:52:28In his boat.
00:52:29Thanks.
00:52:49You're hurting me.
00:53:19Put it in the pail.
00:53:44You know how to cook it?
00:53:49No.
00:53:50You'll have to learn.
00:53:56Hey.
00:53:57What are you doing here?
00:54:03Criola?
00:54:04Criola?
00:54:05Criola?
00:54:06Criola?
00:54:07Criola?
00:54:08Criola?
00:54:09Criola?
00:54:10Criola?
00:54:11Criola?
00:54:12Criola?
00:54:13Criola?
00:54:14Criola?
00:54:15Criola?
00:54:16Criola?
00:54:17Criola?
00:54:18Criola?
00:54:19Criola?
00:54:20Criola?
00:54:21Criola?
00:54:22Criola?
00:54:23Criola?
00:54:24Criola?
00:54:25Criola?
00:54:26Criola?
00:54:27Criola?
00:54:28Criola?
00:54:29Criola?
00:54:30Criola?
00:54:31Criola?
00:54:32Criola?
00:54:33Criola?
00:54:34Criola?
00:54:35Criola?
00:54:36Criola?
00:54:37They're the two?
00:54:37How heard the call?
00:54:38Criola?
00:54:38Criola?
00:54:39Criola?
00:54:41Criola?
00:54:41Criola?
00:54:43Criola?
00:54:44Criola?
00:54:45Criola?
00:54:45It's 42?
00:54:47Criola?
00:54:48Criola?
00:54:48Criola?
00:54:49What do you mean?
00:54:51It's all my fault.
00:54:53Criola?
00:54:54Criola?
00:55:03It was just a criticism from theuma.
00:55:06I have more desire to go on! It's finished!
00:55:09You don't know what you're saying! You're coming back!
00:55:11No! Yes! No!
00:55:13It can't be finished! God damn it!
00:55:16Leave me alone!
00:55:18It's finished!
00:55:20With Leon, I'm alive! He satisfies me!
00:55:22No! No!
00:55:24I don't want to...
00:55:28I'm terribly sorry, Ant.
00:55:31Really.
00:55:33It's ridiculous!
00:55:36It's ridiculous!
00:55:40My life is meaningless without you!
00:56:03I'm sorry.
00:56:05I didn't mean to disturb you, but I just wanted something to drink.
00:56:10No problem. Really.
00:56:12I don't mind having a break.
00:56:14Why don't you stick around?
00:56:17You might even keep us company if you like.
00:56:23Thanks. But not tonight.
00:56:25Maybe some other time.
00:56:27I'm not in the best of moods.
00:56:37Oh.
00:56:39I invented this.
00:56:40I call it gin-balling.
00:56:43It's a very silly game.
00:56:44Hmm?
00:56:45Hmm?
00:56:46For what?
00:56:47Serves to calm the nerves.
00:56:49Try it.
00:56:50Okay.
00:56:53Mmm.
00:56:54Mmm.
00:56:55Okay.
00:56:57Tell Mother everything.
00:56:58I'm all ears.
00:56:59Look.
00:57:00I have no intention of fighting with you.
00:57:02You're a kind, sweet patient.
00:57:03Okay.
00:57:04Get to the point.
00:57:05The question is, will she tire of that dope?
00:57:06That's what you want to know.
00:57:07Is that it?
00:57:08She's bound to tire of it.
00:57:09She always does.
00:57:10This plays...
00:57:11Plays tricks on one sometimes.
00:57:12Even I felt once, you know?
00:57:13There's no truth in all that shit.
00:57:14I surely don't need to prove it, do I?
00:57:17You're up against an example.
00:57:19And you know it.
00:57:20It's a very difficult time.
00:57:21You know it.
00:57:22And it's a very difficult time.
00:57:23You're not going to watch it.
00:57:24But I'm not going to watch it.
00:57:25The question is, will she tire of that dope?
00:57:27That's what you want to know.
00:57:28Is that it?
00:57:30She's bound to tire of it.
00:57:31She always does.
00:57:33This plays...
00:57:34Plays tricks on one sometimes.
00:57:35Even I fell once, you know?
00:57:36There's no truth in all that shit.
00:57:38I surely don't need to prove it, do I?
00:57:39it's not a person who casts a spell on one at all but this island it intoxicates people's minds
00:57:47it may not be happiness god only knows happiness it's hard enough to find anywhere
00:57:52but it's a narcotic that makes them feel they found paradise
00:57:56yeah it's blinded even creola she used to hate dirt invention of squalor made her sick for days
00:58:05mm-hmm a burden it's usual when they eventually rebel that's it
00:58:11they reject the previous moral values they had and abandon themselves falling into the arms of
00:58:18someone like leon but you see i can't understand how she could learn to make love like that
00:58:23oh yes you can please right let's not say anymore you want to sit here all night
00:58:35that's not going to do any good
00:58:58hey what's the matter you've suddenly developed morals
00:59:04i'm as immoral as you are but there is such a thing as the right moment
00:59:12night it's way past my bedtime
00:59:16is it ready
00:59:36is it cooked
00:59:39there's a time for love
00:59:44there's a time for food
00:59:46now we eat
00:59:49you
00:59:50the
00:59:53you
01:00:00you
01:00:04you
01:00:05you
01:00:09you
01:01:11La otra noche te esperé bajo la lluvia dos horas, mil horas como un perro.
01:01:19Y cuando llegaste me miraste me dijiste loco, estás mojado, ya no te quiero.
01:01:26Hace frío, estoy lejos de casa, hace tiempo que estoy sentado sobre esta piedra.
01:01:35Yo me pregunto para qué sirven las piedras, tengo un boquete en el pantalón, vos estás tan fría como la nieve a mi alrededor, vos estás tan blanca que ya no sé qué hacer.
01:01:51La otra noche te esperé bajo la lluvia dos horas, mil horas como un perro.
01:01:59Y cuando llegaste me miraste me dijiste loco, estás mojado, ya no te quiero.
01:02:07Ha, ha, ha.
01:02:11Oh, ooh.
01:02:14Bomba.
01:02:16Bomba.
01:02:17I don't know anymore, Iris.
01:02:34How can you humiliate yourself this way?
01:02:38How can you accept all this?
01:02:39Because I love him like I never loved anyone.
01:02:42How about us then?
01:02:44Don't I count for anything?
01:02:45Perhaps you've forgotten that we were supposed to get married in a month.
01:02:50You don't understand, Marco.
01:02:52I'm not able to leave Leona.
01:02:54My God.
01:02:55How is this possible?
01:02:58Go away from here.
01:02:59It's useless.
01:03:02I'll never give Leona.
01:03:04For any reason.
01:03:05Go away from here.
01:03:35Like a beer?
01:03:41Sure.
01:03:44There's got to be a better life someplace.
01:03:47Right.
01:03:48I wonder if all tropic paradises are such hell.
01:03:54That bastard fucks our women.
01:03:57And we are here getting drunk.
01:04:05If only we had any guts.
01:04:08We'd do something about it.
01:04:09We'd do something about it.
01:04:11It's awful.
01:04:13I'm too late.
01:04:14Let's go and see.
01:04:15We'll see you in the next morning when we get drunk.
01:04:16Let's go and see you in the next morning.
01:04:18We're going to get late.
01:04:19Let's go and see you in the next morning.
01:04:33Oh, I'm pretty much.
01:04:33I'm pretty much.
01:04:34I'm pretty much.
01:04:35I'm pretty much.
01:04:36Well, I'm pretty much.
01:04:37Don't look at me like that.
01:04:45I was just admiring you.
01:04:48Then don't admire me that way.
01:04:51Are you alone?
01:04:53Why?
01:04:55Tomorrow morning I go.
01:04:57I thought I should tell you that I'd like to hire the boat from Leon.
01:05:05I'm mad about you.
01:05:07Nothing can make me change ever.
01:05:12I put your things in a bag.
01:05:15What do you want me to do with it?
01:05:17Whatever you want.
01:05:19What do I do?
01:05:21Keep it?
01:05:24Burn it. I'm not coming back.
01:05:27You're lying.
01:05:30Hey, what do you want?
01:05:33I need you, Leon.
01:05:38A ride to the mainland so I can fly out to America.
01:05:42I want to hire the boat tomorrow morning.
01:05:45Marco's also going.
01:05:47And I want it to be a party, so bring Creole along as well.
01:05:50It's better if Creole stays at home.
01:05:57She's got work to do.
01:05:59And I want something to eat when I get back.
01:06:04Anyway, it's okay.
01:06:06I'll accompany you.
01:06:07Don't you realize the life you're leading?
01:06:25I'm fine here.
01:06:34Come back with me, Iris.
01:06:38No, Marco.
01:06:39Not now, not ever.
01:06:42And for heaven's sake, don't ask me again.
01:06:45Now leave me alone.
01:06:47I have work to do.
01:06:50You win.
01:06:51Okay.
01:07:21Let's go.
01:07:46I hope it's enough.
01:08:06Don't worry.
01:08:07No problem.
01:08:08It's surely more than enough.
01:08:10I'm looking for Mark.
01:08:11He's not here.
01:08:13He left with Leon and Andy.
01:08:14Oh, my God.
01:08:16I have a terrible feeling.
01:08:18He came to me this morning and he had a strange, evil look in his eyes.
01:08:22He said some awful things about Leon yesterday when he was drunk.
01:08:27But when I saw him this morning, he wasn't drunk.
01:08:34Hey, what's all the mystery?
01:08:37Let me in on it.
01:08:38Me?
01:08:39Let's go.
01:08:39Let's go.
01:08:39Oh, my God.
01:09:09Oh, my God.
01:09:39Oh, my God.
01:10:09There must be something caught in the propeller.
01:10:20I'm going down to have a look.
01:10:39Come on, let's go.
01:10:51Come on, let's go.
01:11:03Come on, let's go.
01:11:15Come on, let's go.
01:11:25Consuelo?
01:11:27Have you seen Iris?
01:11:29She and Cruella were very upset.
01:11:31They left.
01:11:32Cruella.
01:11:34What the hell's going on?
01:11:36Nothing.
01:11:37Iris!
01:11:48Iris!
01:11:50Iris!
01:12:02Iris!
01:12:03Iris!
01:12:04Iris!
01:12:05Iris!
01:12:06Iris!
01:12:07Iris!
01:12:08Iris!
01:12:09Iris!
01:12:10Iris!
01:12:11Iris!
01:12:12Iris!
01:12:13Iris!
01:12:14Iris!
01:12:15Iris!
01:12:16Iris!
01:12:17Iris!
01:12:18Iris!
01:12:19Iris!
01:12:20Iris!
01:12:21Stop it.
01:12:22You've got no call.
01:12:24Exactly what are you trying to do to me?
01:12:26Leon, just stop and think of the position he's in.
01:12:27That man's finished because of you.
01:12:28Losing the one thing he cared about, he risked losing his mind.
01:12:29And I risk losing my life.
01:12:30Parker didn't really mean to kill you.
01:12:31It was pure desperation.
01:12:32Surely even you can comprehend that.
01:12:33You must have been in love at least once in your lonely life.
01:12:34So much it made a fool of you, Leon.
01:12:35No.
01:12:36Funny.
01:12:37I'm not proud of the man I see when I look in the mirror and see myself.
01:12:38But from now on, I'll be glad to say, at least I'm not like him.
01:12:43At least I'm not like Leon.
01:12:44No.
01:12:45I'm not proud of the man I see when I look in the mirror and see myself.
01:12:48But from now on, I'll be glad to say, at least I'm not like Leon.
01:12:51I'm not like Leon.
01:12:52You sure of it?
01:12:53They must have worked themselves up into a jealous frenzy.
01:12:55I'm sure of it.
01:12:56And then, do you find yourself that I've been a man who made a fool of you?
01:12:59No.
01:13:00Funny.
01:13:01I'm not proud of the man I see when I look in the mirror and see myself.
01:13:03But from now on, I'll be glad to say, at least I'm not like Leon.
01:13:09They must have burned themselves up into a jealous frenzy, I'm sure of it.
01:13:23I don't think they meant to kill Leon, really.
01:13:25It's an ugly story.
01:13:28I never thought he would go that far.
01:13:31You're wrong about Andy.
01:13:33He loves you more than anything else in the world.
01:13:36He'd do anything to get you back, anything at all.
01:13:38He's changed, you know.
01:13:42You think so?
01:13:45You see, my dear, it's my duty to try and open your eyes.
01:13:49But my eyes are wide open.
01:13:52Thanks.
01:13:54Joanne, don't you understand?
01:13:58I love Leon.
01:14:00And I won't leave him.
01:14:02You think you love him, but you don't really.
01:14:05You're still hurt and angry with poor Andy.
01:14:09Because he threw you into the arms of that wretched animal, Leon.
01:14:14You're punishing him with this affair.
01:14:16But you're punishing yourself at the same time.
01:14:19What do you suppose it'll be like in two or three years?
01:14:21Still happy?
01:14:22Sounds like a banal line from one of your books.
01:14:28Yes, it is banal.
01:14:30But the truth often is.
01:14:32I honestly think it's time you took stock of your life, Criola.
01:14:35And faced up to it.
01:14:37The truth may hurt you.
01:14:39So you need courage.
01:14:40Hello, Andy.
01:14:56We thought...
01:14:57We thought that island would help us escape from reality.
01:15:05We must accept the place assigned us on this earth.
01:15:12Come here.
01:15:24You were right, Jack.
01:15:26There's magic everywhere here.
01:15:28Kiss me.
01:15:30It's in the very air.
01:15:32Can't you feel it?
01:15:33Yes, I know that if we stay here long, something wonderful will happen to us.
01:15:40They say these islands cast a spell on lovers.
01:15:51We're getting...
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