- 6 days ago
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00:30We've called Wes on the pitch, big stick like Vinny and a dinger, active on the lip, got the polyfrog, straight from a ship, then we cut it into slates, take cash, no tick, and the batch gets flipped and the bunny flows real with me brother, man.
00:41I want him gone.
00:42Dead.
00:44Needs to be shone.
00:46Al?
00:48I don't care, Al. I want it done.
00:53If this is the way you want to go, Jay, you've got to be clever about it, lad.
00:56What do you mean by that?
00:57Yeah, well, things smart. Right? Taking the container was genius. Yeah, it was safe.
01:03But guns and shit, bro, it's different.
01:05What do you want to be, boys?
01:07Happy.
01:08I'm just saying, aren't I?
01:11I'm a grafter, Jay, not a shooter.
01:14He stabbed me dad through the fucking heart.
01:16Yeah, I believe you.
01:17So I want him dead.
01:18Yeah, and I'm asking out cos I'm not doing it and Blink won't do it, lad.
01:20All right, then, who do you know?
01:22Or a shooter?
01:23Yeah, who's game?
01:24Yeah, who's game?
01:25Can I go, Jay?
01:29I'm shitting myself, lad.
01:31I saw weed.
01:32I've had a lemma at the festivals, you know what I mean?
01:34Like, I can't do this.
01:36Fucking get out of me sight, you.
01:37Go.
01:47Jay, I won't say nothing to nobody.
01:48Get out, Blink!
01:55Calm down.
02:11Who do we know?
02:13You can't trust.
02:16Do you want me to be honest with you, Jay?
02:18What then?
02:21It's gotta be you.
02:24After us losing the lemma, after the fight and that, yeah.
02:27Needs to be you, lad.
02:30Gotta show them that you're game, who you are.
02:32And you've gotta be cold about it, because now it's expected.
02:41Can you get hold of a clean gun?
02:43I'll use it, but you destroy it, no returns.
02:47I can get hold of a conversion, yeah.
02:48It'll do the job.
02:56I've got no choice, have I?
02:57I'm not walking away.
02:58I've got no choice, guys.
03:00I have to stay.
03:00I'm not walking away.
03:02I need to go there.
03:05I need to go there, lad, and thatHH.
03:08Good man.
03:09I'm outside.
03:32Are you going to let me in?
03:39Are you alone?
03:43I'm in the car with Rachel.
03:46Are you at arms?
03:48Well I have a sharp tongue.
03:52Let's open the gate.
04:05In the kitchen.
04:09Tea.
04:10Coffee.
04:14What happened to you?
04:15You're Jamie.
04:16That's what happened.
04:18Well he thinks you killed his father.
04:23Did you?
04:25No.
04:27Elaine.
04:28There's over a hundred firms in the Costa del Sol.
04:31Ronnie had beef with at least half of them.
04:33And now it turns out he was a dirty grass.
04:36Even more reason for him to be dead.
04:39Who told you that?
04:40Does it matter?
04:41People will say anything now he's gone.
04:43I expected better from you.
04:45Well was he?
04:46Did you know?
04:47He wasn't.
04:52He wouldn't.
04:53He wasn't.
04:54Can this be resolved?
04:57I've lost Ronnie.
04:58I don't want to lose Jamie.
05:00He won't play by the rules.
05:02And once these things start they're difficult to stop.
05:05Where's Diana?
05:14Tell your Jamie to expect graffiti.
05:27No shit out son of a grass.
05:30You know what kids are like.
05:32Michael please don't hurt him.
05:40I'll pay you.
05:41At least half of what you've got's mine already.
05:43Then take it all.
05:45He's all I've got.
05:46Then I feel sorry for you.
05:49You kill him you'll have to kill me.
06:02What did he say?
06:19He didn't listen.
06:20Oh he listened.
06:22He just gave an answer I didn't want to hear.
06:28I'm going to ask Jamie to walk away.
06:32We've got our own money.
06:33We've got properties.
06:34He's not going to walk away empty handed.
06:36He won't do that.
06:37He wants to be his father.
06:38Well he's going to have to do it.
06:44I think we need to do something.
06:47You and me.
06:48Take some kind of control.
06:52Control of what?
06:53Of the business.
06:54Look even if it's only temporary.
06:56We can do it.
06:58Both Jamie and Michael are desperate for money
07:00and I've told Bobby I'm not happy about giving it to either of them.
07:03And it's in my gift to give it.
07:05Our gift.
07:06We hold the cash.
07:08We control the bank accounts.
07:09We press the button.
07:11It's our names on the paperwork.
07:14Never thought of it like that.
07:17It's never been an issue.
07:21And what's Michael without his money?
07:23What's Michael?
07:34He's not in.
07:38I don't know.
08:08The pizza's being ordered, lad. We're ready to collect later. Oven fresh.
08:28Nice one.
08:38About half of what I've pulled together we owe to the Amigos, their share of the profit we would have made from the lost shipment.
08:54Lost or stolen.
08:56The other half is to be used to buy a new shipment from wherever.
09:00That's what Michael wants to do.
09:01And Jamie, yeah.
09:02I know yous don't want to worry, but if we're talking strictly business, Michael is still our best bet.
09:10The Amigos like him.
09:12And he trusts them.
09:13We can go somewhere else.
09:14It is allowed.
09:15With Jamie as the front man.
09:18And it's not just about Jamie.
09:21Who she got surrounding him.
09:24Do we know we can trust them?
09:26He's surrounded by us, Bobby.
09:29Why not?
09:31What can Michael Kavanagh do that we can't?
09:33This family?
09:34Ronnie's family?
09:35You want to get the shooters out, do you?
09:36No, I don't want to get the shooters out, but I'm not putting my future, our future, in the hands of someone I don't 100% trust.
09:43We can do anything Michael can do, and more.
09:45We can pay off the debt.
09:47He can't.
09:47Yeah, using money that Michael earned.
09:49Money we all earned.
09:51And that's my point.
09:53He's not in charge unless we all follow.
09:59If you disagree, Bobby, say so.
10:01Okay.
10:02Two things.
10:03One, do we want the asshole?
10:05What is it we've got at the minute?
10:06And she...
10:06Well, but that's the point, though, isn't it, Rach?
10:09Who is the source of the asshole?
10:11It's Jamie.
10:14How do you control him?
10:16How can you trust him when he goes behind Ronnie's back, when he agrees to a straightener and ignores the outcome?
10:24No offence, Elaine.
10:26How can you trust him?
10:27I know.
10:28He's the fucking wooden spoon.
10:29I know.
10:34We set boundaries.
10:36But, aren't he?
10:37He's, what, on a naughty step?
10:38He at least needs to tell us what he's thinking.
10:40Won't happen.
10:41And we need to listen, Bobby.
10:43And then he needs to listen to our advice.
10:46Well, that much he'll do.
10:47We don't want him shot up.
10:50And we don't want him banged up as a lifer.
10:54Then you need to involve Melissa.
10:57She's just a kid.
10:58Mum, she's his fiancée, Elaine.
11:02And she's the mother of his baby.
11:04If we're going front and centre, that's what's at stake.
11:09It puts us all on the front line.
11:11Hello?
11:20Hello, babe.
11:23It's me.
11:24I need to see it.
11:25It's important.
11:27I need to know you're safe.
11:29I am safe.
11:30Okay.
11:32How do I know that you're safe?
11:33I'm staying at a friend's and I'm fine.
11:39I think you should leave town.
11:41For a few days.
11:43Are you deliberately trying to frighten me now?
11:46No.
11:52Then leave me alone.
11:54Just to think.
11:57I'll call you.
11:59Soon.
12:03Who's he afraid of?
12:10Be nice to know who you should avoid.
12:16I mean, it's probably Jamie Phelan.
12:19And you should leave town.
12:22And not come back.
12:27Can I ask you a question?
12:29Yeah, of course.
12:32Ask.
12:33If you know what they're like,
12:40why are you surprised at what happened to Davie?
12:47He told me he was fed up with life inside the gang.
12:53He told me he loved me.
12:55And he wanted a different future.
12:57And he told me he had a big lump of money coming his way.
13:02I could well be angry because I allowed myself to believe him.
13:11But you're right.
13:13I shouldn't be surprised.
13:17They did what they do.
13:18Do you love him?
13:24Do you love him?
13:28Yeah.
13:28Do you?
13:40Do you love him?
13:48Do you love him?
13:50Do you?
13:50Do you?
18:03You're good to get rid of this, yeah?
18:05I'll do it now.
18:06Right, there's no comeback on this, yeah?
18:07Cars gone, guns gonna be gone,
18:09everything's in the smoke, lad.
18:10Don't worry.
18:13I think we'll be right back.
18:15I think we'll be right back.
18:37We're right back.
18:39I don't know what to do for you.
19:09I've been calling you. Where have you been?
19:12No way. What do you want?
19:14I want you to come to the house.
19:17Why?
19:18I want you to come here.
19:20Well, this is on our way over too.
19:23Why, though?
19:25Michael Kavanagh. That's why.
19:29Why? What's he done now?
19:31Nothing yet.
19:32That's what he will do.
19:34Now we stop him.
19:36Not on the phone, Mum. Just...
19:38Give him your 20 minutes. I'll be there.
19:47Where is he? What's he been up to?
19:49He's been offline half the morning.
19:51He's deaf open up to something.
19:52Bobby, we can ask.
19:55We can ask.
20:08Don't miss me, Michael Kavanagh, as I live and breathe.
20:22Don't miss me, Michael Kavanagh, as I live and breathe.
20:27OK, you as well.
20:38Complete with fancy waistcoat. What is it? Don't tell me, is it?
20:42It's Vivian Westwood.
20:45Hugo Boss.
20:46John Wick.
20:49Still single, Barney?
20:50Well, you know, mate.
20:53Married to the job.
20:54Married.
20:56Organised carant just demands my full attention.
20:58We, er...
20:59We might need to keep your car for a while, Mr Kavanagh.
21:04So what happened?
21:05No idea.
21:07I was on my way to meet a mate.
21:09And...
21:09Bang.
21:12Road rage.
21:12So, a surprise, then?
21:15A complete surprise.
21:17Totally unexpected.
21:20A complete surprise.
21:23Can I go on?
21:25Not like your mob to be so visible, is it?
21:28Hey?
21:30So where's it going wrong?
21:32Well, he's apparently dead.
21:35You've had an attempt on your life.
21:39Hang on.
21:41You're not a grass as well, are you?
21:42And you are?
21:50DI Burroughs.
21:54Is there a point to this?
21:56DI Burroughs?
21:58Cos...
21:59Well, I'd quite like to leave it out the expense of a solicitor.
22:03Yeah, there is a point.
22:04What happens next is the point.
22:09The very last thing we want is vermin like you running round on the streets.
22:12It's just shooting people.
22:14Have you got it?
22:15That's the point.
22:17What the fuck is wrong with you people is the point.
22:19You know, do you ever get a chance just to enjoy all that money that you make?
22:30I mean, I know you've got a nice house, nice car, practical clothing, but...
22:34How do you cope with being you?
22:37A twat.
22:39Is this a formal interview?
22:41Who's you fight with, Michael?
22:43It's an internal...
22:44external... boat.
22:45Right, I'm going to leave now.
22:47So if you want to stop me or arrest me, I can have a brief here in about five minutes.
22:51Does your girlfriend know what you do, Michael?
22:52What you are?
22:55It's Diana, isn't it?
22:57That's right.
22:58It's Diana.
23:00Yeah, I've read the file.
23:03Mum's in prison for killing her father.
23:05Oh.
23:05I mean, that's...
23:07That's got to cause some damage there, hasn't it?
23:13Right, I'm going now.
23:16You're bored.
23:18It's hard to expect a little visit, yeah?
23:20What do you mean by that?
23:21Could she shed any light on why you've been getting shot at?
23:24Could she talk about Ronnie's death?
23:28Could she talk about Spain?
23:29What really happened in Spain?
23:31I mean, she was there after all, wasn't she?
23:32She's vermin by association, lad.
23:39Do you know what I think I'll do?
23:40The eye boroughs, I think.
23:42I'll go to that nice restaurant that she works at.
23:45Just let them know the type of company that she keeps.
23:49Would that be me fucking her life up?
23:52Or you?
23:52It says cocaine in the back of that lad's car.
24:08I'm saying.
24:09Same.
24:12I'm waking this.
24:19Hello?
24:19Hello?
24:19Well, your face isn't as bad as I thought it might be.
24:31Yeah, I'll live.
24:32It's all this about, it's not me birdie.
24:35What are you doing here, babe?
24:37I did try and call you.
24:38We all tried.
24:40We need to talk about the business.
24:42What's the score, Jay?
24:43You lost a strain there, so...
24:46You're going to walk?
24:46No.
24:49No.
24:51You agreed to the fight?
24:52No, I didn't agree.
24:53I just couldn't say no.
24:54It gives a difference.
24:55Oh.
24:56So what now?
24:57What's the plan?
24:58It's simple, really.
24:59I'm going to buy a load of cocaine and sell it.
25:02Buy from where?
25:03You know where?
25:04What's going on?
25:06Buy with what, Jay?
25:07Because we're not handing over a penny until we know exactly where it's going
25:10and how safe it is.
25:11CVC, is this for real?
25:16Yeah, it's for real.
25:18Why wouldn't it be?
25:19Bobby, listen, you know what's happening?
25:20It's Amsterdam.
25:22Deal done and sell all within days.
25:24Not weeks.
25:25Days.
25:26What about the amigos?
25:29What she said.
25:30They're too slow and they're too expensive.
25:31We owe the money.
25:32Michael's placed another order.
25:34Well, that's his problem.
25:35But it's not, though, is it?
25:36Affects all of us.
25:37In case you're not on it, Mum, Michael murdered me dad.
25:39Well, you keep saying that, but can you prove it?
25:41I know he did.
25:42Not good enough.
25:46Ah, look.
25:47The amigos are his people, so it's his debt and it's his problem.
25:51It doesn't work like that.
25:52I don't care.
25:53What the fuck's going on here?
25:54Are we suddenly a democracy?
25:55Jamie, take your head out of the sand.
26:00Babe, come on.
26:03Listen.
26:03We propose, we accept the amigos are a business debt
26:08and we cut Michael out of the equation.
26:10We pay them direct and tell them Michael no longer represents us.
26:14That leaves us in the clear to deal with whoever we think is best.
26:22All right, well, that makes sense.
26:24Yeah, it does.
26:25It's got to be the Dan every time.
26:27Albanians.
26:28It's just business, Bobby, man.
26:30So, we've all been wrong all this time.
26:33Other families have been wrong.
26:35It's business, Bobby.
26:36And times change.
26:46It's Michael.
26:48Answer it.
26:53Hello.
26:57Bobby Duffy.
26:58How are you feeling, lad?
26:59What do you want, Mike?
27:01Nothing more for talking bollocks.
27:03Where are you?
27:04Ronnie's.
27:05Elaine's house.
27:09Don't suppose Jamie's there?
27:11Yeah, he's here.
27:14Do you want a word?
27:16Nah.
27:17Just tell him he missed.
27:19Missed what?
27:21He'll know.
27:21No.
27:21No.
27:22No.
27:29Sad to tell you, you missed.
27:33Do you take a pop, Adam?
27:35Take a pop.
27:36Fuck.
27:39What's going on?
27:41Was it you?
27:43Or one of your munchkins?
27:44Does it matter?
27:45You tried to shoot him.
27:47What is wrong with you?
27:49You said this wouldn't happen.
27:52Fuck, you know.
27:53Does it ever occur to you
27:56to just take a breath
27:58and think?
27:59Does it fucking matter?
28:00Hey, it's done.
28:01Or either
28:02it's not done,
28:03but everyone here knows
28:04it's either him or it's me.
28:10Were you careful?
28:12Were you seeing?
28:13Just as careful as you can be, eh?
28:14Yeah.
28:17Just careful.
28:18So what's going on?
28:44You have me worried.
28:47Someone has to go on me.
28:48Seven, eight shots.
28:52Jamie.
28:53Must be.
28:55What, just now, this morning?
28:57At a petrol station, yeah.
28:59To you've owned my car
29:00for another car.
29:03The busies are all over it.
29:05They'll be all over us now.
29:06Christ.
29:09The S-Stars must think it's Christmas.
29:15So do you still want to think?
29:18It's still going to take him out.
29:24He deserves you.
29:26Is that a yes?
29:29I didn't think he'd be so quick off to mark.
29:31Gotta say it, mate.
29:34Is he quick or are you slow?
29:35It's not a criticism.
29:40It's just an observation.
29:41But he was never going to play it straight, was he?
29:45Do you want me to do it?
29:46No, I didn't do it.
29:47It's my shot.
29:47It's my shot.
29:51Please go.
30:02We really do need something to settle, Mike.
30:05We're dying of slow death out there.
30:07And if taking Jamie out
30:09gets us back on track
30:10then it needs to be done.
30:17Where's the piece?
30:19That a mate's allotment.
30:23Right, I'll need a new car.
30:25I know where he is.
30:26Bobby, you know him best.
30:32Is there any, any way
30:34we could persuade him to walk?
30:36He won't.
30:38He sees himself as running successor.
30:40Oh, no.
30:42Now he's been shot at
30:43it's going to be difficult to find.
30:46You'll need to do the same thing, Jay.
30:48Stay away from your flat.
30:49Stay away from here, probably.
30:51I'm going nowhere.
30:51I'm not hiding.
30:53God's sake, Jamie.
30:54I've got a business to run.
30:55You've got a family.
30:57We can take care of the business.
30:59You're pushing me outreach?
31:01I'm not payroll anymore
31:02if that's what you mean.
31:04No, Jamie, she's just
31:05trying to keep you alive.
31:06That's all.
31:07She can't.
31:07You know, I'm beginning to see
31:08why your father kept
31:09your arm's length.
31:10Bye, Sean.
31:29So, shall we make a start
31:30and do this?
31:31I can message the amigos,
31:32tell them we're ready to pay.
31:36Bobby?
31:38That's safe enough, yeah?
31:40That's not something
31:41we can avoid.
31:44Ricardo was here
31:45in the city.
31:47He was at the fight.
31:49I'll set up a meeting.
31:51You and me.
31:52You and me.
32:05I don't know, but I don't know, but I don't know.
32:35There, man.
33:05All right, Michael, where's me dad?
33:26He's in the shed thing.
33:33Well, my friend, what can I do for you?
33:38It's more what I can do for you.
33:41They should know you are about to pay off the original debt you owe.
33:46The money is ready.
33:48A bank transfer has been requested.
33:54And according to the people requesting this transfer,
33:58you'll no longer represent them.
34:02Is it Rachel Duffy you're talking to?
34:11And her husband, yes.
34:15I represent myself Ricardo.
34:18But you should take the money.
34:20It's yours.
34:21Money earned by me.
34:24And you should know.
34:27What we agreed needs to happen will happen today.
34:33But I need my new order as soon as possible.
34:39Can you pay?
34:41Yeah.
34:42Richard, if you could insert the code and press the button.
34:48It's waiting for confirmation.
35:03So that concludes our business together, yeah?
35:20Yes.
35:21Yes.
35:22Are we all right to contact you again?
35:25In the future?
35:26Of course.
35:30It's gone.
35:31All confirmed.
35:32Excellent.
35:34Pleasure doing business with you.
35:39Fuckin' hell, bitch.
36:04Bally.
36:05Gloves.
36:06Key.
36:07Wait for me in the car soon.
36:12Ta.
36:13You sure you don't want me to do this?
36:27You've got Freddy.
36:28Exactly.
36:30It's not done.
36:31I'm out of work.
36:33My money is literally riding on you.
36:36It's done.
36:43There's a can of petrol in the boot in case you need to torch it.
36:46Try not to.
36:47It's a decent little motor there.
36:57You caught this thing?
36:58Yeah, it's a decent little motor.
36:59Right?
37:00No, it's a decent little motor.
37:01Not at all, but no.
37:02No, it's a decent little motor.
37:04Yeah.
37:05I don't want to have a phone call now.
37:06No, it's a bad-looking door.
37:07Yeah, it's a good-looking door.
37:10No, it's a good service.
37:11You'll be there and you're not going to have to do it.
37:13I can't take it.
37:23Long call it for dinner, I can't take it.
37:24I can't take it on you.
37:25I thought it surprised you.
37:29Well, you have. Mission accomplished.
37:33I've been thinking about you.
37:36Thinking about what you said.
37:38About needing to tell Michael.
37:43Do you still want to?
37:46Do you think that you should?
37:47Yes.
37:51Then do it.
37:52Tell him.
37:57And if he doesn't understand, he doesn't deserve you.
38:05Tell him.
38:08That you were protecting your mother.
38:13Tell him.
38:15That you had the strength.
38:18And the courage to do what I couldn't do.
38:23Tell him.
38:27That if it wasn't for you.
38:31I'd be dead.
38:37And tell him.
38:41That I'm forever grateful.
38:43No.
38:49That's it.
38:53Mission accomplished.
39:13Quick as you can, Jamie.
39:14Yeah, yeah. Quick as you can.
39:15Quick as you can.
39:21Quick as you can.
39:22Quick as you can.
39:23Yeah, yeah. Quick as you can.
39:24Yeah, yeah. Quick as you can.
39:53It's no bad thing to listen to Rachel and Bobby, you know.
40:02They know their business.
40:03Their business is changing.
40:04This is what I was trying to tell my half fella.
40:05But he wouldn't listen till I made them listen.
40:06Then Michael turned everything into shit.
40:07It's no bad thing to listen to shit.
40:08They know their business.
40:09They know their business.
40:10Their business is changing.
40:11This is what I was trying to tell my half fella.
40:12But he wouldn't listen till I made them listen.
40:13Then Michael turned everything into shit.
40:14Then Michael turned everything into shit.
40:45If he goes into hiding and we can't find him, what will you do then?
40:52Would you find someone close to him?
40:54Well, Banksy, do you mean?
40:57I was thinking more like Diana.
41:01He clearly loves her.
41:03Some idea, yeah?
41:14I, she hates everything.
41:31No, I know.
41:34It's and it's so uncomfortable.
41:38I can not actually define anything and don't spread a little.
41:39I have to wonder.
41:42and he can't keep his eyes open it's a motion yeah I'm talking about you little fella
42:12here's Owen we're gonna miss our turn here I bet you he's on his phone watch it you're gonna make the baby
42:31shark bites with his teeth dear scarlet pillow
42:38start to spread fancy gloves though where's McHeath dear so there's not a trace of it
43:01you all right
43:17I think so
43:19and the shark has pretty teeth dear and he shows them pearly white
43:35just a jackknight there's McHeath dear and he keeps it out of sight
43:48in the air
43:51and
43:52and
43:55and
43:59and
44:02and
44:04and
44:08and
44:09and
44:11and
44:15Oh, hi, is it? Is she in? Cheryl?
44:22No, she's out.
44:25I saw you at the funeral, didn't I? It's Diana, that's right, isn't it?
44:30Sorry, Barney Stiles.
44:34Full disclosure, it's Detective Sergeant Barney Stiles.
44:38Well, I'll let Cheryl know that you called.
44:40Okay, so you're Michael's girlfriend, aren't you? That's right.
44:45Well, funnily enough, I was with Michael just yesterday.
44:50I'll let him tell you all about it, though, because it's not pleasant.
44:55Gunfire.
45:02Well, like I said, I'll let Cheryl know that you called her.
45:05How's your mum doing, Diana?
45:08She must miss you as well, mustn't she?
45:10Well, I'm going to close the door now, so mind your big nose.
45:16Hi.
45:23Hi.
45:25Hi, this is Diana.
45:47I can't get to the phone right now, but leave a message or send me a WhatsApp and I'll get back to you.
45:53Hi, babe.
45:55It's me.
45:58I'd love to see you.
46:01I really need to see you.
46:04I'm heading to the coffee shop.
46:07I'll be there till closing.
46:12OK?
46:12I'm going to be here.
46:18I'll be there.
46:30Hello, babe.
46:49Can I get you done eating?
46:54No, no, just have a sip of your water.
46:56Okay.
46:58You okay?
47:00Yeah, I'm fine.
47:05Yeah, I'm fine.
47:10God, I've missed you.
47:12God.
47:15I've missed you too.
47:21Come.
47:22So what are we going to do?
47:38Yeah, I have genuinely no idea.
47:40Well, you know, I was thinking, hoping that we could get on the next bus to happy time.
47:50I was thinking, hoping that we could get on the next bus to happy time.
48:04Don't.
48:08Stop that.
48:10No, I mean it.
48:11No, Michael, stop it, please.
48:13I'm not stupid.
48:14Listen, Diana.
48:15Diana, listen to me.
48:16I've had enough.
48:17I know I can't do this anymore.
48:18No, you listen to me.
48:19Can you just listen to me?
48:21Can you just listen to me?
48:22Yeah?
48:23I will not do this anymore.
48:32We just shouldn't be together.
48:33Yes, we should.
48:34And we definitely should not be fucking parents.
48:36Yes, we should.
48:37I know you want to change, Michael.
48:39I know.
48:42But you can't.
48:44You can't.
48:47Like, you are what you are.
48:52Like, it's ingrained.
48:53No.
48:56I know you've tried.
48:57I know.
48:57Listen, Diana, I'm going to just walk away from everything with you.
49:01Um, now, today, tonight, I'm doing this.
49:04Why are you doing this?
49:07Because it's true.
49:13I want you.
49:15You're all I care about.
49:22I killed me, Dad.
49:31I put the knife in, just like you did to Ronnie.
49:38His blood is on my hands.
49:43I killed him.
49:49Hey.
49:51What chance does a child have that likes you and me?
49:54I allowed my mum to go to prison for something I did.
50:03Is it necessary?
50:06I mean, your mum must think so.
50:12Listen, I'm not proud of it.
50:13Well, you should be.
50:15Because from what you've told me, you deserved it.
50:17Some people do, and I get it.
50:25Maybe only I could.
50:30Diana,
50:32I love you.
50:36I might even love you a little bit more now.
50:41Christ.
50:47Why now, why not?
50:51Yesterday, or the day before.
50:54Why not in Spain?
50:55Because I'm stupid.
50:59Because now I know.
51:06Babe.
51:09I'm ready.
51:12I can't be that man anymore.
51:14You've changed me.
51:18I'm sorry, I can't.
51:20I'm not trying to be cruel.
51:23Because I'm trying to be realistic.
51:29Okay, right.
51:36I don't know what else to say.
51:40We could leave tonight.
51:41We go to the house, we pack,
51:44we leave, we're gone.
51:48We can do that.
51:58Jamie!
51:58Jamie!
51:58Jamie!
51:59Jamie!
51:59Jamie!
51:59Jamie!
52:00Jamie!
52:00Jamie!
52:00Jamie!
52:00Jamie!
52:00Jamie!
52:01Jamie!
52:01Jamie!
52:01Jamie!
52:02Jamie!
52:02Jamie!
52:08I almost killed Jamie a couple of hours ago.
52:11I should have killed him.
52:18But I couldn't.
52:21I feel like I did the right thing for you and me.
52:31Do you believe me?
52:32Do you believe me?
52:39Please.
52:42Please say something.
52:47We leave tonight.
52:52Yeah.
52:52And we don't look back.
52:59Anyway.
53:00And we don't look back.
53:05Anyway.
53:07Anyway.
53:10You name it.
53:15I wish you back.
53:16You didn't fire.
53:32I'm still here, aren't I?
53:35Why not?
53:35Why not?
53:37It was definitely Michael.
53:38Yeah.
53:40Melissa.
53:43I didn't see.
53:45He has a belly on.
53:46I was just, um, screaming and diving for the baby.
53:49I saw his fucking eyes, all right?
53:51It was Michael.
53:53Shit, myself.
53:54Is it a good thing that he's walked away?
54:00Fucking hell, Mum.
54:01What I mean is, would he rather talk?
54:03Will he come to the table?
54:05We should ask.
54:06He won't.
54:07We should ask.
54:08Oh, I could get used to that.
54:17No clue, do you know?
54:18Yeah.
54:19Quite easily.
54:20Is it done?
54:40No.
54:44No, it's not done.
54:46I'm sorry.
54:47What for?
54:49Your weakness?
54:51Wasting your time.
54:53At your request, I've been busy.
54:56Your urgent order is now imminent.
55:01I assume the order was on hold.
55:04On condition.
55:05You said as soon as possible.
55:09Are you going back on your word, Michael?
55:13I didn't give you me word.
55:14I'm apologizing.
55:18Apologies do not pay the bills.
55:20They're a fucking insult to the risks I have taken on your behalf.
55:25There's clearly been a mistake.
55:27Nothing ever fucking works.
55:28I can't do, please.
55:30All we want is to be left alone and to have a life.
55:34Your new shipment will arrive in two days.
55:36You can remind him.
55:37I can't accept that shipment.
55:46Call your friend, Banksy.
55:49Why?
55:49Call him.
56:08Hello, mate.
56:08You all right?
56:10Where is he?
56:12Where are you?
56:13Out and about.
56:14Mobile with our Freddy.
56:17He's out.
56:19In the car.
56:20Tell him to stop.
56:23With Ricardo, he wants you to stop.
56:26Stop the car and get out.
56:29Stop the car and get out.
56:32Is he messing?
56:33Just do it.
56:34Okay.
56:35Stop in the car.
56:35We're getting out.
56:40You're out.
56:42Just about.
56:42What now?
56:43Dance.
56:45He's out.
56:46Then you have to walk away and keep walking.
56:49Walk away?
56:51Keep walking.
56:52This is weird, this.
56:55Are they still walking?
56:57You're still walking?
56:57Yes.
56:58Still fucking walking.
57:00Fucking hell!
57:01What the fuck?
57:05That, it's just gone up.
57:07That?
57:07The fucking car has just gone up.
57:09What the fuck?
57:11End the call.
57:21Your first half payment is to be made tomorrow.
57:26Do not make a fool of me and the people I work for.
57:30You have cocaine, buy and sell.
57:36No more warnings.
57:41Congratulations, Diana.
57:47He has become your butterfly.
57:48It's not for me to say you love me.
58:08It's not for me to say you'll always care.
58:20Oh, but here for the moment I can hold you fast.
58:32I'll be fine if I can hold you fast and press your lips to mine and the dream that lies.
58:50Because I can hold you.
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