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00:00:30Nina Simone
00:01:00Nina Simone
00:01:30I hear some other music.
00:01:48One, two, three.
00:01:50It's not on.
00:01:51You on yet?
00:02:04Do you hear all those noises?
00:02:08Okay, that's better.
00:02:10Hello.
00:02:10Hello.
00:02:10I haven't seen you for many years since 1968.
00:02:35I have decided that I will do no more jazz festivals.
00:02:43That decision is not changed.
00:02:47I will sing for you, or we will do and share with you a few moments, after which I shall
00:02:55graduate to a higher class, I hope, and I hope you will come with me.
00:03:02We'll start from the beginning, which was about a little girl, and her name was Blue.
00:03:12you clocked Then
00:03:20and the universe is about a little more, and the song is about jealousy.
00:03:22So here we will start from the ,what happens to you again?
00:03:24That you can do anything I see that only in the world.
00:03:27For more information, love, to become early.
00:03:29You can do the third one, and have a little more.
00:03:31Thank you.
00:03:33Sous-titrage FR ?
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00:20:52Stick to the promise that you made me
00:20:55Stick to the promise that you...
00:20:58You remember this one?
00:21:02Yeah?
00:21:04You know, I made 35 albums, they bootlegged 70.
00:21:11Oh, everybody took a chunk of me.
00:21:16And yesterday I went to see
00:21:18Janis Joplin's film here.
00:21:22And what distressed me the most,
00:21:27and I started to write a song about it,
00:21:30but I decided you weren't worthy
00:21:32because I figured that most of you were here
00:21:35for the festival and you just really...
00:21:39Anyway, the point is,
00:21:42it pained me to see how hard she worked
00:21:46because she got hooked into a thing
00:21:49and it wasn't on drugs.
00:21:50She got hooked into a feeling
00:21:52and she played two corpses.
00:21:56You know what I mean?
00:22:09But true.
00:22:10If you promise me you'll be my man
00:22:18If you promise me you'll be my man
00:22:22If you promise me you'll be my man
00:22:26I'm gonna love you the best I can
00:22:29Stick to the promise that you made me
00:22:34Stick to the promise that you made me
00:22:38Stick to the promise that you made me
00:22:42That you stay away from Rosalie
00:22:45Oh, baby
00:22:47Oh, baby
00:22:47Oh, baby
00:22:49Oh, baby
00:22:51Oh, baby
00:22:53Oh, baby
00:22:54Oh, baby
00:22:55Oh, baby
00:22:56Oh, baby
00:22:58Oh, baby
00:22:59Oh, baby
00:23:00Oh, baby
00:23:01Oh, baby
00:24:03Applaudissements
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00:33:09et ils ne parlent pas un mot.
00:33:11Je l'aime votre langue.
00:33:13C'est très lyrical.
00:33:15C'est très beau.
00:33:17Et j'essaie très bien à apprendre.
00:33:27Je ne peux pas se rendre à moi-même.
00:33:29En fait, je suis très bien à ça.
00:33:31Et ma fille va à votre school.
00:33:35Après I took her out of Africa,
00:33:37she goes to La Châtanere.
00:33:41And she will be a linguist,
00:33:43and I hope by then there will be jobs.
00:33:49And again, I don't want to let you down.
00:33:51I get this feeling,
00:33:53so I think the only way to tell you who I am these days
00:33:55is to sing a song by Janice Ian.
00:34:05My thanks to Claude Nobbs and the laser beam.
00:34:15He knows where he is.
00:34:17To you.
00:34:19And your terrible, wonderful peacefulness.
00:34:23It permeates everything that is here.
00:34:33It attracts me and holds me.
00:34:37And I hope that I am permitted to stay amongst you for a little while.
00:34:43For a little while.
00:34:47All of the fairy tales and things that I heard when I was small
00:34:51are real and true, I know,
00:34:55when I come to Switzerland.
00:34:57Aha.
00:34:59Yes, I know your little secrets now.
00:35:05And I insist upon being not one of your clowns, but one of you.
00:35:17And I shall stay with you, if I am permitted to, for a little while.
00:35:23That's up to you, of course.
00:35:24And there are many people in show business who said,
00:35:38oh, she, you know, she used to be a star.
00:35:41She's going all the way to the bottom and all kinds of crap,
00:35:44which means nothing to me.
00:35:46David Bowie, are you here, man?
00:35:52Is he here?
00:35:54David, you here?
00:35:56Is he here?
00:35:58I'm serious.
00:36:00David is here?
00:36:02Where is he?
00:36:04Where is he?
00:36:06Nina, the girls are all here.
00:36:08I didn't say nothing about no damn girls.
00:36:10He's singing songs.
00:36:12Yeah.
00:36:14David Bowie is my dear friend, and he lives with you, and I wanted to know he was here.
00:36:27That's right.
00:36:28He's not here, obviously.
00:36:30He's still driving from some damn place.
00:36:33Because if David was here, he would tell me he was here.
00:36:39And what you're talking about ain't got nothing to do with nothing except show business,
00:36:44and I'm not about show business.
00:36:46Now, okay, we leave you with this, and it's sad, but that's what you expected anyway.
00:36:58Isn't my necklace beautiful?
00:37:02It is from Greece, and Claude gave it to me.
00:37:14It is antique, and it's over 200 years old, and it's meant for queen, and I am a queen.
00:37:21I know you are jolted because suddenly it occurs to you that it might be true.
00:37:46They come fast, they come slow, they go like the last light of the sun all in a blaze.
00:38:01Hey girl, sit down. Sit down. Sit down.
00:38:11Sit down.
00:38:17Stars, they come and go. They come fast, they come slow. They go like the last light of the
00:38:28sun all in a blaze. All you see is glory. But it gets lonely there when there's no one there
00:38:41to share. You can shake it away if you hear a story.
00:38:56People lust for fame, like athletes in a game. They break their collarbones and come up swinging.
00:39:17Some of them are crowned. Some of them are downed. Some are lost and never found.
00:39:34But most have seen it all. They live their lives in sad cafes and music halls. And they always
00:39:53have a story. Some make it when they young. Before the world has done its dirty job. Later
00:40:12on someone will say you've had your day. Now you must make way. Don't they always.
00:40:27But you'll never know the pain of using a name you never owned. The years of forgetting what
00:40:42would you know too well. But you know too well. That you who gave the crown have been
00:40:49at the down. You try to make amends. Without defending. Perhaps. Pretending. You know too well. That you who gave the crown have been at the down. You try to make amends.
00:40:58Without defending. Perhaps. Pretending. You never saw the eyes. Of young men at 25. Who followed as you walked. Asked for autographs.
00:41:26Asked for autographs. Kissed you on the cheek. You never could believe they really loved you. Never.
00:41:43Asked for autographs. Some make it when they're old. Perhaps they have a soul. They aren't afraid to bear. Perhaps there's nothing there.
00:42:10But anyway that isn't what I meant to say. I meant to tell about a story. Since we all have stories. But I can't remember it anyway.
00:42:25So I'll tell about the mood that's in the United States today. And permeating even Switzerland. It goes.
00:42:39But I'll continue anyway until I get it together. Some women have a body. Men will want to see.
00:42:55But I'll continue anyway until I get it together. Some women have a body. Men will want to see. So they put it on display. Some people play a fine guitar.
00:43:17I could listen to them play all day. But anyway. I'm trying to tell my story.
00:43:37I'm trying to tell my story. I'm trying to tell my story. I'm trying to tell my story.
00:43:41Janice. He into it very well. Janice Joplin told it even better.
00:53:51No matter what the day
00:58:21Ok, wait a minute, what? How many? Did you like it? Where'd you go? Did it blow your mind? I know it. Ain't no way not to. Both ways, right?
00:58:44Listen, everybody should go to Africa. Not for the reasons that I told you before. I used to sing on, oh God, I talk so much. But you said you like me, eh? And I'm not going to see you no more.
00:59:03Wow. I would like to do, I really, really wanted to do an African dance for you tonight. I've lived there. I cannot. I'm aching. You've got no idea.
00:59:24I have been fighting with Claude and everybody for two days to get this done. Because I needed, well, anyway, I can share it with you. I needed a white mask.
00:59:34You know, you women, the things we put on our faces for beauty creams. But in Africa, they use these masks for days. And they are white or beige and they put them and the breasts are bare.
00:59:46And they put these masks on. And we only wear beads here. And there's dancing that's going on for many hours. And I wanted to share some of that mostly for myself because I needed a catharsis and fulfillment of some sort because my old man is in Liberia. You understand?
01:00:11Now you got me in a strange position because I'm back up here and I'm half high. And I'm not sure exactly where I'm at. And where's my guy from Senegal? Where are you? Where is he? Where are you? I told you that if the moment came to please come up and get your drums.
01:00:38You remember I told him that he's not even here. Oh, good God, get you. Where are you, man? Come on. All I want to do is share with you, if I can, a little bit of a feeling if we can get it going. If we can't get it going, forgive us.
01:00:58Because, first of all, my left hand gets past the point of endurance. And I'm a pianist. I'm not a singer. I never was. That's an accident. And I love you for it. I love you for appreciation of it. I was trying to be a pianist. Come on, baby. You two are kind of slow now.
01:01:17But if I can get a little loose and the police does not arrest me, I'll show you a little bit if you will just be like the way you are. I love you people. You are really peaceful. You truly are.
01:01:39You don't even have to try, I love you. Yeah, yeah, yeah. That's not.
01:01:51No, no.
01:01:59Shut up.
01:02:00I don't know. I met my drummer yesterday and I met this lovely man from Senegal yesterday and you all know him. And our things haven't gelled too well because what you did was you brought him in and you siphoned off his energy.
01:02:22Don't tell me you don't know what I'm talking about. Don't tell me you don't know what I'm talking about. Because you do. I know you do. And if you got siphoned off his energy, give him something back, eh? Clap for that, please.
01:02:38Because when we practiced, he didn't know where I was coming from. And I said, hey, baby, how long you been away from home? Oh, yeah, I'm going to do it tonight. They clap me back. That's it. Forget about it. Forget about the rest of the performers. I don't care.
01:03:04I don't care. I have nothing to prove to anybody. And I have nothing to share with anybody except you. What? What did you say? Huh? Because I'm stone ready for you, baby. I swear. You will not believe it. We will just try and do, I don't even know we're going to try and do it.
01:03:33Because it's getting kind of weird in here right now. Let's do, let's just give them some rhythm of what it feels like to be in a bush.
01:03:42And maybe it will work. Maybe it will not. At least after that, you will know where I'm trying to come from and where my soul has gone. And thank God it has gone there. It is clean. It was always clean, but I did not know
01:04:03for things that I should have known about the business and the rip-offs and hell and the drugs and all that stuff. I don't like that.
01:04:15C'est pas mal.
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Recommandations
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