- 7/23/2025
đ Subscribe To HUM TV - https://bit.ly/HumTvPKâ
Will the voice that stands against wrong echo loud enough to awaken the world?
Presenting the powerful first look of Goonj - a story that dares to speak up.
Goonj - Episode 1 - 21 July 2025 [ Komal Meer, Mirza Gohar Rasheed & Feroz Kadri ] - HUM TV
đ Featuring Komal Meer, Mirza Gohar Rasheed, and Feroz Kadri
â Written by: Qurb e Abbas
đŹ Directed by: Wajahat Rauf
đ„ A production of Showcase Communications & MD Productions
Cast:
Komal Meer
Mirza Gohar Rasheed
Feroz Kadri
Ali Safina
Khalid Anum
Srha Asghar
Michelle Mumtaz
Emaad Syed
Hira Tareen
Shaheen Khan
Mahnoor Khan
#HUMTVâ #Goonjâ #KomalMeerâ #MirzaGoharRasheedâ #FerozKadriâ #ShaziaWajahatâ #WajahatRaufâ #QarbeAbbasâ #MominaDuraidâ
Will the voice that stands against wrong echo loud enough to awaken the world?
Presenting the powerful first look of Goonj - a story that dares to speak up.
Goonj - Episode 1 - 21 July 2025 [ Komal Meer, Mirza Gohar Rasheed & Feroz Kadri ] - HUM TV
đ Featuring Komal Meer, Mirza Gohar Rasheed, and Feroz Kadri
â Written by: Qurb e Abbas
đŹ Directed by: Wajahat Rauf
đ„ A production of Showcase Communications & MD Productions
Cast:
Komal Meer
Mirza Gohar Rasheed
Feroz Kadri
Ali Safina
Khalid Anum
Srha Asghar
Michelle Mumtaz
Emaad Syed
Hira Tareen
Shaheen Khan
Mahnoor Khan
#HUMTVâ #Goonjâ #KomalMeerâ #MirzaGoharRasheedâ #FerozKadriâ #ShaziaWajahatâ #WajahatRaufâ #QarbeAbbasâ #MominaDuraidâ
Category
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FunTranscript
00:00I'm too tired of losing, now I'm just taking a single
00:09I'm too tired of losing, no more than I am
00:18I'm too tired of losing, now I'm just taking a single
00:24You don't even know what your heart is
00:31You don't even know what your heart is
00:40Papa
00:43I
00:50You made us very strong, Baba
00:55You came around with us
01:00I was like
01:03I was like
01:05I was like
01:06people outside, like you are
01:11But not a lot, Baba
01:14It's a very strong world
01:17But I have fought, Baba.
01:27I have fought for the last time.
01:31I have given myself.
01:35I have given myself.
01:37Baba.
01:41Baba, it's not my fault.
01:45Baba, it's not my fault.
01:49It's not my fault, Baba.
01:55I can't believe this.
02:01I can't believe this.
02:05I can't believe this.
02:15I can't believe this.
02:17I can't believe you.
02:19I can't believe you.
02:21I can't believe you.
02:23I know.
02:25But...
02:27I can't believe this.
02:29But...
02:30I've got more trouble with this, Baba.
02:39I will give this last trouble.
02:43But...
02:45Finally.
02:47I'm really sorry, Baba.
02:51I'm really sorry, Baba.
02:55But I can't.
02:59I'm sorry.
03:03I...
03:05I love you, Baba.
03:07I love you, Baba.
03:33I love you, Baba.
03:35I can't believe you, Baba.
03:36I'll have fun.
03:37I love you, Baba.
03:38I like that.
03:39Yes, Baba.
03:43Yes...
03:44Ah, Yes, Baba.
03:45There I can still be behind this cap.
03:47I like that passions.
03:51Never.
03:53No, I can't believe it yet.
03:55I can't believe you so.
03:57And...
03:58I Îïżœ speak.
04:00Do you live in the room?
04:24Hello, my bag is where is my bag?
04:27My bag is in your room?
04:28I don't have it in my room!
04:29He's in my room!
04:30He's in my room!
04:31He's in my room!
04:32I've kept my room in my room!
04:33I've kept my room in my room!
04:34What?
04:35What's that?
04:36Baba!
04:37Yes!
04:38Baba, where is the car?
04:40Where is the car?
04:41No, I've seen it 100 times!
04:43My brother, the bowl is in it!
04:45Yes, that's right!
04:46You know where do you keep your things?
04:48What?
04:50I don't know how I will reach the time.
04:54Baba!
04:55There's a snake!
04:56Oh, God!
04:58Oh, God!
04:59Oh, my God!
05:00Oh, my God!
05:01Oh, my God!
05:03Oh, my God!
05:04Oh, my God!
05:05No, I'll eat this!
05:06I'll eat this!
05:07I'll eat this!
05:08Oh, my God!
05:09Hey, Baba, I'll eat this!
05:10Oh, my God!
05:11What are you doing?!
05:12I'll take a nap really!
05:13Okay, I'll take a nap really!
05:15Oh, my God!
05:17Bye bye!
05:18Bye bye!
05:19Who is everything?
05:20How are you?
05:21It's okay, Baba will take care of it.
05:30Hey!
05:31I thought I was going to do it, you guys.
05:35Do it, do it!
05:36No, Baba is very late.
05:38How late is it? You made a lot of time.
05:40I had to take the time.
05:42I came to the door and took you to the store and you were sitting there.
05:45Then I was talking about it.
05:46Who is going to do it?
05:47Let's go.
05:48Okay.
05:48Mahaam, come on, come on!
05:50Come on, Mahaam!
05:52Mahaam!
05:54Come on, you eat it!
05:56Let's eat it!
05:58What?
06:00Oh my God!
06:02When these kids go to home, they're going to die.
06:06Let's eat it!
06:08Let's eat it!
06:10Yes!
06:12And a toast!
06:18Let's eat it!
06:20Let's eat it!
06:30Oh really?
06:32Tell me something new.
06:34I'll manage it and I'll come.
06:36Bye!
06:38We're coming soon!
06:40Let's eat it!
06:42It's very slow.
06:44It's very slow.
06:46You're very slow.
06:48You're very slow.
06:50I don't know what to do, but I'm going to sit with Zuri, but Zaharu is now becoming your day.
07:18When I come back to practical life, I'll tell you about it.
07:20And what are you doing?
07:22How long have you come to your big daughter?
07:24What do you do with me?
07:25Sorry, sir.
07:26Sir, don't you.
07:28But you too.
07:29Okay, okay, okay.
07:30There's time for my lectures.
07:32Go ahead and get your friends.
07:33Go, go.
07:35Okay, that's...
07:36What?
07:39It's just happened.
07:41I don't know how much money you have.
07:43How much do you want?
07:43It's enough.
07:45Take it.
07:46Go, go, go.
07:48Bye.
07:49Bye.
08:09She came to our office.
08:11She's the power of her.
08:13She's the power of her.
08:16What's your update?
08:18Sir, I was waiting for you.
08:20I've collected all the references.
08:22We're going to have to discuss it with you.
08:24Right.
08:25There's also a Zoom meeting.
08:27After that, I'll tell you.
08:29Please come to me.
08:31Yes.
08:31I'll tell you.
08:32Yes.
08:33I'm coming.
08:34I'm coming.
08:35It's not.
08:38I'll be coming.
08:46Did you send the Lotus to our clients?
08:50Yes, I've sent.
08:51What did the client do you want to make a real estate?
08:54We talked about the story. They might have come to a meeting tomorrow.
08:56I received one request for Nathash. What do you want to make a request?
09:02That...
09:03In the meantime, there is a little time in it.
09:07A little time?
09:09We've been working together for two years.
09:12Yes.
09:14Coffee?
09:17Two coffee in it.
09:19The work will be done.
09:21Sit down.
09:22A little time.
09:24When a girl starts going,
09:27she sees my beautiful beautiful beautiful bae.
09:30She sees a beautiful bae in her hands.
09:34She sees her eyes and looks to her eyes.
09:38She sees her eyes and says,
09:42she sees her eyes and doesn't have a taste.
09:46It's a good way.
09:48She feels a bad mood.
09:50It's so fresh.
09:52Wee-wee shurmati hai, muskrati hai.
09:55And a kebab is placed on a plate.
09:58And she says that this is the best of the health cooking oil.
10:02Our hero shot appears, a voice over,
10:06the health of the house,
10:08the health cooking oil.
10:14Um, sir, if I may?
10:16Nabeel, don't you think it's a bit...
10:23I'm sorry. I'm late. I'm sorry.
10:30Don't you think that we are more objectifying our model?
10:34I mean, that a rich girl,
10:36who doesn't make food in the kitchen,
10:38doesn't make food in the kitchen.
10:40I think that this concept
10:42could be better.
10:44It's okay.
10:46So, uh...
10:47Then, who would you like to see?
10:49Something more natural, more relatable.
10:53Uh...
10:54Okay, so...
10:55Something like that.
10:56This is better.
10:57It's better.
10:58It's better.
10:59It's better.
11:00It's better.
11:01It's better.
11:02It's better.
11:03It's better.
11:04It's better.
11:05It's better.
11:06It's better.
11:07It's better.
11:08It's better.
11:09It's better.
11:10It's better.
11:11It's better.
11:13It's better.
11:14It's better.
11:15It's better.
11:16It's better.
11:17It's better.
11:18It's better.
11:19Something like that.
11:21This is a good battery.
11:23I thought Zarnaab's idea was good.
11:26We need to work on some of these ideas.
11:30I think Zarnaab, you can direct this commercial.
11:34Sir, how can I do it?
11:37Why? Why can't you direct it?
11:40You said that if you don't have a creative team,
11:43then you go to the direction.
11:45You have a spark.
11:47You can do it.
11:49Yes, sir. Thank you.
11:52Good work. Thank you everyone.
12:15Sonho, today's day of practice,
12:17we should practice today.
12:19What do you think?
12:21What do you think?
12:22What do you think?
12:23What do you think?
12:24What do you think?
12:25What do you think?
12:26What did I know?
12:27How big and beautiful eyes are.
12:28I can't see.
12:29What do you think?
12:30How big and beautiful eyes are.
12:33I can't see.
12:34You have a very cheap thing.
12:36We only have two days for practice.
12:39Please practice us and go here.
12:41And if I don't do it,
12:43then?
12:44Then I'll give you a sign.
12:45Oh!
12:46Then you'll be afraid to go with Madam.
12:48Madam, Madam,
12:49you won't give me the girl to play.
12:51I'll give you one one.
12:52I'll give you all the time.
12:53Come here.
12:54Come here.
12:54Okay, okay.
12:55We're going.
12:56The big one.
12:57Come on, boys.
12:58Come on, boys.
13:16His name is Mahmood.
13:18Yes?
13:18This is your card office show.
13:21Oh, thank you so much.
13:24Like your idea was good.
13:29Uh...
13:32Chai?
13:35Cafeteria, Chajar.
13:38So, boss,
13:40your idea wasn't so bad.
13:45You can write me.
13:48Okay.
13:54First,
13:56you need to be a girl.
13:58Then, Mr. Vakar,
13:59let me prove all your ideas.
14:02Yes.
14:02That's right.
14:05You don't have to be a girl.
14:07You don't have to be a girl.
14:08You don't have to be a girl.
14:09You don't have to be a girl.
14:10You don't have to be a girl.
14:10Well,
14:11you don't have to be a girl.
14:12You don't have to be a girl.
14:16All right.
14:17You've come in.
14:18What is the girl that we've attracted to?
14:20There's new girl.
14:21All right.
14:22You're handsome.
14:23Do not?
14:24It's just gone then.
14:26It's a hard time.
14:30If you're not comfortable here, we can sit here.
14:34No, no, it's okay.
14:40You've heard a lot of great stories.
14:44One of the finest creatives in our business.
14:48It's just like that.
14:50No, it's not like that.
14:52It's a wonderful job.
14:54MashaAllah.
14:56You're welcome.
15:08You'll drink tea.
15:10Hmm.
15:22There's a long time.
15:26What is this?
15:29I know when we have forgot my home to for you.
15:31He's got two different styles.
15:32No, I'm aware of the many times.
15:33Are you friends?
15:34You're welcome.
15:35Ivy chocolates.
15:36Yet, we devices are things based on the reality.
15:38What does the effect of knowing a dream of?
16:39Come, come.
16:40The food is good.
16:41Yes, Baba.
16:42Come.
16:43And the food is good.
16:45Yes, Baba.
16:46You have to make a meal for their food.
16:48Yes, Baba.
16:49You have to make a meal for your food.
16:52Now, you will flop.
16:54What?
16:55What?
16:56You're a food.
16:57You're a food.
16:58You're a food.
16:59You're a food.
17:00You're a food for them.
17:01You have to make a meal for their food.
17:02You're also a food.
17:03What are you doing?
17:04Oh, Baba.
17:05It's like a thing.
17:06It's like a thing.
17:07You don't have to keep me good.
17:08You have to keep me good.
17:09It's my and my family's salary.
17:11I'm too tired.
17:12You're a food.
17:13You're a food.
17:14You're a food.
17:15You're a food.
17:16But what do we do?
17:17We have to put our hands on our hands and you can play.
17:20If we don't put our hands on our hands, we will be really poor.
17:24And what do we do?
17:25What do we do?
17:26What do we do?
17:27What do we do?
17:28What do we do?
17:29What do we do?
17:30I'm fine, Baba.
17:31And I don't think we can eat food without our hands.
17:35But when we leave our house, what do we do?
17:38Why?
17:39We have to have a solution.
17:41We thought that when we come in,
17:44our first chance is the girl.
17:47What do we do?
17:49But why would someone say that?
17:52Why would he do that?
17:53Why would he do that?
17:54Why would he do that?
17:55When the girl can leave her home,
17:57why would he stay home for a child?
17:58Why would he stay home for a child?
17:59No, no, no, no, no, no.
18:00I don't think we have to leave her home for a day.
18:03Why would he leave her home for a day?
18:05Why would he leave her home for a day?
18:07What would he do?
18:09Why would he do that?
18:10Baba, please.
18:11At dinner time, there's no melodrama.
18:13Why?
18:14Okay.
18:15Baba, let's get to know both of them.
18:17I don't want to go.
18:18I will always be with my dad.
18:20Oh, dear, honey.
18:21Come on, give him a little bit.
18:23Give him a little bit.
18:24Give him a little bit.
18:25Before I eat the salad.
18:27Yes.
18:28It's good.
18:29It's good.
18:30It's good.
18:31Good.
18:33Yes, I am too good at that.
18:34I am too good at the bed.
18:36I'm sorry.
18:38I'm sorry.
18:40I'm sorry.
18:42I'm sorry.
18:44I'm sorry.
18:46I'm sorry.
18:48I'm sorry.
18:50I'm sorry.
18:52I'm sorry.
18:56You thought you went to the university.
18:58No, no, no.
19:00I'm late.
19:02No.
19:04I'm sorry.
19:06I'm sorry.
19:08I'm sorry.
19:10I'm sorry.
19:12Look at that.
19:14What happened to you both?
19:16I told you that it's my early class.
19:18And I'm telling you to drop me.
19:20I'm not joking.
19:22We're here at college.
19:24My office is here.
19:26I'm late now. Please let me go.
19:28If you want to drop it quickly,
19:30then who will come?
19:32Let's go.
19:33I'm late.
19:34Come on, come on.
19:35Quick, quick.
19:36Go, go, go, go.
19:37Go?
19:38Come, come, come.
19:39I'm sorry.
19:40I'm sorry.
19:41I'm sorry.
19:42I'm sorry.
19:43I'm sorry.
19:54I'm sorry.
19:56I'm sorry.
19:57I'm sorry.
19:58I'm sorry.
19:59I'm sorry.
20:01I feel sorry.
20:03How many scenes are the same?
20:07Okay, number of scenes, how many are you?
20:23Four scenes.
20:24Really?
20:25Do you want to share the client with each other?
20:28Yes.
20:29If you have any feedback from them, let me know.
20:32Okay?
20:33Okay.
20:34So the wardrobe will be changed.
20:36It will be changed?
20:37Is it ready?
20:38Yes.
20:39Did you share the client with each other?
20:40Yes.
20:41Did you see all these things?
20:42Yes, I saw them.
20:43Okay.
20:44Let's do lines.
20:45Okay.
20:46After action, you have to tell your dialogue.
20:48Your dialogue is that you can't make such a good food,
20:51but I can put your hands on your good food.
20:53After that, smile.
20:55And you also have to smile and then tagline.
20:58Got it?
20:59Let's take it.
21:00Make up.
21:01Let's take the last touch-up.
21:04Okay.
21:05Okay.
21:06Okay.
21:07Okay.
21:08Okay.
21:09Okay.
21:10Okay.
21:11Okay.
21:12Okay.
21:13Okay.
21:14Okay.
21:15Okay.
21:16Okay.
21:17Okay.
21:18Okay.
21:19Okay.
21:20Okay.
21:21Cut.
21:22Get back.
21:24Cut.
21:25Make up.
21:26It's a good job.
21:27I'll go for it.
21:28I'll do it.
21:29Good job.
21:30Okay.
21:34From the other side, from the other side.
21:38Yes.
21:40Okay, thank you.
21:42Let's take it.
21:46Camera, sound, action.
21:49Why are you doing this? I'll do it myself.
21:51I can't make a good food for you.
21:53But I can help you.
21:55Cut, cut, cut.
22:04You can make a little more expression.
22:08And take a little feeling while talking to the line.
22:11Okay, sir.
22:12Okay?
22:19Okay.
22:20Camera, sound, action.
22:24Why are you doing this? I'll do it myself.
22:27I can't make a good food like you.
22:29But I can help you.
22:31Cut, cut, cut.
22:34I can help you.
22:36I'm doing good.
22:38But with the lines, I can make a little stylized.
22:43It will be better.
22:45Okay, sir.
22:46I have a little glamour.
22:48Maywish, you're doing a very good job.
22:50Okay?
22:51We don't have to glamourize anything.
22:53You're doing a very good job.
22:55Okay?
22:56Take it.
22:58Camera, sound, action.
23:01Why are you doing this?
23:03I'll do it myself.
23:04I'll do it myself.
23:05I can't make a good food like you.
23:07But I can help you, right?
23:09Okay.
23:10Cut, cut, cut.
23:11Wake up.
23:12Where are you from?
23:13Where did you go?
23:14Just switch this way.
23:15I can't do it myself.
23:16But what am I doing?
23:17You're doing some of this.
23:18Where are you wearing a dress?
23:19I'm not a dress.
23:20I'm not a dress.
23:21I'm just a dress.
23:22I know I know what you should do.
23:23What do you need to show what you want?
23:24What do you want?
23:25What do you need to show what you want?
23:27What's your problem?
23:30Why are you interrupting this?
23:32I'm not interrupting.
23:34Look, I know what I need to show you on the screen.
23:37What do you need to show you on the screen?
23:39What do you know?
23:40What did you get to the post?
23:41You understood Steven Spielberg's post.
23:42For the first time, my set is wrong.
23:44I'm wrong.
23:45Yes, you're wrong.
23:46I'm wrong.
23:47You're wrong.
23:48You're wrong.
23:49You're wrong.
23:50You're wrong.
23:51You're wrong.
23:52You're wrong.
23:53Okay, we'll do another take, please.
23:56Another take, please.
24:02Frame, leave me, please.
24:06You're wrong.
24:08Camera.
24:09Sound.
24:10Action.
24:11Action.
24:22Now let's see.
24:31I don't think we can say that we are two members
24:35But if you look at it, it's good too
24:41Because the couples who talk more about the divorce, the chances of the divorce can be more than that
24:46No, it's not
24:48There's a conversation between the two of us
24:50So that when you get to know that you get to know that you get to know that you get to know that you get to know that
24:55And I feel like there are a lot of marriages in the same way
25:00Because they don't share their feelings with each other
25:03And when they do it, they get to know that you get to know that
25:06I don't want to know that I don't want to know that
25:10But why are you taking so much time for me?
25:18Look, you are very good
25:20Everything is okay
25:22But I haven't talked to my father and others
25:26Because I don't understand how to talk about it
25:29Okay
25:30But what do you think about it?
25:34What do you think about it?
25:37You are my father very friendly?
25:40Absolutely, but the truth is that I have talked about it
25:46So I don't understand how to talk about it
25:48But I don't understand how to talk about it
25:49But I just want to talk about it
25:52Just a little bit
25:52I don't understand how to talk about it
25:54I don't understand how to talk about it
25:55I don't understand how to talk about it
25:56But I want to take my whole life
25:57I will take care of it
25:58I will take care of it
25:59Thank you
26:01Thank you
26:03Excuse me
26:06Hi
26:11Hi
26:15Hi, you are waiting for me a long time
26:17You are waiting for me a long time
26:18Uh, is everything okay?
26:20See, I don't have any idea
26:21Alright, thank you
26:38Please come in
26:40Assalamukum sir
26:41Come, sit here
26:47Yes, our client is very happy with our work
26:51And obviously, we are very happy that we are working with such a talented girl
26:56So I am thinking that I will give you a double bonus
27:01Thank you so much sir
27:03This really means a lot
27:04Thank you
27:05But I hope that you will continue with this passion
27:09Definitely sir
27:10Thank you
27:11Thank you
27:35Thank you
27:36Thank you
27:38Thank you
27:41Thank you
27:43This is a bigụ part of that
27:44southern
27:45Our team
27:47Thank you
27:48Boss
27:48You
27:49Don't have to successfully like this
27:50The old lady is getting caught
27:52Yes
27:52What have you done?
27:54There is a IRS
27:55You can stop it
27:57Your mother
27:57What?
27:57The PhD Master?
28:00Yes, the stranger blinding comes in the shop
28:04In Hz...
28:05There are ghost bulérations?
28:06What does man need to do?
28:08ves a tired
28:09When he enters the shop
28:11What are you doing?
28:16Why?
28:18Do you want to hear it again?
28:19Yes, I want to hear it again.
28:26I was telling you that
28:28the T.T. Master has come to me.
28:30Ahmed, please don't criticize him. Let's go.
28:34You are probably forgetting that there is an office
28:36and there is no such place in any office.
28:39Wow.
28:41The girl will tell me how to live in the office.
28:45Why are you looking at this?
28:46No one is looking at this place.
28:48Oh, Romeo.
28:51Who is the hero in front of me,
28:53can you tell me?
28:55I am a man of the body and I don't mind.
29:01Let's go.
29:06Whatever you are,
29:08before doing this kind of action,
29:10who?
29:14I understand.
29:16You don't want to talk to a junior.
29:21What do you feel?
29:23This is my job.
29:24Stop it, Ahmed.
29:25What do you feel like?
29:26What do you feel like?
29:27Who are you?
29:28Who are you?
29:29I can speak for myself.
29:31I can speak for myself.
29:32You don't need to talk to me.
29:34Let's go.
29:35Let's go.
29:37Let's go.
29:38Let's go.
29:39Let's go.
29:40Let's go.
29:41Let's go.
29:42Let's go.
29:43Let's go.
29:44Let's go.
29:45Let's go.
29:46Let's go.
29:47Let's go.
29:48Let's go.
29:49Let's go.
29:50Let's go.
29:51Let's go.
29:52Let's go.
29:53Let's go.
29:54Let's go.
29:55Let's go.
29:56Let's go.
29:57let's go.
29:58Let's go.
29:59Let's go.
30:00Let's go.
30:02Oh wow.
30:03Wow!
30:04Can I ask another one?
30:07No.
30:09Do you want to ask me?
30:15That's not something, but it's a confusion.
30:22What do you want to say?
30:26Father, why didn't you have married after your mother?
30:33I've told you several times.
30:37I don't want to say anything like that.
30:41Do you want to say anything like that?
30:44I've never tried.
30:46I've never tried.
30:48But I don't want to say anything like that.
30:53Father, what happened to you?
30:58There was something that didn't happen to me.
31:04Father, you were talking about three.
31:08My heart was so sad that there was no way to meet you.
31:12If you can't give love for him,
31:14you can't give love for him.
31:16If it happens, I don't want to forgive myself.
31:19Father, don't do such things.
31:22You don't know that you're a good father.
31:25You're a good father.
31:26You're a good father.
31:27You're a good father.
31:29But if you have a burden,
31:31you'll have to forgive me.
31:33Don't do money.
31:35I'm telling you, you're a good father.
31:37You're a good father.
31:39You're a good father.
31:41Oh.
31:42Yeah.
31:43Oh.
31:44Oh.
31:45Oh.
31:46Oh.
31:47Oh.
31:48Oh.
31:49Oh.
31:50Oh.
31:51Awesome.
31:52All.
31:53See, ladies and gentlemen.
31:54Awesome.
31:55Yes.
31:56Oh.
31:57Um.
31:58Yes.
31:59I should meet you.
32:03I guarantee you for well.
32:05Who is it?
32:08Sonoma?
32:09You're the boss here.
32:10You're the boss here.
32:11You're the boss here?
32:12Yes.
32:13Yes.
32:16He told me that I...
32:21...to his father...
32:24...he proposed to me.
32:26That's a great thing.
32:28What's your opinion?
32:30He's a very good person.
32:32He's very respectful.
32:34And personality-wise, he's very good.
32:36What's your opinion?
32:40We'll meet each other at lunch.
32:43Really?
32:44Yes.
32:45Thank you so much, Baba.
32:48Yeah, my child.
33:06...
33:18...
33:31...
33:32Baba, I will tell you something else.
33:38Yes, tell me.
33:41She has been married first.
33:47But she doesn't have to go.
33:52And she has a 6-year-old daughter.
33:58But she lives with her mother.
34:02Look at that, I have never done anything with you.
34:08In the training or profession,
34:11I will not do that as a marriage.
34:15Look, you have to go through your life.
34:19You have to decide your own life.
34:21I believe that you will decide your life to go through your life.
34:27But if I think you're right, I don't have any regrets.
34:34Thank you so much, Baba.
34:36You are the world's best father.
34:38I love you.
34:39You're my best daughter.
34:41God bless you, Baba.
34:57God bless you, Baba.
35:27God bless you.
35:34God bless you.
35:57Transcription by CastingWords
36:27Transcription by CastingWords