00:00so namaste sir welcome to anis and congratulations for here express
00:04uh my first question i want to ask this film umish shukla ji has made a very deep and very important body of work as an artist
00:17what was the exchange of ideas like umish's the best thing is that umish has worked in three forms
00:29is that umish shukla ji has made a lot of films that have made a lot of films like oh my god part one or one zero two not out
00:47if you have a lot of films that have made a lot of films that have made a lot of films that have made a lot of films
00:55so uh aisey vikti کے ساتھ جس کو mediums کی ساری سمجھ ہو اور سارے میڈیم میں جب وہ
01:03موجود رہتا ہے تو اس vikti کے ساتھ آپ اپنے آپ کو نشچنت ہو کر چھوڑ دیتے ہیں
01:07ایک ابنیتہ کے طور پر تو میری umish jie کے ساتھ دیکھا جائے تو producer کے طور پر
01:13ان کے ساتھ میری یہ دوسری فلم ہے نردشک کے طور پر میری یہ پہلی فلم ہے اور
01:18And we have seen it before.
01:20Which was produced.
01:22It was called Kaushal G's vs Kaushal.
01:24It was a very good idea.
01:26And a very good idea.
01:28So the best part is that
01:30these things are
01:32that we have to do
01:34that we have to do
01:36to make sure that we are
01:38very good.
01:40And the film
01:42is that you can do
01:44very good work.
01:46But there is something
01:48that we have to do
01:50and we have to do
01:52that we have a good idea.
01:54But there is a good idea
01:58that there is a good idea
02:00that there is a good idea
02:02that we have to do
02:04to figure out
02:06that if we look at it
02:08udghti rindha jaya to pratik vyakti ke anagar apna eek aa ah usi ik aa jب tak kisii film
02:15ke kirdarou ke sath dhekhne wala drshak aapne aapko jula huwa mhsus nayi karta tib tuk
02:21waw film humaree chitt me nahin lagatoye humaree manmasterskne na nagatoye.
02:25Toh Umeshke sath Umeshke sath kam karte huwë ek aa suvi suckeda yeh hoti hae kiwo nishcint
02:32of this group, they are the same.
02:35And so you've talked about theatre.
02:39I'm actually observed in a theatre artist.
02:41I'm wrong with my analysis.
02:43Why this bonding is strong if I get a new person,
02:51then it's where I'm.
02:52I'm going to set my wavelength,
02:55and I'm going to come to my common wavelength.
02:58In this situation, when you're doing so,
03:01theater
03:03theater
03:05theater
03:07I will
03:09do
03:11film
03:13OTT
03:15or
03:17these are
03:19just
03:21when you
03:23are
03:25in
03:27the
03:33film
03:35shoot
03:37in
03:39the
03:41film
03:43in
03:45the
03:47film
03:49in
03:51the
03:53film
03:55in
03:57the
03:59film
04:01in
04:03the
04:05film
04:07in
04:09the
04:11film
04:13in
04:15the
04:17film
04:19in
04:21the
04:23film
04:25in
04:27the
04:29film
04:31in
04:33the
04:35film
04:37in
04:39the
04:41world
04:43in
04:45the
04:47film
04:49in
04:51the
04:53film
04:55in
04:59the
05:01film
05:03sato sato aupko kei na kei jahpa жить hati hai
05:06to j yetsasi viriksh ki hati cheve
05:09viriksh jaja sweatan rahita hai recita
05:11laga eyata tosh keerdgeflogy baagır hai
05:13textao koi aan kee liye kyung ki
05:23sir ik billing r
05:30I would like to say that when you think about the world,
05:33when you think about the world,
05:35when you think about the world,
05:37you think about the world that you think about the world.
05:40The film's tagline is a good film.
05:43In today's time,
05:45I will talk about the time
05:47when makers want to make a film.
05:51It's a great film,
05:53it's a larger section of audience.
05:55In this situation,
05:58when you think about the film,
06:00with the assurance,
06:01it's a family audience.
06:03Because the family audience will be more likely,
06:05the ticket sales will be more likely.
06:07Of course, the film will be a better success
06:09compared to a normal, individual viewing.
06:12As an artist,
06:14when you work with this film,
06:16what is your creative investment in your craft?
06:21You can see that there will be a different kind of genre.
06:24In that case,
06:25there will be a different genre.
06:26There will be a action,
06:28romance, comedy, horror,
06:31there will be a different genre.
06:33But in all those genres,
06:35if you see that,
06:36if you see that,
06:37there will be a certain genre
06:39that the truth will be found.
06:40The truth to show that
06:42the truth will be a part of the truth.
06:44And if you see that action,
06:46there will be emotion, action will be done.
06:49Here we go.
07:19I don't know.
07:49It is not that you have to be able to do everything in your own place.
07:53This is your responsibility.
07:55And the responsibility of your own life is to be able to do everything in your own place.
07:59When we are in good places, in the right direction, we work on the right direction.
08:04The wrong thing is that we need to do everything.
08:07We need to do everything in our own way.
08:09We need to be good.
08:11So, the good thing is not good.
08:14It's possible that you have a good thing or another or something.
08:20But the good thing is good.
08:23But the truth of the moment is that you have the truth of the moment.
08:28You have completely linked you to your own way.
08:33Yourself and they can convey it.
08:35You, Yourself.
08:37And my last question is, it's always a very calming experience to listen to you.
08:52When you talk about listening, I don't want to ask you a question, but I'm also a journalist.
08:57I'm also a journalist, I'm also a one of my own.
08:59I'm also a journalist, I'm also a journalist.
09:29I'm also a journalist, I'm also a journalist.
09:59I'm also a journalist.
10:01I'm also a journalist.
10:03I'm also a journalist.
10:05I'm also a journalist.
10:07I'm also a journalist.
10:09I'm also a journalist.
10:11I'm also a journalist.
10:13I'm also a journalist.
10:15I'm also a journalist.
10:17I'm also a journalist.
10:19I'm also a journalist.
10:21I'm also a journalist.
10:23I'm also a journalist.
10:25I'm also a journalist.
10:27I'm also a journalist.
10:29I'm also a journalist.
10:31I'm also a journalist.
10:33wale pal ko
10:33agar ham chahein gai abhi
10:35turent yaha par abhi upastit
10:38karne to hum nahi kar saktay
10:39to humare hath mein
10:41srif ye pal hai
10:42to is pal ka joh anand hai
10:44to is pal ka satya kya hai
10:46ki mein
10:47IANS ke saath
10:50aapke saath bachit kar raha
10:52ho harir express ke oopar
10:54bachit humari ho rahi hai
10:56to is pal merer anndar joh vichar
10:58hai meri joh urja hai
10:59usko mein aapke saath saajha kar raha ho
11:02aur aap aapnei urja
11:03meere saath saajha kar raha hai
11:05to sif dene mei vishwaas nahi hai
11:07kahi na kahi lene mei bhi vishwaas hai
11:09aapne kaha
11:09aapse bina prashn poochhe
11:12lekin acche prashn
11:15hi haemesha acche uthron ki
11:17utpatti ka karak hota hai
11:19to prashn agar vivikpun hai
11:21prashn agar samjha huwa
11:23suljha huwa hai
11:23to aap vishwaas kiije
11:25usse nigalnay wala
11:26kya ki kisii bhi uttar
11:27ka janm jo hota hai
11:29wo prashn ke garb se hi hota hai
11:30to meera aapna ye maanna hai
11:32ki ee dhonohu čeizhe mehatpun hota hai
11:34to khoub padhe
11:35khoub jundhe
11:36okay
11:38perfect
11:39so with that we have reached
11:40the end of this conversation
11:41kuch aashi baat
11:41jo muczse puchnay raha gai ho
11:42film ko likkar ya
11:43kisii bhi or chiz ko likkar
11:44ya kuch aashi baat
11:45joh aap kehna chata
11:45bas mai yehhi kehna chata ho
11:47ki art agarst ko
11:49humari ya film
11:50here express
11:50release ho raha hi hai
11:52aur meera yeh
11:53pura vishwaas hai
11:53ki ki yun
11:54isko saaf sutri
11:55o parivarik film
11:56kaha gya
11:56iska karen
11:57صرف yeh
11:57ki haem
11:58is baat ko
11:59assure
12:00kare raha
12:00que aap
12:01aapne
12:02dho sal ke
12:03tín sal ke
12:03bachche ke
12:04sath
12:04aur aap
12:05aapne
12:05setter sal ke
12:06maata pita
12:07ke sath
12:08ya
12:08aapne
12:08dada dhadhi
12:09ke sath
12:10jub aap
12:10is film
12:10ko
12:10dhekhen
12:11ge
12:11to bhaasha
12:12ke
12:12is
12:12tarp
12:12pher
12:13bhi
12:13aapko
12:13kisii
12:14kisim
12:14ka
12:14embarrassment
12:15naihi
12:16ho
12:16ga
12:16kisii
12:17kisim
12:17ki
12:17koji
12:18asu
12:18vidya
12:18naihi
12:19hogi
12:19to
12:19iska
12:20anand
12:20lije
12:20ga
12:20pure
12:21paribar
12:21ke
12:21sath
12:21haem
12:22pura
12:22vishwaas
12:22hai
12:22kyunki
12:23ultimately
12:24to
12:25manusha
12:25ka
12:25jivan
12:26joh
12:26chalta
12:26hai
12:26is
12:26me
12:26joh
12:27hir
12:27ki
12:27kahani
12:27kahani
12:27hai
12:28hir
12:28ka
12:28chrit
12:29raha
12:29kari
12:29kari
12:31kari
12:31na
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