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Washington Black Season 1 Episode 2
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Short filmTranscript
00:01Previously on Washington Black
00:03Why are you stuck in this chair?
00:05Thinking, huh? More like lost in one of them dreams again.
00:08I met this girl. She's too fancy for me.
00:11You are a child of England, and that is the skin that you must inhabit.
00:15Mr. Willie McGee, I presume?
00:16We've decided that you shall marry.
00:18I heard something earlier today.
00:19Big fella come in on the ferry looking for a black man.
00:22George Washington Black.
00:24Where you go by, boy?
00:25Jack?
00:26Jack Crawford, sir.
00:27Christopher Wilde.
00:29I cannot wait to hear the real reason that you're here.
00:31Can't a man simply miss his dear brother?
00:33That would also require a certain physical element.
00:35The abolitionist requires a slave.
00:37You, tell me your name.
00:38Judge Washington Black, sir.
00:40Please call me Titch.
00:41You're going to be working with me from here on out.
00:44I'm a scientist, you see?
00:45How did you do that, brother?
00:47Do you recall father's cloud cutter?
00:49I don't recall ever being invited to participate in one of your experiments.
00:53My memory is perfectly intact.
00:59Don't.
01:00Don't.
01:01Don't.
01:14You.
01:15You.
01:16You.
01:17Titch.
01:21What?
01:23What happened?
01:24Where are you hurt?
01:27Not me.
01:28What?
01:30Master Philip.
01:32Master Philip? What?
01:34Did he hurt you?
01:37Where is he?
01:39Gone.
01:42Gone? You mean dead?
01:46Yes.
01:50Gone.
01:53Did anyone see you? Did he say anything? Watch.
02:03What will Master Rasmus do?
02:05My brother is vengeful and most cruel.
02:08He will hurt you in the most heinous ways he can imagine just to make an example of you.
02:13And he'll hold me responsible for all of it.
02:16Please, will you help us leave?
02:19Me and Kit?
02:20Yes, we must leave, but we lack time and the room, and I do not say this to be unkind.
02:31The ship would be anchored by adding another.
02:35Do you understand the choice?
02:39I can't stay.
02:40Then it is time to fly, George Washington Black.
02:48Where are my idiot brothers?
03:01Fetch them for dinner.
03:02He isn't here.
03:16Let's check the woods.
03:20Come on!
03:21Come on!
03:22Come on!
03:22It does say Master Philip and the boy went up the north path.
03:31Thanks.
03:31Dear God, is that?
03:47Master Philip.
03:52There are no ones washed. Cut the ropes.
04:01They must be at the peak. Split up. We'll find them.
04:15She's going, Walsh. She's going.
04:18You can make it. Come on.
04:24Come on.
04:27Take my hand, Walsh. Walsh, take my hand.
04:31Come on. Walsh!
04:55I'm paying for this! You're not getting away!
05:01Walsh!
05:13Walsh!
05:15I'm a critter gem!
05:17Go on...
05:19well good morning this worked out rather well didn't it you're warm enough huh yeah put this
05:42on there we go now we're a proper aeronaut
05:48let's see here steering altitude balloon volume and barometric pressure would be most unpleasant
05:59to find out she's not fit for inclemencies after the fact stormy weather
06:04she flies through what we've done it we've made magic
06:12will i see her again
06:19i'd say we've been up for about 12 hours eight knots west at 270 degrees
06:31now the cutter flies indeed but she requires our diligence to do so so come time to work
06:37now let's take her down to the water shall we on my command i want you to close those blast valves
06:42ready now what
06:48now we're flying
06:58i've seen those reported in the book you gave me
07:06delphinidae tassios that's right dolphins
07:15look at them jump
07:17dolphins
07:23mr mcgee will be here shortly to discuss the wedding arrangements it is but a four night away
07:44perhaps it's wise to wait until we've furthered our explorations
07:54this morning season is only upon us we'll have our hands full with specimens
08:01he has set up an appointment for us with the seamstress this coming tuesday
08:07you're dress fitting
08:14watch your head coming down
08:18so your name is not jack crawford
08:24he's washington black
08:26and you sat your behind down in my home a good seven years and you never felt you could trust me
08:32ain't about that
08:33when i'm ready for you medwin nehemiah harris i will call your name
08:37the man's story here is to tell when he choose to tell it
08:40easy for you to say you knew this entire time
08:43well then let me leave you men down here to sort your man's business
08:50miss anji
08:51uh uh no she'd be all right just
08:53give a moment
08:56how do you know about this place man i used to know
09:04spend his life hiding runaways to the people looking for him or looking no more
09:07i got raised pallet over there for sleeping got lanterns all around
09:12and you can keep the door open long as church isn't in service
09:16hell you'd be safe
09:18safe
09:20but locked in a cage
09:22i'm sorry medwin i am grateful
09:31why look out for me like you do
09:33only way black folk won't climb this mountain is if we pull each other along
09:38and you do that for everybody
09:39you can folk island boy
09:42and that man who used to help people
09:45i wish i could have helped him better
09:48i will not let that happen again
09:53hunters fugitives i've been through it before
09:56time i go find this hunter
09:58put a scare in him
10:00you take care
10:03small calculation to set the course
10:23and we can settle in for the night
10:25but where are we going teach
10:27the grand adventure that awaits us
10:31i the scientist and you the young apprentice
10:34traversing the atlas
10:35what do you say eh what
10:37this needs adjusting
10:41teach perhaps it's best we get away from
10:45to get out of this storm
10:57look a light a light a light from this room
11:02what's that
11:06hold on to me
11:10i'm gonna take it down
11:17go
11:19get ready to jump
11:25get ready to jump
11:27we secure the four sheep before we lose the mass
11:50see for the barrels and salvage what you can
11:53save that molasses
11:54you what is that thing you attack our ship
11:58no no my name is christopher wild
12:01and this craft that you see dot here
12:03explain this
12:16oh my good fellow
12:22clearly you must be in command
12:24as i was saying to your lady here
12:29we're aboard my cloud cutter conducting very important weather experiments
12:34captain
12:35i think this man is a spy
12:37toss him over
12:38now see here i am a scientist
12:42under the auspices and with the full authority
12:45of his majesty's royal science league
12:47royal science league he says
12:50yes
12:51now please captain
12:52we're gonna instruct your man here to collect our belongings
12:55take this one below
13:11no what
13:13no unhand me
13:14unhand me i said
13:15watch
13:15watch
13:16teach
13:16teach
13:17you come with me
13:28bye
13:28how long you open that thing before it come down
13:40who are you frightened
13:50me
13:52or that white man
13:54you
13:59our people don't need to fear me
14:07let's try the easy ones again
14:20state your name
14:23george
14:25washington black
14:27they call me wash sir
14:30i look like a sir to you
14:31call me barrington
14:32so
14:34white man
14:35you belong to him
14:36what's his name
14:41his name is teach
14:43this teach
14:44that why you trying to sound like a little englishman
14:48i hear the islands in there by
14:50i make a guess
14:52i see
14:55barbados
14:57hmm
14:59where you from barrington
15:03i from guyana
15:05why you eat teach
15:13you mean why nobody kill me
15:16or putting one good
15:17cup on that white man
15:19we
15:20don't live by them rules
15:22we make we own
15:24first
15:25man give respect
15:28to get respect
15:30that man
15:31that man disrespectful
15:32i am no man's property
15:36not since i choke a man with the chain he put on me
15:42but your skin
15:44like mine
15:47no matter how strong the bondage
15:50we never stop pushing back
15:53we fight
15:54names like coffee
15:57busa
15:59him you know
16:01he nearly burned the white man from barbados
16:04but say his name they take a tongue
16:06that is their fear
16:08holding the knife
16:10fear turned man vicious
16:12barrington
16:16hmm
16:16is teacher right
16:18don't you be in mind with that one
16:20worry about you
16:22worry about who you be
16:24why'd man do this eh
16:30no
16:30i do it
16:33why can't draw
16:41proper few gentlemen
16:42and payment at the ready
16:43we accept all kind
16:45spirit
16:45sugar
16:46no deferments
16:48second rule of this boat
16:51man don't get what he deserve
16:53man gets what he negotiates
16:56boy do no such thing
17:06a toast then
17:07to young master washington black
17:11captor of lost souls
17:13and to the ave maria
17:15a boat that be full of them
17:16to the captain
17:20who saved us all
17:22whatever he may be
17:23captain alvarez
17:26is in his quarters
17:29where else would he be
17:31uh
17:33meant nothing by it
17:35barrington
17:36just that the skiver
17:39hasn't been the same
17:40since he lost
17:41uh
17:53maybe
18:03maybe i set eyes on titch soon
18:06uh
18:20uh
18:22Oh!
18:23Ah!
18:24Oh!
18:25Stupid person.
18:27Teach.
18:28What?
18:29Oh, heaven's your sight.
18:33Shh.
18:34Have poison food.
18:35You are a godsend.
18:37I'm a god.
18:38I'm a god.
18:39I'm a god.
18:40I'm a god.
18:41I'm a god.
18:42I'm a god.
18:43I'm a god.
18:44I'm a god.
18:45I'm a god.
18:46I'm a god.
18:47I'm a god.
18:48I'm a god.
18:49I'm a god.
18:50I'm a god.
18:51I'm a god.
18:52Look at us.
18:57Grounded aeronauts.
18:59You dressed for the jolly roger, apparently, and I now the one with liberty constrained.
19:04The irony.
19:06Quite the pickle, as my father would say.
19:09I wonder what the old bastard would think if he could see me now.
19:14Oh, shit.
19:16I'm so sorry.
19:19I thought I was saving you.
19:20But it's safe here.
19:21It's...
19:22Look, they pay me to draw.
19:23Do not trust them.
19:24They're pirates, Wash.
19:25Pay no mind to their words and their kind-seeming gestures.
19:26Man's true nature will reveal itself.
19:28What's this you work on?
19:29Well, their ship has an engine, driven by a perpetual motor, which I'd love to know how they acquire.
19:43And this piece is his malfunctioning brain.
19:44The engine has a brain.
19:45If I can get it working again, they won't throw me overboard.
19:46Might even let me up on deck for some blasted air.
19:47How can I help?
19:48No, no, no, no.
19:49I'll get there eventually.
19:50I do have better use of your energy, though.
19:51I've spent my nights in here dreaming.
19:52How can I help?
19:53No, no, no.
19:54I'll get there eventually.
19:55I do have better use of your energy, though.
19:56I've spent my nights in here dreaming.
19:57About the cloud cutter.
19:58I'm anxious to rebuild and sail the skies anew.
19:59How, Teach, huh?
20:00How?
20:01How?
20:02How?
20:03How?
20:04How?
20:05How?
20:06How?
20:07How?
20:08How?
20:09How?
20:10How?
20:11How?
20:12How?
20:13How?
20:14How?
20:15How?
20:16How?
20:17How?
20:18How?
20:19How?
20:20How?
20:21How?
20:22How?
20:23How?
20:24How?
20:25How?
20:26How?
20:27How?
20:28How?
20:29How?
20:54How?
20:55How?
20:56It would appear not. How did a lot of you come by a ship like this anyway?
21:00I mean, it's simply...
21:01Too advanced for our stupidity.
21:03No, I didn't mean...
21:04Of course you did. In any case, we acquired it the same way you English do.
21:09We stole it. It is new from the West India Concern.
21:14Prototype, I believe.
21:15My God.
21:17The Royal Navy...
21:18They'll be after us.
21:20But not soon enough to help you.
21:22Cloudman, you ever want to see the sky again?
21:28Say what I say, maybe you get out the cage.
21:33You play games with me, sir.
21:38How much you pay to buy to draw your dream?
21:48Get used to the chains, white man.
21:52You see that up in the cotter?
22:01Dolphins swim like you want to fly.
22:04So I put him in the sky.
22:06Black boy in the sky.
22:07What a thing.
22:09That eye of yours.
22:11Captain have need for it.
22:12See him later.
22:15Hey, Barrington.
22:16Hmm.
22:18Can't teach come up for some air?
22:19Let's see.
22:25Where are those from?
22:29Dahomey.
22:30A friend gave them to me when I was little.
22:34What do you know about Dahomey, Bai?
22:38When I die, I wake up at home in Dahomey.
22:42And I live on.
22:51There'll be words for a little youth.
22:54How do you know of these things?
22:56A friend.
22:58Hmm.
23:02A long time I see one of those.
23:05In Guyana.
23:10Hmm.
23:12How long you left?
23:20Can I ask what you remember?
23:27Water.
23:27Water.
23:29Everywhere.
23:30Sea.
23:32River.
23:33Blue water.
23:35Brown.
23:37Black.
23:45Water no get enemy.
23:49Only friend.
23:51Wise words.
23:52From your friend.
23:55Wise friend.
23:56You take a swim one day.
24:01Me and you.
24:03To celebrate wise friends.
24:06Island by.
24:08Can fly.
24:10Or can't swim.
24:14Oh boy.
24:16See the water there?
24:28Hmm?
24:28Hmm?
24:30Hold them up!
24:31Somebody need to teach you all to swim, Washington Mac.
25:01Is there a relaxed boy? It's only me. I bought you some goods.
25:21Miss Angie, you have to know that not telling you wasn't about not trusting it.
25:30It was my own fear. I'm sorry.
25:40We want family. So you can tell me the truth. Huh?
25:50Any truth, none of us can carry it all alone.
25:56I will.
26:00Wait. I know this girl.
26:06You do?
26:07She has a taste for some spices you only find in my shop. I bought some by the house.
26:11It's Tanner.
26:12Nice, huh? Hey, this is your fancy girl?
26:16Yes, but she's not white.
26:18She's not white.
26:19And this is news how. Maybe she can fool these other people, but black folks know their own.
26:30There's something you might need to know. I hear she's being courted by Mr. Magee. That rich white man who owns the docks.
26:41No. No. No, I don't believe that. That's...
26:47You barely know this child. These sort of things don't always work. Even if you want it.
26:55I don't care if she's rich and fancy. I see her and she sees me.
27:00Young and foolish. Maybe she can walk between two worlds, but you can't.
27:07Well, then we'll create the world of our own.
27:10No. I know that look. And the answer is no.
27:15Please, Miss Angie, I...
27:16Are you out your mind? If you go out there, those hunters will find you by sunrise.
27:21And that's not if Medwin gets here first. He has you down here for a reason. To protect you.
27:27She breathes life into me. I have to know what this is. Maybe you don't understand.
27:37Oh. Believe me, boy. I out of all people understand.
27:47So if you do, can you ask her to meet me somewhere? Tonight?
27:53You do know what you're risking. Danger follows you now. And it will cling to her too.
28:01I've been taking risks my entire life. This is no different.
28:14Where?
28:19Tell her Preston's Cove. And she will see magic on the shore.
28:24Come on!
28:49Come on!
28:50Come on!
28:54You fixed the mortar?
28:56For the Loverguard man.
28:59I will fix it.
29:00But just let me up on deck for a spell.
29:03It's been days.
29:05You're demanding?
29:06I'm asking.
29:08Please.
29:09Ladies and gentlemen.
29:10You need to put on talent.
29:11Please.
29:12Leave me.
29:17Tony.
29:18Everybody.
29:19Feel free to purchase.
29:20Lewis.
29:21Now to let him ice.
29:22Need a Prajiko in God.
29:23I will leverage his curse at one's last time.
29:24I have to do everything yourself tongue.
29:25工 to manage to work on and crashing.
29:27I am so decir yourself в lines of weaponry.
29:29ああ, I'm so sure of anything.
29:30I am setting your نasut.
29:32You have no Yellowstone battalion.
29:33I can walk on my own, thank you very much.
29:46Where do you expect me to run to?
29:48You have me.
30:01Might I have a word?
30:03Ill-tides indeed if you be my company, Fancy Malt.
30:08Surely I can't be all that bad.
30:11I suppose I did cause quite the mess.
30:13You cost us money, Fancy Malt.
30:18Then perhaps I might be of service.
30:23You're carrying molasses, from what I see.
30:27You see too much.
30:29You're eyeing them too big.
30:31Yes, well, the thing is, I know where we might go.
30:39We.
30:41My fate is tied to yours now.
30:44Royal Navy already hunting us?
30:47Well yes, they will do that if you steal ships on their maiden voyage.
30:50Your Malt just can't help itself, can it?
30:53And the word is commandeered.
30:55We go to America.
30:58Virginia, to be precise.
31:00My family has an associate there.
31:03And you can unload your goods,
31:05make a profit in a place where the British won't venture.
31:07So, will you talk to the captain?
31:26Perfect match.
31:27Well done, boy.
31:41We'll need one for each remaining barrel.
31:45This means we negotiate.
31:47Yes?
31:48You're one of us now.
31:54We should make for Virginia.
31:57Fancy Malt has a contact for us to sell the molasses.
32:00We sneak back to Brazil after.
32:02Or get a contract in the States.
32:04Just let things die down a little bit.
32:06Different plan.
32:08Somewhere else.
32:09Cuba.
32:09We ducked the Royal Navy for weeks.
32:17Now you want to provoke the Spanish.
32:19They crash into us.
32:21We lose a third of our goods.
32:23Gone.
32:24Few places to sell the rest in the seas
32:26where the British won't find and hang us.
32:29But then there's Cuba.
32:30Conditions there be what we've heard.
32:33The goods will fetch a mark up.
32:36Make us whole.
32:37We said we would never go back there.
32:41Situations change.
32:47Cuba, it is.
33:04Do you miss it, boy?
33:07Do you miss it, Mr. Captain?
33:19Even now, what I would give
33:21for a touch of home.
33:25A home filled with her.
33:27When it happens,
33:29it takes up the smallest space inside you
33:31until it is vast,
33:33dull-consuming.
33:34I'm sorry, I don't understand.
33:37When what happens?
33:39A woman happens.
33:42That doesn't sound good.
33:47Then I don't explain it right.
33:52Leave me be.
33:56Cuba on the horizon, Captain.
33:58We have...
33:59Havana Rosa?
34:09This was never about the crew.
34:12You lied to me.
34:14To all of us.
34:17Cuba was not supposed to be about her.
34:19You have us running from the British
34:22and the Spanish
34:23and the Spanish.
34:23Risk death for this.
34:26You agreed.
34:31I'll follow you.
34:33Anywhere.
34:36But not on a lie.
34:38Cuba isinea.
34:53Cuba keeps moving.
35:04Vamos.
35:04Cuba keeps moving.
35:05Cuba keeps moving.
35:05Cuba keeps moving.
35:06Cuba kept moving.
35:07punched Woo-hoo.
35:07Crew of the Ave Maria.
35:21Whoa, whoa!
35:23It's mad you're gone mad.
35:25I see clear as day.
35:27And I bring charges against our captain.
35:29What charges you speak of?
35:31Negligence.
35:32Wanton recklessness.
35:33Do not listen to this madness.
35:35Theodora.
35:36Stand down, woman.
35:38Sweet Barrington.
35:40Loyalty blind you.
35:41Up to captain, we'd be in a prison in Havana.
35:45Or at the bottom of the ocean in Haiti.
35:47This man was willing to get us killed.
35:50Not for profit, but for chasing the cure to his ailment.
35:56A woman.
35:57A woman break him and now the bottle is finishing the job.
36:01You free yourself from what bound you.
36:03All we have are our rules.
36:07Our trust.
36:10Without them, loyalty to him will end us all.
36:16I'm sorry, my friend.
36:18But I am not ready to die.
36:21You make charges and hold gun on the man.
36:24Stand on your words.
36:25If I am wrong, then I did.
36:42But if I am right, what say you cruel?
36:48All right.
37:06Let's pray.
37:07Let's pray.
37:09Let's pray.
37:10Let's pray.
37:10Let's pray.
37:11Let's go.
37:41Alvarez, as captain, I hereby exile you from this ship.
38:11I'm sorry, Bard.
38:15You have no fault here.
38:21Why do you have to go with me?
38:27He's the one who teach me to swim.
38:37Choose the right one to teach you.
38:43Keep me alive.
39:07Keep me alive.
39:09In here.
39:15Put your eyes, friend.
39:17Come on.
39:27Come on.
39:29Come on.
39:33Come on.
39:55Bring them down now.
39:57On my mark.
39:59Lower away.
40:01Come on.
40:03Come on.
40:05Come on.
40:07Come on.
40:09Come on.
40:11Come on.
40:19Come on.
40:21Come on.
40:23Come on.
40:25Come on.
40:35Come on.
40:37Come on.
40:39Come on.
40:51Come on.
40:53Come on.
40:55Come on.
40:57Come on.
40:59You came.
41:06Thank you for meeting me here.
41:08And you told me where you'd be.
41:11She has it on good authority that magic can be found here.
41:29How are you?
41:38You're the first person who's asked me that in some time.
41:45I'm well, thank you.
41:53So I can get a good look.
41:59I might have a better idea.
42:08You'll have to trust me.
42:27It's beautiful.
42:30It fits current company.
42:33You have a way with words, Jack Crawford.
42:36A lady might find her heart in jeopardy.
42:38Your heart is as safe with me as though it were floating in water.
42:46Tell me, where will you fly when your machine is done?
42:49I'm going to fly across the ocean.
42:51To the World Science Expo in London and win.
42:55The World Science Expo?
42:57Yes.
42:59Extraordinary indeed.
43:01And you?
43:02What is your dream?
43:03One of the only things I remember from when I lived with my mother was listening to her play the piano.
43:12When I close my eyes, when I close my eyes, I can see it.
43:15In my dream, I'm a composer of world renown.
43:21I'm a woman captivating the world with her melodies and harmonies.
43:30The flying man and musician.
43:33Some pair we are.
43:38I heard that...
43:49Is this your surprise?
43:50Is this the magic?
43:53Yes.
43:54The bioluminescence.
43:58Do you like it?
43:59I love it.
44:00Yeah.
44:02Oh!
44:10We've only just met.
44:16You're the first person who has really seen me.
44:20I've never felt so free.
44:22Thank you for this night, Jack Crawford.
44:25What did you mean by you never felt so free?
44:39You are free.
44:45I feel powerless too often.
44:48Not in control of my own destiny.
44:51That isn't what I see when I look at you.
44:53How do you mean?
44:55Your power.
44:59It shines from you.
45:03Jack, there's something I must share.
45:06I...
45:07Stop!
45:09Move away from that lady!
45:15Move away, boy.
45:16Tell me what you're doing here with him.
45:28Well, I hired Mr. Crawford to take me out on the water for science.
45:31Is that true?
45:32You were boatmen?
45:33Yes.
45:35But you wanted to see the bioluminescent jellyfish, sir.
45:38I studied them.
45:39If you don't release Mr. Crawford this instance, I will file a very unflattering complaint.
45:44My benefactor, Mr. William McGee, will accompany me.
45:48You do know who he is.
45:49Keep your studying to daylight.
45:55It'll be safer for both of you.
45:58Are you all right?
46:08And this...
46:10This can't happen.
46:15It's not the world we live in.
46:20Jack.
46:23We're both dreamers.
46:24Can't we dream up a different world?
46:28It's not the world we live in.
46:58It's not the world we live in.
46:59It's not the world we live in.
47:00It's not the world we live in.
47:01It's not the world we live in.
47:02It's not the world we live in.
47:03It's not the world we live in.
47:04It's not the world we live in.
47:05It's not the world we live in.
47:06It's not the world we live in.
47:07It's not the world we live in.
47:08It's not the world we live in.
47:09It's not the world we live in.
47:10It's not the world we live in.
47:11It's not the world we live in.
47:12It's not the world we live in.
47:13It's not the world we live in.
47:14It's not the world we live in.
47:15It's not the world we live in.
47:16It's not the world we live in.
47:17It's not the world we live in.
47:18I don't know.
47:48I wouldn't expect your king to be welcome in a place like that.
47:57No.
47:58No, not usually.
47:59But most of the boys in the here still need me in mind to make life easier for them down
48:03on the dark, so we agree to disagree, you know what I mean?
48:08These settlements are full of surprises.
48:10Well, maybe you should figure out the lay of the land before you put your feet up in
48:14a strange town.
48:16Point taken.
48:17Mr. What was it again?
48:21Oh, that's right.
48:23Medwin Harris.
48:24Champion of beaten, broken, black bastards.
48:28How am I doing?
48:30It's not bad.
48:32Mr. John Willett?
48:34At least that's the name you gave down at the stables when you collected that wagon of yours,
48:39huh?
48:40How am I doing?
48:41How am I doing?
48:43I might almost like you, Mr. Harris.
48:46And I don't much care for your kind.
48:49The feeling's mutual, Mr. Willett.
48:55I'm guessing you just see coin and opportunity when you look at us, huh?
48:59A man has to make a living.
49:01Do it somewhere else.
49:03I've been at my job a while, Mr. Harris.
49:09It might be time to retire, enjoy the fruits of my labors.
49:14But it's hard to close the book when a chapter remains incomplete.
49:20The only one to get away.
49:32The trail went cold eight years ago near Virginia.
49:35It's been difficult to abide by that failure.
49:39Then I get word of a boy here, conducting flying experiments like a certain Christopher Wilde once did.
49:46It's an unlikely coincidence.
49:48Mmm.
49:49There ain't nobody up here to fit that description.
49:53In fact, I reckon you and your harness made so much noise, we fled off.
50:01See, what I suggest is that you continue on up north.
50:06Unlikely.
50:07I've been granted a second chance, and I will make good.
50:11Well, you've done your research, so you already know I protect my people.
50:17Funny.
50:18I do the same.
50:31Hey, you know, there's just one thing I can't quite wrap my head around.
50:37Why owe that coin for a runaway?
50:42That's what happens when you kill a white man.
50:45What?
50:59Leave it in.
51:02Bye.
51:05Bye.
51:06ORGAN PLAYS
51:36ORGAN PLAYS
52:06ORGAN PLAYS
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49:58
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