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The Buccaneers - Season 1 Episode 8 | Eng Sub
A group of fun-loving American girls burst onto the scene in tightly corseted 1870s London, kicking off an Anglo-American culture clash. Sent to secure husbands and status, the buccaneers' hearts are set on much more than that.#
A group of fun-loving American girls burst onto the scene in tightly corseted 1870s London, kicking off an Anglo-American culture clash. Sent to secure husbands and status, the buccaneers' hearts are set on much more than that.#
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Short filmTranscript
00:00For tomorrow, your wedding day.
00:24It's exquisite.
00:26If you think I'm giving it to you to underline the sense of occasion and history tomorrow represents, whilst also intimidating you, you're entirely correct.
00:37Well, the point has been clearly underlined.
00:40Theo is the main event tonight.
00:43You can stand silently by his side.
00:46Which is the job, of course.
00:49To smile.
00:51To wave, perhaps.
00:53To bestow your presence on the odd agricultural prize-giving.
00:56But decisions, even those which affect you both, from now on, aren't yours to make.
01:04I'm not a monster now.
01:07I liked you very much when we met.
01:11But you lied to us.
01:13Your display at Christmas.
01:15Your determination to speak when your opinion has not been asked.
01:18And your urging of Theo to disrespect-
01:21I haven't urged Theo to do anything.
01:26His father and I worked hard for the family reputation.
01:28And I am not trying-
01:29Theodore insists he won't reconsider the marriage.
01:32So tomorrow, we host the wedding of the season.
01:36Perhaps the decade.
01:38If you were to change your mind now,
01:40particularly now your background is so well-known,
01:46Theo would be a laughingstock.
01:48And for my honest, loyal, open-hearted son to be a laughingstock,
01:54would break my heart.
01:57But for it to happen to the Duke of Tintagel,
02:00would undermine his position for the rest of his life.
02:04An anxious bride is far from a new phenomenon.
02:13I gave you the opportunity to leave on Christmas Day,
02:15and you refused.
02:17So now, you must work through those pre-wedding nerves,
02:22wear the tiara,
02:23and stand tall by his side,
02:26like a duchess.
02:27Shake, shake, shake.
02:41Oh, I don't know, I don't know
02:43a way to begin.
02:45We are North Americans.
02:48And those of you who still think we're from England,
02:52we're not.
02:53No.
02:53You see, I love this place that I have grown to know.
02:59All right, North America.
03:01And yeah, I know you wouldn't touch us with a ten-foot pole.
03:06Cause we're North American.
03:12We are North American scum.
03:19We are North American.
03:23We are North American.
03:53North American.
03:54And...
03:55And...
03:56Open wide.
03:59Come on.
04:00Yeah, yeah, yeah, yeah!
04:02Woo!
04:04They're really hard.
04:07Tomorrow, it'll all be yours.
04:13We have to stop avoiding each other.
04:34This.
04:36Tonight.
04:37None of it feels the way the night
04:40before your wedding is supposed to feel.
04:42Well, I think that there's a lot of nonsense
04:43talked about weddings
04:44and how you're supposed to...
04:45Are you in love with Guy?
04:46Do you still want to marry me?
04:54No.
04:54No.
04:55Do you still want to marry me?
04:56You will be asked that question tomorrow.
05:03You and I have put on enough public performances.
05:08And then, I love you.
05:11But I won't wait here tomorrow with the packed church
05:14and the world watching.
05:16Not if you're not sure.
05:17So, first thing in the morning,
05:25let me know your decision.
05:26Tomorrow, I shall watch my son marry.
05:39So, I shall step aside
05:41and no longer be the Duchess of Tintagel.
05:44I struggle to accept my new title, of course,
05:47as surely the Dowager Duchess
05:50is my elderly mother-in-law.
05:51But I accept the new role with pride
05:56because it means my son
05:58has fulfilled the role he was born for.
06:01Now, may I present the Duke.
06:10My lords, ladies and gentlemen,
06:12thank you all for coming.
06:14And to my mother
06:15for agreeing to share the title
06:17of most important woman in my life.
06:18Tomorrow, Tin Tagel welcomes a new heir.
06:48And I welcome the woman
06:50with whom I very much hope
06:51to spend the rest of my days.
06:54Whose strength, courage
06:56and resilience we've already seen.
07:02But who I have no doubt
07:03will soon demonstrate her commitment,
07:07loyalty and willingness to serve.
07:10The new Duchess of Tintagel
07:12by my side,
07:15just as the last has been.
07:21In my case,
07:24what good is it?
07:25If you know that,
07:26you know.
07:33Letter for you, Lady Marable.
08:04You know, I can just stay in here
08:23until you leave.
08:24I'm not leaving.
08:28Nana wanted...
08:28I really don't want to hear you say sorry.
08:33I'm happy for you.
08:35Theo's a gentleman
08:37and I look after you.
08:39I don't need looking after.
08:42Well, we all do.
08:45Sometimes.
08:45Ginny,
08:46I'm sure it's cold
08:47and lonely in your world.
08:48All you ever do
08:49is look after yourself.
08:51And that's the end of it.
08:53The moment we got off that boat,
08:54all you ever wanted
08:55was to find a man.
08:57And the moment you did,
08:58you became a completely new person.
09:02Your whole face has changed.
09:04I can't bear to look at it.
09:06We're going to Scotland.
09:08For good.
09:09Tomorrow,
09:10as soon as the wedding's over,
09:11the carriage is all packed.
09:13And what difference will Scotland make?
09:15You're already so far away.
09:22I love her so much.
09:43Tell her, is she?
09:45The baby.
09:47Her name's Minnie.
09:49And I was checking on her.
09:50The baby's the best left
09:51to either sleep
09:52or cry it out.
09:55What about adults?
09:59Honoria?
10:00Would you like to join us for a drink?
10:02Honoria's happy to stand
10:03and take in the room, thank you.
10:04She doesn't believe
10:05in drawing attention to herself.
10:06I'm sorry,
10:07might Honoria speak for herself?
10:09And might you perhaps resist
10:10making Conchita feel uncomfortable?
10:12You wife has a great deal
10:13to learn about our ability
10:15in this country
10:16to stand upright
10:17in the face of...
10:18Upright?
10:18I may never have stood upright.
10:22Except for a few months
10:23last summer in New York
10:24with Conchita.
10:25And in fact,
10:26there's a strange feeling
10:27in the backs of my shoulder blades
10:28right now.
10:28What is this?
10:30Hmm?
10:32I almost feel like dignity.
10:34Yeah.
10:34For my entire life,
10:36Mother,
10:37you've avoided checking on me.
10:41You've chosen silence.
10:43We're stepping back
10:43from all of this.
10:44So I am happy
10:46to now remove
10:47every last shred
10:48of joy
10:49and noise
10:50from your home.
10:51My family and I
10:52will no longer be part of yours.
10:54Well, good luck.
10:56Entirely on your road.
10:57I am severing ties, Mother.
11:00Full financial independence
11:01on both sides.
11:04I'm putting my family first.
11:05Oh, and don't be tempted
11:12to check on me later
11:12as my wife and I
11:13intend not to be upright
11:14for much more of this evening.
11:20Anything you'd like to add,
11:21my love?
11:23I have never loved
11:24your son more.
11:25I'll get you a drink.
11:36Get me a drink now.
11:45Bedtime, the party's over.
11:46What? What's wrong?
11:47Your friend's causing scene again.
11:50I just need you.
11:52Virginia, come on, stop.
11:54Ginny.
11:55Ginny.
11:58Ginny.
12:00From now on,
12:02this is the three of us.
12:04Yeah, we can buy our own house.
12:06We can spend
12:06a long stretch of the year
12:07or a bulk of conceited
12:08and feeling.
12:09This feeling of having
12:10no duty or expectation.
12:13Dickie.
12:18It's all gone.
12:20Everything.
12:21What do you mean?
12:25There's a list of excuses here
12:27from Daddy,
12:28but the fact is
12:29his big investment.
12:32He made some mistakes
12:33and he lost all of his money.
12:36Our money.
12:40Breaking away from your family
12:41is fine when we had money,
12:42but now,
12:43how are we going to live?
12:46Well, it won't be easy.
12:52But I love you.
12:54And honestly,
12:54what else matters?
12:56We can do anything.
12:58Yeah.
12:59We can start again.
13:00This means we are properly free.
13:01Yes.
13:02Of all of them.
13:03No money,
13:03no ties,
13:04just us.
13:05Just us and Minnie.
13:06We can live.
13:09The three of us
13:09can just live.
13:20She's sleeping.
13:23Too much heat and noise,
13:24that's all.
13:25It's common to find
13:26this kind of event
13:27overwhelming
13:27when a woman
13:29in her condition.
13:32Congratulations to you both.
13:35I don't know that you didn't...
13:37I quite understand.
13:39Do you want news to tell?
13:58Sticking with this whole
13:59made-up headache thing,
14:00are you?
14:02Patty,
14:02we should be
14:03on top of the world,
14:04both daughters
14:05settled with their titles
14:06and you and me,
14:08we are the Duke
14:08and Duchess
14:09of Madison Avenue.
14:10The whole world
14:11envies our family.
14:13Our family no longer exists.
14:15The girls will be in England
14:17and what will we do, Tracy?
14:18Whatever the hell
14:20we want, Patty.
14:21Well,
14:22I believe I'm the only one
14:24who will find that a novelty.
14:27Patty,
14:28if it is adventure as you want,
14:29then the moment
14:30we get back to New York
14:30we'll have all the...
14:31I don't belong in New York.
14:32I've had my fill
14:34of being your audience
14:35at parties.
14:36I have never been enough for you,
14:38but what has changed
14:39is you are no longer
14:41enough for me.
14:42I'm not scared
14:43of the scandal of divorce.
14:45As the mother of a duchess,
14:47I will have options
14:48and invitations,
14:50and I can have
14:51all the adventures I want.
14:53Patty,
14:53we have beat...
14:54I wanted to talk to you.
14:55Yeah, I need a drink.
15:04This country
15:04has put ideas
15:06into her head.
15:07You know,
15:08I've always had ideas
15:09in my head.
15:11It's only now
15:11I realize people
15:12might want to hear them.
15:15Ha.
15:15Do you regret marrying daddy?
15:24No,
15:24because I wouldn't
15:25have had you girls.
15:27But now,
15:27I need to...
15:31re-find my spark.
15:35Do you understand?
15:39I believe I can see
15:40that spark already.
15:43Well,
15:43you gave me that gift.
15:46You marrying Theo
15:47lets me be myself again.
15:50Even the scandal
15:51of divorce
15:51won't shut out
15:52the mother of a duchess
15:53from society.
15:55Now,
15:55what did you come here
15:56to talk to me about?
15:58About who I am?
16:04It's, um...
16:07Annabelle.
16:14You're sure,
16:15are you?
16:15Are you quite sure
16:19about tomorrow?
16:22Because you mustn't feel
16:23with the grandness
16:26of it all.
16:27You mustn't
16:28feel pressured.
16:31No.
16:32No, of course not.
16:34And I am sure.
16:36I just need some sleep.
16:39I'll see you tomorrow.
16:40I love you.
16:42I love you.
16:44I can't hear you.
16:48I can't hear you.
16:51You're too far away.
16:55I can't see you.
16:59The light is in my face.
17:02I can't touch you.
17:06I wouldn't if I could.
17:11I can't love you how you want me to.
17:17I can't love you how you want me to.
17:22I can't love you how you want me to.
17:27To us being next.
17:29next yes at some stage whatever comes after I mean I guess for us that's the
17:38joy of it after the wedding we get to just be as we are until the children
17:47come along I assume well even a convenient marriage can continue the
17:58line and
18:02definitely
18:13what are you look so frightened what's happened this is how I am this is how I've
18:24always been underneath but I don't want to be anymore I feel broken what do you
18:33what do you mean broken when we were little the way you and others looked at
18:42boys and got butterflies like with Harry Hamilton to remember the blessing you
18:48all did Harry Hamilton was the fastest runner in town well for me I know I
18:53should have had butterflies about Harry Hamilton that's what's normal but I
19:00never did I had those feelings I have those feelings about girls and I tried to be
19:15like you but I'm just not mother walked in and me in New York with a maid she looked at me like I
19:27was a monster Mabel I'm so sorry what did she say she just walked back out like I was nothing
19:42I was a monster Mabel listen to me listen you're talking about
19:49love
19:54how can love ever be wrong if that's what gives you butterflies then you are exactly who
20:08you're supposed to be you're supposed to be you're Mabel you're beautiful
20:15you're not disgusted Charlie
20:19Shane you have to try and let that go
20:23you're too lovely to be roamed
20:29thank you for telling me
20:36hold on
20:42which maid
20:44well not Martha she's 80
20:47we agreed no more secrets
21:12I wanted to tell you
21:19yeah you seem to delight in separating yourself from me Ginny stopping me looking after you
21:28I didn't mean to keep it a secret I just I didn't mean to keep it a secret
21:31I expect Nan knows
21:32no she doesn't
21:33about the baby
21:34nobody does nobody does
21:35is it mine
21:36of course
21:37that's what I wonder
21:38of course
21:39why the secrets
21:40I should have told you
21:41are you pleased
21:43am I pleased
21:44that my wife tells me lies
21:49I think ashamed
21:52is a better word
21:54I'm sorry
22:09I'm sorry
22:10I'm sorry
22:24I'm sorry
22:25x1
22:26I'm sorry
22:27this was so much easier to climb when I was 15
22:28ah
22:29glowing
22:30that is
22:31it can we pretend I did that in a mile again my
22:48Theo thinks you're ill.
22:54No, he doesn't.
22:57No, he doesn't.
23:03I've called it off with Jean.
23:08She deserves better.
23:13Than you.
23:14Oh, certainly.
23:15But mainly than someone who's hopelessly,
23:28irretrievably, overpoweringly in love with you.
23:34Don't say that.
23:35If I've learned anything from you Americans,
23:37it's that when you think something,
23:38you should say it out loud.
23:40We English have a cup of tea,
23:42then decide to keep it to ourselves.
23:43But this, I'd like to tell the entire world.
23:49God, Nan.
23:51I spend the entire time I'm not with you
23:55trying to convince myself that I must just be making it up.
23:59The amount I love you.
24:02The amount I actually physically need you.
24:06But then I'm with you.
24:07When I look at your face,
24:11and your skin,
24:13and your neck,
24:18and your mouth.
24:26What about Theo?
24:44Listen, Nan.
24:47I want Theo to be happy.
24:50More than anything.
24:51Except maybe not quite as much.
24:59Not as desperately as I want you to be.
25:04So I wanted to ask...
25:05Please don't.
25:06There's just been so much talk about marriage.
25:08Oh, God, no.
25:09That's not what I'm asking.
25:11Oh.
25:11And listen, Nan.
25:16I think this is forever.
25:20God, I feel it every minute.
25:24It is all I feel.
25:28But for now,
25:30I just, I just, for now, I just...
25:33Let's just let it be for now.
25:35I'm going away.
25:43Tomorrow.
25:45Because, Lord, if you both,
25:46I just shan't stand it.
25:48So, Brazil at first,
25:51and then...
25:52Who knows?
25:54And those pens that I had in my globe,
25:56I want to see it all.
25:57Come with me.
25:58What?
25:58I feel miserable asking this,
26:00but one thing I can't risk
26:01is not asking.
26:02And now you're just looking at me.
26:07You can't tell if you're thinking
26:08that you want to...
26:10Yes.
26:11To what?
26:13Yes, to all of them.
26:14Yes.
26:15Yes.
26:16Yes.
26:17Yes.
26:18Yes.
26:19Yes.
26:20Yes.
26:21Yes.
26:22Yes.
26:23Yes.
26:24Yes.
26:25Yes.
26:26Yes.
26:27Yes.
26:28Yes.
26:29Yes.
26:30Yes.
26:31Yes.
26:32Yes.
26:35Yes.
26:36Yes.
26:36What do you do when you've got so much to lose?
26:45Maybe tomorrow we'll get away and I'll stay close to you.
26:58What do you do when you have so much to lose?
27:11Maybe tomorrow will you get away and I'll stay close to you
27:23Get away and I'll stay close to you
27:34Get away and I'll stay close to you
27:51Someone's here.
27:51Just a moment.
27:52Anne.
27:53Anne.
27:54I think I need your help.
27:57Oh gee.
27:58Okay, well I'll go get mother.
27:59No, no, no, no.
28:00She'll go straight to Stephen and she wouldn't be able to help herself and then she'll tell
28:05Daddy.
28:06I don't have long any minute.
28:07He's going to realize that I'm gone.
28:12I'm here.
28:13He's not a bad person.
28:14I'm here.
28:15I'm here.
28:16I'm here.
28:17He's not a bad person.
28:18He's not.
28:19He's not.
28:20He likes things in a particular way like the way that I talk and dress and I don't know,
28:34hold a fork or get undressed.
28:35He just, he likes me to be perfect.
28:36He just gets so angry.
28:37It's all my fault probably.
28:38It's not your fault, Ginny.
28:39It is not your fault.
28:40Man, the fact is it's not just going to be two of us anymore.
28:45Really?
28:46He doesn't like me to be near anyone.
28:53What if I can't protect my baby?
28:55Well, we'll have to figure out.
28:58We'll have to figure out where we're going.
28:59No.
29:00I can't.
29:01Wherever I go, he's going to find me.
29:02He's always so close.
29:09It's all right.
29:10It's all right.
29:11It's just.
29:12So you can come out now.
29:16You can trust her.
29:17It's okay.
29:18I promise you it's fine.
29:19What can I do?
29:20Do it at the wedding.
29:21I'll talk to Theo, but none of that matters right now.
29:22We need to get you out.
29:46We need to lose.
29:47Oh my God.
29:48Oh my God, I don't think I can survive on my own.
29:50We're coming with you.
29:51You're waiting for me.
29:52I love you, too.
29:53I love you.
29:55My God.
29:56I love you.
29:57I love you.
29:58Just the time being done.
29:59I love you.
30:00I love you.
30:01I love you.
30:02I love you.
30:03I love you.
30:04I love you, too.
30:06I do not think I can survive on my own.
30:10We're coming with you.
30:11I know, I love you.
30:12I love you.
30:16Come on.
30:20What are you doing?
30:23Why are you outside?
30:26You weren't anywhere to be found,
30:27so I came to check you hadn't wondered.
30:32No, not at all.
30:34Well, I know how you can be.
30:36I was worried, that's all.
30:43Ginny and I, we made up.
30:45Good news, my love.
30:48I wanted to show her the travel,
30:49but we could just wait till the morning.
30:51And I'll send you word about tomorrow.
30:52We should go to bed.
30:53Mm-hmm.
30:54And in the meantime,
30:56Ginny and I will stick close together,
30:58and I'll make sure she's well looked after.
31:06Good night.
31:07Hi.
31:17Whose coach is this?
31:19Oh.
31:21Sure, Nan just grabbed it on the way out.
31:24Hm.
31:37Guy.
31:56Oh, Guy.
32:08No, no, no.
32:15Nice to meet you.
32:18You're better than my man, I knew.
32:21When we were in a band, and you,
32:23What a-litch and would've made a move!
32:28Try to forget the rest.
32:32Is that what you get undressed?
32:33When you get undressed, bring her back, this won't be a mess.
32:39And I keep running away, but when I leave you pull me in again, oh, here we go.
32:50I'll hold my breath and count the times, I want my feet up to the line, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
33:02I'm sorry.
33:12Noria!
33:14Lady Noria, the ripple!
33:19How big is this castle?
33:21How big is this box?
33:23I'd still like to see you.
33:32Well, once you're married, we can wave to each other from a distance.
33:38I talked to Miles.
33:42I'm not getting married.
33:45I know you and I won't get any of this.
33:48We won't get any of their world.
33:49Not really.
33:50Not in a way we deserve.
33:51But perhaps if we can be brave, we can make our own world.
33:57And maybe, maybe it'll be better.
34:12They don't know who we are.
34:14The rest of them.
34:19But they don't need to.
34:21Yes, we do.
34:27We do.
34:31Do we?
34:37We do.
34:40We did what we did.
34:41No, we did.
34:49No!
34:51No!
34:53No!
34:58No!
35:00No!
35:02No!
35:05No!
35:06No, this isn't about apologizing to your mother.
35:21It's me.
35:23The doctors.
35:24Doctors?
35:26I'm afraid it's bad.
35:28I've been married to your mother long enough to be able to withstand pain, but...
35:32They say weeks rather than months, don't they?
35:39They're rolling out the old affairs should be an order line.
35:43Which means, of course, it's time to step up, old boy.
35:48The estate, all the workers and so on, all down to you.
35:52And, of course, your mother, your sister, they'll be counting on you.
36:03It's time, Bridget.
36:05You'll be Lord Brittlesey.
36:08And Conchita...
36:11...will be Lady Brittlesey.
36:12I owe you an apology.
36:35I hope you know...
36:37...that wasn't me yesterday.
36:39Yesterday.
36:42I should never have...
36:48And I have a surprise.
36:55Might we put last night behind us?
37:09...
37:20...
37:22...
37:24...
37:26...
37:29...
37:31...
37:33...
37:34...
37:35...
37:36...
37:40...
37:41...
37:42...
37:43...
37:44...
37:45Trust me.
37:59Um, where's the father?
38:01We don't need him.
38:15No pride or cruel yet.
38:38Imagine if you're just a turn.
38:40She's always been a nice camera.
38:41What's her name?
38:45I don't know.
39:15Ginny, I'll be just behind that door.
39:45Go.
39:53You both have to go now.
39:54What is going on?
39:56What is going on?
39:59Ginny, listen to me.
40:00This isn't just about you anymore.
40:02This is what mothers do.
40:03We have to go.
40:04Okay.
40:04You have the time it takes for the three of us to walk down the aisle before he notices.
40:12Never all time, every one of them marches to their own drum.
40:33Your grace.
40:39A word.
40:40We love you.
40:55We love you both.
40:56We have to go.
40:56I'm so sorry.
40:58I say I'm all of you for everything.
41:01Essentially, we're always on our own, don't you think?
41:04As mothers.
41:07So we must stick together.
41:09Who comes first?
41:10Always.
41:10Always.
41:12We come first.
41:12And I can't let you watch your son be humiliated without some sort of warning.
41:27Theo's a good man, and I would hate to see him.
41:29But Nan would never hurt anyone unless it was the absolute right thing to do.
41:39This has all happened very fast for Nan, your grace.
41:44And she cares very deeply for Theo.
41:59Since the news of her father's indiscretion, she's had a lot of growing up to do.
42:09But she's really very young.
42:13Better, I'm sure you will agree for both of them to avoid the suffering of a hollow marriage,
42:19a life sentence.
42:20Nan, does Guy Thorpe make your heart sore?
42:22Yes.
42:23And your head spin?
42:24Yes.
42:26Are you sure you want to do this?
42:27Of course.
42:29So I believe Nan is not coming.
42:35Annabelle is a strong-minded girl.
42:39Yes, she is.
42:41And her determination today, it seems, is to save her sister.
42:51Do you have the boat tickets?
42:54Come on, get in.
42:56Ginny.
42:57Shoulders back and head high, okay?
42:59Go ahead, Ginny.
43:01Wait, what do you mean?
43:02What do you mean?
43:03Guy's gonna look after you, okay?
43:04I love you.
43:05One daughter's sacrifice.
43:07For the other daughter's freedom.
43:11No, Nan, you're coming with me.
43:13You're coming with me, Nan.
43:14And this is my own wedding.
43:16Nan, but you don't even want to get married.
43:18You never have.
43:19And you love Guy.
43:20I love you.
43:21And I'll choose you every time.
43:23Nan.
43:24It's gonna be okay.
43:25Nan.
43:27Nan, Nan.
43:28Just listen, there's no time.
43:29Listen.
43:30You take my breath away.
43:32I hope you know that.
43:34Ever since that first day, whenever I close my eyes, or open them even, always, it'll always
43:41be you I see.
43:42I love you.
43:44I love you, too.
43:45And love, deep, abiding love, it has to win, doesn't it?
43:52Somehow.
43:54Okay, I have to go.
43:56Okay.
43:59Nan.
44:01Nan, please.
44:02I'll take care of her.
44:05And you?
44:06I'll take care of myself, I promise.
44:08Please, Nan.
44:08I'm so sorry.
44:16I'm so sorry, Nan.
44:18Nan.
44:33Nan's a clever girl, too, of course.
44:35She understands the severity of what Ginny's about to do.
44:40And a young girl running away from her husband, taking his unborn child.
44:46A child?
44:47She'd never make it.
44:50Could never happen.
44:52Nan and Ginny leaving together would be just two powerless young girls.
44:55But as a duchess, as a duchess, Nan has absolute power to protect her sister, her whole family.
45:12I believe we have a wedding to attend.
45:22Don't you care?
45:24As a mother, that your son will marry someone who can't be happy?
45:28How will they both live?
45:30He deserves to know.
45:31Yes, but I'm not only a mother.
45:34I'm a duchess.
45:37And as Nan will see, the institution always comes first.
45:42I'm not only a horse, a mother, but I'm just an minder.
45:46I'm another one.
45:53I'm not only a mother.
45:53I'm a sicher than I part of.
45:57I'm another one.
45:59I patriots, so.
46:00And we being a mother
46:00and we being a midwinter,
46:01one pis through the night.
46:02I rapture.
46:03On the nineties.
46:04I've Mother.
46:04I'm not only a worker.
46:05I'm a MAYH 개막.
46:08So I'm a fire tw approximant.
46:09I might not only be a dead.
46:41Dearly beloved, we are gathered here today in the presence of God, inside of this congregation, to join together this man and this woman.
47:10You're too late.
47:11She's here.
47:14She's inside, Patty.
47:15Right now, she is inside the castle.
47:19Who?
47:21The mother.
47:25Nan's mother.
47:31Introducing the new Duchess of Tintagel.
47:34Tell them how the crowds went wild.
47:46Tell them how our hopes they shine.
47:52Long live through walls, we crashed through.
47:56I had the time of my life with you.
48:01Long, long live through walls, we crashed through.
48:05How the kingdom light shines through me and you.
48:09And long, long live.
48:12Fell upon your face and bring on all the pretenders.
48:18One day, we'll be remembered.
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