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Noyontara - 14th July 2025 Full Episode
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00:01Hey!
00:04Our friends are going to turn around in the house.
00:10If I want to marry your brother's brother,
00:12then what will I do?
00:15Hey, that's it!
00:17Hey, I don't know what I'm doing.
00:21What are you seeing here?
00:24Take a look, Nayon.
00:25Who is listening to her?
00:27Who is the most dangerous?
00:29Who is that?
00:30Or who is it?
00:33Who is the most dangerous?
00:35Who is it?
00:36Who is it?
00:37Who is it?
00:38Or who is it?
00:50Hey, I'm sorry, Nayon.
00:52I'm so dangerous.
00:54I'm sorry.
00:55I'm sorry.
00:57And this woman?
00:58This woman is a woman.
01:00Mother,
01:01blood,
01:02blood,
01:03blood,
01:04everything.
01:08My mom is hurting.
01:11Yes.
01:12I'm sorry.
01:13I'm sorry.
01:14Yes.
01:15I'm sorry.
01:16After the birth of the death of the death of the death,
01:18you will go out with me.
01:21What is your work?
01:22How to do it?
01:23How to do it?
01:24All I understand.
01:25Good Day,
01:26the graft.
01:27Am I?
01:32Okay.
01:33To be honest,
01:34there's a不幸 term in the donation.
01:36There's nothing.
01:37Or area alone,
01:38what is your loved one?
01:40How to do it all?
01:41Be sure.
01:42This woman is a padre.
01:43Think of anything?
01:44Okay.
01:47Okay.
02:03Focus.
02:04We'll start making a difference.
02:06Okay.
02:07And we'll leave.
02:14What are all these things, ma'am?
02:19You don't have bread and omelette in the room
02:22and all these chawal, musli, musli...
02:24What's happening?
02:26What is it?
02:27Sometimes you have to come with a kueh.
02:30You haven't come outside for the body of Bhaadkapur.
02:33So I'm here with all these.
02:38Choto!
02:39Take them!
02:41Shurju will be responsible for Bhaadkapur.
02:44So those who are here, they are always like...
02:49Noyon!
02:56One whole day is out.
02:57And seven days are full.
02:59I'll take off the walls of this house,
03:01and I'll take my staff to my staff.
03:04The staff is leaving,
03:05and I'm tired of them all.
03:07After that, Shurju Bhaadkapur will go out.
03:10Noyan!
03:11Noyan!
03:12Noyan!
03:13Noyan!
03:14Noyan!
03:15Noyan!
03:16Noyan!
03:17Noyan!
03:18Noyan!
03:19Noyan!
03:20Noyan!
03:21Noyan!
03:22Noyan!
03:23Noyan!
03:24Noyan!
03:25Oh, my God.
03:55Don't let him go to his house.
04:02Who?
04:03He doesn't have a house.
04:05He wants to go out.
04:08Everything!
04:10Who are you all?
04:19What are you seeing here?
04:21Let's go!
04:25What will happen tomorrow?
04:28What will happen tomorrow?
04:29What will happen tomorrow?
04:31Who will this be?
04:35Listen.
04:36Put this hat on.
04:39It won't happen to me.
04:40What about my mother?
04:43She doesn't say anything about my mother.
04:45I can't say anything about her.
04:47I'm losing my weight.
04:48When you come back,
04:49you're going to lose your mind.
04:51I'm losing my weight.
04:53I'm losing my weight.
04:57I'm losing my weight.
04:58Go away from here.
04:59Go for 2 minutes.
05:00I can sit here.
05:01I want to say that I've been holding your weight.
05:06I'm doing everything for everything.
05:08I'm not doing it.
05:09After all, who gave all of them to this house?
05:12Who gave me the place in this house?
05:15I have.
05:16Correct.
05:17Then, all of them should be taking all of them.
05:19You should take all of them.
05:20This hat, the hat, the hat, the hat, the hat.
05:22You should wear the hat.
05:23You should wear the hat.
05:24You should wear the hat.
05:25you should wear the hat.
05:29You're going to play the hat.
05:31I'm going to play the hat.
05:32Your uncle's mom is the daughter of Noah John?
05:33He's wearing the hat.
05:34He's wearing the hat.
05:35He's wearing the hat.
05:36He had been wearing the hat.
05:37I'm the husband too.
05:39You didn't see that,
05:40Mom,
05:41that woman has broken the hat.
05:43What?
05:44It's because of her.
05:45She broke the hat.
05:46She broke the hat.
05:47She broke the hat.
05:48She broke the hat.
05:50She broke the hat.
05:52Sir,
05:53Sir, have you taken it?
05:54I'll come back tomorrow. Thank you.
05:56Okay, sir.
05:59How do you know what he will do?
06:07I am saying that Shao Li gave him to kill him.
06:11That's why I am told him that Shao Li will kill Shao Li's real murder
06:15so that he will get away from us.
06:19Little man.
06:20I can't go anywhere in my house.
06:23In this case, you have to find the kill of Shaoliti.
06:26They are going to be dangerous day by day.
06:29Today, they are going to leave the house of Shorjo Baba's house.
06:32They will come inside the house.
06:34What are you saying?
06:35That, little ma'am, you love Shorjo Baba's house?
06:39I've got to understand.
06:41But for them, you take me to the house of Shaoliti.
06:45Today?
06:46Today?
06:50Okay, ma'am.
06:52If I don't mind any of your names, it won't happen.
06:57Whatever you want, it will happen.
07:00But I'm sure, you won't know the truth of that guy.
07:07My fear is that you have to wait until you have to wait.
07:12You have to give him all these plates?
07:15I'll give him.
07:17I have to go back to the house in the rest of the house, Shaoliti's photo.
07:24This is for me.
07:26You are the best of me.
07:28You are the best of me.
07:30I don't know how much I am.
07:32And I am more new.
07:36I have a great friend of mine.
07:40Look, how old are you?
07:42And today, it's a great deal.
07:44I don't want to go out of the house.
07:46I won't give you permission.
07:48I don't understand myself, little ma'am.
07:50If you have a little bit of a murder,
07:52then everything will be done.
07:56Okay.
07:58Now, if you don't want to cut the house,
08:00then don't cut it.
08:02Don't take me to the house.
08:04But let me tell you,
08:06I will go out of the house.
08:08How will you go out of the house?
08:10I don't have any knowledge.
08:12I can't do anything.
08:14I will go to the house of the house.
08:16I will go to the house of the house.
08:20Whatever you want.
08:22I will go to the house of the house.
08:24Will you give me so much?
08:26I will give you permission.
08:28Okay, I will give you permission.
08:30No!
08:32I will give you permission.
08:34I will give you permission.
08:40So you don't tell this story.
08:42I will give you permission.
08:44Don't you tell my mother,
08:46for me?
08:48Why?
08:50Why did you tell me?
08:52You just have to tell me
08:54I am real girl.
08:56In the first place,
08:58I will trust you on your own story.
09:03She's a mother, right?
09:05She's going to think of her daughter's figure.
09:09And as well as Shao Li Di K.
09:10I've known about Shao Li Di K.
09:14But she's probably not known as her daughter's daughter.
09:28What happened to you, Maa?
09:35The girl ran away.
09:36Look at who she was following.
09:41Roger Babu didn't give up to Shaolidee.
09:44If you have faith in the truth,
09:46that Shurjo Babu didn't give up to Shaolidee,
09:49would you not have the police?
09:51This is the sound of Noyum.
09:53This is the sound of Noyum.
09:58It will be the sound of Noyum.
09:59What happened?
10:02Come on!
10:04Go, let them save their daughter.
10:06You will die.
10:08This is the sound of Noyum.
10:14I am your mother.
10:15Your father and your brother.
10:19Are you scared?
10:21All day, every night, every night.
10:24Colors.
10:25If they know this,
10:27that Shujo is so dangerous about this,
10:29they will be scared.
10:31They will be completely blown.
10:33You're saying the truth.
10:35Shujo has a soul of his soul.
10:41Okay.
10:43You don't need to tell anyone.
10:50Let's start this.
10:54Do you say that today your responsibility is my responsibility?
10:59Today your responsibility is my responsibility.
11:19Loyalography, lovely, lovely, lovely
11:29O Hodawa...
11:45What do you want to do with your mouth and run away from her?
11:50Oh, my God!
11:58Now, whatever you want, just run away from her mouth.
12:03I'm going to eat a little bit.
12:08I'm going to eat a little bit more and more.
12:11Okay, nice one.
12:15Maybe, can I tell you please?
12:18Then I'll go and play Hollywood together.
12:21London, Paris...
12:23No, he's alive.
12:25But who can I marry?
12:27Mahur, Mahur.
12:29Mahur, Mahur.
12:31Mahur, Mahur, Mahur, Mahur, Mahur.
12:36Did you get it?
12:41And shut up, I've got to talk to you.
12:44Don't touch me.
12:54There's no need to do acting.
12:57Everyone knows how much respect for your heart is for me.
13:03It's done, whatever it was.
13:05Go from here, please.
13:11I'm looking for you.
13:14If you say, I'll be safe.
13:20Where do I go to be safe?
13:21Where do people go to be safe?
13:23In the bathroom, under the bathroom.
13:27You're watching acting, little girl.
13:29You won't believe you won't get an Oscar, right?
13:36Where do I go?
13:37Where do I go?
13:38Where do I go?
13:39Disgusting.
13:46Do you have to tell us what's going on in the morning?
13:52Do you do not have to tell us what's going on?
13:54But will it tell us what's going on?
13:56Do you have to give us what we've got?
13:58I've got to tell us what we've got to get an Oscar.
14:00You've got to take us right now.
14:02And we'll take the eggs in the morning.
14:03I've got to take a bite.
14:04A little bit later...
14:05What?
14:06What's going on?
14:07You're suffering from your head.
14:10I'll go inside in the guest room.
14:12I'm going to take you in the guest room.
14:13I'll take you in the guest room.
14:14Yes, but a little while.
14:15You remember, you have to go out.
14:18Go.
14:19Come.
14:20Come on.
14:21Come on.
14:22Binti, Binti, what are you going to do?
14:25You've got to go outside.
14:27Yes.
14:28Come on.
14:29Come on.
14:30Come on.
14:31Binti, what are you going to do?
14:34Binti, what are you going to do?
14:36I'm coming.
14:37Excuse me, Baba.
14:39I'm running away.
14:41But the truth is that I'm going to take you in.
14:51Where is Mohor?
14:53I told you to take him to take him.
14:57Mohor!
15:04How can this be?
15:05How can this be through a journey?
15:06How can this be our journey?
15:07I'm going to take you to my journey.
15:08I'm going to take you through a day.
15:09This way, I'm going to take you through a journey
15:11and you can never find me again.
15:12Anything I need to take you through.
15:13I'm looking for.
15:14I'm looking for a few.
15:15Shona, Shanda, Hira, Moses.
15:16With my son...
15:17The only great!
15:18Sometimes I'm looking for a half.
15:19It's huge!
15:21The great!
15:22It's a great諒.
15:23But nice!
15:24I don't know how much I'm going to sleep in the morning.
15:28Who can you know better from me?
15:33I've been watching this for a few years since I've been wearing this dress.
15:38I didn't even wear this dress.
15:45I wear this dress for my dear friend.
15:49I don't know.
15:51I've never had a need for it in my life.
15:54Now, I've been married, right?
15:56That's why I have to stay alive.
15:58Otherwise, how will it be okay to me?
16:01What's the benefit of talking about my mind?
16:06Today, you stay away from me.
16:14Ah, Mohor!
16:17Where did you stay alive?
16:18How are you calling her?
16:20Mom, there's no one here.
16:22You too.
16:23There's no one here in the house.
16:26See, there will be no one here.
16:28No, Mom found the whole house.
16:30There's no one here in the washroom.
16:32There's no one here.
16:35Maybe she didn't run away.
16:47What's the name?
16:48Yes.
16:49Take a lake road.
16:50No, take a lake garden.
16:51Take a work.
16:52Take a work.
16:53Take a work from the lake road.
16:54No, take a lake garden.
16:56Take a work from the Shambajar.
17:00Take a work from the Shambajar.
17:01Take a work from the Rashi Bihari mode.
17:02Oh, Madam.
17:03First of all, think about where you are going.
17:06You're telling the opposite route.
17:08You're telling the opposite route.
17:09Okay, do a work.
17:10Take a work from the Bihon Shetu.
17:11Take a work from the Bihon Shetu.
17:12Take a work from the Gorya Heart Flyover.
17:15Leave it to the Mord of the Daeshopriyo Park.
17:18Little, Mom.
17:20Oh, look.
17:22Tima.
17:23Since my last year for her, I am never running from my house.
17:25She's having to do it in her heart.
17:27I've never been running from her own house.
17:29She's running from her own.
17:31I couldn't allow you.
17:32But you don't have to do the best.
17:35After all, I've lost to her all.
17:37It's because of him, I will have to find a future.
17:39Like a witch.
17:40You're getting us through, it's okay?
17:42I know.
17:43I've caused you a problem.
17:46But of course, I'm a lady,
17:48I'm surprised,
17:49I think you'll probably have a heartache.
17:51I didn't have any other way.
17:54I don't think about this.
17:56I'm just thinking about this,
17:58that the mother and father will do so much harm.
18:04As much harm as possible,
18:07but when the mother will know that I'm running,
18:11what will happen?
18:13It will happen, and what will happen?
18:15Meena? Vinci?
18:17What are you sleeping?
18:19I didn't have to ask Shankar Mali.
18:21I didn't have to ask Shankar Mali.
18:23I didn't have to see it in Pagiche.
18:25I didn't have to see it outside.
18:27How long have you taken a car?
18:29All the cameras checked properly.
18:31Look behind the house.
18:33I didn't have to leave the door behind.
18:35I found out there,
18:37and I'm still watching it.
18:39What happened, Maa?
18:41The girl ran away.
18:43She ran away after her.
18:45And all the gas came out.
18:47No, it's going to happen in front of her.
18:49How long have you told her?
18:51She's not the right girl.
18:53When she comes back to her head,
18:55she has to give her attention.
18:57She has to give her attention.
18:59The girl has to give her attention.
19:01She has to give her attention.
19:03She has to give her attention.
19:11Oh!
19:17Discraft one!
19:18Who's the phone?
19:36So many years later, the mother of Shaolid's mother.
19:40Didi, please don't call her. We don't even know how we've come here.
19:44Stop. How did she get her to send her to her daughter?
19:49She didn't have a mind on her daughter.
19:52Look, she didn't have a phone.
19:54She seems that if she didn't have a phone, she'll die.
19:57But as soon as I don't hear from her,
20:00she won't be able to send her to her.
20:03I'll sit here.
20:05She didn't have a phone call.
20:07She didn't have a phone call.
20:09She didn't have a phone call.
20:11She didn't have a phone call.
20:13You know this, right?
20:15She didn't have a phone call.
20:27Hello?
20:28What are you saying?
20:30And...
20:31Are you a killer?
20:32And what are you going to say?
20:34If you have faith in the truth that Shurjo Babu has killed him,
20:38then why don't you go to the police?
20:41I'm saying something, Maasima.
20:43Because you've never believed that Shurjo Babu is a fool.
20:51Because if you believe,
20:53then you go to the police station.
20:55They do a case.
20:58No, Maasima.
21:00What's the sound of Maasima?
21:02Why didn't you do that?
21:07Maasima...
21:09went to the house of Shauli.
21:11How dare she?
21:13How dare she?
21:18Listen.
21:19I'm looking for Shauli because of the police station.
21:22I'm not your enemies.
21:24Who said?
21:26I'm looking for the police station.
21:28Who's the police station?
21:29Who's the police station?
21:30And...
21:31What do you want?
21:32What do you want?
21:33Believe me that I'm no one.
21:35Believe me...
21:36Believe me...
21:37that I'm only the truth.
21:39Give me some questions.
21:41I'm looking for the police station.
21:42I'm not sure.
21:43I'm not sure.
21:44Why did Shauli think?
21:45Why did Shauli think so?
21:46That Shurjo Babu would not want to kill.
21:50But you guys...
21:51Why did you believe this?
21:53I'm not sure.
21:54What did Shauli think?
21:55Why did Shauli think that?
21:56Why did Shauli think that?
21:57But...
21:58Why did Shurjo think so?
21:59Why did Shauli think so?
22:00But...
22:01I think that...
22:02you know?
22:03And...
22:04you know how was the chance of the police station?
22:05But if he had a chance of the police station,
22:08it would be a free,
22:09no one you won't want to be.
22:10You've got nothing.
22:11Of course.
22:13Shurju didn't break.
22:17Shurju didn't cut the car.
22:21When did we say that the car broke?
22:27When did we say that the car broke?
22:31If we broke the car broke,
22:33the car doesn't come here.
22:35It will be accident before that.
22:41What!
22:43Do we have our pickers?
22:45We are die with those.
23:03This isциally the young one.
23:07What a rupture of this car broke up and victory was fired.
23:09And he's also hiding.
23:10They knew that we went to the house of Shaloudi.
23:12Yes.
23:13Grotev has failed to do a good job, Grotev.
23:15I'm going to take the CRD in the wrong way.
23:18Good job, Mata.
23:19You just tell me what to do in the future.
23:21Do you think anything?
23:22I'll see this once again.
23:24How big this girl is this girl.
23:27I'll see.
23:28How big this girl will be in the back of her back.
23:34Where are they, little girl?
23:35When she knows that she's in a lot of rage.
23:37And she won't be in the house.
23:39Then she'll go on the other way.
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