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FilmsActu X Nicolas Winding Refn 2025-07-04 16:00
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✩ Les Films à VOIR ? Ils sont ICI ► https://www.youtube.com/playlist?list=PL843D2ED8D80FA673
La trilogie Pusher de Nicolas Winding Refn, dans une version restaurée 4K, le 9 juillet au cinéma
FilmsActu X Nicolas Winding Refn (Interview)
© 2025
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Vous avez des fantômes, et j'aime l'extrême,
04:59
donc j'ai pensé que je vais partir de l'autre à l'autre.
05:02
Et je pense que j'ai travaillé dans le fantôme,
05:04
ça a été beaucoup de fun.
05:06
Donc j'ai décidé de faire Pusher 4 quelques années,
05:11
mais comme un show de TV,
05:12
et ça s'est devenu Copenhagen Cowboy,
05:14
qui est vraiment Pusher 4.
05:16
Il a des mêmes personnages et des mêmes mondes,
05:20
mais je n'étais pas plus intéressé
05:24
dans la manière dont j'ai eu l'habitude,
05:26
parce que social media dominait cette narrative maintenant.
05:30
Tout est accessible, et la plupart du tout est réel,
05:35
ou à l'aise peut être très réel,
05:37
capturé de moment à moment,
05:39
et c'est très efficace, et je ne peux pas faire ça.
05:43
Mais ce que je peux faire, c'est que je peux manipuler
05:46
ça dans mon propre version.
05:48
C'est fantôme, et c'est que je me suis plus intéressé.
05:51
J'ai perdu la peur de vivre dans le vrai monde,
05:56
et d'être plus excitée par stepping dans le théâtre,
06:02
le space de l'unreality, comme un stage.
06:05
Et donc, c'est comme l'évolution.
06:09
Qu'est-ce que tu veux faire ?
06:12
Je pense que si les directeurs veulent retourner
06:15
et changer leurs films, je suis sûr qu'il y a une raison.
06:18
Je n'ai pas besoin de faire.
06:20
Je n'ai jamais eu la liberté de faire
06:23
pour faire le film que je voulais faire.
06:25
Donc, il n'y a rien à changer.
06:27
J'ai quand même regardé.
06:29
Donc, une fois que j'ai fait quelque chose,
06:31
j'ai été ostracisé dans mon corps.
06:33
Il n'est plus en moi.
06:36
Je dois faire vouloir dans quelque chose.
06:38
Il n'est plus qu'à une fois,
06:39
il n'y a rien à faire.
06:41
Il n'est plus qu'à une fois.
06:44
C'est-à-dire qu'une autre chose.
06:46
C'est-à-dire qu'un autre chose.
06:49
Il n'est plus qu'à une fois.
06:50
Un autre chose.
06:52
C'est plus qu'à une fois par rapport,
06:54
celle-ci en plus qu'à une fois.
06:55
C'est-à-dire qu'une autre chose.
07:27
You can buy them directly from me at bynwr.com
07:32
I'll sign your box set and send it off to you
07:36
I'm a huge fan of 4K
07:40
I love 4K
07:42
I think 4K is amazing
07:45
Because so many films can be re-watched with even better quality
07:50
And who doesn't want that?
07:53
You know, so it's kind of like a new layer of the new normal for me
07:58
So I decided to do all my films in 4K
08:01
Slowly rolling them out, you know
08:03
I think cinema and television for that matter
08:10
Has had a very tough time in the last 10 years or so
08:14
10, 15 years
08:15
Gaming, social media, VR, canvases are exploding
08:20
And they're constantly evolving
08:22
Because technology is allowing them to evolve
08:24
Movies and television
08:26
TV is becoming more and more just content
08:30
That you almost look at while you're doing other things
08:33
And movies are still that window of exclusivity
08:37
Of the collective experience
08:39
But I think that movies also need to re-evaluate themselves
08:44
I remember when we were in Cannes for Only God Forgives
08:47
And I, after everyone had been booing me for so long
08:51
That during my stay
08:53
I did say, look, you can be angry with me and about my film
08:58
But I am from the future
09:01
And I'm going to make something that's going to predict
09:03
What it's going to be like
09:05
If you want to make films in the future
09:07
And I was right
09:09
Because right after Only God Forgives
09:11
The industry changed because of Netflix
09:13
Netflix was the game changer
09:15
And it changed not so much what we were making
09:18
But it's how we experienced film and content, essentially
09:23
How we viewed it
09:24
And I think that to justify or for a movie to exist in longevity
09:29
You have to see what a film can become
09:33
Rather than what it used to be
09:34
Violence is like sex
09:38
It's all about the build-up
09:40
Bang, bang, and then it's to the other wall
09:43
Now make it dirty, unique, interesting
09:45
Never seen before in violence
09:46
I'm not that strategic
09:52
But I will say that
09:54
Everything is an evolution of something
09:57
And there can be a tendency
10:00
When something is liked
10:03
That everyone wants the same, same
10:07
But I don't necessarily think that's true
10:09
It's better to give them something else
10:12
Or something different
10:13
Or something that destroys your past
10:16
In order to make something new
10:19
To transition
10:20
You know, obviously the two films are very different
10:23
But what ties them is myself and Ryan's interaction
10:28
However, I find that interesting
10:30
It's like taking something and turning it on its head
10:34
It's taking the ultimate superhero in one movie
10:37
And emasculating him in the next
10:39
It's taking one movie that's very poppy
10:42
And another movie that's very esoteric
10:45
And that, I think, is what makes the world interesting
10:50
Is that things can become different
10:52
It can evolve into other components
10:55
Rather than just always staying in the same repeat lane
10:59
Because you very quickly run out of steam, in my opinion
11:03
I was very happy
11:05
But obviously, you know, a lot of harsh reactions
11:09
And a lot of booing and screaming
11:12
But then I was like, that's kind of cruel
11:15
Because then you're like the sex pistols of cinema
11:18
You know, you're like the one everyone throws bottles at
11:21
But you can't deny it existence
11:23
You can't really criticize it
11:25
Because I did it my way
11:27
The world will see it as it continues to evolve
11:31
And you just have to be
11:33
You have to just be, trust yourself
11:35
So you never lose your vision
11:36
When you have that strong reaction?
11:39
No, on the contrary
11:39
You're like, it's like energy
11:41
It's like, just wait for the next one
11:43
I love that
11:44
I'm like you
11:45
I have no regrets about Only God Forgives
11:48
I think it's a masterpiece
11:49
And it is
11:49
I just didn't make it very expensive
11:52
Is there a doctor in the house?
11:54
We need to get a medic in here
11:57
Is there a doctor around?
11:59
When you were mentioning 2001, you forgot to add Drive
12:04
We'll let that slip
12:06
We won't know about Drive for another 30 years
12:09
30 seconds
12:10
Whether it lives or dies
12:12
I'm talking about films
12:13
2001 was made in 1968
12:17
I made this film about four years ago
12:20
Four years is a zip
12:21
It's not even a blip
12:23
It's not a pimple on the asshole of humanity
12:28
What was funny about talking to Billy Freakin
12:30
Was that it was
12:31
He had a man who had struggled a lot in Hollywood
12:35
And started very successfully at a young age
12:40
And then had gone into Sorceress
12:43
And, you know, was still traumatized by that experience
12:48
After so many years
12:49
And I think that was what was so sad
12:51
In a way
12:52
That it had such an effect on him
12:54
It was a little bit like Michael Cimino doing Heaven's Gate
12:57
These amazing films
12:59
Both Sorceress and Heaven's Gate
13:02
Are probably their best films
13:04
For some reason get so destroyed
13:07
And then they lose sight of themselves
13:10
Or they lose their confidence
13:12
And it affects all the other movies they make afterwards
13:15
And I was like
13:16
I'm never going to be like that
13:17
Because I'm right
13:19
You're wrong
13:19
I mean, I've done two shows
13:26
One with Amazon, one with Netflix
13:27
And I like what I was making, obviously
13:30
But I don't know how much I want to continue
13:36
I may want to take a break
13:38
And go and make movies again
13:41
I've decided to do more visual arts, you know
13:45
And trying to find other areas of creativity
13:50
But I think it's time to go make a film again
13:53
You said you work on two shows
13:55
That you work on The Famous Five
13:56
So The Famous Five was a television show
14:00
That I just, how do you say
14:02
Executive produced or created
14:04
But I had no involvement in it
14:06
Otherwise I just created the kind of concept
14:09
And the story
14:10
Based on these very famous books
14:12
The Famous Five was more because
14:13
My kids would read the books
14:15
When they were young
14:16
I remember my mother reading me the books
14:18
So it was more like a past history thing
14:21
That came up as an opportunity
14:23
Well, I mean, if something is interesting
14:29
You know, why not look at it?
14:31
I've had some wonderful meetings in Hollywood
14:33
Met wonderful people
14:35
But in the end, I like my freedom
14:37
That's all I really want
14:39
Is just to be free
14:40
When you work in Hollywood
14:42
There is a contract
14:44
Some people love that
14:45
And can work within that
14:47
I
14:47
It's maybe not so much my thing right now
14:51
But who knows
14:51
Maybe next year I'll do a big
14:53
You know, big superhero movie
14:56
That could be fun maybe
14:59
I don't know
14:59
I'm pretty open to anything
15:01
But at the same time
15:02
At the end, you should just make what makes you happy
15:05
It's one thing having creative control
15:08
Which is easier enough
15:10
But it's where all the money that's invested
15:13
Puts a burden on you
15:15
Because all that money has to get, you know, recouped
15:19
And then you have to make a certain type of movie
15:21
You don't have the freedom to do whatever you want
15:23
Because you're a slave to the economics
15:26
If your film costs $200 million or $100 million
15:30
You need to make $300, $400 million to break even
15:33
That already puts a strain on what kind of movie can you make
15:36
And I don't want any conditions on me
15:39
At all
15:41
You have to be completely free
15:43
I mean, in the beginning
15:49
A lot of people were talking about another drive
15:51
But it was like
15:52
That would be the worst idea I've ever heard of
15:55
So never?
15:56
Never
16:03
I've been very lucky to live a fun life
16:09
And it has nothing to do with fame
16:13
You realize very quickly
16:16
It has that I've had opportunities
16:19
And I've been able to work with people
16:21
I've met people
16:23
I've spoken with people
16:24
And it's all been a lot of fun
16:27
But I think when I started
16:29
The idea of being seen
16:32
Was very essential
16:33
The idea of fame
16:34
And fame being an opportunity
16:37
It's like an opportunity
16:38
It's like a stage
16:39
One thing is becoming famous
16:41
The next
16:42
What are you going to do with it?
16:43
And obviously
16:44
It's like anything
16:45
It's an opportunity
16:46
I don't have any love
16:48
You have to work all the time
16:52
I also have to work
16:54
My daily life is
17:22
I have a routine
17:23
I wake up
17:24
I do two hour sports every day
17:27
Then I usually have lunch
17:29
Then I get yelled at by my kids
17:32
I work at night
17:34
And then try not to get to bed too late
17:39
And then Friday comes
17:41
And it's weekend
17:42
And you try to relax a little more
17:45
And the next day is Monday
17:47
You watch movies?
17:48
I used to watch a lot of movies
17:51
When I was a lot younger
17:52
But now it's just harder and harder
17:54
There's other things
17:55
That I find interesting
17:56
Like what?
17:58
Well I did my first exhibition
18:00
That just opened in Tokyo
18:02
And that's been a lot of fun
18:03
To do that
18:04
A collaboration with Hideo Kojima?
18:06
Yeah
18:07
Can you talk about that?
18:08
Well I created an exhibition
18:11
That opened on Friday last week
18:15
In Tokyo
18:16
Where I built this installation
18:18
Between us
18:20
I saw my wife and my daughter
18:22
In the procession
18:23
Hey!
18:25
It's me!
18:26
Where are you going?
18:33
Wait!
18:38
Don't live without me!
18:41
No!
18:43
Don't go!
18:45
Please!
18:46
Don't go!
18:48
And you are in Death Stranding 2
18:50
I am Heart Man
18:52
And Heart Man
18:53
Is forever in Death Stranding
18:55
I think that
19:01
Don't believe everything
19:03
You read on the internet
19:04
Okay
19:04
Can you tease us something?
19:06
Well believe everything
19:07
You read on the internet
19:08
Ah okay
19:08
We're going to see a good film
19:38
Okay
19:40
Yeah
19:40
You are not
19:42
That's going to see a good film
19:44
That's going to see a good film
19:45
Well believe it
19:45
OST!
19:46
We can do it
19:47
Why?
19:48
That's really nice
19:49
We can do it
19:50
especially when you do it
19:51
It's a good film
19:52
That's really nice
19:53
But you know
19:54
Do-
20:06
You're not
Recommandations
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À suivre
CULTE : 2Be3 Bande Annonce (2025)
FilmsActu
aujourd’hui
1:50
DEMON SLAYER: La Forteresse Infinie Bande Annonce (2025)
FilmsActu
aujourd’hui
1:27
THE RITUAL : L'EXORCISME D'EMMA SCHMIDT Bande Annonce VF (2025)
FilmsActu
aujourd’hui
2:20
HELL OF A SUMMER Bande Annonce VF (2025) Finn Wolfhard
FilmsActu
aujourd’hui
1:48
Le Catalogue d'Amina - saison 1 Bande-annonce VO STEN
Allociné
aujourd’hui
0:21
Le super-pouvoir rêvé de Superman, Loïs et Lex Luthor ? 💥
Allociné
aujourd’hui
1:21:37
Space Explorers | Film Complet en Français | Science Fiction
Films Complets
hier
1:30:35
Hiver Macabre | Film Complet en Français | Thriller, Horreur
Films Complets
hier
1:32:45
Un Professeur Irrésistible | Film Complet en Français | Romance
Films Complets
avant-hier
20:05
FilmsActu X Nicolas Winding Refn 2025-07-04 16:00
FilmsActu
aujourd’hui
1:36
- ARES 27
CANAL+ Sport
il y a 3 jours
0:30
Va regarder sur internet Marc.
CANAL+
hier
1:28
La barre de fer, vous connaissez ? Les joueurs du Squid Game, oui 😅
CANAL+
hier
1:00
"On m'a traitée de singe en janvier" 🤯
CANAL+
avant-hier
1:17
On continue de discuter pendant ce week-end caritatif RACE FOR GAZA par Médecin sans frontières, jusqu'à 00h ce soir !
Poncefleur
hier
