- 7/4/2025
Get ready to feel your blood boil as we count down cinema's most loathsome personalities! From manipulative villains to insufferable heroes, these characters make us want to throw popcorn at the screen. Whether they're backstabbing friends, ruining lives, or just being plain cruel, these film figures have earned our collective hatred.
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00:00:00Hello? Hello? Anybody home? Hey, think we're flying.
00:00:05Welcome to WatchMojo, and today we're looking at the most despicable and rage-inducing characters in cinema history.
00:00:11We're including both heroes and villains for their hateable qualities,
00:00:14but annoying or simply grating characters like Jar Jar Binks don't make the cut.
00:00:19No, no, me's a stay. Me's a call Jar Jar Binks. Me's a your humble servant.
00:00:24That won't be necessary.
00:00:25Oh, but it is.
00:00:26Also, watch out for spoilers.
00:00:30Number 100. Justin Hammer. Iron Man 2.
00:00:33You know, we live in a world of grave threats. Threats that Mr. Stark will not always be able to foresee.
00:00:39To put it in simple terms, this guy's a douche.
00:00:43Hammer cuts every corner he can in his attempts to outshine Tony Stark.
00:00:46He's perfectly content breaking out murderous physicist Ivan Vanko just to strut on stage with his cringy little dance.
00:00:52Sarcastic, self-absorbed, and with a fragile ego, the antagonist spends the entire film wildly overestimating his own importance.
00:01:04Let me tell you something. Size does matter. Don't let anyone tell you different.
00:01:08Despite talking a big game, none of Hammer's schemes ever works out.
00:01:13By the end, he's reduced to a bystander in his own villainous plot, ending up in jail without so much as a struggle.
00:01:19Trying to pin this on me, huh? That's good. That's good.
00:01:22You're starting to think like a CEO, taking out the competition.
00:01:26Although Sam Rockwell brings a certain charm to the role, it's hard to feel anything but contempt for the character.
00:01:32Number 99. Dennis Nedry. Jurassic Park.
00:01:35Gracias, senor.
00:01:36Don't get cheap on me, Dotson.
00:01:43We're told that Jurassic Park failed because it couldn't contain its prehistoric residence.
00:01:48But at its core, it all came down to one thing. Greed.
00:01:52You know anybody who can network eight connection machines and debug two million lines of code for what I bid for this job?
00:01:58Because if you can, I'd love to see them try.
00:01:59I'm sorry about your financial problems, Dennis. I really am, but they are your problems.
00:02:03Oh, you're right, John. You're absolutely right.
00:02:05More specifically, the greed of Dennis Nedry, who willingly stabs everyone in the back.
00:02:11Fully aware of the chaos his actions would unleash, Nedry leaves the island's inhabitants to fend for themselves while plotting his own escape.
00:02:18Smarmy, loud, and unapologetic, he carries himself with an annoying swagger that makes him instantly punchable.
00:02:25And the wind are extinct.
00:02:27In the end, his memorably gruesome death remains his greatest contribution.
00:02:31A fitting demise for a man who risked it all for a quick payday.
00:02:35Number 98. Julianne Jules Potter, My Best Friend's Wedding.
00:02:49I thought the bridesmaids all wore the same dress.
00:02:53Not you. You wouldn't be comfortable unless you were distinctive.
00:02:56What else did he tell you?
00:03:01Julia Roberts' natural charm cannot be denied.
00:03:04But let's be honest, Jules Potter is as conceited as they come.
00:03:08In her mind, everything revolves around her, including her best friend's wedding.
00:03:13She sets out to ruin his big day.
00:03:15Not for love, but just so she can win.
00:03:18Choose me.
00:03:19Marry me.
00:03:21Let me make you happy.
00:03:22Disregarding Michael's genuine love for his fiancée, Jules refuses to take no for an answer.
00:03:29Though her antics earn a few laughs, they're still the actions of someone who never really grew up.
00:03:34While she does come around at the end, we can't overlook the trail of questionable behavior she displays throughout the film.
00:03:40Hello, George.
00:03:42Hey, gorgeous. How are you doing?
00:03:43Not particularly, but I did what I came to do.
00:03:47Number 97. Prince Hans, Frozen.
00:03:50Only an act of true love can save me.
00:03:54A true love's kiss.
00:04:06Oh, Anna.
00:04:09If only there was someone out there who loved you.
00:04:12Outwardly charismatic and a seemingly perfect romance for Anna,
00:04:15The Prince of the Southern Isles turns out to be the exact opposite,
00:04:18preying on her insecurities.
00:04:20Hans turns on the charm while setting his sinister plans in motion.
00:04:23He exploits the icy tension between Anna and Elsa,
00:04:27Driving a wedge between the sisters in pursuit of a throne that isn't his to begin with.
00:04:31Once the nice guy facade thaws away, Hans is exposed for who he truly is.
00:04:36You won't get away with this.
00:04:38Oh, I already have.
00:04:42A power-hungry fraud whose ego outgrows his head.
00:04:45He probably gets off easier than he deserves.
00:04:48But at least Anna's punch delivers the payoff we were all waiting for.
00:04:55Number 96. Judge Doom.
00:04:57Who Framed Roger Rabbit?
00:04:59I'll catch the rabbit, Mr. Valiant.
00:05:01Then I'll try him, convict him, and execute him.
00:05:06While most tunes of this 80s classic are harmless,
00:05:10Judge Doom is pure nightmare fuel.
00:05:13Even before his true nature is revealed,
00:05:15everything about the antagonist is scary.
00:05:17From his eerie, almost lifeless appearance to his cold, calculating menace,
00:05:21he wields control of the dip with deadly glee,
00:05:23becoming the antithesis of the joyful cartoons we grew up loving.
00:05:27Hey, I seen a rabbit.
00:05:32Where?
00:05:33See?
00:05:34Unlike the slapstick yet well-meaning residents of Toontown,
00:05:38he's a tyrannical figure bent on wiping out his own kind.
00:05:41While many look back fondly at the film as a treasured piece of nostalgia,
00:05:45Doom is a reminder that even cartoons have monsters lurking within.
00:05:49All things considered,
00:05:50Doom seems like an R-rated villain dropped into a G-rated world.
00:05:55Remember me, Eddie?
00:05:57When I killed your brother, I talked!
00:06:01Just with me!
00:06:05Number 95.
00:06:06The Nerds.
00:06:07Revenge of the Nerds.
00:06:09We really need some help.
00:06:11We figured pretty girls like you might be able to suggest a fraternity.
00:06:15Well, you know, boys,
00:06:16choosing the right fraternal organization
00:06:18can be one of the most important decisions in a man's life.
00:06:21For sure.
00:06:22For a group of underdogs,
00:06:23these characters behave far worse than the designated villains.
00:06:27What starts as payback at their tormentors spirals into creepy and downright criminal behavior.
00:06:32Among their most disturbing actions is hooking up with a woman while impersonating her boyfriend.
00:06:37Even at the time, their antics raised eyebrows,
00:06:48making the Nerds appear mean-spirited and unapologetically misogynistic.
00:06:52Worst of all,
00:06:54they're portrayed as misunderstood heroes,
00:06:56glossing over their horrible actions as if they were justified.
00:06:59You can do it!
00:07:00You can do it!
00:07:01You can do it!
00:07:03Time has not been kind to the film,
00:07:05exposing the main characters as predators hiding behind a nerdy mask.
00:07:09No one's really going to be free until nerd persecution ends.
00:07:19No matter which version of the character,
00:07:30Cinderella's evil stepmother lives up to her status.
00:07:33But Cate Blanchett's live-action portrayal may just be the most conniving of them all.
00:07:38While retaining her animated counterpart's streak of cruelty,
00:07:41Lady Tremaine brings an unprecedented layer of spite.
00:07:44This thing is so old-fashioned.
00:07:48It's practically falling to pieces.
00:07:51The shoulder's frayed.
00:07:53It's falling to pieces.
00:07:54Not only does she reduce Ella to a scullery maid,
00:07:58she also orchestrates her misery from the shadows.
00:08:01Driven by resentment and deep-seated envy for her stepdaughter,
00:08:04the villainess rationalizes her actions at every turn.
00:08:08And though no one deserves to be treated as you have treated me,
00:08:12why do you do it?
00:08:15Why?
00:08:17Why?
00:08:18Because you are young and innocent and good,
00:08:23and I.
00:08:28Blanchett's towering performance not only portrays all the vile traits expected
00:08:32from one of Disney's most infamous antagonists,
00:08:34but arguably exceeds them.
00:08:36You've spared the kingdom a great deal of embarrassment.
00:08:41And I should like to keep it that way.
00:08:43Number 93.
00:08:45Benny Gabor, The Mummy.
00:08:46What a surprise!
00:08:48My good friend, you're alive!
00:08:51I was so very, very worried.
00:08:52Well, if it ain't my little buddy Benny,
00:08:55I think I'll kill you.
00:08:57Think of my children!
00:08:58From the moment he slithers onto the screen,
00:09:01we cannot wait until this slimy villain gets what's coming to him.
00:09:04An opportunist in every sense of the word,
00:09:07betrayal is part of Benny's identity.
00:09:09He'll sell out anyone to save his own skin,
00:09:11even if that means siding with an undead fiend like Imhotep.
00:09:14Though he despises every moment of serving the titular mummy,
00:09:30Benny's cowardice outweighs any sense of conscience.
00:09:33The only things that drive Benny are self-preservation and greed.
00:09:36So, when his luck finally runs out,
00:09:39his fate feels like a worthy moment of poetic justice.
00:09:48As Rick so eloquently says,
00:09:53As the secretary of the World Security Council,
00:10:15the effortlessly charismatic Robert Redford
00:10:17initially traps viewers into a false sense of security.
00:10:20But the reveal of his true nature sends shockwaves through the film.
00:10:24As the secret head of Hydra,
00:10:26Pierce chases power through deception and manipulation.
00:10:29Driven by an unchecked god complex,
00:10:31the villain embeds himself like a parasite within S.H.I.E.L.D.,
00:10:34setting up Hydra's control over the world.
00:10:37Society's at a tipping point between order and chaos.
00:10:41Tomorrow morning, we're going to give it a push.
00:10:44There's no redemption waiting for him at the end of the line, either.
00:10:47As Pierce lives and dies, embracing Hydra's fanatical ideology.
00:10:51And it's safe to say no one's shedding any tears for this heartless traitor.
00:10:55By the time, I would have taken a bullet for you.
00:10:57You already did.
00:10:58You will again when it's useful.
00:10:59No matter the iteration,
00:11:18the sheriff is almost always the worst person on screen.
00:11:22From the Disney version's tormenting and greedy behavior
00:11:25to Alan Rickman's devilishly charming take on the character,
00:11:28the sheriff is consistently up to no good.
00:11:30Cry my Nellie.
00:11:32Now I know why your mama called you nutsy.
00:11:35Mad with power and deep in undeserved riches,
00:11:38the character is defined by his sinister flair.
00:11:41While the extent of his cruelty varies by adaptation,
00:11:44we hate his guts each and every time.
00:11:47Would you prefer pain or death?
00:11:54Death.
00:11:56Tortoring.
00:11:57Ticking every box in the classic villain playbook,
00:12:00the sheriff of Nottingham is deliberately fashioned out
00:12:03as the bad guy we love to watch beaten and humiliated at his own game.
00:12:08And call off Christmas.
00:12:09Number 90.
00:12:13Mrs. Danvers.
00:12:14Rebecca.
00:12:15This is Mrs. Danvers.
00:12:19How do you do?
00:12:23How do you do?
00:12:24Talk about next level creepy.
00:12:26While the titular character's spirit looms over the film,
00:12:29it's Mrs. Danvers who truly haunts the second Mrs. DeWinter.
00:12:33Obsessed with preserving the chilling legacy of her departed mistress,
00:12:36she torments our heroine time and again.
00:12:38You have nothing to live for, really, have you?
00:12:42Look down there.
00:12:44It's easy, isn't it?
00:12:47Why don't you?
00:12:49Why don't you?
00:12:53Mrs. Danvers' grip on reality continues to fade away,
00:12:56as her desperation to cling to the past takes her to unsettling new extremes.
00:13:01Her presence amplifies the film's exploration of psychological trauma,
00:13:04creating a deep-seated sense of paranoia in each scene,
00:13:07weaponizing the second Mrs. DeWinter's pain and vulnerability
00:13:10only solidifies our contempt for her.
00:13:13So, when the hollow walls of Manderley come burning down,
00:13:16we're not exactly mourning.
00:13:17Number 89, Professor Callahan, Legally Blonde.
00:13:31Are you hitting on me?
00:13:32You're a beautiful girl.
00:13:36So, everything you just said?
00:13:37I'm a man who knows what he wants.
00:13:39Number 88, Sierra Burgess.
00:13:41Sierra Burgess is a loser.
00:13:43Do you ever feel sometimes like the world is just conspiring against you?
00:13:49To tell you that you're not good enough?
00:13:51Yeah.
00:13:52No, I mean, I get it.
00:13:53I get why you did it.
00:13:54I do.
00:13:54Number 87, John Kreese, The Karate Kid Franchise.
00:13:58Here, on the street, in competition,
00:14:01a man confronts you, he is the enemy.
00:14:03An enemy deserves no mercy.
00:14:05What is the problem, Mr. Lawrence?
00:14:06Hey, come on, let's forget this.
00:14:13Wait.
00:14:14Not yet.
00:14:17Class, we have visitors.
00:14:18Fall in behind me.
00:14:20Ace!
00:14:21Number 86, Jim Preston, Passengers.
00:14:24You know, I'm not saying the universe is evil,
00:14:26but it sure has a nasty sense of humor.
00:14:28How's that?
00:14:29You get to fly to another planet,
00:14:31but you'll die along the way.
00:14:33Number 85, Grandpa Joe,
00:14:35Willy Wonka and the Chocolate Factory.
00:14:37And in all the years you've been saying
00:14:38you're going to get out of that bed,
00:14:40I've yet to see you set foot on the floor.
00:14:44Well, maybe if the floor wasn't so cold.
00:14:48As children, we see him as a sweet old man
00:14:51accompanying his grandson on a magical adventure.
00:14:53As adults, we see him as a conniving leech
00:14:56who does nothing while his family toils in poverty.
00:14:59How else do you explain his sudden burst of energy,
00:15:01going from bedridden to busting out some sick dance moves?
00:15:04I never dreamed that I would climb over the moon in ecstasy,
00:15:09but nevertheless, it's there that I'm shortly about to be.
00:15:13Talk about convenient.
00:15:15Even at the factory, Grandpa Joe feeds into Charlie's worst impulses,
00:15:18encouraging him to break the rules
00:15:20and steal Wonka's fizzy lifting drinks.
00:15:22Does he show any remorse?
00:15:24Nope.
00:15:25He pins the blame on Wonka instead.
00:15:27You're a crook.
00:15:29You're a chate and a swindler.
00:15:30That's what you are.
00:15:31How can you do a thing like this?
00:15:34Build up a little boy's hopes
00:15:35and then smash all his dreams to pieces?
00:15:37You're an inhuman monster!
00:15:39I said good day!
00:15:42And when Charlie inherits the factory,
00:15:44Grandpa Joe's first concern is himself.
00:15:46A greedy, self-serving old man through and through.
00:15:49That's right.
00:15:50So the factory's yours, Charlie.
00:15:51You can move in immediately.
00:15:53And me?
00:15:54Absolutely.
00:15:55Number 84.
00:15:56Meredith Blake, The Parent Trap.
00:16:00First change I make is to send that two-faced little brat
00:16:03off to boarding school in Tombop 2.
00:16:05Oof.
00:16:06Ice woman.
00:16:07Proud of it, babe.
00:16:08Number 83.
00:16:09Harry Ellis, Die Hard.
00:16:11Let's be straight, okay?
00:16:14It's obvious you're not some dumb schmuck up here
00:16:16to snatch a few purses, am I right?
00:16:18You're very perceptive.
00:16:20I watch 60 Minutes.
00:16:21I say to myself,
00:16:22these guys are professional.
00:16:24They're motivated.
00:16:25They're happening.
00:16:26I.E., they want something, huh?
00:16:28Number 82.
00:16:29Mark, Love Actually.
00:16:30Sleep in happy peace.
00:16:41Sleep in happy peace.
00:16:45Number 81.
00:16:49Kent Mansley, The Iron Giant.
00:16:52What are you talking about?
00:16:53What am I talking about?
00:16:55What am I talking about?
00:16:57I'm talking about your gold-armed security, Hogarth!
00:17:00While you're snoozing in your wooded jammies
00:17:02back in Washington, we're wide awake and worried.
00:17:04Why?
00:17:05Because everyone wants what we have, Hogarth.
00:17:07Number 80.
00:17:08Gordon Gekko, Wall Street.
00:17:11Greed, for lack of a better word, is good.
00:17:15Greed is right.
00:17:18Greed works.
00:17:19Anyone whose catchphrase is greed is good
00:17:22was never meant to be likable.
00:17:23Gordon Gekko is narcissism personified,
00:17:26a man who not only craves wealth and influence,
00:17:29but also corrupts others down the same path.
00:17:31He demands respect without ever offering it in return,
00:17:34exploiting those around him
00:17:35with a devilish sense of entitlement.
00:17:37Last night I was reading Rudy the story
00:17:39of Winnie the Pooh and the Honeypot.
00:17:41You know what happened.
00:17:42He stuck his nose in the pot once too often
00:17:45and he got stuck.
00:17:48Inspired by some of Wall Street's most ruthless figures,
00:17:51Gekko toes the line between greedy capitalist
00:17:53and full-blown psychopath.
00:17:55From his total lack of remorse
00:17:57to his compulsive need for control,
00:17:59everything about Gekko is as disturbing as it gets.
00:18:01You think you could have gotten this far,
00:18:04this fast with anybody else, huh?
00:18:06You think you'd be out there
00:18:07dicking someone like Darian?
00:18:08No.
00:18:09Or you'd be cold calling widows
00:18:11and dentists if I'd 20 shares
00:18:12some f***ing dog shit stock.
00:18:14Number 79, Major Henry West, 28 Days Later.
00:18:20You killed all my boys.
00:18:23Wait.
00:18:23Number 78, Mrs. Tweedy, Chicken Run.
00:18:37Poor, wet, nothings.
00:18:40But all that's about to change.
00:18:43This will take Tweedy's farm out of the Dark Ages
00:18:46and into full-scale automated production.
00:18:51Number 77, Guy Woodhouse, Rosemary's Baby.
00:18:55Hey, promise me you wouldn't be hurt
00:18:56when you haven't been, really.
00:19:01I mean, supposing you had the baby and you lost it.
00:19:05Wouldn't that be the same?
00:19:07Number 76, Miles Korich, The Avatar Franchise.
00:19:10Pandora will s*** you out dead with zero warning.
00:19:18I pulled your record, Corporal.
00:19:21Venezuela, that was some mean bush.
00:19:25Nothing like this here, though.
00:19:28Number 75, Count Rugen, The Princess Bride.
00:19:32What did this do to you?
00:19:34Tell me.
00:19:35And remember, this is for posterity, so be honest.
00:19:39While Prince Humperdinck gives us plenty of reasons
00:19:42to despise him, his over-the-top mannerisms
00:19:45carry a certain comical charm.
00:19:47Count Rugen's presence, however, makes us shudder in fright.
00:19:50Cold, sadistic, and dripping with bad intentions,
00:19:53he brings an unsettling contrast with the film's satirical tone.
00:19:56You've been tracing me your whole life only to fail now.
00:20:00I think that's the worst thing I've ever heard.
00:20:05How marvelous.
00:20:06With no trace of empathy,
00:20:08his boundless cruelty is without restraint.
00:20:11While Humperdinck makes us laugh,
00:20:12there's nothing funny about Rugen's unhinged brutality.
00:20:16That's why it's so satisfying to watch Inigo Montoya
00:20:18claim his long-awaited revenge,
00:20:20as Rugen falls to the blade of the very man
00:20:23he's so viciously tormented.
00:20:24Please, offer me everything I ask for.
00:20:29Anything you want.
00:20:33I want my father back, you son of a bitch.
00:20:35Have you ever felt like nobody was there?
00:20:46Have you ever felt forgotten in the middle of nowhere?
00:20:52Number 73, Sack Lodge, Wedding Crashers.
00:20:56Check out the rank of that bar, Tender.
00:21:05Hey, you're the sack.
00:21:07She'll come to you.
00:21:08Number 72, Christian Hughes, Midsommar.
00:21:11Happy birthday to you.
00:21:15Happy birthday to you.
00:21:20Happy birthday, dear Denny.
00:21:24Happy birthday to you.
00:21:28Number 71, Lord Cutler Beckett,
00:21:31The Pirates of the Caribbean franchise.
00:21:33Advise your brethren.
00:21:36You can fight and all of you will die.
00:21:39Or you can not fight,
00:21:41in which case only most of you will die.
00:21:44You murdered my father.
00:21:47He chose his own fate.
00:21:50And you have chosen yours.
00:21:51Number 70, Lord Shen, Kung Fu Panda 2.
00:21:55Even with dangerous skills and abilities,
00:22:11Kung Fu Panda villains stay within the franchise's family-friendly boundaries.
00:22:14But Lord Shen is a striking exception.
00:22:18Although his steely-eyed intensity is a hilarious contrast to Poe's bumbling personality,
00:22:22Shen brings a foreboding sense of tension.
00:22:25Responsible for nearly eradicating pandas across China,
00:22:28he permanently scars Poe by tearing him away from his parents.
00:22:31You are no match for our Kung Fu.
00:22:34I agree.
00:22:36But this is.
00:22:47Shen's obsessive goal to rewrite his fate seals his own downfall,
00:22:51refusing every shot at redemption along the way.
00:22:54While other villains have some positive qualities,
00:22:57Shen's relentless pursuit of evil only garners our contempt.
00:23:00Set the sous-sere free.
00:23:03She's no use to me.
00:23:04Goodbye, Shen.
00:23:06I wish you happiness.
00:23:08Happiness must be taken.
00:23:12Number 69, Colonel William Tavington, The Patriot.
00:23:16Tell me, Captain Wilkins, where do your loyalties lie?
00:23:19To king and country, sir.
00:23:20Why should I trust a man who betrays his neighbors?
00:23:24Well, those neighbors of mine who stand against England deserve to die a traitor's death, hmm?
00:23:30You'll see.
00:23:30Number 68, Carl Brunner, Ghost.
00:23:35Listen to me, Molly.
00:23:35I gotta ask you about something.
00:23:37Yeah.
00:23:38He needs to borrow four million dollars.
00:23:39When you said that you thought that Sam was here, that he was talking to you,
00:23:44what did you feel?
00:23:45What did he say to you?
00:23:46Why?
00:23:47What does that have to do with anything?
00:23:48It's just...
00:23:49Listen to me for a second.
00:23:51This psychic lady, I want to know what she told you.
00:23:52I want to know exactly what she said.
00:23:54Carl, let me go.
00:23:54Stop this.
00:23:55Well, it's been a wonderful evening, but we better be going.
00:24:03You're not leaving.
00:24:05We don't want to take advantage of your hospitality.
00:24:09Come on, Russell.
00:24:09But we haven't even had dessert yet.
00:24:12Oh, the boy's right.
00:24:13You haven't had dessert.
00:24:15Epsilon here makes a delicious cherry's jubilee.
00:24:19Number 66, Adrian Griffin, The Invisible Man.
00:24:24I know I didn't treat you.
00:24:25The way you should have been treated when we were together.
00:24:30But I've learned my lesson.
00:24:35I would burn everything I own just to prove that to you.
00:24:41Number 65, Bryony Talis, Atonement.
00:24:44I know who it was.
00:24:48You saw him then?
00:24:51Yes, I saw him.
00:24:52With little proof to back up her claims,
00:24:54a single accusation by Bryony destroys two innocent lives.
00:24:58Fueled by jealousy and an overactive imagination,
00:25:01she cares little for truth or consequence,
00:25:03effectively sending Robbie to his doom
00:25:05while breaking her sister Cecilia's heart.
00:25:07Sure, she was just a child at the time,
00:25:09but Bryony's refusal to take responsibility even decades later
00:25:12is all the more infuriating.
00:25:14Oh, I had a crush once when I was 10 or 11.
00:25:20I jumped into a river to see if he'd save me from drowning.
00:25:23And how does she atone for her guilt?
00:25:25By granting the star-crossed lovers a fictitious happy ending
00:25:28that she considers an act of kindness.
00:25:31It's a hollow gesture,
00:25:33especially considering it comes long after their tragic
00:25:35and ultimately pointless deaths.
00:25:37What sense of hope
00:25:39or satisfaction
00:25:42could a reader derive from an ending like that?
00:25:46So in the book,
00:25:48I wanted to give Robbie and Cecilia
00:25:50what they lost out on in life.
00:25:53Number 64, Tom Hansen,
00:25:55500 Days of Summer.
00:25:57Outside is a boxcar waiting
00:26:00Outside the family store
00:26:04Outside the fire breathing
00:26:08Outside we'd wait till the place turns blue
00:26:12Number 63, Marla Grayson,
00:26:15I Care A Lot.
00:26:16The point is,
00:26:17these diamonds don't officially exist.
00:26:20So,
00:26:21no one would ever miss them.
00:26:27You want to steal them?
00:26:39No.
00:26:41You want to change their location for a while
00:26:44for safekeeping
00:26:45and see what happens.
00:26:49Number 62, Noah Calhoun,
00:26:51The Notebook.
00:26:52Look, I know you get some dirty guy
00:26:54coming up to you on the street,
00:26:55you don't know him.
00:26:56You don't know me,
00:26:57but I know me.
00:27:00And when I see something that I like,
00:27:02I got it.
00:27:03I love it.
00:27:04Number 61, Henry Rhodes,
00:27:07Day of the Dead.
00:27:08Nothing happens around here
00:27:10without my knowing about it.
00:27:14And anybody f***s with my command,
00:27:19they get court-martialed,
00:27:21they get executed.
00:27:23Number 60,
00:27:30The High Evolutionary,
00:27:32Guardians of the Galaxy Vol. 3.
00:27:34Anything I've done,
00:27:35I've done for the betterment of the universe.
00:27:38Newsflash, Einstein,
00:27:39a better universe is generally
00:27:40don't recruit a bunch of octopuses
00:27:41selling meth to guys with cockroach heads.
00:27:45They do not.
00:27:46Rocket's tragic past was alluded to
00:27:48in earlier films,
00:27:49but nothing could prepare us
00:27:51for the real monster behind it.
00:27:52While villains like Ronan the Accuser
00:27:54and Ego were hateable in their own right,
00:27:56this antagonist outdoes them by a mile.
00:27:59Determined to create the perfect species,
00:28:01The High Evolutionary subjects his creations
00:28:03to brutal experiments
00:28:04before discarding them
00:28:06without a second thought.
00:28:07Behind Rocket's bravado lies a deeply hurt soul,
00:28:27all due to The High Evolutionary's unyielding ambition.
00:28:30With his shrill rage and disregard for life,
00:28:32the character embodies a whole new kind of evil
00:28:35beyond comprehension.
00:28:39His face came off!
00:28:42It's a mask.
00:28:43Look what you did to me!
00:28:46Number 59.
00:28:48Ernesto de la Cruz, Coco.
00:28:50Did you ever regret it?
00:28:52Choosing music over everything else?
00:28:55It was hard.
00:28:58Saying goodbye to my hometown.
00:29:00Heading off on my own.
00:29:03Leaving your family?
00:29:05Si.
00:29:06Number 58.
00:29:07Max Cady, Cape Fear.
00:29:09Alright, alright, okay, okay.
00:29:10I swear to tell the truth.
00:29:11What do you want to know?
00:29:12Was a prior sexual history
00:29:14ever prepared connection with my defense?
00:29:15Was a prior sexual history
00:29:19ever prepared connection with my defense?
00:29:23Number 57.
00:29:24Captain Dudley Smith, L.A. Confidential.
00:29:27You're a bit of a puzzlement to me these days, Wendell.
00:29:30You don't seem to be your old cruel self anymore.
00:29:33And I had such grand plans for your future.
00:29:36What plans?
00:29:39You have your extracurricular activities.
00:29:41And I have mine.
00:29:42Number 56.
00:29:44Lena Lamont, Singin' in the Rain.
00:29:46Ta-tay-tee-toe-too.
00:29:51No, no, Miss Lamont.
00:29:52Round tones, round tones.
00:29:56Now let me hear you read your line.
00:30:00And I can't stand them.
00:30:03Number 55.
00:30:04Bella Swan, The Twilight Saga.
00:30:06Hey, you're from Arizona, right?
00:30:08Yeah.
00:30:09Aren't people from Arizona
00:30:10supposed to be, like, really tan?
00:30:13Yeah.
00:30:14Maybe that's why they kicked me out.
00:30:17She may be the face of the franchise,
00:30:19but that doesn't stop Bella
00:30:20from being one of its most hated characters.
00:30:22Apart from surrendering all personal agency
00:30:24to a vampire over a century older than her,
00:30:27she has little to no personality.
00:30:29To top off her long list of character defects,
00:30:32she strings Jacob along,
00:30:33continues to whine and brood over Edward,
00:30:36and constantly falls into the tired
00:30:37damsel-in-distress trope.
00:30:39Alice said that she saw me like you.
00:30:42I heard her.
00:30:42Her visions change.
00:30:44Yeah, based on what people decide.
00:30:47The franchise's unintentional humor
00:30:49doesn't help either,
00:30:50making Bella something of a teenage drama queen.
00:30:52Far from inspiring sympathy,
00:30:54attachment, or even pity,
00:30:56this melodramatic heroine
00:30:57mostly leaves us with secondhand embarrassment.
00:30:59And we still haven't forgiven her
00:31:11for unleashing that horrifying CGI baby
00:31:13into the world.
00:31:13Number 54, Colin Sullivan, The Departed.
00:31:29I can't even tell you the debt.
00:31:36I just want you to know
00:31:37I'll be recommending you for the Medal of Merit.
00:31:39Oh, yeah?
00:31:40Yeah.
00:31:40It's kind of like a gold star around here, huh?
00:31:46It's the highest honor we got.
00:31:49Number 53, Colonel Nathan R. Jessup,
00:31:51A Few Good Men.
00:31:52I'll answer the question.
00:31:55You want answers?
00:31:56I think I'm entitled to...
00:31:57You want answers!
00:31:58I want the truth!
00:31:59You can't handle the truth!
00:32:02Son, we live in a world that has walls,
00:32:04and those walls have to be guarded
00:32:06by men with guns.
00:32:07Who's gonna do it?
00:32:08You!
00:32:09You, Lieutenant Weinberg!
00:32:12Number 52, John Doe, Seven.
00:32:15Become vengeance, David.
00:32:16Ah, she's alright, you tell me.
00:32:18Become...
00:32:18Wrath.
00:32:20Tell me she's alright!
00:32:22Number 51, Mother Gothel, Tangled.
00:32:25Mother...
00:32:27No!
00:32:29No.
00:32:31Oh.
00:32:33I see how it is.
00:32:35Rapunzel knows best.
00:32:40Rapunzel's so mature now.
00:32:41Such a clever, grown-up miss.
00:32:44Number 50, Baron Vladimir Harkonnen,
00:32:47The Dune Franchise.
00:32:48Allow them the dignity of exile.
00:32:55House Harkonnen would never dream of violating
00:32:58the sanctity of your order.
00:32:59I give you my word.
00:33:03As the physical embodiment of gluttony and consumption,
00:33:06Baron Harkonnen is every bit as vile
00:33:08as his grotesque appearance suggests.
00:33:10Orchestrating the downfall of House Atreides,
00:33:12he operates like a chess master,
00:33:14stringing his minions along
00:33:15and treating his own family like disposable pawns.
00:33:18Despite his limited screen time,
00:33:20the antagonist looms like a dark cloud over the story.
00:33:23He highlights the franchise's dystopian backdrop,
00:33:26reminding viewers of how wicked
00:33:27every corner of this universe has become.
00:33:30Few villains are as easy to hate but hard to kill,
00:33:33as beating Harkonnen ultimately pushes our hero
00:33:35to embrace his inner darkness.
00:33:37Number 49, Buffalo Bill,
00:33:39The Silence of the Lambs.
00:33:41She broke her leg on the way down.
00:33:43I know it.
00:33:44Hey, don't you hurt my dog!
00:33:46Don't you make me hurt your dog!
00:33:48Hey, you don't know what pain is!
00:33:51Number 48, Jack Torrance, The Shining.
00:33:53Has it ever occurred to you
00:33:55that I have agreed to look after
00:33:56the Overlook Hotel until May the 1st?
00:34:00Does it matter to you at all
00:34:01that the owners have placed
00:34:03their complete confidence and trust in me
00:34:05and that I have signed a letter of agreement,
00:34:07a contract,
00:34:08in which I have accepted that responsibility?
00:34:11Number 47, L Driver, Kill Bill Vol. 1
00:34:15and Kill Bill Vol. 2.
00:34:17L. B.
00:34:19Something I've always been curious about.
00:34:24Just between us girls.
00:34:27What did you say to Pai May
00:34:29to make him snatch out your eye?
00:34:32Ah!
00:34:33Oh!
00:34:34Oh!
00:34:34I call him a miserable, old fool.
00:34:38Fool.
00:34:39Fool.
00:34:40Number 46, Yosef Tarasov, John Wick.
00:34:45Oh, I love dogs.
00:34:48You're a dog, man.
00:34:51You're a dog, man.
00:34:55What do you do?
00:34:58Number 45, Clarence Boddicker, RoboCop.
00:35:02How you doing?
00:35:06Unlike many 80s action films,
00:35:08RoboCop is surprisingly rich in thematic material,
00:35:11touching on matters of corporate greed,
00:35:13ethics, and morality.
00:35:14Still, villains from this era
00:35:16are not exactly known for their character depth.
00:35:18I don't know.
00:35:20I don't know.
00:35:21Maybe I'm just not making myself clear.
00:35:26Flashy, exaggerated, and over-the-top,
00:35:29Clarence Boddicker embodies all the characteristics
00:35:31of the 80s villain template.
00:35:33The crime lord is hateable from the get-go,
00:35:35destroying our protagonist's body
00:35:37and forcing him to live as a cyborg.
00:35:40Boddicker and his gang's campy mannerisms
00:35:42and one-dimensional personalities
00:35:43are designed to get on our nerves,
00:35:45making us root even harder for the hero
00:35:47to bring them down.
00:35:48I give up.
00:35:50I'm not arresting you anymore.
00:35:52Hey, now wait a second.
00:35:55What he lacks in depth,
00:35:57Boddicker makes up for in viciousness,
00:35:58underscoring why he is the designated baddie
00:36:01of this story.
00:36:03Fire, you're not a Robocop!
00:36:07Number 44, Frank Booth, Blue Velvet.
00:36:11Hey, you wanna go for a ride?
00:36:13No thanks.
00:36:15No thanks?
00:36:16What does that mean?
00:36:18I don't wanna go.
00:36:19Go where?
00:36:20For a ride.
00:36:21A ride!
00:36:23Hell, that's a good idea.
00:36:24Number 43, The Beldam,
00:36:26aka The Other Mother, Coraline.
00:36:29So, you're back.
00:36:33And you brought Berman with you?
00:36:37No.
00:36:38I...
00:36:39I brought a friend.
00:36:43You know I love you.
00:36:46You have a very funny way of showing it.
00:36:54Number 42, Bob Ewell,
00:36:57To Kill a Mockingbird.
00:36:58Ewell, I'm very...
00:36:58Hey, Captain,
00:36:59somebody told me just now
00:37:01that they thought that you believed
00:37:05Tom Robinson's story again, aren't.
00:37:08You know what I said?
00:37:12I said you wrong, man.
00:37:14You dare wrong!
00:37:15Number 41, Albert, Mr. Johnson,
00:37:18The Color Purple.
00:37:21She'll be back.
00:37:23She'll got talent.
00:37:25She can sing.
00:37:26She got spunk.
00:37:28She can talk to anybody.
00:37:29She can stand up and be noticed.
00:37:32But what you got?
00:37:34You're ugly, you're skinny,
00:37:35you're shaped funny,
00:37:36and you're too scared
00:37:37to open your mouth to people.
00:37:39Number 40, Lil Zay,
00:37:41City of God.
00:37:42Who said that your mouth is yours, man?
00:37:45Who said that your mouth is yours?
00:37:46What's your dad?
00:37:47Daddian?
00:37:48Daddian, damn it.
00:37:48My name is Zé Pequeno.
00:37:50His name is Zé Pequeno.
00:37:52You're going to fall,
00:37:53you're going to die,
00:37:53you're going to die.
00:37:53No, no, no,
00:37:54because he already understood.
00:37:55Whether it's Lil' Dice in childhood
00:37:57or Lil' Zay as an adult,
00:37:58he is a terror since day one.
00:38:01But that's the toxic cycle
00:38:02in City of God,
00:38:03which follows a system
00:38:04that molds tyrants out of children.
00:38:06The favela's violent underbelly
00:38:08is a hotbed for crime,
00:38:09with Zay at its center.
00:38:11Although a product of his environment,
00:38:13Zay's thirst for violence
00:38:14remains unmatched
00:38:15even against his most vicious peers.
00:38:17Sure, we follow his story,
00:38:19but that doesn't mean
00:38:19we're on his side.
00:38:21Because Zay doesn't just
00:38:22abandon his morality,
00:38:23he forsakes everything
00:38:25that makes him human.
00:38:36He backstabs his friends
00:38:38and torments everyone
00:38:39in his rise as a crime lord,
00:38:40only to die like
00:38:41any other forgotten runt.
00:38:43Couldn't have happened
00:38:44to a nicer guy, right?
00:38:53Don't feel bad, Paul.
00:39:03It was bound to happen
00:39:04sooner or later.
00:39:06It's a sign.
00:39:10You see, I've known for some time
00:39:12why I was chosen to save you.
00:39:14You and I were meant
00:39:15to be together forever.
00:39:16Number 38, Major Arnold Ernst Tote,
00:39:20Raiders of the Lost Ark.
00:39:29Good evening, Fraulein.
00:39:31The bar is closed.
00:39:34We are not thirsty.
00:39:38Number 37, P.T. Barnum,
00:39:41The Greatest Showman.
00:39:42I recently had the privilege
00:39:44of hearing the most divine voice
00:39:48I've ever heard.
00:39:49Suddenly, he's a connoisseur.
00:39:51Now, I know that sounds
00:39:52like Barnum Humbug,
00:39:54but I have a hundred bottles
00:39:55of good champagne on ice
00:39:56that says this isn't just
00:39:58another sideshow novelty.
00:40:00Number 36, Shooter McGavin,
00:40:02Happy Gilmore.
00:40:03Trying to reach the green
00:40:04from here, Shooter?
00:40:05That's not possible, sir.
00:40:07I beg to differ.
00:40:09Happy Gilmore accomplished
00:40:10that feat no more
00:40:11than an hour ago.
00:40:13Well, moron,
00:40:14good for Happy Gilmore.
00:40:15Oh, my God!
00:40:19Number 35,
00:40:21The Wicked Witch of the West,
00:40:22The Wizard of Oz.
00:40:23Who killed the Witch of the East?
00:40:25Was it you?
00:40:27No.
00:40:28No, it was an accident.
00:40:29I didn't mean to kill anybody.
00:40:31Well, my little pretty,
00:40:33I can cause accidents too.
00:40:35Considered by many
00:40:36as the quintessential
00:40:37classic villain,
00:40:38The Wicked Witch of the West
00:40:39remains a cinematic icon.
00:40:41From her signature green skin
00:40:42to her over-the-top demeanor,
00:40:44and bolstered by Margaret Hamilton's
00:40:46timeless performance,
00:40:47the character remains etched
00:40:49in history.
00:40:50I'll get you, my pretty,
00:40:52and your little dog too.
00:40:56Harboring a petty resentment
00:40:57towards Dorothy,
00:40:58the Witch targets our heroine
00:41:00throughout the story.
00:41:01From unleashing her army
00:41:02of flying monkeys
00:41:03to trying to set
00:41:04the Scarecrow ablaze,
00:41:05she embraces every cruel tactic
00:41:07to gain victory.
00:41:08Whether viewed through
00:41:09nostalgic eyes
00:41:10or a childlike lens,
00:41:11we always cheer in delight
00:41:13watching this baddie melt away
00:41:14and receive her just desserts.
00:41:16Oh, what a world!
00:41:17What a world!
00:41:19Who thought a good little girl like you
00:41:21could destroy
00:41:22my beautiful wickedness?
00:41:24Ah, look out!
00:41:25Look out!
00:41:27I'm going!
00:41:29Number 34.
00:41:30Scar, The Lion King.
00:41:31Long live the king.
00:41:47Number 33.
00:41:48Lee Woo Jin,
00:41:49Old Boy.
00:41:58Yeah?
00:41:58Number 32.
00:42:13Carlo Rizzi,
00:42:14The Godfather.
00:42:15He's buzzing here.
00:42:21Good.
00:42:28There's a car waiting
00:42:30for you outside.
00:42:31Take you to the airport.
00:42:33I'll call your wife.
00:42:34Tell her what flight you're on.
00:42:42Get out of my sight.
00:42:44Number 31.
00:42:45Walter Peck,
00:42:46Ghostbusters.
00:42:47Forget it, Venkman.
00:42:49You had your chance
00:42:50to cooperate,
00:42:50but you thought it'd be
00:42:51more fun to insult me.
00:42:52Well, now it is my turn,
00:42:53wiseass.
00:42:54He wants to shut down
00:42:55the protection grid, Peter.
00:42:56You shut that thing down
00:42:57and we are not going
00:42:58to be held responsible
00:42:59for whatever happens.
00:43:00On the contrary,
00:43:00you're going to be held
00:43:00responsible.
00:43:00No, we won't be held responsible.
00:43:01Shut it up!
00:43:03Number 30.
00:43:04Lotso Huggin' Bear,
00:43:05Toy Story 3.
00:43:07Well, hello there.
00:43:09I thought I heard new voices.
00:43:11Welcome to Sunnyside, folks.
00:43:14I'm Lotso Huggin' Bear.
00:43:16Whenever a mysteriously kind
00:43:18and caring character
00:43:19appears in a Pixar film,
00:43:20you know they've got
00:43:21a secret to hide.
00:43:22Lotso might just be
00:43:23the worst offender
00:43:24of them all.
00:43:25Masquerading as the cheerful
00:43:27leader of Sunnyside Daycare,
00:43:28the villain runs the place
00:43:30with an iron fist.
00:43:31Listen up, folks.
00:43:33We got a way of doing things
00:43:34here at Sunnyside.
00:43:36If you start at the bottom,
00:43:37pay your dues,
00:43:38life here can be
00:43:39a dream come true.
00:43:41But if you break our rules,
00:43:44step out of line,
00:43:45try to check out early,
00:43:49well, you're just hurting yourself.
00:43:51While his backstory
00:43:53might stir some sympathy,
00:43:55he's all bad
00:43:57by the time we meet him.
00:43:58Lotso abandons the purpose
00:43:59of being a toy,
00:44:00choosing to rule
00:44:01through fear instead.
00:44:03Any hope of redemption
00:44:04is lost when he condemns
00:44:05our heroes to perish
00:44:06in what would have been
00:44:07a fiery demise.
00:44:09After everything he put
00:44:10Woody and the gang through,
00:44:11his ending feels a lot more
00:44:13merciful than it should have been.
00:44:14Enjoy the view, Lotso.
00:44:15Hey, buddy.
00:44:18You might want to keep
00:44:19your mouth shut.
00:44:22Number 29, Mr. Potter,
00:44:24It's a Wonderful Life.
00:44:25What does that get us?
00:44:27A discontented, lazy rabble
00:44:30instead of a thrifty
00:44:31working class.
00:44:33And all because
00:44:34a few starry-eyed dreamers
00:44:36like Peter Bailey
00:44:37stir them up and fill their head
00:44:40with a lot of impossible ideas.
00:44:42Number 28, Miss Agatha Trunchbull,
00:44:44Matilda.
00:44:47Confess.
00:44:49Well, it's hard for me
00:44:51to remember a specific cake.
00:44:53This one was mine.
00:44:57And it was the most scrumptious cake
00:44:59in the entire world.
00:45:01My mom's is better.
00:45:03It is, is it?
00:45:06How can you be sure
00:45:08unless you have another piece?
00:45:11Number 27, Emperor Sheev Palpatine,
00:45:14a.k.a. Darth Sidious,
00:45:16the Star Wars franchise.
00:45:18Your hate has made you powerful.
00:45:21Now, fulfill your destiny.
00:45:27Number 26, Mary Lee Johnston, Precious.
00:45:29I did what my mother told me
00:45:32that I was supposed to do
00:45:34with my child.
00:45:36So that's what I did.
00:45:37And you're sitting up there
00:45:38and you're trying to judge me.
00:45:40I'm not judging you,
00:45:42but you're asking me for money
00:45:43and you're asking me to be reunited
00:45:44with your grandson.
00:45:46But, Miss Weiss,
00:45:46I don't like you looking at me like that.
00:45:48Number 25, Youngsuk,
00:45:50Train to Busan.
00:45:51Zombie stories usually depict humanity
00:46:08at its worst,
00:46:09and Youngsuk more than proves it.
00:46:11Unscrupulous and utterly detestable,
00:46:13he gets on our nerves
00:46:14throughout this film.
00:46:16Apart from just being obnoxious,
00:46:18Youngsuk actively puts everyone in danger,
00:46:20even if it means literally
00:46:22throwing someone straight to their death.
00:46:34Cowardly to the core,
00:46:35he becomes the most toxic presence
00:46:37on the train.
00:46:38It doesn't matter who he has to sacrifice
00:46:40or what lines he must cross.
00:46:42Youngsuk never hesitates
00:46:43to put himself first.
00:46:50It's not just his actions
00:46:54that are infuriating,
00:46:55it's the fact that his selfishness
00:46:56feels unsettlingly real.
00:46:58So, if the zombie apocalypse
00:47:00ever does hit,
00:47:01just hope you don't find yourself
00:47:03stuck with a Youngsuk of your own.
00:47:04Number 24, Alex Forrest,
00:47:19Fatal Attraction.
00:47:20I don't know what you're up to,
00:47:22but I'm going to tell you
00:47:23it's going to stop right now.
00:47:24No, it's not going to stop.
00:47:25It's going to go on and on
00:47:27until you face up
00:47:27to your responsibilities.
00:47:28What responsibilities?
00:47:30I'm pregnant.
00:47:31I'm going to have our child.
00:47:33Alex, that's your choice, honey.
00:47:35That has nothing to do with me.
00:47:37I just want to be
00:47:38a part of your life.
00:47:39Oh, this is the way you do it, huh?
00:47:40Shut up at my apartment!
00:47:41What am I supposed to do?
00:47:42You won't answer my calls.
00:47:43You change your number.
00:47:44I mean, I'm not going to be ignored, Dan.
00:47:47Number 23, Warden Samuel Norton.
00:47:50The Shawshank Redemption.
00:47:51Terrible thing.
00:47:54Man that young,
00:47:56less than a year to go
00:47:57trying to escape.
00:47:59Broke Captain Hadley's heart
00:48:00to shoot him.
00:48:01Truly dead.
00:48:06We just have to put it behind us.
00:48:08Number 22, Hans Landa
00:48:11in Glorious Bastards.
00:48:12I'm sure this mission of yours
00:48:14has a commanding officer.
00:48:16A general.
00:48:18I'm betting for
00:48:20OSS would be my guess.
00:48:26Ooh, that's a bingo!
00:48:29Number 21, Bill Lumberg, Office Space.
00:48:34Um, I'm going to need you
00:48:38to go ahead and come in tomorrow.
00:48:40So, if you could be here
00:48:42around nine,
00:48:45that would be great.
00:48:47Okay?
00:48:49Oh, oh, and I almost forgot.
00:48:52Um,
00:48:52I'm also going to need you
00:48:54to go ahead and come in
00:48:56on Sunday.
00:48:57Number 20, Mayor Larry Vaughn,
00:49:00Jaws.
00:49:01We're really a little anxious
00:49:02that you're, uh,
00:49:03you're rushing into
00:49:04something serious here.
00:49:05It's your first summer, you know.
00:49:07What does that mean?
00:49:08Not every despicable character
00:49:10is a big bad
00:49:11who commits atrocities.
00:49:12Sometimes,
00:49:13it's the one who does nothing
00:49:14whom we hate the most.
00:49:16In Larry Vaughn's case,
00:49:17his stubborn desire
00:49:18to put profit
00:49:19over public safety
00:49:20directly results
00:49:20in the loss
00:49:21of innocent lives.
00:49:22Despite clear warnings
00:49:24and mounting evidence,
00:49:25Vaughn ignores the crisis,
00:49:27leaving him with blood
00:49:28on his hands.
00:49:29August?
00:49:30For Christ's sake,
00:49:31tomorrow's the 4th of July
00:49:32and we will be open
00:49:34for business.
00:49:34It's going to be one
00:49:35of the best summers
00:49:36we've ever had.
00:49:37Now, if you fellas
00:49:37are concerned about the beaches,
00:49:39you do whatever you have to
00:49:40to make them safe.
00:49:41But those beaches
00:49:42will be open
00:49:42for this weekend.
00:49:44With no warmth
00:49:44or well-mannered appeal
00:49:46to offer,
00:49:46his smarmy,
00:49:47delusional attitude
00:49:48only highlights
00:49:49his incompetence.
00:49:50A man-eating shark
00:49:51may be the primary threat,
00:49:53but it's a gutless politician
00:49:54who leaves us boiling
00:49:55with rage.
00:49:57My kids.
00:49:58Well, that means true.
00:50:03Number 19.
00:50:05Terrence Fletcher.
00:50:06Whiplash.
00:50:07Three, four.
00:50:09Yep, that's right.
00:50:11At first,
00:50:11he seems to play
00:50:12the wise old teacher trope,
00:50:14offering hope and guidance
00:50:15to an ambitious young talent
00:50:16like Andrew.
00:50:17But as we soon find out,
00:50:18Fletcher is a fire-breathing
00:50:20tyrant in disguise.
00:50:22Masking his incessant need
00:50:23for control
00:50:24as a pursuit of perfection,
00:50:25he pushes his students
00:50:26to their breaking point.
00:50:27One, two, three, four.
00:50:29One, two, three, four.
00:50:30One, two, three, four.
00:50:31Now, was I rushing
00:50:33or was I dragging?
00:50:34I don't know.
00:50:36Count again.
00:50:37Rapid insults
00:50:38and a sinister glee
00:50:39in his pupils' suffering
00:50:40swell his massive ego
00:50:41with each scene.
00:50:42The psychological trauma
00:50:43and gaslighting he displays
00:50:45make him a cautionary tale
00:50:46of unchallenged authority.
00:50:48His arrogance
00:50:49and lack of personal growth
00:50:50not only invite our resentment,
00:50:52but also have us celebrating
00:50:54his eventual downfall.
00:50:55Some parents got a kid
00:50:57from Sean Casey's year,
00:50:59I think,
00:50:59to say some things about me.
00:51:02Although,
00:51:03why anybody would have anything
00:51:05other than peaches and cream
00:51:06to say about me
00:51:07is a mystery.
00:51:09Simply put,
00:51:10Fletcher absolutely sucks.
00:51:12There are bad parents
00:51:21and then there's Margaret White
00:51:22who sets the standard
00:51:24for everything
00:51:25a parent should never be.
00:51:27Exceedingly paranoid
00:51:28and fanatic,
00:51:29she sees sin
00:51:30in every aspect of humanity.
00:51:32Along with shattering
00:51:33her daughter's emotional fragility,
00:51:34she ultimately tips Carrie
00:51:36over the edge.
00:51:36Margaret controls
00:51:48every part of her daughter's life
00:51:50through punishment
00:51:50and manipulation,
00:51:52wielding religion
00:51:52like a loaded weapon.
00:51:54Convinced the devil
00:51:55resides in her daughter,
00:51:56she refuses to confront
00:51:58the demons
00:51:58consuming her own soul.
00:52:00Despite fierce competition
00:52:01from the likes
00:52:02of Chris and Billy,
00:52:03Margaret manages
00:52:04to run away
00:52:04with our complete loathing.
00:52:06Number 17,
00:52:15Cal Hockley,
00:52:15Titanic.
00:52:17We'll both have the lamb,
00:52:18rare with very little
00:52:19mint sauce, eh?
00:52:22You like lamb, right,
00:52:23sweet pea?
00:52:24Elitist,
00:52:24possessive,
00:52:25and shamelessly opportunistic,
00:52:27Cal steals the title
00:52:28of the worst fiancé
00:52:29in film history.
00:52:31Treating Rose
00:52:31more like a trophy
00:52:32than a person,
00:52:33the only thing
00:52:34he cares about
00:52:34is maintaining his image.
00:52:36I'm your fiancé.
00:52:39My fiancé?
00:52:40My fiancé!
00:52:42Yes, you are!
00:52:43And my...
00:52:44My wife can practice
00:52:46if not yet by law,
00:52:47so you will honor me.
00:52:50Consumed by the need to win,
00:52:51Cal might just be
00:52:53the poster boy
00:52:53for toxic masculinity,
00:52:55dictating Rose's
00:52:56every move
00:52:57and lashing out
00:52:57when he loses.
00:52:58By the time the ship sinks,
00:53:00he's shed his polished facade,
00:53:02willing to commit murder
00:53:03and exploit a lost child
00:53:04to save himself.
00:53:06We have an understanding
00:53:07then, Mr. Murdoch.
00:53:13While he does walk off
00:53:15the Titanic with his life,
00:53:16it's at the cost
00:53:17of his fiancé
00:53:18and all his respect.
00:53:20Number 16.
00:53:21The Armitage Family.
00:53:22Get out.
00:53:23Calling this clan
00:53:24entitled and racist
00:53:25doesn't cover it.
00:53:27We might have to invent
00:53:36a whole new word
00:53:37to describe just how
00:53:38deranged they are.
00:53:39Equal parts sick and demented,
00:53:41the Armitage Family
00:53:42and their circle
00:53:43prey on innocent black people
00:53:44through a horrifying form
00:53:45of mind invasion.
00:53:47Beneath their polished smile
00:53:48and warm words,
00:53:49each member completes
00:53:50a piece of a revolting puzzle.
00:53:52They don't see it as racism.
00:53:54They see it as a form
00:53:55of evolution.
00:53:56Now,
00:53:57sink into the floor.
00:54:00Wait, wait, wait, wait, wait.
00:54:01Sink.
00:54:06Motivated by a warped
00:54:07sense of righteousness,
00:54:09the family secures
00:54:10its place among
00:54:10the most disturbing characters
00:54:11in cinematic history.
00:54:13Thankfully,
00:54:14Chris's roaring rampage
00:54:15of revenge
00:54:16puts them down
00:54:17with the kind of brutality
00:54:18only monsters deserve.
00:54:20I mean,
00:54:20I told you not
00:54:21to go in that house.
00:54:22I know this steak
00:54:28doesn't exist.
00:54:31I know that when
00:54:32I put it in my mouth,
00:54:34the Matrix is telling
00:54:35my brain that it is
00:54:36juicy
00:54:38and delicious.
00:54:41Disillusioned and bitter
00:54:41over Morpheus's
00:54:42failed promises,
00:54:44Cypher longs for
00:54:44the Matrix's
00:54:45artificial comforts.
00:54:47Honestly,
00:54:47we get it.
00:54:48The real world
00:54:49really isn't all that great.
00:54:50But that doesn't mean
00:54:51selling out your entire crew
00:54:52and coldly murdering them
00:54:54one by one.
00:54:55Cypher's desperation
00:54:56to escape highlights
00:54:57his biggest flaw,
00:54:58choosing fantasy
00:54:59over freedom.
00:55:00God,
00:55:01I wish I could be there.
00:55:03And they break you.
00:55:05I wish I could walk in
00:55:07just when it happens.
00:55:09If that means
00:55:09cutting a deal
00:55:10with the equally
00:55:11loathsome Agent Smith,
00:55:12then so be it.
00:55:13His moment of betrayal
00:55:14peels back his true self
00:55:16as a morally bankrupt man
00:55:17who only cares
00:55:18about self-preservation.
00:55:19Fortunately,
00:55:21his sinister plans
00:55:22get zapped
00:55:22before they see
00:55:23the light of day.
00:55:24Better not,
00:55:25you piece of s***,
00:55:26you're still gonna burn.
00:55:3114.
00:55:32Mrs. Carmody,
00:55:33The Mist
00:55:34The last thing
00:55:54anyone needs
00:55:55in a panic situation
00:55:56is a paranoid lunatic.
00:55:57While the threat
00:55:58of the mist
00:55:58is terrifying in itself,
00:56:00Mrs. Carmody
00:56:01turns things up
00:56:01to 11.
00:56:03A fanatic
00:56:03convinced beyond reason,
00:56:05she fractures
00:56:05the survivors
00:56:06to turn them
00:56:07against each other.
00:56:07They,
00:56:08people who refuse
00:56:10to bend
00:56:10to the will of God
00:56:12and claim it,
00:56:14privilege,
00:56:15sinners,
00:56:17and pride,
00:56:19yes,
00:56:19haughty,
00:56:21privileged.
00:56:22They mock us,
00:56:23they mock our,
00:56:24our God,
00:56:25our faith,
00:56:26our values,
00:56:27our very lifestyle.
00:56:30By the time
00:56:30things escalate
00:56:31beyond control,
00:56:32we're left wondering
00:56:33who the real threat is,
00:56:34the monsters
00:56:35or Mrs. Carmody herself.
00:56:37She slowly morphs
00:56:38from a zealous fanatic
00:56:39into the very imprint
00:56:40of the devil,
00:56:41especially when deciding
00:56:42to sacrifice members
00:56:43of the group,
00:56:44including Billy.
00:56:45With Lovecraftian creatures
00:56:47on the prowl,
00:56:48things were always bad
00:56:49for the group,
00:56:50but under Mrs. Carmody's
00:56:51corruptive presence,
00:56:52their fear becomes
00:56:53a nightmare come to life.
00:56:54Come on!
00:57:08The Back to the Future franchise
00:57:10Fans may look back
00:57:21on this beloved franchise
00:57:22with rose-tinted glasses,
00:57:23but there's nothing
00:57:25lovable about
00:57:25its despicable villain.
00:57:27Incapable of any kindness,
00:57:29Biff's entire existence
00:57:30revolves around domination
00:57:31and taking whatever
00:57:32he wants.
00:57:33Making George
00:57:34his personal servant
00:57:35is just the tip
00:57:36of the iceberg.
00:57:36Stop of me!
00:57:37When are you gonna get it
00:57:38through your thick skull,
00:57:39Lorraine?
00:57:39You're my girl.
00:57:41Biff, Tannen,
00:57:42I wouldn't be your girl
00:57:43even if,
00:57:43even if you had
00:57:44a million dollars!
00:57:46Ah!
00:57:47His creepy fixation
00:57:48with Lorraine
00:57:49matches his willingness
00:57:49to kill,
00:57:50fully embracing
00:57:51his darkest desires.
00:57:52Biff has no problem
00:57:54ripping the fabric of time,
00:57:56not if it gets him
00:57:57a life of undeserved luxury.
00:57:58And while he loves
00:58:00throwing the word around,
00:58:01it's clear the only
00:58:02real butthead
00:58:03is Biff himself.
00:58:04So what's it to you,
00:58:06butthead?
00:58:08You know,
00:58:09you've been looking
00:58:09for a pocket.
00:58:12Number 12.
00:58:14Noah Cross,
00:58:15Chinatown.
00:58:15Mr. Gittes.
00:58:17Gittes.
00:58:17Gittes.
00:58:19You're dealing with
00:58:19a disturbed woman
00:58:20who just lost her husband.
00:58:22I don't want her
00:58:23taken advantage of.
00:58:25Sit down.
00:58:26What for?
00:58:26You may think
00:58:30you know
00:58:31what you're dealing with,
00:58:33but believe me,
00:58:34you don't.
00:58:35Though played
00:58:36masterfully
00:58:36by John Huston,
00:58:38everything about
00:58:39Noah Cross
00:58:39is appalling.
00:58:40From his
00:58:40pretentiously
00:58:41large cowboy hat
00:58:42to his obnoxious
00:58:43habit of mispronouncing
00:58:44Gittes' name,
00:58:45Cross earns
00:58:46all of our disdain.
00:58:48Incredibly,
00:58:49murder and deception
00:58:50are the least
00:58:50of his sins,
00:58:51as Cross's
00:58:52treatment of his daughter
00:58:53breaks even
00:58:54the darkest
00:58:54of moral lines.
00:58:55Considering the film's
00:58:56real-world parallels,
00:58:58his actions are reflected
00:58:59through a haunting lens.
00:59:01Worst of all,
00:59:01he escapes unpunished,
00:59:03walking away
00:59:04with his crimes.
00:59:05It may align
00:59:06with the film's
00:59:07theme of corruption,
00:59:08but that hasn't
00:59:08stopped fans
00:59:09from being mad about it
00:59:10even half a century
00:59:11after the film's release.
00:59:13See, Mr. Gittes,
00:59:14most people never
00:59:15have to face the fact
00:59:16that at the right time
00:59:18and the right place,
00:59:19they're capable
00:59:20of anything.
00:59:24Claude,
00:59:24take those glasses
00:59:26from me,
00:59:26will you?
00:59:28Number 11,
00:59:29Immortan Joe,
00:59:30Mad Max Fury Road.
00:59:32I am your Redeemer.
00:59:35It is by my hand
00:59:37you will rise
00:59:39from the ashes
00:59:40of this world.
00:59:42The post-apocalyptic
00:59:43world of Mad Max
00:59:45brings the worst
00:59:45out of people,
00:59:46and Immortan Joe
00:59:47shows just how far
00:59:48humanity has fallen.
00:59:50Controlling the water supply
00:59:51and worshipped as a god
00:59:52by his army of war boys,
00:59:54Joe rules the wasteland
00:59:55through sycophantic devotion.
00:59:57With a harem of women
00:59:58as breeding tools
00:59:59for the perfect heir,
01:00:01Joe is hell-bent
01:00:02on cementing
01:00:02his brutal legacy
01:00:03for generations to come.
01:00:05From his monstrous appearance
01:00:06to his merciless mentality,
01:00:08he's the walking image
01:00:09of the devil on Earth.
01:00:10In a world ravaged
01:00:12by war and famine,
01:00:13he stands as a grim reminder
01:00:15that sometimes,
01:00:16mankind is its own
01:00:17worst enemy.
01:00:18Ripley, we have to talk.
01:00:37You've lost contact
01:00:38with the colony
01:00:39on LV-426.
01:00:40From the moment
01:00:48he shows up,
01:00:50Burke feels
01:00:50a little too friendly.
01:00:52But even the most
01:00:53skeptical viewers
01:00:54can't anticipate
01:00:54the depths
01:00:55this traitorous snake
01:00:56sinks to.
01:00:57A penny pusher
01:00:57more concerned
01:00:58about corporate gain
01:00:59than human lives,
01:01:00he's more than happy
01:01:01to toss Ripley
01:01:01and Newt to the wolves,
01:01:03or the xenomorphs
01:01:04in this case.
01:01:04Look, those two specimens
01:01:05are worth millions
01:01:06to the bioweapons division,
01:01:08right?
01:01:08Now, if you're smart,
01:01:09we can both come
01:01:11out of his heroes
01:01:12and we will be set up
01:01:13for life.
01:01:15An agenda-driven
01:01:16backstabber in disguise,
01:01:17he exploits our heroine's
01:01:18trust throughout the film,
01:01:20flipping our perception
01:01:21of Burke entirely
01:01:21when his true colors
01:01:23come to light.
01:01:23While the xenomorphs
01:01:25act on primal instinct,
01:01:26Burke proves that
01:01:27the sting of betrayal
01:01:28leaves a far deeper wound.
01:01:29A little hope
01:01:44is effective.
01:01:45A lot of hope
01:01:46is dangerous.
01:01:47The spark is fine
01:01:48as long as it's contained.
01:01:53So?
01:01:55So,
01:01:56contain it.
01:01:58Not all evil
01:02:00is drenched in blood.
01:02:01Some wear debonair suits
01:02:02and rose lapels
01:02:03to mask its stench.
01:02:05President Snow
01:02:05rules through fear
01:02:06and oppression,
01:02:08deepening the divide
01:02:08between Panem's elite
01:02:09and its helpless underclass.
01:02:11Behind his polished charm
01:02:12and choreographed refinement
01:02:14is a predator
01:02:14in disguise.
01:02:15He has no qualms
01:02:40about pitting youngsters
01:02:41against each other
01:02:41into arenas of bloodshed,
01:02:43nor killing his own people
01:02:44to consolidate his position.
01:02:46Even when cornered
01:02:47and defeated,
01:02:48Snow remains convinced
01:02:49of his twisted philosophy.
01:02:51In his world,
01:02:52the ballad
01:02:52always ends the same.
01:02:54The snake wins
01:02:55and the songbird dies.
01:02:57Number 8
01:03:12Judge Claude Frollo
01:03:13The Hunchback of Notre Dame
01:03:15Just so he's kept locked away
01:03:17where no one else can see.
01:03:20The bell tower, perhaps.
01:03:22And who knows?
01:03:23Our lord works
01:03:23in mysterious ways.
01:03:25Among the long list
01:03:26of iconic Disney villains,
01:03:28Frollo stands out
01:03:29as the one
01:03:30who sends shivers
01:03:31down our spine.
01:03:32Lacking the endearing charm
01:03:33or playful edge
01:03:34of other antagonists,
01:03:35Frollo is the reason
01:03:36why the film ranks
01:03:37among Disney's
01:03:38darkest entries yet,
01:03:39radiating a disturbing energy
01:03:41from the moment
01:03:41he first shows up.
01:03:42From nearly throwing
01:03:56the infant Quasimodo
01:03:57down a well
01:03:58to condemning Esmeralda
01:03:59to a fiery fate,
01:04:01Frollo lives
01:04:01in unacknowledged sin.
01:04:03Too weak to resist
01:04:04his uncontrollable lust,
01:04:06he hides behind religion
01:04:07to justify his heinous actions.
01:04:10Hellfire!
01:04:11Dark fire!
01:04:14While some Disney villains
01:04:16end up as fan favorites,
01:04:17most look back on Frollo
01:04:18with nothing but hate
01:04:20and revulsion.
01:04:21I will not tolerate
01:04:23this assault
01:04:23on the House of God!
01:04:24Silence, you old fool!
01:04:27The Hunchback and I
01:04:27have unfinished business
01:04:29to attend to!
01:04:30Number 7.
01:04:31Denethor,
01:04:31The Lord of the Rings franchise.
01:04:33You think you are wise,
01:04:36Mithrandir.
01:04:38Yet for all your subtleties,
01:04:40you have not wisdom.
01:04:43Do you think the eyes
01:04:44of the White Tower
01:04:45are blind?
01:04:47I have seen more
01:04:49than you know.
01:04:51The Steward of Gondor
01:04:52is far less sympathetic
01:04:53in Peter Jackson's trilogy
01:04:54than in the source material.
01:04:56After all,
01:04:57who sits around feasting
01:04:58while their city burns?
01:04:59Depicted as a man
01:05:00consumed by pride
01:05:01and incapable
01:05:02of bearing responsibility,
01:05:03he callously abandons
01:05:05his people
01:05:05and his own son
01:05:06to die.
01:05:07Why do the fools fly?
01:05:11Better to die
01:05:13sooner than late.
01:05:15Denethor's cold
01:05:16detachment to the war
01:05:17amid his growing delusions
01:05:18only adds fuel
01:05:19to the fire,
01:05:20turning him
01:05:20into a major obstacle
01:05:22for the protagonists.
01:05:23While you might feel
01:05:24a slight twinge
01:05:25of pity,
01:05:26Denethor's descent
01:05:27into madness
01:05:28proves to be
01:05:28his downfall.
01:05:29By the end,
01:05:30his demise
01:05:31comes across
01:05:31less as a tragedy
01:05:32and more
01:05:33as a darkly comedic moment.
01:05:48Number 6.
01:05:49Percy Wetmore
01:05:50The Green Mile
01:05:51Percy?
01:05:55You want to think
01:05:56about what you were
01:05:57doing just now?
01:05:58I was trying
01:05:59to get the mouse.
01:06:00Are you blind?
01:06:02Sometimes the worst
01:06:03characters are bad
01:06:04simply because
01:06:05they're meant to be.
01:06:07At least,
01:06:07that's the only way
01:06:08to make sense
01:06:08of why Percy
01:06:09behaves the way he does.
01:06:11Unabashedly vicious,
01:06:12he antagonizes
01:06:13the inmates
01:06:14of Cold Mountain
01:06:14Penitentiary
01:06:15without rhyme
01:06:16or reason.
01:06:16Don't forget
01:06:17about Melfield.
01:06:20Hey.
01:06:23There's no such place.
01:06:26That's just a fairytale
01:06:27these guys told you
01:06:28to keep you quiet.
01:06:30Just thought
01:06:32you should know.
01:06:33The relentless
01:06:34torture and
01:06:35dehumanizing treatment
01:06:36he inflicts
01:06:36on those under him
01:06:37is agonizing to watch.
01:06:39While he seems
01:06:39little more than
01:06:40a dirty coward,
01:06:41letting Edward die
01:06:42in horrifying agony
01:06:43cements his position
01:06:44among cinema's
01:06:45most detested characters.
01:06:47Though his grim fate
01:06:48might feel like
01:06:49divine retribution,
01:06:50it cannot erase
01:06:51the trail of torment
01:06:52and trauma
01:06:53he left behind.
01:06:53number 5
01:07:07Emperor Commodus
01:07:08Gladiator
01:07:09but to the whole world
01:07:11to you
01:07:13would only love me.
01:07:25When someone murders
01:07:26their own father
01:07:27to steal the throne,
01:07:28you know the movie
01:07:29wants us to despise them.
01:07:31Thin-skinned
01:07:32and inherently pathetic,
01:07:33Commodus is a lost cause.
01:07:35Jealous of Maximus' bond
01:07:37with his father
01:07:37and the love of the people,
01:07:39he resorts to every
01:07:40dirty scheme
01:07:41he can think of.
01:07:42When that doesn't work,
01:07:43he stoops to stabbing
01:07:44his rival before their battle
01:07:45and somehow
01:07:46still manages to lose.
01:07:48From wild outbursts,
01:07:49incoherent ranting
01:07:50and delusions of grandeur,
01:07:52Commodus is completely
01:07:53insufferable.
01:07:54In the end,
01:07:55no matter how hard
01:07:56he tries to win
01:07:56the public's favor,
01:07:57he dies the same way
01:07:59he lived.
01:08:00A pathetic disgrace.
01:08:07Power can be
01:08:31a dangerous force.
01:08:33Just look at Nurse Ratched
01:08:34as one of its scariest examples.
01:08:35Ruling over the hospital
01:08:37with impunity,
01:08:38there's nothing
01:08:39this cold-hearted nurse
01:08:40won't do
01:08:40to stamp her authority.
01:08:41From verbal harassment
01:08:42to authorizing
01:08:43inhumane treatment
01:08:44against her patients,
01:08:45Ratched is completely merciless.
01:08:47In her world,
01:08:48maintaining dominance
01:08:49comes above all else,
01:08:51regardless of the cost.
01:08:53Um,
01:08:54um,
01:08:55well,
01:08:55you,
01:08:55you,
01:08:56you,
01:08:56don't,
01:08:57don't have to
01:08:58tell her,
01:09:00Miss Ratched.
01:09:02I don't have to tell her?
01:09:05Your mother and I
01:09:07are old friends,
01:09:07you know that.
01:09:09Masking her cruelty
01:09:10with thinly-veiled excuses,
01:09:12Ratched lords over
01:09:12the institution,
01:09:13destroying the sanity
01:09:14of its unfortunate residence.
01:09:16Tension brims
01:09:17in every scene
01:09:18she appears,
01:09:19making viewers dread
01:09:20the next trick
01:09:21she has up her sleeve.
01:09:22Her defeat offers
01:09:23some measure of justice,
01:09:24but the cost
01:09:25is all too high,
01:09:26closing the film out
01:09:27on a bittersweet note.
01:09:28Number 3
01:09:37Captain Vidal
01:09:38Pan's Labyrinth
01:09:40Whether mowing people down
01:09:51and trigger happy outbursts
01:09:53or smashing faces
01:09:53with a bottle,
01:09:54violence courses
01:09:55through Vidal's veins,
01:09:57calling him sadistic
01:09:58would be an understatement,
01:10:00Ophelia's stepfather
01:10:01only in name.
01:10:02There is no paternal bone
01:10:04in the antagonist's body,
01:10:05although love for his son
01:10:06might seem like
01:10:07a redeeming factor.
01:10:08It's more of an obsession
01:10:10with leaving behind
01:10:10his legacy.
01:10:11The film's dark take
01:10:26on Alice in Wonderland
01:10:27inspires a glorious wonder,
01:10:29but Vidal is the hook
01:10:30that drags viewers
01:10:31back down to the ugliness
01:10:32of reality.
01:10:33You know a character
01:10:34is truly hateable
01:10:35when even their own actor
01:10:36despises them.
01:10:37In his opinion of Vidal,
01:10:39actor Sergi Lopez
01:10:40claimed the villain operates
01:10:41without justification,
01:10:43calling him a, quote,
01:10:44psychopath who is impossible
01:10:45to defend.
01:10:46Number two, Calvin Candy,
01:10:58Django Unchained.
01:10:59I heard you've been telling
01:11:01everybody that mandingos
01:11:02ain't no damn good,
01:11:03ain't nothing nobody is selling
01:11:04is worth buying.
01:11:05I'm curious.
01:11:06What makes you such
01:11:07a mandingo expert?
01:11:11I'm curious what makes
01:11:12you so curious.
01:11:17What did you say, boy?
01:11:18Calm down, butch.
01:11:20Entitled, brutal,
01:11:22and unapologetically racist,
01:11:24Monsieur Calvin Candy
01:11:25represents the worst
01:11:26of the Old West.
01:11:27Surrounded by ego-stroking
01:11:29yes-men, Candy revels
01:11:31in his sense of superiority,
01:11:32failing to realize
01:11:33that his pretentiousness
01:11:34and hollow sense of culture
01:11:36are just desperate
01:11:36attempts at nobility.
01:11:37His smug arrogance
01:11:39constantly tests our patience,
01:11:40and in a story filled
01:11:42with vile and vicious characters,
01:11:44it's Candy's false charm
01:11:45that earns our greatest contempt.
01:11:48Hey!
01:11:49Don't lay your palms
01:11:50flat on that tabletop!
01:11:51If you lift those palms
01:11:53off that turtle-shell tabletop,
01:11:55Mr. Pooch is gonna let loose
01:11:56with both barrels that sawed off.
01:11:59There have been a lot of lies
01:12:00set around this dinner table
01:12:01here tonight,
01:12:02but that you can't believe!
01:12:04Even when he snatches
01:12:05the upper hand over our heroes,
01:12:07his pointless need for validation
01:12:08seals his fate.
01:12:09Honestly,
01:12:10his end came a little too quickly,
01:12:13but at least we get the satisfaction
01:12:14of watching his twisted Candyland
01:12:16go up in flames.
01:12:18You open it, son of a...
01:12:20Before we continue,
01:12:27be sure to subscribe to our channel
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01:12:41Number 1.
01:12:43Dolores Umbridge,
01:12:44the Harry Potter franchise.
01:12:46You've been in this post...
01:12:48How long, exactly?
01:12:50As someone so irredeemably nasty,
01:12:53Umbridge makes Lord Voldemort
01:12:55seem like a stand-up guy
01:12:56in comparison.
01:12:57Behind the gumdrop-filled voice,
01:12:59sickly sweet demeanor,
01:13:00and that ever-present fake smile
01:13:02plastered on her face,
01:13:03she's like the substitute teacher
01:13:04from hell.
01:13:05Because you know,
01:13:07deep down,
01:13:09you deserve to be punished.
01:13:12Don't you, Mr. Potter?
01:13:18Go on.
01:13:19Dolling out painful punishment
01:13:22disguised as discipline,
01:13:24Umbridge sees herself
01:13:25as a role model
01:13:26for authority and virtue.
01:13:27For someone who constantly
01:13:29twists the truth,
01:13:30her supposed hatred for liars
01:13:31is a hilariously ironic
01:13:33display of hypocrisy.
01:13:34I can't do this.
01:13:37Actually, I can.
01:13:44Once handed real authority,
01:13:47Umbridge drops the sugary act
01:13:48to reveal the fiend underneath,
01:13:50sentencing innocent muggle-borns
01:13:51to Azkaban for her twisted agenda.
01:13:54Hogwarts may be
01:13:55every Potterhead's dream,
01:13:57but with Umbridge in charge,
01:13:58the cupboard under the Dursley stairs
01:14:00doesn't sound so bad after all.
01:14:02No, enough!
01:14:04I will have order!
01:14:08What?
01:14:15Which film character
01:14:17gets on your nerves?
01:14:18Let us know
01:14:19in the comments.
01:14:20It was a pleasure
01:14:21doing business with y'all.
01:14:23Now, gentlemen,
01:14:24if you care to join me
01:14:27in the parlor,
01:14:28we will be serving
01:14:30white cake.
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