00:00Hi, hello, welcome to the promotions of the Pan-India film, Kannappa, which is getting released on 27th June, all over the globe.
00:08We are a group of journalists here. I am Prabhu, Mr. Rajababhu, Mr. Satish, Mr. Ram Venkat, and Mr. Shiva and Mr. Vedra Murthigar, senior journalists.
00:21We are all from Hyderabad, and we are all here in Cochin, the financial and the film capital of Kerala.
00:29And before us, we are having the thespian actor, the highly accrued and applaused Indian superstar, Mohan Nalzi. Namaste and welcome, sir.
00:38And the title roller, Kannappa title roller and the filmmaker, Vishnugar, Monshu Vishnugar is with us.
00:45Sir, first of all, congratulations for the Totaram, Chotam, Mumbai and Empurans.
00:51Sir, my question is, before this project comes to you, have you heard the Kannappa story?
00:57Yes.
00:57So, okay.
00:59Kannappa story is a, it is a bhakti, it is a negotiator, it is a, even with that, the kind of offering, the tribal guy, and the kind of offering, is a sacrifice for bhakti, and is the reward.
01:13Even if it is a story, the moral, it has got a, content wise, it has got a message.
01:18When Vishnugar comes to you and narrated the subject, what was the first reaction to you?
01:24Yes, I will.
01:25Okay.
01:28He comes and, he could not delay, he cannot say no.
01:31Playing a multi-star, it's not new for you. You already started with the Balakrishna and Akinayana show.
01:38Yeah, yeah.
01:40The first you played the Pali, it was called Kalap Pali.
01:43Okay, yeah, yeah, yeah.
01:45Very pretty successful.
01:46Now, you are doing Kannappa with many stars like Akshay Kumar, Prabhas, and all. What was the special experience you got from the Kannappa?
01:56Kannappa is only a compilation within.
01:58Okay.
01:59And let us watch the film to see the...
02:02I want to ask one question, because you mentioned Kalap Pali.
02:06As a child, when I watched it, you know, there are a few scenes which are still enshrined in my mind.
02:12You know, Amrish Purji would say,
02:15How does he even accept to do a shot like that?
02:23You know, for me, even after being an active artist, someone asked me, by that time, you go as a superstar.
02:28It is a character. He doesn't have any other choice.
02:32And Amrish Purji is a coward.
02:36That is a way he asked me.
02:38I said, no, what is this?
02:40He has to do certain things when the character demands.
02:44You should not have any Hibish when you go to Afina.
02:47And that is one of the...
02:48That's why you are talking to me like this.
02:50You are asking Hibish Purji.
02:51And that is a situation of a character.
02:54He has to do.
02:55And it shows the cruelty towards an Indian.
03:00From that scene, he is also an Indian guy.
03:03By the time that the character, the situation, if it demands, you have to...
03:06Now, when I think of the scene, it's like, wow.
03:10See, I saw it as a kid.
03:12I still grew up with it very, very busy.
03:13Sir, it's not a multi-star or it's not a pan-India.
03:16It's like looking like a national integration in this.
03:20So, how do you feel, sir?
03:21Let it come out.
03:23Because now, this is like a gate crash.
03:25People have to do films like this.
03:28You have to choose a film.
03:29You have to incorporate all the actors together.
03:32Then you should make a film.
03:34Then only...
03:34Then only I will get a chance to work with the great actors.
03:39Sir, fans' point of view, sir, Agja, less small budget movies and small roles.
03:47That will be a problem for the stars.
03:50Maybe one shot like crossing the road.
03:53I have done some films with Priya.
03:55Just getting down there like a radio station and cruising.
03:58That's all.
03:59I have done some couple films.
04:01One shot.
04:01How do you deal to satisfy the fans?
04:05It's something nice to associate with the director.
04:09In the last, it's only a one shot.
04:11Can you do it?
04:12I have one couple.
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